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wedreamedlove · 4 years

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MLQC Men Headcanon Notes

Now that I’ve spent more time with these men (it’s getting close to 2 years!) I wanted to share the general thoughts, themes, motifs, etc. that I keep in mind when I’m writing their character.

This is 1000% headcanon territory, so feel free to take what’s useful and ignore what’s not LOL but I’d also love to see people add in their own “character reference cheat sheet” to this!

(I’m especially curious because, due to being of Asian diaspora, I write best in English but my understanding of the characters come from CN/JP text). Incidentally, if anyone feels ANY of this when reading my fics, then that’s all I could ever ask for LOL.

LI ZEYAN

He is Capricorn² and, while the game doesn’t make explicit mentions to this, I associate the element earth with him because of this. He’s described with attributes like being steady, calm, and always in control. He is the epitome of an immovable boulder and things revolve around him, not the other way around. I like to draw on imagery of unbending steel and/or the stable ground.

Meanwhile, like the goat of his astrological sign, every step he takes to climb to his goal is assured. He doesn’t do anything spontaneous or without thought, so if he does lose control and act without thinking then it has to be a momentuous occasion. Basically, it’s really important to me that if I write a loss of control, then it’s likely to be the centerpiece.

Keeping in mind that his Evol is time control, I also like to try and subtly weave an atmosphere of how everything happens at his pace. Winter being his season only adds onto this because the world stills when it’s covered in snow; everything becomes muted, hushed, and slowed in this season.

The chemistry in his romance arc is how his pace and control gets disturbed, but he adapts quickly and learns to go along with these moments of whimsy. Or more like that’s his character development and how love changes him.

His canon (spirit) animal is the cat and lion. Felines go along very well with the emperor or noble archetypes he has in all his AU cards, because cats are stereotyped as being independent and haughty animals. He’s not big on PDA or excessive skinship, but he’s not disagreeable to them either. Too much stimulation and, like a cat, he’ll probably show exasperation. Ignore him for too long though and he’ll come to share his presence with you.

For me, his love is shown through quiet acts of service that don’t have any attention drawn to them. Him just being in the same room or giving his attention is how he emotes his love.

He’s quite low-key in his normal life so he doesn’t seem like someone who gets confused over commoner things, but there are also moments where he spends an enormous amount of money without blinking. If life can be made easier with money then why not, right?

Keywords: Calm. Steady. Earth. Immovable. Control. Exasperated Affection. Time. Cats. Literal Capricorn. Winter. Mature.

ZHOU QILUO

First thing that comes to mind is the sun and heat. Fire is his element and so I go for stereotypical imagery like flares of passion and burning bright. He switches expressions and moods at the drop of a hat and he’s a mood maker to the extreme, but there’s no hiding the way he shines with his love for his love.

However, because he’s also Helios, it’s really important for me to play around with dualities and explore the other side of this positive imagery. So, just like how the sun can bring warmth and life, it’s also a deadly laser something that can hurt people by blinding them or setting fires. It’s also fun to remember that the moon only has light from the sun’s reflection.

Game-wise, I believe Helios has been described with cold and ice imagery but, because I try to keep that imagery for Li Zeyan, what I like to consider instead is that extremely cold things can “burn” you too. Frostbite can also be called ice burn.

The sky is repeated imagery for Luoluo too, because of his eyes, but I’ll admit I’m still uncertain about how to interpret this for his character. Generally, the sky represents freedom but...? How I approach this is that the sky doesn’t discriminate and protects everyone below it (echoing his quote about how he protects the light in the dark).

On this note about the sky being welcoming, I view Luoluo’s love as one that accepts his love no matter what they’re like and he grows together with them (unlike the two adults, Li Zeyan and Xu Mo).

However, again, it’s super important to remember his duality and just because he’s a playful mood maker doesn’t mean he’s not able to switch into a serious and mature mode. He keeps his innocence and warm heart despite the darkness he’s seen and understands.

His canon animal is the bear which also makes me tilt my head. I can only see this as how bears are seen as both cuddly and cute, but also fierce and protective. He was also given a stag but... no one uses that LOL.

Keywords: Fire. Passion. Playful. Innocent. Little Sun! But Moon. Spring. Sacrifice. Darkness. Sky. Mischievous. Mood Maker.

BAI QI

Every single cell in his body is attuned to his love. You ever lose your phone and then, for the rest of the day, you feel as if you’re missing an important piece of yourself and you have intrusive thoughts wondering where it is? That’s him. You ever see something so cute you experience cute aggression and don’t know what to do with yourself? That’s him. You know those dogs that strain at their leashes on the streets because they want to go and greet you? That’s him.

It’s all about the yearning.

I know, I know, I wrote essays about how he can survive without his love and how he’s someone who carries both love and a greater justice BUT let’s not kid ourselves that he doesn’t revolve around his love like Jupiter around the sun.

Anyway, so the game shoves wind descriptions down our throats. It’s literally another vehicle for him to emote his love and, to be honest, I don’t do much with it other than use it for that. I talked about it extensively in my character essays, but I suppose I play with the irony of how he’s only free because he has a home can return to. [Loneliness SR Wind and Care Call] “Because I have a place for my heart, I can fly anywhere.”

I don’t believe the game emphasizes this any more than it does with the other men, but I try to always have a point of contact between Bai Qi and his love because, again, the yearning and vibrating with All That Love. He’s such a physical character (military archetype) that I also want to emphasize that in writing.

In addition, I’m all about him being the most feral of the men. Heck, his canon animal is the wolf which is great for both its stereotypical and non-stereotypical meanings, such as being a lone wolf and ferocious animal but also a pack animal that can’t survive on its own and needs a pack. Meanwhile, NW717 is described in-game as a monster.

Look, one of his signature descriptions in the game is resting his chin on or against his love’s head and nuzzling them. I’m not baselessly trying to push my kink I swear.

So, like how Bai Qi said in [Light Bath SSR: Tenderness Call] that maybe he only shows his gentleness towards select people (his love and mother), he’ll give the person he loves all the warmth of his being but, oh boy, I see him as being a beast who will remember his true nature upon being chained; the “chain” of love gives him the reassurance he needs to be truly free... in all its meanings.

Keywords: Ginkgo. Summer. Primal. Wind. Love is love is love. 3-Point Contact. Wolf. Yearning. Vitality. Justice. Freedom. Physical. Restraint.

XU MO

First, given how vocal I am about Elex’s changes, this is probably going to be the most drastically different section out of everyone vs. their English version.

Soft. Light. Gentle. Kind. Gossamery. Feathery. Ethereal. Faint. Whenever I write him, do I literally open up a thesaurus to find synonyms for gentle, light, and soft? Yup! LOL.

Fun fact, in CN and JP the word for “smile” and “laugh” is the same character and so sometimes there is ambiguity when translating if there’s no clear markers. The writers definitely had a word in mind when they wrote the scene, but unfortunately we don’t have the ability to check with them at every use and so sometimes it does come to subjective interpretation.

For me, Xu Mo is characterized by a lot of quietness. Game-wise, there are enormous usages of silence and descriptions of emotional fluctuations in his eyes so Significant Silences and Looks are a major thing with him and in my writing for him, which is why I always choose “smile” over “laugh” if there is any ambiguity in the line (I believe Elex leans towards chuckles).

On a similar note, the game also gives him a gigantic serving of descriptions that only ever use the word for “light, slight, faint, soft, gentle” in JP and CN. It gives him a very floaty and dreamy feeling, even if he’s doing something physical. So, it’s important for me to keep a similar atmosphere when writing and make everything feel as if it has to be shared in a whisper.

A bonus here is that it doesn’t require much to turn this ethereal feeling into a melancholic one, so you get that dash of angst that layers over everything. Leave a few things unknown here and there, incomplete actions, eyes that get averted and Boom. Angst.

Shifting gears, but if my imagery of Bai Qi’s love is like a tense, vibrating, and restrained chain of yearning then Xu Mo’s love is like a flood barely being held back by a dam. Knowledge of the quantity and weight behind the dam is terrifying, but it’s safe to be submerged inside it. Much like Luoluo and Helios, Xu Mo also has a dangerous duality in Ares and so I also like to play with this imagery.

So, on this point, I like to preserve an underlying sense of darkness (all-consuming possessiveness, etc.) and envision that he also wishes to stain his love in his colors, like a drop of ink on white paper and how it seeps into every fiber of the paper until the whole thing is saturated with him.

Incidentally, I’m reminded that—whenever possible and natural—I want to exclusively use water imagery with Xu Mo. The game supports this too! He is described with extensive water imagery and so I try to use water metaphors, analogies, and similes.

I try to make sure every sense is present, but I feel like the game emphasizes (especially with the red thread of fate imagery) that Xu Mo and his love are connected at a soul-deep level and so I always keep in mind a mental, emotional, and spiritual aspect.

Lastly, his canon animal is the fox (we ignore the black goat LOL) so contrasting his elegant, scholarly, and gentleman’s air with a black belly, teasing, and mischievous air is also important! Sexual but with, you know, class.

Keywords: Butterflies. Monochrome. Artist. Red Thread. Autumn. Melancholy. Water. Soft. Gentle. Light. Faint. Dreams. Spiritual. Fox.

LING XIAO

I’m getting more comfortable with him, but he’s still shrouded in so much mystery. If every one of the other men treat their loves with gentleness though Ling Xiao is definitely one who isn’t afraid of roughhousing. He’ll act first and then ask for forgiveness afterward, if needed.

But I like to keep in mind that, for all his roughness, he’s still a good kid at heart and when he saw MC’s skirt rising up when he tried to pull her over the fence he immediately stopped. So, a bit of a bully but without any humiliation.

Intelligent, strong, and dangerous but hiding all of that beneath a devil-may-care attitude and someone who does things on a whim. I don’t know what to do much with his canon animal being the shark except to attach it vaguely to this point and think that, as an apex predator of the sea, it does things at its own pace (somehow, it gives me the image that he likes to bite... but, uh, that’s probably just me LOL).

Keywords: Mercurial. Lightning. Sarcasm. Physical.

#love and producer #mlqc #mr love queen's choice #mlqc gavin #mlqc victor #mlqc lucien #mlqc kiro #mlqc bai qi #mlqc li zeyan #mlqc xu mo #mlqc zhou qiluo #love and produc(ing) meta

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plutoswrath · 3 years

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i’m jealous of your big heart when it comes to animals lmao. i’m arachnophobic and it can be so annoying to have sometimes. i haven’t been able to tie it back to astrology, as much as i would like to. i asked because i was wondering if there was a clear indicator based off certain placements like how 6th house rules animals, 6th is ruled by mercury so i jumbled them even though i probs shouldn’t have lol. and with venus it ties to personal taste so i wondered if it could indicate a liking towards a certain animal. i have sag and sag venus in 6th and embarrassingly enough, i was obsessed with horses. like i came out of the womb adoring them. as soon as i learned to talk i was a walking horse encyclopedia. my obsession died down. i’m not a horse girl, i swear on my life.

i agree with you about the cancer loving animals. animals are babies and momma cancer loves to nurture the babies. i feel like cancers are the most likely to hate the “are you a dog or cat person” question. they’d get offended because how dare someone assume their heart isn’t big enough for both. more than both, really. throw a turtle in there. a rabbit even. cancer asc peeps usually have a shit ton of animals. it’s probably the sag/abundance in the 6th. or they either own a horse or Great Dane. but this is off topic because i forgot i had a follow up question.

if you could tie an animal or a couple animals to each sign that you think best represents that sign? or just seems like one they’d like? some are so easy and others just leave me blank. my arachnophobia thinks scorpio’s deserve better than scorpions but my terror blinds me. but i was looking up the symbolism behind animals and tying them to signs. so far, i’ve concluded that while horses should go with sag, their highly intuitive and empathetic animals. their behavior is like a mirror so if you’re nervous, they are too. so pisces or cancer actually seems to be a better fit. and to stay on topic of cancer with animals, i always tie wolves and dogs in general to cancer. the wolves are tied to the moon and familial dynamics and also i think they’re a great symbolic opposition to leo and how leos tend to resemble cats. sun and moon, dog and cat, night and day, that sort of thing. i realized i’ve rambled but i’m looking forward to your opinion because i’m so lost on what other signs would have. it’s been a year old question in my brain and it’s time for help from the master.

I'm sorry to hear that, I'm had a friend once who was arachnophobic and having phobias like these is really no fun, I can't imagine what it feels like really having them. And omg don't feel bad for liking horses when you were a child, literally so many children, especially young girls, like horses simply because people decided horses where a 'teenage girls only' thing somehow?? (and I will have to dig deeper into this at a point because here where I come from the horse girl thing is soooo painfully real and I want to understand the phenomena). And if I'm not mistake, arachnophobia (like most types of phobias), stem from some kind of trauma right? I absolutely don't try to get to personal but if we look at phobias in that way, maybe it's good to also include looking at planets/asteroids that point to trauma or aspects that can represent/indicate traumatic experiences in that sense! And I agree wholeheartedly to the 'dog or cat' question, I don't get offended by it but I hate this question in general because every animal deserves my love and empathy adfghj and yes, mother feelings definitely play into this haha! I think cancers enjoy (to an extent) having that occasional (or constant) outlet for their nurturing side and the bound you have to animals is also very intuitive and requires a lot of patience and getting educated as well as being observant and reading between the lines somehow and all that dedication paired with emotional knowledge just really speaks to water signs in general (and animals don't judge openly with words, just your energy asdfgh) Uhh, I like the question regarding the animals and I agree with your takes on it so far!! I think one animal can not represent all the core traits of a sign alltogether, but I'll try my best here! and psdfghj no need to call me master because I'm literally so far from anything close to that but thank you so much still, I feel honored really!!

The Signs as Animals:

Disclaimer: some of them are inspired by my ‘the Wild Unknown Animal Spirit’ tarot deck.

Aries: House cat. I know, I always thought cats actually link pretty well to Aries! Cats are just the perfect mixture of intelligen and curious, reserved, stubborn, aggressive, senstive as well as playful/impulsive! They are quick to learn and not afraid to face off against any other, bigger animals, but also can live pretty well together with other pets in the house, as long as they don‘t bother them too much. Especially when it comes to intimacy/pda they are very picky, but forceful when demand it. Seem flexible and unbothered at first but actually have the firmest boundaries when it comes to their personal freedom. Will let you believe they need you but give it a few weeks and the neighbor has better treats than you and gone they are asdfgh, but it's actually a harmful stereotype to believe that cats don't need you because they can become extremely fond of you and grow very attached.

Taurus: Elk. Based on the interpretation of my tarot deck. The elk represents earth energy, it is grounded, is established in itself and knows their core values and acts according to them. They show consistency, coherence and care. Dedicated to who they love and what they care for. Can become narrow minded due to knowing what's best, based on their perception of what's right and necessary, which can effect their ego negatively. Very Taurus for me. Gemini: Dragonfly. I refer to the interpretation of the Dragonfly based on my tarot deck. The dragonfly represents the mind: everchanging, quick, fascinating, a reflection of the world inside us and aroudn us. As the dragonfly is very quick (refering to Mercury's fast and nervous energy) the dragonfly also calles for paying attention to what quality our mind has and to become mindful, because on first glance things always appear different tahn on first glance (Mercury floats between detail-oriented and paying attenetion and being too fast, impatient). The dragonfly is joy and magic, as well as impatience, restlessness and being unable to concentrate. Cancer: Killer Whales (but also whales in general)! I thought especially about Killer Whales, because I once watched a documentary on them and they went in depth about how they have different cultures and different languages even (if I remember correctly) in their familys. Cancer often gets associated with the home life, but I think I wanted to look at it from another perspective, as in how does family 'become' family and how do those family roots develope, what do they consist of, how do we define family and what holds it together (and especially: how do our roots shape our own emotional patterns and nature in life?). I think the mystery of the Killer Whales but the whole complexity that lies behind the fascination of how these animals function and also how deeply affected Killer Whales are by their emotions/when they are absent from their kin, just opens up another big question of family dynamics and how we relate to one another and how principles we always condoned to human beings now apply to animals too. I think the whole part about the Killer Whales relation to emotions and their family's cultures just really made me link them to Cancer. Leo: Otter. I refer o the meaning of teh Otter based on my tarot deck. The Otter resembles the energy of the inner child: it's pure bliss, playfulness, they love to live and live for life itself, and out of this eagerness to enjoy life comes also a contentment and completeness towards life itself. To reconnect with otter energy, it is advised to step into settings of celebration, or total creative self expression and from the outside looking 'unproductive/selfish' indulgence. But actually, this energy is what makes life so enjoyable in the first place.

Virgo: Octopus. Highly intelligent beings that can quickly adapt and take the initiative. Self sufficient by nature, they aren't aggressive unless provoked, they like to mind their business unless they get curious (then they cling heavy onto you because you are their new object of interest). They can change color if it's needed (Virgo is a mutuable sign and can blend in perfectly in social occasions/new situations) and tbh the inking part about octopus just reminds me of the fact that most Virgos have a really quirky side to them you only get to see when you annoy them long enough (aka you are a long term friend). Libra: Gazelle. I refer to the meaning of ten Gazelle based on my tarot deck. The gazelle combines the creation of beauty and harmony, creativity and hyper awareness of it's surroundings, very affected of the imbalances in it's environment, but in it's try to remain this beauty around them, they tend to forget their achievments and stay in the present with their thoughts, as they constantly wheigh out the 'what if's'. A very perceptive animal in the tarot deck and this attribute is equally it's strong suit and downfall. Scorpio: Tiger. I refer here to the meaning of the Tiger based on my tarot deck. Waits in stillness and darkness to reconnect to their own inner power. Healing in isolation with the help of the lunar forces, waiting to regenerate. The Tiger energy shows itself in being passionate, sensual and stepping into ones own power, recognizing ones strength. For me, this is very Scorpio (Moon) for me. When the Tiger in unbalanced, it becomes overstimulated and acts according to this hyperawareness. Sagittarius: Zebra. I refer here to the meaning of the Zebra based on my tarot deck. The Zebra stands for an open mind, visionary and eccentric, new thinking, as well as being young at heart and expansion. I personally connect horses with passion and drive, because they are truly powerhouses. Based on the meaning of my tarit deck, the Zebra also is sociable, at least people find themselves drawn to the energy of the Zebra because it triggers their desire to learn, and I think this is something very beautiful Sagittarius symbolizes when they come into your life: be prepared to broaden your horizon for more.

Capricorn: Camel. I refer to the meaning of the Camel based on my tarot deck. Camels here represent absolute dependence on self and being able to find the answer to problems in oneself. This self reliance and capability reminds me of capricorns, the camel is finding the 'cool' aka water inside of them and Capricorn is traditionally also symbolized as the sea-goat (which I seriously think should really be considered when anaylzing this archetype) and Capricorns have (imo at least) a rich emotional life, but it's just deeply locked within. The Camel represents showing responsibility for their own actions, regulating the self and circumstances around them as best as they can, which makes sense for Capricorns, ruled by Saturn they usually are confronted with task in their life. If the Camel energy is out of balance, it shows a lack of vitality, with Capricorn representing the senior age in life makes sense, especially since Capricorns can tend to feel very old (exhausted)- Aquarius: Platypus- and no, I’m not using the Platypus because ‚wow all Aquarius are so weird like straight up aliens 🤪🤪’ I think the platypus is a good representation because it makes us question what we’ve known so far about animals and Aquarius too is a sign that introduces us to new ideas and perspectives all in the favor of progress and considering alternatives, leaving the status quo. Pisces: Raven/Crow. I name these two in particular because as far as I know it’s only the ravens that have been documented intimating people’s voices and tones, but crows are definitely more known for their bright mind. For me people often forget Pisces mutable nature and how quick witted they actually are. These birds are hyper intelligent and their observational skills are truly amazing. In my Wild Uknown Animal Spirit deck, the crow is an animal carrying 3rd eye energy. Here, the view is clear, the crow is moving through different dimensions and sees what other’s cant. For and the emotional depth (void) Pisces is conencted to it just seem to make sense.

#i swear i will be more active the next days #replies #anonymous #astrology #zodiac #the signs as #the signs as animals

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wherearemyglassesbro · 4 years

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If you could put any character into Hetalia what country would they be

Oooo!!

Mexico: OH BOY!! If Mexico isn’t introduced as a woman I will 1000% go bonkers. She has so much potential! Here we go. Mexico is a strong willed woman with curly hair and a confident air around her 24/7. She doesn’t like to speak English so she will only speak Spanish, especially with America, she won’t speak English with him just because. She is very passionate about her country’s rich history and will educate anyone who is interested, she doesn’t discriminate, she’s excited to share her culture with others :) She is very involved with children. She visits orphanages and hospitals to see them and tell them stories! She takes Mexican holidays very seriously and she puts photos of old friends on her alter during Dia de los Muertos to keep their memories alive long after their families are gone, she believes she owes it to them :’) She also has a HUGE passion for quinceneras ooooh my gosh!! She throws about six every year for families who can’t afford big parties, she throws them herself with her own government allowance! She makes the dress, books a nice venue and buys tons of flowers ‘every girl deserves to have her own special moment’ and you can bet that when the girls dance with their dads she has to excuse herself to cry happy tears in the bathroom. She often goes to church and she has crosses and statues of Jesus adorning her house because it makes her feel safe and comforted to have Him there to watch over her. Lastly, she knows she shouldn’t feed stray dogs. She’s been told not to....But she leaves seven dog bowls out at night for hungryc homeless doggies :’)

Azerbaijan: Azerbaijan would be a tall, slender woman with with deep brown eyes. She’s very stylish and has three closets worth of beautiful dresses, especially dresses that are yellow, orange and peach since she thinks they suit her best. She’s a Muslim woman but she doesn’t wear hijabs, they are not very common in her country at all so she doesn’t wear them. However, she has a collection of hijabs in every color just in case she may want to wear one. She’s kind but if she sees people littering or graffiti-ing buildings she will stomp over there and tell them off, she fears no man!! She loves children and goes out of her way to greet them and compliment their clothes or something like that. She’s fluent in many languages and often pretends she doesn’t speak English because she prefers her own language, Russian and French. She is very traditional when it comes to tea culture and hospitality. She’s a wonderful woman who loves her people very much!! :)

Ethiopia: Miss Ethiopia is so strong dude, she can easily toss a man in a river if she wanted to. She says she doesn’t like violence but she does get a kick out of putting men in their place if she has to. She does NOT mess around!!! She can’t stand liars, she refuses to associate with them. She almost always tells the truth, it is very important to her. If the government wants her to lie to her people, she will not. She does not enjoy living in her capital, it’s too stuffy and crowded for her!! And she doesn’t really like modern clothing so she sticks to her traditional clothes, which she mostly makes herself. Her hair is usually very intricate, she spends a long time braiding it. She loves her natural hair and does everything she can to keep it healthy :) She travels all over her country constantly she’s never in one place for too long. She rarely goes to world meetings just because she doesn’t...like to go. She sees them as a waste of time since she could be back at home with her people. She’s very involved with them!! She has a medical license so she helps sick men, women and children who may not have access to medical help. She loves her people so much and has dedicated most of her life to them, she’s selfless and a role model :’)

Greenland: He’s a strong boy who’s about 17-18 physically. He lives close with his citizens and is very social! He’s very involved in the community, more than happy to help whoever needs it! A woman needs help with her baby? He’s there to help! Someone’s stuck out on the water? No worries, he’s gonna go get his boat and help them back to shore! He sticks to where his people are and will move with them. If a city becomes less popular he’ll move to be close to others. When he was young he was alone a lot so staying close to his people is very very important to him! He doesn’t get invited to as many of Nordic events like Iceland does so he’s a bit bitter about that though he’d never admit it.

Jamaica: Miss Jamaica is a very strong woman. She is proud to be Jamaican and will let everybody know it! She goes to church every Sunday and helps out within the church community. Helping the elderly is very important to her, she sees people disregard the elderly a lot in the world so she sees it as her duty to help them! She dedicates Monday and Wednesday afternoons to helping out her elderly friends by cooking, cleaning and just socializing with them especially if they have no other family. It’s stereotypical but she loves when tourists come to Jamaica for Bob Marley’s birthday concert because seeing everyone bond over music and food like that makes her incredibly happy!! She’ll even set up a tent to make food for people too! And speaking of food, she knows how to cook, man!!! She can cook circles around most nations! She puts in a ton of spices and sings while cooking and she invites all of her neighbors over for cook outs as often as she can cause she just!! Loves to cook! And now she gets to share with her neighbors :) She’s a very kind woman but Dont underestimate her cause she can and will beat your ass u_u

Hawaii: I’m not really into statetalia at all but I imagine that Hawaii still has a representation around despite being part of the US. We’ve got another beautiful woman!! She’s about 5’6 with waist length hair that she’s been growing out for years. She is very passionate about conserving Hawaiian traditions so she teaches children the art of hula and passes down legends and stories of the spirits. Her arms and legs are decorated with tribal tattoos that she updates every decade or so since nation bodies reject ink over time. She often attends protests because she doesn’t want her land to be taken over by pipes or buildings. She gladly welcomes tourists, she loves showing off her culture to those who are curious about it because it’s so fun to see their eyes light up when they see traditional dances or fire stunts!

Most of these are women but there are like 4 female nations rn theyre all men which isn’t bad but female nations are even more interesting to me since women are constantly underestimated y’know. I hope I got this right, I did a lot of research first about these places. I think they’re all very beautiful places!!

#this ask got BURIED #im sorry if I got anything wrong skdjskjdbs I love these countries I really do I think theyre beautiful and interesting skdjskhs #aph #hetalia #headcanons #hetalia headcanons #aph azerbaijan #aph ethiopia #aph greenland #aph jamaica #aph mexico #I love azerbaijan btw I did a huge project on it in middle school and I still read up on it often!!#its goregous there!! and the food and tea looks good #and im not even a tea drinker lmao

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bonbrizzle · 7 years

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Here you Rise, Furiously and Fearlessly

Log Line: Labeling in Tattooing: Seemingly Disastrous or Actually Misconstrued?

For my lovely Tumblr followers, this piece is written especially for you.

To give a bit of info about myself to those who are new or aren’t familiar with the writer of this blog, I’m Bonnie, an undergrad at UC Davis. If you’re an OG here, you’ve seen me experience tremendous changes throughout the years I’ve maintained this blog. Due to a mish-mash of circumstances I’m unfortunately not as keen about writing long feel-fests as as often as I did in high school. Back then, days were slower, school meant less, and we all had so much more much needed free-time. As many of you may or may not know, I’m a first generation Vietnamese-American girl born and raised in the most ecstatically eccentric part of the country, the (San Francisco) Bay Area. While I was able to grow up in one of the most progressive areas in the world, my parents weren’t given this luxury we take for granted here. The rift between our two cultures forced me to grapple with a singular sense of “identity” throughout the majority (or entirety? actually) of my life. Many of you fellow Asian Americans are aware of the difficulty in regards to finding a comfortable medium between the lifestyles of both your parents and yourself.

Any-who, I am writing to my fellow tattooed folk in zealous hopes. I have a willful and fire-y desire to push you all to keep on fighting. Fight the stereotypes burdened upon us as a people. Fight to change the way we, society (as a whole), interpret labeling. If you haven’t already noticed, our culture is bizarrely infatuated with the need for identification. Let’s try to undermine this idea with a grand plan.

While I usually materialize just my subjective POV in this diary-like blog of mine, at this instant I’ll be tacking on a little something extra. This piece has the familiar anecdotal experiences that one is familiar with in reading my style, (mixed with subjective thoughts, etc) AND will have some interlaced informative/factual bits to provide you with some background info. If you are compelled, you’re more than welcome to investigate further...and or skim as you wish! I mainly chose to write about resistance and tattooing’s marriage with labeling because I’m enamored about tattoo as a culture. Don’t be alarmed! It is not a research paper. It is a branch of anthropology that requires me to provide some sort of anecdotal recollection of my experience(s) with resistance. In actuality, I haven’t updated in so long, I’m not even sure if anyone’s listening. “Posting into your Tumblr is like talking to your cat. You’re not sure if anyone is listening, but it feels good anyway.” To those who will continue to be loyal to my musings, I hope this piece leaves you with a sprinkle of new insight or a refreshed perspective.

You may or may not be familiar with the newfound anxiety that tags along with getting your first piece. Going into the shop on the day of, I was like anyone else...ridden with anxiety and feverishly wondering if this life-changing decision would alter the way I fit into the world. Would the modified version of me be rejected and outcasted by society? My cocktail of feelings was mixed with a variation of things. Some of it dismal, because maybe my parents would disown me. Others were optimistic, I finally was getting one step closer to the way I only dreamed to look. As I was being escorted onto the tattooing chair, I discovered my circumstances were changing everso quickly. Was I leaving my previous identity behind? Yes, this does seems dramatic, but to be frank, I didn’t fully realize the intensity of this horrifying possibility until the days to started to dwindle. Imagining my future around my family and wanting their acceptance seemed grim, but I stayed positive because I knew this was exactly what I wanted.

Maturing through the lessons of traditional Vietnamese folks meant I was constantly torn between accepting the traditional aspects of being a Vietnamese daughter, while also trying to navigate myself around what being American means to me. Pressure to fill the image of a traditional Vietnamese woman in the eyes of my parents surrounded many reasons behind my actions and plagued my subconscious. I feared they would judge their ability to raise a child by watching me grow into what they dreamed, while evaluating me by my qualities of submissiveness, obedience, and "normality,” But I didn’t want to blend into the rest of the colors and become a muddled brown, being arbitrarily mixed with everybody else. I am not only Vietnamese, but American. Being American means a plethora of things. To me, it is mainly founded upon the notion that you should always allow yourself to have an opinion. Not only in America should you be informed and form opinions from what you’re surrounded by, you need be unabashedly outspoken. In my specific case, being an American in the bay meant even moreso using these exclusive opportunities to fight courageously both for your rights and for what’s right. In an overall sense, this meant acceptance. Let yourself thrive, be who you want to be––without a care in the world––and bloom wherever you are planted.

Let’s take at a comparison between my brother and I. To someone like him, the identity route resembles straight line. My brother seems to lie on the side of the scale that’s on the complete opposite end of what I’m on. He is undoubtedly a gifted child. With that being said, he became simply a breeze for my parents to teach. Never to stray to committing anything outlandish, my brother willfully blended into the cloak of “normality.” I want to note that there is nothing wrong with the desire to be normal. So for my parents, he was a prize, a gifted student with not a single note of resistance; a child who was everso far from the idea of “troubled.” On the other end of the spectrum however, was little ‘ol me, a small Asian girl who started out as a little bit obnoxious and is still honking and tonking with confliction to this day.

It originated early on in my life but came to show it’s face in high school. The amount of worrying about my future my parents were plagued with increased every time I dyed my hair abnormal and kooky color. In high school I died my hair more than 30 times. Throughout the process of maturing, gnawing teenage angst hindered me from communicating the way I needed to with my folks. Because of this, my parents didn’t understand me at all, and thought even moreso that I was trying to erase my identity as a Vietnamese woman after dyeing my hair bright blond for the first time. “Are you trying to be white?!” My dad roared at me as he stared at my bright, freshly bleached blond hair in disbelief. This idea of me that I was running away from the idea of being normal was devastating to my parents. “Will she be okay? Will the kids at school make fun of her?” The idea of me being bizarre to hasn’t stopped there though, unfortunately. However, it’s started to take a change in direction.

After adding several new piercings to my ensemble of body modifications, I eventually broadened myself to a new and considerably “outlandish” form of self expression, the tattoo. Writing this now, I just wanted to say that luckily for me, my parents were able to find a a new meaning for my eccentric taste and childlike imagination. Going out of my way to receive this tattoo, a completely unfamiliar form of body modification meant I was changing myself drastically. This fear only translated to one thought: I would never be the same. Being tattooed meant permanent “disfiguration,” to my parents, and that frightened them immensely. With their somber fear riding on my shoulder, in moved in my old pal anxiety. Would I regret this? Would my family be ashamed to be seen with me, or even worse, reject me fully? Making this conscious decision to permanently alter myself opened a new door of unfamiliarity, something so scary but something I wanted so badly at the same time. I argued with this little voice in my head, the voice that kept telling me that I wasn’t making a bad decision, and would still of course, be a respected member in society. This dream of mine, looking and feeling the way I wanted to unapologetically and fearlessly, gave me the the courage to make the decision to finally make the change. This new drive to bravely make conscious decisions for myself gave me a sense of empowerment and even security. My skin was my own, and I can bravely defend that idea. In getting tattoos, I am forever altering my identity and resisting the labels primarily associated with being an Asian female in today’s world.

So first, what is it about tattooing that’s so special to this project about resistance?

The tattoo on my arm in Davis is a nouveau form of self expression. To the myriads of people around me, it might be perceived in many different ways, depending on the individual is who’s looking at it. Those of you who are familiar with me know that in me is an immense appreciation for art. So tremendous that I even applied to UCLA as an art major 3 years ago. This blossomed into the supreme desire to be inked, having a permanent form of art to adorn on my body forever. I dealt with bullying in the past for dyeing my hair the range of the rainbow, but nothing felt like what I was about to do to my skin. Hair is always able to grow out and revert back to the way it was. Skin, however, was not. But the possibility of bullying didn’t scare me. It never scared me because it always came from doing something I wanted, and loved. In this case, it was the same, but not...the new audience was my parents, my respected relatives, my extended family...not my immature classmates from school.

Tattoos can have a lot of stigmas behind them. Stigmas come from a variety of individuals who interpret something in a certain light. Here in reality there obviously is a plethora of different perspectives one can interpret the tattoo as. Because of this diversity, I must connect what I learned in my anthropology class this fall, to the idea trying to be expressed in this blog post, that there is a multiplicity of ways we as a people can digest the things around us, depending on who we are as people, whether be in groups like socio-economical or individually, like “Asian American,” for example.

On a personal scale, the tattoo on my arm to me is a beloved form of self-expression. It is an area of my body that represents, or shows some indication about who I am and the things I love. It is a form of my identity that gives me confidence and comfort in my own skin, it makes me feel more beautiful, special, etc. But to others, it can be taken in a completely different light.

To authoritarians, like my future employers, it may look entirely different. These authoritarians, based on the previous history of tattoos, may believe that I may be harboring some criminal tendencies, may not take school or my education seriously, or am frankly––even a “good for nothing,” individual. This all depends on many different things, however, like what environment the authoritarian grew up in, what kind of environment they are surrounded by now, what their personal views on “x” and “y” are, etc. Because of this dangerous tendency, individuals like me who like to wear tattoos may be slightly more secretive, and get pieces done that are easily hidden. In places like Portland, in Oregon, however, tattoos are very common and popularized by the rising modernity scene. You can easily see a bunch of tattoos individuals hanging out at multiple joints in the city, all without a care in the world. This is because the city of Portland is open to this form of art, and has gotten moreso used to it by now. In other places, say maybe more conservative states where tattoos are less popularized, like Philadelphia as a friend once told me, tattooed individuals can be shunned, stared at viciously, and even treated with disrespect.

To older-generations, tattooing comes off as taboo and an indicator of poor-morals. Because tattoos are constantly shown off on criminals, adorned by gang-members, etc. These stigmas in tattooing have been constantly perpetuated by tattoo culture in criminalized areas, or jails and prisons. Those who spend some of their time in these institutions typically get tattooed by non-professional “friends,” who don’t use cleanly measures like sterilization. Those who get these “homemade tattoos,” can give tattooing a bad rep, because the public views these individuals as a whole image, a criminal with tattoos, so a person with tattoos will most likely have some tendency to do immoral things. Because of this constantly breathed idea, the tattoo to the public can give a lot of citizens anxiety. They can be immediately threatened by this individual who looks like they’re up to no good, and if they were to assume who the tattooed individual is, they would probably not reach for the guess of say, a doctor or a lawyer.

Likewise to the Japanese, tattoos are an indicator of a troublesome individual who is associated with some type of Yakuza group, or “gang,” in Japanese. Those who are dedicated to the lifestyle of their respective gangs in Japanese culture prove their loyalty by getting big tattoos spread all over their body, because obviously if you weren’t a dedicated member why would you A) subject yourself to that type of pain B) be committed to permanent body art for the rest of your life? Because of this traditional idea, Japanese people, although conservative already, are not able to be comfortable around tattooed individuals, and even go as far as banning tattooed individuals at public bath-houses, the “onsen,” they call it.

To give an even more extreme example, take tattooing during WWII. Jews who were captured and wrongfully imprisoned by Nazi concentration camps during the war were not only cruelly mistreated and tortured, but were also branded like caged animals. Jewish prisoners had numbers etched into their wrists in order to mark them as prisoners but also label them so they were easier to keep track of. This marking gave them a huge sense of shame and misery, and was forever a reminder to them of a nightmare so horrible they wish it didn’t really unfold. Because of this, Jewish people, as I noted when browsing on Quora this one day, are not at all interested in getting tattoos. They may not be so critical of others getting ink done, but for themselves, would never because of the terrible past and memories associated behind it.

To tattoo artists, on another note, tattoos are a form of art that they create, but also prosper from. The tattoo on my arm may look like a mark of criminalization on me to naysayers, but to these artists, the creation of the tattoo on my arm meant they were able to eat dinner or have a roof over their heads for another day. After meeting a couple artists while searching for the perfect artist for me, I learned a little bit more about the tattooing scene in their perspective. Lianna deFleur, a floral specialized artist in San Francisco, noted to me that tattooing to her is a form of valuable and beautiful expression. Every time one of her clients leaves with a new piece, she feels like she is giving the world another beautiful piece of artwork to be loved and cherished, and that all those who are marked by her all share a beautiful piece of herself, that she worked so long and dutifully to create. Likewise, because of those who want tattoos, the industry has grown so large and normalized that you can now see cities like San Francisco, Berkeley, and Portland full of tattooed individuals. The rising scene has given birth to an abundance of careers, whether giving ink or tool shops more business, or giving an artist more fame. These artists give rise to individuals who are selling certain materials: ink, tattoo needles, sterilization tools, spaces for rent, etc. Such a new industry has also gifted communities with more openness and awareness to the trueness of tattooing, that it is an art-form that shouldn’t be feared. While I usually don’t support capitalism and the monetization of everything, the monetization of the process of tattooing has gifted certain individuals with a new way of life, while blessing others in the process.

To other tattooed individuals, my tattoo may be a source of common ground, another way to connect to a stranger that they’ve never met before, even without ever speaking to them. I know that when I go out and I see a fellow tattooed person, I feel a little more connected and comfortable with them, because they understand the way it feels to be marked and forever changed by ink. There’s a quote that I heard that I believe is exceptionally true. It is as follows, “The only difference between tattooed people and non tattooed people is tattooed people don’t care if you are not tattooed.” I think this quote represents our population pretty well. When hearing the quote for the first time, I am reminded of American politics. This is because a lot of individuals who fight against something sometimes fight for things that don’t relate to them. For example, I can speak about the issue of marriage equality when talking about gay marriage. A lot of conservatives who voted against gay marriage argue that it is to protect the purity of marriage between a man and a woman, and to allow marriage to be in a different form would be allowing the sanctity of marriage to be at risk. Although allowing gay marriage to exist may not apply to the person directly who is voting against it, it hurts those that want it. Similarly to how people who aren’t tattooed despise tattoos and don’t want others to get them, although it doesn’t directly affect them. I say if it’s not hurting anyone to let it be. However, in this case I am no way trying to equate tattoo culture to the need for marriage equality, for those who feel like I am being insensitive, I apologize, and wanted to use a simple example, although not perfectly appropriate.

There is a great deal of types of tattoo in the community. Because of this, many different genres of tattoos have developed over time. From the homemade, branding types that scare people away, to other more recognizable types like “Old American,” tattooing. I think all the people who get the same genre of tattoo also feel a strong sense of connection towards each other, the connection through mutual appreciation of the same artform. In my case, I especially love blackwork tattoos, a tattooing style that places special appreciation and priority for black and grey ink only, without color at all. This style of tattooing to me, as a form of art, looks very crisp and clean cut. Other styles I especially love are florals. The different genres in tattooing allow smaller groups to form from the overall larger group, and allows individuals like me to seek out other people who also enjoy the same art form, again a part of tattooing that specializes individuality but also the seeking of mutual common ground.

After announcing to my housemate about the subject on my final project, he asked what about tattooing am I trying to write about? I told him that tattooing has so many different genres, and sub-genres, and subgenres of those sub-genres, for example. He noted to me, “Actually, I was just going to mention that. That tattoos can have so many different meanings. A tattoo can represent a positive, happy thing, but also a terrible negative thing. Like if someone has an anti-semitic tattoo sprawled largely across their backside.” I think this is true. While I for one try to always see the positive side of tattooing, there is a stigma for a reason. I have to admit that this is true. The problem of the stigma arises because some individuals choose to get tattoos that are hurtful, and are negative, and this hurts the community in a general sense.

Likewise, you could get a tattoo that is both sad and positive. Some individuals get the date of their loved ones deaths tattooed. This is both to commemorative in the best, loving way, but also melancholic and can be opening up to a sad memory, a bad thing. Tattoos can be viewed in so many different ways, but to me I want to try to alter it to be more accepted as less of a bad thing and more of an individual thing, like dyeing your hair for example.

The enormous stigma behind tattoos have created a rift between people who understand and perpetuate the culture and those who resent and fight against the culture. Let me talk to you about how tattoos fit in our world and how we fit in the world of the tattoo.

My tattoo was produced by an artist at Black and Blue Tattoo named Michael DeMatty. He first drew up a drawing and presented it to me, asking me how I wanted it tweaked, trying to adhere to my taste as much as possible. This is a time-consuming process that he needs to get right perfectly in order for the tattoo to exist in the most positive light. The drawing may take a long time, need a considerable amount of retouching, and may have many opportunities to change into something else. Most often busy artists charge a fee for a drawing that they use as a deposit to the tattoo, because they only want committed clients who will not back out and waste their time. After my initial consultation with him, DeMatty drew up my design, then stenciled it onto special tracing paper. On the day of it was his responsibility to adhere the stencil precisely and accurately onto my bicep so all the lines would match up as accordingly. This was a tiring process because the horizontal lines wouldn’t line up much of the time, and the stencil had to be redone time and time again. Afterwards, when everything was stenciled on and placed correctly, DeMatty started tattooing me, a process that took multiple tattooing needles of different sizes, widths, and amounts. All these needles were stabbed a gazillion times into the skin on my bicep.

The ink involved in my tattoo is from a laborer that DeMatty has sought out himself, the ink supplier is a trusted laborer and that creates ink that went from their own production line to now inside my skin, for the rest of my life.

Tattooing history has come a significantly long way. It went from being a practice in villages in Southeast Asia and even the earliest Native Americans to being a common form of self-expression in many countries and the beyond, in this case, the US. Villages used tattooing as a form of marking, status, and symbol. In the past it has been traditionally done with needles tied around sticks, dipped in ink that was made from mashed up flowers. It has it’s dark history, however, as a means to mark Jews during WWII, in concentration camps.

Nowadays, tattooing has evolved, because mine was made through the effort of a tattooing needle machine, which is automatic, and electric. The creation of the tattoo happens primarily in the shop, it sometimes originates from the ideas of the individual getting tattooed, but after the action has been completed at the shop, the tattoo is generally maintained on the person.

After I got my tattoo, I healed it with special burn victim ointments, like bacitracin. I kept it covered for the first weeks, and now I maintain the color with sunscreen, everyday.

The tattoo originated and inked into my arm in San Francisco, California, but it’s traveled to a plethora of places. It’s traveled to my hometown in San Jose, the cities on the way to Davis, California where I go to University. It has even traveled to Los Angeles and all the cities on I-5 N and I-5, so the cities in between.

Here is a picture of myself, staring at the Seattle sky during a great weekend in May. I wasn’t reluctant to wear a tank-top here because Seattle is more progressive than other places, and I happily and gratefully noticed that there were other tattooed individuals scattered across this city as well! I think my tattoo is simple enough that people won’t judge it very much, and if they do, I wouldn’t know what they would really say about it anyway. The three band tattoo sitting on my right bicep pays homage to Native American styles of tattooing. One that places special emphasis on lines. The three lines represent each member of my family: mom, dad, and brother. I would assume no one would really know this by looking at it, which is nice. I think it also looks really aesthetically pleasing, which is a good reason to get a tattoo too if you like it!

A Wide Angle View

Tattoos are generally scrutinized as a categorization, one that links criminal or suspicious looking citizens into a group as a whole, unfavored by most of society. However, tattoos also can mean a plethora of different things. In this case, tattoos as a form of historical art are a form of self-expression, and continue to act as a visual culture to all those who love and adorn them.

Tattoos, in a historical sense, were meant to mark tribe members with important symbols to shine light upon them as special group members. This could mean adorning the leader of the tribe with the most detailed and beautiful ink, or even to brand criminals as those who need to be taken note of and feared.

The economy behind tattoos as a form of art has grown tremendously throughout the past decade, from being labeled as an illegal act in the state of Massachusetts previously to be a bustering new business in the city of San Francisco, where tattoo shops are in full demand. While tattoos before looked simply like a way to brand those who broke the law, there now is a whole new meaning to the act of tattooing itself, one could look at it in a whole sense as a form of resistance against society, but on a more personal sense––as a form of belonging, one that allows us to express ourselves, but also be a sort of rite-of-passage to those who are old enough to get it done legally.

I for one, felt like I was breaking the stereotype culture of Asian women as submissive and obedient when I went into Black & Blue Tattoo in San Francisco to adorn myself with new ink. I got 3 bands done around the bicep of my right arm, in thus paying homage to the Native American tribal style of tattooing, one dating back to as far as 2000 BCE. This style of tattooing was prominent when the natives were tattooed, becoming a religious ritual, usually during war-time. The band style of tattooing was usually present to distinguish different tribes from each other.

To me, it meant personally to rid myself of the submissive stereotype but also be there to remind me of my family’s permanent impact on me, with 3 bands being for 3 family members––my mother, father, and brother. My parents at first, were not crazy about me getting tattooed. I thought to myself, that this was a choice for me to make. I loved the artistic side of tattooing, and wanted to be a collector, but was also afraid of all the prejudices society already has set up for me. Tattooed individuals are not looked at with the most equal and honest eye by society due to the general criminal stereotype. I think personally, with the general introduction of good-mannered, kind-hearted individuals with tattoos being present in society, there will be at least a small shift in the perspective of those who still view tattooing as a negative categorization of criminals, with my existence being as useful as possible.

So what does this all have to do with labeling and resistance?

I feel as though these two aspects of tattooing go hand in hand with each other. Tattoos, on one side are a form of categorization. Those who are tattooed are lumped together as a group, judged collectively in a lot of time bad ways, and are stereotyped as a group accordingly. At the same time, the idea that tattooed individuals are looked as a group has its perks as well. I mentioned earlier that when I meet a fellow tattooed individual, I feel a little more connected to this person, even if I don’t know them personally. This is because I feel as though the person also experiences the same judgements placed upon them by society as me, and because of that we can be empathetic towards each other. Likewise, when we are grouped together as a collective, I feel as though we can resist the stereotype together, not while acting as a group, but changing people’s of tattoos on an individual scale, making it better for the group in general.

Tattooing as a group can be seen as a special thing to help individuals relate and understand each other. While we can be judged harshly as a group, the same group is able to help each other feel and understand each other’s feelings and experiences, which I deeply appreciate. Knowing the stereotype for tattooed individuals and then taking heed this information and changing it by not being the stereotypical “criminal,” or “suspicious,” person will make our group look less daunting as a community. These little steps to resist the stereotype together are what I think can be considered as a new way to interpret the verb, “tattooing,” and “labeling,” Labeling our group as a whole may mean categorization, but it also is a means to help our group come together and resist together.

There is this mutual experience with tattooed individuals about the dilemma about openly showcasing your tattoos. We bond as a group when we know the annoyingness of people who intrusively come up to you to touch your skin or ask you what your tattoo means. We have this silent agreement in the tattooing community that those who come up to you musn’t be intrusive, disruptive, or too invasive to you as they see you. If they do, it’s fine for you to ignore their interaction if you wish. I feel that this is true, and some people don’t have respect for others space when they try to inquire knowledge about another person’s body modifications. This is a way for the group of tattooed individuals to understand each other.

The visual culture surrounding tattoos gives a whole new meaning to the practice now, than it did before. Before, labeling could be seen as a harsh way to judge a tattooed person, instilling upon them stereotypes that they didn’t ask for that may not accurately depict them. Nowadays, tattooed individuals are now in a community that expresses new principles. The tattooed community focuses on the sharing of visual culture through self expression. Tattoos are meant to portray an artist’s best work that also physically symbolizes something a person values, loves, or wants to remember, all in the form of ink.

In tattooed culture, it is wrong to copy another artist’s work, stroke for stroke. There is however, welcoming attitudes to inspiration from another artist, but it is the new artist’s responsibility to make the new piece unique and in a style individually connected to them, therefore keeping the work’s integrity. It is also a very important point to remember that “tattoos are not for today, they are for forever.” This rings true to those individuals who knock down a couple of drinks in a sitting and want to get inked. Artists refuse to ink these people, one because they are making a decision without being sober and therefore have impaired judgement, and two because alcohol thins the blood, making the individual bleed more during the tattooing process, which is dangerous.

There are a couple of conflicts in the community, however, about certain things. A lot of artists scoff at trendy tattoos, while others don’t really care enough for them to reject them outright. This is true for trendy tattoos like: native American dreamcatchers, feather tattoos, infinity signs, Chinese characters, etc. These trendy tattoos can sometimes be harshly judged in the community when an artist refuses to do them, a lot of the reason because society doesn’t respect tattoos that are cultural appropriation, which they shouldn’t be anyway. Those who get tattoos that appropriate another individual’s culture usually make fools of themselves, this is because they usually don’t get the right word they were trying to communicate tattooed. I remember watching a YouTube video on Chinese character tattoos where one individual thought it mean, “bravery,” but when they showed it to their Chinese friend they soon learned that it meant “refrigerator,” which I thought was both humorous and tragic...humorously tragic. On this kind plane, it is easy to see why some people don’t respect tattooing. If you are going to get another culture’s language permanently etched into your body, why not go through some research to get the write meaning instead of making yourself look like a fool? This creates a negative image on those who get tattoos in general.

There is also a firm understanding in the culture that novices should not tattoo professionally. This is because homemade tattoos give professionally done tattoos a bad rep, and make tattoos look bad, or “trashy,” and not respectable. Novices are supposed to learn from professionals by being “apprentices,” and must be recommended and backed by a professional typically to get a permanent position in a tattooing group. There is a special gripe in the community about “tattooing schools,” that artist are insulted by. Tattooing schools serve to simply turn tattooing into a monetized means of production. That is, those who want to start tattooing others to make money can just apply for some generalized class to start their new career. This is dangerous to those who perfected their art and have taken special time to develop their own sense of style, go through hoops to secure a shop, and have learned through the help of fellow tattooed artists. Going to a school for tattooing that doesn’t really care about your work or you individually as a person is a joke to the tattooing community. You can see this easily by reading up posts about “tattooing schools,” on your own.

The fact that there is rules in this new community makes the whole thing so much more special. You can easily see the form of resistance to the stereotypical ideas of tattooing and strip away the previous label placed upon it. The tattooing culture has grown so large that those who love the culture have made strong rules to live by to practice integrity, respect, and mutual understanding of each other. To follow these rules means that you are giving tattoos a new label, one that can connote respect, sensibility, and cultural awareness.

Tattoos as a form of art, contrary to the belief of group categorization, are obviously a way to promote individuality. Many of us individuals who choose to get tattooed look for unique artforms to get adorned onto our bodies. Because of this, you can see in the tattooing world that often tattoos are not repeated exactly as they are, not only because copying another artist’s work is wrong in tattooing culture, but because you usually want a unique piece.

Snake tattoos are common in tattooing culture. Why would anyone get a tattoo of a snake, you might ask? This is a time for me to give you some cultural awareness of tattooing culture. Snakes can be interpreted as vile beings to be feared, but to some, they are beautiful. One point is that snakes have to do with religious texts, such like the inclusion of the snake in the story of Adam and Eve. Secondly, in some cultures, snakes represent healing and rebirth. When a snake sheds its skin and grows into something new, it is like it is being reborn, and healed again into something new. You wouldn’t have really thought about this if you didn’t get an explanation right? It does make sense.

Likewise, when people get tattoos of say, scary symbols such as skulls, this is sometimes an expression of their lack of fear to death. People who are not moved by death sometimes get skull tattoos because they accept that life has it’s unexpected turns and you should live it to its fullest potential. I see that skulls get a bad rep in tattooing culture because some people think it’s a tacky symbol, but it’s there in the traditions of tattooing for a reason.

People are nowadays also placing special emphasis on floral tattoo designs. I see that many individuals think that flowers are beautiful, so why not let them wear them in the form of permanent art? I too stand behind flowers being a beautiful thing to tattoo, and support this movement completely. I love it. The image of a flower is also less scary to people who don’t understand tattoo culture, and therefore can help resist the stereotype of scary tattooed people, one step at a time. I think this movement of including tattoos that aren’t super traditional helps us relabel the idea of tattoos as less of a way to label someone in a negative way, but allow people to think that some people just like the way things look and want to wear them permananently.

So how does this affect me on a more personal scale?

For instance, I noticed you wrote at length about 'labeling' - how others label you, how you sought to relabel yourself, how tattoos can be a way of (re)-labeling, and also how you seek to escape labels entirely.

When I started growing up and noticing the realities of life, I noticed that everyone around me will judge me without my consent, no matter if I like it or not. This is not necessarily a reflection of who they are as people, although it can be, but I think is a simple and integral part of what makes us human. With this being said, I remember in high school sulking and being hurt over the bullying I incurred do to my taste in hair color. I routinely mocked by constant whispers around me when I came into class, and I especially remember those who called me names such as, “Crayola,” and “carrot-head.” While my classmates at school chose to judge me on that part of myself I chose to reveal, I noticed that some individuals who judged me prior decided to still try to be my friend and therefore try to get to know me. My best friend to this day was one of the individuals who thought my hair made me “odd,” and somewhat unapproachable even, but she chose to disregard that for the most part to get to know me personally. Through this, she was able to understand who am as a person and discard her previous idea of me. I want to work this way continuously to escape labels entirely, person by person.

To convert my parents to my side, I first started to warm them up to the idea of me getting a tattoo by slowly hinting at it, and showing them designs that I liked. They didn’t believe me at first, because to them, it was such a preposterous idea. No one in my family has a single tattoo. It is not spoken about, ever, and no one has dared or desired to get one either. I think in Vietnam at least, tattoos are not popular at all, and are simply a part of the idea of a typical street-gang member or institutionally jailed individual. Because of this, my parents weren’t keen on me also “branding” myself and making a choice that I could possibly regret my entire life. Sure enough, I realized that they were going to react this way, and chose to try to educate them instead of permanently resist and do what I want. I started out by telling them how common tattoos are nowadays and noting what percentage of my classmates had big and small tattoos, and also showing them multiple Instagram pages of tattoos, so that they would see how wildly common they are. I also let them know that employers nowadays are more understanding of body art, if it is in moderation. At the end of the day, they just wanted me to be comfortable in my own skin and not bullied or mistreated for being a certain way. I understood this and assured them that this was my dream, and if it would help, I’d get it in an easily hidden place, just in case.

Sure enough, everything ended up alright. I guess my parents are more understanding than others, but I’m glad I was able to convince them from downright rejecting it and saying no, to giving me their blessing, as long as I do my research and get it done at a reputable shop. My extended family however, is a different story. I haven’t gone out of my way to show my tattoo to other family members, who I don’t know as personally, and who I feel won’t choose to accept me in a positive way. I am still taking my chances with these people, and choose to hide it, at least until I’ve gotten a secure job in the outside world. I know that I cannot convince everyone to see my side of the field, but I will continuously try to change people’s ideas of me personally by acting in a different way than they expect me to be.

I admit, to get to know people on a personal scale is extremely difficult. If I were to try to befriend everyone who judged me and get close enough to them where they would learn that I am not “weird,” in a bad way or odd, is too time-consuming, difficult, and honestly, just unrealistic. However, I do want to make it a point to come across to every individual I have an interaction with to change their opinion of me just a little bit, just enough to make me seem like less of a stereotypical person. I go about this in my everyday life, when I’m getting coffee, when I meet a classmate for the first time, etc. At the beginning of a relationship, I usually try to escape from labels by firstly, covering my tattoo. This may seem backwards because I shouldn’t be hiding it, but I find that it is a strength of mine if I can allow myself to be known first, as a non-tattooed individual, and then later, reveal it, to not make it as big of a deal as it usually would be if they just met me for the first time and saw it.

I have this dream that someday people who are tattooed will slowly change the minds of others who think tattoos are are indicator of a person with low morals, etc. I honestly think that this can be accomplished on a small scale, one step at a time. I know that it may take years and years to get to this point, but I feel that if we slowly show others that we are normal, loving, caring, understanding, feeling people like themselves, people will slowly understand

#personal #tattoo #tattooing #project #art #anthropology #paper #creative #seattle #washington #explore #travel

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