not to be back on my bullshit but as it stands I think cass and dick’s relationship has the potential to contain soooo much resentment and discomfort. two people who are not used to being meaningfully perceived are now being deeply understood by another person who is NOT their first choice for this. they know each other Too Well and are both uncomfortable by this. there is so much resentment wariness and tension to be found in their shared proximity to bruce and babs, their thought processes, personalities, etc. HOWEVER. i do think that throwing them into the emotional pressure cooker that is the bruce-is-dead era together could fix them. being forced to share the cowl and wrestling with differing ideas of batman’s legacy, family, morality, etc would end SO well actually. they would have so many screaming matches and would come out of it bonded to all hell.
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Did they seriously just elongate the pony models, add a completely straight gravity defying tail, and add some little cones on the hooves to make a dragon 💀
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by the way i think it’s rather funny how bbc sherlock has completely literally fallen off the grid the fandom is smaller than ever johnlock isn’t even in the top 100 ships anymore even though other media from the same period continues to prosper and i just WONDER if that’s got anything to do with the way they treated the fans back in 2016 lol
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maaaaaaaaaaan. ridiculous to be calling DBD "pathetic" because it couldn't get licensing for various final girls. as if it hasn't always been because of some bullshit on the end of the copyright holders. fuck, we would have gotten more material from Hellraiser, had it not been for the copyright holders. we lost Stranger Things temporarily because of the copyright holders being out of touch with fans and greedy. Ghostface exists in the game because luckily, the character of Ghostface isn't actually owned by Big Bad Viacrap.
also like. DBD isn't Fork Knife. it's just not. and if I'm not mistaken-- it's not like Fork Knife has any horror character that DBD doesn't, apart from Eleven and Hopper. Eleven could never be in the game anyway, because any character added has to be over 18/a legal adult (for legal reasons). and we have Steve, Nancy, and Jonathan instead. It makes much more sense that they chose those characters for the game, as this followed S2, which made Steve one of the most popular characters from the show. so much so that he can even contend with Eleven in popularity.
and let's not downplay the fact that DBD does have other, very, very impressive licenses in it. such as Silent Hill. that was the first big thing Konami let happen with the ip in YEARS. Resident Evil was...HUGE. Wesker's chapter brought in an unprecedented number of players and anyone who played survivor at that time knows that for WEEKS, all you would get was Wesker after Wesker. We have Chucky and Tiffany, voiced by their original VAs. Sadako from the original Japanese Ringu, not the American version of the same concept! You can play as the Xenomorph, and the Xenomorph Queen! Vecna, from D&D is a killer, and he is voiced by Mr. Matt Mercer! We have Ash Williams, Alan Wake, Leon. S. Kennedy, Cheryl Mason, and very soon Lara Croft! and then After her-- we are getting Castlevania!! So there is no shortage of incredible of characters from horror that are in this game, and it's disrespectful to act like the people who work on this game don't care enough about it to try their fucking hardest to give fans the best possible licensed chapter dlcs they can. it's not their fault if the copyright holders want something different.
Besides, I think it's gross to suggest that DBD doesn't have a claim to the title of "Horror Hall of Fame" just because it doesn't have specific licensed characters in it. what about all the amazing original characters that the game has? do those suddenly not count, just because they do not include super well-known characters from popular old horror movies? A lot of these popular old horror movies don't include/don't give much of a spotlight to people of colour, so the original chapters often give the devs the room to add diversity to DBD's cast of characters, whereas a license might have otherwise not allowed it. and many of these original characters even have nods to existing horror media, like the End Transmission chapter drawing inspiration from both the horror-survival game SOMA, and the sci-fi horror movie/comic book Virus. Does the hard work that the many talented members of the DBD team put into making this original chapter, among many others, mean nothing, just because Sidney Prescott or Sally Hardesty aren't in the fucking game? I should hope the fuck not.
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Hey if you’re still enjoying and engaging with Harry Potter in any capacity you can unfollow me 😊 please and thank you
Like. I get it. I was super into it as a kid too. I did not have the social context to pick up on the antisemitism or transphobia or sexism or fatphobia or bioessentialism or racism or anything else. I also picked up on surface-level language of Fighting Back Against Evil and ascribed my own values onto what that meant and thought we were all on the same page. I remember when the original kids who grew up with the books started becoming adult fans and picking up on the (blatant!) antisemitism and everybody was still mostly willing to give JKR the benefit of the doubt on it. (“She was writing kids books!” They said. “She didn’t know she was penning a global phenomenon! She picked a common literary trend in European fairy tales (antisemitic caricature) and didn’t examine it closely. It’s a mistake anyone could make,” we said. “She would probably do things differently now. After all, she word-of-god confirmed the vaguest hints she dropped that Dumbledore might be gay,” we said.) There was actually a span of several years where biases inherent in the actual real content of the Harry Potter series were coming to light and even the people pointing them out still seemed mostly to think it was an unfortunate accident.
That time has passed. Years ago! We are long past the first months of “maybe she doesn’t realize this seemingly-feminist tweet she liked was made by a noted TERF” and then “how could she not realize that these many veiled TERF-y things she’s retweeted have implications for the many queer fans of her work” and finally “oh wow okay JKR just dropped an entire transphobic manifesto on twitter. I guess the transphobia was the point.”
Yeah, there were a few months after that where people were still processing and still working through how they felt about Harry Potter and all of its flaws with the context of the now open transphobia of the creator. I was there for that. Remember how I was one of the kids who built it up into something noble and worthwhile based on my own beliefs about what messages it was probably trying to convey? Turns out it wasn’t trying to say any of those things, and when you take the time to examine all of the terrible shit that made its way into the text whether JKR intended it to be there or not, the whole series falls apart. It’s weird to discover that there’s a room in your house that’s rotten to the core, but eventually you figure out you can’t live like that, still going in there and holding your nose and pretending it’s still the same room you thought it was when the termites were only inside of the walls and hadn’t yet started chewing their way through the furniture. Because what’s going to happen is that they are going to infest the rest of your house. If you decide you can ignore transphobia and antisemitism and everything else just because you liked the color of the wallpaper, the rest of your principles are going to crumble too. You get rid of that fucking room. You put those books on a high shelf in the back of your closet behind other outgrown clothes and interests and you move the fuck on.
JKR uses the money made from her transphobic antisemitic children’s books to actively funding hate groups and to lobby for legislation that will and has actually affected the actual lives of trans people in an entire country. We are past the point of grieving something you were wrong about in childhood. Kids are wrong about a lot of stuff. You grow up and you learn new information and you change your behaviors based on it. You have to choose. It is transphobic to pretend there is not transphobia where there is. It is transphobic to support the work of someone who is using those funds to take rights from trans people with every fucking dollar. It is hateful to continue to engage positively with a story that at its very core is rooted in hate and bigotry and prejudice. You can choose to do all of those things but you cannot claim ignorance of them and you cannot choose those things and still pretend that choosing them upholds the values we convinced ourselves that Harry Potter stood for over a decade ago as uninformed children. You cannot choose to do those things and pretend to still support your trans and queer and Jewish neighbors. I do not want you in my neighborhood. Leave.
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