#I blame the writing

[thoughtfulchaos773]

There was just so much chemistry here. Carmy really sees Sydney as he realizes she wants to take care of others. Also, Carmy is curious. Sydney responded to his curiosity. How they were in sync and engaged, present. Sydney's flirty inflection at "Boursin." Carmy raises his eyebrows as soon as she talks about what she created. Vibrant collaboration, alright.

Oh, and then Carmy finishes screwing Sydney's side, ending with "That's good" at the end of the climax of their conversion... notice the song is also at a climax as Eddie Vedder says, "You're talking next to me," and words of someone sleeping next to you, being close.

Very intimate.

[kaipassedgo]

every day i wake up and am mad at the end of steves storyline and the full and complete lack of people who GET IT

[inky-duchess]

Fantasy Guide to Building A Culture

Culture is defined by a collection of morals, ethics, traditions, customs and behaviours shared by a group of people.

Hierarchy and Social Structures

Within every culture, there is a hierarchy. Hierarchies are an important part of any culture, usually do ingrained that one within the culture wouldn't even question it. Hierarchy can be established either by age, gender or wealth and could even determine roles within their society. Sometimes hierarchy can may be oppressive and rigid whilst other times, ranks can intermingle without trouble. You should consider how these different ranks interact with one another and whether there are any special gestures or acts of deference one must pay to those higher than them. For example, the Khasi people of Meghalaya (Northern India), are strictly matrillineal. Women run the households, inheritance runs through the female line, and the men of the culture typically defer to their mothers and wives. Here are a few questions to consider:

How is a leader determined within the culture as a whole and the family unit?

Is the culture matriarchal? Patriarchal? Or does gender even matter?

How would one recognise the different ranks?

How would one act around somebody higher ranking? How would somebody he expected to act around somebody lower ranking?

Can one move socially? If not, why? If so, how?

Traditions and Customs

Traditions are a staple in any culture. These can be gestures or living life a certain way or to the way a certain person should look. Traditions are a personal detail to culture, they are what make it important. Tradition can dictate how one should keep their home, run their family, take care of their appearance, act in public and even determine relationship. Tradition can also be a double edged sword. Traditions can also be restrictive and allow a culture to push away a former member if they do not adhere to them, eg Traditional expectations of chastity led to thousands of Irish women being imprisoned at the Magdelene Laundries. Customs could be anything from how one treats another, to how they greet someone.

How important is tradition?

What are some rituals your culture undertakes?

What are some traditional values in your world? Does it effect daily life?

Are there any traditions that determine one's status?

Values and Opinions

Values and Opinions are the bread and butter of any culture. This is the way your culture sees the world and how they approach different life hurdles. These may differ with other cultures and be considered odd to outsiders, what one culture may value another may not and what opinion another holds, one may not. There will be historical and traditional reasons to why these values and opinions are held. Cultures usually have a paragon to which they hold their members to, a list of characteristics that they expect one to if not adhere to then aspire to. The Yoruba people value honesty, hard work, courage and integrity. Here are some questions to consider?

How important are these ethics and core values? Could somebody be ostracised for not living up to them?

What are some morals that clash with other cultures?

What does your culture precieved to be right? Or wrong?

What are some opinions that are considered to be taboo in your culture? Why?

Dress Code

For many cultures, the way somebody dresses can be important. History and ethics can effect how one is meant to be dressed such as an expectation of chastity, can impose strict modesty. While other cultures, put more importance on details, the different sorts of clothes worn and when or what colour one might wear. The Palestinian people (من النهر إلى البحر ، قد يكونون أحرارا) denoted different family ties, marriage status and wealth by the embroidery and detailing on their thoub.

Are there traditional clothes for your world? Are they something somebody wears on a daily basis or just on occasion?

Are there any rules around what people can wear?

What would be considered formal dress? Casual dress?

What would happen if somebody wore the wrong clothes to an event?

Language

Language can also be ingrained as part of a Culture. It can be a specific way one speaks or a an entirely different language. For example, in the Southern States of America, one can engage in a sort of double talk, saying something that sounds sweet whilst delivering something pointed. Bless their heart. I have a post on creating your own language here.

Arts, Music and Craft

Many cultures are known for different styles of dance, their artwork and crafts. Art is a great part of culture, a way for people to express themselves and their culture in art form. Dance can be an integral part of culture, such as céilí dance in Ireland or the Polka in the Czech Republic. Handicrafts could also be important in culture, such as knitting in Scottish culture and Hebron glass in Palestine. Music is also close to culture, from traditional kinds of singing such as the White Voice in Ukraine and the playing of certain instruments such as the mvet.

Food and Diet

The way a culture prepares or intakes or treats certain foods are important to a culture. In some cultures, there is a diet yo adhere to, certain foods are completely banned. With Jewish culture, pork is prohibited along with fish such as sturgeon, along with shellfish and certain fowl. Meat must also be prepared in a certain way and animal byproducts such as dairy, must never be created or even eaten around this meat. This is known as kosher. The way one consumes food is also important to culture. In some cultures, only certain people may eat together. Some cultures place important on how food is eaten. In Nigerian culture, the oldest guests are served first usually the men before the women. In Japanese culture, one must say 'itadakimasu' (I recieve) before eating. Culture may also include fasting, periods of time one doesn't intake food for a specific reason.

What are some traditional dishes in your world?

What would be a basic diet for the common man?

What's considered a delicacy?

Is there a societal difference in diet? What are the factors that effect diet between classes?

Is there any influence from other cuisines? If not, why not? If so, to what extent?

What would a typical breakfast contain?

What meals are served during the day?

What's considered a comfort food or drink?

Are there any restrictions on who can eat what or when?

Are there any banned foods?

What stance does your world take on alcohol? Is it legal? Can anybody consume it?

Are there any dining customs? Are traditions?

Is there a difference in formal meals or casual meals? If so, what's involved?

Are there any gestures or actions unacceptable at the dinner table?

How are guests treated at meals? If they are given deference, how so?

[paradox-n-bedrock]

me in big fandoms: oh cool, it's so active and there's so many people to vibe with, this is amaz-

*finds my niche angle that appeals to approximately six people*

me: okay, folks, it's you and me now

[gronnulv]

2011 and 2025

[duchi-nesten]

remember when i joked about cujo being a secret agent?????? well him and perry the platypus are friends and meet up once a month to drink and spill tea

[taradactyls]

It's thinking about Darcy desperately yearning running into Elizabeth at Pemberley hours.

Like, you fell in love with this woman, but rationally (pridefully) you though it wasn't something you should pursue. But you can't forget her, and then she's at Rosings... and the more you see her - with her wit, her eyes, the liveliness of her mind - the more she undoes every expectation of who you should marry that you'd ever had. You prolong your trip to see more of her, you start imagining what it will be like married to her and unwisely after only seeing her again for a week begin asking how she'd feel living far away from Longbourn, and even hint things like she'd be staying at Rosings next time she visits Kent.

It's too much. You're feeling too much.

She's due to visit for tea the night before you take leave, and an evening gives far more opportunity for privacy and conversation than sitting in Mrs Collins' drawing room for half an hour the next day.

But she doesn't come, she's feeling ill, and you won't see her. If you don't make an effort, you might never see her again. It's not like Bingley will be going back to Netherfield anytime soon, after all.

You bail on the evening and go check if she's ok.

It's late, but you have to see her.

She's not super friendly when answering your questions about whether she's feeling better, yet that's to be expected when someone has a headache. But she's there, sitting with you quietly, and then you're so agitated that you begin pacing.

It's inescapable. You love her too much.

You'll marry her, and deal with all the impropriety of her family's connections and behaviour. She's worth it.

Because of course she'll say yes. You've been so open that she must be expecting your addresses. It doesn't occur to you that you're wrong to assume she's wishing for it.

Then she rejects you.

And she doesn't only reject you: she shatters your entire perception of self. Not immediately - oh, she creates a large crack, but it takes some time for you to do justice to her words. But they linger, inescapably.

"Had you behaved in a more gentlemanlike manner."

You're bitter, and angry, and hurt, and offended, and the sense of doubt isn't going away. But there is one thing you can do, that you have to do.

You write her a letter to explain yourself against the accusations she levied your way - some unjust, but others will eventually gnaw at you until you're forced to face them and stare directly at all the faults you didn't know you had.

You know it won't make her accept you.

The turn of her countenance you'll never forget, as she said that you could not have addressed her in any possible way that would induce her to accept you.

But you need to write the letter: to explain, to warn, and maybe - just maybe - make her think a little better of you.

If she even gives credit to anything you say.

She thinks so little of you she might dismiss your arguments and only hate you more for what you said of her family.

God, you basically insulted her family again in the letter. With an apology, yes, and as an explanation, but you knew at the time that those comments and what you divulged of Wickham would give her pain. But it's necessary. You still believe that, even as time goes on and you begin to wonder if all it achieved was making her hate you more.

The last time you saw her was as you handed her that letter.

She hadn't spoken.

You weren't yet master of your emotions enough to see her and be friendly, the best you could do was try be composed.

If only you'd been truly as calm and composed as you thought you were when you wrote that letter. You can see now that you wrote in a dreadful bitterness of spirit. There were some expressions you used, the opening of it, which alone would be enough to justify her hate. Though, despite your emotions, you never doubted for a moment in her goodness - never doubted that she won't spread around what you divulged of your sister.

She hates you, but all the reasons you love her are still there.

That's something that doesn't change as you slowly unravel the flaws her reproofs revealed to you and you try to become the person you always thought you were. So many behaviours, and the emotions that governed them, were not what they ought to be. Your principles were always good but you followed them in pride and conceit.

You were blind until she cut you to the quick. Opened your eyes to yourself and taught you such a hard lesson - but it was for the best. She properly humbled you and taught you how insufficient all your pretensions were to please a woman worthy of being pleased. Even if you never see her again you will be worthy of the title gentleman.

You will work to become the person you want to be.

Her rejection doesn't hurt so much as the knowledge that she was right and you failed yourself and so many others. Any anger or blame you felt for her words when refusing your hand are long since passed. If she had been able to overlook those flaws she wouldn't have been the woman you love.

The more you reflect and seek to rectify your behaviour the clearer it all becomes. In trying to understand yourself you realise that so many of these flaws have existed almost your whole life. And yet, despite how obvious it now seems, you had no idea.

Though your parents were good themselves they spoilt you - first as an only child, then as an only son - and you grew selfish and overbearing, caring only for your small family circle. Thinking meanly of the rest of the world, wanting to think meanly of their sense and worth compared to your own.

You owe the world so much better.

Your position, far from giving you leave to treat others as inconsequential, means you have a duty to think of others and ensure they are not wronged. Yes, you've done that broadly - especially on your estate, and always with servants and the poor - but what of in smaller ways, to those closer to your own rank? Have you directly treated them with civility and respect?

You know the answer now, but you're doing your best to fix it.

For almost four months, you ruminate on her words and turn yourself into a gentleman you can respect. Someone worthy of the respect you've so rarely had to actually earn. Someone who might've been worthy of her respect from the beginning.

You've never stopped loving her.

Almost four months, and you're not sure if you'll ever see her again.

You certainly weren't expecting to leave the stables after arriving at Pemberley and find her standing in front of your house.

Your eyes meet.

You freeze in place.

Four months of distance and then twenty yards away from each other.

She's blushing (so are you).

Your brain is too surprised to work.

She's here.

She's here and you're just standing there.

You have to go to her. Even if you didn't still love her, it's the polite and friendly thing to. (But you do still love her, and so her presence is a physical weight in your chest that you could scarce resist).

She had turned away briefly, but turns back when you approach.

You hardly know what you say, she hardly raises her eyes to meet yours, but you hear her voice, and she doesn't sound annoyed when she answers that her family is well.

Honestly, despite how discomposed you are by seeing her without time to prepare, your instinct is to stay by her. Even if it means speaking like a fool. You're pretty sure you ask her when she started travelling and how long she's been in Derbyshire at least thrice. But you start to recollect yourself, breathing a little more evenly, and run out of things to say. Remembering that she's here with friends and you've just come from the road, you take your leave.

Your thoughts stay with her though.

She was still just as lovely as ever. More civil to you than you have any claim to.

Your housekeeper says a gentleman and two ladies were taking a tour of the house, and have now gone with the gardener to see the accustomed part of the park. You know the place.

As your valet helps you change your thoughts solidify: you can meet them, and, through every civility in your power, show her that you aren't resentful of the past.

She's so close, and you can't lose this chance to perhaps obtain her forgiveness, lessen her ill opinion, by showing that her reproofs have been attended to.

And, maybe, you're just desperate for any excuse to see her.

By now, you've been in love with her for more than eight months, despite trying, really trying, to forget her both when you left Hertfordshire and Kent. It's pointless, either you'll recover in time or you'll spend the rest of your life in love with her. At this point you don't even want to fight it. Despite the pain of her not feeling the same way, she did you the greatest good anyone could, by showing you who you really were. You improved yourself because you should, without any expectation of seeing her again, but one thing that you can't alter about yourself is your love for her.

Right now, what matters is being near her and showing her you can be a real gentleman.

So, you follow her and her companions to the stream.

She speaks first this time. Putting herself forward to be friendly and polite. Proof, surely, that she doesn't hate you so much anymore? She's almost her usual smiling self, though she goes red and silent while admiring Pemberley's beauty.

You can understand why - you had determined to not ask whether she liked your home in case it sounded like you were wondering whether she regretted rejecting you and thus Pemberley. You know she didn't mean anything by her praise (and she'd known you were rich when she turned you down) but you understand her sudden embarrassment.

Although... when did she start caring that you might misunderstand her and think badly of her? She didn't care the last time you met.

But that's not important now. It's for you to ease the conversation and prove yourself. So you change the subject, and ask her to do the honour of introducing you to her friends.

Her surprise is obvious, and fair. Seeking the acquaintance of strangers, even respectable-looking ones, just wasn't something you used to do regardless of what the well-bred and civil action was.

And what does it say about you - with all your newfound respect and civility - that you're still surprised when the fashionable couple she's with turn out to be the very aunt and uncle you'd previously declared would be a disgraceful connection. You recognised you were wrong to be so dismissive, so rude, but the core assumption that the tradesman brother of Mrs Bennet and his wife must be noticeably vulgar had clearly remained. Yet here they were, everything elegant and well-bred.

How right Elizabeth had been about you.

But now you can show her that was the past, and your manners are improved and prejudices lessened.

You walk back with them, talking to the uncle, who has intelligence, taste, and sense. You like him a surprising amount. He points out trout in the water, and you're glad to invite him to fish here while they stay in the area. You have all the supplies he might need, and know the best spots. As you speak with him your attention is only half distracted by who walks behind you at a short distance.

Hopefully her uncle's happiness makes her happy also.

You have the chance to see, when the walking arrangements change and then she's the one walking beside you.

Honestly, you're not immediately sure what to say, but again, she speaks first.

Yes, she almost certainly doesn't hate you anymore.

Her explanation that she'd been assured of your absence before visiting sounds more like she doesn't want you to think her rude, than expressing disappointment that you are here.

Yes, whatever her past insults, she definitely cares that you don't think badly of her...

As though you ever could.

In mentioning why you returned a day early you mention who you're with, and too late saying Bingley's name reminds you that the last time you two spoke of him was when she (rightfully) blamed you for separating Bingley and her sister.

That silences you for a moment - but she doesn't respond with anger.

Composing yourself, you ask if your sister might be introduced to her. You've spoken of Elizabeth so highly to Georgiana, and so often, that your sister would love to meet her. You don't need to ask - your sister is the social superior, her wishing for the acquaintance is strictly enough for the introduction to be made - but you want to. You mean it, when you ask Elizabeth whether you're asking too much by facilitating the introduction. You want her to have the chance to say no.

But she says yes.

(Even sounding pleased about it, though surprised.)

Which is also a yes to seeing you again during her stay at Lambton. Renewing your acquaintance, despite everything.

The happiness, however irrational, this creates cannot be quelled.

You love her too dearly to not appreciate every fragile overture and sign that she must no longer think you so bad. The letter - your own improved civility - one or both has done away with her dislike.

Replaced it with... well, anything other than dislike is a place to begin.

This time the silence stretches as you walk; she, perhaps, just as lost in thought as yourself.

You could get used to walking around Pemberley with her.

A dangerous thought.

You scarce know what to say as you wait by the carriage for her aunt and uncle to catch up, after she declared herself not tired when you asked if she wanted to come into the house. But, again, she makes the effort to talk to you. You've never spoken of Matlock or Dovedale so persistently, but you want to keep talking to her - hearing her voice - receiving her smiles - for every moment that you can steal.

Four months apart and then the first day seeing her again your heart loves her more than ever before.

And she no longer hates you.

You would have them all come inside, take refreshment, stay, please stay a little longer, but they felt it was time to return to the inn. They're leaving, but you've already organised to bring your sister to see her the day after tomorrow, so it's only a short parting.

Not another four months.

You hand her aunt up into the carriage - and then Elizabeth.

Who is dearest and loveliest to you still, though you might never be able to say those words to her.

You're so aware of feeling her hand in yours, though gloved; the weight and warmth of it. The brief tightening of her fingers on yours as she takes the step up, leaving you bereft when she lets go.

You don't watch them drive away, though you feel her absence palpably as you slowly walk back to the house.

But it's only two days - two days before you'll see her again.

And they're staying for a little while.

All of it is more chances to show her the person you are now. Both the good qualities you never properly revealed before, and the newer ones deliberately acquired to remedy the errors she revealed. Show her you're a man she might admire.

Perhaps a man she might one day be able to love.

It's almost embarrassing, to admit how quickly that wish introduced itself after seeing Elizabeth again.

It probably took under half an hour after you saw her again.

[baejax-the-great]

The thing is... if you think the pursuit of glory is stupid and immature and kind of worthless, this should probably make Achilles a more compelling Greek hero to you because his entire character arc is coming to the same fucking conclusion.

At the Embassy, Achilles spells it out--he has come to realize he values his life more than he values glory, more than he values the riches Agamemnon has promised him. He had a few days to think about it, and it turns out dying in a war that has nothing to do with him for men who don't respect him just doesn't seem that great a deal to him anymore. He wants to go home. There is the complication that all the other Greeks will die without Achilles' participation in the war, and so it is Phoenix, his mentor, and Ajax, his friend, who convince him not to leave then and there. He decides to stay and see what happens.

When Patroclus dies, Achilles realizes there was something he valued more than his own life--his friend. Without him, his life has lost that value he only just found, so he might as well pursue revenge or the empty glory and riches he no longer cares about. That's his tragedy.

By the end of the Iliad, Achilles is very much of the opinion that glory and riches weren't worth it, and when we see him again in the Odyssey, he says he would have rather been a long-lived humble shepherd or something rather than briefly a king of men.

So I guess my point is if your beef with Achilles is that glory is stupid, well, he agrees with you. Congrats on having the greatest of the greeks on your side. I've heard he's great in a fight.

[cream-and-tea]

yknow being really into your own wip in an autistic fashion is very fun and cool until you’re not able to work on it for a certain amount of time and feel yourself actively begin to suffer from a video game poisoned condition

[agendratum]

they can't score.. but they can score their hyungs

[theminecraftbee]

for no reason in particular, i am once again saying that even if the work you're doing is with a content creator you love and on a project you're all passionate about and you trust everyone involved and they would never, say, ghost everyone involved for months leaving you in legal limbo in regards to the ip you've spent the past three years of your life on while everyone is clamoring for a statement or any guidance at all from you...

you should write a fucking contract.

and if someone tells you "we don't need contracts it'll be better that way", run the other direction.

you know. for no reason in particular.

[ruinix]

Quinn actively losing his shit because you're sucking his dick

Lovely anon, wherever you are, I hope you’re eating well…I humbly present you what you asked… 🫣maybe…I’ve gone off the rails. I guess it's time for Q to get blown. [side note: I have taken ‘actively’ to my fave words. I liked it, a bit too much especially after seeing your ask. 🤣]

Payback

TW/CW: 18+ MDNI, Smut, Oral sex (m receiving) / Blowjob, Hair tugging, Choking (on dick) / gagging, slight Overstimulation (m), reiterating the ask: Quinn is LOSING it 🙂‍↕️🙂‍↔️

Count: 2161 words | Masterlist | Taglist

You’re kidding. You’ve got to be kidding him. Quinn shudders as you crawl from his lap, nudging his thighs to spread. You perch right there, panting with your lips slightly parted. You’re making him lose his mind.

He can’t focus on the game he has on the TV. Not with you gazing at him while sitting on your knees. Not with you just resting your cheek against his thigh. Not with your silence and your tantalizing desire for him. Not when your tongue darts out and licks your lower lip as your eyes slowly track down his face, his chest, his abdomen, his crotch.

His dick twitches at your attention. You notice it, smirking and looking so smug. Seriously. Is this a test? Are you testing him? He’s going to fail. He knows it.

Where the fuck did this come from?

Quinn is not sure.

You two were just watching game replays, leaning against each other. When you complained that you were bored, extremely bored that you were smooshing his face with your hands, Quinn let you take the rein of the other TV. No need for him to watch multiple games when the Love of his life was bored. It takes you ten minutes to settle on one Netflix show which Quinn also watched—half-watched, he still got hockey plays to analyze—with you.

After an episode, you were on his lap, legs tightly pressed against his waist, arms wrapped around his nape, head resting on his shoulder. Quinn was just half-lying and half-sitting. He’s just extremely relaxed with your weight on him, with your skin underneath his hands which he slipped in after you settled, with your heat comforting his soul.

It was just you two basking on each other’s company. It was just a simple lazy day. It was supposed to be.

Then suddenly, you parted from him. He thought you would just get water or a snack—you like snacks. But no. You slipped down him, made yourself all too comfy between his legs. You’re seducing him like a minx. Like a mermaid drawing in sailors into the water. But you’re not singing—you don’t have to, no. You’re just…staring at him, panting so subtly and your eyes extremely hooded. Those are more than enough to seduce him.

“You should watch your game,” you mutter.

‘How will I do that?’ is what he wanted to ask, because literally how.

You lift a brow at him as if to say, ‘Well, what are you waiting for?’

You’re taunting him, aren’t you? There’s no way you’re not. It’s working. His cock aches. He wants nothing else but to fuck your pussy. You’re probably wet. Not probably. He bet you are. Especially now that your eyebrows meet, your teeth dig into your lower lip, subtly shifting on your knees.

Oh, he knows you so well. He knows he can just kiss you and you’ll fold and forget whatever evil plan you’re brewing. He can—

“Quinn,” you scold, pouting which means you’re begging.

You are begging him. That’s a privilege Quinn wants to never lose.

He clears his throat, trying to ease the tension enveloping his whole body. It’s so hard to resist because he really wants to kiss you now. He needs a kiss. Just a kiss. One small peck. Or your tongue against his—

Releasing a sigh, exercising restraint, he forces his body to relax and look at the screen. Instead of analyzing every play—imagining what to evade, how to get the puck, how to score—like he did before, he sees nothing. Just fucking mush of blur on ice. Nothing makes sense anymore because of you.

He's so hyperaware of how you nuzzle your cheek against his thigh. So aware of your tiny compliment of how his sweatpants are the softest—probably plotting to take it for your own. So aware of the kiss you press right fucking there—over his pants yet he still feels it like it’s your lips on his skin. Of your delicate fingers running over his shins. Over his knee. Over his thighs. So aware that you’re up, coming closer, thumbs rubbing circles on his inner thighs.

He can feel everything you do.

And he can’t do shit.

Not yet at least.

Quinn grips the armrest and the nearby pillow. His knuckles turn white. He swallows the knot in his throat, gritting his fucking teeth when you graze his cock, then you grab it over his pants.

“Fuck,” he grunts. He looks up to the ceiling, stopping the urge to thrust into your hand. Meeting your eyes, he pleads, “My Love, what do you need?”

He needs answers. He needs you to say what the fuck you want from him because he’s going to come from the anticipation itself.  He needs your words, so he can at least control himself.

“I want to suck your cock, Quinn,” you say so breathlessly, so beautifully, so innocently like you’re just asking for sweets when you’re already lying on the bed and ready to sleep. “Please?”

Holy shit.

“Anything you want,” he nearly stumbles over his words. His heart is lurching so hard in his chest as you smile at him.

So pretty. Your eyes are gleaming with excitement. No way. Really? Quinn might faint if you don’t stop looking so adorable just because he said yes.

“Then take your pants off already, handsome.”

Quinn follows, barely able to throw it behind him because you’re on him, pressing kisses on his thighs. Your tongue darting out as you lick and kiss and suck on his skin. One thigh after another. Back and forth. Trailing up. Leaving your marks. You’re turning him into mush. He’s so hard that pre-cum dribbles down his length.

“You smell so good, Quinn,” you mutter against his skin. For every kiss, you say, “I love you.”

He’s burning. Every breath against his skin. Every touch. Every lick. All of them leaves a trail of fire that shoots right to his dick. He’s so hard. So hard that all he can do is lay back, forearm covering his face, locking his body down. If he doesn’t, he’ll be pouncing on you.

You don’t want that for fuck’s sake. You want to suck him off. You’ll get that. Sure. But why do you need to worship his body like he does with yours…

Realization dawns on Quinn.

You’re worshiping him.

His heart is racing like he has been running mile after mile after mile. Like warhorse destined to run to its death because its heart would not handle the exhaustion of the run that it was ordered to, of the run that will be its last. However, death doesn’t await Quinn. No. What awaits him is you. Just you. Especially you.

So, he watches you, panting, rasping, “I love you.”

“I know,” you chuckle. “You can touch me, Quinn. You know what I like.”

You don’t even let him reply or process what you said. You simply lick his fucking tip, tongue flattening over his slit, taking his pre-cum.

The growl that escapes him is downright animalistic.

He wants this to last but he doubts it, because as you ran your tongue from his base to his tip, he’s already seeing stars.

You’re a savage. Cruel. So cruel. You’re just giving him kitten licks now. What the fuck? He thought you wanted to suck him. Are you playing with him? He can’t play games right now.

Tangling his fingers with your hair, tugging at it impatiently so you’ll look at him, Quinn tries his best to meet your eyes, but you persist with your torture. When you trace once fucking vein with your slippery tongue, he has physically pull you back. He’s going to come.

“That’s mean,” you whine. “Don’t get in my way, Quinn.”

“I’m gonna come,” he grunts, flinching when your hand pushes up his shirt, flattening over his abdomen. “Stop teasing me, my Love.”

Quinn’s basically whimpering. He’s aware you haven’t even started yet. He’s acting like this is the first time. It’s not. You really did shake him up with this unprovoked torture. Out of fucking nowhere.

“Oh?” You grin, moaning when he tugs on your hair again. “You want me to stop?”

You can’t stop. He’ll explode. It will hurt. He’s already hurting. Why the fuck did he pull you away? Oh right, he’ll come if he didn’t.

“No,” he says too quickly, voice quivering.  He lets go of your hair, holding his shirt for you. He begs, “Don’t stop.”

You finally start, sucking around his crown, greedily taking every drop of his weeping cock. Your eyes are closed yet Quinn feel as though you are gazing down at him from your throne. His Queen. His Love.

The way you’re focusing on him, moaning for every suck, is taking him out. It’s like you’re savoring him. Oh, fuck. You are.

You’re taking him so well.

You feel so good.

He can’t think straight. Not when you take half of his dick, creating a delicious suction that has his eyes groaning and moaning helplessly. Not when he feels your tongue flattening on his sensitive underside. Not when he can feel the vibrations of your moans. Not when you suddenly open your eyes to see what you’re doing to him. Not when your hand wraps around the rest of him that you couldn’t reach yet. Not when you made him put one foot between your legs so you can hump him.

You’re so wet that you’re soaking through your little shorts.

You’re gonna kill him.

Now, you’ve done it. When you bob down his length, taking more of him, he just thrusts into your heated mouth. His hand is over your head, pulling down much harsher, hitting the back of your throat.

He’s desperate for more.

The sounds of you gagging on him make him mutter a ‘sorry’. But he doesn’t mean it at all. You are teasing him so fucking much and taking your sweet time.  Both of you know that.

He starts using your beautiful lips, your mouth, your throat.

“Fuck,” he pants, shaking his head to clear it but he can’t.

He really can’t.

Good. Perfect. You feel so amazing around him.

He can’t help chasing after the pleasure of fucking your sweet mouth.

You look so pristine doing so. Sure, your cheeks are red and tear-stained, but—shamefully—he likes seeing you all ruffle up for him. Your hair is so messy in his grip. You’re drooling around him. Your nails dig into his thighs now—no longer teasing his member, because you can’t when he’s using you like this. Your hips messily roll, trying to match his rhythm, chasing you high desperately like him.

You’re so pretty. How can you be so beautiful? On your knees, yet he feels like he is on his knees for you. Always doing your bidding. Always receiving your grace. Your permission.

He’s so lucky.

“My Love,” Quinn grits, vision spotting at the edges. He warns, “Close.”

You up your ante. Your tongue swirls against his underside. The vibrations from your hums.

“Mmmfuck,” Quinn groans.

He can’t help but force you down, pushing his cock deeper as he spills hot cum down your throat. Spurt after spurt. He swears he blacks out for a brief second because you are sucking and gulping whatever he gives you.

He tries to get you off, give you your whole airway, but hell, you keep on going, going, and going. Not letting him get fully soft.

No. Seriously. Are you trying to kill him? It’s like you’re sucking all his soul, making him sag against the couch, blood pumping harder. He swears he hears you sob—which sends torturous vibration all over his fucking body, not just his cock—like you’re disappointed he can’t give you more cum.

He needs at least a couple of seconds to rest and get his shit together.

Your eyes meet his as you finally let his sensitive cock out with an obscene pop. With a pout, lips glistening with drool, you mutter, “More?”

That made him fucking hard.

Fine.

Fuck a couple of seconds.

If his World want his cum, you will, but this arrangement won’t do. It’s not fair. You can have your fill, and he can’t? The simple thought of just coming alone makes his heart ache. Like something’s missing after just had one of most intense orgasm—which is always the latest orgasm he has with you—in his life. He’s not used to this.

He needs to taste you on his tongue.

He would rather eat you out for hours, but you want this.

So, Quinn will just compromise. Good thing that you’re already fucking horny humping his foot. He’ll just persuade you to a different position where he can feast on you as well. By the way you shuddered, resting your head over his thigh, it won’t be a hard proposition to sell.

-> Next (Part 2: Fifteen)

[chimielie]

hockey player!iwaizumi x f!reader, tooth-rotting fluff, like sweeter than cotton candy, slight injury

When Hajime lost his tooth, he hated it.

He’d always privately had a little bit of a complex about his looks. Growing up best friends with Oikawa made it hard not to compare their looks and come up lacking. He tried not to let it get to him, never verbalized it to anyone, knew that he was still fine. Just nothing special.

They both grow up playing hockey—at least he can beat up Oikawa on the ice (and they always laugh about it off of it). Oikawa goes pro, right out of high school, and Hajime spends a little time dicking around playing college hockey in America before he gets drafted.

He had met you at the bars after a game; his first win after being traded to the team Oikawa’s played for for a couple years now.

The memory is clear: It’s great to be back together, but he feels some trepidation in the car the guys rented, some childish part of him reticent about the idea of going out and watching chicks swarm his best friend, just like their teen years.

He doesn’t even really have time to think about that once they’re in, though, because he, the newbie, gets sent up to order. While he’s waiting for the bartender to pour them the first round of shots, you tap him on the shoulder, touch so soft he barely feels it after getting pummeled on the ice. His right shoulder is tender because he’d slammed hard into the railing right after stealing the puck from Ushijima, sending to Tooru, who had pushed it neatly into the net. An assist on the first goal of the night, and he’d gotten a goal in himself by the third period too.

It twinges as he turns to face you, a clear question written all over his face. It’s not like he’s totally oblivious, like he’s never been flirted with. It just somehow always surprises him still.

“You’re fine,” you declare, already a little tipsy, your cheeks warming as he observes you in your night out outfit. He doesn’t notice a single other girl, talking to Oikawa or not, the whole night.

The next morning, you repeat it to him, curled up against his naked chest, eyes unclouded by drink but your words just as genuine.

It was the first time he’d ever thought of being fine as a good thing.

So when the tooth, his right front one, comes out, cracked by a hard high stick to the face, he almost doesn’t want to come home after the game. It probably doesn’t make sense to get it replaced completely—injuries like this are common in his line of work, and it’ll be a hell of a lot more trouble to keep replacing fakes. He opts for a partial denture, something he can take out during games, but the mold takes twenty-four hours to cure.

You attend as many of his games as you can, but he’d insisted that you head home on your own while the doctors checked him out. You’d ceded only on the condition that you’d have dinner waiting when he got back, something soft and good at room temperature so he wouldn’t aggravate the nerves.

He frowns when you see him, crossing the room and hovering your hands over his swollen cheeks and telling him how worried you’d been, how happy you are he’s okay.

“When’s it gonna be technically healed?” You ask, and his heart clenches.

“It’ll probably be sensitive for a few more days, but they’ll have a coverup ready by tomorrow,” he says. Before he can crack a joke like so you don’t have to look at this ugly mug too long, you’re looking at him with a contemplative expression, one he doesn’t know how to read.

“So… will it hurt if I kiss you?” You want to know. “I feel so bad, ‘cause it must have sucked, but you look so cute like this.”

His heart drops straight through the pit of his stomach in relief.

“Yeah, baby, it’ll be fine… Ow! Ow! Okay, little gentler.”

Still, he wears the flipper as often as he can once he gets it. He doesn’t like the way it looks, the gap, he reasons. Just because you say you do doesn’t mean he’s okay with showing up to functions looking even more like a scrub to your perfect ten. And yeah, he’d think you were beautiful with a paper sack over your head, but it’s just different.

He can hear you whispering before he even walks into the kitchen. You beam up at him, as beautiful as that night in the bar, and his face breaks out into a smile before he even registers it.

“Do you wanna…” you nudge your daughter, and she turns to him, smile just as bright as yours. His heart stops.

There’s a big gap in that smile, the right front tooth missing.

“Look, Daddy!” He catches her up in a big hug, hefting her up so he can inspect her face closely. “Now we match!”

It’s all crashing down on him. He’s bubbling up with it, the fizzy feeling you’d given him in the bar, the tears as he vowed until death do us part, the softness as he’d cradled her in his arms for the first time. You stand, leaning your head on his shoulder as your daughter tells him all about the loss of her first tooth, about the importance of being the first in her class to lose one.

“You’re so brave, kiddo.” He kisses her head. “Makes you even cuter. Want some yogurt?”

[b1mbodoll]

gross stepdad hoon… the kind to invite his friends (heejayke) over n tease you the entire time. it’s humiliating, having your stepdad pat his lap for you to sit on n being treated like his toy :( forced to just accept how he gropes you n makes you grind his thigh in front of them

even worse when they start to join in, suggesting sunghoon flash them your tits or make you drool on his fingers, each one of them staring intensely when you take your stepdad’s digits in your mouth n get a little dumb, moaning n gagging around them

idk .. just.. maybe stepdad sunghoon letting them all jerk off over you.. lets them have their way with his sweet girl n calls you a whore for liking it

[starry-bi-sky]

im dedicating this to @detectivedarling. i felt inspired after seeing their little ficlet yesterday sadhjfl 🫶

-

Danny's grip on his cane tightens.

"What—"

His voice cracks. He stops, clears it, then tries again in spite of the nausea twisting in his gut. "What are — you, uh, watching, Bruce?" He sounds horribly far away.

Bruce doesn't look at him, his attention laser-focused on the screen. Which is— fine. It's usually not a problem, Bruce gets like that when he hyper-focuses on a case, and unless it's urgent — or he's been at it for hours — Danny sees no need to pull him away from it. He likes the quiet camaraderie they have, it's companionable and unique to the two of them.

He wishes he was right now though. Looking at him, that is.

That way he wasn't watching what was clearly one of Danny's ghost fights. One of the nastier ones, if the collateral damage and rubble on the street is of any indication.

Danny tries to remember which one that is. He shuffles a little closer to the desk, ignoring the rock in his stomach or the ugly weightlessness in his arms. It's not the blood blossoms, that much he knows. He just recently had an injection so it shouldn't be bothering him this soon—

So it's just nerves. Perfect.

Most footage of his fights are— messy, at best. Unusable at worst. Amity Park was obsessed with appearing 'normal' when they first started happening, and typical news stations censor the worst of the fights anyways for publishing, since they can get pretty gory at times. And ghosts move too fast to be caught on regular standard cameras, not including distance and light and—

That is to say— finding usable ghost fight videos is hard.

Danny wonders how Bruce got his hands on this one, and then stops wondering.

The audio is muted, which is - good. Good, because the fight is ugly and chaotic and clearly this was taken on someone's phone. Fuck, he can't remember if he ever saw that before — clearly not. They're hiding behind an overturned car, and Danny grits his teeth so he doesn't tell that idiot to run.

The camera turns up, and focuses on two figures in the air. It takes a few seconds, but when it does, Danny gets hit with a wave of vertigo. His grip tightens and he leans heavily on his cane, he waits for the black dots to disappear.

He- uh, he remembers this fight now. Uh, sort of.

He remembers being twelve at the time, and he remembers some of the injuries he got out of it. His eyelid spasms abruptly. This ghost wasn't one of his regulars, so he doesn't remember whatever name they had, barely remembered what they looked like up until- uh. Now.

Was he always that small? Well— Phantom's never been particularly big, perks of being a dead kid, but— it's - different. Seeing it from an outsider perspective. Was he that small? Or is it just because he's wearing a jumpsuit clearly too big for him that casts the illusion of being small?

Doesn't really - matter. Now. He can't access his ghost form, and he already knows the answers to his appearance.

Phantom is clearly bleeding, viscous and violently green like the bubbles of a lava lamp, clutching onto a limp shoulder that's missing an arm from the elbow down. Half his face is drenched in similar blood, the eye on the drenched side is closed — not because he can't see through the ectoplasm.

Danny's memories of that fight slowly come in a bit clearer. Right. He took a pole to the eye in that one. That had - hurt. A lot. Getting an eye gouged out usually does. It and the missing arm took hours to grow back.

He rubs his eye with his palm for no other reason than it itches.

The other ghost isn't untouched of any injury either, but he's not in a state of dismemberment like Phantom is.

Danny drops his gaze down at Bruce, whose sitting in his chair with his hands threaded together, looking so tense that Danny half expects to meet solid steel if he were to touch his back. His face is - blank. Terribly blank, with an intensity in his eyes that Danny doesn't see often.

He looks terribly distressed.

He opens his mouth, and finds that nothing comes out. His throat is thick with an ugly, tar-like feeling that makes his eyes sting. Kinda reminds him of when someone wraps their hands around your throat and presses. He closes his mouth, then tries again.

"B—" hhhhhh, "Buzz."

Finally Bruce looks at him, one hand slaps the space button on the keyboard, and the video pauses. His expression doesn't shift, but there's a weight in the lines of his face that reminds Danny of a set of weights sagging.

He looks quite like he's grieving something.

Bruce opens his mouth, his voice comes out terribly soft and heartbroken: "He looks like you."

Which is— a terrifying sentence in and of itself. One that makes Danny's legs shake and ignite his ragged, poison-chewed nerves alight with the need to run. An instinctive urge to deny, deny, deny.

How could he? He could say, that's a ghost, Bruce. I'm not a ghost. He could crack a joke, and ask, 'do I look dead to you?' or say something about how he knows that his parents studied ghosts, but that didn't make him one.

He could say that, and he could say it knowing full well that Bruce would see right through it. He'd probably let Danny too.

Danny closes his eyes. They sting, you see? So does his nose, right in the back like someone popped him in the face. And his throat is thick and gross and like someone stuck a spider, the big fat tarantula kind, right down into his esophagus.

He breathes in — through his mouth, because his nose stings and so it'd be best not to irritate it further with air — and it's terribly shaky and uneven. But it clears a pathway to his lungs big enough for him to say — whisper, really:

"You know, I think you're the first person to notice that."

[shiroselia]

So we all agree Jinshi was unreasonably horny when watching Maomao rain hell on Lihua's ladies in waiting for being shit at taking care of Lihua right