#I WANT TO TURN MY BRAIN OFF!!

[ghostzzy]

i feel BAD i need it to be 8pm tonight right now immediately

[cqtlatte]

something unattainable

[the-meme-monarch]

tha funny siblings

if you ship scc and/or kr/alsei go Away from me

[cactus-teeth-art]

More of them bc erm well (explodes) ((I can't think too hard about the first one or else I'll black out)) (((it appeals to my need for a man to be almost like a loyal rabid dog for another man)))

[deelavis]

whenever a fanfic says that Mello is wearing a t-shirt I know they probably mean something like this:

but all I can imagine is this or this

Bonus Comic:

Bonus Bonus Shirtless Mello:

[jerich0two]

Another Husk screenshot redraw to keep my blog from going into the light. Also! I may or may not be participating in ArtFight this year (under the same username).

(That's not entirely me playing coy -- I'm not sure how active I'll be this year. Mostly planning on drawing friends' characters, but if I see any cool Lackadaisy / mayyybe Hazbin OCs, I'd love to draw them too (motivation permitting)!)

[ohno-the-sun]

Alright here is the full sun ending finally for the mad scientist au

Was posted as the poll results on Twitter but I’ll finally share them here too

You can read the full saga here

Sorry you’ll have to scroll to the top of the tag

Maybe I’ll make a guide for it

[musubiki]

🎂 birthday time 🎂

[popponn]

summary: tidbits of them (and you), in no particular order. (aka, random headcanons of the boys in a relationship)

notes: bullet hcs is hard for me because i like paragraphs way too much, but i really like reading and writing short stuffs too. think of this as a stretching and a break, nothing serious, also i wanna try this format too ehe. warning: none, just fluff of bllk boys as bfs. written with post canon/pro au in mind. reader's gender unspecified.

character: isagi, rin, sae, bachira, chigiri, kaiser.

yoichi likes to wake up earlier than you. there is a certain feeling of seeing you under the dim light of dawn, bundled in a blanket and facing towards him. his eyes are still heavy, of course, but looking at your face—you could be drooling, snoring, or squishing it against the pillow—and all of sudden his brain is fuzzy mush full of cotton. it's a bit embarrassing, but having that routine every morning really makes him ready for anything.

rin is the type of person who never uses emojis when he chats. actually, you are lucky if you get a reply that is more than five words. but if you are creative enough, you might get a heart or sad face emoji from him. middle finger, if you are unlucky. don't screenshot it or spread the heart emoji to his teammates though. baby boy has a reputation to keep.

sae will honestly let you do anything you want, most of the times. might judge you loudly through a silent stare, yes—but if anyone tried to do anything funny or, god forbid, hurt you, the question is whether it was worth angering him or not. the answer is always no, by the way, this guy is pretty brutal in his wording already. getting him pissed with you involved is just asking for a mental scarring.

meguru has this habit of leaving a trace of you or himself in each other belongings. his shoes? oh, yeah one of the shoes' shoelaces actually belongs to yours, he switched it the moment you bought it. your phone case? look at that, his sign and photos! he also got yours in his by the way—will show it off daily and speaks to it after a prolonged vitamin u deficiency.

hyoma is proud and shameless enough to demand you help him style his hair every day. you are bad at it? don't worry he is patient when it comes to you, you will learn. and if you somehow figure out this is some scheme to get you to play with his hair every day, standing behind him while he quietly etches every detail of your face to his memory—no you don't.

michael whenever he just wakes up is the most honest, most dearest mihya. as in go, ask him to say 'i love you' three times with no reason or anything at all, and as long as you use a sweet tone he will do it, no question asked. might throw a hissy fit once his brain fully kicks in though, so record it so it will be worth it at least.

[its-your-mind]

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar

[min-xie]

help i cant stop drawing fem neuvillette

[mindless-maisie]

me vs the urge to get controlled by anons (the urge is winning)

[river-fisher]

has this been done with them yet? lololol

[rebouks]

Previous // Next

Oscar: So… [Robin sighed dramatically; he could’ve guessed where this was going even if he wasn’t privy to his father’s thoughts] Oscar: What’re you gonna do, sue me for not believing you? Robin: [snorts] He’s not bothering me, dad. Oscar: So, why don’t you talk to him-.. or anyone else at school for that matter. Robin: People don’t usually care what you’re saying, they’re just waiting for their turn to talk. Oscar: C’mon, not everyone’s like that. Robin: Okay.. but what if they don’t like what you say? Like, I say something and they think – oh, that was weird – and then I’m like, wow I wish I hadn’t said that and it’s super awkward and cringe. [Robin fiddled with his fingers, intent on convincing Oscar that anxiety was the culprit. It was easier than explaining the truth; that he could barely think straight amongst everyone else’s thoughts, that couldn’t be arsed, didn’t see the point, found people boring, yada yada] Oscar: Y’know people don’t usually think that whilst you’re talking, right? It’s mostly in our own heads. Robin: Okay, dad. Oscar: Wow, can’t imagine where you get that sarcasm from… Robin: ‘Course not… They do though-.. think that, y’know. Oscar: I think that’s just the social anxiety talking, spud. Robin: And? Oscar: And, you’ve gotta work on your fear-… Robin: It’s not a fear, it’s a fact. [Oscar rolled his eyes as Robin sloped off; it was like arguing with himself] Oscar: Robin… Robin: See, you didn’t like my response so.. point proven, huh? [Robin hovered by the doorframe, wearing a smirk so similar to his own that Oscar couldn’t help but chuckle fondly] Oscar: Tch, get outta here! Robin: Love you, byeeeee. Oscar: [snort laughs] Love you too, bud.

[marcirose]

If anyone wants to know why the kingdom hearts fandom has a lot of bad takes and everything in that regard just know it's all kh2's fault

Kh2 is the reason why everyone thinks the disney worlds are filler, why people think Sora "fell off" after kh2, why people think the series is just cool anime stuff but with disney characters, and why people think Kairi still has relevance all cause she has a keyblade (/hj about the Kairi point but also not really)

The games that came after kh2 aren't held in as high of a regard cause everyone expected the future games to be like kh2 when they're very clearly not. Most of the kh3 criticism I saw basically boiled down to "this should have happened like it did in kh2"

Every game after kh2 is doomed to be compared to kh2 like how every final fantasy game after ff7 is doomed to be compared to ff7 cause of how it popped off the way it did

Imo kh2 more or less essentially ruined everyone's perception of what kh is and is also one of the biggest examples of showing the dissonance between what the fans want to see vs the story Nomura wants to tell and that dissonance gets stronger with each game

Kh2 was the turning point in the series that basically told everyone that the story wasn't going the way they think it would go and it completely went over everyone's heads and I think that needs to be talked about

Anyway moral of the story is stop skipping kh cutscenes. That's why y'all confused and why y'all don't know things. If I see any kh4 criticism that sounds like "it should be like kh2" I'll bitchslap you to the moon I've had enough of the comparisons

[follows-the-bees]

I'm rewatching Fun and Games and I love just how funny this show is in a short 60 seconds.

"No! She kissed me right before she threw up."

"Come on, you steal people's faces."

"I bet Anne really loved that ugly pos clock."

"Really? I mean, she stabbed you, you poisoned her, and then she jumped on my face."

"Yeah, your house is on fire."

I love them and I love how funny this show is.