#He's feeling lost | Explore Tumblr Posts and Blogs

fumifooms · 28 days

Text

Falin who cares too much and too little - analysis

Been stewing on Falin thoughts for a while, I know I have an interpetation on her that differs from many but I’m jumping into the fray. I think there’s a lot to be said about what we do see of Falin. This shorter Falin analysis I made is heavily encouraged prior reading. This analysis mainly explores her complex relationship with caring and so it’s sort of structured in two halves, with Faligon at the crux of it all.

Falin cares too little :

A lot of people assign Falin a people pleasing mindset and I… Don’t agree. We never see her care at all about people in her town or at the academy not liking her.

We do see her worrying about what people think of her… ONCE. And Laios comforted her, told her they didn’t matter and she should be proud of herself. She latched onto that hard. That’s why this scene was so important to be included during the dragon fight, relationship-defining; it’s always been them against the world. She grew to not care what others thought, to only focus on her close loved ones. No one else matters.

Laios’ words were her world. Her older brother who taught her how to feel comfortable with herself, who told her, you’re great, others are the ones in the wrong to not see that, I’ll always be with you, always be there for you. Older brother who always made great plans, who always knew more, who was better at wrestling to name the dogs, who she has always idolized. Laios who always spoke of traveling the world, to which she always said she wanted to follow. And she would, she’d follow him even if it meant leaving the academy and all she knew behind, she’d follow him to the ends of the world, and that’s what she did.

She didn’t care about showing to her classes or keeping up such appearances, she doesn’t even think of toning down her jumping into bushes when Marcille recoils, etc. She acts like an obedient pawn often, to her parent’s directives and then following Laios around no matter what he decides to do, but I don’t think the motivation is people pleasing, rather it’s being with & caring for her loved ones, and her go-with-the-flow attitude enhances the impression. Not that it’s as simple as that, mind you, but let’s talk about this for now.

Falin is perceived as selfless because we, the audience, have our perspectives revolving around the main people in her life (Laios, Marcille). They’re the ones she’s devoted to and people who care about her back a lot too, but to people like her classmates or the towspeople she probably must have seemed like someone who didn’t care about the people around her or her surroundings a lot, who just went on alone and did her own thing.

What matters to Falin? From what place does her kindness come from? Is a part of her keeping up appearances? And I think that’s the point, the horror of Faligon as well, that we can’t tell just how in control Falin the person is as the chimera (because we are shown that she’s in there, we just don’t know at what degree), that we don’t know her enough to be able to tell when she’s at her most genuine, her most raw. That even if you do settle on none of her being present as Faligon, we have to at least consider it, consider that she may be able to do something like this and have a part in it, brutal and uncaring. That even the lenses we see her through, the people who love her, may be unreliable.

And this is what’s very interesting about her too, she truly is so idealized by people around her as a saint. She’s so good and kind and caring to everyone etc etc etc. Laios, Toshiro and Marcille all see her as the paragon of goodness in the world. More cynical characters like Namari and Chilchuck have more layered opinions on her, the latter finding her somewhat unnerving because he can’t read her well. But then with that one flashback scene we see that… Her priorities are intensely focused on Laios and Marcille, she doesn’t care all that deeply about anyone other than them (+ maybe her parents). The rest of the party is in the same danger here but only Laios and Marcille who she’s speaking to get the special ,ention, and if they don’t cross her mind then of course she’d be ready to sacrifice strangers through a risky teleportation. That doesn’t make her not kind or caring!! Just that greater good isn’t exactly her priority. Any means is alright if the end result is her loved ones safe, it usually takes the form of healing and caring, but we see she’s ready to fight and make dangerous calls too. To me there’s this aspect to her that she isn’t as pure and magnanimous as everyone thinks she is, both in-world and interestingly enough meta wise as well, and there’s something interesting to that.

People pleasing implies a need to be liked, needs for the motivation to be that. A yes-man, etc. But if we analyze Falin, her general kind, smiling demeanor is more a matter of passivity I yhonk. Conflict avoidance is easier, so she’s friendly and hopefully things’ll be smooth sailing. It’s easy to be kind to classmates even if they act wary and rude if you don’t care about what they think either way. Of course she prefers good things happening to people over bad things, she is genuinely kind, but I think people tend to assign her a very grand altruistic way of life when to her the motivation is pretty self-centered. She doesn’t do what she does because she loves them, but because she loves them.

One situation that’s interesting to dig into for her way of thinking, and what I’m trying to get at, is Shuro’s proposal to her. I’ve seen people saying she hesitated because she didn’t feel comfortable saying no even though she wanted to, "I can’t say no, I don’t want to hurt him", something that sounds sensible and familiar, but it’s actually canon in the Adventurer’s Bible that the reverse was the case, that she didn’t feel comfortable saying yes. Because the offer was tempting, but it’d have been a loveless agreement on her end. And it makes sense she’d want to say yes too, like we see with the Toudens, marriage is very much a political strategical economical thing in their village, there’s even a bit on it on Laios’ Adventurer’s Bible profile about dowries, and both siblings were engaged very early. They lived poorly for a long time, it’s an enticing idea to marry rich, to have not only yours but your brother’s needs met forevermore easily, which at one point in their careers was their main worry and goal. Why shouldn’t she accept a life of leisure and wealth handed to her by a lovely friend?

So her hesitance was "yeah that’s convenient for me, but where it’s everything to him and heartfelt I’m able to be detached because I don’t care about it that much… Can I do that? I’m not reciprocating, not saying yes in the way that matters. Can I do that to him?" Very caring even though it’s not what you’d expect, isn’t it?

And central to my analysis, where I’m going with this is, I feel like that’s the thing with her character, that she doesn’t feel as strongly as she "should" sometimes, or feels a different way than she "should", or at least that she feels that way and others say she does. She didn’t mind suddenly leaving the academy, leaving Marcille behind and not seeing her for 4 years. She acted like it was no big deal that she sacrificed herself after getting resurrected after the red dragon fight. And in both those cases it upset the people around her greatly that she didn’t seem to get why it was such a big deal, didn’t seem to care about how they’d experienced her choices.

So it’s a tendency… And it’s not that she doesn’t care, it’s just that the way she measures what’s good for the ones she loves isn’t the same as what they themselves think it is (like Laios and Marcille not wanting to be apart from her). It’s an overt but quiet kind of care, it’s doing things like following them around and making sure they bathe and have a meal, even if that means she has to be dragged into misery too.

So yes she probably would know "not caring enough/the right way" is one of her perceived flaws, and that informs how she tries to handle her response to Shuro’s proposal. Her not wanting to accept like her first gut instinct, is because she’s thinking about reciprocity, about if it’d be right to go into this knowing that they have different priorities and she might not be able to keep up with the type and amount of emotions he wants/expects from her. And that’s a big part of her character isn’t it, having expectations pushed onto her. Her trying her best, but in her own way that may seem odd or even unfeeling. Not unlike when she exorcised the ghost as a kid too, unblinking and matter-of-factly, and not seeming to understand why people stared the way they did.

Even though she answered his proposal only post-canon, she’d been pondering it for a while even pre-canon and the Adventurer’s Bible explanation was released midstory, so I’m hesitant to assign her much growth about her hesitation and what I went on above, since she still didn’t react "right" with Laios after the red dragon fight (even if she apparently doesn’t remember sacrificing herself) and put herself in that situation in the first place. She hasn’t finished her arc on that flaw of hers is what I’m saying, she for sure still has it, but I certainly think her thoughts on Shuro’s proposal shows awareness, both of herself and social.

And awareness is a big analysis key word with Falin, especially here it can be hard not to conflate not caring with not knowing. How socially aware is she? It’s rather layered, because canonically she wasn’t aware of her ostracization in her hometown at all, and we’re not sure if she knew Shuro was interested in her before he proposed, but she generally seems more socially aware than Laios. She tags along on his caravan job to make sure he isn’t being mistreated (though doesn’t ask he get a salary), she catches social faux-pas more easily like in the genderbend magic mirror omake with Shuro, and interestingly enough she’s very good at empathizing with her parents and understanding their perspective. We see when she’s worried about Marcille coming that she does know about propriety and how appearances shape impressions. Being a chief’s daughter must at least have taught her a thing or two on that front.

She never stands up for herself, but when it comes to defending others she worries, strategizes and explains.

And this sort of understanding is part of why I think she’d notice the expectations pushed onto her like I was saying earlier, notice how she makes people feel when she’s careless. But if she changes anything about herself in response to noticing is for her to choose, and generally I think it’s a sort of inbetween of yes and no: that she becomes more complacent but also more reserved, complying but by hiding more of herself passively. She’s not sure wether to accept or reject Shuro’s proposal, doesn’t want to lead him on? She’ll just be taking a while to silently consider it, try to keep things as they are for the time being. The third, less conflicting option. She doesn’t feel heard by Marcille who keeps infantilizing her? Just bear with it. Retract yourself emotionally. Settle for it.

We see that when she was young she had a tendency to not read a room, and I think that’s here too. She doesn’t get why her nonchalance upset others but that doesn’t change that she doesn’t want them upset or hurt, so she tries, albeit in maybe a roundabout way. She always had a hard time deeply connecting with people, often keeping herself some amount of emotionally distant: erasing herself from the equation, from the two-way trade that relationships are and making it a onesided thing instead, where all their needs and emotions are directed towards her but she only lets out a bit of her own show. She takes everything upon her and deals with it and tries not to give others this same burden, though not on a conscious level, it’s just that she’s learned growing up that she doesn’t have much agency.

Like I went into with my analysis linked at the beginning, I think Falin is used to just taking what she can get and not asking for more, when it comes to social bonds. She’ll take spending time with her mother no matter what it is they do, she’ll follow Laios to the graveyards and stick by him even when he’s pushing her away (because he doesn’t want her borrowing his book or "No copying!" or such). Her father was always distant, cold and uncommunicative, her mother was considered sick from anxiety and the exorcism attempts were the main way they spent time together, at dinner tables there were only her and Laios. The dogs picked on her too even if she loved them— And so did the townspeople, maybe that being normal to her at home is why she didn’t notice the ostracization she suffered.

She’s always been the last to be asked about decisions or what she wants, never asked to play with at recess, neither her father or Laios asked before sending her to the academy or leaving the village. At home, in the hierarchy she was considered to be below the dogs by the dogs themselves, as someone they can disrespect. Dogs learn from example and behavior, so this means Falin must have been pushed around a lot, and that the family didn’t try hard to rectify the dogs’ misconception, likely worsened by Laios regularly wrestling with her as a competition.

So for example when Falin showed Marcille food, it was her way to implicitly ask to have lunch with her without voicing that question, without daring to take up space. Someone’s presence isn’t something you ask for, it’s something that’s bestowed upon you, you can follow them around but you can’t ask them to stay or to come with.

She’s used to her needs and wants not being listened to, so she’s learned to have less wants. Caring less about herself, caring less about other people beyond her safe zone, was a defense mechanism in part. She has a sense of learned helplessness too, like how when Marcille came to take her away from Laios, even though she didn’t want to leave with Marcille it felt so determined and unshakable to her that whatever Marcille decided Falin would have to comply with.

And still, it’s the "marrying you would be awfully convenient if it wasn’t that I’d feel guilty for not loving you back, the way you wanted me to when you proposed to me" and the "I don’t regret leaving the academy and leaving you behind without goodbyes but I’m sorry that you’re so much more upset about it than me". It’s the guilt of not loving people back the way they want to be, with the same intensity or fervor.

It’s the autism it’s the aroace of it all, it’s the emotional stunting and confusion but the pit in your stomach telling you you did something wrong again. The no object permanence even for people you love even for 4 years, it’s the feeling like you’re somehow at fault for someone having fallen for you and not knowing what to do with any of it. I’m not joking btw it isn’t uncommon for autistic people to not see their close friends for a long while, not having missed them all that much and for that to be really hurtful for the other if they notice/ask about it. "Hiii bestie! Oh umm you’re uh more emotional about this than I expected, hopefully you won’t feel alienated by me not feeling as intensely about it…"

So… Yeah. I think she thinks of things and relationships in a different way than most people, and beyond "good things happening to people is good" I don’t think she actually cares about people all that much. I’d argue that Laios shows more desire to connect with others and make relationships. And just like with Laios and his own issues with humans, that doesn’t mean her kindness is a lie or ungenuine or worthless! It just means that like, well it’s pretty straightforward really, she’s not all that social and doesn’t see casual bonds as meaning all that much and whatnot. She does want to see people happy, but it’s not as much like… A conviction or goal. She’s too laser focused on a select few people. "It’s not that they’re bad people, they just aren’t interested in humans."

And sometimes it feels like people get defensive about Falin in a meta way too, like if you ever so much as imply Marcille isn’t her whole world or that she isn’t the kindest soul out there then you’re saying she doesn’t care at all or she’s evil. And that’s actualy exactly the sort of vibe I wanted to get through with my analysis above here actually haha, that she does care and she is kind but it’s not in a way that’s quantified or understood in a way that makes people feel comfortable. In a way, that makes people feel insecure because they don’t have the same logic as her, don’t show love the same. And I think this is another stellar depiction of autism, of parts of it that feels unpalatable to many, if I’m making sense. The fandom idealizes her as well, which isn’t uncommon or surprising for the character embodying the trope of the perfect beloved to rescue.

And disclaimer, as I said in the tags I feel like the details of Falin are pretty vibe based when it comes to analysis, there’s absolutely a valid angle where she does super care about everyone always, feel free to disagree with me on the overarching angle of my analysis. There’s enough supporting evidence to tip the balance either way I think, and the reason I’ve chosen this angle is I feel it’s more compelling for the themes in Dunmeshi of idealization and being different, of desires vs wants, and because I think it neatly ties up Falin’s character arc as I’ll go over throughout the next section…

So.

Not feeling as much as she should. And……. Is this not Faligon pushed to the max?

You can’t tie down a dragon. As the chimera, she gets to just not care about everyone else and be on her merry way.

Part of it I think is finding comfort and freedom in the mindlessness, in not having the burden of feelings and connections and a consciousness (despite still ending up seeking those in a stranger, Thistle). Like when she’s dead in the purgatory as well, she gets to just… Hang around and do whatever. Similarly to when she played in the forest instead of going to class in her academy days. That’s what freedom and peace of mind looks like to her. Why she decides to roam post-canon, if only now with the goal to find herself instead, with her mind in tow and somewhere to go back home to.

There’s excellent analytic framing out there about how of course, Dungeon Meshi has a big theme of grief and letting go, and… Falin was always a symbol narratively, idealized by characters and often underconsidered by them despite their love. It was Falin’s choice to sacrifice herself for Laios, she thought it was worth it, knowing that it would be her end. Her resurrection and the process of it intertwining her soul with a dragon’s wasn’t done with her consent, and the subsequent opening it gave her to become a chimera puppet. She’s stripped of her agency consistently, and so… It’s very noteworthy that the final choice, of wether to go back to life or to stay dead, in that purgatory scene, was up to her. And she chooses life, but I do think about her in those fields and how at home she seemed there. Peaceful, by herself in a vast calm expanse she could explore, free.

Personally, I think freedom is Falin’s own subconscious selfish desire. And though to us becoming the chimera is obviously a shackle, I think it felt like freedom to her somewhat, too.

And if you think I’m going wildly off the rails here I want to talk about Laios’ wish of becoming a monster. And to be clear before getting into it, being mentally a monster is absolutely a big part of the appeal for Laios, it’s something that’s consistently referred to, something especially pointed out in the werewolf monster tidbit with Lycion. Right panel is from that, but left panel is from the extra with Izutsumi where Lycion talks about suppressing souls in a beastkin body, the human or the beast soul.

Finding comfort and freedom in being mindless, less sentient, less aware? While being unaware in her hometown might have saved Falin a lot of heartache although perhaps stunted her emotional growth, it’s always been Laios’ curse.

Actively, through his choices, he seeks to grow closer to people, to form deeper bonds, to understand and be undertood, but… On a deep seated level, what he desires is to leave humanity and civilization behind. He has an irrational hatred for humans, born from the trauma of ostracization, being different, being beaten up and rejected consistently through his life. Running away from problems is easier. He wants to be free from being a social animal from a social species who has deemed him the black sheep, he thinks it’d be simpler to just leave it all behind, people and his own humanity. At its core, to Laios becoming a monster is a power fantasy, a coping daydream of "if only I could be strong enough to never be hurt again, the power to destroy anything I want, the power to go somewhere better, if only it was possible for me to never feel hurt again. If only I could be someone, something, that can never be hurt". "If there’s someone you don’t like, you can gobble ‘em up in one bite. If you could fly, you’d be able to leave this village right now." It’s a childhood fantasy, from a deep sense of being misplaced and a desire to be able to stand fearless, thinly covering up resentment that Laios represses.

But you’ll notice, when the Winged Lion is enticing him in the last page, even now with his lifelong wish of becoming a monster on a silver plate, he still cares about his friends. He still has that sense of responsibility to his friends, doesn’t want to leave knowing they’ll be in danger and alone. The offer that his friends may be left unharmed is already good, but Laios also visibly flinches when the Winged Lion offers to specifically care after Marcille and rid her of her biggest fear. Laios’ care runs that deep. Not unlike with the succubus, he resists temptation until he gets reassured that everyone will be okay. But see, what he desires isn’t to stand alongside Marcille until her last days, it isn’t to stay and see how well his friends will live, it’s to go. It’s to leave. It’s to fly away, a monster both in body and mind. He wants to be free from caring here, wants to not have to worry about his friends, wants to just go do his own thing, but for that he needs to feel safe in the belief that said friends will be safe even without him being there to see it, because despite everything else he cares, he does. It’s again that dichotomy about caring and wishing you didn’t, or not caring and wishing you did.

In the end, it’s Falin who achieves that wish. Both by becoming a chimera during canon, and by going traveling post-canon. In the latter, being both free of human relationships as something chaining you while still being uplifted by them, by the knowledge that there are people out there you love and that love you. It’s a theme that can also be connected with Marcille, because she gets anxious over people she loves getting out of her sight, worrying they’ll get themselves killed, that time is passing while they’re away from her. But before she can get to the point where she can both have her freedom and being uplifted by her social bonds, regaining both her individuality and her connections, she has to get a taste of just one at a time. Before they can find balance in her life, she has to see what it’s like to have what she’s never had on its own. Unapologetic freedom, and power.

No one can blame you for not caring enough or caring right if you’re a fricking dragon!!!! You make the rules when you’re a beast and you can just… Fly away. From anywhere, from anything. And if a dog bites you you can just crush it. Instead of being pushed around by the dogs because you’re at the bottom of the hierarchy, you’re now at the top, the one with the power to be heard and do what you want without consequences.

I think she’s on autopilot. I think she’s on autopilot a lot of the time, even before being a chimera, and it’s partly why her will is so weak compared to regular dragons. (Again, read my shorter analysis.) It’s familiar to slip back into the role of following someone around unquestioningly. And that’s what is weaponized when she’s a chimera, that instinct she’s been nursing all her life to unconditionally support, defend and follow someone. Only now, that someone doesn’t matter in itself, only the symbol of it. She doesn’t mind, either way is fine. Her will is weak after all, because she’s trained it to take as little place as it could.

Falin cares too much

She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life.

So you’re probably seeing the duality I’m talking about here, Falin is very self-sacrificial but for specific people in ways that they often don’t recognize or appreciate. She cares but selectively, both in people, putting all her eggs in the same baskets, and in the ways she cares after them. She doesn’t care a lot, but when she does she cares a lot. Falin doesn't have a lot of earthly attachments, but when she does, they're her world.

In canon her arc, especially post-canon, is to grow beyond Marcille and Laios. Her caring for her close loved ones held her back from looking after her own self-fulfillment needs. And this is what I mean when I say she cares too much; she could gain from caring more about the world besides Laios and Marcille, both lands wise and people wise. She cares too little, but her arc centers her flaw around caring too much instead. Her pitfalls that Kui highlight over the course of the story, while of course her selflessness is appreciated for how she saved Laios and everyone, on a personal level is shown to be self-effacing and damaging. She’s undermined by Marcille, without the courage to voice her thoughts and wants, she would dedicate her whole life to Laios. And I mean, it’s text, in the response to Shuro’s proposal extra no less. And she’s so laser focused on her most loved people that she’s fine with being callous and risking others’ lives, even.

Post-canon, she needs to leave to find herself, away from them.

Herself. What if she wants to just be with herself for a while.

And this is me reaching but I feel like, not unlike Izutsumi who learns to feel this sense of never being alone, always having someone on your side what with having two souls, the dragon in her would make her consider herself more. She finds it easier to care after other people after all, and in the purgatory fields sequence she takes care to bring the bit of dragon left with her… Not unlike with Izutsumi, having two souls forces you to think about your identity and figure yourself out. Besides being this sort of duo now, where if she wants to care after herself she can channel it to that other side of her too… In meta dragons are symbols of greed, and I think the bit of dragon would push her to want more and listen more to her desires, primal and self-serving as they might be. The dragon soul which warped her human body with feathers and draconic features, her image of perfection marred, her weirdness externalized in a way that’s not palatable. But she doesn’t care, about if her appearance is palatable for most people, she hasn’t for a while now, and that’s great.

Notes & nuance

I’m struggling with the structure of this post, making my points organized, concise and strong at once. It’s difficult to make any statement without going "things are generally like this, but there’s this time that this contradicting thing happened too" or "it’s ambiguous enough that you should just follow my interpretation for the time of this analysis" haha, so this is the pit where I put all the stuff that wouldn’t fit well in other places but are interesting for Falin’s character. This section is pretty separate from the main thesis of the post, it’s just more Falin observations. The post has reached the 30 pics limit so I can’t just pull it up whenever it’s relevant but I really encourage scrolling up to read the stuff I highlighted in her Adventurer’s Bible profile if you haven’t already.

I think with the shy-looking loner type autistic kid archetype, and knowing she didn’t seem to mind others ostracizing her, it’s easy to lose sight of how she was by no means an unemotional child. In all the bits we see of her as a kid she’s bursting with energy and emotions. Canon confirms Laios leaving the village did affect her and make her lonely and she cried a lot, too. She may not be social in the traditional sense, but she was clingy with her brother, and she also never was all that shy about who she was, wearing her heart on her sleeve.And okay. Okay okay okay. Speaking of appearances. About what I said of her not caring about what people think of her, even seeming defiant with the caravan leader… There’s one istanxe of her caring actually, and it’s about how her face blushes easily. I remembered it as being because Laios’ said it and as I rambled Laios’ words are her world, but actually it’s ambiguous. It’s only Marcille imagining up this scenario where Laios says Falin looks weird because of it, there’s no evidence Laios said or thought that at any point. And on the other hand…

Her Adventurer’s Bible says: "5, Lovely Skin. She isn't particularly careful with it, but Falin's skin is fair and beautiful. Possibly as a result, her cheeks seem to flush easily. Marcille's always saying she's cute, and she secretly has a sizable complex about it." The phrasing makes me think the complex she has over her blushing might have developed because of Marcille more than Laios. "Marcille's always saying she's cute, and she secretly has a sizable complex about it." It could be related to how Marcille gets swept away and infantilizes her, calling her cute wanting her to wear cute feminine outfits etc. Again this feels like it relates to Falin’s struggle to be seen for who she is and what she wants to be seen as, her struggle to be recognized, having ideals and perspectives pushed onto her. Here Falin is insecure over her blushing implicitly because she doesn’t like being called cute over it, but that’s not how she wants people to see her. She doesn’t want Marcille to always see her as her 10 years old adorable friend. Like if your friend said you had puppy energy, it can be flattering, but it can also make you insecure.

Here’s a link to what I mentioned about her being uncomfortable wearing feminine outfits. It does seem to be more about comfort than the aesthetic perse, to me. Interestingly the shirt & shorts don’t seem like they show much more skin than her beach outfit, so maybe it’s more about the shirt and shorts being tight-fitting. Like the skirts and heels they feel stifling. Again a bit with themes of freedom and not wanting an aesthetic pushed onto her. So yes just to reiterate, I think this is more about self-affirmation and how her identity and self-image gets shown to others, rather than wishing to hide parts of her body like her blushing etc for people pleasing reasons. Makeup was a way for her to appear how she wants to and feel more confident. It was a way to take control over her own image. She didn’t keep doing it, the narrator stating the process to be ‘troublesome’. Ultimately she still prioritizes her comfort, and it was a lot of recurring efforts to go through.

And on the topic of appearances… A friend once asked me: "Does she really hide herself or not? I keep thinking about "falin is herself first and foremost" (in her Adventurer’s Bible profile) it’s just so. Hmmmmmmmm... I just keep seeing people say she hides her real self from people when I feel like the issue is more about her charitable traits straying too far into becoming flaws but people around her dont realize that..."

Imo the thing is, I don’t think she hides her identity, but I do think she suppresses her individuality for others’ sakes if that makes sense. In the way that only post-canon does she allows herself to go see what the world is like, but that’s not personality wise it’s needs and wants wise. And I do feel like that’s the closest interpretation of canon, she says it herself she doesn’t know what she wants because everything she’s done was always about Laios or Marcille, but she doesn’t change her demeanor or personality for others. But she *will*, like, not ask for things she wants directly, like sharing lunches with Marcille at the academy, she suppresses her wants, doesn’t ask things from people and doesn’t hope for more, hope for better. I don’t think we ever see her actively repress her personality, except like what, being more laidback than enthusiastic but I do feel like unlike Laios with her it’s less ‘appearing stoic to fit in more’ and more ‘yeah i’ll just chill until I’m needed or something activates my enthusiasm’. To which said friend quoted: "to feel like you belong you need to be useful. when you can’t be useful the next best thing is being convenient."

And speaking of passivity… I want to speculate about Shuro’s proposal some more. Shuro and her got along well though we don’t know how much, or how often they hung out, she even saved him from a nightmare. Why did she take so long answering Shuro’s proposal? Was it an effort to preserve or was she really just that conflicted? Procrastination probably yes, but what is the core motivation of itl Considering she ended up saying no to travel the world instead, I don’t think it was as simple as ‘she wanted to say yes for convenience’. Logically it’s what would have been best, but it’s not what she wanted for herself, but it was and still is hard for her to even know what she wants. Probably, since like she states it was a great offer and she doesn’t think she’ll get proposed to again, it’s that self-effacing tendency that yes it’d be convenient and logical, and that makes her want to say yes even if her spirit isn’t in it, because if it’s convenient then that’s more important than her feelings on the matter. Man also… Obviously Marcille is very vocal about how she shouldn’t get with Shuro, but imagine how Falin’s whole perspective on marriage must have felt when her only friend ever is a Romantic with a capital R who gushes about idealized romances and grand gestures and True Love and doing things with fully pure feelings all the time.

AND speaking of passivity!!! How much Falin is "there" as the chimera, just how much she’s master of her actions, is left ambiguous and intentionally so imo, but she’s for sure there & influencing the dragon’s action to some degree. Having a dragon’s foot on her in purgatory that keeps her from moving for sure visualizes how it must have been like, but there’s Falin calling out to her brother Laios, there’s the kind attentions towards Thistle that are so Falin-like, and most explicitly there’s the Adventurer’s Bible stating "Even after becoming a chimera, she has a soul that's as kind as ever", which I honestly dislike, a fantranslation puts it as "Even as the chimera, her caring nature remains" and either way to me it feels like confirmation that it’s her giving those berries to Thistle. Now, wether or not she has the mental capacity of a chicken or something closer to human Falin, no clue, there has to at least be some kind of mind bond between monsters and the dungeon lord, compelling or forcing them to go along with orders, or calling her to him in distress like with the fight on the first floor. But yes, it’s interesting to wonder what it is that a Falin, with her kind soul but without her human mind, would willingly do. On her profile, she’s described as Thistle’s guardian and servant. The power dynamic between the two are very interesting, I already went into how it might have felt like freedom to her while being fake so I’ll reign myself in and just mention it again. She’s still at the heel of someone, only now it’s someone who doesn’t care about her back. Going from being cared for so strongly that it’s suffocating and they would defy death and the world for you, to being devoted to someone who has not one feeling about you besides your utility as a paw . She has all this care to give and to focus onto others and he has none to send back to her and I think that’s part of it. In a way, being left with only her own feelings and a void, without expectations or feelings or ideals pushed onto her, it might have been soothing in itself, and eye opening. But yes the way I think of it, her care for Thistle isn’t unlike the care she gives the ghosts.

Interestingly, the care she extends for the ghosts is sending their soul to a peaceful death, freeing them, of life and any earthly attachment. Take that as you will with the themes of freedom and burden of life and mind, immortality and becoming a warped version of who you were, and such and such.

But going back on the topic of connections and bonds for a bit, I think academy days Falin & Marcille is super interesting bc we’ve never really see Falin form a connection besides with Marcille and even that is kept pretty ambiguous. When was the point that Falin started seeing Marcille as a friend and seeking her out? When was the "I’ll lay down my life for you" point? I’m so fascinated by how she wanted to share lunches with Marcille but never truly asked, only made little "hey want this? I found it isn’t it cool?" gestures of showing things to her… It’s the only way she knows to ask, or maybe it’s the only way she feels comfortable to. In all the scenes of young Falin and Marcille Falin seems comfortable in her friendship with Marcille, but at the same time… I think we see Falin at her most insecure around Marcille, because she really does care about Marcille and what she thinks of her so much, and while Marcille is a bit of an unstoppable force tornado style (affectionate) Falin is something of a doormat. I’d usually say showing her berries was her earnest way to connect and be like "Hey bestie look at this! :]" , but there’s a real possibility that she was self-conscious and holding herself back.

Friendship and Marcille! Involving Laios into this too but, again with the autism thing of not showing you care in ways that others understand, Marcille being very overtly affectionate and clingy was so so soo important… Marcille keeping on hanging out with Falin and caring after her, and being undeterred/unbothered by Falin not always seeming like she cares all that much back in the conventional way, as in Falin acts nonchalant and a bit like she didn’t mind wether she was there with her or not during her outings to the cave dungeon. Caring and being clingy and so affectionate despite that in such a classic Marcille way is soo needed, because so often people will get discouraged by say, their friend not keeping in contact regularly/well, seeming disaffected or as happy-go-lucky as ever even if you haven’t seen each other in a while or when they’re alone, and yes there’s potential for a strong friendship there but someone like Falin won’t be committed enough to reciprocating attention the same way… I hope I’m making sense but yes this angle in particular strongly correlates to autism. And the way Marcille always initiates physical affection, both Toudens being awkward about initiating touch because they don’t know if that’s allowed, if they’re going about the social interaction the right way, if they’re allowed to ask that out of someone…

Another fun observation to make is about the 4 years Falin and Marcille spent apart. Marcille despite being of a long-lived race treated these 4 years of separation with more gravity than Falin did. Falin brushed it off very dismissively to say the least. But then you remember that the amount of time Falin and Laios didn’t see each other after he left the village was 8 years. Double the years, double the time. And that reminder makes Falin’s actions so starkingly understandable. Of course she wouldn’t see 4 years of separation as a long time if 8 years of separation with her beloved brother is her point of comparison. Of course she’d see it as worth it to leave Marcille for 4 years if it meant ending those 8 years instead, especially if she was worried about him (the reason why she followed him into his caravan job).

A friend always says that while Falin is the center of Marcille’s world, Laios’ is at the center of Falin’s, and I tend to agree.

It’s fun to think of how her career dreams had always been shaped by Laios, even when they were kids. Of course there’s how traveling the world began as a dream they talked about and shared, but there’s how he reassures her by listing cool jobs she could do like traveling exorcist, etc. And then of course, she gave up on her magic academy and career path to follow him and do odd jobs, etc etc.

I should go into the violence of Faligon more tbh, because I think there’s an interesting parallel to how she has no problem wacking things with a mace, wether a ghost when she was a kid or a walking mushroom as an adult. Something that often surprises fans when they remember, I don’t really want to get into the whole " Falin hates violence and hates seeing people in pain to an intense degree. ‘If you die do it somewhere where I can’t see’ style’ interpretation, it has some weight but on the whole I don’t vibe with the theory she has a particular aversion to violence, she seems to be fine resorting to it as much as any other adventurer as long as it isn’t needlessly against ghosts. And Falin’s sudden mace hits are fun to me too because it’s not her becoming a berserker when the need arises as much as her becoming active because something she cares about is threatened, and that brings her out of her passivity from 99% of the rest of the time. Thistle included. Falin always could be violent, she just dislikes senseless carnage. The Shuro party vs chimera fight is a bit ambiguous on it, because you can argue she only attached after being provoked, presumably offscreen as well while the ninjas went off to fight the harpies. Falin becomes the most active when she needs to protect someone, she has no qualms doing whatever’s needed for that, wether it be leaving the academy & Marcille without notice no matter the consequences or what her parents think, or teleporting the party, etc.

I’m working on a post specifically pointing out all the differences between Falin and Laios, but yes I think both of them selfishly desire freedom in different yet similar ways. Falin’s dark secret is "Ethics and risks are optional if it means I can protect those I love" like the teleportation, and Laios’ is "Ethics and risks are optional if I can be free of all this bullshit" aka humanity aka his wish with the winged lion.

Conclusion

Flighted birds have hollow bones. With freedom and wings there comes risks and sacrifices.

Tldr: Falin doesn’t care all that much, she’s very go with the flow. For example if someone hates her she doesn’t really care because that’d require her caring about what they think of her in the first place, and she only cares about her loved ones. She smiles, but it’s more a state of being rather than out of active goodness: she’s canonically very genuinely kind, but it’s more out of a general want for pleasantness than active care itself. She’s passive, and softspoken because that’s just how she seems, but she has no problem hopping into bushes or getting heated if something calls to her enthusiasm or calls for action and a hit of the ol’ mace. Her loved ones needing tending or protective is what makes her go from passive to active. That familiar autopilot mode of making someone the center of her world and following their every move is what made her so easy to be controlled as the chimera, even ferociously defending him with her life. Faligon is most interesting to me with the theme of freedom. She’s shackled to Thistle and out of her mind, but there’s also a sense of empowerment and freedom from expectations and society. She spends all her time caring for Laios and Marcille alternating that none of her care and emotional energy is left for others, including herself. So she had to get relieved of all of that for a bit, becoming the chimera so she could reset and recenter and remember that she, too, indeed, is there and an important part of her own life. There’s a way of caring after others that can be selfish, not unlike Marcille being overly coddling and not listening to Falin. In Falin’s case, I think it was so selfless that it ended up looping back around to erasing her sense of self. In losing sight of herself, that devotion becoming neither quite selfish or selfless but a fact of life and a state of nature, muddled by its lack of direction.

She’s sooo used to never being able to ask things out of others, you get the crumbs of affection and approval that others offer to you unprompted and that’s it don’t hope for more don’t ask for more. (Also reflected in how she follows her loved ones around without complain or personal opinions and how she’s not willing to rock the boat and affirm herself in her relationships like with Marcille during canon)

Falin cares so much, so much and so laser focused on her few loved ones that it blinds her and she loses sight of everything else, she ends up neglecting herself and the rest of the world. As Kui puts it, Falin is herself first and foremost. She just had to remember the importance of that.

I see her as an enneagram 9, which can be surprisingly accurate and fun to research through the lense of Falin. Excerpt below from this book, but like my god, good way to put it

That’s it, ty for reading. Even if it’s a bit of a mess, hopefully you’ll have gained a thing or two from it. Falin is a character hard to pin down, but it is very gratifying when you find the way that the puzzle pieces fit together right for your own understanding of the story. Fantranslation of the shuro proposal comic by @/thatsmimi here.

Here’s my spotify playlist for her if you’d like

Sometimes love is about letting go, a lesson a lot of the cast needed to learn. Self-love’s important too, and just like with diets we need a healthy balance.

#I find it hard to express myself right on the topic of Falin. Both because the issue is pretty vibe based and because we don’t #get that many moments with her. So there’s ambiguous scenes up to interpretation addressing a layered topic and like. Save me. Save me #As always falling down the rabbithole of starting an analysis about a specific facet and then needing to explain everything else around it #I’m doomed. I’m getting lost in the sauce.#dungeon meshi #delicious in dungeon #falin touden #analysis #character analysis #meta #autistic reading #aroace reading as well. Sort of. It’s mentioned #The aroace autistic guilt of not caring back in the way/with the intensity you’re expected to #As always this is just my interpretation blablabla #Spoilers #dungeon meshi manga spoilers #She loves like a dog aka unconditionally and happy with eating scraps of affection and attention off the floor #Laios touden #he’s here too bc they are an unit #If you’re not capitalizing on the uncanny vibe autistic effect for Falin’s character u are missing an opportunity imo #Fairy’s child is written all over her. Her cryptic-ness is the point so why am I surprised she’s hard to fully pin down #Even with the graveyard scene it was Falin following Laios… Sob. Laios could feel responsible her powers were found out #I’d like to rework this at some point if i get better at structuring. I’m not satisfied by the level of clarity #Will 90% for sure edit stuff in if i find more to say.#Fumi rambles #Crazy style #I give a TLDR at the end if you’d prefer. It doesn’t have the like evidence/explanations alongside but it makes the main points i think

942 notes · View notes

twentyfivemiceinatrenchcoat · 5 months

Text

you’re an angel, i’m a dog ; satoru gojo

synopsis; an upcoming exam has been stressing you out, and satoru’s pleas for you to take care of yourself fall on deaf ears. he takes matters into his own hands.

word count; 4.3k

contents; satoru gojo/reader, gn!reader, yan!gojo, as far as yanderes go he’s very mild i think (im sensitive u can trust me!!), mentions of blood, implied murder (not depicted!!), he threatens your professor w a knife lol, surprisingly fluffy??, gojo is soooo lovesick & smitten, he just wants his baby to live a happy life :( is that so wrong :((, also your parents love him <33 and he calls you honey <333 ideal man.

a/n; i blacked out & when i woke up this was in my drafts… mysterious. @kissxcore here u go alexis <33 one very smitten morally gray yan!gojo just for u!! i completely lost the plot halfway through but i had a lot of fun writing this!! :33 i don’t dabble in yan content at all so it was a fun lil challenge hehe, i hope it ended up . Somewhat .. decent…

satoru thinks you deserve everything good.

”haah…”

— the sigh spills into the air, dripping with exhaustion, a palpable fatigue that has his heart clenching.

just as he feared, you’re here. again. seated on the couch, in the living room, legs crossed and framed by flimsy strings of moonlight; illuminated only by the dim light of the laptop in front of you. carding through your hair, blinking sluggishly.

another sigh. deep, exasperated — from satoru, this time. he keeps a single hand on his hip, brows furrowed in soft disappointment.

”honey… what do you think you’re doing?”

you jolt, the sudden sound breaking you out of whatever trance you were previously in. when your gaze flits to his, craning your head to see him rest against the wall leading up to your bedroom, he thinks you look a little like a kid caught with their hand in the cookie jar.

it makes him smile. despite his disapproval.

”ah — satoru! it’s… um.” a moment passes. he can practically see the gears of your mind turning, searching for a good excuse. ”… not what it looks like?”

he clicks his tongue. ”nice try.”

then he’s walking towards you, in long strides, gliding across the room like a butterfly in search of nectar. from the sweetest flower there ever was.

even when said flower is still awake, past midnight, pulling an all-nighter despite his frequent advice not to. his very frequent, very thoughtful advice not to strain yourself until you just about pass out.

but you just won’t listen.

”’m disappointed in you, baby,” he huffs, just playful enough to ward off any genuine feelings of distress. he could never truly be disappointed in his baby. ”what did we say about studying this late, hm?”

a sheepish chuckle slips past your lips. satoru is standing in front of you, hands on his hips, raising a questioning eyebrow as you squirm. lighthearted, yes, but genuine. it makes you feel a little guilty.

”… sorry,” you breathe, closing the lid of your laptop. knowing he won’t let you stay up any longer. with the loss of light, your face becomes shrouded in darkness. ”just can’t sleep when i’m so stressed.”

at that, satoru makes a tiny noise — something worried, a little sad, from the base of his throat. a soft frown finds its way onto his lips, and he blinks the sleep away from his senses. plopping down beside you.

”i know. i’m not trying to lecture you,” he croons, reaching out to cradle the apple of your cheek. you melt into him like molten honey, easy and sweet. ”just worried. know you’re stressed.”

and he does. he does know — it’s all he’s been able to think about, these past few weeks. to his dismay, he’s even begun to grow used to this sight, used to finding you in the midst of working yourself to exhaustion. fighting the urge to sleep, slumped over your desk, or cooped up on the couch. staring into your laptop like it holds the secrets of the universe.

time and time again, he’s told you to take care of yourself. tried to coax you into relaxing, rubbing your sore shoulders and kissing the puffy skin beneath your eyes. but this exam is important — you’ve told him as much, more times than he can count. he doesn’t doubt that you’re right.

of course you’d be stressed. he gets it.

still, though.

”but you know it’s not good, yeah? that it’ll just burn you out?” his thumb goes to smooth over the dark crescents beneath your eyes, gentle as a feather. ”we don’t want that, do we?”

you bite your lip. trapping it between your teeth. he knows you know. ”… yeah,” you admit, a flimsy little sigh on your tongue. ”it just feels easier to do this at night. don’t know why.”

”my little night owl.”

that makes you smile, a little, but it’s not enough to satisfy him. he curls an arm around your waist, and drags you into his lap; gentle, always gentle, like all that exists under your skin is made of porcelain. like the lines of your face form a string of words, a label of fragile: handle with care. he always does.

with his heartbeat by your ear, his warmth melting into yours, it’s easier to speak. a pressure on your chest that fades away. ”i’ll try not to do it again,” you murmur, biting back a soft yawn. nuzzling into his neck. ”promise. don’t wanna worry you…”

satoru softens.

(always so good to him.)

”it’s fine, honey. i understand.” he smiles, smoothing down your spine, counting the bumps of vertebra that slide along his palm. ”don’t worry that pretty little head of yours over me, alright?”

in return for his comfort, you wriggle away, lifting your head to give him a smile. one of your many smiles, each one fervently cherished by him; the one you’re wearing now is tired, a soft curl of your lips, the kind that makes him want to lull you to sleep. just the sight alone makes the anxiety in his veins feel like a worthy investment.

he doesn’t tell you anything that could cause that joy to diminish. doesn’t tell you that he can’t sleep without you, that he can barely breathe knowing you’re this stressed all time. doesn’t tell you that he jolted awake with a sinking feeling of dread, a gaping pit in his stomach when he didn’t immediately feel the warmth of your skin against his. doesn’t tell you that he always, always assumes the worst.

satoru doesn’t tell you these things. it’s a safety measure, an act of love. a bundle of unvoiced syllables, woven into white lies, silky and sweet. tailor-made to put your aching mind at ease.

satoru thinks you deserve everything good.

it’s a theory, of sorts, a train of thought. a hypothesis made manifest. after many years of pondering, he’s arrived at the following conclusion; you are all that’s good. therefore, it only follows that you deserve everything that’s good, all of it and more. satoru believes you deserve every single thing your little heart desires — and he’s determined to give it to you.

so he’s been worried.

it’s not that he doesn’t trust you. he knows you’ll ace the exam, knows you’ll do your very best, knows you’ll make him proud. you always do. you aren’t the problem, no, never.

he just doesn’t trust your professor.

that unfair, stuck-up, incompetent professor who’d fail his students just for being a couple minutes late, who curates his exams to be as convoluted as humanly possible. you and your friends are starting to suspect he just likes berating people for a living. satoru knows it all, he’s heard it all, of course he has. satoru pays attention to everything, when it comes to you. he knows all about your professor, the man who’s been making your studies pure hell for the past semester.

it makes his blood boil. steady, ruminating, hot and heavy in his veins. a rivulet of lava.

(it was only a matter of time.)

satoru is a teacher too; he knows that type. one that has no business being a teacher, in the first place, one no student deserves to be subjected to. he’s met more of them in his career than he could even begin to count. the thought of one of his own students being at the mercy of someone so incompetent makes his skin itch.

and the thought of you, seated on the couch, crying and sniffling when he comes home because none of the exam questions made enough sense for you to even try —

it makes satoru want to claw his skin off.

it makes that tiny, tiny cavern in his heart extend, widen, like a maw, swallowing up his liver and lungs and sense of morality. an emptiness begging to be filled.

there’s only one way to satiate it.

so he plants a wet kiss on your forehead, ruffles your hair, tucks you into bed and waits until you fall asleep. deep and heavy, a slumber you won’t wake up from anytime soon. he presses his lips to your forehead one more time — for good measure.

then he grabs his coat and slips outside.

the moon is visible through the window.

a thin crescent, nailed next to the dim stars, leaking a dream-like fluorescent shine; illuminating the office, so quiet he can hear those erratic breaths spill out, one by one. a heavy, heavy silence, thick enough to spread like butter over toast.

(ah, that’s right — he forgot to buy the butter you asked for this morning. no wonder he feels so out of sorts. he’ll have to grab it on his way back.)

”who… w — what are — ?”

satoru stays silent. lips pursed, eyes keen, burning into the back of the man in front of him. close, almost chest to back, enough to have him scowling in displeasure.

just being in his presence makes satoru feel a little sick.

he keeps the blade pressed right beneath his adam’s apple, a silver glimmer in an office painted blue and gray. not enough to sink into his skin, but enough to have his heartbeat hammering, enough that satoru can practically feel those rapid flutters of life. brushing against his gloved hand.

he gets straight to the point. voice muffled by the fabric covering his mouth, low enough that it’s barely even audible. he’s careful, about this kind of thing. there’s a delicacy to the ill intent, something he’d be a little enamored with if it weren’t for the compass stuffed into his ribs — the compass that tells him this is wrong.

he just can’t bring himself to care.

”the upcoming exam.” his voice sends a shiver down the man’s spine. satoru can feel it. ”don’t fail a single student.”

silence. pure silence, suffocating them, tangling itself into the air. satoru can practically taste it — fear, familiar, that pang of panic. a ticking time-bomb. the knife stays pressed against warm skin, pushing, sinking, just a little, a drop of red against his pale throat.

it’s enough to get your professor to make a little noise, one that vaguely resembles a whine. like that of a small animal, rolling over on its belly, eager to play dead. no word is spoken in reply, but he nods, just barely, a nervous tremble of his head.

satoru hums, approving. ”good.” he doesn’t loosen his grip. ”there’s a particular student i’m worried about. marked them down in the catalogue... i’m counting on you.”

another noise. a grunt of affirmation, a silent plea — satoru allows that fear to seep into his own bones, just a little, just to get a taste of it. cold on his tongue. he wonders if this is what helplessness feels like.

then he takes a step back. slow, tentative, dragging the knife with him. not before parting his lips once more. ”don’t turn around,” he warns. ”i’ll be back if there are any complications. this’ll be our little secret, hm?”

the man in front of him doesn’t say a thing. frozen in fear, paralyzed, not moving an inch. a fly trapped in his web. it’s a relief.

before he exits the room, satoru puts the final nail in the coffin. just in case. ”i happen to know what school your daughter goes to.” he waits for a flinch, and it comes almost instantly. like clockwork. “remember that.”

it’s an empty threat. your professor doesn’t know that, though. he doesn’t know that satoru knows his daughter, that he walks past her preschool almost every morning on his way to work. that she waves to him whenever he passes by, and that he makes it a point to always wave back. a little troublemaker; the rowdiest of utahime’s preschoolers. she has a bubbly laugh, and just lost one of her milk teeth. she was giddy when she showed him, a bout of giggles spilling from her lips as he cooed and ruffled her hair.

he wouldn’t lay a finger on her.

but your professor doesn’t know that, hasn’t got a single clue, and satoru delights in the fear that must be running through his veins. down his spine, crawling into every narrow of his skeleton, making a home for itself that he’ll never quite be able to root out.

a gulp. satoru hears it, in the quiet of nightfall, just before he shuts the door behind him. good.

the rest of the evening is a blur. satoru gets home, relieved to find you still asleep, and tucks you into his chest. makes a mental reminder to order your favorite take out tomorrow; a little reward for your hard work.

finally, he can sleep easy. knowing you’ll get what you deserve.

three weeks later, satoru places his hand on the familiar doorknob in front of him, dragging his weight behind him. blinking sluggishly.

there’s a sinking feeling in his chest, weighing him down — like an anchor tied to his liver. a compass, tucked between his fourth and fifth rib, one that’ll always stay lodged right there. he’s learned to grow used to it, a natural consequence, a sign that his humanity is still intact.

that doesn’t make it any less bothersome, though.

(ridding the world of a pest shouldn’t make him feel dirty. especially when he felt nothing but contempt for the pest in question, for the way he whistled as you walked by, the words he spewed before satoru met his eye. vile. putrid. why should he feel guilty for wiping a stain off the pavement?

it does make him feel dirty, though. a sinking feeling in his chest.)

there’s nothing to be done about it. satoru swallows the unpleasant taste on his tongue, and drags the door open, closing it behind him with a softness he reserves for you alone.

and there you are.

on the couch, farther away, already looking his way — lips instantly curling up into what he knows will be a smile. this time, it’s laced with excitement. one of his personal favorites. his gaze devours the joy in your features, the glimpse he gets of your teeth, that familiar crinkle of your eyes.

you’re smiling. at him. you smile and his world wakes up, it’s dyed in different shades of blue, it’s brimming with life and love and something too good not to kill for. you smile and everything is right, good, worth it. you smile and it's as if the blood has been washed off his hands.

suddenly, all is well again. satoru exhales a blissful little breath.

“‘m home, honey,” he grins, a light pink dusting his cheeks, hanging his coat up before turning to face you. arms wide open. “did you miss me?”

his heartbeat stutters when you practically engulf him, all giddy giggles and that perfect smile, nuzzling into the crook of his neck. “mhm,” is what you chirp, pressing kisses down his collarbone, and he has to bite down on his lip to stop the shivers trailing down his spine. he tastes iron, but laps it up with a coo. sickly-sweet.

“missed you too, precious,” he purrs. “sorry i was gone for so long — had to take care of something.”

he cups the back of your skull with his palm, large and crafted just to hold you, and marvels at how much you trust him. how you’re melting into his chest, fitting into every crevice of his heart. he wants to keep you there forever. forever and ever, always within reach, always close enough to touch.

but he also wants you to be happy. he wants to see you run away, wherever the wind takes you, if only so he’ll get to feel you jump into his arms again, when you’ve had your fill of the world. when you come home to him, where you both belong.

satoru would never cage you. never, never, never. he wants you to enjoy your life — confining you wouldn’t do any good, would only stifle that pretty smile he loves so dearly. he wants your world to be large, brimming with life, blooming with fervor, wants the air to be clear enough for your beautiful lungs. he couldn’t build a world for you, here, in this apartment. no matter how big or luxurious.

so his only option is to bend the world into a kinder shape — twist and mold until it forms a path good enough for you to follow.

(it’s worth it, he knows, he’ll always know. it’s worth it to see that smile.)

“is that a new coat?” you ask, naive and innocent, and it breaks him out of his thoughts, attention wired to the lilt of your voice.

“yeah.” it’s stylish, expensive, a nice shade of black. he had to throw the last one away. “looks nice, right? i’ll get you the same one, pretty.”

“you don’t have to, toru!” you hurriedly exclaim, knowing he’ll jump at the opportunity to spoil you. “i like the one i have now!”

satoru pouts. a soft huff, right by your ear. “you don’t wanna wear matching coats?” he feigns sadness, scratching softly at your scalp, drinking up the little purrs that bubble up in your throat.

and you giggle. you giggle and all he can think is worth it, worth it, worth it. a stained coat or two means nothing. the blood on his hands is just insurance.

“well, when you put it like that…” you shift a little, curling your arms around his neck, breathing him in. he wonders if you can smell the cleaning detergent. “i guess i wouldn’t mind a new coat.”

and he grins. “right? want me to buy you new shoes while i’m at it? some jewelry?” he peppers kisses down your neck, amusement laced in his voice. “the whole store?”

again, those giggles. again and again. he laps them up like fine wine. “okay, that’s too much.”

“but you deserve it!” he whines, sickeningly sweet. sick to his stomach with love. “been working so hard, my angel.”

and, suddenly — you light up. his little firefly. brightening, inhaling a giddy breath. pulling away, a little, and he does his best to bite back the frown on his face. you’re practically beaming, sunshine personified, eyes glittering with giddy joy.

“right! i almost forgot!”

then you’re skipping away, happily, to retrieve your phone. and he knows what you’re going to show him, but still feigns surprise when he sees the score on your exam, that perfect 100 on the screen. still makes an expression of shock that he knows will get you to laugh, still picks you up and spins you around and tells you how proud he is.

he almost, almost feels bad, seeing you smile so wide; at what you assume to be the fruits of your own labour. almost feels ashamed, knowing that perfect 100 wouldn’t exist without the knife at your professor’s throat.

but, then again, this is how it should be. those numbers are the fruits of your own labour, because satoru is a part of you. and you deserve it, deserve it more than anyone — he knows you would have gotten it, even without his help, if your professor was competent enough to see your brilliance.

satoru smiles. he is proud of you. and this is exactly how it should be. he’s just bending the world into its rightful shape, cutting strings from a wrongly woven web, righting the wrongs of the people around you.

you, you, you. the only thing that exists.

all of him is for you.

”i knew you could do it. never doubted you for a second, baby,” he smiles, so wide his cheeks hurt, and you return it with a kiss to his jaw.

”thank you. i’m just so relieved,” you exhale a breath, heavy, and it’s like he can practically see the stress melting from your shoulders and eyes. worth it, worth it, worth it. ”gosh. i’m gonna sleep like the dead tonight.”

”as you should,” satoru chirps, pinching your side. softly, brimming with fondness. ”but before that, we’re gonna celebrate. all day. and tomorrow too!”

another smile coaxed from your lips; this time, it’s a little bit shy. bashful, at the praise, his endless excitement. so precious he wants to kiss you breathless. give you all the air in his lungs.

so precious that he forgets about everything else.

this is what you always do to him; wrap him up in a blanket of your love, cloud his veins with a nectar so sweet he takes the leap into your arms without a second thought. a foolish, lovesick butterfly, sticking to a single rose; dripping with honey, overflowing. the butterfly is too drunk on love to care.

you’re his flower, his joy, the most useful form of anesthesia. with you in his veins, on his mind, your lips on his jaw — satoru can pretend that his hands are clean. that they always have been.

it all slips from his mind. your professor, the creep who catcalled you, that one classmate you’ve been complaining about recently. he forgets that they even exists, and satoru thinks that must be what love is: something that narrows your world down until you can make a home out of it.

(something worth cherishing, no matter the cost.)

as always, it’s your voice that snaps him out of the trance he’s in. turning around at the sound of your call, the orpheus to your eurydice, too in love to save you from himself. you’re both getting ready to head out, dressing up for a well-deserved date.

satoru feels himself smile. he does the dirty work, and you get to reap the rewards. heaven on earth.

“oh, by the way! would you want to have dinner with my parents tomorrow?” you meet his absent gaze with a tilt of your head. “they’ve been asking about you again. it’s such a headache, seriously.”

satoru giggles, barely containing how delighted he is. raising a playful brow. “oh? grumpy that you aren’t the favorite child anymore, hm?”

“okay, first of all —“ you stifle a giggle, pulling a drawer open, rummaging through it. freshly washed clothes. he washes most of your things. “you aren’t their child. and second of all —“

“— yet.”

a pause.

satoru watches your gaze flick over to him, then back to the drawer, collecting yourself. a cute flush to your cheeks. “… whatever.” you clear your throat. “second of all — i don’t like how much they like you. what kinda spell did you put them under? it’s always satoru this, satoru that!”

a huff fills the air, and you mutter something that sounds a little like mocking, an obnoxiously imitated where’s satoru? that makes him chuckle into his fist.

he shrugs. “i’m just a natural charmer, y’know? and, for the record; i would love to have dinner with them.” he sends you a wink, playful, and you roll your eyes. “are you joining us?”

a bout of laughter pushes past your lips, and satoru thinks he could die happy — just soaking up the joy that spills from out your throat. he wishes he could live in it, paint your house in it, wear it. he wants your joy to be all he ever feels. he feels sick at the idea of ever being out of earshot for it.

“yes, i’m joining you.” your scoff is dripping with humour. ”i’d hate to be the fourth wheel, but it is what it is.”

satoru stifles a grin. ”lucky me. three beauties all to myself,” he drawls, a seductive lilt to his voice, just to hear that little noise you always make with the back of your throat. vaguely disgusted.

”you’re so gross.”

a coo. like the buzzing of a bee. ”don’t be jealous, honey. know you’re my favorite, don’t you?” satoru smiles — more sincere than you’ll ever know. ”could never love anyone else.”

”so my parents are in second place?” you quirk a brow, amusement lacing your words, and he clicks his tongue.

”well, they made you. i’d have to be a fool not to worship artists of such caliber.”

”charmer.”

”yours.” the word is a knife at his throat, a stain on his coat, a love so heavy it’ll burn him alive. ”only yours.”

and again, you smile. all he can think is that you deserve everything, everything that’s good, everything he could ever give you. it’s all he can think as you go about your day, as he leads you outside, as he watches that flicker of joy dance within your iris. as he watches you walk wherever your heart takes you.

the thought remains when you return home, when you wrap yourselves up in blankets and he throws a leg over your waist and you curl an arm around his ribcage. it’s all he can think.

satoru was born to be of service — to someone, to the world, to something or another. he was born to carry a weight on his back.

so why not bear the weight of your burdens?

all he wants is to protect you. all he’ll ever need is that smile on your face. he was always bound to be just this: a dog at your heels, a halo around your head, the watchful eye keeping you safe from everything rotten in this world. he’s the butterfly, the spider, the web itself. and he’ll never let you be tangled up in it.

he was born to be of service to you. so service you he will, until it all comes back to bite him.

“satoruuu — stop stealing the blanket!”

he prays it never will.

#im a lil unsure how to feel abt this piece i feel like it lost its flow pretty quickly 😔👉👈but i rlly did have fun writing it hehe #my baseline for yan!gojo is basically; a kind man who’s so in love w u that he’s willing to compromise his own morals to keep u safe #he’s not particularly possessive or even obsessive?? to him violence really is just . a necessary means to keep u happy #this is almost definitely the only yan piece ill ever write bUT im very fond of this gojo … he’s a tortured little meowmeow <33 #cw yandere #yandere gojo #gojo x reader #gojo x you #gojo x y/n #jjk x reader #jjk x you #jjk x y/n #gojo fluff #gojo satoru x reader #gojo satoru x you #gojo satoru x y/n #tw yandere

1K notes · View notes