#I CAN SEE MY LOVE AGAIN

[inquisitorravenwatch]

I AM SCREAMING!!!!!

It seems Zeni fixed the issue that attached quests/special events to achievements. I noticed that I was able to do the interactions for the “A Friend In Deed” achievement for Melina again on my Main that had it, and…

GUESS WHO I FOUND WAITING OUTSIDE BTHAR-ZEL?!?!

[chloesimaginationthings]

Michael Afton wishes he had FNAF Movie Mike's life,,

[beatriceportinari]

Toad, origami, one square sheet of paper

[isjasz]

🌕Total Eclipse🌑

Writer: @zipzapzooooooom Editor: @onawhimsicot

Assistance: @gingermaple @kunehokki @corvidaearts @/mybrotherjoso7

and THE AMAZING COVER by googly88fancy!!

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NO WAY HERE IT IS part 1 of MY TEAM'S COMIC!! FOR @hotguycomiczine !!!!! :D

I pour my blood sweat and tears into this one fr. HGCZ is the most insane project i've been in and I am so so proud of it <3 Big giant shoutout to everyone that ended up in my team, without any of you I couldn't have done it and ty for putting up with my shit HASHDSAEHEGLP. <333

If you haven't yet checked out the entire monster of this amazing zine, def do so here! 🏹

Part 2 will be posted tmr but if u dont want to left on a cliffhanger. pspsppspssps🪤

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[ MERCH ] [ MISC ]

[kavaleyre]

“After 200 years, you can forget how much color there is in the world.”

[kayvsworld]

marvel watching their new quantity-over-quality projects flop, realizing exactly how hard they fumbled the bag on setting up an ongoing Avengers Team Movie Series and frantically being like “ok ok maybe we uhhHHHHH try to get the OG avengers back. the circa 2012-2016 mcu zeitgeist avengers those ones were popular we can bring back the interest” is so sad.

like babe do u think u can simply turn back the hands of time. do u think u can simply bring back the characters u killed off for shock value and expect the same level of engagement. more importantly do u think you can simply afford a 2023 robert downey jr

accept ur failure with grace. steve is in the 40s now & tony you CHOSE To Do That,

[sketchy-tour]

I have been working on this piece for AGES aajsdfjkndf AUGH

I just! I just want Wally frog catching with his bestie to exist into the world dang it!!!! The idea of him slowly catching frogs and running straight to Barnaby to show him is one of my favorite things to think about. Now I can beam such an idea into yalls mind with the power of art I spent too much time on

[astearisms]

but it ain’t called love without a little tragedy 🍁

[poorly-drawn-mdzs]

Normal Friend Behaviour.

[First] Prev <–-> Next

[hatsunevita]

now that the league of villains is no longer a threat, i’m thinking that UA gives class 2A permission to go back to living at their places instead, but the whole class just refuses to leave the dorms cuz now they all have ptsd and separation anxiety

[synthwavecryptid]

Energy never dies, it just transforms

(some people believe that seeing a cardinal is sign or message from a deceased loved one, or that cardinals appear when angels or spirits are near)

[corpsentry]

pick your battles

[leatherbookmark]

fic writers! (and everyone in general)

watch out! for the Bastards

[cherrirui-official]

I hope u guys don't mind me posting these au doodles while I work on things ahaha

I also gave JD slightly longer hair in these doodles as a funny haha but I don't think it's funny anymore he looks genuinely good with his hair like that ahahaha I hope you're not mad at me for changing his au design a bit

[maybe-boys-do-love]

Mix Sahaphap gets to perform (and has the performance chops to perform) in a style that I’ve never seen any other male actor get to embody. Mix gets to unironically play the #strongfemalecharacter. The Beatrice, the Elizabeth Bennett, the Jo March. Strong-willed, emotional, kind-hearted.

Not only do the plot points line up, but Mix, more than any BL actor I’ve seen, fully leans into the embodiment of this archetype. In his roles, he rolls his eyes, pouts, banters flirtatiously, softens his posture and expression at small details. He doesn’t over-exaggerate and imposition other characters but his face also doesn’t hold back his character’s thoughts and judgments. And when the moments arrive, he lets all the hurt and anguish pour out in shatters of tears and visible heartbreak—the star-counting scene, anyone????—in a way that harkens to the operatic emotionality of well-done melodramas, soap-operas, and their contemporary Thai equivalent of Lakorn. It’s only that these have never been men’s roles in those.

It’s no surprise that one of Mix’s roles—Cupid’s Last Wish—is explicitly a gender body-swap, and Tian in A Tale of Thousand Stars is (albeit explicitly denied within the show) heavily connected to gender body-swapping. What Mix specializes in as an actor, and does exceptionally well, has been defined as feminine. To depict a kind of queer expression in this style is novel because it’s not camp, it’s not okama, it’s not a soft or femboy, it’s not a BL twink (Mix has been mostly excluded from the schoolyards and quads of the BL universe except for a role as a senior crush in Fish Upon the Sky). It’s too sincere and too adult for any of that.

In Moonlight Chicken we get to see, without the pretense of gendered mysticism, this performance style’s seduction, warmth, wit, and explosiveness within the framework of a general gay form of expression. It says that this kind of femininity might just be a gay thing. Not all gay men exhibit it, obviously—queer men aren’t a monolith. Still, it gives us something to consider about how we observe performance of queerness on screen, especially in front of an audience that puts so much more emphasis on ships, heat, and pairing chemistry to assess how well they perform a BL role. Could we look for other features to judge performance of queerness instead of how well they kiss?

Seme and uke roles would be the major performance style categories loyal BL fans assess actors with, yet even within the archetype his character’s fill within BL narratives, Mix’s performances differ from the typical uke depiction in BL because he really doesn’t perform them as passive. Rather, Mix’s characters and his portrayal of them are dynamic and demanding. It certainly fits certain stereotypes of ukes (Gilbert!) and their gay stereotype equivalent of bottoms as pillow princesses and brats. Mix’s characters, though, have more drive, agency, and compassion than that, and he plays them with all of those currents running underneath.

We certainly have openly gay writer/director Aof Noppharnach to thank for writing this kind of queer character for Mix to play in Tian and Wen. But for Mix’s specific commitment to the performance starting off with his (debut!?) role in ATOTS, we first have Earth to thank for believing in Mix’s ability and recommending him to portray the role of Tian, and then Aof’s acceptance despite his differing initial expectations for the character. Mix, Earth, and Aof have all been open about how Mix in his personal life and nature holds a lot of similarities to both his role as Tian in ATOTS and Wen in Moonlight Chicken. Some people might knock points off his performances because he’s like them. But his relationship to the characters, rather than dampening my enthusiasm for Mix’s performances, helps me appreciate his willingness to give an authentic performance in a style that hasn’t been encouraged on screens previously. It’s made more impactful that he chose to risk vulnerability to bring something personal that had previously been excluded from screens because of its gender deviance (and in broader society explicitly condemned). This doesn’t make a claim on Mix’s actual identity, but simply shows his willingness to understand and perform the expressions of his queer characters with an effort at empathy that many other actors would feel challenged to bring.

Some actors are chameleons, but some actors have a gift of a type within which they can explore depths and range that no one else can best. For me, that’s what Mix does in his work when directors and casting understands his talent. There’s a BTS video of Mix actually fainting during a scene while in Earth/Phupa’s embrace on the mountain that immediately brought to mind the wildly famous final scene in the film Camille where Greta Garbo as Marguerite dies in her lover’s arms.

For Mix, it was a serious incident due to regrettably extreme conditions and requiring the on-set paramedics, but these levels of theatrics, for me, are emblematic of what Mix is capable of as a performer, as well. After all, he had to faint in Phupa’s arms multiple times on purpose. It’s the kinds of Old Hollywood and heightened sentimental romance realms Mix takes his performances to! Then he can turn around and make it look easy to take that same character into grounded quips or dedicated everyday tasks. It only takes writers, directors, and audiences willing to see that men can feel this way and act this way. Mix has paved the way.

[oobbbear]

Warnings(?) for smooches and bitings

I’ve gathered another 10 for a doodle post

Gitm belongs to @venomous-qwille !!!