#I have my own grievances even with ships I love

[sneppu]

Hello! Welcome to The Sneep Zone

You may call me Nagi

Main blog: @nagoo

first and foremost: fuck jkr. i do not endorse her. i do not agree with her. we dont do that weird shit here.

we do different weird shit instead (bask in the decadence of The Sneep)

This sideblog is for me to post all my Snape art and Snape related ramblings! I am addicted to snape fics, and have found myself needing to make fanart for some of my favorite writers. such things will be posted here!

Severus Snape is my favorite guy!

I am known to refer to him as: Sneep, Snorp, Sneb, The Sneberous Sneb, The Snebulous One, He Who Sneeps In The Dark, SneepSnorp, Mother, Sneppu, El Sneepo, Snorpo, Snib, The Best One, The Only One That Matters, The Community Boyfriend, etc.

rest assured, I am talking about Severus Snape every single time

I ship him with everyone! yes, even [insert character].

I truly and genuinely, from the bottom of my heart, do not care even a little bit about The Grievances u may have about my ships or my sneeps.

in my ideal world, everyone would love and cherish Sneep. I tend to focus on marauder's era Snape

not to be rude, but i kind of only care about Snape really. the slytherins are cool and chill too, but i mostly care about how they interact with and potentially fall in love with The Sneep. the marauders are rat bastards and i ship them with Snape in a "grovel eternally for the scraps of his affection" kind of way. I am not sorry.

dont expect nothing serious from me unless im waxing poetic about Snape or heavily projecting my own Tragic Past onto him tbh, i am just here to draw Snape and shitpost about my favorite little guy.

i dont care that he's mean.

he shouldve been meaner, actually.

he's better than me and he's probably better than you too, because i wouldve absolutely lost it big boy style.

[horsemage]

I think we should bring back basic etiquette lessons such as shutting the fuck up when you’re watching a movie in a group that is not exclusively your friend group 🙂

[plantsjustwannahavefun]

"Izzy Canyon dwellers just want to turn him into an innocent victim who did nothing wrong!"

Actually my problem is that, in hindsight, Izzy didn't do enough wrong to justify the common interpretation of his relationship with Ed. In my book, the first time in the series he legitimately crossed over to villainous antagonist territory - someone you actually loved to hate for it even if you understood his reasons - was when he set the British Navy on the Revenge. That way he not only betrayed his integrity as a pirate by consorting with the common enemy of all pirates, but risked Ed's life too - cause, like, come on, that "plan" to send CJ to convince Ed to leave Stede was so far-fetched it barely counts as a plan. I don't buy Izzy ever looking at CJ and going "yep that seems like a smart, responsible, trustworthy man I could rely on for a delicate mind games operation like this". It was an act of sheer desperation on Izzy's part, but he still chose to do it. IMO this was actually worse than what he said to Ed in S1 finale. Although of course that was very nasty, too.

But the thing is, we don't actually have any info on what their relationship used to be like before S1. We were only ever shown, not told - and both times from Izzy's perspective: the first time in S01E04 during his resignation rant, which was very heartfelt and I'm sure a lot of it was true, but it's still one-sided, and the second time during his deathbed speech, which was, again, one-sided and this time biased in another direction - instead of airing his pent-up grievanced Izzy was putting most of the blame on himself.

Other than this, the entirety of Ed and Izzy's pre-S1 relationship gets extrapolated from one single episode, S01E04. The narrative itself seems to want us to see it as a microcosm of their usual long-standing dynamic, at least on the surface. We see Ed being depressed and suicidal, trying to open up to Izzy about it, and Izzy shutting him down and making him act like Blackbeard again. Since it's already clear that Ed and Stede are the main characters, we're primed to see Ed as the victim here and Izzy being an annoying, insensitive nag.

Except the context of those interactions changes everything. The context being that they are literally about to be attacked by the Spanish - something Ed knowingly brought on them with his decisive power as captain - and Ed is deliberately withholding crucial information from his own first mate and the rest of the crew, making them all think they're going to die and he isn't doing anything about it. Izzy wasn't just being a boring buzzkill not being excited for Ed when he showed him that ship model. He was actively panicking and trying to do his job asking Ed for orders so they don't all get slaughtered.

So, yeah, those are some very exceptional circumstances that don't say anything about their typical day to day interactions go when they're not in immediate mortal peril due to lack of communication. Was this the first time Ed ever told him about not wanting to be Blackbeard anymore? Izzy didn't seem very surprised, so probably not, but we don't know, and if Ed had confided in him before, we don't know how Izzy reacted - but I'd like to point out that this time he didn't ridicule Ed in any way, he simply pointed out that they were about to die if Ed didn't do anything. Does Izzy usually indulge Ed in the stuff he finds fun when they're not about to be killed? Again, we don't know, but Izzy's playfulness during that first confrontation with Stede in S01E02, and his whittling and jokes in S2 showed that he wasn't always as grouchy and joyless as he's made out to be. We actually saw him smile when Ed got excited about Buttons, too. Pretty sure if Izzy always shut him down about things like that, Ed would have stopped trying to share it with him long ago.

And, finally, there's one piece of this puzzle that doesn't seem to fit in with the rest at all. The show both told us and implied that Izzy couldn't let Blackbeard go because his own identity was too tied up in it, and because he idolised the glory of violent pirate lifestyle. But if that's the case, then why did he have no problem with Ed wanting to retire? Izzy literally gave him an enthusiastic thumbs up on the whole "kill Stede and steal his identity so he could live the rest of his life as a rich aristocrat" plan. If Izzy only admired Ed as a pirate, and was so hell-bent on keeping the Blackbeard persona alive, why was he ok with Ed retiring? How does this square up with the idea that Izzy had been keeping Ed chained to piracy?

I'd honestly hoped we would get some flashbacks of the two of them in S2, and then S3 before that hope died too, because there's still so much we're missing.

[glitterpensupremacy]

(NOT MTS CONTENT) Alright, as a Miraculous fan (with a particularly vested interest in Chat Noir) I’m making my thoughts on the new Chat Noir look clear.

I’m not super upset that he doesn’t have a new outfit, since, let’s be honest, Ladybug and Carapace needed it WAY more than he did.

I’m also not that concerned about his new proportions. Yeah, they’re a little funny looking, it that might just be the camera angle. Either way, he’s getting older so it makes sense that his facial structure is changing (plus I give my own CN a slightly more angular face to indicate that he’s a sweet kid, sure, but there’s a lot more to him than just “good perfect bean”.

So then, what’s got me emotionally invested enough to make a Tumblr post? (By now it’s probably pretty obvious…)

The hair.

HERE’S THE THING THOUGH- it’s not that I think the hairstyle is bad or ugly. It’s very stylish, and the smooth swishy look would be more than welcomed on a different character. But that’s the problem, this is the wild and chaotic Chat Noir, the catboy of destruction who tells terrible puns. His hair should not be that neat, and it should not be that perfect (yeah it’s a little messy, but only enough to have that “effortless, natural look” you’d see in a shampoo ad)

Maybe I’m overreacting; after all, it’s just a hairstyle, and I’m treating it like it’s the end all be all for his character in Season Six. However… it’s not just the hair. While watching Season Five, I noticed that Chat Noir doesn’t really joke around as much as he did in previous seasons (especially in the second half of S5), and isn’t really allowed to get mad or be rebellious outside of when his role as the love interest needs him to (trying to cataclysm Dark Owl because of the Married LadyNoir vision, trying to cataclysm Dark Cupid because he’s being a protective boyfriend to Marinette, telling off Nighttormentor because Gabriel forced him to go to London, sure, but the show makes it clear that the REAL problem is him trying to keep Adrien and Marinette apart). Other than that, he’s the perfect well-behaved supportive partner.

In general, it feels like Chat Noir and Adrien are becoming more similar personalities, which is good: I think a lot of us have anticipated this happening for his character arc… but the problem is, Chat Noir is becoming more like Adrien rather than Adrien becoming Chat Noir, because isn’t his arc supposed to be breaking free of the perfect controlled persona his father has forced him into, learning to express himself and become his own person? (There’s also the fact that I think he’s a little more interesting to watch as Chat Noir or the more expressive early seasons Adrien, but his development is the more important issue here.)

This kinda thing has me worried that everyone who believes that the finale was bad on purpose (the secret dystopia route) and that the writer’s genuinely do want us to believe that Gabriel’s actions have been valid and ethical (THEY ARE NOT: BRO IS A TERRORIST 💀.) Either that, or they just want us to watch the cute shipping scenes and not really care about Adrien’s character outside of that. Kinda a bleak view, I know, but that’s how things have been looking lately. (Maybe they’re making him look neater as a part of the dystopia route though? I guess we’ll see but it seems unlikely…)

(I probably should reemphasize that I’m not actually getting this “doom and gloom conspiracy board” over JUST a haircut. It’s more like I saw a bunch of other (personal) warning signs over the last two seasons, and this is just one other thing making me more worried.)

I know this isn’t my usual stuff but I felt like I needed to air my grievances (especially since while I have seen other people not like the new hair, it doesn’t seem to be for the same reasons as me, seeing as I don’t even dislike the hairstyle itself; just the fact that Chat Noir’s the one who has it). Hopefully this was at least interesting or even validating, but if not… Well, I’ll get back to my normal content after this anyway.

[antianakin]

@assaultmech71 I'm putting this in a separate post because it IS a little off topic and that particular post is becoming fairly long and unwieldy as it is.

Part of my dislike of Luxsoka (and Lux in general) stems from my dislike of the episode he's introduced in. Heroes on Both Sides is supposed to show us that there's genuinely good people with legitimate grievances on the Separatist side and that Ahsoka is like... being kind-of ignorant by assuming all of the Separatists are evil assholes. However this is done SO SO BADLY the entire way through. I've talked about Mina Bonteri's whole sob story about her husband on some sort of base that got attacked by the clones and how unbelievable it is that the clones apparently just attacked an innocent base full of innocent people or something. There's NO WAY that Mina's husband wasn't involved in something either war-related or just sketchy and evil.

Lux on the other hand is sitting there being paralleled with Ahsoka where they're supposed to recognize that their lack of knowledge of the other side has caused them to be a little prejudiced towards each other. But while Lux has never actually met any Jedi and is making his entire opinion based on a lot of propaganda, Ahsoka HAS met Separatists, they just come in the form of military generals usually. Lux I think specifies "any Separatists who AREN'T military leaders" which is pretty unfair because those military personnel are STILL military leaders and effectively Ahsoka's counterpoint within the Separatist organization. Ahsoka has seen these people who claim to fight on behalf of the Separatist government do some absolutely heinous shit to actual innocent civilians (she's there for the incident with the Lurmens, the Blue Shadow Virus, Ryloth, and the Holocron Heist arc at this point). Ahsoka has genuine evidence to believe that the Separatists are, at best, ignorant of what's being done in their name, and at worst complicit in these actions being perpetrated by their military. Ahsoka isn't naive or ignorant the way Lux is, it's not a fair comparison. So their entire connection here is based on what amounts to a lie.

Lux also literally gives Ahsoka a once over when she bandies his own words back at him and asks him if she looks evil, which is juvenile and gross. And yes, he IS juvenile and Ahsoka does call him out on it a little, but still. It's not exactly a GREAT first impression here.

So basically a large part of the reason I hate him is because his entire introduction is just really really stupid and he represents this radically unfair perspective on the Jedi at this point just to make a point that isn't even ENTIRELY true.

Then we come to their second meeting where the whole episode ends with them saying they were a "good team" except that Lux fucks up approximately 20 different times and Ahsoka has to keep saving his ass and doing all the work. And Lux also betrays her like 4-5 separate times, he slaps her ass and acts like a misogynist to keep up an act with DEATH WATCH, apparently doesn't know or just doesn't care that Death Watch are literal terrorists, and is just overall completely awful and useless the whole time. They're not a good team, he's just a massive fuck up with delusions of grandeur who Ahsoka has to keep bailing out of danger over and over again.

He's better by their third meeting during the Onderon arc, but by then whatever feelings he may have had for Ahsoka seem to have faded and he's got a new girlfriend he's focused on and Ahsoka ultimately lets him go. But she's also JEALOUS of Steela for a while and it's impossible to figure out what she's even jealous OF. Like babygirl, I'm so frustrated with you right now, but you can STILL do better than Lux Bonteri. At least she decides to just move on by the end and we never see him again.

So yeah, Lux is a terrible person, a terrible love interest for Ahsoka, and Luxsoka is a fuck awful ship and I'm just so glad it got abandoned before it actually went anywhere and never came back.

[necrotic-nephilim]

this is an invitation to ramble about slade/batboy ships: sladick, sladejay, sladetim, sladedami, and other batfam member/villain ships, especially jayroman and ra'stim :)

AAAAAA this is so delightful oh my god thank you. adding a read more just because this one is going to get Long to cover all the ships and all my opinions. because my god do i love Slade.

firstly, the original Robin/villain ship, SlaDick. Slade Wilson, literally created to be a Teen Titans villains, with the original Robin he cannot be normal about ever. i'm so sad there's not much interest in Slade aside from making him a generic Evil Guy who canonically likes teenagers because i think to just boil down his complex with Dick to 'weird attraction' robs them of SUCH nuance. Slade *trusts* Dick, he trusts Dick enough to ask Dick to train his own daughter Rose. and initially Slade's complex over Dick isn't sexual, it's seeing Dick as a replacement for his dead son, Grant. that's messy as hell and i love them for it. i don't think there's a single villain that has the respect for Dick that Slade has. i'm always of the opinion Dick's attraction to Slade is rooted in daddy issues and Slade's attraction to Dick is rooted in dead son issues. do i think they could end up as an old married couple? yes but only in a world where Dick is completely broken and feels alone. my favorite SlaDick flavor is post-Jason's death. Dick and Bruce are arguably at their worst during that era to begin with so Dick is pretty isolated and emotionally unstable. and Slade would take such advantage of that, swooping in to offer Dick emotional stability and fucked up sex to get out pent up emotions. (i'm big a big fan of Dick fucking out his feelings tbh) and Slade is just. this sort of bad habit Dick will kick for a year or two then come crawling back to. you can directly track how well Bruce and Dick are getting along based on how many times Dick has slept with Slade recently. and that's the prize, for Slade. knowing Dick will come back to him, eventually. it's all about patience. and if something really extreme happened to Dick (like Bruce's fake death) i think they'd even date briefly. it's not entirely impossible for Dick to date someone he disagrees with morally (see: his flings with Helena) and i think Dick would keep trying to 'save' Slade, using the upper hand he has of filling in this role of Slade's dead son to try to domesticate him. would it work? who knows but if anyone is going to try over and over, it's going to be Dick. it's practically self-harm for Dick yet the only thing keeping him sane. i love them.

SladeJay is... an interesting one for me. because i like the *potential*. but they have no significant interactions pre-Flashpoint. and while usually i can forgive New-52 and Rebirth for their grievances if it has ship fodder i just... can't do that for Jason. Judd Winick's Jason is the only Jason that exists to me so even Slade and Jason's canon interactions matter little to me because it's not the version of Jason i care for. the upside of that though, is it's more of a sandbox to explore what they could be and there are no limitations. i can just run wild. which is fun bc. you're telling me Slade wouldn't be so drawn in by the idea of a dead Robin who's come back and is now the antithesis of Bruce's morality? i think at some point Slade would want to poke the bear, really see what Red Hood is made of. do i see them working long-term? no but i do think Jason would have zero qualms working with Slade if he got something out of it. and if he could fuck with Bruce or Dick by having a short, fucked up relationship with Slade? that's even better. i don't think Slade could ever truly respect Jason, at the end of the day the Dick Grayson standard is too high and Slade would sneer at the idea of a legacy who fucked it up so bad he got blown up. but, he'd see that as Bruce's failure more than Jason's. and for Jason to have someone look him in the eye and say that Bruce *failed* him? i think that'd just *do* something to Jason. and Slade has lost a son, he knows what that loss feels like, how you feel you failed as a father. would he have interest in being fatherly to Jason? no but i think he'd have fun momentarily manipulating Jason and seeing what reactions he gets out of what jeers. Jason's been calling himself a failure this whole time, so to have someone else say it is no real big deal, but to have someone else say it's Bruce's fault and voice Jason's feelings? they'd have the most fucked up sex with the most unhealthy dirty talk that's both gentle and degrading. i don't think Jason would ever let himself get too close, he's far too emotionally guarded. but for a second, i think he'd fantasize about having even *half* the amount of attention that Slade gives Dick. bc what has Jason always been, but in Dick's shadow.

SladeTim. my two blorbos. in one place. somewhere in my drafts i have a half-started longfic about SladeTim that's one half really fucked up porn and one half slowburn feelings. arguably Tim and Slade don't have many canon interactions, but it's fun to me that when they do, Slade always seems sort of startled by how well Tim fights back and Tim's willingness to fight dirty in a way even Dick doesn't. and to me, that's the crux of this ship. as far as Robins go, Tim should sort of slip under the radar for Slade. he's not the dead one turned villain, he's not the grandson of Ra's al Ghul, hell he's not even the child of a second-rate villain like Steph, he's not *the* Dick Grayson, he's just... the other one. grew up pretty rich and normal and fell for all of Bruce's wax poetic nonsense. so when Tim puts himself on the map as a hero, makes himself a worthy opponent against Slade that's interesting. even to Tim, Slade isn't a particularly remarkable villain since Slade cares to stay more on Dick's radar. so when they cross paths there's a lot of unexpected. neither of them have thought about the other too hard. so there's this interest and intrigue about it i love. i'm a big fan of the idea Tim is a massive masochist, both physically and emotionally and Slade is The Sadist Ever so. i like them falling into bed together and having the most fucked up sex. like Tim just being a Weird Little Freak so fucked up even Slade raises an eyebrow. because this isn't what you *expect* of a kid like Tim, who's had a pretty easy life before tangling with vigilantes. he should be like a fish out of water, but instead he's matching Slade's energy in ways even Dick doesn't. and of course, how smart he is, that's an asset. it takes a special kind of kid to have the audacity to poison Lady Shiva with hotel chocolates and pull it *off* no less. it earns a begrudging respect, and it's rare to get Slade to respect someone. i really like the idea of Tim seeking Slade out only for fucked up sex and somehow Slade falls for this weird little freak who's cold and clinical outside of sex and keeps him guessing.

i'll be honest i've only considered SladeDami in the context of seeing antis say 'omg Slade has been predatory toward Damian ewww' and going 'no the fuck he hasn't but if you want that so bad i'll ship it just to spite you all' but their canon interactions do fascinate me. a lot of how they interact is predicated on Slade as a father, even more so than SlaDick. like Slade will fight Damian and then be like 'hey be good to your old man fathers need their sons' and fucking dip. and then with the whole Respawn thing and Shadow War? that was extra crunchy. for a brief moment Slade had a son who was a brother to Damian and then he goes and *dies*? talk about the complex that would give him with Damian, the spitting image of Respawn. Make Slade Weird About Batkids That Remind Him of His Son 2024. Damian holds an utter contempt for Slade that is simply unmatched. so Slade not leaving that kid alone because of his weird issues, making sure that Bruce doesn't screw up with Damian the way he screwed up with Respawn is very fun. and Damian slowly building up a tolerance to Slade's annoying antics could be fun. Damian is, at his core, still just a kid who needs the approval of something father-shaped and he will Take What He Can Get. are they ever healthy or long lasting? no but i do think Damian would cling to Slade during his teen years for something incredibly fucked up and codependent until either Slade dumped him or he forced himself to get over it.

JayRoman. i will not lie love these two but i don't think i've read many Black Mask comics when he's not interacting with Jason. which is funny because my entire conception of Roman is him just getting humiliated by Jason and really what more is there to know about the man. Jason is so unserious in how he handles Roman and the best part is you can tell it's truly because he doesn't see Roman as a threat. Roman's just a pawn in the game of getting Bruce's attention and sure, Jason is aiming to kill Roman by the end of it, but he'll always have bigger fish to fry. and that's so *infuriating* for Roman. this new guy who's *clearly* a fucking teenager shows up, owns you so badly it shatters your empire, and then you only live bc he seems to have gotten bored of you. JayRoman is my particular favorite ship for the flavor of 'the sub in bed is in control of every other aspect of their relationship and their submission is a gift that can be revoked at any time' which we don't get enough. fucked up power dynamics always have the sub being the one lacking control. and whilst i enjoy when Roman is able to absolutely control and manipulate Jason through various means, i think in canon, it makes far more sense he's pathetic and begging Jason for even a *chance*. and Jason very specifically picking who he subs for based on someone who he could kill or destroy at the drop of the hat if he needed to is a very Jason thing to do. there will never be trust between these two. they will fuck nasty and Roman will be in love with Jason. but they are both carrying a gun during sex. the gun is probably involved during the sex.

Ra'sTim. my everything. Red Robin (2009) you will always be famous to me. what *don't* they have. forced proximity. enemies to lovers. forced partnership. one-sided obsession. ridiculously large age gap. deep unforgivable betrayal. i will never evacuate these two from my brain dear god. Ra's is another one of those villains who gets painted with one broad stroke of being cartoonishly evil with no exploration of his interesting nuance. making him nothing but a villain is boring. where is the Ra's who loves so deeply and fully and has to lose his loved ones over and over and will not let that happen to Tim. he wants to consume Tim in a 'cannibalism as a metaphor for love but also probably literal cannibalism' way. the amount of trust put in Ra's in order for Tim to be able to betray him as spectacularly as he did? that's glorious. Tim had full unfiltered access to Ra's' computers even when he was advised against trusting Tim so much. and then Tim wins against Ra's and willingly lets Ra's kill him. (obviously Dick saves him, but I'm of the opinion Tim was just committed to dying in that moment and he was Okay With That) 'i will betray you if it's the last thing i do' as an act of love. Tim is to Ra's what Dick is to Slade. you will never convince me Tim and Ra's didn't hatefuck at least once during RR (2009) with a questionable level of consent. i'm so serious i will never shut up about them. the way Tim talks about working with Ra's as if he's making a deal with the devil and Ra's talks about Tim like he's the precious, once in a life time thing, one of the only people worthy to produce an heir for Ra's. how's that not gay. what other ship involved one of them literally trying to have the other's baby to raise as an heir. Ra's would probably carry the baby himself if he could. memes aside they're just so. they're so it. i love when Tim is forced into a Situation where he has to work with Ra's and confronts the darker aspects of himself that Ra's wants to bring out but Tim wants to squash. it is The corruption kink. whether Ra's succeeds or not in corrupting Tim doesn't even matter because the real crux of this ship is the chase. it's the way the heart pounds when they reach out for each other and you don't know if it's for a kiss or a killing blow. it's very Hannigram to me, in that i don't even need or want them to kiss to know they're in love. love to them is not true love's kiss, it's the thoughtful place they decide to stab the other in. be the sheath to my dagger type ship. hold all this bloody violence i know you're capable of inside of you. let me cut the violence out of you ship. what more can you ask for from a ship. Ra's would tie Tim down and torture him both as foreplay and as a love language and Tim would be too fucked up and self-sacrificial to stop him. always playing the dangerous game of how far will the other let them go until someone tries to die or kill. listen i think i lost the plot here but my point is they're unwell about each other. Tim will make Ra's regret the day he met Tim Drake not just for the betrayal but because Ra's can never go back to a time Before Tim. before knowing what the chase felt like. they're so. them.

[lemotmo]

Not to balance out the ask or anything, but there's something I picked up on during the season. For the record I'm a buddie shipper but I'm not blind to the fandom's fault.

There's a leaker in twitter who posted vague stuffs during the season that turned out to be true; implying that Buck will kiss a man who isn't Eddie, Marisol being a former nun, karaoke scene being cut et cetera. I can't remember exactly when but it's most likely during the heights of Buddies being mad that the karaoke scene was cut (I don't think it's queerbaiting since the show already went past that since season 1 but I understand people being upset) the leaker posted something about "Guys please be nice" or something to tone down the backlash, despite he himself encouraging the fandom to be louder for the karaoke scene, go figure and then shortly after Tim made that post about the karaoke scene on his FB. I then assumed that he got wind of Tim getting fed up with people asking for the karaoke scene despite he himself volunteering to post that disregarding the song license stuff.

While I've seen how crazy some of the Bummys have been lately, I'm not ruling out the possibility that Tim's also getting fed up with us Buddies especially since he's been exposed longer to Buddies than Bucktommys; it's just he perceived the toxicity to be twofolds since it comes from two queer ships. The fact that Buddies on twitter, his primary social media source of gauging fandom reaction before he decided to call it quits, has new people who uses similar modus operandi as some Tevans operate to farm engagement and content, makes the possibility of the toxicity among Buddie fandoms raising there to be higher.

I guess my takeaway is just for us to quietly ship harder on Buddie without engaging in the same kind of toxicity Kinleys are doing. Just focus on the good things on Buddie (and Bucktommy if you multiship), don't drag down actors/actresses or love interests they play to the same extent *they* did (in general, if you think your ship is THAT good finding every small detail to discredit other love interests is not needed because your own foundation should be enough) as your anon said, Tim can feel hurt from criticism so as long as the grievances were expressed in a more civil manner it should be good for us.

Yes Nonny. I agree.

The karaoke scene debacle is certainly a really good example of where the Buddie fandom went too far. I get the disappointment. I was disappointed too, but I ranted about it to the mutuals, took a deep breath and moved on.

I know that some people on Twitter (and even here on Tumblr) most definitely overreacted to that scene being cut. I don't know if I remember it right, but a few of the most crazy Buddie stans even sent him nasty messages. The fact that Tim had to publicly react wasn't very flattering for our fandom.

To me it's the way he reacted that stands out here. From his tone (which is always hard to gauge in a written message) he seemed calm but annoyed with the fans who kept on asking for that scene. He even admitted to liking Buddie and wanting to give this to the fans.

After that, most Buddie fans got the message and stopped demanding to release the scene, with the few exceptions of course. 🤷‍♀️ Whenever the karaoke scene comes up these days, it's mostly people asking nicely.

This last Tim interview felt very different. It was a direct call out to the BT people who had bullied and threatened some of the 911 cast and crew, to the point that some of them had to be blocked. These people kept on running to Tim's Facebook DMs to then post them on Twitter to 'bludgeon another part of fandom'. That's a direct call out, which is on a whole other level than the karaoke debacle.

But ultimately I completely agree with your conclusion. It is very important to keep the positivity and civility while shipping Buddie (and BT if you multi-ship). In that regard Tumblr is very different from Twitter. Although there are definitely a lot of great Buddie fans on Twitter who aren't afraid to call out toxic behaviour within our own fandom, which is a good buffer to keep out the worst of the toxicity.

Fandoms are fandoms. A certain level of toxicity will never be able to be avoided. All we can do is, like you said, quietly keep on shipping Buddie and keep it all respectful towards others.

Hope you have a great day Nonny!

[dangermousie]

Ep 27 was all plot and no ship. In fact none of my favorite characters except Jiang Li herself appeared in it - it was devoid of the Duke, his sidekicks, Shen Yurong, Princess Wanning, any of the Yes and except for a few seconds’ appearance devoid of Jiang Jingrui.

Still it definitely moved the plot forward - namely the plot of the serpents’ nest that is the Jiangs. Because the grievances were not suffered by our protag but the original Jiang Li and any connections of love or blood were also not hers but the original Li’s, she’s able to be clear headed and not really emotionally involved except insofar as she feels bad for injustice and she’s gonna need that because stepmom has lost the few restraints she had and the rest of the family is useless.

I found this ep humanized both Ruoyao and stepmom for me. I found it so tragic that Ruoyao has finally stopped stepping out of her mother’s monstrous, smothering shadow (her mother’s love always looked controlling and conditional but this ep shows just how downright abusive it was and how Ruoyao had so little chance) only to have her agency taken away from her by mommy on the most basic level. A woman who would poison her own child to get rid of a stepdaughter should not be called a mother in any sense.

I hope Ruoyao gets some sort of a happy ending and a way to find out who she actually is but I doubt that since the drama very clearly implied in this ep she is not a Jiang but is a child of adultery between stepmom and diviner. Papa Jiang is not much of a father even to his blood (he just goes with whatever the woman he is currently sleeping with likes) but the moment he discovers she’s not his, that nunnery is gonna be best case scenario for Ruoyao. Not every family can be the Fans from JoL or the Xiaos from Nirvana in Fire 2.

Stepmom? What a horror show but the drama humanized her (while showing she shouldn’t be allowed to run around at all.) All the woman wanted at the start was to run off with that painter and live in obscure bliss (Ruoyao’s desire to run with worthless ex-fiance is quite reminiscent of that - like mother like daughter - tho at least Mom’s boo genuinely loved her.) But daddy prevented it and was going to marry her off to some sort of mental defective with a family that wanted that dude to have a child (and in that society that marriage is pretty much life of horror) unless she found herself another match and was all “why don’t you off Papa Jiang’s wife, she’s sick anyway” - and not excusing stepmom being a murderer but it’s like Shen Yurong - when all your choices are bad choices you are way more likely to do bad things to survive. In some other alternate universe, she married that painter who never became a diviner and is living a placidly virtuous existence.

Honestly, the moment she killed a friend to escape a hellish marriage it was the end for her - she sent Jiang Li away because of the whole “I murdered your mom can’t have you find out or just look at you” (and daddy blames her for soft heartedness in not killing her!!!) and the other kid was an accident - it’s basically she started out as a villain out of perceived necessity but then she had to continue and got worse and worse. The journey of 1000 miles begins with a single step, indeed.

I found it poignant she ultimately wasn’t able to maim monster daddy as requested by diviner. Not so poignant that she’s apparently repeating the way she was parented in the way she’s parenting her daughter despite knowing firsthand what that’s like. (But I wonder how much her obsession with getting Ruoyao the best marriage, the nicest reputation (no showing in public at age x), the best womanly skills (zither) is driven by her forever remembered terror of being a woman with no power and no options and no good marriage prospects.)

Even that scarred cousin who married the abuser got a little bit of interest from me - the way she tells his paralyzed body that even tho he beat her so badly she will take excellent care of him and the sheer terror in his eyes was great. Go girl!!!!

Still, hope next ep brings back the Duke and Co. (Jiang Li sent away the guard the Duke had on a mission for her and girl - bad life choice - guard had a big point in that he was there for her protection. And now diviner is coming and there is no guard. I guess she’s so bad at listening to instructions, the Duke will have to move in with her himself to make sure she does what he wants. What a hardship 😂)

[fingonvaliant]

I read the silmarillion again (fully have lost track now on numbers) and I think it's really striking which scenes are dramatic and tear-jerking and why. In particular I love how each successive kinslaying gets smaller and more pathetic, but that's exactly why each successive one feels crueller and sadder.

The first kinslaying shows the Noldor at the zenith of their power and the nadir of their wisdom. Utter hubris, folly, defiance of the Valar. It is spectacular, it's very easy to see in your mind as it happens. There's a reason it's been painted so many times by the big-name Tolkien artists.

The second kinslaying by contrast is against a strong "foe," for a clear objective, but all the Feanorians really achieve from it is a bloody reversal of the victory of Beren and Luthien. There was never anything to gain from it.

And the third kinslaying. They knew how disastrous their oath was, three of their brothers were already dead, they have no personal grievance against Elwing, barely even heard of her. Some of the refugees at the havens had to have been their own people too.

The scale of the opponents and the motives also decrease poetically.

In the first kinslaying they fight the Teleri of Alqualonde for their ships, as prized to the Teleri as the Simarils were to Feanor. At the second, they go against Doriath, a renowned kingdom with strong defenders, for no less a prize than the Silmaril of Beren and Luthien. At the third, they massacre women and children over a rumor.

Personally I also imagine the size of the armies involved rapidly decreasing. Tens of thousands at Alqualonde, hundreds at Doriath, and in my mind, whenever I read it, I imagine only the four surviving Sons of Feanor and no other soldiers at the third kinslaying killing defenseless people.

Do you think Maedhros and Maglor were surprised when the Silmarils burned them?

[cloudmancy]

i just finished acofaf and i havent finished the last few adventuring partys yet but it kind of makes me feel crazy how no one has brought up wuvvy clearly being in love with rue. especially in rue & wuvvy's last conversation theres never any indication of rue acknowledging the depth of wuvvy's feelings for them or the sacrifices she's made to be with them and its kind of baffling to me cause rue must know how wuvvy feels about them right? she left her court for them! which is literally the same exact grand gesture hob makes for rue to prove his "love" for them. except wuvvy didnt need to be persuaded. and i was so surprised how in the adventuring parties nobody rlly talked much about wuvvy's love for rue, like emily mentioned it a few times but it felt to me like this elephant in the room that no one was talking about. it's funny cause most/all of the pcs this season were queer but wuvvy comes across kind of like a "scorned lesbian" character where the lack of acknowledgement of her grievances belittles them so as to communicate that they are not legitimate and her feelings are petty and immature. which is obviously a trope intended to preserve a heteronormative and misogynistic status quo. sorry if this is kind of rambly and/or incoherent (i have the flu) i just like your posts and fanart of wuvvy and i wanted to share my thoughts!

OHHHH BOY... you're in for a treat because they do talk about wuvvy in acofaf APs 9-10. it's bittersweet because it's very much an acknowledgement of 'yeah she had feelings for rue and it's a bit fucked up what happened to her'. I cannot blame oscar for wanting to go for a PC/PC romance with brennan's character rather than the NPC but you're right... it really does bother me the way the fandom treated her as a bitch, making really aggressively violent posts when she burned hob's letter, oscar not really even acknowledging in or out of character how much rue meant to her... some of it has to be attributed to how short the adventuring parties are and how much of it was spent talking about ruehob (I have my own opinions about how baffling it was that ruehob was meta'd and built up so much entirely OUTSIDE of the campaign, the main content of the show? but that's a post for another time)

I don't think aabria, brennan, oscar, or anybody else actually meant to contribute to a lesbophobic trope or stereotype; aabria was playing a thoroughly cool character and the circumstances surrounding her just happened to end up this way. it's a game of dnd in the end where a pc/pc romance is more interesting roleplay wise and that is how the cards fell in terms of npc romance. it would not kill people to acknowledge wuvvy and how badly rue hurt her though 😞 I have a huge problem with the 'ruehob together forever, happy ending' part of acofaf & its fandom because of how little the fandom seems to remember or care about her... I do think that is a pattern of misogyny especially when you have many many fans who violently hate wuvvy for getting in the way of their (already canon) ship

I will never stop talking about wuvvy though. [slaps her horns] this satyr can contain so much devotion and angst in her

[miraculousmultifan]

Foreigner's God

This fic was written for the @strangerthingswritersguild's Hozier Project where we each chose a song from Hozier's self-titled album and wrote a one-shot inspired by it. I chose Foreigner's God.

I also crossposted this fic on AO3 which you can read here.

Here are the tags (the fic will be under the cut):

Ship: Steve Harrington/Eddie Munson Characters: Steve Harrington, Eddie Munson, Other Characters Mentioned Additional Tags: Presumed Dead Eddie Munson, Steve Harrington Has a Crush on Eddie Munson, Kas!Eddie, Post-Season 4, The Five Stages of Grief, Angst with a Happy Ending, Struggles With Religion, Mentions of Atheism, Ambiguous/Open Ending

Warning: I want to clarify, since I was having some struggles finding the right tag, that there is a lot of discussion about Christianity (namely Steve's relationship with Christianity and faith as well as his own grievances with other Christians and things like "how God chooses who gets a miracle"). My family is Christian, so there's a little bit of my own self-projection with Steve's internal monologue, but this is in no way meant as "Christianity Bashing"

If any of that is something you wouldn't like to read, I suggest you don't continue. This has been your warning! :)

Denial.

Kneeling over the man’s prone form, Steve refuses to believe he is truly dead. They get back to the trailer quickly, so surely there’s still a chance that he could make it. Right?

The Upside Down rattles with earthquakes, but Dustin’s tears are still louder in comparison. The man’s not dead because that would mean he left Dustin to grieve. He wouldn’t do that, so he’s not dead.

Steve dips his head down until his cheek is suspended a thread above his lips, waiting to feel a soft brush of air to prove that he’s still breathing. He wraps his fingers around his wrist like a pathetic excuse for a hand-hold as he tries to find a pulse. He stays like that for much longer than he needs to in the hopes of feeling a puff of breath, a thump of a heartbeat under his skin. 

It will come. It has to. Because he isn’t dead.

Nancy and Robin pull Steve and Dustin away from his body, even as their own bodies shake with sobs. The ground trembles as another earthquake runs rampant through the Upside Down, splitting the ground and spreading cracks through the dirt.

One by one, everyone leaves the Upside Down through the gate in the ceiling of his trailer. Without–

They leave him lying there. They leave him to rot.

Not that he can rot. Because he isn’t dead.

Anger.

Steve used to be a Christian. Back before the Upside Down. Back before he was pushed headfirst into actual hell.

He wasn’t exactly devout. He definitely didn’t follow the “no sex before marriage” rule or anything. But the faith aspect? The belief of a God that created them? An all-powerful, all-knowing, all-loving God? He believed that. He wanted to believe there was someone with the ability to protect them. To look after them.

Then he had to fight a six-foot, slimy, petal-headed monster to protect Jonathan Byers and Nancy Wheeler. The same monster that made Will Byers go missing. The same monster that killed Barb in his pool. Where was God then?

God doesn’t exist. There is no possible way the God that is supposed to love them unconditionally and protect them would create something hell-bent on tearing apart every living being it came across.

Some people might assume the demogorgon, the Upside Down, all of it has to be the work of Satan. Steve knows better. Satan is only supposed to tempt you to sin. His goal is damnation, not death. That’s what he wants. Not vicious, violent creatures that kill innocent people for fun.

So, after Carver comes back from everything alive, surviving the earthquakes and rifts in the ground, and tries to spew bullshit about the kind of people God loves and the kind that he sends to hell, Steve knows he’s wrong. What ever happened to “love thy neighbor?”

While he isn’t a Christian anymore, he knows that Carver is simply twisting the words of the Bible to support his own malicious agenda, venting his grief over Chrissy by directing his rage onto a scapegoat. An easy target that didn’t deserve any of it.

It’s easy for Carver to blame him and call him a Satanist when the jock had a front-row seat to Max floating in the air, her limbs snapping like twigs. For a Christian with no experience with the Upside Down, blaming it on Satan seems like an easy out that requires minimal critical thinking.

But then Carver went from vague comments about sinners to using the Bible to turn Hawkins against him. Calling him a freak, a murderer, a Satanist. They deface his missing posters with devil horns and pentagrams, unable to let his name rest. After everything, they still won’t let him rest.

And Steve is angry. His heart is heavy with the weight, the hate, of Carver’s fucked up beliefs. Why does this jackass get to live when he is dead? Why does Carver get to run his name through the mud when he’s not even around to defend himself?

Carver is so scared of imaginary monsters that he can’t see the real ones that are haunting Hawkins.

He sacrificed himself for a town that hates him. A town that, even now, couldn’t appreciate what he’d done for them. Hawkins never deserved him. Not even the federal government could be bothered to clear his name. It’s much easier for them to hide the truth and paint him as the real villain rather than reveal him as the hero he really was. They’re the cowards. Not him.

Steve hates Hawkins. Steve hates the people who ruined the life of a boy whose biggest “crime” was dressing in edgy clothes, listening to loud music, and playing a nerdy board game. Steve hates the people that made him feel like a coward for trying to protect himself. Steve hates the people who taught him that he would only be redeemable when he was dead.

He hates God for letting it happen.

Steve wants to scream. He wants to kick and bite. Thrash and punch. He wants to shout from the rooftops about how the very man they scorn is the one who saved them all.

He wants to scream the name of a god he no longer believes in. He wants to curse a god that doesn’t exist. The purest expression of his grief, echoing through town.

Bargaining.

Steve would trade the ungrateful citizens of Hawkins if it meant he could have him back.

To the people of Hawkins, he’s just missing. With the lines of open gates, destruction on every corner, overcast sky, and endless ash floating in the air, some of them believe that whatever his agenda was, he had succeeded. They don’t know shit.

They pray to their god for a miracle. For someone to stop the murders. Stop “the devil” from wreaking havoc. As if their god actually had that power. Steve and his friends hadn’t laid down their lives for everyone to shout “miracle!” If they managed to defeat Vecna, Steve didn’t want God getting all the credit for it.

Miracles are bullshit anyway. Why should a god give miracles so sparsely? Why do some people get miracles and others don’t? God shouldn’t play favorites. How does he decide who deserves a miracle? 

Why hadn’t a true hero fit that criteria?

What “lesson” does God teach when he lets innocent children die without stepping in? What “lesson” does he teach his believers when he lets them invoke his name like a waiver as they hurt an innocent boy?

Sometimes Steve thinks that it should have been him instead. It was his fourth year dealing with the Upside Down; his winning streak had run its course. It was about time anyway. It should have been him.

Steve can’t fathom trading anyone else for him. It would either be the shitheads of Hawkins or Steve. Maybe the assholes in Hawkins Lab who released the Upside Down on all of them in the first place. Maybe the fucking feds that used him as a scapegoat instead of owning up to their mistake.

Depression.

Alone in his house, Steve sits on his bed in his room and stares down at the piece of clothing in his lap. He isn’t crying, but it’s a near thing.

Dustin hasn’t called in days, torn up by grief. Mike refuses to look at him, using him as an easy target to place his blame. Lucas is too busy sitting at Max’s bedside to be betrayed by Steve’s failure. Sometimes Erica comes over to sit on the couch with him and show him her dice or talk about My Little Pony, but they never talk about him.

Robin knows something is wrong, of course. They know each other so intrinsically that they don't have to speak to share their thoughts and feelings.

The thing is… Steve doesn’t want to talk about it. If he tried to open up, he’d have to find a way to pry the man’s name from his throat. Robin supports him like always, but he can tell that she’s starting to worry even more than usual.

He wants to cry. He wants to sit there and let himself cry, but he can’t. His eyes are deceptively dry, giving off the impression that he isn’t grieving even when he feels it every day.

Does he even have the right to grieve? Steve barely knew the guy! They’d only spent a week together and he had the audacity to grieve at the same level as someone like Dustin? Steve was being irrational.

Robin and Nancy could have handled Vecna, no problem. Steve never should have assumed being the distraction would be easy. That the distraction team would just hop back through the gate as soon as they played their part. Not when he knew how vicious and determined those bats could be.

The denim vest feels like it’s burning a hole through Steve’s legs. It’s selfish for him to keep it. Surely Wayne needs it more. 

But the two of them had sort of become friends, hadn’t they? They had joked together. They bonded over Dustin’s overconfident attitude. They…

Well, let’s just say Steve had to go through a bit of a bi-crisis in the midst of his mourning.

If Steve could only talk to Robin about this mass of grief, guilt, and what-ifs in his chest—if he could finally say his name—maybe he could finally break down into pieces. Maybe his numb exterior could finally reflect his shattered heart. 

Acceptance.

He’s dead. He’s dead, and he’s never coming back.

He was an ever-present pressure in Steve’s life for one short week before he vanished forever. And Steve can accept that.

They won’t have another opportunity to tease Dustin together. They won’t sit pressed on a couch together, their thighs brushing. He won’t lean too close into Steve’s space and bump their shoulders together. They won’t get the chance to say the things they left unsaid.

And now Steve will never know.

But he can accept that. He can because he has to.  Because they held his funeral. 

You don’t hold funerals for people who aren’t dead. So Steve just has to accept it. The sooner he can, the sooner he can move on.

…

Revival?

Something is in his house.

That’s the first thing Steve registers when he steps up to the front door. The wood by the handle is scratched up with claw marks, and the metal lock is on the ground, pulled out of the door and rendering Steve’s house key obsolete.

Instead of entering the threshold unprotected, Steve scrambles back to his car to grab the nail bat from his trunk. He considers getting his walkie out to ask for help but decides to scope out the situation first. Cautiously, he makes his way through the entryway leaving the door open behind him in case he needs to make a hasty escape.

He expects the house to be destroyed; valuables taken, glass shattered, and dirt smeared all over the linoleum tiles. There’s definitely mud tracked into the house, but the shape of the footprints is like nothing Steve has ever seen. From a distance, they might look like regular feet, but upon closer inspection, Steve notices that the toes seem elongated, the length of the feet bigger than any normal human’s.

Tentatively, Steve follows the footsteps with his bat tightly gripped in his fist. They lead up the stairs to Steve’s bedroom where the door is hanging slightly ajar.

Something is in Steve’s room.

It has long, leathery wings; ragged and tangled hair; sharp, pointed claws; and a thrashing, demonic tail. It moves around the room with shameless wonder, trilling to itself as it sniffs at the comforter on Steve’s bed, the clothes in his closet, and the denim vest on his desk.

The creature stops at the desk, pausing to smell the vest thoroughly, unconsciously giving Steve a view of its side profile. Strange… The monster bears a striking resemblance to–

“Eddie?” Steve breathed, his grip on his bat loosening as his eyes finally blurred with unshed tears. “Is that you?”

The monster whips around to face Steve, its lips pulled up into a snarl as its dark, human-like eyes stare sharp and steady, directly into the emptiest parts of his heart. Without a warning, the creature crowds into Steve’s space and starts sniffing him within an inch of his life. It runs its strangely human-like nose along the crook of Steve’s bared neck while its clawed hands hold Steve’s arms by his sides firmly.

Steve drops the bat, frozen in place. Now that it’s so close, Steve can see the similarities to Eddie in the monster’s face. Those same expressive Bambi eyes. The strong line of his nose. Those same plush-looking lips pulled back to reveal monstrous fangs. Even with the changes, there’s no doubt in Steve’s mind that the creature before him is Eddie.

Then, when Eddie has apparently finished sniffing, he snuffles in Steve’s face, satisfied, and picks him up like he’s made of feathers. With seemingly minimal effort, he places Steve in the center of his bed and fluffs the blankets up around him, swiping his frighteningly long, black tongue up Steve’s cheek in a sopping wet lick.

Steve blushes, unsure how he should be reacting. “Eddie?” he murmurs softly once more, hoping to draw Eddie’s attention to the words leaving his lips.

Eddie chirps, climbing into the bed to join Steve and curling up at his knees. His wings flap, sending a burst of air across Steve’s face before they settle, and he faces Steve with his eyes relaxed and expression open.

With a nervous smile, still not sure what to do with his hands, Steve says, “Do you… recognize me?”

Another chirp and Eddie presses his forehead into Steve’s outstretched palms. 

“Okay,” Steve breathes, letting out a brief sigh of relief. “Can you speak?”

Eddie whimpers, hanging his head low. The sound is broken, raspy as though his vocal cords are struggling to produce the deep sound. Steve feels like he’s losing him all over again.

Mustering all the tender charm he can manage, Steve slowly reaches out to loosely hold one of Eddie’s hands. Eddie picks up his head to watch him, making no move to stop the motion, the only indication of his interest being the little flick of the end of his tail back and forth.

As gently as he can, Steve rubs his thumb against the inside of Eddie’s wrist and softly presses a kiss to his palm. “I’m glad you found me,” he murmurs, hoping that Eddie will understand the sentiment. “I’m glad you’re back.”

There’s no mutual language between the two of them for Steve to express it, and he knows he would only break if he tried to verbally convey it, but his entire being feels like it’s lit up with the broken love he holds in his cracked and shattered heart. Even if he said the words out loud, Eddie wouldn’t be able to respond in kind. 

Just like everyone else, leaving Steve wanting for something no one can give him. 

Steve lays back in his bed to stare up at the ceiling. All his grief is no longer warranted now that Eddie’s back, but despite that, he still feels as though he’s lost something truly important. 

His cheeks are still damp from the brief tears he shed at Eddie’s return, but when he goes to wipe them away, Eddie beats him to it. He raises himself up until he’s propped up on top of Steve and leans down to lick the tears away. It’s a little gross, but Steve appreciates it anyway.

With that task complete, Eddie flops down until his entire body weight is pressing down on Steve, laying on top of him like it’s a normal thing for friends to do. He nuzzles at the crook of Steve's neck and chuffs.

Steve chuckles nervously, a deep flush rising to his cheeks. “You alright there, Eds?” he manages to squeak out.

Instead of moving his head to look up at Steve, Eddie presses his face harder into Steve’s neck as a rumbling sound vibrates from the base of his throat. It sounds strangely like a purr.

Then, to Steve's immense surprise, Eddie raises his head and looks Steve straight in the eye. His eyebrows furrow in intense concentration as he opens his mouth. At first, only a low growl comes out before it slowly morphs as Eddie’s lips form around the word “…S-Steevie.”

Steve blushes a pretty pink. “Yeah. That’s me.”

Eddie snorts, though it reminds Steve more of a dragon huffing smoke from its nose than a laugh. He presses their foreheads together gently and Steve goes still beneath him. “Missed you,” Eddie grits out as though those two words took all of his effort. Then his face splits into a wide grin and he leans down to lick at the tip of Steve’s nose, reminiscent of an excitable puppy.

Heat blooms in Steve’s chest, and he struggles to hold back the warmth that wants to pour out of him from his fingertips. So, instead, he reaches his hand up to brush Eddie’s hair back from his forehead and smiles. “I missed you too,” he murmurs in response, trying to put all of his love into those four words.

Eventually, they’ll work on re-introducing Eddie to everyone else and giving him some speech therapy to help with his vocal cords, but for now, Steve is content to just lay there. He has no reason to grieve anymore. Not when he has Eddie back.

[heleentje]

revalink!!

send me a ship

SHIP SHIP SHIP

1. What made you ship it?

I'll admit, I never got a chance to not ship it. Friends who'd already played botw sold me on Revali as a character and Revalink as a ship long before I started my first save, and the game didn't disappoint. Even without the ship, Revali would probably still be my favorite character in the game. He's such a mess of contradictions and I love him for it.

2. What are your favorite things about the ship?

They contrast each other so well and yet they're so similar in many regards as well: both extremely gifted individuals who had to work very hard to get where they are now (Link may be the destined hero, but he already stood out long before he got the Master Sword).

But Link would rather spend far less time in the spotlight, whereas Revali craves that acknowledgment. He has crafted his entire personality around being The Best, to the detriment of everything else. And Link, who seemingly only had to draw a sword to get the position he holds, threatens that.

It is my belief that Revali's main grievance wasn't that Link was better than him, but rather that he believed Link wasn't better than him and only got his position because he drew the Master Sword. They could have gotten along much better if they'd managed to communicate, but they're both extremely bad at that in very different ways.

(But that's what we have fanfic for.)

3. Is there an unpopular opinion you have on your ship?

I wouldn't call it unpopular among fans of the ship, but within botw fandom at large, the aforementioned idea that Revali's jealousy wasn't about Link being better than him. If Link had objectively been better than him, I believe Revali would have been able to swallow it much more easily (although he would have worked very hard to change that). But here Link is, getting a position he — in Revali's eyes — never earned, merely because he found a sword in a forest. Revali got where he is on his own merits, without mystical lineages or inherited magical powers, and he's very proud of that.

(Another one that's not necessarily unpopular but not entirely common either: Revali is the youngest of the Champions, 15-16 at most, and doesn't actually qualify as an adult by Rito standards yet.)

[irkendogma]

i know they're pretty lacking in tak aside from some ship segments, but do you have any favorite issues of the invader zim comics? call me basic but i adore the zimvoid arc especially

man i feel bad about like every anon i've gotten recently because i'm certain i keep coming off as an absolute hater (which may not even be inaccurate but i DO have love in my heart as well) but i honestly don't like the comics that much. i feel like both my grievances and my favorite issues/moments can be summed up by things from a conversation i had a little while back

like, obviously this is not exclusive to the comics - the show itself very much leans on the nonsense comedy angle because it is, in fact, a comedy aired on nickelodeon aimed at children. i'm not about to complain that a 2001 kids cartoon doesn't take itself seriously because i would be insane to expect it to. the problem is, when the comics were released, florpus hadn't even come out yet - the primary audience for them was no longer the "kids" element of the original demographic but the "watched in 2001" element

these comics EXIST to be fanservice - what fuckin 8-year-old is going to a comic shop or browsing online to buy the marketed revival of a show they don't recognize? - but they're written more like meaningless, substanceless comedy than even the original show ever was. there was a fucking wealth of material the original show never got to touch on prior to cancellation, and barely any of it is ever adapted, to say nothing of the entire original cast besides zim and dib playing bit parts to unrelated nonsensical comics characters IF they even appear at all - the fact that many fan favorites, my own included, receive a cameo at the end of a single special issue and nothing else across the comics' like fucking 50-issue run continues to bother me

and rest assured, the comics themselves are at least a little cognizant of this, because they will take every fucking opportunity they have to lampoon and create strawmen out of fans asking for more or even just...making fan content in general. remember mopiness of doom? chammy wamboo is here to make sure you feel stupid about interpreting anything that happened in that script as zim and dib having any form of fondness for each other, and she's going to spend an entire fucking issue doing it (with a very halfhearted attempt by the narrative to go "maybe she has a point about friendship?" that ends up undermined by other instances of the comic doing the exact same thing as this issue). think that the comics themselves aren't as good as the original show? virooz is a fat, sweaty, conventionally ugly manchild of a stereotypical strawman here to puppet around zim's body in dramatic poses that never fail to be drawn as stupid and unfitting in his belief that zim "fell off" from his earlier days. sure, occasionally there are grains of truth or genuinely funny things from them, but overall the whole thing feels incredibly meanspirited and more interested in bashing fans for being invested than rewarding that investment of time, energy, and sentiment into the material

even zimvoid...i WANT to like zimvoid. conceptually, i really like zimvoid. but the comics are deathly fucking allergic to allowing any stakes or sincerity to persist across the plot and it makes a lot of fascinating elements with a painfully compelling antagonist hit like a wet piece of tissue paper slapping on a brick wall, any impact stuff like zib's confession that he lied and winning over zim ultimately didn't earn him anything is soundly undermined by the fact that zim fixes the problem instantaneously with a spontaneous time travel loophole that even the story itself repeatedly lampshades makes no fucking sense whatsoever

maybe i'm just not the target audience for the comics, honestly, but in a fanbase that for nearly 20 years has consisted mainly of adults suspending their disbelief to more seriously adapt the story and melodramatic teenagers doing the same with less self-awareness, i don't know who is the target audience

[hrtnsolofytube]

Time for a ☎ Scam Likely Song Breakdown ☎

Today is Unsweetened Lemonade by Amélie Farren in regards to Daniel Jacobi from Wolf 359

Warning for brief mentions of sui//cide and death!

Let's get this started under the cut!

Starting off strong with the first verse of the song. We all know Jacobi is a very volatile person. Consider the fact that onstead of dealing with his grief, betrayal, and other emotions, he went ahead and threatened to blow the entire ship up if the target of his emotions wasn't shot dead in front of him. Knowing that, it's not hard to believe he's always been this stubborn and volatile with his feelings. Even if he doesn't like confrontation, he'll start and finish what he has to in order to get through whatever he's feeling at the time.

These two go hand in hand as pre and post Wolf 359. From what we know about his childhood, he faced a lot of scrutiny under his father. It wouldn't be hard to believe that he didnt think he'd make it past 12 — or maybe even didn't want to. That's a hard age to be dealing with the kind of emotional abuse he likely faced from a dad who had a specific ideal of how he wanted his kid to be — especially one who wanted him in the military. From my experience, that can end in a lot of pushing for physical elements that one might not be able to handle at a young age.

The second verse there is very post, him realizing he's stuck alive while everyone he cared for is gone. The way its said in the song is very flippant, especially with the usage of the words 'I guess' as if it wasn't what was planned, but it's what he has to deal with now.

This... Does give me very Kepcobi vibes, sorry to anyone here who dislikes them. You can move to the next verse if you want! But it definitely makes me think of how Jacobi felt for Kepler. Especially towards the end — he had lost all trust for the man, how could ever want him to have his heart after that? The whole 'its pathetic how you think youre being smart' makes me think of how Kepler definitely thought he was. Thought he was playing it slick by being on the enemy side. He let his ego overpower him, control him, and for that he was already as good as dead to Jacobi. The worthless parents/stupid kids part can be in regards to himself. I personally doubt he knew that much of Kepler's past, and even then we don't know much expect for what's hinted at in his playlist. Jacobi probably faults his parents for his own stupidity in giving his whole life to one person, one thing. Just like his father gave himself — his body, his soul — to the military, Jacobi did the same with Kepler and the SI-5.

Another two that go hand in hand! The first chorus I see as him after being given the offer to join the SI-5 and realizing it's his last chance. He doesn't really have anywhere else to turn for work — he'd do anything at this point. Everything he thought he was meant for had crumbled beneath him and left a gaping hole where it had previously stood. An air of grievance and lack of purpose.

The second gives me after the events of 61. He's never been so out of control in his life. He'd do anything to get that control back, even if for a bit. His entire life has been a lie up to this point, and now he's going home without the two people who made everything truly worth it. He doesnt know what he'll do with himself — lifewise, jobwise. He's lost, out of control, and grieving. The last line definitely makes me think of Maxwell, Kepler, and his job itself — everything he'll ever love. He feels like that's it now. It's all decayed, all gone. What else does he have to love?

That's all for now!! Join me next time for another ☎ Scam Likely Song Breakdown ☎

[magicwhiskers29]

For the latest ask game...Great Ace Attorney, specifically

Favourite Character:

Gina, my girl Gina!! I love her development!! She adds to the atmosphere so well in Unspeakable Story, and I love her and Gregson's dynamic in DGS2!

Least Favourite Character:

Roly Beate. I think his gag is a little obnoxious, but I'm less endeared to him than Pat, so... I don't really actively dislike him that much, but he annoys me, so if I have to pick a least favourite...

5 Favourite ships (canon or non-canon):

-Ginasusa

-Haosusa (/Susarei)

-Ginasusaohao

-Asoryuu

-Nikosusa

Character I find most attractive:

Uhm. I don't know if I feel qualified to answer this. Maybe I'll just say whose design I like best... In which case, Gina again, maybe? I think she's very well-designed! :)

Character I would marry:

Also not that qualified to answer this one, uh... I could marry Courtney Sithe to make her history of marriages/relationships even more confusing? lol

Character I would be best friends with:

Iris!! We both like writing and science so I think we'd be cool buddies

A random thought:

Killing off Jezaille Brett at the start of DGS2 is an excellent way of setting the tone for the rest of the game, as well as setting up that, yeah, important characters can just die, so that Gregson's death works better later. I think it's a very shocking reveal that she's the victim, and I like it a lot.

An unpopular opinion:

Idk if this is that unpopular, but I asked my friend, and they told me this is at least a weird opinion, but Return of the Great Departed Soul is my favourite case in the doulogy, and my favourite case in Ace Attorney overall.

My canon OTP:

There aren't that many canon ships, to my memory, but the Vigils (Evie and Daley Vigil), I guess? Better than the Beates or the Garridebs...

My non-canon OTP:

I guess since this says OTP I can't say Ginasusahao, so uhm... Ginasusa, maybe? That's probably my favourite DGS ship, but I'm not like, that attached to it specifically, so...

Most badass character:

SUSATO MIKOTOBA!!! She saves you in court so many times, and she will take down anyone she needs to with a Susato takedown <3

Pairing I am not a fan of:

Hm... The most I think I get towards DGS ships I don't care is ambivilent, tbh. I can usualy see why people like them, though. I guess the ones I stear most clear from would be Baroryuu or Asobaro? Nothing against then, and I can get why people ship them, but they're not really my thing.

Character I feel the writer's screwed up:

Right, this isn't so clear-cut as it would be as if I was writing this about PL, but if you'll allow me to be petty for a moment, I do have a few minor grievances with Susato. I love her writing for the most part, but I think there was a major missed opportunity in the specifics of her ending.

I don't think her thematic beats about choosing her own path work quite as well if her sole motivation to return to Japan at the end of DGS2 os for Ryuunosuke. Like, yes, she chooses to follow him over Kazuma, that's something, but she's still just choosing to follow another character, when she was previously set up in Blossoming Attorney to be capable of standing on her own if the law only allowed it! I think i would have liked it more if it was at least implied that she returned to Japan to help Ryuunosuke AND start to try to begin her own legal career.

Otherwise, I think her ending's uncomfortably similar to the midpoint in her arc for the ending of Unspeakable Story. Albeit indirectly, she's once again returning to Japan upon her father's request, and I think that could have been avoided a little if her motivations for wanting to return were established as being outside of what other characters want, because that is her arc!

Favourite friendship:

Kazuma and Susato. Everything they do with those two is so interesting to me, and I love writing about it. It's so interesting how core Kazuma is to Susato, but how also she can't mean as much to him, because he only met her properly after he's already decided his mission. But she still means a lot to him, and I just, augh. I love the tragedy.

[harukamitsuki]

I'm procrastinating writing at the moment, so I decided to create a list of the things I hate about Voltron, a show I can't help but love and rewatch 200+ times. I mean. I've been pretty damn vocal about one thing in particular, but I should probably remind people I hate other things too so...

This list will be long, so read more under the cut!

1 - Okay, let's just get the obvious one out of the way: Lance. Reasons why can be seen here, here and here. The first link really goes into the details, the second one is more confusion as to why people think Lance is treated the worst, and the last is more why Lance would be horrible as Black Paladin. MOVING ON TO NEW POINTS!

2 - The ships. Specifically... ahem... Klance, Sheith, Allurance, Lotorance (Lotor/Lance), Shidge (Shiro/Pidge), Shance (Shiro/Lance). Those, in my opinion, are the top offenders. I've explained my grievances with Sheith in a post here. It's not that it's paedophillia, it's the bond. As for the rest, while I dabbled a bit in Klance and Allurance in the aforementioned posts against Lance, I've yet to actually explain.

First of all, the fans are awful. Tip: If you keep trying to force people to like your ship instead of letting them get to their own conclusions, they're just going to hate that ship even more. This isn't a Voltron-specific thing, but it's still rampant.

Second of all, Lance doesn't treat either of them well. He's constantly antagonising Keith, even when Keith stops biting back in season two. The closest he gets to respecting Keith is telling him to suck it up when he's upset that the Black Lion chose him. Keith does try to be amicable to Lance, but it doesn't work because Lance is always picking a fight.

And Allura. Lance is constantly ignoring her boundaries and invading them. There isn't a single moment where they're alone together and they feel like friends, much less pining, before season seven. The only time is when Allura encourages Lance to take up Red, and he didn't even notice she was upset that Red rejected her. In fact, Lance just keeps talking about himself and how he was rejected, ignoring how Allura was rejected twice, and by the Lion her father piloted. Allura also never reacts well to Lance's flirting, always ignoring him and frowning when he does. If Allura, at least, used to laugh at his terrible attempts at flirting, maybe I could try to believe it.

Third, general grievances with these ships.

Lotorance. Lance hated Lotor from the get-go. They barely have a scene together without Lance glaring at him. If they shared some sort of chemistry outside of Lance hating him from afar, and if the writers didn't make Lotor a twist villain for no reason, then maybe. As of now, I only like it as a complete crack ship.

Shidge. Pidge is fifteen. Shiro is twenty-five. You do the damn math.

Shance. I can definitely see Shiro being Lance's bi awakening, if I believed canon Lance was bi. (Canon Lance was straighter than a chopping board, but fanon Lance is a walking bi flag). But them being together? Ignoring that Lance is 17 and Shiro is 25, if you can do that, it wouldn't feel like a healthy relationship. Lance is blinded by hero worship and, from his canon personality, he likely wouldn't realise if Shiro isn't faring well or would just constantly pile his troubles onto him without thinking about if Shiro could handle it. So, yeah, don't like this ship.

So, yeah. I don't like any of the popular ships, which is surprising. I don't hate all of them. I do like Kallura, (should have been canon), and Shallura, (surprising, because I really do like gay!Shiro), and Shunk, (who doesn't, honestly?). But I tend to prefer the nicher ones. Katt (Keith/Matt), Heith (Hunk/Keith), Hance (Hunk/Lance)...

3 - The writing. Usually, I would respect the writers because it's hard as fuck to plan and write an entire series, but they just kept missing. They would set up so many interesting plots and ideas, only to do absolutely nothing with them. This, in and of itself, is not enough to make me lose respect, but that's not all. Plot holes, terrible escalations, too slow pacing, (slow burns are good - great, even - but not when things are supposed to be happening), horrible romances... It's to the point where, for a long while, I avoided the show and only read the fanfiction. There are so many people who don't watch the show, only exposed through fanfiction and social media posts, because the writing just isn't good.

The writers get things right few times. I'm sorry, but if your entire job is to write a coherent, well-thought out story, why did they do such a bag job at it? I'll tell you why - they let the fans control what they did. Shiro was never supposed to come back. He was supposed to die at the end of season two and never come back, but the fans wanted him back so guess what? The writers brought him back! In doing so, they cut right into Keith's character arc and made him go through it off-screen. The fans built Lance up as the main character and fan-favourite? Well, the writers just decide to hand him everything. Reward him for being the fan-favourite and then ruin his character by never making him work for what he got.

The writers decide to pull a J.K.Rowling and went 'aw, yeah, Lance is bisexual!' despite him never showing an interest in a guy throughout the entire show, other than being a big fan of Shiro. They throw in gay!Shiro at the literal last minute with some background character who only ever had one line. Thanks, DreamWorks. It's not like you could've just let Adam live so Shiro could be going home to SOMEONE.

Unexpected things always happen. An actor being unavailable, a sudden irl event making it so the episode you planned would appear tone-deaf, the joke you wrote was less funny and more offensive... So on and so forth. Sometimes you have no choice but to change what you have planned because delaying it would just make the studio and the fans mad. Just... TRY to make it make sense. And don't fold to the fans, dammit. Shiro should have stayed dead because he just doesn't do anything when Allura and Keith saved him. The main character should have stayed as an ensemble, rather than pushing Lance as the central focus, because it would have left less reasons for me to hate Lance and give other, specifically Hunk, the development they deserved.

The show also never adresses traumatising shit, (*cough cough* Keith's sacrifice attempt *cough cough*), but that can be forgiven because it was aimed at children. I do, however, like that LM corrected an interviewer when they asked about Keith 'attempting to kill himself'. It was quickly corrected to 'sacrificing himself' because that's what it was! I'm sick of people acting like he was suicidal because he wasn't. He was actively scared of what he was going to do, i.e. sacrifice his life for everyone's sake. He tried to do it for the greater good. Would you call one of the many who died during wars suicidal? No. You would call them noble and heroic for their sacrifice, because that's what they are. That is what Keith was trying to do. He saw the only way out and decided one life in exchange for the many is a damn good deal and took it. Saying he was depressed and suicidal is undermining the actions he took.

So, yeah. In my eyes, the writers did two good things. Correcting the mistake belief that Keith was suicidal, and creating this shit-fest of a show. (God, I love/hate Voltron).

4 - How Pidge is treated by the fandom. Pidge is so mean. She's rude and callous and selfish and that's okay. What's not okay is acting like these traits make her a queen. She's rude, fine. She's callous, fine. She's selfish, fine. She's incredible for this? Um, no? Stop treating her like she's just sassy. She's mean. I mean, not long after Shiro's death/disappearance, she calls Keith, who is mourning Shiro so deeply, a 'loner'. Without even getting to know him. She just deems him a loner, even though Keith is just so genuinely kind?

Don't get me wrong. I love Pidge. She's great and she's an absolute joy to write. I admire her tenacity in trying to find her missing family members while also able to put the universe before them. Watching her break down about Matt when she thinks he's dead is so utterly heartbreaking because I really did like her.

But acting as if she's perfect because of this? No way.

(Also, I refer to Pidge as 'she/her' only in these posts. I much prefer gender neutral or trans Pidge.)

5 - Hunk's treatment. He deserved SO MUCH BETTER! This sweet, precious boy. He's the only one who reacted approppriately to becoming a child solider. He's an anxious, terrified kid and he's still able to swallow that fear and fight on because there are people, people like Shay, who have no idea what freedom means and if the sky is blue.

He's the only one who has to find and fight for his family when they get back to Earth, which makes me sad. Very sad. He cares so much about his friends. Even if he's scared, he'll still put himself in danger for them.

But the narrative treats him like garbage, reducing him to the comedic, fat joke, while Lance never treats him like a best friend. He deserved so much more than what he was given.

6 - The people in charge were so obsessed with doing every character dirty. They wanted to keep Shiro death, wanted to kill Keith after admitting to not knowing where they were going with him, tried to kill Hunk who did nothing wrong to deserve this, and actually killed Allura off when they realised Allurance would not work in the long-term because Lance would not be able to part from Earth for so long while Allura would not be able to stay confined to Earth at all.

7 - Lance fans would hate him if he was white.