#I haven't read this yet in a comic but it sounds like something I'd believe already exists in canon (so let me know if that's the case) | Explore Tumblr Posts and Blogs

silenzahra · 4 months

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Green, Orange and a bit of Purple (Part 1)

Happy Valentine's Day! 💖

To celebrate this special date, here's the first part of my Valentine's fanfic at last! 🤩 In case you hadn't guessed it yet, I did write something starring my favorite couple, which is none other than Luaisy, so... here it is! 🤭 It turned out a bit long, so make sure to grab a drink or something! ✨

I'd like to thank @itsavee4117 because it was thanks to their writing prompt that I made the decision to finally write something Luaisy related, so please, consider this story as an entry for it! Hope you like it! 💚🧡

As I always say, I write in Spanish (because I'm from Spain), so if there's any translation mistake or you see something that sounds weird, please, feel free to let me know so I can fix it! 🙏 Thanks in advance! 💖

Part 2 is coming later today! Hope you guys like it just as much as I enjoyed writing it! 💖

EDIT: Part 2 is already up! ✨

EDIT 2: Should've said this before, but there's actually a comic that was a big source of inspiration for me when I wrote this! I read it on Instagram in the summer of 2023 and just found out it's been dubbed! 🤩 You can go and see it all here! ✨

The artist is SarahSketchesLuigi on Instagram and X, and the dub was made by Gamefans Unlimited.

EDIT 3: Decided to add the chapter here too for anyone who'd rather read it on Tumblr! Please keep reading below the cut if you haven't yet!

Chapter 1

Luigi can’t believe it.

What he has been wishing for months is finally going to happen.

His first date with Daisy is about to begin.

Nervously, he smooths out the green shirt he’s wearing, the most elegant in his closet, so that there’s not a single wrinkle on it. From the corner where he waits, the one closest to his building, he takes quick and constant glances at the pipe through which Daisy is going to arrive, located at his back. Fortunately, it’s hidden in a seldom-traveled alley, so the chances of New Yorkers stumbling upon it by accident are slim. Of all the pipes in Brooklyn that are connected to the Mushroom Kingdom, this is the one closest to Luigi and Mario’s former home.

Which makes it the perfect pipeline for the brothers and their new friends to travel between dimensions while going unnoticed by the inhabitants of Earth.

As he patiently and with growing anxiety awaits Daisy’s arrival, Luigi goes over and over in his head the places in his city that he wants to show her. Everything will be fine, he repeats himself. He has been planning this date for months, long before he could even muster the courage to ask Daisy to go out with him.

He recalls that instant in his head very often. The way his legs trembled. His dry throat. His back sweating from nerves. How he kept fiddling with his fingers as, step by step, he approached the spot where Daisy was sitting in the garden of Peach’s castle, with whom she was having a lively conversation. Mario’s words of encouragement echoed in his head, along with the sentences they had rehearsed together so Luigi could say them to Daisy later. He remembers that Mario was waiting for him not far from there, hidden behind a corner and ready to intervene should Luigi require his aid. He remembers that Peach, as soon as she saw him arrive, apologized to Daisy and hurried to join Mario, giving Luigi a quick nod of encouragement as she passed him.

He remembers that Daisy, upon noticing his presence, smiled and greeted him by waving her hand with her usual energy, which made a smile blossom on Luigi’s lips. He remembers that, when he finally reached her side, she got up to give him a quick hug, causing his heart to bounce in his chest and her sweet vanilla scent to envelop him, before inviting him to sit next to her.

Of course, Luigi obeyed. Smiling nervously, he listened to her chatter for a few minutes, his eyes fixed on the dimples that appeared when she smiled and on the constellation of freckles that dotted her cheeks. Meanwhile, he was trying to find the right moment to start talking and the courage to push the words out of his mouth. From the corner of his eye, he distinguished that Mario and Peach, from their hideout, were gesturing to him. She did so discreetly and sweetly, but he was waving his arms and vocalizing in an exaggerated way, to incite him to finally start.

And Luigi, after swallowing, chose to do it in the same way as when removing a band-aid: in one go and without thinking.

“Daisy.”

His voice was barely a nervous whisper, but it was enough for the desert princess to interrupt herself and give him a warm smile.

“Yes, honey?”

“Er...” Luigi looked down, flustered by the affectionate nickname, and took a deep breath before continuing. “I-I thought that... W-well, I thought that m-maybe... you’d like to... c-come to B-Brooklyn?”

He scolded himself for his stammering. He’d practiced endlessly with Mario until he managed to deliver his sentences without stuttering, but standing in front of Daisy, the first person he’d been drawn to in a very, very long time, and trying to carry out the plan as intended was a very different thing.

“Luigi.” Her voice, full of curiosity, caught Luigi’s attention, making him set his eyes on her at last. “Are you asking me out on a date?”

Her voice sounded defiant, of course, but Daisy accompanied it with a mischievous and amusing look that Luigi even found... suggestive? No, he must have been imagining it, he was too nervous and his eagerness to spend more time with her was playing a trick on him, Daisy could not be...

... Or could she?

“Uh-huh... W-well, uh...”

What should he answer now? Why hadn’t it occurred to Mario that Daisy might react like this? Why hadn’t it occurred to him?

“W-well, uh, I-I don’t know, I mean, o-only if you want to, I mean, I thought you might want to, but if you don’t, it’s okay! Of course you don’t want to, why would you, it’s a stupid idea, I-I’m very sorry...”

With every mumble that escaped his mouth, he felt himself shrinking more and more, to such an extent that he wished he could disappear, bury his head in the ground like an ostrich and never have made that suggestion to Daisy. Why did he think she would be interested? Why did he think she would want to spend time with a simple, clumsy, skittish plumber like him?

However, Daisy surprised him with a soft chuckle in which there was no trace of mockery, but rather... tenderness?

“Oh, Luigi,” she exclaimed, and slapped him on the shoulder so hard that Luigi thought she had just broken a bone. “Don’t underestimate yourself, sweetie! Of course I want to!”

Despite the pain in his back, Luigi sat up like a spring and turned to her with wide eyes.

“R-really?”

“Of course!” Daisy nodded vigorously, her grin so wide that it brought back those dimples that made Luigi feel like he was melting inside. “I really want to see Brooklyn, and I can’t think of a better guide than you!” she added with a wink.

With his back leaning against the red bricks so characteristic of his district, Luigi smiles, his cheeks flushed at the memory. Daisy’s joy at his suggestion was genuine, as was her eagerness to tour Brooklyn with him. Luigi really hopes, wishes, to be up to the task and get Daisy to have fun by his side. He fiddles with the flower he holds in his fingers and wonders if the desert princess will be much longer in coming.

He can’t wait to see her again.

A hand on his shoulder startles him so much that he lets out a shriek and is about to drop the flower. At the last moment, he manages to hold it close to his chest and places his other hand around its petals to protect it. As his fluttering heart tries to calm down, he hears a well-known chuckle, and a familiar and adored vanilla scent reaches his nose.

“D-Daisy,” he mumbles with a smile, beginning to turn his head.

“Sorry, honey,” she apologizes. “I didn’t mean to scare you.”

Luigi is about to reply that it’s okay, that it’s his fault for being so easily scared, but he can’t do it.

He’s speechless.

Daisy looks gorgeous. More than that: she looks stunning, dazzling, radiant. Her pretty auburn hair shimmers in the evening sunlight, and a sparkle under her ears reveals the golden, daisy-shaped earrings she has chosen for the occasion. Her lovely eyes, as deep blue as the sea, gaze at Luigi with affection. He notices the eye shadow that Daisy has applied, a beautiful shade of purple that matches the full skirt she is wearing, which reveals the lower half of her legs. Her sandals, on the other hand, are orange, and the heel of them causes Luigi to see her even taller and slimmer than usual. Her blouse, matching her shoes, is adorned with yellow flower patterns, and leaves her slender shoulders bare. As he notices them, Luigi swallows, wondering what it would feel like to put an arm across them and thus touch her beautiful skin, just to see firsthand if it’s as soft to the touch as it seems.

But what catches his attention, no matter how hard he tries to avoid it, are her lips. Daisy often puts on lipstick, but today she’s wearing a nice earthy color that matches her beautiful brown skin, and Luigi is seized by the sudden and compelling need to find out what they taste like. He reddens immediately and chides himself. This may be a date and they may have both dressed up for the occasion, but it’s not like him, nor right for Daisy, that that, kissing her, is all he can think about at that moment.

He wants to say something, anything, make some silly joke to try to relax and make her feel welcome, but only one word comes to his mind.

“Beautiful,” he whispers.

Daisy covers her mouth with her hand to hide a giggle as her freckled cheeks light up under the blush she has applied.

“You think so?” she says playfully. “How cute.”

Luigi gasps. Did he just say that word... out loud? He feels his whole face burning immediately with embarrassment, and he’s about to apologize when he finds Daisy looking him up and down intently.

Suddenly he feels ragged, disheveled, very far from the elegance of the young princess. Almost unintentionally, he takes a quick glance at himself, searching for any wrinkles or stains on his green shirt or his blue jeans, even though he has carefully washed and ironed them for the occasion. His brown shoes are also shiny, as he has rubbed them incessantly, and he has used more shampoo than usual when showering, as well as making sure that not a single hair was left out of place when combing his hair. Including his moustache.

All in the hope of making a good impression on Daisy, but it wasn't enough. How could it be? He works non-stop day after day, he gets dirty often, so he's sure he's left something out, some tiny detail that he's missed because of his nerves, and Daisy has noticed it immediately and is judging him and is going to leave at once, because how could she want to go out with him?

“Handsome,” she then says, slowly, looking him in the eye.

“Wh-what?”

“You just used an adjective to describe me,” Daisy says, and winks at him. “So I just used another one to describe you.”

Again, Luigi is speechless. He pants, trying to find his voice, but he feels like a fish that has been plucked from the sea and thrown to the bottom of a volcano. A green, clumsy fish that doesn’t know how to react to the fact that the girl he’s getting crazier and crazier about every day has just paid him a compliment. To him, no less. Does that mean, then, that there’s no problem with his appearance?

In a reflex action born out of fear that Daisy will laugh at him or, worse, get tired of waiting for an answer and leave, Luigi stretches out his arm in her direction. She gives a start and looks down, and a beautiful smile lights up her face when she notices the gift he is offering her.

“A daisy?” she says, delighted, and brings both joined hands to her cheek. “And it’s purple!”

“Y-yes,” he manages to murmur, rubbing the back of his neck awkwardly. “I-I grow them in my garden, in my house in the Mushroom Kingdom.”

“I love it! Thanks, Luigi!”

Daisy reaches out with both hands to take the flower, and Luigi struggles to ignore the tingle of excitement that runs up and down his body as her fingers brush his and send a pleasant electric shock sensation to his nerve endings. Daisy brings the flower to her face to inhale its scent and admires its pretty purple petals with delight. Luigi smiles tenderly as he sees her take the aster to her head to try and pin it in her hair.

“Wait,” he offers without thinking, reaching out his arms to her. “I’ll help you.”

Daisy slowly lowers her hands and lets him do it. Luigi holds the stem of the flower and carefully moves a lock of Daisy’s silky hair aside, taking care not to muss it. He places the plant so that it’s held securely to the side of her face and its purple petals sparkle almost level with Daisy’s lovely blue eyes. Which, Luigi suddenly notices, are watching him attentively. Surprised, he turns away from Daisy and takes a step back while letting out a nervous giggle, blushing again. He hadn’t even noticed coming so close to her, nor that his tongue, as it usually does when he’s focused on something, was sticking out between his lips.

Fortunately, although Daisy is observing him with interest and a wide smile on her face, she does not utter a word. She just stares at him, as if seeing him for the first time, and Luigi suddenly finds himself at a loss for what to do with his arms.

“W-well... D-do you want to...?”

He points forward with his hand, unable to finish the question, as his throat feels dry and he needs to drink urgently. Daisy’s jump, as if her mind had wandered away from there and just suddenly returned, disconcerts him and makes him wonder if he has inadvertently done something wrong because of his usual clumsiness.

But Daisy soon pulls herself together and gives him a dazzling smile.

“Sure!” she exclaims enthusiastically. “Where are we going?”

“Not far from here.”

Luigi starts walking in the direction of Punch-Out Pizzeria, which is almost at the end of the street. It’s one of his favorite places in Brooklyn and he can’t wait for Daisy to try their famous pizzas. He really hopes she likes them, because then he’ll always have an excuse to invite her to dinner.

As they walk down the street, Daisy stops to look in the windows of the various stores they pass. She points at them with her finger, which she presses against the glass, and talks to Luigi about how much or how little she likes the products for sale and how exorbitant or affordable she finds them depending on the price. He listens to her without interrupting and smiles, his heart full of tenderness at the genuine enthusiasm with which she examines everything.

When they get to the bookstore, however, it is she who listens to him talk. This is Luigi’s favorite bookstore, the one he goes to at least once a week to browse through the new releases and, if possible, take home a new book. The same thing happens when they reach the florist’s shop, although this time the enthusiasm is shared, as they both have a passion for gardening.

By the time they finally get ready to enter the pizzeria, it’s almost dark. Luigi can’t help but be surprised, as the walk from his house to the establishment usually takes him no more than five minutes. But he’s not going to complain, since, almost unintentionally, he’s had a chance to take a nice walk with Daisy and show her two of his other favorite places in Brooklyn besides the pizzeria.

Luigi opens the door and steps aside with an exaggerated bow.

“After you, milady,” he pronounces with feigned refinement.

He hears Daisy let out a soft chuckle that, unexpectedly, makes him feel connected to her in a way he’s unable to explain.

“Very gallant, gentleman,” she replies as she passes him, imitating his tone.

Luigi stands up straight, laughing as well, and enters after her. Daisy moves to a free table by the window and Luigi follows her without hesitation. He feels strange: on the one hand, he’s on familiar ground, in the pizzeria he has been coming to with his brother since they were teenagers, which floods him with an intense sense of security so powerful that he believes nothing could bring it down. In fact, he knows for sure that, if he’s been able to make that little joke with Daisy when opening the door for her, it’s thanks to that feeling.

On the other hand, his companion is none other than the ruler of the Kingdom of Sarasaland. A warrior and brave princess who’s won his heart with her exorbitant and inexhaustible energy, her desire to prove herself all the time and her lively personality. A princess, a young woman, who has the power to make him feel as if his limbs were made of butter, his face a burning coal and his heart, an organ foreign to his body that belongs entirely to Daisy, so that it accelerates like a runaway horse when she is near.

And now she is near.

She’s sitting across from him, flipping through the menu, but the tables at the Punch-Out Pizzeria aren’t too wide. Luigi knows that, if he stretched his arms out just a little, there’s a good chance Daisy’s hands would brush against him when she drops the menu. He swallows. Should he do it or not? Would it be too bold? Would it be too brazen to try to hold her hand? Would Daisy even want their fingers to touch?

“What do you recommend?” she asks, her eyes still fixed on the food list.

Luigi gasps. He feels as if he’s been caught red-handed, as if he’s been doing something wrong. He shakes his head a little and ducks it to see his own menu as he tries to sort out his thoughts to answer Daisy.

“W-well, Mario and I always order the bell pepper pizzas.”

“Let me guess,” she asks him, her voice laden with a challenge that causes Luigi to look up, curious, and their eyes meet over the table. “He orders the red bell pepper, and you order the green bell pepper.”

Luigi laughs and rubs the back of his neck, his cheeks slightly flushed.

“Is it that obvious?” he asks, embarrassed.

Daisy laughs softly, tucking a lock of hair behind her ear, just below the flower.

“Actually, I just went by the colors you two usually wear. Is it a coincidence that your favorite colors match your favorite pizzas?”

“I guess so.”

Luigi shrugs and she giggles again.

“If there was a purple pizza, I’d order it,” she states, returning her attention to the menu.

“You can try mine if you want to.”

Luigi purses his lips as he realizes he just said that out loud. It’s just a silly idea that has crossed his mind, but Daisy most likely doesn’t want to share. Why would she? He should’ve thought better before saying such a silly thing.

To his surprise, however, Daisy looks at him decisively and nods.

“What’s your second favorite pizza?” she asks, very seriously, pointing her finger at him.

“Er… C-carbonara,” he stammers, dumbfounded.

“Perfect.” Daisy picks up both cards and winks at him. “How about we order carbonara and green bell pepper? Then we can both try each other’s pizza.”

Relief floods Luigi with the intensity of the swell. Daisy’s solution seems perfect, so, trying hard to overcome his shyness, he raises his arm to call the waiter and places their orders. When the man leaves, Luigi places both elbows on the table and drops his hands over the edge of the table, close to his stomach. He doesn’t know where to look, so he wanders his gaze absentmindedly around the room.

Inevitably, his eyes end up meeting Daisy’s, so he forces himself to compose a smile. He’s so nervous, however, that it comes out weak and insecure.

But Daisy doesn’t seem to notice.

“Well,” she says lightly, also leaning on the table, and watches him intently. “So what else do you like to do?”

“Uh... Sorry?” Luigi feels lost.

“Apart from reading and gardening,” she says, smiling sweetly at him. “What other hobbies do you have, Luigi?”

“Oh! W-well...” Luigi shrinks back a little. Will he bore her if he goes into detail about his other hobbies? “I-I like photography. I like... to be able to save an instant, a memory, a place, and freeze them in time so that they become eternal.”

“Wow,” she exclaims admiringly. “That’s very profound.”

“Really?”

Luigi looks at her with wide eyes, unable to believe that, as is practically his case with the rest of the world, Daisy doesn’t think he’s being too intense or ridiculous in expressing himself that way. The young woman nods vigorously, a sincere smile glowing on her face, and her expression of sheer interest is all Luigi needs to launch into speaking.

He tells her that sometimes ideas or images come to his mind, and he needs to get them out of his head, to bring them to life. They drive him to write or draw, depending on what comes to him, which is why he collects notebooks and sketchbooks. He tells her that, every Christmas, he gives his brother a wool garment he knits himself, because Mario is quite a mess and his clothes hardly last from one year to the next. He tells her that on Saturday nights, he and Mario stay up late watching a movie in the living room of their new home, and that they always have trouble choosing because their tastes are so opposite. She listens to him, attentive, and from time to time lets out a giggle or makes a comment but does not interrupt him. Luigi, finally, tells her that on Sunday afternoons, and sometimes also on Fridays, he and Mario play videogames, and at his explanation about them, Daisy’s eyes light up more and more.

“That sounds amazing!” she exclaims, excited. “Oh my gosh, now I need to try those... What are they called?”

“Videogames,” Luigi clarifies, and leans forward, his eyes sparkling, sharing Daisy’s enthusiasm. “And you’re more than welcome to come try them out! I’m sure Mario would love to play with someone who’s not as clumsy as I am,” he adds with a laugh.

“Oh, I’m sure you’re not that bad.” Daisy playfully punches him in the shoulder, which makes Luigi’s giggles increase. “Keep in mind that I’ve never played. Of course you’re going to be better than me!”

“That is, until you get the hang of it,” Luigi says, massaging his shoulder. “And I’m sure it won’t take you long at all.”

“Well, thank you for your blind faith in me!”

Daisy laughs too and brings a hand to her chest, but, in the midst of their chuckles, she stops and gives him another intense glance. Luigi’s laughter barely lasts a couple more seconds before it stops abruptly, as he feels overwhelmed by the intensity of her deep blue eyes.

“You’re very sweet, Luigi. Did you know that?”

Daisy’s cheeks glow as she utters those words, but her smile remains, serene and confident, no trace of nervousness or embarrassment on her beautiful face. Quite the opposite of Luigi, who is convinced he could fry an egg on his forehead.

“Th-thank you,” he mumbles, looking away, and rubs the back of his neck again, flustered.

Daisy giggles.

“And you look so cute when you do that.”

Luigi’s blush grows, which causes Daisy’s laughter to increase in turn, and Luigi, despite his rosy cheeks, suddenly finds himself feeling that he can go on behaving like this forever if it will make her chuckle in such an uninhibited and sincere way.

At that moment, luckily, the pizzas finally arrive, accompanied by their drinks, and the young woman’s attention turns to the food. She contemplates both pizzas attentively, almost as if they were works of art, and this time it is Luigi who has to hide a giggle. He watches, expectantly, as Daisy takes her first bite of her carbonara pizza, and waits, on the edge of his seat, for the girl to pronounce her verdict. Her face, thoughtful as she chews, doesn’t even hint at a simple clue, which makes Luigi, almost without realizing it, hold his breath.

Until Daisy, after swallowing, gives him a beaming smile.

“It’s delicious!” she nearly squeals, waving her other hand in the air in excitement.

“Yes!” Luigi exclaims in turn and raises a victorious fist.

For the next few minutes, he finds himself devouring, not even knowing how, small bites of both pizzas, his and Daisy’s. He cackles, half surprised, half overwhelmed, when Daisy, without so much as by his leave, moves her head forward to take a rather savage bite of the slice of green bell pepper pizza he holds in his hand. Her expression is so delighted, so self-satisfied, that Luigi can only cover his mouth with his free hand to try to stifle the fit of laughter that assails him.

After finishing the pizza, Luigi suggests they have some tiramisu. And, if Daisy was already impressed by the flavor of the pizzas, she’s completely thrilled when she tastes the dessert.

“Oh my goodness, Luigi,” she mumbles after devouring the last slice. “No wonder this is your favorite place in Brooklyn. You have to bring me here often!”

“Anytime,” he offers before finishing his tiramisu.

“How about...?” Daisy begins to say, casting a casual glance around the place before laying her eyes on Luigi as she rests her chin on her hand. “Tomorrow?”

Luigi almost chokes on his tiramisu. Daisy hurries to bring his drink closer to him, and even though there’s barely a sip left, it’s enough for Luigi to stabilize himself. Speechless, he stares at Daisy, astonishment dancing in his expression.

“T-tomorrow?” he repeats, still gasping for air.

“I mean, if you want to,” Daisy replies, though she keeps smiling.

“Yes!” Luigi almost shouts, unwittingly stretching out on the table. “Yes, I mean, yes! Of course I want to! B-but you…”

“Me what, honey?”

“You...” Luigi lowers his gaze, unsure, and begins to rub the tips of his index fingers together, wanting to look at her, but not daring to do it. “Y-you want to?”

“Of course!” she assures him. “I love what I’ve seen of Brooklyn so far. I want to see more... and I want,” she adds, gazing at him purposedly, “to see my handsome guide again.”

The air disappears from Luigi’s lungs. His heart is racing, galloping so hard against his chest that he thinks it’ll end up opening a hole in his skin and running away to Daisy’s arms. She, in the meantime, stares at him casually as she bites her lower lip.

“I know I’ve told you this before,” she says softly, “but I love it when you do that.”

“A-actually,” Luigi replies with a nervous chuckle, “y-you said I’m v-very... cute... w-when I do th-that...”

His voice trails off as he realizes what a stupid thing he’s doing. Why does he stop to point out something so silly when the important thing is the message Daisy is conveying? Why is he unable to come up with an answer according to what she has just told him?

“Both options are true,” she replies without raising her tone, shrugging her shoulders.

Still flushed and uneasy, Luigi gives a weak smile. He is thankful that Daisy hasn’t for an instant pointed out the ridiculousness of his remark. In fact, it doesn’t seem to bother her one bit that he’s been the awkward, embarrassed bundle of nerves he’s always been all dinner. Quite the contrary: judging by her words and the intensity with which she contemplates him, Daisy loves that Luigi is so... like this. So him.

And he loves that Daisy is so her.

He swallows slowly, determined to tell her so too. His eyes remain fixed on the wooden table. His fingers, again, fiddle with each other. His cheeks burn, as they’ve been doing for most of the night. His voice comes out hoarse at first, as if it wants to remain a prisoner inside his mouth, and Luigi is forced to clear his throat to force himself to speak.

“I-I t-too... like you. V-very much.”

He lets out a small sigh of relief, pleased with himself for finally daring to say it out loud. He even breaks into a small smile, the urge to laugh bubbling in his throat.

“Just... very much?”

Daisy’s voice sounds suggestive. Insinuating. Provocative, even. Luigi, very slowly, dares to raise his head. Daisy hasn’t wiped the playful, cheeky smile from her mouth, as mischievous as the wink she gives him when their eyes meet. Luigi purses his lips. Blushing as he is, he plucks up his courage and holds her gaze, even though inside he feels like he’s made of jelly. When he speaks, he gives his voice all the seriousness he can muster so that she understands that he’s not playing games or exaggerating.

“Very much so.”

He almost feels like applauding himself for being able to say it without stuttering. He smiles again, trying to appear confident, and he doesn’t take his eyes off Daisy’s. He wants her to read in them the sincerity with which he speaks, just like him, in her gestures, in her smile, in her beautiful gaze, has been able to see from the beginning that she was not joking when she expressed how much she liked the way he is.

Daisy’s smile widens slightly, in a barely appreciable way, as she hears the vehemence of his tone, but Luigi notices it. She then places her hands on the wood and leans on it to stand up.

“Luigi, you are adorable,” she states as she gets up, and the way she says it, her voice filled with fervor, her face as if she were simply talking about the weather, completely disarms Luigi. “I’d love to take a walk with you. Would you like that?”

“Oh!” Luigi’s throat has gone dry at the compliment, but he struggles to find his voice and stands up too. “S-sure! Th-there’s a park near here. W-we can... stroll there. I-if you want t-to.”

Daisy smiles and nods, smoothing her skirt with her palms, and touches her hair for a moment to make sure the flower is still firmly attached to it.

“That would be great.”

She places both hands on her purple garment and smiles at him, and Luigi grins too, staring at her. It takes him a few seconds to realize that Daisy is waiting for him to move first, as he is closer to the exit than she is. Feeling clumsier than he has ever felt before in his entire life, Luigi stumbles until he reaches the door and, again, opens it and steps to the side to give way to her.

As Daisy walks past him, she gives him a low chuckle that has no mockery in it, and Luigi, his face burning, imitates her, though his laughter sounds a little louder because of his nerves, which, though they had settled during dinner, have returned more impetuously. When she steps out into the street, Luigi closes his eyes for a moment and takes a slow breath, trying to calm himself, before following her.

The blush on his cheeks increases when his eyes meet Daisy’s, who gazes at him with a smile full of affection. After clearing his throat, Luigi puts one hand in his pocket as he raises the other.

“The park is that way.”

As he drops his arm, a slight electric shock elicits a soft cry of surprise. He staggers back in surprise and carefully examines his hand. Behind it, he notices Daisy’s confused gaze, watching him in astonishment, her own hand raised. They both drop them slowly, their breaths a bit shaky, their eyes caught in each other’s. Luigi does not understand what just happened. Bewilderment washes over him, and Daisy’s expression tells him that she, too, feels disoriented.

Until, suddenly, she smiles a somewhat... shy smile?

“Wow,” she says. “Looks like we have chemistry.”

“W-what?” Luigi raises an eyebrow in confusion.

Daisy covers her mouth with her hand to hide a giggle.

“We accidentally brushed against each other,” she explains. “And sparks flew.”

Luigi lets out a low “oh” and looks down at his hand again as his brain processes what has just happened. His cheeks start reddening again as a smile, much more self-conscious than Daisy’s, blooms on his lips. When he returns his attention to her and finds her as flushed as he is, Luigi feels again that tug of affinity inside him that pulls him towards her and makes him understand that, without a hint of doubt, they are somehow connected.

“I guess we’ll have to be careful,” says Daisy, “or we’ll short-circuit each other.”

Luigi laughs and nods, though the immensity of his feelings doesn’t diminish for an instant. Then Daisy extends her arm, smiling warmly at him, and Luigi stares for a second at those fingers waving in his direction in a silent invitation.

“Shall we try again?” Daisy suggests.

Luigi looks up at her again with a cheerful grin and, without hesitation, stretches out his own hand. At the first touch of his skin against Daisy’s, he does not feel a new electric shock, but a mixture of excitement and disbelief that only increases as his fingers slowly intertwine with the princess’, their palms touching, as if this is their place, as if this is where they belong, as if this is where they always should be.

United. Glued. Together. Being one.

That’s exactly how Luigi feels when, as he lifts his fascinated gaze from the union of their hands, his eyes meet Daisy’s. She smiles at him, a slight blush covering her tanned skin, but Luigi, to his surprise, doesn’t feel insecure or embarrassed for the first time all night.

For the first time, he knows that what he’s doing, holding Daisy’s hand and pressing it lightly, feeling his bond with her deepening, is okay. It’s more than right. It’s perfect. It’s the right thing to do. It’s what he wants to experience all the time, every day of his life, if she feels that way too.

And, judging by the speed with which Daisy is quick to return his squeeze, Luigi has no doubt that the young woman does, indeed, reciprocate his feelings.

With a soft chuckle, Daisy nods her head in the direction Luigi pointed when he left the pizzeria. Luigi responds with another giggle and, not letting her hand go, starts walking.

#super mario fanfic #valentines day fanfic #valentines day #luaisy #luigi x daisy #luigi #daisy #princess daisy #luigi mario #luigi and daisy #my favorite couple #cute couple #I love Luaisy so much #Luaisy fanfic #my fics #my fanfics #silenzahra

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duhragonball · 2 months

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I am not sure why you decided to cover Evangelion all of a sudden, but I am hella old like you and haven't watched it for whatever reason either. (which was strange because it was all the rage back at school thousands of years ago)

Not sure why this series eluded you also, but anyway I just want to thank you for this opportunity as I have decided to watch along. Looking forward to seeing more of your analysis.

Do you have any other bucket list 90s anime series that you have some interest in covering? I recently got around to Martian Successor Nabisco myself because the theme song is amazing

PS: You're a chemist right? Please make some crazy chemical that will make oldness go away for your sake and mine, it's 2024 I can't believe we haven't invented immortality yet

Thank you for reading.

I don't remember exactly when I first heard of NGE, but I'm pretty sure it was in the late 90s, probably in the Diamond Previews or Wizard Magazine. As I got deeper into comic book collecting, I bought both of those publications, and as anime started to gain a foothold in North American nerd culture, I started to see more and more anime/manga products referenced or advertised in Wizard and Previews.

I pretty much despised anime in the early 90s, mostly thanks to poor localizations of shows like Superbook and Speed Racer, which made the whole genre look like a bad joke. I remember those ads for "Japanimation" that tried so hard to make it sound badass and cool, but the ads were so corny that they ended up making the stuff look even dumber. By 1997 or so I had kind of learned to tolerate it as a concept, although I still had no interest in it. Sailor Moon was on Toonami, but it seemed like they only put it in the block to add a certain variety to the show. Vintage superhero fare, Thundercats, Sailor Moon, and that Johnny Quest show with CGI. Then they added an obscure show called Dragon Ball Z to the lineup, and that slowly won me over.

By 2000 I was tuning into Toonami mainly for Batman and Superman TAS, and getting hooked on DBZ and Tenchi Muyo! at the same time. I refer to these as the "Four Horsemen of Toonami" for that reason. In 2001 I started writing a Superman/Tenchi crossover, which basically cemented my status as a huge weeb. (Luffa is just a continuation of my effort to do fanfics of the Four Horsemen block of Toonami.*)

Anyway, somewhere in this period I probably started seeing merch for Rei and Asuka in their plugsuits or whatever they're called. I might have seen the Evas but let's be real, a mech wouldn't have stood out much in a genre full of giant robots. I'd see ads for things like Eva and Revolutionary Girl Utena and wonder just what the hell these things were about, but I also just shrugged and accepted that I would probably never find out, since anime was expensive and difficult to find, and I wasn't going to go out of my way just to satisfy idle curiosity. Back in those days, anime was an investment, and I wasn't going to pay thirty bucks for three episodes of something unless I knew it would be good. I tried a few things like Noir and Excel Saga, but only because I had a fairly decent idea what I was getting into.

By 2016, I had more disposable income, and this blog was pretty well established as a way to spend my free time, so I started looking for new things to watch. I checked out Hellsing Ultimate mostly so I'd be able to understand the jokes in Hellsing Ultimate Abridged. I checked out JJBA because it was red hot at the time, and everyone was talking about who their favorite Jojo was, and I wanted to know what that meant. I checked out Utena because I got a tip that it was available for free on YouTube, and I watched the first season of Sailor Moon. I didn't do all of that in 2016. It probably took me until 2018 to get all that watched.

So it was probably somewhere in there that I gave serious thought to tracking down Neon Genesis Evangelion, because it's one of those that I always wondered about, and now I had the means to actually find it and watch it, and I had enough anime experience that I felt reasonably confident that I could appreciate it. I suspect that I could have screened it between 1997 and 2010 I just would have been confused. But I've seen people talk about it for a lot of years, and probably a lot of that's been on tumblr, and it's just one of those things that's been on the fringes of my pop culture awareness.

I think NGE finally became available on Netflix in 2020 or something? But there were fans complaining about the dubs and the subs, so I thought I should hold off for a while. In 2021 I finally just said "fuck it" and bought a used copy of the "Perfect Collection" on DVD. My thing was, if I was going to watch this, I wanted to get it right the first time. I've savored Dragon Ball for decades by watching the dub, then the subs, but if I'm going to try out new stuff I don't want to have to keep going back to get the "true" experience.

I'm doing it now mainly because I hadn't had time before. I've been caught up in other things, and 2024 looked wide open, so I started thinking about things I've been putting off that I really wanted to do, and this was one of the first things I thought of. I just want to scratch that itch, and even if this show turns out to be awful, at least I can have the satisfaction of knowing I finally saw for myself.

As far as other old anime titles, I don't have any immediate plans. I still need to watch the Akira movie, but I read the manga so that sort of damped my interest in checking out the movie version. Galaxy Express 999 is on my bucket list, kind of for the same reasons as Evangelion and Utena, where I used to see ads for it and wondered what it was about. Fist of the North Star also interests me, because it has a kickass theme song, and I'm pretty sure it had a profound influence on the early years of JJBA. But I probably won't get around to them for a while.

Ultimately, there's only so much I can do with the time I have on this planet. There is no elixir of life, and unless they let you watch anime in heaven, I have to set priorities. One gripe with anime that I still retain from my youth is that it's pretty damn impenetrable. What I mean by that is that you can't even remotely judge a title by its cover, and so much of this stuff runs together that it's impossible to tell what would appeal to me and what isn't worth my time. I think that's why I've let popular culture and memes guide me in recent years. Stuff like JoJo Fridays and "Bitch, I Drink People" are tips that these shows had lasting appeal, and you don't make an impression like that without having a solid story. They can put a bunch of boobs on a DVD cover, but they can't draw a picture of the stuff that counts.

#ask duhragonball #2024ngeliveblog #*and where... is the batman? he's at home! washin' his tights! hahahahahahaha!

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moonlightperseus · 8 months

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That's fair, if it makes you feel better I experienced the opposite in a way (I was pretty much directly told I'd have to quit my job, which if I think about it is obvious, but I'm still so sad- I love my job and the people. Part of me is like "it's okay, I can quit my job, go to school, ask for my job back <3" as though It makes any sense to go back to my CASHIER job after completing four years of nursing school)

And that's completely understandable, everything is one day at a time. I'm sure the future will be better!!

I would love for that to be something I'm capable of but instead I'm way too?? Bad at consuming media. Like TWO of my friends LOVE sandman so I was like "okay I'll watch it for you guys" put it on and didn't pay attention to a single second.

I honestly judge that one less I tried so hard to watch Titans so go off. I know she appears in some Wonderwoman comics because I opened volume 8 and she was PISSED about something I missed because I only had volumes 1,2 and 8. But it was definitely largely important. (It should've been the new 52 run) hopefully you like the one you have open!!

I use it a lot at work to make my hands feel right again, that's it. But you're right!! It's all personal and that's what matters.

i have a tag on the first book so I know when it's available and then I'll probably try it. I'm glad you've been enjoying it! And that makes sense I get that (personally if I DO start reading it I'll probably google all the vibes because I hate suspense- it's why I got yelled at the last time I read a book my friend recommended. Apparently I "spoiled the end of Gideon" and "found out the whole thing harrows trying to figure out in Harrow" and I was like ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯ but now no surprises)

I went to the library yesterday!! I had to go to work to get something so I just kept running errands so I went to the library and I asked for an online library card. I spent like all night after that just *looking* at my options now. I picked a sad book (my favorite kind) that I need to remember to read and tagged a bunch for later (including, like I said, the Raven Boys- audiobook I think)

i got to issue 11!! I know that's not a huge jump but I decided I was gonna read a couple and then I did. (because your site is so linear, and like just automatically goes to the next issue, it's a lot harder to stop lmao)

Did you read the annual with Harley and Lobo? On my old old site that was counted as something else but not yours so I imagine you did?

and tbch I haven't read ground zero yet, I own it but I just haven't cracked it open. That all sounds great though.

His name IS Jake. HOWEVER he got the nickname Music Man because he just started playing music out of his pocket because the radio wasn't good enough so I started calling him "music Man" and then I heard his co worker call him Jake so boom Music Man Jake. But if it helps I have to physically restrain myself from instead calling him music man *Kyle* for some reason. (I believe it's because of the existence of Theatre Gay Kyle and Crackhead Kyle already in my life)

I know of that too but I also don't remember where it's from. And she IS in fact significantly better than all of them. Everyone knows boys drool girls rule. She can fuck'em all up and I love her for that.

I think, in all honesty? I don't know how much you'll *like* year zero (Dinah's in it but not largely, Diana Might have a larger role? But iirc it's not really the marks you're trying to hit) HOWEVER that being said, it's a very short run so I'd say go for it. I'd you don't like it and it's hard to get through just stop.

Have a good day <3

boy howdy my life has been busy, apologies for my delay in response.

as it turns out, and now i can say it bc before i was paranoid somehow someone would find my blog and relate it to my job and learn the news this way, i am losing my job in the sense that my place of work will be closing end of january. i’m gonna miss my coworkers most of all and a good amount of the dogs as well but i’m otherwise handling this news pretty well i think? idk like i’ve said i’ve been so burnt out and i thankfully have the fallback of being able to go back to living with my parents while i recalibrate. i have a feeling i will be sadder the closer it gets to closing time but for now i’m putting emotions about it on a shelf for later.

oh that’s totally fair. i definitely don’t consume every media friends like/recommend bc i don’t have the time and tbh not everything interests me but if the interests vaguely line up i do try. or at least im trying to try. and sometimes trying to try things that don’t necessarily sound particularly interesting but sound like they could be surface level fun and there’s nothing wrong with enjoying something at surface level. idk. its hard to commit to starting new things to be invested in. there’s just not enough time in the world.

(personally if i ever end up in a time loop i will be fucking around and consuming as much media as possible before looking for a resolution.)

i think i honestly stand by the fact that titans has some really good moments. but it just also has some really bad moments. i wouldn’t say it’s balanced necessarily but god the good stuff is so good to me and i am willing to suffer through the bad. (and to some degree. some of the Bad honestly became comedic to me-though bald connor will never be one of those that shit was god awful. boy needs his hair, i’ll say it.)

congrats on going to the library!!! huge step and i love that for you!! you are SO valid re googling the vibes. i didn’t feel like there was a whole lot of suspense in the first book personally but i also was not surprised by two of the “dramatic reveals” but i may have also been potentially over analytic of the first book so i’m not sure i’m the best judge of character.

ALSO!!!! the locked tomb!!! love that series!! they make for great audiobooks though a little confusing and confusing stuff is harder in audiobook format bc i can’t easily reread bits until my brain has digested them. but it’s so much easier for me to get through an audiobook because i can do it while doing other stuff.(i feel like i’ve already talked about audiobooks so i’m not gonna continue on the ramble that’s forming in my head and move on instead.)

i try to make it my philosophy that any progress no matter how small is still progress so congrats on making it to issue 11. i definitely agree that it’s a little too easy to just keep going thru the issues on that site bc i’ve definitely been like “i’ll read a few” and then binge a whole lot. ah well.

i did read that annual! all the annuals were put at the start of each year so i read them before each year.

ground zero is definitely fun if you can put aside the joker of it all! would recommend!

i have not done any more reading of the injustice verse because again. life been busy. but i do think i’m gonna give year zero a try before starting on injustice2 just because it is so short. i keep telling myself i should start on it and then i am so easily distracted and lately i’ve been on a sudoku kick. my sister also shared this house flipping game with me and it’s fun but very frustrating bc it doesn’t run well on my computer so i don’t know how long i’ll keep up with that game.

ahjsjd that’s valid. i take it he was playing it out of his phone in his pocket and not a very small but very cool tiny instrument in his pocket anksdjs

life has been hectic but i’m hanging in there and doing relatively well right now. hope you are also hanging in there and doing relatively well!!

#comics anon #abby replies #anon #i actually typed this out in one go look at me!

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thespectral-wolf · 2 years

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so I have a question. what exactly is your Sonic Lost world rewriting idea? it dose sound interesting and a breath of air to the other rewriting ideas of the sonic media?

Ohoho, I’m glad you asked :3

A lot of rewrites I saw involve taking just the core parts of the game/story and then the writer going hog wild with their own ideas. Which is fun, but not what I want to do with Lost World.

You see, I think Sonic Lost World had a lot of good ideas for its story... but it was terribly undercooked. I don't remember where I read it, but apparently because of complaints about the long cutscenes in previous Sonic games (let's admit it, Unleashed is a sure offender of that) SEGA decided to cut back on them and you can really feel it in the recent games. I don't think outside of the intro Lost World even have cutscenes longer than a minute. And that's a detriment to the story. I have mentioned it once, but the scene that's after Eggman's "death" where Sonic tries to contact Amy and Knuckles to no avail could have been so powerful, if it lasted for longer than 10 seconds. So this is what I'm aiming for: expand on the story that the points that were supposed to be emotional actually have an impact.

I haven't figured everything out yet (I honestly don't know what to do with the zeti yet) but so far these are the things I want to expand on:

Giving a little lore behind the Lost Hex and the zeti. Not going full Tolkien on them of course, I just would like to sprinkle in some explanation of what is the place and why it's like the way it is etc. This is also something where I would put a little tension between Sonic and Tails throughout the story. Tails, fascinated by stumbling upon a place of legend, is constantly trying to look up info about the Lost Hex, but Sonic is focused on saving the animals and stopping Eggman and is not listening/asking Tails to save the loredump for later. This isn't the main tension between the two, it's more of just comedic element, although it will lead to some problems later (see next point).

I would like to also expand the moment when Sonic yeets the conch and the zeti break free from Eggman. So it's established for Sonic that he hates oppression, right? So what if when he and Tails stumble upon Eggman using force on the zeti, Sonic's first thought is that maybe the zeti aren't on Eggman's side (he's right on that one). This takes place after Colors, so it's not the first time Eggman enslaved an alien species. So Sonic acts on the basis of "the enemy of my enemy" and hopes that he can work with the zeti against the doc (he was wrong on that one). Tails of course, already reading up on the inhabitants of the place and sensing in that moment that something isn't right with the electronics, tries to warn Sonic, but it's a moment too late. Don't know if I will actually keep this, but I think it would be a nice in-character moment and not just Sonic acting too quick.

The conflict between Sonic and Tails. Everyone's favourite (not). Yeah, I decided to keep this because I want the challenge of making a believable buildup for it. It's been a while since I've watched the game's story, but there is a scene where Tails tries to fix Cubot by putting his head on an Eggpawn(?) but the other robot's aggressive programming almost gets Tails hurt. I'd put that scene somewhere early to show that while yes, Tails is capable of working with Eggman's machines, however the doc is the one who knows exactly what makes them tick and turning off the unfinished world-lifeforce-sucking machine ASAP is a top priority, whether they like it or not. I'm still working on the details for this.

The two scenes that are supposed to be emotional: the one where Tails gets captured and the one mentioned earlier where it seems that Sonic had lost everyone. They need to be impactful. I'm actually working on a comic for my rendition of one of the scenes, I may actually get around finishing it someday.

Actually showing that Tails wasn't turned into a cyborg. Like they couldn't even put a single line to explain that smh. He turned off the machine's programming an made a convincing costume with it. There, fixed.

One thing that I'm keeping is the personalities of the zeti. I don't want to make them overly serious, I think they were one of the stronger comedic elements in SLW (I know it's not a high bar, but still).

This would be all so far. I'm not sure if I'm ever going to go for a full rewrite or just making smaller concepts, but I think it's a fun thing to experiment with :)

#inbox #sonic #sonic lost world

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twh-news · 3 years

Text

"Loki" Director Kate Herron Talks The Epic Season 1 Finale And The Easter Egg Fans Should Go Back And Listen For | Buzzfeed

Warning: There are MASSIVE spoilers ahead for Season 1 of Loki!

Welp, Loki Season 1 just came to an end and I think it's safe to say that the Marvel Cinematic Universe will never be the same. Following the Season 1 finale, we sat down with director Kate Herron to talk about everything — like how it felt introducing the multiverse and Jonathan Majors to the MCU, casting this incredible ensemble cast, Loki's bisexuality, and so much more. Here's everything we learned:

1. First, Kate has always loved Loki, so she knew she wanted to be involved in the "character's next step" in some way.

"Basically, I love Loki, and I found out they were making a show about him. As a fan, I was like, 'I need to know where he's gone.' Then, I just wanted to know what the story was going to be. I loved the character. I think Tom Hiddleston's performance is amazing. I really wanted to be part of whatever this character's next step was because I think Loki's had one of the best arcs in the MCU."

2. Directing all six episodes of the first season felt like filming a six-hour movie.

"Directing all six episodes was a really unique experience, right? Because normally TV is run through the showrunner system, and Marvel didn't do that on Loki. It was incredible. It was quite an undertaking to do six hours and run it like a giant film. I'm so grateful for the opportunity, and I'm really proud of what we made."

3. When Kate signed on to Loki, only the first few scripts had been written, the "rough shape of the show" was in place, and they knew Loki would be arrested by the TVA.

"When I started, Michael [Waldron] had written the pilot. Then, there was a second episode written by Elissa [Karasik], and Bisha's [Ali] episode was written. So, there was a rough shape of the show. It was already fixed in that Loki was gonna be arrested by the TVA and then it had this twist that he was going to try and solve the mystery of who this other Loki was, but then it pivots and becomes this love story about him falling in love with himself. I just thought that was so inspired and the message that had about self-love. I just really wanted to be part of that."

4. And they always knew the show would end at The Citadel at the End of Time and the multiverse would be born.

"As we dug into it with Kevin Wright, our producer, the studio, Michael, Tom, and also our whole team, I think it was always thinking like what was the best story, in particular during the second half of the show. We always knew they were going to The Citadel, something would happen, and the multiverse would be born, but we didn't necessarily know it would come out of Loki and Sylvie fighting. That idea came out of discussions with me, the writers, and the studio."

5. It was "always the plan" to introduce Jonathan Majors to the MCU during the Loki Season 1 finale.

"I think me and the writers were just like, 'Well, they haven't told us we can't introduce that character. I guess we're doing it.' It was really exciting and I felt really honored that I got to be part of it."

6. Kate was involved with Jonathan's casting for He Who Remains/Kang alongside Peyton Reed, who will direct Ant-Man: Quantumania, and Marvel Studios.

"Being part of the casting discussion with Marvel and Peyton was amazing. It was massive. I was just like, 'Wow, I can't believe I get to be part of this conversation.' Everyone was just so excited about Jonathan. He's one of the best actors. I just couldn't believe we got him."

7. Jonathan brought a lot of "cool ideas to the table" once he was cast, and Kate gave him "space to play."

"He just brought so many cool ideas to the table. I think when you're working with an actor like Jonathan, it's really just about giving him space to play, and let him find the character and give him a cool way to do that. I really enjoyed working with him. We finished the shoot filming in The Citadel, so it was really interesting that we finished filming with Jonathan. I just felt very lucky I got to direct him."

8. Jonathan actually voiced the Time-Keepers in Episode 4, which added to the Wizard of Oz homage.

"Obviously, the Time-Keepers were being made in post, and we hadn't cast anyone [for the voices] yet, and I thought, 'Well, Wizard of Oz. Like it should be the wizard, right?' So I thought it would be cool if it was Jonathan, and I think the key thing then was just working with him in a way that we could disguise his voice. I think the fun thing was, Jonathan is an amazing character actor. So we just sent him the art and he was sending audio clips to me and Kevin Wright and being like, 'What about this voice?' It was just so much fun to do that with him. I think that was just joyful."

9. Kate's favorite Easter egg from Episode 5 was Throg — in fact, Chris Hemsworth recorded new lines and sounds for that small part.

"That one I was very proud of and it was very fun. I had that shot designed for a while. I think I'd seen it in Futurama, and a lot of animation does it, but I love the idea of going through the dirt and it reveals something. I always felt like that shot would be the place to insert an Easter egg. When we had Throg in there, it was so much fun and it was perfect. We also recorded Chris [Hemsworth] for that. It was just so much fun."

10. She also loved the Thanos Copter and said it was a "funny" detail the producers loved from the comics, so they had to include it.

"The Thanos Copter was great. Kevin Wright, our executive producer, was really obsessed with that copter, I was like, 'We have to put the helicopter,' and it was so funny. Episode 5 is our best Easter egg episode. There's so much deliberately because of the nature of The Void as a place where deleted things are sent."

11. There's one Easter egg/detail Kate hasn't seen fans catch onto yet, and it involves a "familiar" voice at the very end of the Season 1 finale.

"The one I would say is — it's less Easter egg and more cool story-wise. So, at the very end of the finale, when Loki is in this alternate TVA, there's a character that runs behind him and is going to the armory and people should listen to the voice. It's very quick, but it's someone familiar."

12. Loki was inspired by numerous iconic sci-fi movies, like Children of Men, Alien, Hitchhiker's Guide to the Galaxy, Metropolis, Starship Troopers, and more.

"Bisha, in the episode [she wrote], she spoke about Children of Men and also Before Sunrise as a reference, so I was really inspired by that and the idea of bringing these sci-fi things together. Across all the TVA, I wanted it to just be a big love letter to sci-fi movies, like Metropolis, Brazil, Hitchhiker's Guide to the Galaxy, [and] Alien. A reference I could never talk about early was Starship Troopers just because, obviously, the TVA are bad guys and in that movie they also use a lot of propaganda film and we had our Miss Minutes film. So, that movie played a hand. There was so much across the show. We had references from everywhere."

13. And the inspiration for how The Void would look in Episode 5 actually came from Teletubbies.

"I never really spoke much about it, but basically in Episode 5, The Void was originally written like a desert, but when I pitched, I said I thought it would be cool if rather than like a Mad Max desert apocalypse, it's more like an overgrown garden. Like, this is the place where the TVA throw their rubbish in. I just loved the idea of that. I think I realized as it started to unravel that I'd basically pitched the British countryside. As we were building it, I was like, 'Am I just homesick?' I remember trying to explain it to the visual effects artists who were making it, and I was like, 'You know, it's like the Teletubbies. You know, rolling hills just one after another.' So, yeah, the Teletubbies became a useful reference when describing The Void. So, that's how they played a hand in it."

14. Kate was the one who suggested Sophia Di Martino audition for the role of Sylvie.

"Sophia was in a short film of mine called Smear. I was very happy to pay her, finally, for her talent. When we were reading for the role, I was like, 'There's this actor I know and I think we should ask if she wants to read.' Everyone was like, 'Yeah, sure.' So, she read in these audition tapes, and we were all watching the tapes back and I remember everyone at the studio was like, 'Wait, who's that?' And I was like, 'Oh, that's my friend Sophia.' They thought she was amazing."

15. Sophia's audition tape was so good that she was immediately cast.

"Basically, everyone was really excited by her tape and I think she got cast in the room, which is incredible. I was excited because I got to bring my friend along. She's such a good actor. She's fantastic in Flowers and I was just so happy that she was coming along for the ride. I think she's done such a beautiful job with Sylvie."

16. One of the most important things when crafting Sylvie and the other Loki Variants was making sure they were their own characters, and not just Loki copies.

"I think the most important thing, minus just tiny little gestures, was really making it important that Sylvie was her own character and that all the Lokis weren't just 'faded photocopies.' They were all their own Loki. It wasn't even that they stood in a similar way or looked similar, but what in their soul made them a Loki. I love that line, 'Lokis always survive.' That idea goes across all our characters who are Lokis."

17. Casting Sylvie was one of the hardest things, and Sophia was able to bring her own spin to the character and she was the perfect "sparring partner" for Tom.

"Sophia has this talent — and I think Tom has it as well — where she's so funny and naturally so witty and charismatic that you can't take your eyes off her. She's also really good at playing characters with a lot of anger, pain, and vulnerability. I just felt that those qualities were so Loki to me. She brought her own spin on it too. Tom's performance is so iconic, so Sylvie was a tough role to cast because you need to give him a good sparring partner, but also, it's another Loki and people love Loki. So, it was really making sure that she felt distinctive enough that she was different, but also that we gave Tom a really fun actor to play alongside. It was really fun watching them. It was really fun seeing their chemistry grow."

18. Sylvie's fighting style was actually crafted to have similar movements to Loki's, thus showing that they are basically two sides of the same coin.

"I know Tom and Sophia spent a lot of time together. I think the fun thing with Sophia was the little things, like the fighting styles. She has a very different life to our Loki. Loki is very balletic in his fighting style, because he grew up in the palace, whereas Sylvie grew up in apocalypses. So, she was going to fight a bit more like a feral cat. I thought that was fun to play with. We worked with Mo [Ganderton], our stunt coordinator, and it was really fun to find little mirror image stuff they would do when they fight. We did a little bit of that on Lamentis and there's little bits here and there where we've done that. There's also little gestures that they do that are quite similar."

19. Kate had a "four hour" phone call with Owen Wilson before he was cast. They talked about Marvel, Mobius, and Loki.

"Everyone was so excited to cast him. I remember, they were like, 'Kate, just call him and see if he's up for it.' That was a lot of pressure. But then, I spoke to him on the phone and we spoke about Marvel and Loki in Marvel. Also, we talked about what our show was doing, who Mobius was, and then just getting his take on it. It was a very detailed conversation. I think we spoke for like four hours. At the end, he was like, 'I'm in.'"

20. Wunmi Mosaku's role was originally supposed to be a male character, but Kate suggested having an "open casting" because she thought Hunter B-15 would be really great as a female character.

"When I spoke to the studio, I was like, 'This character is cool, but I just think it could be really interesting if this was a female character. So, could we do open casting? We'll have men and women read, and we'll just see who's the best person for the role.' So, Wunmi read for it and just blew everyone away. We were like, 'We have to cast this person!' So, we kind of remade the role, really, around her."

21. Kate loves the idea that Hunter B-15 joins this club of sci-fi female characters who were originally supposed to be men.

"It was cool because I love Ripley in Alien and I love Kara Thrace in Battlestar Galactica. In the original Battlestar, Kara Thrace's character was played by a man, and Ripley in Alien was originally written as a man, so I liked that Hunter B-15 was joining these badass women in sci-fi. That was really cool to me."

22. When Kate pitched her ideas to the studio, she include Gugu Mbatha-Raw as the actor she wanted to play Ravonna.

"Gugu was in my pitch when I spoke to the studio. I was like, 'I think she'll be really great.' I love her work as an actor. From Belle to the episode of Black Mirror she's in, everything she's in is so different. I think that's so interesting with Ravonna because in the comics, Ravonna's been good and bad, and she's such a big character. I was like, 'I'd love to see Gugu's take on that character.' The studio was really excited by that and so was Gugu."

23. Kate said it was "important" to recognize Loki's bisexuality in the show, and she loved how it was naturally worked into a conversation between him and Sylvie.

"It was just important for us to do it in a way that made it canon, acknowledged it, and also done in a way where like, if someone asked me, I would just be matter of fact about it, like, 'Yeah, I'm bi.' I think that was the important thing for it and building it into the conversation. It was important to the whole team and the way that it was written was really beautiful. It felt like the right place to do it because these two characters are starting to open up to each other and are being a bit more honest about who they are. So it felt like the right place to have that moment."

24. The TVA weren't always going to be Variants/humans. That idea was born out of conversations with Kate, the writers, and the rest of the Loki team.

"When I started, I think it was a bit more up in the air with like, who are the Variants who work for the TVA? Are they Variants? They actually weren't Variants when I first joined. Casey was an alien, for example. I think something we all locked onto was it was more effective to make them more human. It was already in there that the Time-Keepers wouldn't be real and that would be a big Wizard of Oz rug pull. But the extra rug pull we added was that, on top of all of that, the TVA don't realize that they're actually Variants."

25. One of the things Kate enjoyed the most was figuring out the "inner workings of the TVA," like how the Minutemen would operate.

"I think it was really fun, in terms of the bigger structural stuff, to work with everyone. Also, figuring out the inner workings of the TVA, like every squad of Minutemen would have a hunter and they'll be little details sprinkled across all the world building in the show. Generally, we always looked at the characters and what was the best story and how to get to the end goal in the most effective way."

26. The season finale intro — which included seeing space, the sacred timeline, and hearing quotes from the MCU and history — was an homage to Contact.

"Basically, Eric Martin, our writer, he'd written in this amazing idea that for the opening we do an homage to Contact, and kind of move through space to the end of time. Then, we'd see the physical timeline, and then we see The Citadel. I love Contact, and I was like, 'Oh, that's so cool.' We took that idea to Darrin [Denlinger], our storyboard artist, and me and him just nerded out about space and about how we wanted to pay homage to Contact but not be completely the same.

So we played with the idea of time and he was bringing in so many cool ideas. But then, the amazing pitch he had as well was like, 'What if when we pull out at the very end, the timeline isn't a straight line like how you guys have been showing it in the show? What if it's actually circular?' I thought it was such a good idea."

27. Kevin Feige helped come up with the idea to include Marvel quotes over the Marvel logo because it was something the MCU had never done before.

"I had this weird idea where I remember saying to my editor, Emma McCleave, I was like, 'Oh, can we add a baby crying or the sounds of the city? And it's like we just hear life.' So her, me, and Kevin Wright got really into that. So we were adding all of these different sounds into the timeline. We also had quotes from just life, not Marvel. Then, we showed that cut to Kevin Feige and the rest of the team.

They all thought it was cool, and then Kevin Feige was like, 'Oh, do you know what? We've never done quotes on the Marvel logo before.' So, we thought that was cool and we added the quotes to the Marvel logo intro. Then, me, Kevin Wright, Emma, and Sarah Bennett, Emma's assistant, decided to just put the MCU quotes across the whole thing."

28. Going from hearing all of the voices in the season finale opening to utter silence in The Citadel was also a way of learning something about He Who Remains.

"I loved the idea of all the noise and this Greek chorus building because when you finally pull out and see The Citadel and how isolated it is, it tells you so much about He Who Remains' psychology because he's surrounded by all this brimming life, but he's completely isolated and alone. I thought it tells you a little bit about his character and who he might be before we see him."29. Kate loves that the season finale opening is a "beautiful handover" from the previous phase of the Marvel Cinematic Universe into this one with the multiverse.

"It was a real group effort, and we were just really excited at the idea of it being this really beautiful handover from the previous phase of Marvel. Also, we get to encapsulate a little bit of our world as well, which was really fun. The editing team put so much time into that. I really want to watch it in a planetarium or something."

29. Kate loves that the season finale opening is a "beautiful handover" from the previous phase of the Marvel Cinematic Universe into this one with the multiverse.

30. And finally, even though Loki sets up a lot of upcoming MCU projects — namely, Spider-Man: No Way Home, Doctor Strange in the Multiverse of Madness, and Ant-Man: Quantumania — Kate didn't have a lot of conversations with other MCU directors and writers.

"Kevin Wright and Stephen Broussard from Marvel were our producers on Loki, and they worked with Kevin Feige, Louis [D'Esposito], and Victoria [Alonso]. They always steered us in terms of the Marvel big picture and let us know if anything was off base. It's so secretive at Marvel, so I only spoke to Peyton just because our timelines crossed [with Jonathan]. Generally, Marvel manages everything internally and keeps us all in check."

#loki #loki series #kate herron #interview #article #buzzfeed #loki spoilers #spoilers #loki series spoilers

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ordinaryschmuck · 3 years

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Why I (Want to) Love Tangled: The Series/Rapunzel's Tangled Adventure

Salutations random people on the internet who most likely won’t read this. I am an Ordinary Schmuck. I write stories and reviews and draw comics and cartoons.

When I heard Disney was making an animated series based on Tangled, acting as a continuation from the original movie, my initial thought was, "Why?"

Sure, Disney is infamous for its unnecessary sequels of the story after happily ever after, with the many, many, many failures that follow suit. Even then, though, most of these continuations were movies that kind of have the potential to tell more of a story. But what more could be said about Tangled? Sorry to spoil a movie that's over ten years old at this point, but by the end of it: Rapunzel lost her golden hair, was reunited with her parents, fell in love, and lived happily ever after. Her losing the golden hair is the most essential part of that list because how can you do a series based on a Disney princess when her most iconic feature is gone? Then I found out that the series forced a way for her hair to come back, and my new initial thought became, "Oh man. This is gonna suck, isn't it?"

Despite the hesitation, I decided to give it a chance anyway. After all, I've been pleasantly surprised before. Things like My Little Pony: Friendship is Magic, The Mitchells vs. the Machines, and even The Owl House (yes, really), were shows (and a movie) that I didn't think would be that special. Only to find myself enjoying nearly every minute. So after watching Tangled: The Series/Rapunzel's Tangled Adventure, I can certainly say I was surprised...but it was entirely for the wrong reasons.

And to explain how requires spoilers. So if you haven't checked the series out yet, I highly suggest you do it to form your own opinion. Just keep in mind that it's a bit of a mess, but it can be an enjoyable mess...sometimes...let me explain.

WHAT I LIKED

The Animation/Art Style: The series swapping from 3D to 2D might have been the most brilliant decision anyone could have ever made with this series. Usually, when an animated movie gets turned into a show, the most noticeable downgrade is always the animation. Whether it’s not as detailed or not as fluid, it's always subjective that the movie is better animated than the series. But by switching up the styles, the contrast becomes objective instead. 2D and 3D animation each have their pros and cons, so deciding which one is better is nothing more than a matter of opinion. So by changing the style, Tangled: The Series/Rapunzel's Tangled Adventure avoids getting complaints of being a downgrade from the original movie. It also helps that the art style of the series is really unique.

The best way to describe how the show looks is that it's like a coloring book brought to life. At times, everything looks like it was drawn and colored in with crayons, which sounds like an insult, but in actuality, it's one of the best features of the series. As much as I love most animated shows nowadays, I will admit, they all look a little too similar at times. Then here comes Tangled: The Series/Rapunzel's Tangled Adventure, which tries to incorporate a whole new style that successfully sets it apart from most shows.

As for the animation itself, it's really well-made! It's remarkably expressive when required, while the movements are really fluid during the correct scenes. Sure the fighting can be a little floaty during some action set pieces (yes, those exist here), but the dialogue and comedic moments are really where the series shines with its animation. I may have problems with the series as a whole, but I give credit where credit is due for the perfectly executed effort that I see in every episode in terms of animation.

Rapunzel and Eugene’s relationship: This was not something I was expecting to enjoy from the series. In the movie, Rapunzel and Eugene were fine. They were the typical Disney couple that worked off of each other enough that it was always entertaining, even if it was unbelievable that they fell deeply in love with each other after, like, two days. They weren't bad, but they weren't anything to go crazy over.

But the writers for the series said, "You know what, let's make these two adorable in nearly every scene they're in." And they are!

Even though I don't believe in their relationship in the movie, I fully believe it here. Both characters have a large amount of faith in one another on top of having endless love for their partner. Like how Eugene knew Rapunzel would be fine when taking out an airship or how Rapunzel couldn't bring herself to say a bad thing about Eugene when making Cassandra a sparring dummy of him. It's legitimately pleasant to watch, to the point where I put Rapunzel and Eugene in my top ten list of favorite fictional couples. They're that good to me, and it's one of the reasons why I don't jump on the bandwagon of shipping the two main female characters together. I'm all for LGBTQA+ representation, but give Cassandra her own girlfriend. Rapunzel's taken, and most of my enjoyment of this show comes from her and her man. So, you know, keep things as they are.

Cassandra (Seasons One and Two): Seeing how I've already mentioned her, let's talk about Cassandra, shall we? Because when making a series based on a movie that had only four prominent characters, with two of them being comedic animal sidekicks, you're going to need to introduce more members to the main cast to write more potential stories. And Cassandra, in Seasons One and Two (I'll get to Season Three), is a worthy addition. She acts as a strict straight man (I know the irony) who interacts well with Rapunzel and clashes perfectly with Eugene on occasion. She was passably entertaining in Season One and developed amazingly in Season Two. Her growing frustrations with Rapunzel's actions lead to a slow build-up that made her betrayal heartbreaking but somewhat understandable. And as for the results in that betrayal...yeah, I'll get into that later. For now, I'll just say that Cassandra was a pleasant addition to the main cast, especially when she was a part of the main trio, and she's yet another good surprise that the writers supplied for the series.

The Songs: The songs are...not going to be for everyone. Most of them are passable yet kind of generic, while others sound like they belong on Disney Junior (Looking at you, "Bigger Than That"). But when Tangled: The Series/Rapunzel's Tangled Adventure makes a hit, MAN, it is a home run. Numbers like "Ready As I'll Ever Be" and "Nothing Left to Lose" are sung phenomenally, orchestrated well, and are songs I can listen to on repeat multiple times. And "Waiting in the Wings" is not only something I consider to be the best song in the series, but it's also something I'd place as high up on Disney's best due to how f**king incredible it is. "Waiting in the Wings" is a powerful ballad that manages to be both tragic yet inspiring on top of how well it sums up Cassandra as a character. The writers may not always be on top of their game when it comes to music, but songs like these prove that they know how to earn that Disney name.

And that’s all I have for the likes...Oh boy. That’s not a good thing is it?

WHAT I DISLIKED

It Peaked at Season One: It did. It really did.

Season One felt like the writers had a grip on what type of show they wanted: A slice-of-life series with Rapunzel dealing with the issues of her kingdom with a meager threat of these black rocks growing in the background. It was all cute and well-balanced for the most part, but that all disappears in Season Two. Because now it's sort of about this adventure, but because Tangled: The Series/Rapunzel's Tangled Adventure set itself as a slice-of-life series, there need to be these small-scale stories that intertwine the grand narrative being told. The issue is that the story comes to a grinding halt one too many times as fans are forced to sit through these filler episodes that, while not all of them are bad, still feel like a distraction. And by Season Three, the series does feel more focused while having some slice-of-life episodes added to the ongoing story instead of distracting us from it. But the writing isn't as strong, there are several plot holes in the narrative (how did Rapunzel's sunstone get into her dress?), and there is way too much time going back and forth on Cassandra's morality. They claim that she's a villain while arguing that there might still be some good in her, and they continue this train of thought for nine episodes when it really could have been settled in two. For me, it's a bad sign for a series when the first season is the best one. Because if it's all downhill from there, what's the point of even watching?

It Tries to be Epic: This might have been the worst decision the writers could have made.

Now, here's the thing: I don't mind grand epic tales of adventure and battles against demons. If anything, I'm all for them...when it's appropriate and fits with the tone of the series.

Tangled: The Series/Rapunzel's Tangled Adventure suffers a similar problem Frozen II has, in which the writers felt like a big, life-threatening adventure was the perfect continuation of a meager, personal story about the relationships of characters. It isn't. If anything, it's completely missing the mark about what the original story was about. And sure, sometimes writers can succeed in telling personal stories through grand adventures. Just look at The Owl House and parts of Amphibia. But with those shows, it's established within the first few episodes that action and peril will be a series staple. With Tangled, while there was some action and peril, it's all very subdued compared to how high the stakes got raised in later episodes in the show. Especially in the series finale.

And, I mean, c'mon. You're making Rapunzel an action hero?

Judy Hopps? Yes.

Moana? Maybe.

Raya? Most definitely.

But Rapunzel? The character who’s all about optimism and seeing the best of others. That's the character you're going to morph into a hero that fights against an evil demon laid dormant for years? Did you even watch the original movie? Yeah, sorry, but I just don't buy it.

If you want to tell an epic story that gets the blood pumping for fans addicted to adventure, go for it! See where the wind takes you. But make sure to set that tone as early as possible while also making sure that it fits with the characters. If not, the end result is a series that feels like it's trying to be something it’s not.

Eugene is Kind of an Idiot at Times: It should be noted that Movie-Eugene and Series-Eugene are practically two different characters. In the film, Eugene was more or less the straight man, as he often questions the wackiness in the world around him and keeping Rapunzel grounded in reality. For the series, most of that personality got transferred to Cassandra. Thus making Eugene's new role in the series act as the egotistical imbecile. Sure, he had those moments in the film, but not as frequently, and it really pains me when the writers really lean hard into a minor aspect of his personality. Sometimes there are moments when Eugene acts like his original self. But it's all small scenes that are spread apart with entire episodes where he has half a brain cell. I'm sure some people didn't mind this change to the character, but as someone who adores the movie version of Eugene, I can't help but feel disappointed.

The Villains are the Worst: Now, I don't mean the one-off villains that show up, cause some chaos for a bit, and disappear at the end of the episode. Those are characters with fun personalities, occasionally cool designs, and do their job as villains of the week. It doesn't matter if their motivations are laughably simple, as their purpose is to be enjoyable characters above anything else. So I actually enjoy those villains...it's the ones that act as season-long antagonists that really grind my gears.

The purpose behind these types of foes is to build up how evil they are throughout the season. The issue is that the writers try to give these characters, or at least two of them, a point. To be fair, this can work. Just look at Killmonger from Black Panther and sometimes Karli Morgenthau from The Falcon and the Winter Soldier. You understand and probably even sympathize with the logic and reasoning these characters have. It's just that their actions couldn't be farther from what you would do. The problem with Varian and Cassandra is that they have the motivation, but it's not written suitably for the story.

Cassandra is a whole can of worms I'll get to in a minute, but Varian is someone I can easily discuss for a brief time. Because while I can comprehend his pain for having his father frozen in yellow rock, I don't think turning evil is the best decision to go with that character. Because A. Everything is his fault. He blames Rapunzel for not helping him, but even if she didn't have a crisis to deal with, there was nothing she could have done to stop it. His frustrations are not only unjustified, but given the fact that this wouldn't have happened if he listened to his father in the first place, it feels like him becoming evil is too drastic of a turn. And B. Varian worked much better as a supporting character rather than a primary antagonist. He was just this hopeful, if not a clumsy scientist who wanted to prove himself, who causes minor catastrophes due to not thinking ahead. Turning a character like Varian into a villain is a bit of a misstep because if the guy acts hilariously incompetent as a good guy, it makes little sense to have him be intelligent and ten steps ahead of Rapunzel when being evil. If he were to become more serious and careful when helping the rest of the main cast, I'd consider that character progression done properly. But becoming a villain is just an overreaction.

However, none of that compares with my issues with the main antagonist of the series: Zhan Tiri. This goes back to my problems with the series making itself too epic. Because if Zhan Tiri existed in any other show, I probably wouldn't have any problem with her. She's built up well throughout all three seasons and is kind of threatening at times. But she doesn't belong in a series based on a movie that dealt with a small, personal issue where it wasn't even the character who killed the villain in the end. It was her love interest and animal sidekick. Even if Zhan Tiri works well as a character, the fact that it doesn't feel like she belongs in the show makes her too distracting to enjoy. And that's why these villains suck. If not poorly written, they don't belong in a series that should focus on small-scale issues. And if you can functionally write an antagonist that appears for only one episode but flounder with ones that show up in several, well, that's just embarrassing.

Cassandra (Season 3): OOOOOOOOOOOOOOOOOH BOY, do I have some words to express with this character. Like with Movie-Eugene and Series-Eugene, Cassandra from Seasons One and Two is frustratingly different from the psychotic IDIOT from Season Three. Basically, just take the issues I have with Varian, multiply them by ten, add them with some bafflingly stupid decisions, and you still wouldn't get how much Season Three-Cassandra frustrates me!

First off, her motivation...what the f**k were the writers thinking? The big reason why Cassandra betrays Rapunzel and motivates all of her misdeeds was that Cassandra's mother was Mother Gothal...EXPLAIN THAT LOGIC TO ME?! Because Cassandra should know what type of woman Mother Gothal was. She should know what Mother Gothal did to Rapunzel in the first eighteen years of her life. So how is Cassandra being abandoned by Gothal the central motivator to cut ties with Rapunzel, who is probably an even bigger victim in this scenario!? Seriously, Rapunzel was cut off from the rest of the world and treated as an unknowing prisoner because she was beneficial to Gothal. Cassandra was adopted into a household with mutual love and got to actually live her life. In no way does it make sense for her to be angry at Rapunzel.

Nor does it make sense that the writers try to play it off as a good thing in the song "Crossing the Line!" Sure, it sounds nice, but thematically, it gives across the opposite feelings that the audience should have. Because if Cassandra cutting ties with Rapunzel is meant to be tragic and awful, why is the music suggesting it's the best possible thing that's ever happened for the character? If you like the song, fine, but even you have to admit that it's thematic nonsense.

But, sure. Cassandra's evil now, and she considers it a good thing. Whatever. I'll take it as long as it leads to good stories...but here's the thing: In the penultimate episode before the three-part series finale, Cassandra asks a question. A question I would have never expected her to ask, despite everything that has happened in the last season. A question that was so baffling, I had to legitimately pause the episode to process the fact that she asked something so stupid. Because Cassandra, the character who is intelligent and grounded in reality, asked, "Am I the bad guy?"

I was honestly shocked to find out she was shocked! How, in the flying, everlasting, cock-a-doodle-doodling F**K does a person like her not pick up that maybe, just maybe, she isn't the hero in this story!? Call me crazy, but endangering the lives of people you once called friends and family, dressing in black, AND HAVING A GIANT EVIL-LOOKING TOWER MADE OUT OF F**KING SPIKES aren't qualities I would give to a hero!

If Cassandra was like Thanos, a character so wrapped up in his ego that he can't even notice how evil he is, I would understand. But she doesn't have an ego. Anger, yes. But for the most part, her personality is based on having logic and reasoning. So turning her into a villain and having her unaware that she's a villain is an act of lunacy that I am incapable of understanding. I don't know who's idea this was, but whoever is to blame...you've got issues.

>Sighs<...This series isn't good, is it?

IN CONCLUSION

I like the animation and some of the characters...but that's not enough. Tangled: The Series/Rapunzel's Tangled Adventure is a mess of a show that tries to do too much for a story that should have so little. Meaning that it's a D+ for me. I want to enjoy it and give it a higher grade, especially with how much I hear people praise this series. And if you do enjoy it, all the power to you. Your opinions are valid, even if I highly disagree with them. Because for me, this is a show that I won't get myself tangled up in again in the future.

#tangled: the series #rapunzel's tangled adventure #rapunzel x eugene #tangled cassandra #tangled varian #zhan tiri #what i thought about

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mithranqueersmusings · 3 years

Text

I Think I'll Love You Too II

Chapter: 2/?

Rating: U

Summary: George and Ringo have been going out officially for a couple of months. Ringo anticipated that dating a stripper would be complicated, but he didn't understand exactly how complicated it would be.

Tags: Modern AU, Established Relationship

Pairing: George Harrison/Ringo Starr (Background McLennon)

AO3 link here / Fic masterlist here

The following clean-up from their nocturnal experiment was far from easy, the wax seemed to crumble into tiny pieces and was determined to cover each inch of the carpet. George was insistent on doing most of the work, a struggle of manners ensued in which Ringo was adamant that he should help but eventually gave in and took up George's offer to relax in the bath.

Soaking in the warm water, Ringo's mind began to wander to their first official date. It seemed like such a long time ago now, although it had only been a couple of months at the most. Ringo could vividly picture arriving at George's house for the first time and picking him up for dinner, bruises still dotted across George's pale skin from the somewhat embarrassing but retrospectively rather comical fall at the club. Ringo had struggled to figure out the best place to take George, unfortunately the only advice available was John's.

"He's a vegetarian." Ringo emphasised for the fourth time, John had once again offered up a meat-only establishment.

"Oh, well you could've told me sooner." John scoffed, sometimes Ringo couldn't tell whether he was joking or truly that oblivious.

"What about sushi? That can be veggie, right?" Ringo was fiddling with a bouquet of flowers that had been left on John's kitchen counter, a small card had the name 'Paul' written on it, punctuated with a kiss.

"Sure." John offered "You could always, and hear me out, ask where he wants to go."

Ringo rolled his eyes "Great advice John, thanks. What if he doesn't know either?"

"Then you're both helpless and you belong together."

In the end Ringo had settled on sushi, which only calmed his panic somewhat because he still had to find which sushi place was best. He'd forgotten all about how stressful dating could be, and it'd been a long time since he'd been a proper date. Eventually he settled on a fairly affordable place that wasn't too far from his house, he felt rather silly calling up to make a reservation an hour in advance but he didn't want to risk embarrassing himself by not having a table booked.

This struggle with the restaurant left Ringo only an hour to get himself looking presentable for the date, his closet was emptied onto the floor and bed as he rummaged around for something suitable. He felt like making more of an effort than usual, this was one date he didn't want to screw up, especially knowing how fashionable George was likely to look. In the end he settled on a paisley blazer, it had been a gift from John years ago and had hardly been worn, and a black shirt underneath which he experimented with the buttons of.

He left himself just enough time to brush his teeth, sort out his hair and tidy the room as quickly as he possibly could. Hurrying over to George's in the car, he'd almost forgotten to be nervous about the date itself. Almost forgotten, because as soon as he knocked on George's door Ringo felt a wave of dread washing over him. He hadn't even thought of any conversation starters, or what he was going to order at the restaurant. As he waited for an answer, the dread only festered further. Yet once the door finally opened, revealing George draped in a decorative kimono, all fear subsided.

"Hi." Ringo spoke, suddenly sheepish.

"Hey." George replied with a grin, stepping out onto the street and locking the door behind him.

The two of them looked at one another for a few moments, eyes tracing from head to feet with no words being said. George was wearing makeup: his eyes darkened with liner and mascara, his gaunt cheekbones sparkling with highlight and his lips painted a tempting shade of red. Ringo could see that he'd tried to use foundation to cover over the bruises on his face but it wasn't entirely successful, not that it mattered.

"You look great." Ringo managed to get out without stumbling over his words as they walked over to his car.

"Thanks, so do you." George responded but Ringo supposed he was only trying to be polite.

Passing a shop window, Ringo stole a glance at the reflection and found himself presently surprised at how good the two of them looked together. Ringo was even beginning to believe George's compliment, a surge of confidence arising merely from being stood next to George. He'd anticipated that George would only make him look worse, but there was something complimentary in how the two of them were dressed. It was a small boost that Ringo needed to quash his nerves, he was determined to not ruin the night just because he was feeling anxious.

"So... Where are we headed?" George asked, stretching his legs out in front of him.

"Sushi." Ringo replied more curtly than intended "Is that alright?"

"I love sushi." George answered cheerily.

"What a relief." Ringo chuckled "I'm not gonna lie I was struggling to find a place to eat, with you being a vegetarian and all."

George paused for a moment "You remembered that?"

"Of course I did." Ringo panicked for a moment, afraid he'd said the wrong thing and given too much away but the smile that spread across George's painted lips calmed him back down.

It didn't take them long to arrive at the restaurant, it was rather busy but not so much that it would become uncomfortable. Ringo still couldn't believe his luck, that he'd actually been able to get a date with George. Looking back on how their relationship started, it was strange to consider that they'd end up here.

"Is your face alright?" Ringo asked when they'd been seated, it was hard to not notice the swelling on George's lip.

"Oh yeah, it's fine." George provided evidence with a genuine smile "I've had way worse, don't worry."

"You fall over a lot then?" Ringo joked, looking down at the menu and feeling a little intimidated by the amount of choice.

"Only when I know you're there to catch me." George winked "No, I've had my fair share of scraps here and there. That's just life, isn't it?"

Ringo chuckled "Not in my line of work, no."

"Don't be so modest, I haven't forgotten when you beat up that creep in the club." George was studying his menu with far less fear than Ringo "Any idea what you're gonna order?"

"Haven't the faintest." Ringo read the same words over and over again as though it'd help him understand "What about you?"

"Hmm, I think so." George answered with a confidence Ringo envied "Want some help?"

"Please." Ringo smiled sheepishly, laying down his menu and looking to George for assistance.

The date was hardly going as Ringo had anticipated, but while George went through dishes on the menu with a clear expertise Ringo couldn't stop himself from smiling. The intimidating Spike was describing in detail the difference between maki and temaki with such delicacy, it was such a strange moment of realisation for Ringo that made him truly understand how far they'd come. Ringo realised too late that he hadn't been listening to what George had been saying but it didn't matter in the end because George ordered for the both of them.

"So..." George began, drink in hand.

"So." Ringo repeated with a raised eyebrow.

"How long have you been waiting to take me out?" George asked with a knowing smile.

Ringo half expected this line of questioning to begin, he only wished he'd prepared some answers "Does it make a difference?"

"I'm just curious." George leaned in a little closer, a devilish look in his eyes.

Ringo sighed "Now I'm debating whether to lie so you don't think I'm a loser."

"I wouldn't bother with that, I already know you're a loser Ringo." George spoke deadpan, staring without expression then burst into laughter "I'm sorry, I had to."

"And that's meant to encourage me to be honest?" Ringo laughed nervously.

"Come on, tell me." George sounded almost whiny, a tone Ringo had heard before but never in regular conversation.

"Fine, fine." Ringo conceded after drinking his beer "In all honesty it was probably the first time I saw you... Not that I thought you'd ever say yes, of course."

The answer seemed to satisfy whatever itch George had "Really? I'm that good looking am I?"

"Not to sound cliché, but have you seen you? I don't think I've seen anyone more attractive." Ringo spoke somewhat seriously.

George blushed just slightly, having to look away from Ringo's intense gaze "You're sweet. But why were you even in the strip club in the first place? You didn't seem too at home, at least from what I remember."

Ringo felt rather complimented that George even remembered how he'd been acting all that time ago, he'd always supposed he hadn't left much of an impression at all and whatever he did was surely negative.

"John dragged me there. He, uh-" Ringo stopped himself before saying too much "Thought it'd cheer me up."

George squinted his eyes in suspicion "What aren't you telling me?"

Ringo paused, debating the best verbal exit strategy but the good beer and even better food was slowing his thought processes "Uh... Nothing?"

"Oh come on." George kicked Ringo lightly under the table "You think I'm gonna judge you?"

"Well, yes... But fine, I'll tell you." Ringo chuckled, pausing for an anticipatory breath "I'd been going through a bit of a... dry spell, so to speak."

A grin spread across George's face "Seriously?"

"Seriously." Ringo repeated, hiding his shame behind his beer.

"I find it hard to believe that you were having a 'dry spell'." George rested his hand on Ringo's own, his finger tracing around the metal of the rings.

"Well, I'd, er- I'd still be having one if you hadn't come along." Ringo stammered "Shit, that sounds really pathetic, doesn't it?"

"Just a tad." George smiled reassuringly "I'm just glad I could be of service."

"For a while you were making it worse, actually." Ringo had finished his beer and was itching for another "With all my pent up frustration and then I see you undressing on that stage, I nearly lost my mind."

George chuckled, looking rather proud of himself "I can only apologise for being so tempting." He emphasised the word by running his tongue over his top lip onto his sharp canine tooth.

"No need to apologise, it's your job after all." Ringo tried to remain composed "And in the end it all worked out so... No harm done."

"My aching body disagrees." George pouted his still somewhat swollen lip.

"Well... That was your own fault really." Ringo joked, finally catching the waiter's eye so that he could order another beer.

"You're right, you're right." George's hand was still pressed against Ringo's "Hopefully from here on out all the pain will be consensual."

Ringo blushed "Hopefully."

Later that night it was clear that there was no longer any need to be hopeful.

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