#How to Read Stocks

[imclou]

selling authentic ldr eclipse autograph 100% legit trust me bro just DM me

LDR AU by @spadillelicious go read the fic please please pleasepleaseplease

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[obsob]

to be loved is to be held!!! print

[newsupgrade]

7 Essential Steps to Mastering How to Read Stocks with Confidence

How to Read Stocks: A Comprehensive Guide to Understanding Stock Charts, Market Patterns, and Financial Data Understanding how to read stocks is essential for anyone interested in investing in the stock market. By gaining knowledge of stock charts, market patterns, and financial data, investors can make informed decisions and potentially maximize their returns. In this comprehensive guide, we…

[consultingfujoshi]

some thoughts wrt the two established "romances" in severance so far (burt/irving and helly/mark) inspired by @figmentof who pointed out how irving had to find out mark and helly kissed from the corporate video in s2 e1 and how he must have felt seeing his co-workers' love affair like portrayed like that, and how it ties into the queer narrative at play here which uses workplace dynamics and policies as very clear analogues for real-life prejudice against queer couples. I mean, just look at this:

it's not just documented, but celebrated. used as propaganda for how the conditions on the severance floor have improved. proof that the severed workers are happy. and how even though he is unaware of the sociopolitical meaning of all this, lumon is very not-subtly telling him that what he had with burt is inherently lower and less valuable than this.

irving doesn't even know homophobia exists and yet he is still affected by it, it still seeps into every corner of the way his and burt's romance progresses. burt is positioned as an unacceptable love interest from the jump. irv is actively discouraged at every turn from pursuing it. their friendship is viewed with disgust and apprehension from their coworkers. burt working in a different department that's hated by MDR. dylan himself not being homophobic in the sense he opposes their relationship because they're both men but his attempts to keep them apart still has a parallel sort of prejudice behind it and still ultimately has the same effect as if it WERE driven by homophobia. irving is made to feel perverse for wanting contact with burt. he's told this is for his own good.

and then, just as they manage to overcome that immediate resistance from their peers and escape to a place where they can explore this blossoming romance on their own terms, burt retires. for all it matters to irv, he's dead. and then irving is given the option to live the rest of his life with grief that will never heal, or kill himself too, because there is no reality where they get to be together. that's just the way things are. of course they wouldn't get to be together. he was unreasonable and childish for ever hoping that could happen. this is just the way it goes for innies. he's told to get ahold of himself and not make a scene.

but the thing is, the standards are not the same for all. a heterosexual romance gets upheld as the shining example of success and fulfilment for the severed employees, whilst a homosexual romance is ridiculed and invalidated, and written off as something that was simply never meant to be. and even more importantly to irving, a heterosexual romance is APPROVED OF by lumon, and by extension, by kier. irv held back from allowing himself to even call his and burt's relationship a romance, because his god had told him it was wrong, he followed the handbook, thinking this was what kier wanted, and then finding out after suffering the worst heartbreak imaginable because of it, that this WASN'T EVEN TRUE. it's simply just that someone like HIM doesn't get to have something like this. his love is not the kind of love god wants. he does not approve of irv's love. cynical and manipulative though that approval may be (even within the context of the corporate video, the helly/mark romance is only being celebrated to further the narrative that lumon care for their workers, but the point still remains that it was THEIR romance specifically used to suit this end), when your entire life has been in pursuit of that approval, it must be devastating to learn it was never on the cards for you.

he and burt even used the fact kier met and fell in love with his wife in the same circumstances as them to justify this to each other - and they were RIGHT, god does approve of falling in love with your coworkers - this simply just doesn't apply to them specifically. and if irving needed any more proof that he no longer has a place at lumon, that he's better off not existing at all than existing with this pain that cannot be remedied, pain that won't even be acknowledged for what it is, a symptom of a sickness which plagues the entire severance system, pain that he is simply expected to choke down and get over - this is that proof.

and that's the POINT. they're TELLING us that this is unjust, and there's a double standard. they're using the ways the innies experience romance and the difference in lumon's reaction (lumon being the collective of all the management we've seen, lumon as a singular entity) to burt/irving vs helly/mark to comment on how queer people are not afforded the same level of respect or validation IN REAL LIFE, for their attachments, their love, their pain, their suffering. it is NOT just incidental that irving's romance is with a man. it would not WORK if his love interest was a woman. the POINT is that they are both men and how that puts them at a disadvantage, even if they aren't aware of the prejudices of the outside world, even if they don't TECHNICALLY apply on the severance floor, there are very clear analogues which still end up oppressing them in equivalent ways that they would be suffering if this were a normal workplace in the outside world.

it genuinely sickens me to my stomach that even in a world so divorced from reality and the sensibilities of regular society, a queer couple is still made to suffer and feel inferior in a way that perfectly mirrors their real-life counterparts. how they will never, EVER be allowed to exist in a world where their love could thrive freely and uninhibited - they never get to taste the joy our world has to offer people like them, but they are still somehow subjected to all the pain it has to offer them regardless. it's such horrifically devastating writing. it makes my skin crawl. I can't stop thinking about it

[justskyla-art]

rhinestone eyes

[bacchuschucklefuck]

[ninja-knox-ur-sox-off]

(The conclusion) Chapter 22: Aftershocks (end.)

Aaaaa This is it! The last chapter of Wobbly Hearts! You know when I started working on this I never thought it would get as long as it did but I’ve loved writing every word.

Enjoy the chapter! Signing off for the last time, this has been

[hauntingyourself]

Got that dreadful feeling of hurtling towards a terrible and inescapable doom. the usual

[teamsasukes]

Was Itachi's forehead poke to Sasuke a sign of distancing himself and not wanting Sasuke to get involved, rather than just a mere sign of affection? I saw a few people talk about that and how it's weird that Sasuke does that to his family considering the original meaning.

yes, you've got an accurate handle on the original meaning of the Forehead Poke. fundamentally it is an expression of distance that itachi wields at times when he cannot be with sasuke. and it seems to be a throughline of his childhood: sasuke asks itachi to do something as mundane as train together but itachi continually refuses on account of his duties as a shinobi.

it is not a gesture devoid of love -- it's not as though itachi ever delights in dismissing sasuke (on the contrary, he is always regretful). but there's a cruelty in the uncertainty of it all: the most direct translation is "maybe next time", so itachi fails to provide even an assurance that they can, like, hang out next week or something. this chasm between them is then widened by itachi promising, on the night of the massacre, that he might allow a final battle between them if sasuke ever proves competent enough to bother fighting, leaving sasuke in protracted pursuit of the looming specter of his older brother.

this distance is really only bridged (barely) in their final scene when itachi lays bare the truth of his motives, his regrets (which are lacking, to put it mildly, but for sasuke this is nonetheless momentous), and his unconditional pride in and love for his little brother. the Forehead Poke is notably absent here because textually, the enforced distance wrt sasuke is framed as itachi's greatest wrong. (seriously, itachi says something to the effect of: i shouldn't have done All That because maybe you, my 7-year-old brother, could have brought change to our clan... thereby reducing inconvenience for konoha, of course. the paucity of virtue in massacring the uchiha doesn't really register for him even during this reconciliation, and it's deliberate... because the author doesn't see it as much of an issue either!)

anyway, it might seem odd for sasuke to repeat this gesture with sakura in chapter 699, then, particularly because it seems to be invoked in a manner identical to itachi in his neglect. kind of an odd way to signify a happy ending for these characters, right...?

well, it works for me solely because it is not identical! and naruto's english dub is my worst enemy. i would grab a couple of manga panel screenshots in the original japanese to prove it, but it's easier for me to just plug these scenes from the anime. here is an itachi Forehead Poke (0:51) and here is sakura seeing sasuke off at the konoha gate (0:33). there's a subtle but meaningful distinction in the phrasing: "mata kondo da" vs. "mata kondo na". which, in effect, alter the meaning from "maybe next time" to:

(there's an excellent tumblr post from years ago which performs a substantive analysis of the japanese in both contexts, but eludes me now. pls send if any of you have a link to it!)

so personally i adore its inclusion in chapter 699 specifically. it obviously carries a great deal of weight for sasuke and it's meaningful he chooses to express it to sakura specifically despite leaving the entire team behind -- in lots of ways, and more than any other character, i think for sasuke, sakura is the anti-itachi. (that would require another post to elucidate.) so not only is it an expression of regret at unintended distance, but, more crucially, it's a promise of return. i think it's incredibly sweet that sasuke can repurpose the gesture from something soul-rending to something hopeful.

(also deserving of another post lol but this scene also achieves a neat and, crucially, subversive callback to sakura's foundational insecurities... it's like poetry it rhymes)

all that said, i understand why it reads as something different once we are then given the context of chapter 700 and gaiden... i dislike both of these installments, primarily for the implication that distance becomes a love language, so to speak, between sasuke and sakura/sarada. these relationships are ruled by distance and sasuke accepts it. it's disappointing! his journey to learn about more of the world in chapter 699 jibed with the character's arc until that point. this does not.

my unpopular take is i think this has just about nothing to do with sakura or the sasusaku relationship and everything to do with authorial outlook on sasuke's actions in part 2. and for the record, i maintain that these crimes ultimately amount to very little -- violence and death are occupational hazards if one is a shinobi. konoha is also foregrounded by a cold calculus on the worth of human lives; i'm sure sasuke's indispensable role in saving the world outweighs the killing of a few samurai. i just think kishimoto needs sasuke to atone, somehow, forever, via endless service to the village. and he also cannot sensibly write a kakashi- or naruto-headed government that would impose any meaningful punishment, so sasuke is relegated to a state of permanent rootlessness in some dumbass quest. it's a sacrifice on his part, but contrived for a number of reasons, chief among them being that the sasuke we came to know in the original series would literally never internalize konoha's ideals in this manner. so even though the Forehead Poke in gaiden and boruto retains the elements of promise and anticipation of eventual reconciliation, it feels kind of... lame and weightless. there is a superficial signal at growth but materially, for the parties on the receiving end of the Forehead Poke, very little seems to change.

frankly, i think we are meant to view sasuke's love as noble (and sasuke himself as penitent, suggested by the ascetic quality of his life). sasuke is still doing things differently than itachi, insufficient though it may be: he is honest about the reason for his travels, he does not rush to dismiss sarada when she needs emotional support, his motives are selfless rather than selfish (sasuke guards against the threat of the otsutsuki; itachi... wanted sasuke to kill him, in no small part as a desperate ploy to end his own suffering, notwithstanding the subsequent damage that would be inflicted on his thoroughly traumatized little brother). gaiden is surprisingly candid about the distance as a source of distress for sarada, sakura, and even sasuke, but by the end everyone understands why it must be as it is. the state above all! (you'll notice even itachi's apology to sasuke held this precept intact... there is a reason the series closes with sasuke accepting his old hitai-ate.) it is admittedly vexing, considering the totality of evidence here, to see sasuke's nomadic status in boruto pinned on how much he hates his dumb bitch wife and not, you know. the shockingly bad politics underpinning the narrative.

i appreciate the attempts of sasuke enjoyers to explain his distance as natural aversion to konoha, but this isn't canonically backed by any interiority (which seems to be absent in boruto-era team 7 at large) and moreover it requires miscommunication between sasuke and sakura (or even naruto) so great as to be unbelievable. i've accepted that post-pt2 sasuke is an unfortunate victim of kishomoto's nationalist views. his weird takes on how a man like sasuke would behave in a loving relationship and likely desire for a continued revenue stream don't help either. yes i will weep forever...

TLDR: i think the Forehead Poke fits in chapter 699 precisely because it diverges from itachi's. i resent its recurrence suggesting distance from loved ones is an inevitable condition of sasuke's life to which he's stoically acquiescent.

[they-didnt-last]

anyone interested in talking about the iconic 2000's middle-grade-bordering-on-ya book series gallagher girls??

[ardentpoop]

I used to read so much fic back in the day lol. sad how tricky it is for me now

[shizekarnstein]

I finally decided to watch (torture myself) a chinese drama after taking a rest from the genre for a couple weeks (aka after finishing war of faith) and my lucky pick was till the end of the moon based only on 1) a post i read a long time ago about how interesting ep 1 was for a xianxia 2) 40 ep sounded like a good number (i was a fool) and 3) it really has a pretty op. And here i am. I went completely blind and im really glad i did? After finishing it yesterday (and crying my eyes out just as many times as the characters spitted litters of blood) i did my regular well lets see what other ppl thought of it in the trusthworthy internet and afsghjsjs its actually incredible how bad some ppl are at consumming media and making tantrums bc things dont happen exactly as they wanted them to. The ed was enjoyable, i expected far worse, and it even alludes with zero subtely to the original novels ending (that i just learned about) but somehow ppl still act as if it was an absolute garbage can when even i, a total blind watcher, could tell it leaned strongly to the happy ending a lot of ppl were crying about being robbed of???????? And convincing ppl to never watch it bc of their own biased pre conceptions about it??????? Pls. How utterly annoying. Till the end of the moon is a fantastic emotional rollecoster that production troubles aside manages to have you totally invested for 40 ep with an ending that in no way "ruins the whole show" just bc it didnt follow the exact step by step detailed recreation some ppl apparently needed? Pls first watch the ending of the rebel and then start talking about a truly bad executed "bad ending".

[ficandkaboodle]

I just feel that somehow, somewhere, tucked away in the pocket of a maze of dark corridors lit only by flaming sconces, deep in an ancient bed of the Ministry,

There is a nice as hell, fully renovated bathroom the likes of which not even Nihil has had the luxury of shitting in. And only Primo knows about it.

[unproduciblesmackdown]

little shop images....

[yzafre]

Roxas: Had the Halloween town kids throw bombs in his face for multiple missions in a row before finally breaking down and smacking them around a bit.

Ventus: The dwarves were rude and refused to talk to him, immediately resorted to chasing them down and whacking them.

Characterization I see frequently: Ah, yes, Roxas is the one always willing to throw hands and Ventus is a smol sunshine boy.

[thebluebygracieabrams]

i think growing up is just life repeatedly sucker punching you and saying bitch you thought things were gonna better lmao no you're so naive and stupid for having hope in 20 years the world will be flaming bag of garbage and no matter how hard you work you'll get eliminated at some point