#I guess this is a bit…spoilery

[alien-from-planet-zog]

A puppet master, a monster, and a ghost.

[lots-o-doodles]

On the brink of Madness Reason left my weary soul I keep walking on but I feel alone And no one knows the darkness 'till you meet him in the day He'll steal your lies, he'll run away

(Artist ramblings under the cut.)

Howdy! This is a rework of a comic that I made in the late summer of last year all in one evening in a hyperfocused fugue state because I am totally normal about Trigun (and Vashwood)... Then me and the friend that gave me the Vashwood brainrot decided we were going to make our own little Vashwood zine and I definitely wanted to come back to this to see if could improve upon it. The original lives here if you want to take a peek.

I feel like I've grown a bit in a couple of months and I'm itching to draw some more Vashwood stuff for our little zine as a kind of self-indulgent project. Shout out to Lornaka and Llama for letting me pester them for critique and naturally to lotldraws for my Trigun obsession and fellow Vashwood collaborator.

[intuitive-revelations]

After a few years of part-time supporting-artist-ing in Cardiff I finally get a DW-related casting enquiry... a month after I moved away. 🙃

[sonknuxadow]

they werent lying that knuckles series barely has knuckles in it

[wherevenusholdssomeofficespace]

Hamster and Gretel Propaganda

Watch Hamster and Gretel cowards

Hamster and Gretel does have a VERY week first episode. However, it does get better and really hits its stride around episode 5 or so. So please don't write it off based on the first couple episodes. If you are a fan of PnF and MML, then you will probably enjoy it. It's full of the clever, slightly meta humor PnF and MML are known for. It's a little more modern in its humor, and that doesn't always work. But PnF itself ALSO had its contemporary humor that didn't really age, so that's nothing new. I'd say it falls in the middle of these two shows in terms of serialization, which isn't saying much, but it is in fact lightly serialized.

I understand preferring serialized shows (as usually I do too). However, that doesn't mean more episodic shows are bad. It's first and foremost a comedy. And it works at that. Granted, humor is pretty subjective, but I think its pretty funny. Its clever, and the unique situations the characters find themselves lends itself to originality. Obviously not all the jokes land, but I think each episode has something I laugh at every time. It is clearly a project that is dear to Dan Povenmire's heart, with references to his family practically everywhere. And that shines through in the interactions between the main cast. The characters are all very entertaining and our main cast show simple, but effective character growth. The characters I think are definitely the main appeal of the show. As is to be expected this show excels in wholesome and realistic family dynamics. Many of the characters echo previous archetypes shown in the Flynn-Fletcher and Murphy families. However, those families worked for a reason, and the Grant-Gomez family has enough of its own spin to keep it fresh.

"I gave birth to both of you. This is nothing."

If you haven't seen any episodes, here's a rundown of the characters. Kevin. The Guy with the minivan. He's the normie older brother, and the real main character, who feels overshadowed by his younger sister by the universe. But he's eager to insert himself into Hamster and Gretel's heroics and carves out a role for himself. While he works from the sidelines, he is a crucial member of the team. His actions often come from a place of protectiveness for his sister, in addition to the jealousy. However he never takes it out on her. Kevin is a teenage boy, and everything that entails. Awkward, a bit of a dumbass, and desperately trying to establish his identity. But he's also genuinely well intentioned, resourceful, and is a sweet and protective older brother to Gretel. I really appreciate how seriously the show, and the other characters treat Kevin and his contributions and struggles.

Gretel is an energetic, cheerful, reckless and stubborn girl. She's often oblivious to how Kevin feels about certain things. Despite her love for Kevin doesn't always take him seriously and is often annoyed with him and how he manages her superheroing, and tries to do things her own way, even when Kevin protests. Though she does value his attention and assistance. Kevin is the first one who Gretel will call out to for help in a pinch and he'll always jump in without a second thought, even if he's literally powerless.

The core of the show is the dynamic between Kevin and Gretel. They love each other, but also do get on each others nerves, and aren't afraid to tease each other. When they first received powers, Kevin was genuinely excited to be a superhero with his little sister, and though that didn't pan out the way he thought it was going to, both are genuinely happy to be a team. They trust each other immensely, and while the first episode is rather weak it does establish the amount of trust they have in each other. Despite Kevin's lack of powers.

The other titular character, Hamster is a talking hamster. He will not allow anyone to expect anything more than what he's already giving (he can talk what more do you want). But he's got a surprising amount out of depth. He's generally pretty inexpressive, but that contrasts with his petty hamster problems and his surprising variety of skills. Hamster's unflinching loyalty for Gretel, dry wit, and a penchant for messing with Kevin, really adds to team and family dynamic. Kevin and Hamster's growing friendship, built on friendly rivalry is another highlight of the show. Hamster may be a bit of a sarcastic grump, but we see him having to swallow his pride and ask for help and accept assistance somewhat regularly.

"We're more like neutral coworkers who live together."

Fred is an amazing character and rounds out the main quartet. Kevin and Gretel's cousin, a woman of many skills. A computer wiz, anime nerd, and talented gymnast among other things. Someone who on the surface seems far more suited to Kevin's role than he is. There's hardly ever a dull moment with Fred on screen who's constant cynicism contrasts nicely with Gretel and Kevin's more cheerful attitudes. Fred has grown up with the two of them and knows them well. She very clearly cares a lot about the two of them, though isn't afraid to call them out and isn't nearly as proactively concerned as Kevin. She's able to act as a mediator of sorts at times between the two of them. Fred also shows growth as she in individual episodes comes to appreciate people who aren't like her (emotional and cheerful), and comes to realize they have more in common than she initially thought.

"Yeah, they're still evil, 'cause you know, they're like teenage girls, but not supervillain evil."

The rest of the extended family is also delightful and has significant presence. Family is a central theme in this show, and the whole extended family often plays key roles in episode plots. It's very clear how important everyone is to each other and how family has made these people who they are. Carolina and Dave are very involved in their kids lives and have their own subplots and developed personalities. In addition Churro the family dog, Carolina's mother, her sister Meli, and Dave's sister (Fred's mom) Stacy really flesh out the family despite their limited appearances.

The rest of extended cast is also fun, really fleshing out the world. Bailey is Gretel's best friend and a particularly important reoccurring character. She starts as Hamster and Gretel's (superhero) biggest fan. Often oblivious, she's confident, energetic, intelligent and a genuinely supportive friend. She's still a somewhat reckless and obnoxious little kid, not unlike Gretel, but her passion, and strong principles help highlight Gretel's strength's and weaknesses. She's definitely the kind of weird little girl whose always got some weird facts on hand about some niche topic, which sometimes comes in handy. Her and Gretel's relationship is also a highlight as they unconditionally care about each other, but still often experience conflict, usually do to external forces.

Hiromi is the girl Kevin has a crush on, but a fully fledged character in her own right. She's goofy, passionate, hardworking, works at a comic shop, is the editor for the school newspaper, and ends up forming a fun friendship with Fred.

"I must point out again that vikings did not have canons. Or singing."

"mmm. Wouldn't be much of a musical without the singing."

"A girl can dream."

The villains are mostly one offs, but their often quite unique in premise and their motivations are often quite hilariously petty. Though, there is a slight overarching plot as the mystery behind the aliens motivations, which involves certain members of Gretel's rogue gallery. The plots are moving slowly, but developing nevertheless. The reoccurring villains also play a part in emphasizing the themes of family. Even minor villains occasionally have motivations related to their families. Two of the most frequent reoccurring villains, are Fistpuncher and the Destructress. A twins with the same powers as Hamster and Gretel who were given their powers by the same aliens, except to use for evil. They act as foils to Kevin and Gretel. Fistpuncher and Gretel are both impulsive younger siblings. Destructress and Kevin are both responsible older siblings, who want acknowledgement. Both sets of siblings are competitive, but care deeply for each other and have had their lives changed by powers beyond their understanding. Professor Exclamation, from the first episode, is also a reoccurring villain whose relationship with his son is also a major subplot. Nordle is a fun character who highlights Gretel's character strengths, as he develops out of his father's shadow.

I think some of Hamster and Gretel's main themes are family, trust and community, as it is in Phineas and Ferb and Milo Murphy's Law. I'll probably got more into those eventually. But I think there is another theme here of not underestimating people or making assumptions about them. Without giving too much away, whether its people repeatedly underestimating Kevin's skills, Fred learning that cheerleaders are just people, Hamster having a rich life outside of the Grant-Gomez's, or even just a grumpy clown being nice, characters are constantly subverting expectations. It may not be anything particularly mindbreaking to the audience, but to the characters they are constantly having to break through others expectations, or adapt how they view others.

Music, as always is top tier. I don't have anything else to add except that they're funny. Admittedly the opening is pretty weak. But there are plenty of other fun songs. I particularly like Don't Steal From the Banks, My Best Friend Bailey's Birthday, Ropa Vieja, I Think We'll Break for Lunch and How You Feel About Me.

"I'm a lemur and I love it and I'm standing on my toes"

Overall, the writing is witty, and there is a sense of continuity, between episodes in a lot of subtle ways so even as the episodes are largely self-contained. Conflicts are largely comedic in nature, and often absurd, which leads to creativity in how they are resolved. While they often are pretty predictable, they aren't particularly repetitive. I'm not really one to comment on voice acting, but the delivery of many lines really elevates the writing. Hiromi, Fred, and Fistpuncher in particular have really had some solid deliveries in my opinion that make okay dialogue, hilarious. I wasn't sold on Meli Povenmire as Gretel at first, but as the show has gone on I think she's improved, and really brings Gretel to life.

Overall the show is just a good time, and a sweet show about family and superhero shenanigans. The show is just fun to watch, simple, but effective and its a shame to see it go not only overlooked by people but looked at with disdain. It is definitely in part the shows fault for its weak start, I can't defend that. It's also not a particularly dramatic or emotional show, so if your looking for something like The Owl House or The Ghost and Molly McGee, you're not going to get it here. Though that isn't to say it doesn't have it's heartwarming moments. And it's not exactly Phineas and Ferb or Milo Murphy's Law either. But it's not fair to punish the show for something its not. Hamster and Gretel is delightful. So watch it cowards.

[animazi]

whoa look at me talking about the acolyte wow... I dislike commenting on currently airing shows largely because there is so much that is still a mystery ooh what could happen next, and this is very true for the murder mystery only the victims aren't who you think show.

this is an upsettingly long post ostensibly about how I think there will be a mae pov flashback, and really about how I think osha's flashback that we have now is not the full story, which is fairly obvious, but I've put way to much thought into getting together what passes for textual evidence for it. read at own peril contains much yapping about e3.

anyway. episode three. time to comment on the currently airing show. beautiful stunning cinematography - different director Kogonada, and yeah. wow. very pretty. a lot more obvious Symbolism shots, which I am a sucker for icl, and in general some very beautiful stuff this is, and I will go to bat for this theory (please please please be right c'mon leslye do this for me) half of the flashbacks, and it is all from osha's point of view. right ok. so. entertain me here. some people on twt have noted how there are some shots in flashback scenes in the trailer that we haven't seen yet, and this + torbin's scar and the one word title (all other episodes have been two words, with each clearly corresponding to mae or osha) + the fact that this episode is so visually distinct and Kogonada is directing e7 too + what I am about to talk about wrt mae and osha all leads me to think 'yeah, this is half of the flashback', and the other half is probably going to be the bit people get antsy about yay.

now! the mae and osha stuff - I think that Destiny (that's the name of this episode btw. I have so many thoughts about the jedi and agency as ever. that is a separate yap though) is going to be the less controversial of the two largely because, bear with me just lining up this wasps nest in my aim, it is 'pro-jedi' so to speak. the jedi are good, not bad. osha restates time and time again her desire to not be a witch, to explore the world, and the jedi are her way of doing this. sol is kind and saves her, and the jedi are nice, if strict. they stop her from having to do the ascension, a ceremony she really didn't want to do, and they saved her. now. for the disclaimer. I don't think the jedi are evil and bad, I think they are flawed as an institution, and that is the angle I am fairly certain the acolyte is going for - they care more about the legality of the situation rather than the 'moral good' of the situation they are in aka mae really does not want to leave, even if osha does - it would surely cause far more harm to take them both as the jedi pretty clearly intend to do. that in mind. I also think everyone is sleeping on how incredibly fun and biased these two (more on this later) flashback episodes will be. hands up if you've seen the last duel, anyone, anyone? well the last duel is a film about uh. the violent sexual assault of a woman in medieval france. and it is framed through three different accounts of the events as told by our three leads: jean (the husband), jacques (the rapist), and marguerite (the victim). marguerite's account is presented by the film as the actually accurate one, it is The Truth, but it is also the last version we see, so for the first two thirds of the film we have watched two clashing narratives, with no clear indication of who is right. the story of the acolyte is one inspired by leslye headland's relationship with her sister (linky link) a relationship where both sisters believe fully that they are in the right - if osha's account is 100% the truth, this really doesn't seem to track and the show looses most of its emotional depth, and while yes, sure, external material doesn't mean that the show will unfold this way, I am willing to bet (please please please please please) that it will. now. onto the actual content of this episode that I think supports my theory - aka osha's (clear) bias.

I am going to start with what I think is the strongest point, and work from there. so. basics. please remember that osha has spent the last 14 years of her life knowing that mae set the fire that killed her parents, the same fire that traumatised osha to the point that she was unable to continue her jedi training and had to take an illegal and dangerous mechanic job, and yet she still clearly loves her sister - I would guess from this information presented in e1&2 that mae and osha had a close bond before, and yet the flashback shows almost the opposite. osha chafes at mae's constant proximity, at the 'born as two but always one' line, they are near constantly fighting, mae seems like an out and out psychopath, freezing a space hummingbird and deliberately setting the fire in an attempt to kill osha (in funny news. the fortress had so many osha violations no wonder she wanted to leave hahaha I am a comedic genius). why does osha miss the shot then, in light of this? well, the thesis of this theory post is that osha is not remembering in full 4k HD honesty - again, she has spent most of her life certain that mae essentially killed her parents and indirectly ruined her dreams of being a jedi, and this lack of clarity about the truth comes through in how she acts towards mae. now. my evidence for this? largely vibes based, and could just be poor writing, but what is star wars (prequels edition esp) if not reading heavily into interesting writing :D largely here my hmmm moments all stemmed from how conflictingly Destiny (the episode) presents mae. she is at once a known freezer of space hummingbirds (but osha doing the exact same just for less time is fine?) and setter of fires while vowing to kill osha to prevent her from leaving, and also osha's clearly loved sister - yes they fight, but again, osha misses the shot that would have brought mae into jedi custody (custody that she fairly explicitly trusts). now, my hypothesis here is that osha looking back on these events as coloured by her knowledge of what mae will do unconsciously is framing mae as more in the wrong, inherently bad etc to make sense of mae's actions. now, additionally supporting evidence I will present to the review group is how vehemently osha (who is saved by and goes on to become a padawan to a jedi) supports the jedi, in a way that seems to have been, to me at least, argued before with mae. the girl has been drawing the jedi logo in her notebook, her love of the jedi is pretty apparent in this episode. and yet the witches pretty clearly fear the jedi and what they bring with them. they disagree with the jedi perception of the force - and this disagreement is not framed as wrong by the narrative thus far, the republic and jedi quite literally have banned them from ensuring the longevity of their coven - so why is osha so firmly convinced that the jedi are good? :warning: violent and unconfirmed theory :warning: through the lens of osha being biased as someone who was saved by the jedi, and clearly wanted more than life in the fortress, osha reframes her 'siding' with the jedi in childhood as a more 'moral' stance; the jedi and good, and mae, who burnt down her life, is bad; a conflict between (understandably) overprotective parents + a clingy sister and osha who wants to be her own person with her own identity (oh look a Theme) gets morphed into a conflict between the jedi (an identity osha later takes on, and still clearly largely adheres too, insert textpost about how despite leaving osha is still bound by core jedi principles e.g. compassion) and the witches (an identity osha never feels connected to and actively tries to leave behind).

I will also say I think you can see all of this in the title of the episode, Destiny. why is this the title? certainly its a break from e1&2 'lost/found' and 'revenge/justice', where they are descriptors of what osha and mae are (either literally as in being found or enacting). destiny does not fit this mould, and I think is a rather interesting framing of all this. it is osha's destiny to become a jedi, but for that to happen, mae seemingly must get cast as the villain, without any room for doubt or her side of the story. also, there is the fact that agency is such a big part of this episode (aww its my reoccurring favourite star wars theme). osha's lack of individuality/separation from mae, the way she feels unable to refuse the ceremony she clearly doesn't want to. the jedi (really just sol. I have so many thoughts about sol) offer osha the choice that she wants, and yet the 'sanctity' of that choice is taken away from her in the violent death of the coven and the burning down of the fortress. sol says if you wish you will train as my padawan, but she can never return to the ruins of the fortress, she must go to coruscant. logically and emotionally yes I understand this, but the show has made a point about how the jedi order does not really give you transferable skills - is the same not true in the other direction? osha has no family now, functionally nowhere to go that isn't the jedi order. the question is will you be my padawan, not will you be a padawan. destiny (or at least the actions of others) has made it so that the agency she just received has been dashed on the rocks. and to refocus on the actual topic of this post, that theft of autonomy was pretty directly down to mae, and so how else to process that other than casting mae as a villain.

now, in the show about troubled sororal relations (I restate my earlier link) there naturally has to be another side to the uh. sororal relations than just osha's. also I bet its going to be called 'choice' or some shit to mirror Destiny and the other episode titles and highlight the differences in worldviews of osha and mae, jedi and witch

this is all, of course, to go without even saying the unclear reasons for why mae set the fire. was she just evil and possessive, or (as the server posited) being controlled or mind tricked or startled or even was there some palpatine level manipulation going on by the master. questions that a mae specific flashback would answer.

anyway. good show I like it when the star wars makes me think about stuff even when it is 2am and I should be sleeping. watch literally none of this be true

[ennaih]

Every Film I Watch In 2023:

182. The Nun II (2023)

[kengi-bengi]

HEY

in your WOF Au with albatross, Is he trying to help Turtle or is more trying to trick him?

Id definitely lean on the side of help,

Once he realizes its not Fathom he takes a moment to re-adjust for a bit to realize whats happened to his Tribe

And basically wants to help Turtle understand his motives and POV of why the Sea kingdom in its state is "wrong"

[goldensunset]

i already am tired of my icon art unfortunately

[corinnetheanime]

Me: plans to make progress on the Vlad and Danny comic

Also me: gets a very very pretty concept art idea this morning and makes up a quote that is now gonna flood my imagination all day until I paint it out because oh my goodness it’s so beautiful and I dunno if I can work on anything else

Whelp, guess I gotta get this idea bunny out first. :)

[izloveshorses]

🌧️ for the wip game!

🌧️Share something angsty from your WIP.

thanks for asking!! <33 again from this road trip au i've been working on:

For a moment they were quiet, just listening, her back rising and falling under his arm. He tried not to dwell on how well they fit together or how easily they slipped into such a comfortable intimacy.

“How did you bear it?”

You, he wanted to say. She saved him and she didn’t even know it.

[eff-plays]

Ok so I watched the interview with Stephen Rooney, Astarion's writer, and here are some highlights. (I'm an aspiring writer and current game design student who wants to write for games so I'm sorry if some of these insights aren't as interesting to you as they are to me <3)

He calls Astarion his "horrible little vampire boy"

He loves seeing the fandom around Astarion<3

He did write other characters in the game, but mostly NPCs surrounding Astarion or his storyline, so it mostly revolved around Astarion

Astarion is not as connected to other companions/Origins as, for example, Lae'zel and Shadowheart, or Wyll and Karlach are to each other, but he is still reactive to their stories, even if it's just to stand off to the side and laugh when something terrible happens

He had a clear sense of where Astarion's story would start and end, but it got "muddy in the middle", but those are also moments where the best ideas come from

They write from the general idea that every character has one "good" and one "evil" ending, in order to give the player choice. RIP Ascendant apologists :(

According to Stephen, two of the most important aspects of Astarion's character (to keep consistent when bringing him to Idle Champions, at least) is that he enjoys violence, but is also fun about it

"He has a certain appreciation for violence, I guess? A bit of a murdery streak. [...] He's a vampire, he's all about blood, and he's all about, kind of, those darker sides of humanity. [..] But at the same time, he is ... He is really fun, he's really fun to write, he's really fun to have in your party, and it's very important for me that that is also represented."

"He's gonna stab you, but will have a smile on his face as he does it? I mean, I dunno. That's kind of him in a nutshell."

Larian would not have allowed for Astarion to be a typical brooding Dracula type, and there were scenes that were shot down for not being original enough

The main thing about Astarion was trying to get a "sense of fun." It would be easy to write a character that was very unlikable, and they absolutely did not want to do that

Rooney says Astarion is consistently terrible throughout the game and awful in a whole lot of ways, but he also needed to be charming enough that you could tolerate his presence and wanted him around

Rooney also had a lot of input on Astarion's stats (meaning the 10 Charisma is probalby 100% intentional)

He also had input on how certain lines should be delivered, even though the writers didn't directly work with voice actors

The way Astarion moves and poses is "all Neil"

Apparently, Neil Newbon worked on the character for years and Rooney did not speak to him once, though his voice work did influence how Astarion's lines were written and it became a "feedback loop" (Possible context for "ONLY SLIGHTLY, NEIL")

There were no points where a line delivery drastically changed Astarion's writing; rather it was a constant, slow evolution

However, there was one very spoilery moment where Neil gave such emotion to some "basic" lines that it fundamentally changed the scene (WHAT IS IT OMG)

It's difficult to balance approval, as you don't want to straight up write a monster. Every character needs to have some humanity in them. So if it comes to leaving the party, it needed to be the result of something central to said character. They wanted to be mindful of situations that would cause actual rifts between characters. (I assume this is why most generic disapprovals/approvals are +/- 1 or 2, while character-related ones give +/-5 or more)

However, as they don't write straight up horrible people/monsters, it doesn't come up as often as one might think.

The interviewer makes a point about how characters like Astarion and Lae'zel are good examples of how to play "evil" characters, as they are maybe not the best people but are still eager and willing to stick around the other party members

They worked to make sure the characters would work as a group, no matter the configuration of the group. The characters needed to be on the same path, even if they don't always agree or walk that path the same way.

Stephen Rooney is very proud of the "climactic" scene of Astarion's story. (AS HE SHOULD BE.) He even had to step away from the computer and have an emotional moment. Me too, man.

He's also "extremely pleased" that there's a point where you can punch Astarion in the face. "Actually, that one might be my favorite part" A MAN OF THE PEOPLE!!

Stephen Rooney's tip on what specific thing you should try out with Astarion: When he's trying to get a "sneaky nibble" at night, you should "probably" let him bite you. Way ahead of you there, sir.

No discussion about Astarion's romance unfortunately, but that's that!

[erebus0dora]

uh, so remember me saying something about adding frames to a GIF to make it smoother..?

i lied.

i looked at the project and realised that i would either spend hours polishing an animation, or open a new file and focus on a static, but more detailed thing, and you can guess what i have chosen

ID is a bit wobbly (pls correct me if i got it wrong!!) and kiiinda more spoilery than the image, so it's beneath the cut.

oh, and as usual, any art of mine is edible, and my walls are yours if you would like to inhabit them 💜

[ID: a mostly greyscale portrait of Eric Bogosian as Daniel Molloy at the end of season 2 of AMC's IWTV with a lighted cigarette in hand; the only colours are the sparks of orange fire and the purple eyes]

[14dayswithyou]

This Angel has another question! \o

{For those of you who haven't played the game yet this may be a little spoilery}

So I just saw the relationship charts you made about how the characters feel about each other and when I saw that Olivia was in love with REDACTED I almost choked on my hot chocolate X∆X like wha?? I get that she like, liked him and stuff when she saw him in the store (like you said love at first collision) but love?? Damn (although I guess I shouldn't really be too surprised, we fell pretty fast for him too lol)but like does she still love him even after what he said to her at the store?? Cuz when we met her again at the apartment (if I remember correctly) she didn't really seem all that interested in him more annoyed or something or maybe she was just annoyed with us?? Cuz he went with us instead of her after completely shutting her down??(Sorry I can't recall much about that interaction in the complex, I know she said some stuff about him but I can't remember what)

Also is there a reason why her love was aimed (the red line in the chart) at REDACTED and not Ren? Or am I just overthinking this, like it doesn't matter because they're the same person. Sorry that this is a bit long I had to get it off my chest 😅

✦゜ANSWERED: Olivia and [REDACTED] have met before!! The souvenir shop wasn't their first meeting, and Olivia has a lot more going on with her backstory!!

But!! As for Olivia's feelings towards Ren (not [REDACTED]), she's the type of person who falls for someone hard and fast and can drop them just as quickly. She's very wishy-washy(?); one minute, she'll be obsessed with someone, and the next, she'll act as if they didn't exist.

I'd like to say that Olivia is still attracted to Ren — but it's very on-and-off. She's also into Teo as well!

[writefightandflightclub]

Something to prove: Frankie Morales x fem!reader blurb

Read the warnings.

Summary: you’re wrong. And Frankie wants to prove it.

Genre: steam / implied smut. Teasing / sexual tension. Brat /brat tamer or Dom / sub vibes.

A/n: okay, look. Frankie is cool, calm and collected. Expect when he’s not. And I just love finding the things that flip that switch on his composure and create, specifically, a Frankie of the u n h i n g e d and f e r a l variety. (That was my initial concept and then… this defo grew somewhat darker than I’d intended, so please do read the warnings! I dunno what happened but I guess I went a bit feral too don’t look at me 🙈)

Spoilery Warnings: there are definite dub-con elements here. Frankie is not checking-in thoroughly for consent and there’s one point where his thought-process /actions outright disregards consent (it’s Frankie’s POV). In my head, reader is enthusiastically on-board for everything which happens during the fic and for what is implied off-screen, but that’s definitely not made explicit in the text or even the internal monologue as it usually would be, and Frankie doesn’t know that for sure all the time. Consider yourself warned. As well, some dumbification here, reader called “stupid girl” etc. So… it’s a slightly darker!Frankie than I would usually write or characterise rather than aiming for canon so much! Also, implied threesome (or similar) off-screen, so a smidge of Santiago x reader which I opted not to tag as it isn’t the main focus. Some dub-con from Santi too. Daddy kink warning (once). (Light) Choking. Spitting (once). Dom / Sun, Brat / brat tamer vibes. Fingering. Definite theme in the language of “it’s for your own good / I know what’s best for you” which could be triggering, and could count as coercion. Explicit.

MINORS DNI. 18+ ONLY

Gif by @santigarcia

No, the voice in Frankie’s head blares, the word defeaning - although no sound passes his lips. No. No. No!

You’re wrong.

Even as Santiago smiles smugly. Says “you got that right, sweetie.”

No.

Frankie’s jaw writhes, his hand clawing into his own thigh even as a gentle titter spreads throughout the room, passed amiably from mirth-crinkled eye to slanted mouth.

He’s not angry at you. Not exactly.

When Benny had asked, as the juvenile truth or dare game progressed, who you thought would be best in the sack, you’d had to pick someone.

It’s just that you’re wrong.

It’s him.

In his head it’s him. In his head, no-one else can give it to you the way he’s imagined making you come undone. No-one else could have you unfurling the way he’s plotted so meticulously; late at night, as he’s bucked his straining length into his own fist, wishing it was the warm, enclosing wetness of you.

You’re wrong.

He feels his pulse drum in his throat. Feels his face pinch into something angular and hard.

He rips an abrupt swig of beer from the mouth of his bottle. Abrupt like the way he wants to tear a kiss from your mouth. Sudden and harsh, showing you your mistake.

He’s not angry at you. He’s not.

He’s angry at himself; for not showing you; that you’re wrong.

He stands. “Excuse me,” he mutters gruffly, pacing to the kitchen. Opening the fridge to give some passing pretence to his exit. His broad shoulders curl in towards the cold, seeking to calm his suddenly heat-pricked skin. His shirt pulls taut over the writhing muscles in his back.

You find him like this a moment later when you enter, your sweet voice preceding the sight of you. And fuck. The contrast of your softness to the way he’s growing rigid in his jeans has his eyes fluttering closed, lashes fanning to his cheek. Has the circle of his plush lips dropping open as a pulse of need zips along his aching shaft.

No. No. No.

You’re so wrong.

And, for some reason, the thought of correcting your mistake, by setting the record straight himself? It has him coming undone.

“The boys are so easy to please, huh?” you breeze, apparently completely unaware of his predicament. Of the blood rushing in his ears so hard he can barely even hear your voice. Unless… did he imagine that teasing, provocative edge in your tone?

Maybe.

Maybe not.

Frankie is fixed in place now. Rigid and imposing. Breaths mildly ragged; frayed at the edges. He hears you hop your ass up onto the counter with a breathy little - and seemingly deliberate - mmhmph. Knows that’s where you’re at, because that’s where you usually sit. That’s your spot when Santiago is cooking, all of the squad gathered around the kitchen island. That’s when Frankie usually leans his long frame against the wall right by you. Drinks in the way your thighs swell - full and soft- as they press into the counter. Imagines slipping his broad hands on to your knees. Sliding the flat of his palms up to part your warm, supple thighs. Slipping his fingers beneath the hem of your tantalising dress until they can spear your heat.

“Santiago’s” -Frankie juts his chin and curls his lip as you say his name- “so fucking needy.”

The word needy falling from your lips does something to him. Sends a throb of heat and dull ache to his length.

You have no idea how needy he is.

How needy he has been for you.

So… No.

Not Santiago’s name in your mouth instead of his. Not fantasies of Santiago fucking you bleeding into your dreams, keeping you up at night, making you slick between your legs.

You’re wrong.

In his head you’re wrong. In his head he’s had you coming apart on his cock a thousand different times. A thousand different ways. He never leaves you anything less than sated, breathless, boneless. He’s good for you. He’s the best. He’s what you need.

You’re wrong.

A low grunt rises in his throat.

Then, finally, with effort, Frankie delicately snaps the fridge closed. Turns towards you, his usually soft gaze intense and hard. Tongue curling around his plush upper lip. It makes the tentative smile you offer drop from your face.

Frankie watches your eyes skim down his taut, long body. Imagines that he sees your pupils blowing-out. A swallow sinking in your neck as he approach you like this. Harsh. Dominant. Maybe how he should have been with you all along. Maybe you would’ve liked that better.

At least, if he had, that way you’d already know.

His pulse beats a drum in his chest. Fuck. Those thighs of yours make his arousal swell painfully in his jeans.

“You believe it?” he grits, abrupt and forceful. Something dark in him activating. Something he isn’t proud of. Something that feels primal. Hungry, after so long caged away.

Your eyes widen like prey. “Believe what?”

Frankie looks at your mouth. You don’t even know. Don’t even know what’s good for you, do you? That he’s good for you. He’s going to show you. “Don’t play dumb. You know ‘what’.”

He crosses to you. Slots his hips between your thighs. Stands over you, muscles taut and rigid. Primed; yet contained. Reaches his thumb and forefinger out to grip and lift the point of your chin; deceptively soft.

Your mouth falls open. There is a sharp intake of breath, as though his touch is electricity on your skin. You writhe yourself into the counter. Arch your chest towards him, even as your eyes widen with slight apprehension. He’s never spoken to you like that before. Has only ever been soft with you. And look where that’s gotten him. Not buried balls-deep into your cunt, that’s for sure. “F-Frankie… I…”

No. No excuses.

“He was the obvious answer.”

No.

“I had to say someone.”

No.

“I couldn’t say… I c-couldn’t say you, could I?”

“Why not?” He shoves the pad of his thumb past your lips and into your mouth before you can even answer, sliding it over your tongue. Doesn’t even care in that moment if you want it. He wants it. Needs it. But he loves how instantly you pucker your lips to suck. Loves that the hot, wet glide of your tongue obediently greets him.

An awed smile drags over his mouth as you hum around him, already becoming putty. He imagines the wet spot he could make you leave on the counter, your slit all shined for him.

“Stupid girl,” he purrs, tone dripping with condescension, his voice honey over gravel. You moan as he withdraws from your mouth. Shifts his hands to clamp down on your thighs, snaking up. “I could give it to you so much better.”

You bat your eyes at him. Toying with him, like you always do - he sees it now. “H-How am I supposed to know that? I’ve…” you bite down on your pillowy lower lip. Looks like a nice place to rest his cock while he shoves into your warm throat, he thinks. “I’ve never fucked either of you.”

Still. You should already know. You should know it’s him.

You should know you’re wrong.

Frankie’s nostrils flare. He drags the pad of his thumb along the seam of his lips. Contains the anger pulsing in him. Has half a mind to unzip his pants right here. To shove you down on the floor and to fill up that pretty mouth of yours right here. Wants to.

“But you want it, don’t you, kitten?” He’s almost certain now. Certain that he hasn’t been imagining it, all these months. The teasing. The glances. The comments. These silly little outfits you wear around him. You’ve been trying to drive him to distraction, haven’t you? Playing him and Santiago off of one another. Riling them both up. Waiting for one of them - or maybe even both of them - to snap.

He drags you to him then, abrupt, your hands flying out to steady yourself against the counter. Your heat coming to rest over the clothed, straining mass of him as he bucks his hips up, grinding up against you. You yelp and it’s a pretty, pathetic little sound. “Don’t you?” he bites off, impatient for an answer now.

You want that. You want him to take it, don’t you?

All you can respond with is a loose, breathy affirmative as Frankie clamps his hand around your jaw and throat. He feels your heartbeat fluttering in your neck. It feels - to him - like want thrumming beneath your skin. Raw and red.

He dips his mouth towards the shell of your ear next, the scent of your perfume sending him into even more of a frenzy. “Did anyone ever tell you you should be careful what you wish for?”

He grips you harder, and your eyes flash with momentary apprehension as his grip closes over your throat. In the next moment however, your gaze is muddied by a glassy, blooming contentedness. A rising hunger. He jostles your head and you move with it, already pliant for him. It’s almost as though this is what you’ve been waiting for. Baiting him to snap. Baiting him to show you what he’s capable of.

Stupid girl.

How have you managed without him all this time? You need him. Need him just like he needs you. Need him to show you.

“Open your mouth.”

“What?”

“Open it.”

You oblige, showing him your pretty pink tongue, and a groan unspools from his chest at how pretty you look like this. Then, without warning, Frankie spits into your mouth.

You jump slightly from the suddenness of it, though once you realise what’s happened, you appear to relish it. Swallow it down and look at him with an altogether wolfish grin.

“Mmm. Thank you, Daddy.”

Such a fucking tease. His cock is so hard in his pants now, his arousal throbbing against the thick, constricting seam. In need of release. In need of that little wet cunt of yours, like he’s imagined a thousand times.

Well, thanks to your little games, he’s done imagining.

“Come on.”

“Where are we going?”

Frankie grabs your hand. Tugs you down from the counter and back through the house.

“We’re leaving,” he announces to the remaining squad, paying their confused and concerned enquiries little mind. Then, he directs his next words only to Santiago. “You are too.”

The other man blinks in confusion. “Whu-“

When he responds, Frankie’s tone and his demeanour leave zero room for argument - he makes sure of it, the sounds carved sharp on the knife edge of his clenched teeth. “-Now.”

Santiago obliges rightaway. “Uh huh.”

“Hey. Big fella. What are we doing?” he asks as Frankie leads you hurriedly towards his truck, stalking down the gravel drive.

“Her.”

Frankie glances at Santiago in time to catch his thick eyebrows raise in surprise; but to his credit he only skips one pace before falling right back in step with him. “Oh. We are, huh?” Santiago looks to you. He looks hungry too. “Did you know about this, Princess?”

Frankie answers for you. “She knows exactly what she’s doing. And now, thanks to her, I’ve got something to prove.”

“Oh oh, Princesa,” Santiago purrs, a smug smirk claiming his mouth.

“Oh oh?” you ask with trepidation, as Frankie bundles you into the passenger seat of the car, clipping your seatbelt for you like you can’t do it for yourself. His eyes are consumed with fire as they meet yours, his tongue darting out along his lips. God, he could have you right here. Certainly doesn’t relish the waiting.

“Yeah,” Santiago breezes, slotting into the back. Frankie exchanges a dark, conspiratorial glance with Santiago in the wing mirror, before watching his buddy lean around the shoulder of your seat. “Honey. You’ve got no idea what you’re in for, do you?”

You’re wrong.

You’re so wrong. And Frankie’s gonna show you. Over and over.

“Get her ready, would you?” Frankie pipes up, not even dragging his eyes away from the road for a second. Even so, he hears you gasp and then moan in pleasure as Santiago’s nimble fingers peel the hem of your dress away from your thighs.

“It’s for your own good, Princess. You’re gonna need it,” Santiago explains as his fingers travel, finding the wet spot between your legs. “Frankie’s big.”

“Hmm. Sure. I’ve heard that before,” you punch out, in between abortive moans of pleasure as Santiago’s fingers work their way inside you.

“Oh, it’s not a brag, honey,” Santiago snickers. Frankie joins him in laughter, like the two of them share a joke that you’re just not in on. He slides his mouth up your throat. “Trust me. It’s a kindness.”

Frankie smiles. Clamps his hands down tighter on the wheel. Can’t wait to get you home.

You’re wrong.

You’re so wrong. And he’s going to show you.

You shouldn’t push someone with a dark side if you can’t handle the consequences, he thinks.

He risks a glance as you throw your head back, mouth dropping open in a silent moan of pleasure.

You’re wrong; but he’s going to have a lot of fun proving it.

[virtues-end]

Your explanation about the Words of Power and if Shea had to use them in the past depending on how we headcanon our MC had me wondering.

Will we get in-game flashbacks about MC's and Shea's first meeting, or is it purely headcanon based with only passing mentions?

Asking because I can't help but imagine my MC just scared of Shea at first, to be honest? Because of how afwul the previous keeper was and all. Like, considering my MC is a barghest, I guess the dog comparisons are all the more accurate, so I'll go with that. It's like the idea that even a dog who bite its previous owner because of mistreatment won't necessarily be bitting any human - it may instead just be scared of other people instead, and once you gain its trust, it will probably be even more loyal and devoted to you than most other dogs. This is sort of what I imagine, but I don't know how much of this is up to our choice!

By the way, if this won't be in the game itself or if you don't consider it too spoilery, what did Shea think back then, if the MC was just genuinely scared of them when they met?

I'd like to include in-game flashbacks eventually. To the MCs time with Shea, or perhaps that first year after they woke up. Or even previous jobs with Shea. I've also considered writing them as separate snippets, but to be perfectly honest I've never much enjoyed writing those (and would much rather focus on writing the game). I also like having everything in one place, available to the reader. :-)

I have written some snippets in the past, however. One from the POV of Shea, and the other from the MC. They're a bit old, but I do still like them. I might even rewrite some of them and add them to the game eventually!

the clearing / imprisoned

Beware that they might contain some spoilers (the clearing specifically).