"Tom stared at him, stars in his eyes, glancing down at the bloody mess in his hand. “You were crafted by the hands of the Gods, Harry Potter,” he murmured, his voice awestruck."
Equals In Life (Partners In Death) by reggieblk
"''Voldemort?'' Harry asked, concerned as he started laughing, awed and thankful.
''I will honour you for the rest of eternity,'' he zealously whispered, knowing with utter conviction that he was being heard."
In Willing Sacrifice by GeMerope
"“You don’t need to be anything but what you are, Harry,” Voldemort tells him, squeezing again at Harry’s shoulders, and though his face is a bit blurry without his glasses, Harry can see the pinch between his brows. “You don’t need to be anything different. I want you at my side as you are.” "
Draw Me After You (Let Us Run) by ToAStranger
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kirishima has always been looked at as strong and commanding—always larger than life and in control—so he has no idea what to do when he’s pined underneath you and at the mercy of the way you play his body like a well-tuned instrument.
he’s out of his depth and feels half out of his mind as the tip of your tongue drags over his hip bone. you’re touching him everywhere—fingers bruising against his waist, his thighs, his calves—he knows that you are taking from him in a way that no one has ever, and he’s giving all of it to you willingly.
“b-baby,” and it’s stuttered and breathless as he feels your teeth sink into the skin of his inner thigh—he fights the urge to harden his skin subconsciously over the pain because it’s so good and he wants to feel all of it—
“so good, Eij—“ you coo into his skin, dragging the plush of your lips over the trails of raised, reddened skin your nails leave behind as you move down his body, “you’re so good, letting me play with you like this.”
to his shock, his hips kick at your works, completely enthralled by the notion of being a play thing for you—of giving in, of going soft for the first time in his life—
he feels your fingers dig into the muscle of his calves and has to shut his eyes so you don’t see them roll back into his head. the foreignness of his own submission is wearing off now—replaced by the heavy, slippery feeling of needing you, of leaning into this space where he can just be worshipped by you and know that you will be there to hold him through it.
you climb back up his body and he savors the feeling of your weight on him—pressing him into the sheets, the tension in him bleeding out from where your skin meets his—and he lets out a pitiful whine when your nails scrape over the taut muscles of his belly. can’t help it when his hips buck into yours, but feels the need to apologize anyway, because what’s happening right now feels so far removed from his own base desire to be buried inside you. this feels too refined, like more luxury than he deserves, and he feels like a neanderthal.
“it’s okay Eij,” you reassure him, and something inside him goes molten at the way you forgive him, love him— “i know it feels good. you can take what you need to, my love.”
and he shakes his head at that, frantically, because he doesn’t want to take. he doesn’t want control of this—he wants you to hold his pride in your hands and turn it into something malleable and fluid. he can’t trust himself to speak—he presses his palms into the bed and tips his head back, baring his throat to you, just hoping, begging you to understand—
he feels you take one of his hands in yours, feels you bring it to your face and press your smile into the inside of his wrist, nipping at the sensitive skin, sucking it into your mouth gently and laving your tongue over it.
“i see,” you murmur, and it sends a shudder up his spine so violent he feels his toes curl. your eyes rake over his body as you drag your free hand up his chest. he has to remember how to breathe when your fingers circle around the base of his throat.
“you’re such a good boy, Eijiro.”
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RELIGION? IN MY DSMP? MORE LIKELY THEN YOU THINK
Anyways would you like to have a debate like Ancient Greek scholars about religious imagery on the DSMP
“…and every revival only births a perversion of the original, and yet a return to form and renewal of the mission. Wilbur brought back to ambition, Tommy to fear, Techno to anarchy. This is because they were not properly revived through holy means, instead in symbols associated with satanic imagery; a grimoire, a totem. The revival book’s association with Dream echos ideas of Satan offering power that ultimately corrupts. Other symbols of Christianity show up beyond souls, revival, and satanic imagery, likewise tied to Dream. In the garden of Eden—”
“Golden apple as a symbol of the temptation of power! Of course of course! Knowledge as power, the fall of man from grace. This shows particular on the summit meeting between Techno and Dream, wherein a god apple is given by Dream. This falls neatly into parallel with Eden, where Eve is lured with the promise of having the same wisdom and thus power as god. It is the temptation presented, power promised in the same breath as suffering and conflict…”
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A ref sheet for Joey and their soul horse Summerqueen
Self insert oc go brrr
Also I really cannot wait for the name change update. I don't mind their name being Joey, it just doesn't fit them imo, but it's the closest alternative I could think of from "Jennifer"
HURRAY!!! You pushed a button, here's Joey's backstory
Joey grew up in a small town north of Jorvik City. They often misbehaved or had outbursts at school due to them not being a particularly fast learner and having a hard time connecting with their peers - being bullied for their strange behaviors and odd obsessions with horses. Even as horses are far more common in Jorvik in other parts of the world, it was all Joey ever really cared to talk about.
Joey was never given much time or care by their parents. They never really helped them with their school work, or gave guidance for dealing with squabbles at school other than to "give it back to them" and to "toughen up." Eventually, Joey ended up being sent to visit the school counselor, or the principal, nearly every school day due to disruptions in class, failing grades, and aggressive behaviors towards other students.
This eventually led to a conference with Joey's parents to discuss their behavior, and after repeated meetings, the school counselor suggested therapy riding for over the summer break.
"It's very grounding for people who do therapy ridding," the school counselor would explain, "it may do Jennifer some good to spend time in an environment with people who will hopefully understand her, and Aideen knows horses are all she talks about."
Eventually, their parents agreed, as Joey's emotions were far too much for them to handle, and they were sent off to Moorland over the summer.
Summerqueen lived in a large weedy pasture on a run-down old farm with her herd. She was born, raised, and lived her whole life in this pasture - only ever leaving when the old farmers' grandkids came around to ride them up and down the road every once in a while.
Now that the farmer was too old to ride, and his grandchildren had moved on, Summerqueen and her herd were more or less abandoned in the field; save for when the farmer would roll out a bale of hay. Their manes and tails had become matted, and their coats were left dusted in dirt.
One day, a man and his young son came driving down the road to the farm. When they stepped out of their truck, the boy was shaking his father by the sleeve, practically jumping and pointing at a sheet of paper and then out to the mare, insisting his father needed to get this horse. They approached the old farmer, inquiring about the bay mare in his field and asking if he'd be willing to lease her out to them. The farmer, skeptical of their offer for a raggedy horse, eventually agreed after their insistence.
Joey had ridden horses before. When they were 8 years old, they attended a day camp where they had learned how to ride. They would go on trail rides a couple of times each summer since then. They were by no means a good at riding, but they knew enough to get by on a horse. Now, at the age of 12, they stood in an enclosed courtyard. The stable owner held a clip board, going over that they were here for therapy ridding to help with their unstable emotions and that they would be responsible for the care of the horse being lended to them.
As he finished going over their responsibilities and rules, his son led the bay mare into the courtyard. He seemed almost as excited and relieved as Joey did when fianlly introduced to Summerqueen. The mare was groomed over well enough to safely equip her with tack.
"Parting through and grooming out those matted locks will be a good bonding experience for the two of you," the stable owner explained. Joey wouldn't mind the work. All they cared about was that their world finally felt like it made sense.
All the interests they were told were annoying and obsessive, the constant daydreaming of being carried by a swift steed, the feeling of never truly belonging - it all washed away as they felt their horses muzzle breathe in the scent of her rider from their out reached hand and finally greeting eachother for the very first time.
After the first summer was over it felt like their heart was being torn out. They begged and pleaded to be allowed to return next summer, and only found the strength in themself to carry on through the winter when their parents agreed to send them back once the school year was finished. During their second summer there, they became friends with Alex Cloudmill. She didn't have a horse at the camp and didn't even live in the area as she only came down to visit every once in a while, but the two grew close over shared hardships.
By the time the third summer rolled around, Joey decided they were not going to return home. They couldn't bear it to be somewhere they didn't feel they belonged anymore. After arguing with their parents to remain in Moorland year round, they gave in and let them stay, telling them they were off on their own now and decided it was better to have almost no part in what Joey does after failing to rein them in.
Joey would stay in spare rooms at Moorland if they were available, otherwise staying in the hayloft of their barn. The Moorlands never left them uncared for and would remind them they were grateful for the extra help they gave during the winter. And yes, they did still attend school, and thankfully, with less head butting from other students.
As they entered high school, Alex would tell Joey about how she had discovered she was a soul rider, along with some other friends she had made. Alex would tell Joey about the dangerous adventures they had gone through together, the great evils they would defeat, and they magic they had discovered inside themselves. And not long after, the same magic Joey would find in themself too.
After revealing they were connected to all four circles, Elizabeth would take Joey under her wing to teach them more about this magic. While Joey began training and working more towards the goal of the soul riders and druids, they moved in with Elizabeth until they were old enough to go out on their own.
Joey now works as a camp counselor at Moorland during the summer and cares for trail horses as they take time off from their wilderness adventures during the winter. Alongside that, they also provide ridding lessons to new riders, training horses, and racing in championships when they have the time. They definitely have their hands full, but they wouldn't want it any other way.
While both Joey and Summerqueen are connected to all four circles, they do have their own preferences for what circles they work with the most. Joey is most connected to the lightning circle, and during the Catherine's Memories quest line became closer to the moon circle while practicing its magic with Linda. Summerqueen is most connected with the star circle as she helped Joey heal their emotions and build up their confidence when they first arrived at Moorland and later became closer connected to the sun circle.
Aaaaaaand END SCENE
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