#I don't want to hear WELL ACTUALLY-

[torchickentacos]

I never do this, but reblogs were off and I want to shout this at everyone. stealing this post.

more thoughts under read more. I know it's a popular saying and I never look down on people who say things like this before knowing the impact they have (or even after to an extent, I have too much benefit of the doubt to go around), as we all have things we say and do that have negative impacts, and sometimes you never know to change that until someone points it out. So this is NOT a call out post or whatever, this is my rambling emotional thoughts on a topic.

I think first and foremost, I'm bothered by the ableism of course. But secondary to that is my annoyance at seeing people act high and mighty about fandom discourse. Like, if you want to talk to adults with jobs, go to linkedin or something, not tumblr, where we do care about things, and where we do discuss things.

And I GET thinking some discourse is stupid. I DO! because guess what. some discourse is stupid skjfhsdjkjfhsdjfhkdjs. I've joked about the poke/amour stuff before. I'll clown on some things, and maybe that makes me a hypocrite, but I feel like a step is taken when you take it from 'making fun of the discourse', something we all do to an extent (which dare I say is a form of participating in it) to 'making fun of the people who engage in such discourse'. We are FREE to talk about how silly the voltron stuff was. We are FREE to be snarky about things because human nature is to be a bit of a hater sometimes. but do it in a way that jabs at the topic and not the people.

But I think a lot of it also hinges on how we see human value on a larger scale. People make fun of people who work retail, people who don't have jobs, people whose jobs are considered extra or undesirable like sex workers, et cetera, despite these jobs being IMPORTANT. It's disheartening to me to see people lean on these types of jabs, and I think it tends to paint human value as something purely based on what you can give out to the world. It leans on this sort of input-output based system of determining how valuable or worthy someone is. And if they don't meet that standard value of 'adult with job', then their opinions are moot as jobless losers in their mom's basements or whatever the fuck. I think the whole thing leans into the conservative 'special snowflake' attitude, which isn't something I think we should be leaning on in arguments or discussion.

And I think that the intent is usually not to be ableist. Most people don't start their day wondering how they can insult disabled people, I'd hope. But intent and impact are often detached, and good intent (avoiding discourse) can have a bad impact (making fun of people in the name of pointing out issues with disocurse). I also think race could be a component, given how racial discrimination in hiring is still a very real thing and is a real factor preventing people from getting 'GoOd ReAl JoBs', but I'll leave that side of the discussion to someone who is more qualified to talk on it than I am. Feel free to chime in with any insight on that side of the coin if you want!!! I imagine the same also goes for visibly queer people but I'm not going to get into the straight/cis passing stuff right now.

And maybe I'm looking too far into it. Maybe I'm just thinking about it too much, maybe it's just a funny little saying that TOTALLY doesn't affect actual people in any way. After all, I'm just some jobless disabled loser in my parent's house talking about discourse on tumblr, aren't I?

[scribefindegil]

As much as I adore conlangs, I really like how the Imperial Radch books handle language. The book is entirely in English but you're constantly aware that you're reading a "translation," both of the Radchaai language Breq speaks as default, and also the various other languages she encounters. We don't hear the words but we hear her fretting about terms of address (the beloathed gendering on Nilt) and concepts that do or don't translate (Awn switching out of Radchaai when she needs a language where "citizen," "civilized," and "Radchaai person" aren't all the same word) and noting people's registers and accents. The snatches of lyrics we hear don't scan or rhyme--even, and this is what sells it to me, the real-world songs with English lyrics, which get the same "literal translation" style as everything else--because we aren't hearing the actual words, we're hearing Breq's understanding of what they mean. I think it's a cool way to acknowledge linguistic complexity and some of the difficulties of multilingual/multicultural communication, which of course becomes a larger theme when we get to the plot with the Presgar Translators.

[starrysharks]

evilution

[kennyomegasweave]

4 Minutes TonklaWin Thoughts:

I'm pretty sure they're both gonna be absolutely fucked in the end. 

I think Tonkla's gonna accidentally destroy himself while he's destroying Win. And Win's gonna destroy himself while he's accidentally destroying Tonkla.

Tonkla's already using Win as a pain distraction with no care for him as a person. He flat out pushed him off during sex as soon as he finished, though the dialogue later implied he blew him offscreen.

Win's already compromised himself, despite not being corrupt, because there's no way he didn't know Tonkla was high as fuck and yet he said nothing, had sex, and stayed for the afterglow. 

In the future, I think Win's gonna utterly destroy Tonkla on accident by showing him genuine concern, care, worry, and love. And Tonkla's gonna destroy himself on accident by how he handles that since I'm gonna guess it won't be well.  (here's how Tonkla can finally get rawdogged like he wants and how it'll end up being the thing that dooms them both)

And all that's without even getting into Tonkla being a murderer, Win's corrupt CO taking over Tonkla's dead brother's case, and however Korn reacts once he finds out the sugar baby he's keeping in a gilded cage has someone else. 

[letmetellyouaboutmyfeels]

For $5 USD stop making everything about that goddamn show for five minutes.

[accirax]

Nene’s Role in Wonderlands x Showtime

The release of The Miniature Garden’s Coral seems to have confirmed some things I’ve recently speculated might transpire in future Wonderlands x Showtime events-- namely regarding Nene and how she may actually be the most important member of the troupe-- so, let’s talk about them! I’ll be using zui’s lyrics video for my translations, so hopefully they’re accurate.

With the past couple of WxS events in mind, it’s easy to see that this 3DMV is also about endings. While the MV begins in a sunny blue afternoon light...

...the characters and set eventually bask in a beautiful sunset orange, signaling the end of the day. The lyrics even mention being “between the end of the blue sky and the beginning of the night sky,” further emphasizing that we’re in the middle of the story. When the sky is blue, the troupe expresses uncertainty: Rui mentions that he feels lost, and Tsukasa, scared. But eventually, Nene admits that, in this beginning period, she was “spoiled by the sound of the waves,” AKA that the commotion surrounding WxS’s formation led to a troupe that became a source of comfort for all of them.

Once the sun sets, there are a lot of “even ifs.” Nene sings about how she’ll continue to sing this song, even if things are starting to look unsteady and she’s not sure if she should proceed. However, by the end of the song, she resolves to "still sing this song” while keeping up a smile.

I think that the fact that Nene says she will sing this song is incredibly important, because, as established, this song is about endings. Meanwhile, back in Mr. Showtime, Tsukasa firmly didn’t want WxS to end, and was holding out until closing time. Rui’s What Sort of Ending Are You Wishing For? and Emu’s Starry Sky Orchestra seemingly both acknowledge an ending as well, but it’s not at all easy. Rui seems to fall into a resigned depression at the thought, keeping a whimsical facade up when the very thought of separating kills him inside. The thought haunts him, MV riddled with hourglasses that he can’t get out of his head. Emu can only tolerate taking the first step towards a breakup with tooth-rottingly sugarcoated promises of eternal togetherness and literally holding hands as they go (I love her btw this is not Emu slander). She never even says the word “end,” only “tomorrow.”

Rui, Emu, and Tsukasa are basically Denialx3. Rui tries to deny his emotions regarding disbanding, Emu tries to deny that the ending is coming at all, and Tsukasa tries to deny that there’s nothing he can do to keep them from inevitably drifting apart. And that’s where Nene comes in again.

Rui’s dream is to perform technically complex shows that will resonate with an audience. He can do that from Phoenix Wonderland. Emu’s dream is to keep the Wonder Stage up and operating forever. She has to do that from Phoenix Wonderland. Tsukasa’s dream is to become the number one world star and make everyone smile. While this would likely take him away from the park, in another story, I could see it being possible that, in the end, Tsukasa decides that making the people in his local community happy is more important than trying to change the entire world. Thus, he could also follow his dream from Phoenix Wonderland, even if it’s not ideal.

But then there’s Nene. Her dream is, and always has been, to perform in Broadway musicals. Broadway is a live performance in New York City. There is no possible way for Nene to get what she wants while staying in Phoenix Wonderland. And that is possibly why Wonderlands x Showtime’s ending is the easiest for her to process.

Now, I’m not trying to say that Nene doesn’t love her friends. She adores them. Her three previous commissions have proven that. It’s the amount of love she has for them that will propel her to make what is actually the best choice for their dreams. Nene is the little mermaid, both when swimming freely the oceans with a beautiful, unstoppable song, and when enduring pain herself to stand with and for the ones she loves. Her friends, in this situation... are coral.

Remember that coral, “blurred” and uncertain in the water and “stained orange by the setting sun”? The miniature garden is Phoenix Wonderland; the coral is Emu, Rui, and Tsukasa; and that coral is stained orange by its desperation to keep rereading the final chapter instead of closing the book for now and putting it away to revisit in the future. Coral, while a beautiful living organism, is also completely static.

Static like stone statues which, at least by my interpretation, is what the rest of WxS turns into at the end of the 3DMV. The three of them (and Kaito) are paralyzed with the fear of the suffering an ending would bring. Only Nene is alive and human to be the one to show the group the benefits it can bring as well.

There are a lot of aspects of this song and Nene’s entire personality that lead me to believe that she will be the one to bring about change in WxS. First, she most often “has the braincell,” so to speak. I don’t think it’s a coincidence that she performs this song with Kaito, the most mature of the WxS vocaloids, either. During April Fool’s 2023, she was put into the Solid Heart class. One might think that troupe leader Tsukasa should be the Solid Heart, and that shy Nene should be the Cautious Heart, but they (accurately) sorted it the other way.

Nene is a very strong-willed person. In other stories, it might be seen as a negative that Nene is always the most hesitant one to get into shenanigans, or that she would even dare to be the one to suggest a WxS split in the first place. What an ungrateful wet blanket Nene is, willing to throw away her friends for the sake of her own selfish dream. But in this story, staying at Phoenix Wonderland isn’t really what will make Rui or Tsukasa happy, and even Emu may have to graduate to focusing on the entire company instead of just one stage someday.

Nene’s friends brought her out of the darkness and into the light of day, and she is so grateful for that. She knows how amazing they are, which is how she knows that they can make more friends and continue to do even more amazing things in the future if they can bear to leave their high school part-time jobs behind and enter the real world, just like her.

So, Nene’s role is to be Wonderlands x Showtime’s guiding light. She’ll tell Rui what sort of ending she’s wishing for, and then console him when he can’t repress his tears. She’ll be the one to hold Emu’s hand while they take that next step into tomorrow. Her three best friends helped her to grow from the loner who operated a robot from the theme park bushes, and she’ll help them step out of that theme park and be who they truly want to be.

There is one other thing I wanted to mention, though...

Tsukasa.

As I mentioned previously, while all three of Rui, Emu, and Tsukasa are in denial, Tsukasa is the most actively in opposition to an ending. He’s also the troupe leader, and the sole creator of the Wonderland Sekai. If someone is going to actively try to stop Nene from suggesting separation, it’s definitely going to at least start with him. But as Nene has already stated in The Miniature Garden’s Coral, despite any opposition that makes her question whether or not she should proceed, she already plans to continue singing her beliefs about a bittersweet yet timely goodbye.

And, their conflict is something that’s basically been foreshadowed from the beginning too, right? Nene has always roasted Tsukasa, giving a counterpoint to his blindingly bright worldview. In upcoming chapters, however, I believe that may start to transform from simple fun banter into a genuine conflict with clear sides drawn...

And THAT’S why ColoPale gave them Childish War.

Nenekasa nation get ready, ‘cause I don’t think this is the last Nene and Tsukasa fight we’re going to see.

[s4pphic-sh3nan1gans]

I just rewatched Dan and Phil playing incohearent and I don't think you guys understand how much I NEED Joker Out to play this game.

it would be fucking gold.

[gender-critical-analytical]

the way some of you clearly think bisexuals don't experience actual attraction and feelings for people, but rather decide ahead of time if they want a man or a woman this time and then just go and pick whoever comes into their line of sight next is so obvious and definitely makes me think you all don't need to speak on things you don't know about

[mikesbasementbeets]

to be real for a second, i think there is a moment in the show where mike has a ~realization~ of sorts about his feelings but hasn't quite put two and two together yet.... and it's this:

this realization of "hey my feelings for will are actually maybe different than my feelings for my other friends, but i'm not sure why" happens at the end of season two. and then mike spends the entirety of season three acting sort of strange and different around will while having his relationship with him constantly juxtaposed with his relationship with el. reaching the end of that season which, despite all the supernatural shit going on, took the time to focus so heavily on those two relationships (and how fundamentally different they are), and having mike have the same realization he had at the end of season two makes no sense because it would mean he accomplished absolutely nothing in his emotional arc during the course season three

especially to claim that he still believes he has feelings for el going into season 4. especially to claim he still believes he has feelings for el by the end of season 4. it's to claim that he has not made any emotional progress in his relationships for at least two full seasons, that he's been going through all of this for it to not have made any conscious impact on him, and the changes in the way he acts from s2-3 and from s3-4 aren't a product of his character developing (growing, changing, to quote hopper's letter) but rather..... ? i don't know actually. just him feeling weird but not understanding himself at all. still. it just doesn't make sense to me. he's one of the main characters of the show, and to keep him emotionally stagnant for 4 out of 5 seasons (especially when we can see that his behavior is changing, that he has not been stagnant at all but rather deeply affected by everything) would be a disservice to his character, first of all, but also a disservice to the narrative which has been showing us his (as well as the other characters') struggle with growing up and growing into himself every season. and it simply doesn't align with what we're being shown

mike is already having realizations by the end of season two. but by the end of season three, he's starting to be really honest with himself about what they mean

[lumberwoof]

AU where Franka doesn't get approval for the transfer and instead has to cut and run to Rhodes Island alone. Liskarm just misses finding out and isn't able to follow. and then they reunite some years down the line for whatever reason, Franka happy at Rhodes Island but still a little lonely and Liskarm saying she's fine but being at Blacksteel for so long has made her colder and harsher and just plain miserable.

(it isn't all bad, she at least has Jessica and Vanilla, but they can't get under her skin the way Franka could. Liskarm swears that Franka would get under skin sometimes just to dig out the bad feelings.)

(and Franka has people. she's surrounded by people she cares about. operators cut from the same cloth as her, that will charge headlong into battle beside her. colleagues who will nag her about sleeping and eating and training and mission parameters. friends who will rag on her for her choice of reading material. but Liskarm was all of those things rolled into one. and she is not here)

[sleepynegress]

This is excellent news. I'm realizing how influential this movie was. It really was the blueprint for the zombie resurgence. Everything from runners to 'people are the real enemy' to prototype Richonne... I just need one more announcement and I'm 100% onboard.

Bring Naomie Harris back!

[brother-emperors]

this is not your part of history exactly but i was wondering if you were going to watch queer, the luca guadagnino movie set in the 50s with daniel craig? it seems like your style

I've read Burroughs (including Junky and Queer) and honestly. after reading one of Guadagnino's interviews, & a couple of others from the screen writer: I became hostile to it conceptually lmao. in a surprise turn of events, it seems like I've got strong opinions on adapting Burroughs/Queer to screen and I'm not sure that Guadagnino will deliver something I'm interested in seeing

but! I'm going to wait and see if any of my friends watch it and what their thoughts are before I commit one way or another

[starflungwaddledee]

"This is Home" by Cavetown is SUCH a Starstruck dee song

i didn't know this one, but the song is apparently literally about aromanticism (as well as asexuality, anxiety, and gender dysphoria), so i can definitely see it!

outside of that context, i rather like these lines for Starstruck in particular!

Get a load of this monster // He doesn't know how to communicate // His mind is in a different place Get a load of this train wreck // His hair's a mess and he doesn't know who he is yet But little do we know, the stars // Welcome him with open arms

thank you for thinking of her and sending this one in! i'm actually really touched by this! music is super super important to me and i spend a lot of time finding songs that suit characters and every tiny shift in their story arcs

i'm very guilty of hearing every song and thinking it's About The Character. so to think that other people are hearing tracks and thinking about starstruck as the character is so incredibly meaningful to me!

[bighominiglo]

if you view sex as a valid "reward" for well behaved men you are advocating for prostitution full stop.

[frogspawned]

pet peeve is when a story tells us something is aberrant, but it seems to matter more about who does the behavior than the behavior itself. rorschach in snyder's watchmen isn't going too far; we watch nite owl and silk spectre ii snap necks and arms with gleeful, loving abandon, in slow motion no less, while they lecture the audience about rorschach's violence. heroes frequently torture the plot contrivance out of a villain and then moralize to the camera when the villains do the same. indominus rex's killing spree doesn't shock or appall me; all the jurassic world dinosaurs act like mindless killing machines, and the camera lingers, rapturous, on their cruelty. it's not an outlier. there's nothing interesting about it beyond as a set piece.

in a better script, the indominus rex would have had pathos; a chimera made for entertainment, for profit, stitched together with no regard for itself and placed in a lonely box. a freak among freaks. of course it would be mad. but the film wasn't interested in it as an animal, or a character, only as a moving piece of scenery for people to scream at or breathe tensely while it can clearly smell and reach them but doesn't, because it isn't a character and doesn't have motivations.

it's just sort of boring, i suppose. it tries like all other empty drab things do to cover it with bombast and roaring and soaring brassy scores but it's just sort of dull. a sprawl of nothing.

conversely peele's nope is a transcendent monster movie, imo, because it thinks about the the whys and hows, how jean jacket perceives the world, how the world perceives her, and lets that shape the narrative as much as jupe or emerald or gordy. they consulted biologists and behaviorists, digging into the meat of it. the creature as a camera as an animal as a device. nope has layers. it takes its own insane premise seriously, and has something to say, and is a goddamn good movie. i forgot where i was going with this.

[theflyingfeeling]

...💌