#I got a bit carried away with this one

[almondpiglet]

Serizawa carrying Reigen!

thirty year old salaryman carries twenty nine year old boss cuz they arent gay!!!

[gen-toon]

[shizunitis]

do you think airplane might have intended to draw a parallel between shen qingqiu and the old palace master in the original outline?

present shen qingqiu as a monster, a lecher, a horrible, evil man, and slowly unspool the threads of his history. the readers learn of what, exactly, made him the way he is, and what his crimes are. which are true, which are not. his intentions, his failures, his hopes, how they got crushed, how he’d been misunderstood. from an incomprehensible vile man to a pitiful, cruel one.

after being thrown into hell and clawing his way back out, luo binghe is taken in by a proper, protective shizun, who treats him with the respect he deserves. who wants him under his wing, who is proud to be his shizun, who wants to become his family, via marriage with his daughter. then, he is discovered to be exactly what luo binghe thought his former shizun to have been, perhaps worse, and to have been the very reason luo binghe never had his biological parents in his life and all that resulted from that.

when exactly does luo binghe see the palace master’s true colours? after shen qingqiu dies at his hands? before? does it make him see shen qingqiu as he is, if he’s yet to get his revenge, and does it make it worthless, to kill him? does it drive him further towards insanity? does it leave him hopeless, jaded, despondent? with no one to trust, with nothing to hang his hopes on, no one to comfort him, what, exactly, does he do?

original outline luo binghe. speak to me my boy. tell me your secrets

[chrisbangz]

ETERNITY. ∞

[araneapeixes]

POV you are a some kind of demon or perhaps cambion

[samarecharm]

Ryuji having the worst bi crisis of his fucking life bc his mom just had to fucking ask “oh, whats this young ladys name?” when he showed her a picture of Akira petting Morgana. Like okay yeah Akira is like objectively pretty, hes like the Classic Delicate Pretty Boy just like Yusuke which is like whatever; straight dudes have eyes, and they know what women like to see. But now hes like. Seeing things he likes in girls IN Akira now and he cant make it Stop like its genuinely keeping him up at night 😭

Pretty boy used to be A Face that would come up in his mind when he thought of the term. There was no specifics in mind, just like. Pretty Boy. Pretty boy! You say that and theres like a Face Template that shows up in ur minds eye and hed just attribute that to any dude who was like Vaguely Pretty. But now its Akira 😭 and he finds himself cataloging things that Akira does that he KNOWS he finds cute when girls do it. The hairtuck behind the ears. The headtilt when he mishears a question. The Actually Pretty Doe Eyes. The breathy, nearly inaudible chuckle he does in place of a Real laugh (thats made better by the fact that its so hard to get him to laugh in the first place). He likes cute snacks. He blushes easily. Ryuji is sitting here like ‘theres no fucking way man. Like theres just no way. That shit makes NO sense (a lie)’ lying in bed in the middle of the night looking like this vvvv w his phone in his hands (looking at pictures of akira)

It drives him insane bc like he did Not see any of these things as like inherently girly or whatever. Like thats just akira thats just his bro! And he does OTHER weird shit that cancels all that shit out. Hes like a messy engineer/tinkerer, he rolls out of bed and whatever situation his hair is is everyones problem. He wears that AWFUL gym uniform and doesnt tweak it AT ALL?? He likes baseball?? hes got a whole binder of trading cards that he will show off if u show any moment of weakness. Like hes just Some Dude but also manages to be Some Girl at the same time and Ryuji is like thats not fair. Life sucked ass but at least it made sense before Akira stumbled into it 😭

[outofcontextdanandphil]

Some interesting choice of words

[smoothoperatorasks]

hi charjabug ^^ hope your getting very tasty treats! i was wondering how your reaction was to meeting emmet and ingo? has it changed much throughout the story? thank u :3

[aliettali]

request: anakin, ahsoka, and rex in a snowball fight (anakin cheats with the force or something idk)

what a loser. GET HIM

bonus:

[ikiri]

big fan of this guy

[total-twilight-drama]

Sha- Fallen Angel

[st4rstudent]

bugthinker but I just did whatever to him

bonus slop

[aeriona]

AF2024 Day 3: a lovely Amber for @dogtoling! she's chillin lol

[beforeandaftergains]

I think he would have kept going if he had more gainer shake

[edenfire]

💗🏥 Shuake Week- Day 6 - Wound Tending 🏥💗

I've always really liked the idea of goro waking up after the engine room with a bullet wound in the chest. he miraculously survives, and akira has to take him in and tend to him, while hiding him from shido's men😳💦

(also yes, goro is wearing akira's pj pants😌💞)

[deoidesign]

Hi, how did you learn to draw Steve's physique?

Ohh what a complicated thing to answer...

When it comes to how I learned to draw anything, it's hard to say anything too specific since it's always a culmination of many years of assorted study and practice... but I can try to do my best to explain some of the biggest things that helped me learn, some tips I keep in mind, and maybe at least some places to start/delve further.

(just a little disclaimer it's not like my drawings here are going to be 100% medically accurate.. they're just to illustrate concepts!)

The main thing about learning various physiques is understanding anatomy. Which feels obvious, but I don't mean proportions; these are important, but perhaps more important is understanding the skeleton and how it moves and learning where muscles connect to bones and where fat grows on the body. When you understand how these function on a more mechanical level, depicting form and movement in a way that feels natural comes in tow.

For instance, understanding things like the pronation and supination of the radius and ulna, as well as the fact that muscles can ONLY contract or relax, will help you understand a bit better which muscles will be flexed and which will not while someone moves. It's inherent to the positioning based on the structural makeup of the body... It's not like you NEED to memorize all the muscles and bones, of course, but understanding and gaining at least a passive familiarity with the concepts really helps.

In tandem with this concept is the way parts of the body flow into eachother. Muscles ALWAYS come in groups because they can only contract. Whatever muscle is there to lift something, there is a muscle on the other side to pull that bone back down. What this results in is a series of straight edges next to curves, which gives us a lot of really lovely "s curves" and dents and folds and so on and so forth just naturally occurring.

I would suggest at least learning the "bony landmarks", which are bones (usually) visible on the surface of the body. things like the iliac crest, the great trochanter, the 7th vertabrae, the acromion process... These can be used to help you understand the parts of the body as angles and relationships, rather than trying to remember lengths and sizes, which vary immensely... (since you asked about steve, he can be our model... also study these on your own don't just take my word for it haha, these are the ones I personally keep in mind)

I've done the same thing with body hair... learning where it grows and in which directions... It helps me make up variations without needing reference, because I have a set of rules I can follow.

The biggest thing that helped me understand all this on a much deeper level was my ecorche course. I sculpted this guy. We started by sculpting the entire skeleton to understand the bones, and then we added muscles on top. Not every single muscle, of course, but the "artistic muscles" AKA the ones which directly affect the surface of the body. Doing this let us see where muscles connect, because we would make a shape, put it on the bone where it actually goes, and then you get to see how other muscles overlap that.

This helped me, perhaps, more than anything else. But I also didn't just start with this course, I had been drawing for years before I even took it. I had been in school for years before I took it. Not that I think it wouldn't be helpful to someone just starting out, but I do think that the more you know going in, the better an in-depth course like this will help you and stick with you. Classes are also expensive, though so I'm not really like... recommending you pay potentially thousands of dollars to take one... But it did help me a lot, personally.

I also, of course, have done many figure, gesture, and master studies...

These just help you quickly gain a stronger understanding of generalized anatomy, and gives you real life examples of and practice with of how people move and balance.

What all this does when combined, is gives me a very solid ability to depict movement and form in a way that feels relatively natural from my subconscious without the need for reference.

The rest of how I've learned to draw his physique is honestly mostly just stylization. I understand the body, and this is how I am depicting it for his level of musculature.

And as I move into depicting him in other ways, either moving in comics or in animation, realistically rendered, or extra stylized, these concepts inform every step of that process for me! When he keeps the same/similar relationships between parts, he gets to still look like himself.

It ALSO really helps when putting clothes on, because the way cloth falls and bunches and lifts is all directly related to the form it is on... So the more you understand that form, the more you can depict clothing and movement in a way that feels natural.

This is all, of course, true when I draw anyone, you asked about Steve so I'm trying to mostly show with him! But because I'm just drawing from raw information of general anatomy rather than trying to study one body type at a time, it allows a lot more "give," I think!

Like, here's most of the cast from TTA so far... actually, they're not as varied as I thought they were nevermind LMAO ignore this part

But, it also makes monster and alien design much easier! It's a lot easier to come up with non-human anatomy when I understand human anatomy, because I can manipulate the knowledge I have...

There is infinite more to study in the world of anatomy... The complexity of the human body goes extremely deep. For our purposes as artists, we need only depict a fraction of it, but more information rarely hurts the process.

I'm sure there's something in here that's wrong on a technical level, I'm mostly going off of memory. But that's kind of my point - I understand enough generally and conceptually that when I am missing something and need to find reference for it, I understand what I'm looking at. It's much easier than trying to learn AND draw at the same time.

I hope even one thing in here helped you! Sorry it's so long.