thinking about the way psychics both are and are not a known factor in the world of mp100. the worldbuilding is light, allegorical, and comedic, but even meeting it where it's coming from, it paints a delightful picture of how the rest of the world relates to the supernatural shit.
like, clearly most people don't believe in psychic power, or at least they don't assume it to be real. but when confronted with it, the more common reaction seems to be along the lines of "ah shit, huh, makes sense i guess." inukawa knew mob is a psychic, and brought it up without hesitation, like oh yeah, this is a known thing, but was then surprised among the others to see how much mob can do. the talk show is difficult to interpret, because it was a trap set up for reigen specifically, but how things play out, it feels like being a legitimate psychic isn't quite as outlandish an idea as it would be in our world. actual psychics don't seem to be putting much effort into hiding (if they're even trying to hide), there's unions, the goverment can put together a psychic suicide squad, the news can show a giant broccoli flying, there's books with instructions to meet aliens that actually have some truth to them, and yet people aren't that aware. and yet again, people like mitsuura and amakusa exist.
it feels like the supernatural is... kinda boring? weird stuff just happens occasionally, and it doesn't have much bearing on people's lives. the rest of it works like how essential oils do actually have certain effects and uses (for example, insect repellent), but then there's just a mountain of bullshit and people selling you things, so you don't really bother with any of it. cases like mob feel like ball lightning, as in i remember reading about it right next to absolutely fake shit as a kid and being told it's not real, but it is real, but fucked if anyone knows what exactly it is and some of the reports and theories are suspicious as hell. just. weird shit in the world that's ultimately irrelevant and uninteresting to most people.
the delightful part is that this all reinforces the idea that psychic power is just one quality among many that people can have.
but also.
when reigen founded spirits and such. i do not know how exactly it works where i live, let alone in japan. but registering a business. don't you usually need to put down what type of business you're running? did he have to figure out a close enough option, or is there a standard one to pick for psychic business, something they're considered to fall under, or even a psychic specific one?
delighted by the thought that spirits and such is officially a spa or something instead of what the industry standard is. reigen either didn't know which one people usually pick, or chose against the standard because it was less of a hassle. or tax reasons. imagine.
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my hypster magazine finally came in the mail lmao and man the special feature talking about how the world is coping without mics is very interesting??? like:
crime as a whole is at an all time high
within ikebukuro, the police are doing fck all about it so the bb have volunteered their services to making the civilians feel safe
ichiro’s been a mediator within more casual disputes, expressing his desire to talk things thru if possible, jiro’s got his whole high school as a neighbourhood watch and saburo’s set up a huge surveillance system to keep watch
in yokohama, the sea port has been particularly targeted and the report says the police and yakuza have teamed up to protect the flow of commerce. katengumi has stepped up to protect the territory and rio is keeping watch via satellite images and drones
in shibuya, dice complains of disruptions in gambling dens and the lack of real gambling has dulled his senses lol. he’s trying to compensate by making his own gambling game lol and he hasn’t been able to pay his phone bill due to lack of funds so he hasn’t been able to talk to ramuda or gentaro
curiously, neither of those two were mentioned in the article, save for dice using the section to try to reach out to them
in shinjuku, the day is desolate and the night scene is busier than ever. doppo’s company has been particularly hit by logistics nightmares as they’re haemorrhaging money due to lost medical equipment. (doppo’s boss has been accusing him of stealing funds and doppo claps back asking what exactly has he been managing currently lol)
shinjuku central hospital has been at full capacity with patients due to the inability to fend off armed criminals. fragrance has seen a significant uptick in patrons
in osaka, businesses have taken a sharp turn towards maliciousness, with scams at an all time high. sasara and rosho advise not to go out at night alone, and rosho, as a teacher, further explains that adults have a duty to protect minors, especially as a person who has been affected by scams in the past. neither sasara nor rosho have heard from rei in a long while, stating dh is on hiatus because of it
in nagoya, petty crimes are up because there seems to be a restlessness amongst them without the mics giving the populace the power to stand out. hitoya himself watched a dude climb up nagoya castle literally for the memes. the court of law has been barren as of late so nobody is being tried for crimes but he believes justice will prevail in due time
kuukou and jyushi have taken up patrolling nagoya in order to persuade others into not doing crimes and all three of them still practice rap battling together
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I'm already know for being very opinionated and having some Hot Takes, but I still usually keep it in line and fairly reasonable. Typical "Unpopular (but still somewhat safe to voice) Opinion" territory, where I might get some blocks and some scowls, but like, nothing major.
However I'm... gonna be posting an uncharacteristically rancid take this time.
I cannot fucking STAND vibes based design. Its become a trend lately to explain game systems by vibes, and it feels EXACTLY like the tropification of romance novels. A thing so many other people have complained about far more than I have, where so many works of fiction are now just being advertise as "Its a queer little slow burn, found family story that features enemies to lovers" OKAY, BUT WHATS THE FUCKING BOOK ABOUT?
And I feel like over the past 15-20 years, the TTRPG industry has been having the exact same issue. I can go through dozens of listings on itch.io for indie games and not see a single fucking game mechanic mentioned, and its frustrating. "This game is about gathering your friends to turn your local farm into a sustainable commune!" WHAT KIND OF FUCKING DICE DOES THE GAME USE? DOES THE GAME EVEN HAVE A GM?
And like, this isn't just about the feel good warm and fuzzy games. OSR is JUST as fucking guilty in this. "This game is a black metal death crawl through your worst nightmares." IS IT A RETROCLONE? IS IT A RULES LITE D6 SYSTEM? HOW THE FUCK DO I RESOLVE AN ACTION? DO ENEMIES USE STATBLOCKS?
If a video game showed absolutely no gameplay in any of its advertisements, only showing concept trailers and cutscenes and talking about its plot, you would probably shy away and think the game isn't worth playing if it can't even stand on the merits of its own gameplay. So why the fuck are we accepting that as the norm in TTRPGs?
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ALTERNIAN CULTURE ANALYSIS: APATHY AS ANTITHESIS. AN ESSAY ON TROLL SOCIETY'S UNDERSTANDING OF EMOTIONS
listen to me. it only makes logical sense that trolls would have a strong understanding of the idea that the opposite of "love" is actually antipathy; having no strong feelings whatsoever. I know what you're saying, "but the quadrants have love and hate as a dichotomy, they clearly think of hate as love's antithesis-" no. wrong. the quadrants are obviously not representative of every emotion a troll can have, the quadrants are a concept of ROMANCE. see there's the keyword here. love and hate are both integral parts of this romance, they do not exist in opposition to each other as in one cancels out the other, they are two sides of the same coin. having quadrant feelings for someone regardless of alignment is indicative of caring about them, of being passionate about them. I know those words typically have purely positive connotations when used about human romantic understandings but disconnect that for a second. basically it comes down to a slightly warped version of "horseshoe theory" (where supposed opposites, in this case love and hate, are actually closer together than the middleground). I think this concept is firmly supported by canon, examples off the top of my head:
from the quadrants explanation;
"The relationships each quadrant describes tend to be malleable, if not volatile,"
as stated with the pitched/flushed vacillation and the canon examples of pale/flushed, but also I think it is implied (though less so) that it applies to every quadrant and there are many ways unexplored in canon that every quadrant can bleed into another.
this famous line:
"It should be noted that in troll language, the word for friend is exactly the same as the word for enemy."
this quote being on the page where equius pesters gamzee, citing that he does so with regularity and thus considers him a "friend" (but that's not the whole picture). this adds to the notion of these relationships not being considered opposite but stemming from the same root idea of investment in a person.
I think it's very interesting because I believe the authorial intentions of incorporating hate as an integral part of troll society and culture is meant to contribute to the idea of them as a cruel and violent society, and while that may have some truth for the ways in which individuals treat each other peer-to-peer in average situations I actually think the real overarching effect it has is trolls coming off as a more emotionally honest society at the cost of simplicity and peace.
the implications of hate being considered on equal terms with love to me paint an image of a society that encourages embracing all emotions to the fullest extent, a society that might even consider the worst thing you can be not as someone who is filled with hate but in fact someone who does not care at all. I'm reminded of the conversation between vriska and aradia in hivebent:
vriska calling her a "miserable soulless witch" followed by repeating she hates her and "only regrets killing her cause it made her so BORING!!!!!!!!"
of course we also see plenty of times that "not giving a shit" is a thing that trolls are naturally inclined to do because you only have so much emotional resource to devote to a finite amount of things. moreover that alternia is a society that encourages emotional "balance", to embrace the love and the hate both with the same passion.
again as karkat rants to vriska also in hivebent:
"A WELL BALANCED PERSON IS GOING TO HAVE A GOOD DISTRIBUTION BETWEEN HATE AND THE VARIOUS PITY HUMORS."
you may also recognize this conversation as the same one where karkat claims this (rather infamously imo):
"PITY IS OF COURSE JUST THE TONED DOWN VERSION OF THE CENTRAL EMOTION, HATE."
(adding more to the "trolls believe hate and love come from the same emotional source" pile even if the manner of it is slightly off-center here)
and vriska's response to karkat's ranting:
"Did you learn this crap from your awful romance movies?"
"THEY'RE REALLY INTRIGUING SOCIOLOGICALLY."
I hope this presentation makes it clear but for the audience in the back:
karkat's interpretation of emotional composition of trolls is most likely complete bullshit and not at all factual nor, in my opinion, should be taken as biological information about trolls. for that reason I believe the reference to humoral medicine is completely intentional, invoking the imagerey of bullshit pseudoscience. just in the same way as I don't think it would be reasonable to make any similar claim about the nature of human emotions (and anyone who does is trying to sell you something). in A6A615 dave even states that "both humans and trolls are emotionally versatile sentient beings that can feel many hells of different things".
what I'm mainly getting at here using these quotes is that there is a cultural precedent for the claims he is making. karkat did not spawn these ideas about emotions out of thin air or scientific research, he got them from watching romance films. which particularly, as presumably low-culture media in much the same fashion as our own, would in fact make them excellent case studies on the general cultural attitudes of the society that consumes them. and that society, as karkat observes, makes indications that a) emotions of hate and love stem from the same source and b) trolls ought to have a balance of negative and positive emotions, where apathy is considered more undesirable.
so what I mean to say from all these observations, my formal opinion: to trolls there can exist this nebulous feeling of being emotionally attachment to someone, to desire any kind of relationship with them. and with that the average troll has a far better understanding that the most devastating response possible is actually none at all; to be completely unaffected by them.
so what am I saying with all this? it is my idea that in troll culture, trolls have a concept of relationships and emotions that can exist as a nebulous idea of just being *passionate*, of caring about something or someone and the distinction between negative or positive is merely a nuance rather than an opposition, and the actual socially reviled opposition to this feeling is being apathetic.
for example a troll rejecting another for a particular desired quadrant is heartbreaking (or diamondbreaking, spadesbreaking etc), but as there exists a desire for connection generally by virtue of the desire at all, it would be less devastating and possibly could become just as fulfilling for the connection to exist as a different quadrant, even on the other side of red/black. the most devastating possible outcome of a rejection would be that of total apathy, of the idea that one inspires no passions, no emotions of any kind in a person.
and with that established now we can get into my ideas about how alternian media rating systems work, such as a troll equivalent to rotten tomatoes where movies/books/films etc are rated on 5 different scales (also possibly two different modified 3 scale versions) in addition to a simplified two-scale version where the measure of "good" is based on "how much did this work inspire emotional reactions in you vs how much did you not give any shit at all"- the cane hooks me by the neck and pulls me off stage
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