#I am determined to make this a good year

[starry-bi-sky]

Childhood Friends Au: Danny's in Gotham Again

when the wool is off your eyes you'll stop counting sheep at night cause you'll eat your fill of them during the daytime

A few weeks after Danny’s visit to Gotham, he buys an apartment in the city. It’s this little thing, a studio apartment on the same street he grew up in. In Crime Alley. When he tells his parents, they protest heavily. They don’t think it's safe. They think he should reconsider. There were plenty of apartments and places to live somewhere else. And what about college? 

Danny doesn’t think he’ll go to college. He isn’t sure what he wants to do, now that being an astronaut is off the table. It’d be a waste of money to go without a goal in mind, he thinks. He says he’ll take a gap year and apply at one of the community colleges funded by the Wayne Corporation, possibly. It just wasn’t in the cards right now. 

“If things get tough,” He says at dinner that night, “then I can talk to the Waynes. I’m friends with the family, remember?” He ended up getting Bruce’s number in his phone again before he left, and in the process got Tim’s as well. They don’t talk much, Danny isn’t sure what to say. But he sends Tim memes whenever he comes across one and thinks he’ll like. Tim sends memes back in return.   

His parents do remember. They remember. They also remember the horrified shriek that echoed through the house when Danny learned of Jason’s passing. They remember running up the stairs and bursting into their son’s room and finding him sobbing into his bed, curled up like a little kid, like he was in pain. He lost his voice that day, stuck between screaming out his grief and sobbing it. 

They’re still not sure if they should let him go. 

In the end, Danny wins them out, and he lets them help him search for an apartment. They take a break from their lab work to help search for cheap furniture to buy. They may have more money than when they were in Gotham, but that frugal part of you never fully goes away. They all agree that they don’t want Danny to be seen carrying in nice-looking furniture when he moves in. 

He ends up with a basic furniture set, all mismatched, and in the warm summer of June, his parents rent out a u-haul and drive him down to Gotham to move in. They meet the landlord when they arrive, a skinny and frail old man with wispy white hair and a wrinkled face. He gives Danny the keys and tells him what apartment number he is, and then he leaves. 

His parents help him move in. They help him carry his heavy furniture up to the second floor, where his apartment is. Danny isn’t sure if he wants them to help. His mom and dad are strong, but they are getting old, closer to their fifties now that their children are grown. His dad’s hair is slowly beginning to thin, and rather than the white eating at the sides of his head, it now streaks through his hair like salt-and-pepper. His mom’s hair is graying out too, and there are more lines in their faces than he remembers there being. 

When he voices his concerns, his mom laughs spiritedly and says that they may be getting old, but they are still as spry as when they were in their twenties. Danny isn’t sure if he believes them or not. He can see his dad struggle a bit when they return to get his bed frame, and they have to take a break before they go back down for the rest of their things. 

Five years ago, his dad could do this without breaking a sweat. It forces a heavy thing in the back of Danny’s throat. (He is less afraid of his own death than he is of his loved ones, and while he has always felt rocky with his parents, he still loves them more than anything else.) 

Danny’s apartment is exactly as he would have expected it to be: shabby and worn through. The entire room smells like stale cigarette smoke and weed, nicotine stains the wall with poorly covered bullet holes, and stains in the carpet that are a color he can’t discern. The fridge has a broken light and when he tries to turn on the gas stove, it click-click-clicks before lighting, fire fwooshing out while the smell of gas fills the air. There’s rat droppings in the cupboards and the closet-like bathroom is just as bad. 

The ghostly part of him can sense the heavy stench of death in the room; people have died in this room. People have died in every room of this building, he thinks. They have died on the streets outside and in the alleys squeezed between them. He can feel it like a heavy fog in the air. 

It is painfully nostalgic, a bittersweet feeling in his chest that he grimaces to. 

When the last box is placed in his apartment, his parents offer to help unpack. They are hesitant to leave and Danny knows it, although he doesn’t know if it’s from empty nest syndrome or because it's Gotham. He thinks it might be both. He is their youngest child finally leaving home to a city known for its danger. 

“Are you sure you don’t want us to stay behind, sweetie?” His mother asks, a frown she tries to hide settled in the creases of her face. She fiddles with her hands, a nervous habit Danny has since noticed when she feels truly unsure and doesn’t need to hide it. Hesitancy looms over her like a heavy cloud. 

His dad jumps in hastily, splaying his hands and smiling painfully wide to hide the glistening in his eyes. “You’re mother’s right! We can help you get everything set up, champ. I could probably do something with that stove of yours to make it faster!” He says, his voice still booming like it always does even if there’s a stumble in his words. 

It makes his heart squeeze, knowing just how much they care. It was hard last summer, telling him that he was the Phantom. Terrifying, actually. They couldn’t comprehend it. He hadn’t felt his heart beat that fast in years when he stood in front of them at the kitchen table and told them he was a halfa, begging them to believe that ghosts weren’t inherently evil. 

His parents were people of science, however, and after much, much shock, they slowly came to terms with it. How could they not? The evidence was right in front of them. Their son was dead-alive, alive-dead. Somewhere stuck in the between. The tears they shed that night could fill a river, moving from the kitchen to the living room as Danny explains how he died. 

(When Danny tells them that he died after a week Jason did, his mom and dad look horrified. His mom covers her mouth when he adds that it was his idea to go inside it, his dad looks ashy pale, gripping his pant legs so tight that his knuckles turn white. There is a conclusion coming to their minds that he can tell they don’t like.) 

(“You’ve always hated our inventions, Danny.” Mom says in a hushed voice, and Danny winces at the wording, sinking into the back of the cushions in shame. He never thought that his parents noticed. Mom quickly grabs his arm, “No, no, there’s nothing to be ashamed of Danny. We were… perhaps too careless with our inventions, too enthusiastic. You had every right to hate the things we made when they had a tendency to… to malfunction.”) 

(Malfunction is a delicate way of putting it, when Danny remembers every time they had to evacuate their old apartment complex because whatever half-baked creation his parents made inevitably blew up into ash and smoke. There were soot marks permanently stained into the ceiling.) 

(Her hand slides down and grabs his, and she cups it in both of her hands, squeezing tightly. He forces himself to look up, and there is a look like her heart breaking when he looks into his mother’s eyes. “You’ve always avoided the lab after we moved, Danny. And you had every right to, so why on Earth did you ever think about going into the portal?”)

(Danny struggles to come up with an adequate answer, a way to verbalize what came over him that day five years ago. The answer is there, hanging in the air like a knot in a noose. He opens his mouth, and then closes it.)

(Finally, with a tongue made of lead, he shrugs lamely and looks away. “I didn’t know there was an on button inside it.” He mumbles, and despite being the truth it feels like a lie. But that is the truth. He didn’t know there was an on button inside it. So he didn’t care what happened.)

(Something dulls in mom’s eyes, like she thought of something else that Danny hadn’t said. Her eyes shimmer, and she squeezes them shut, breathing in so deep that it shakes. And then she pulls him into a hug, a hand burying into his hair and pressing him close. “It must have hurt so much, sweetheart. I’m so sorry.”)

(It is something that Danny doesn’t expect her to say, like missing the last step of the stairs. It startles him so much he laughs this short, bark of a thing. He feels his dad press against his back and wrap his big arms around them, his nose pushed into his hair.) 

(Because yeah. Yeah, it did hurt. It hurt more than anything else he’s ever felt before. It had torn him apart and sewn him back together again, only to rinse and repeat. The pain was nothing he ever spoke to Sam or Tucker about, and it was something they never brought up. No, that’s not true. If they ever brought it up, Tucker would call it a zap. As if Danny only experienced a mild static shock. Like it was painless. It’s a pretty lie that Danny lets him and Sam believe.)

(His eyes sting and water immediately wobbles into his vision, coming up with such a force that he doesn’t even need to blink before it spills over. “Yeah.” He forces out, voice unexpectedly rough and cracking. “Yeah, it- it hurt. A lot.”)

He tells them about fighting the Lunch Lady a month later. He tells them about finding Jason. It comes spilling out like a waterfall. “I found him, mom.” He says, holding onto her tight while she keeps him tucked under his chin like a little kid. The secret of Jason being Robin stays hidden under his tongue, it is not his secret to tell. Not his identity to expose. He grips her tighter. “I found him, mom. Right there in the Ghost Zone, and he was my Jason. He wasn’t an echo or a— an imprint of him.”

Mom is silent; quiet and attentive, and so is dad, who rubs his large hands up and down Danny’s spine in an attempt to soothe him. It only works a little. Danny breathes in like a gasp as the urge to cry overcomes him again. He always avoids talking about Jason, his grief is like a never-healing scab that can be picked off at any time. It is ingrained into his core. 

“And then I lost him.” He forces out, a sob layering under his words that he chokes on and swallows. The hand on his back stills, and he can feel mom and dad breathe in like a question. He turns his head and pushes it into mom’s shoulder. “He disappeared, mom. Just— just gone.”

“And he didn’t move on.” He says, voice snarling like teeth biting before his mom can ask, because he knows that’s what she was going to ask. It’s what Sam and Tucker asked when he came to them in tears hours after he found Jason gone. It’s what Jazz said when he finally told her about it. It’s what every one of his ghosts asked when he told them about it and begged for their help. 

Danny grits his teeth and tries not to dig his nails into mom’s clothes as a fresh wave of tears run down his face. “His haunt is still there. If Jason really moved on it would have disappeared with him. That’s how it works. But it’s still in the zone, so Jason’s out there I just don’t know where.” 

(Sam once asks him why Danny didn’t just move on from it a year after Jason’s disappearance. She asked him why he didn’t give it up. Danny nearly saw red, and nearly bit her head off for it. It was incomprehensible to him to just stop looking for Jason, to give up. Not when he was out in the zone somewhere. Because he had to be in the zone.)

(Danny once tried to take Jason through the portal with him, and much like what happened to Kitty, it didn’t work. Jason was too tied to the ghost zone to leave.) 

(Some bonds are just unbreakable, he thinks. Bonds forged through blood and time and trust, and when you’re on the streets of Gotham, you hoard what little trust you have in someone like a dragon with its gold. It is scarcely given and fiercely kept.) 

“I’ve been looking for him.” Danny whispers when talking becomes too hard for him, when it runs the risk of him crying. “When- when I’m not fighting ghosts or, or in school or with my friends, I’ve been looking for him.” He has explored the Ghost Zone in every reach he can. He has met so many people. He’s met the ghosts of aliens from planets in every corner of the galaxy. He has met gods or god-like beings and their disciples. 

He’s met famous scholars and writers (he’s gotten the autographs of all of Jason’s favorite writers). He has found entire cities that have so much life in it that it's been permanently etched into the ghost zone, like a mirror version of itself. 

He’s visited the ghostly vision of Gotham so many times, and he avoids the imprint of Wayne Manor like the plague. There are ghostly newspapers that he reads. There are the ghosts of Martha and Thomas Wayne in many of them. 

Jason’s haunt connects to Wayne Manor, but it is also the street they grew up in. It is a small brick building with a door that leads to Jason’s room. A ghost knows when someone enters their haunt, it alerts them like a doorbell in the back of their mind. A foreign ecto-signature in a place drenched in your own. 

Danny visits it every time he goes into the Ghost Zone. It’s always his first stop. 

He tells his parents all of it. He tells them of the ghosts he’s met, of the places he’s seen. And when he feels brave, he tells them about Rath and the terror that his future self brings him. He keeps some details hidden, the ones that he can afford to keep without muddling up the story. 

(Rath is a tall, spindly thing, like a funhouse mirror version of Danny himself. He has arms that are much too long and legs that are much too tall, with skinny fingers that extend into claws.He wears his suit the same as Danny does, with it partially undone and the sleeves wrapped around his waist.)

(There is a black hole in his chest that is much bigger than Danny’s own. It takes up his chest cavity and drips the same, viscous black liquid as the tears falling from his eyes. Danny never forgets his voice; a scraping, quiet thing like he’s screamed himself hoarse. Rath has a voice like goosebumps, and it haunts Danny like a bump in the night.) 

Danny speaks and speaks and speaks until he can’t think of anything else to speak of. He is tired and sad, and it feels like his heart has been ripped out and rubbed raw again. And yet, he also feels so much better. Like a long heavy weight has been taken off his chest. 

Yeah, last summer was hard. His parents walked on eggshells around him, and they forced themselves to unlearn their bias of ghosts. It was more than Danny could have ever dreamed of, and when they felt ready for it, they asked him more about the ghost zone.

He smiles sadly at his dad, “I think fixing the stove can be a priority another time, dad.” He says, watching him wilt and his smile fall. Jack Fenton was always so good at making himself look like a kicked puppy. “I can handle unpacking by myself, I promise.” 

His parents still look so unsure, like they want to argue. Danny watches his mom purse her lips tightly, confliction running across her face like a datastream. She takes dad’s hand, squeezing their fingers together despite the droop in her shoulders. 

“Oh, alright then, I suppose.” She relents, her hand placing on Jack’s arm. “I guess we could go, we’re just going to miss you so much, Danny.” 

Tears seem to have won over his dad, and Jack Fenton sniffs back before he can cry properly. “Our little boy, all grown up.” He says, voice wobbling. It makes Danny laugh, and it makes his heart pang. His smile grows impossibly wider and so much fonder. “You’ve become such a kind, wonderful young man, Danno. We’re so proud of you.” 

Danny laughs again, and it cracks. “You’re gonna make me cry, dad.” (He feels a welling of guilt in his gut that he ignores — he doesn’t feel like a kind man. He doesn’t feel like a good one either. Not with what he plans to do.) 

His father holds out his arms in hopefulness, “One last hug for your old man before we head out?” He asks, mustering up a smile on his face. 

Danny barrels into him, nearly knocking his dad over with an oomph. He’s as tall as him now, but he still feels little in his bear hugs. With arms wrapping around his middle, Danny hugs his father tight and breathes him in one last time. 

“Careful there, Danno.” He laughs, patting Danny’s back roughly. “You’ll break my ribs with that ghostly strength of yours!” But he holds on just as tight.

Out of spite, Danny bends back and lifts him off his feet, laughing when Jack tenses up and nearly scrambles out of surprise. His mom laughs with him, stepping back to give them room for the few seconds that dad is in the air. 

When it’s his mom’s turn, Danny has to hunch to hug her. Something bittersweet to him as she plants a kiss on his forehead and says that he’ll always be her baby. “Even if you do have that horrid smoking habit.” She adds on with a disapproving eyebrow raise. 

Danny turns red in embarrassment, and walks them back to the GAV. Gothamites of all kinds slow to stop and boggle at the monstrous, road-illegal thing that is parallel-parked next to the curbside. In the past, Danny would have died with mortification to be seen with it. Now it just makes him laugh. Before he goes back into the apartment building, he buys a newspaper from a nearby convenience store.  

The first thing he does when he gets back up to his room is one: make a mental note to buy a bicycle chain lock for the door. The locks jiggle and there are splinters along the side that show signs of it being broken into in the past. The second thing he does is pull his cigarettes out of his pocket and light one. 

Danny starts to unpack with a cigarette hanging from his mouth, placing the newspaper he bought onto the counter. He has a cheap loveseat that he pushes off to the side, and he moves the boxes into the kitchen. It’s a matter of organization that Danny has to think about before he does anything. 

It’s as he’s pushing the sofa up against the wall facing the windows that his phone rings a familiar tune: Sam. The phone is fished out before he can think about it and when he stares down at the screen, he realizes it's a facetime call. 

He presses answer and walks over to prop his phone up onto the counter. The smiling faces of Sam and Tucker greet him, rather than just Sam. Immediately, Danny grins. “Hey Danny.” Sam greets, smiling a dark-painted lazy thing. From the background it looks like they’re in Tucker’s room. Sam is in Tucker’s desk chair, and Tucker is behind her, leaning against it. “Have you moved in yet?” 

Danny pulls the cigarette from his mouth and huffs, a cloud of smoke following his breath. “Yeah! It’s a shithole.” He grins lopsidedly, and his feet carry him off to the side to allow Sam and Tucker view of his apartment. He lets thirty seconds pass, allowing the both of them to really see the rest of the room. And then he steps back into frame. 

Sam and Tucker both look like they’re trying not to look judgemental, like they’re trying to hide a grimace that Danny sees anyway with the small turns at the corner of their mouths. He grins wider, mirth filling his lungs. “I know, it looks awful doesn’t it?”

“It’s— it’s not so bad.” Sam says with a strain in her voice, a forced smile on her face that tries to be reassuring. Tucker nods along readily, and he looks just as unsure as Sam does. Danny stifles laughter behind his teeth. 

“No, no, it looks bad,” He takes a drag of his cigarette, shaking his head. “You can say it, I won’t get offended. It’s a fucking apartment in crime alley. Of course it looks bad.” 

Sam remains silent, a rearing of her stubbornness showing itself. Tucker takes a different approach, and heaves a dramatic sigh of relief, slumping like a weight. “Okay, you’re right. It looks bad.” He frowns, “Sorry, man.” 

While Danny snorts, Sam sighs. “Yeah, it looks bad. What even are those stains?” She asks, and both she and Tucker lean closer in tandem to the screen, eyes squinting at the floor behind him. Danny glances at the floor, and shrugs. 

“Blood, probably.” He says, and while years in Amity Park have accustomed him to a clean environment, the desensitization of Gotham still remains. Tucker and Sam both make faces and lean away, as if the stain itself was capable of passing through to them. “Yeah, there are bullet holes in the walls.” 

“Are you sure it’s safe to be there?” Tucker asks, a furrow appearing between his brows. He adjusts his glasses and leans against the chair. Sam is frowning heavily, and Danny can already see her thinking up of a new way to fix the problem. 

“Oh, I never said this place was safe.” Danny tells him cheerily, taking a last hit of his cigarette before placing the dead stick onto the counter. He itches for another one. Instead he walks over to the shelf his parents brought in and starts moving it. “It’s Crime Alley, Tuck. Safe isn’t even in its vocabulary.” 

Tucker and Sam look like they’ve both swallowed a lemon.

“But it’s where I want to be right now.” He says, grunting quietly when the shelf is against the wall he wants it to be, near the short hallway leading to the front door. He can push it in front of it if someone tries to break in. “And Crime Alley’s apartments are the only ones I can really afford right now without mooching off my parents, and I’d rather not depend on them.” 

He can hear the disapproving hesitance from where he stands. And he ignores it. 

Danny walks back into frame, lifting up a box onto the counter. He hums lightly, fingers run over the tape keeping it shut. “Why do you even want to be in Gotham, Danny?” Sam asks, and she sounds genuinely perplexed. Danny stills. “I thought this place only had bad memories for you.” 

His blood turns cold, and like a dime being flipped his slow heartbeat fills his ears. “It does.” He replies automatically, before he can think. Shit, shit. He knows that Sam or Tucker would ask that question, and yet he still feels unprepared for it. His heart pulses quickly against his ribcage, knocking, asking him what he’s going to tell them that isn’t the truth. 

Danny stammers, “I mean— I just— I guess I felt nostalgic.” He says, and it sounds like a weak defense. He looks away, finding himself instinctively scratching his jaw. A new tick of his when he’s nervous. From the corner of his eye, he sees Sam and Tucker both narrow their eyes at him. 

He cannot tell them the real reason why he’s moved back to Gotham. He can’t tell them of the little secret and vow he told himself five years ago, the one that’s been left to fester and burn like an open wound close to his core. The one that, if he thinks too much about it, sends a searing hot electricity through him, filling him from crown to toe top-full of direst wrath.  

(Danny was always the angrier one in the duo of Jason and Danny. He was always the one with glass in his mouth, cutting his teeth and tongue so that he could spit blood at the world around them. His knuckles had more blood and bruises on it than skin, once upon a time. All because he couldn’t keep his mouth shut. He has grown from it, that fury has turned to a small simmering candle.) (But sometimes, sometimes it rears its head, and electricity will buzz under Danny’s skin. There is lightning before the thunder, the second before a fist pulled to punch lands, the spark before it becomes a blaze.) 

He stumbles over his words, and then sighs long and low, drooping his head. “I… was thinking that I can’t avoid this place forever.” He says, and the best lies always have the truth in it. Because it’s not a lie, not completely. But it’s not close enough to the truth either. “And that maybe if I came back, I’d be able to do something about those bad memories. Make them better or make it hurt less.” 

Like wool over their eyes, it fools Sam and Tucker. Their narrowed eyes soften, and Danny feels like a snake is in his lungs as they both adopt their own versions of gentleness on their faces. “Oh, Danny.” Sam breathes out, and the snake squeezes, “Of course, we understand.”

Tucker nods, smiling at him. “Yeah, bro, that’s really brave of you. I know it can’t be easy coming back.” He says, “Maybe you can reconnect with the Waynes again, you always thought well of Mister Wayne whenever you came back from visiting.”

Danny smiles weakly, the gesture cutting into his cheeks like a knife. Perhaps he could. He was still upset with Bruce for hiding Jason’s killer from him. But he doesn’t hate him. Maybe five years ago, he did, when the death of Jason was still fresh in his mind and freshly bleeding in his heart. Now he just doesn’t know what to think of him. He was Batman. Jason was Robin, and the Joker killed Robin. 

It would need to be something he’d have to speak to Bruce about in person, he thinks, in order to resolve it. To hear his judgment on it and make an opinion from there. Danny has learned in the last five years, much to Jazz’s smug delight, that talking to people about something he was upset about did make him feel better. 

The conversation slips on from there into something more light, more breathable. And while they talk, Danny unpacks. He sets up his bed in the corner of the room, adjacent to the windows, and unpacks his cheap TV and table stand. It’s directly across from the couch, in front of the windows. He puts up knicks and knacks he’s collected over the years on the shelves.

When he puts up the curtains, he notices that more than one frame jiggles loosely. Sam makes a comment on the musty stains permanently dyed into the glass, and Danny talks about getting something to fix the cracks. Gotham winters can get brutal, and even if he can withstand the cold, doesn’t mean everything else in his apartment can. 

“Oh, watch this.” He says halfway through unpacking, and pulls out a stick of thick white chalk from a box. “This is something I learned from Clockwork a while back; I think he knew I was going to move to Gotham.” He grins sillily, popping into the camera frame to show them. “I wonder how?” 

Sam rolls her eyes, smiling while Tucker huffs. “It’s not like he’s the Master of Time and can see all past, present, and future.” Tucker snarks. 

Danny hums lightly, curt like he isn’t sure he believes Tucker, and walks to a piece of bare wall not yet blocked by furniture. He starts to draw on it. The chalk shimmers with faint ectoplasm on the wall. 

“Uhh…” Tucker’s voice cuts through, “Are you sure you should be doing that? Won’t you get in trouble for that?”

“There are bullet holes in the plaster, Tucker.” Danny retorts dryly, arching his hand to make a big circle. “I don’t think the landlord is gonna care if I get washable chalk on his walls.” Inside the circle, he inscribes the symbols of the Infinite Realms. “I don’t think he’d be able to see it anyways, he was really old.” 

When he is done, Danny steps back to admire his work. It’s not bad, he thinks, for a lack of practice. He tosses the chalk off to the side, it lands on the couch and rolls back into the cushions. Ectoplasm heats under his hand, slowly glowing from his fingertips before stretching down the rest of his palm. 

Danny’s fingers press against the wall, into the center of the circle. The result is immediate, ectoplasm is siphoned off his hand and into the circle. It glows, and then swirls. He steps off to the side for Sam and Tucker to watch its transformation. The circle fills with a swirling pool of ectoplasm, like a smaller version of the basement portal, and then it warps and stretches. 

It fills out a rectangular shape, shifting like taffy being pulled this way and that, before settling into a solid shape. It solidifies, and instead of a wall there is a glowing purple door, warped in nature and seemingly shifting like a trick of the eyes. He can hear the gentle hum of the zone standing next to it, and can see the carving of the circle in the wood. 

He gestures dramatically, grinning from ear to ear. “Ta-da~” He sings, “A door to my haunt! For whenever I feel like visiting it.” He pats the wood, making a strange thunk-thunk sound. “And then watch this.” 

Danny touches the circle again, and the door twists and recedes like water going down a drain. The circle flashes bright green, and then fades into nothing on the wall, invisible to the naked eye. “I can hide it whenever I want! So if I ever invite someone over—” which he doubts, “—I won’t have to worry about them asking, ‘Hey Danny? Why is there a creepy fucking door in your studio apartment?’”

He gets a pair of laughs for his efforts, and Danny grins wider. 

Sam and Tucker have to end the call when Danny is nearly done unpacking, leaving him alone with only his thoughts and the Gotham ambience outside. There were only a few boxes left, and they promise to call him tomorrow. He tells them that they better keep that promise. 

The silence that follows after they leave feels somberly, as if the reality of moving in has finally set in and filled the air with its loneliness. With its change. Finally, Danny lets the strangeness of moving back to Gotham hit him when he reaches the last box, and he stops to take another smoke break to let it settle. 

It feels so strange to be back in Gotham, he thinks. He’s all grown up, or almost grown up. He can vote and pay taxes, but he doesn’t feel much older than he was at fourteen. There’s a disconnect that makes him feel sad. 

There are cars running outside, driving by. He can only catch glimpses of them, his apartment faces an alleyway. There are dogs barking in the distance, strays he bets. It’s already dark out, and he wonders if he looks out the window he would see the bat-signal shining through the night and staining the permanent cloud that hangs over Gotham. 

Bruce would be so disappointed if he learned the reason for Danny’s return to Gotham. But Danny’s not here for him. He’s here for someone far more important. And like that, the simmering anger that has tucked itself into the furthest corners of his heart starts slipping through. His heart has teeth, ready to strike and snarl and bite. 

He crushes the cigarette in his hand and throws it away. When he opens the last box, it is with hands that tremble and with a face of stone. With a delicateness he does not feel, he reaches in and pulls a corkboard from the box. On the corner frame is a small, near inconspicuous carving of another ghost rune. 

Danny hangs it up on an empty space on the wall, out of sight from the window. It’s plain, and he has nothing to pin to it. He presses the small rune on the corner, pushing ectoplasm into it. Unlike the door, it does not twist and warp and shape itself into something new. Instead it bursts into green flame, eating away at the board and revealing the same thing underneath it, just in dark blue-black-purple. 

Now this board, this board Danny has something to pin to it. The newspaper he bought earlier sits abandoned on the counter, and Danny unrolls it with something like viciousness in his chest. On the front page is an image of a damaged street, and above it is titled: “JOKER STRIKES AGAIN, 3 DEAD AND 27 INJURED”

Danny rips out the first page, he rips out every mention of him. His hands shake and threaten to crumple the paper as he turns back to the board, there is hot blood pounding in his ears. There is an impending sense of finally in his chest, like a setting sun giving the stage to a starless night. There is a stern set in his jaw, five years of festering rage rushing forth like a tidal wave, threatening to make his vision swim. 

It would be so easy, he thinks, to go out as Phantom right now and hunt the clown down. It would only take a night. All it would take is a night, and then he could sink his hands into the Joker’s chest and rip out his heart where he stood. It would be so easy. 

The thought alone forces Danny to stop as he is hit with another rush of fury, really making his head and vision swim. Thorny vines wrap around his throat, making it hard to breathe. He stares at a spot on the wall until the shaking passes. 

If he wants to be discreet about this, then he can’t do it now. Even if he wants to. He doesn’t want witnesses. He doesn’t want an audience. He made a mistake, telling Red Hood about his plan. He wasn’t sure what he was thinking. Perhaps he wasn’t thinking at all. But he can only hope that the Hood hasn’t mentioned it to Bruce. He knows it hasn’t been long since they started working together. He hopes that the Hood has already forgotten about it. 

He pins the newspaper clippings onto the black-blue-board, and stands back. It’s bare now, but it won’t be forever. 

He presses the circle again, and the pinboard reverts back to its original blank state. 

-----

Was I expecting to make a third part?? No. No I was not. I was also not expecting to make an entire google doc filled with summaries for short story ideas about this au that all tie into each other so that way if i DO continue this i have a skeleton pathway to follow rather than making everything up from scratch and potentially cornering myself

you can find this on ao3 or on tumblr 1 2 :)

[disengaged]

i wanna live on my own again …. i’m so ready to put my books on a shelf and my clothes in a closet

[aquanutart]

an upside-down truth / a fallen star

[gideonisms]

See I think if I'd been born a guy I wouldn't be this pathologically avoidant trying to plan my career because there are plenty of situations you can find as a cis man where you just Do Tasks in awkward silence and you can get to those as a woman but you have to go through the rings of hell socializing first and then besides, a lot of those jobs already have so many men that you stand out when the whole point was you Don't want to do that

[scattered-winter]

i want sooooo badly to lash out and pull away from everyone but the god damn people pleaser in me .

[delicatetaysversion]

my sister called me and kept asking excitedly that what's happening in my life and

[thebeautifulfantastic]

<3

[pochapal]

trying not to start #discourse over here BUT it needs to be said that i am fascinated by the depths of the average tumblr user's addiction to suffering. go into the notes of any semi-viral positivity/mental health post and it's literally crawling with people going "nice sentiment but it's meaningless against capitalism/trauma/disability/systemic cruelty/the Horrors so fuck you for peddling this delusional bullshit". like yeah bitch the Horrors *are* inescapable! why does that mean you have to be miserable 24/7 about it though??

[thethingything]

I wish it was easier to do the shit that's good for our mental health.

like as an example, I know these things make us feel better:

socialising more in groups and joining in with stuff like game nights

using our daylight lamp

journaling about nice things that have happened or that we're looking forward to

listening to cheerful/upbeat music

unfortunately some of these take energy, some will make us feel way worse physically if we have a migraine, and all of them require us to remember to do them.

and obviously we'll keep trying anyway because it's worth doing them as much as we can even if we can't do them all the time, but it'd be great if doing things that help our mental health wasn't made so difficult by our physical health

[pepprs]

also (this is it i promise) this is why i am so INSANELY excited to have my own room soon. like omg. it is definitely not perfect bc it’s at home and there’s a breaker box in it and you can hear footsteps really loud through the ceiling and also again *it’s at home* when i really need to not be living at home. but the quality of life improvement i am about to have is actually INSANE. i will be able to have a space far away from everyone else where i can sing without bothering anyone and play piano and decorate it (mostly) to my liking and have a desk and draw and paint and do whatever. finally!!!!!!!! that is going to fix me!!!!!

[loverboybrightsideghost]

it has come to my attention that the most efficient way to do things is to just do them, so with that in mind i have started FINALLY drawing the silly little good omens animatic that has been living in my head for (checks watch) two years.

[layni17]

Life is so wild right now because I have so many things I’m happy about and enjoying (Fun K-Pop music, more Percy Jackson, more Our Life, more Sims, more Harvest Moon/Story of Seasons, more Critical Role, etc.) but simultaneously my life is falling apart and I’m miserable about many things (One of my cats and one of my dogs died, I’m suffering from yet-to-be-explained medical issues atop my usual chronic ones, having the worst anxiety I’ve had since I was in high school, can’t write anymore due to my chronic pain, etc.) so I’m like. Man. I want to be Happy but I just feel like a Wreck but I also have soooo many things I’m looking forward to.

[soupytot]

ALRIGHT STARTING SCHOOL TOMORROW WISH ME LUCK

[yther]

I need an extra push, I need to experience this in a much more concentrated way. I need to do something that will make it impossible to even consider existing another minute. Fuck you.

Fuck you. Fuck all of you.

[alittleemo]

not even exaggerating if this summer does not feel like the outer banks trailer to me i will have done something very wrong.

[pastadoughie]

alottt of transmascs seem 2 think tyhat vocal training is somehow superr hard n super difficult, but its rlly not! i think part of this is in part because of voice instructional videos, half of them are people spouting bullshit or not being descriptive enough, and the other half (by vocal coaches) are loaded with technical termonology witch is missmatched between them, making it very difficult to tell what part of the body they are talking abt just to preface, you probably will not have an extrordinarily deep voice, but you can absolutely get a passing male voice even if you have a super high pitched voice! vocal gender is not determined only by how deep your voice is, you can have a high pitched male voice and a low pitched female voice to give you an example of how much change you can expect, here is my voice, ive been doing vocal training for about 3 years now.

there isnt actually a massive difference in terms of the depth, but there is a noticable difference in terms of masculinity i sound a little bit uncomfortable in the normal voice example, this is because i pretty much never use my natural voice, so its not my "default" voice anymore you will not lose your normal voice as you do vocal training, you simply will get better at controling your mouth and throat muscles to make it deeper, so if you are closeted you can still do vocal training while maintaining your higher pitch voice, its a matter of building up a muscle memory, after a while it becomes automatic the examples were taken like, a minute from eachother, its just moving your mouth in the right way you can also see i have a bit of a thicker accent while doing my vocal training voice, this is because pronouncing words very clearly and distinctly while also making your voice deeper is very difficult & something i am still working on note that this is still good to do and to work on even if you plan on going on T !! unless you have been on puberty blockers or started hrt very very early (at puberty age) then HRT will not be perfect and is not identical to the effects of stereotypical amab puberty, this isnt to say that it wont help, but the differences in larynx height that you will naturally get are not the same intensity as what generally happens in male puberty. this means you will have a higher then average male voice, as well as transmasc voices absent of vocal training generally sound more buzzy and nasaly here is an example, given by a dear friend of mine who would prefer to be unnamed

this isnt to dunk on anybody who has this kind of voice, i personally like it, but it is clockable if you know what to look for, witch could be unsafe depending on where you live to start : anatomy you are not a guitar, youre more like a bottle. to speak you blow air through your windpipe, and depending on the width of your tube/windpipe you will have a lower/ higher pitched sound, your vocal cords/voicebox are a fold in that tube, witch can open and close to constrict or widen your tube thin tube = higher pitched wide tube = lower pitched within stereotypical male puberty, these folds thicken, making them close less easily then thinner folds, making the voice deeper the opening/closing of the folds is sometimes called the "glottal cycle" and thick folds are are sometimes refered to as having a "high closed quotient" having thicker vocal folds is something only achivable through testosterone, but you can get a deeper voice by making your tube bigger, sometimes refered to as "lowering your larynx", a lower larynx results in an adams apple, and you can use how much of an adams apple you have during training as a phisical reference point

beside your tube, you have a set of strap muscles, these you can move, its by controlling these that you can hold your tube open. you cannot move your windpipe itself, only the strap muscles

to find your strap muscles, you can do a small excersize - in a relaxed position and your mouth open, place your hand underneath your collarbone to one side firmly, pinning the skin down - tilt your head backwards and close your mouth - hold for a few secconds, then close your mouth and tilt your head back to a normal position - repeat on other side you should be able to feel a pulling in the strap muscle on eather side, generally one is tigher then the other. doing this excersise can help you make them a lil more flexable, witch helps you maintain your deep voice when you move your head around making your voice deeper / lowering the larynx :

on an anatomical level, you are going to control your strap muscles to tug your windpipe downwards, creating more space and a deeper sound you can feel this in your mouth, use your toungue to feel the bottom of your mouth, this bottom part of your mouth is what you wanna try to make bigger, kindof like a frog

people sometimes refer to this as speaking with a yawn, or liken it to trying to eat something large like a snowglobe, but this is a ultimately harmful way of thinking about it, and generally leads to people moving their larynx and mouth in a way that is straining, not very helpful for making your voice deeper, and also kindof slimey sounding you should not feel pressure in the back of your throat or the top of your mouth, you should only feel the pulling of your strap muscles and the expanding of the bottom portion of your mouth. below your toungue if you place your hand where your adams apple would be, you should be able to feel it bulge and tense up when you do this

you can do vocal slides in order to practice this - drink some water and clear your throat - take a deep breath and, at a volume and pitch that is comfortable and natural for you, open your mouth and go aaaaaa - trying to keep your mouth open the same ammount as you go, try and expand your tube, feeling the bottom of your mouth inflate a little, you can feel your throat to have phisical confermation of if you are doing it correctly - once you have reached the maximum ammount of open that is comfortable for you, try and hold that note as long as you can, being careful not to slide your pitch up if done correctly it should sound something like :

you need to make sure that you are pacing your air properly, you should be able to hold the note at a consistant volume for the length of the slide here is an example of a slide done without properly pacing your air, this is called "vocal fry"

you can help avoid this by doing the slide slower, you dont have to rush getting to the lowest note as fast as possible, try not to stress your vocal cords this slide is very difficult, if you are having trouble, you can modify the excersize if your issue is keeping your volume consistant, or keeping your jaw open the same ammount, you can do the same thing but humming instead

if your issue is pacing your air, and going into vocal fry, you can do the same thing, but you pant like a dog

being louder / vocal weight : vocal weight describes how loud you are / how much air you are pushing through your windpipe, if you find you are too quiet, you can try doing a volume slide

- drink some water and clear your throat - take a deep breath and, at LOW volume open your mouth and go aaaaaa, i would reccomend doing this at your normal pitch - trying to keep your mouth open the same ammount as you go, increase the ammount of air you let through your lungs, getting louder - hold it as loud as you can for as long as you can, and once you run out of air you can stop as with the other slide, you wanna make sure you do this one slowly, and make sure to start the slide at a low volume, this is to help you get more familiar with controlling the ammount of air you let through your windpipe once you get comfortable with that, you should combine that with the previous slide, and try to expand your tube/ lower your larynx as you get louder

maintaining that depth when speaking :

speaking is the same thing as singing, but it involves way more movement of the mouth, and if you dont change your technique a little between speaking and singing it will sound bad try to keep in mind the position of your tongue, while flattening it can help with getting the opening of your tube part down, you dont wanna actually talk like that, try to have your toungue in a natural position just resting against your bottom teeth try not to compress your throat, you shouldnt feel any kind of pressure against your windpipe, you should only feel a pulling in your strap muscles if you notice your voice sounds slimey or nasaly or muffled, youre focusing a little bit too hard on creating good mouth space that youre messing with your throat space

if you sound slimey, make sure you arent flattening your toungue against the bottom of your mouth, and that you arent straining or over exerting yourself, it shouldnt feel painful or tense at the back of your throat or top of your mouth if you have a hard time maintaining your voice while doing things you should stretch your strap muscles using the excersize in the anatomy section, if they arent super flexable then its going to be hard maintaining your voice while tilting your head when you start its gonna be pretty hard, so make sure that you dont overexert yourself or get hyperfixated on having a deep voice 24/7, you dont wanna damage your voice at all not being embarrassed / practical use :

alot of vocal training excersizes sound pretty stupid, but you dont have to do the excersizes exactly how they are shown here when doing my vocal training i generally sing or hum to a song, ideally one with alot of sustained notes and that doesnt require very fast pitch changes if you want a song i like to start with, i like this one by cats millionare, but you can really do whatever song you like as long as it works good for you

while not required having a male vocalist in the song can also help. it helps switch vocal training from a concious effort to a more subconcious thing, because your brain trys to mimic the voice of the people you listen to with speaking around people i used to feel a little embarrassed about using my deeper voice, because it made me feel like im just like. a stupid little boy trying to make my voice deeper to sound cool. but one thing you have to realize about this kind of thought is that its internalized transphobia if speaking in a certain way, even if its unnatural, makes you happier then you should do it, the idea of having a "natural" and "unnatural" voice is a common idea in transphobic retoric, this idea that youre "faking" a voice so you can "trick people" into "thinking that youre a different gender" ultimately, youre doing this to become more happy and comfortable in your voice, and if anybody HAS an issue with that or think that thats stupid, then theyre transphobic, though they probably dont realize it. if you dont like singing or humming, you can also just speak and read things out, there really is no reccomendation i have for this, maybe get on a call with your friends and play a visual novel or something, reading out all the dialougue. having friends while you do this helps, as you can have them remind you when you start losing or slipping up with the deeper voice you dont actually have to make sound to vocal train, you can do it in complete silence, anatomically youre just moving the muscles in your mouth a certain way, and the sound part is done by blowing air through, but the making sound part is just the final step of the excersizes and it is optional. you can vocal train in complete silence at any time i would reccomend doing it with sound to start, but as you get more used to it then you can do it without the sound to practice most importantly for doing it consistantly though is dont make it a chore to do, while the anatomical and technical aspects are important to learn the most important thing is having it be practical for you to do, so find a method to do it regularly that works for you you dont have to like, do it 24/7 or anything, though you will build a habit for it quicker if you do. if you need to switch how deep your voice is around family thats not gonna somehow take away your progress

fankyu 4 reading!! if you have any questions pleaseplease ask them and i will try to respond!! i know theres alot of formatting issues, i tried so hard to fix them but tumblr is just not having it, i dont know why