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#I just realized how weird some of these posts are out of context
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The real ones start with Dasher before moving on to Prancer.
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notherpuppet · 7 months
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I know they’re probably not going to go into this (which i understand, there’s only so much time in an episode and they’re telling a different story) but I think about Al’s background a LOT. Get ready if ur in the mood for a read.
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To be a mixed Black person in America is a…bizarre experience. You come to realize that due to the coincidence of your genetic makeup, white folks may divulge information that they keep so closely guarded from the ears of “more obvious-looking” black folks. Im gonna bring it back to Alastor, but lemme give some personal context. I’m mixed with Filipino, so I’m pretty obviously not white, yet my ambiguous ethnic makeup in a predominantly white suburbia seemed to make white peers and people feel much more at ease in relaying their criticisms or prejudices of black people to me. I would hear someone feel comfy enough to spew vitriolic racist shit with me, then toe the line like a circus acrobat when around someone a few shades darker in skin tone and a few coils curlier in hair texture. It was constantly infuriating and holding my tongue was a practice to both investigate someone’s true nature and preserve my own safety. I did abandon that method of navigating life in America, and experienced the switch-up white folks made when I started ‘broadcasting’ my blackness. (E.G. beyonce pre vs. post Lemonade). The criticisms and prejudice confessions just came less often, til I saw them being caged up completely after white peers experienced backlash from me. After they realized “OH this bitch is a n*****!?”
Now this is from someone who is brown, but i also wanna talk about my white-passing cousin with a similar racial makeup as Al, who is from the south and oh BOY. (Let’s call him J for this post’s purposes). J’s navigation though simple daily life is such a constant contradictory experience, of which he is still working through in therapy. I think of one moment when he was manager at retail gig and his boss told him that whenever a Black customer enters, it’s policy to give them “exceptionally attentive customer service”. Essentially, “follow that n***** around”. This is just one modern incident of when J would hear the quiet part out loud, despite his Blackness, because his appearance was white enough to make white folks drop their guard. Eventually, my cousin and I took to the same direction where we used our advantage of disarming white folks against them when the time came. We would keep note and record of racism and unlock a sort of “this you?” when the opportunity to expose that person’s true nature came. It’s pretty vengeful thinking ngl, but it is really REALLY hard to resist exposing an asshole rather than attempting to teach an asshole to change their ways. Especially given that such an attempt is an ARDUOUS uphill battle. The experience of KNOWING the truth about what someone thinks of your people, and being opened to opportunities and information that you would not have access to if the chance of your genetics was only slightly different is bIZARRE, horrific, and fuel for constant inner turmoil. (It sucks y’all)
Now back to Alastor; to have been a mixed person in the Deep South in 1930s America—it’s not too difficult for me to imagine how traumatic and convoluted that experience must have been. Especially when legally and socially, things were so much more Black and White. And when you’re on the line in between that, when society does not prepare a place for your existence, it can be SO isolating. You may consider the absurdity of such an arbitrary method of determining class, status, and/or caste much earlier in life than peers, which only further isolates you. You hold a resentment of society now that you know exactly how the other side is operating to ensure your oppression.
And then I think of Al’s weird ass moral code. How he arrived in Hell and (according to Mimzy) began killing overlords with reckless abandon. This is someone who likely had to develop the cunning to navigate 1930s Deep South America as a mixed, murdering, psychopath without getting caught by authorities who are already gunning for you. And now he is in Hell where the rules of society have gone up in smoke and he can fully embrace his rage, resentment, and vengeance. A desire to burn down the powerful people of the world can be accommodated and ANY previous inhibitions can finally be released. The morality of rising above someone by cutting them down (instead of developing emotional/spiritual healing) has become the easier and satisfying option. Finally the opportunity to show the power-secure villains of the world how easily you can tear them down when nothing is holding you back any longer.
TLDR; The trauma of racism in America is pretty sufficient cannon fodder for a severe psychotic break, the development of socially debilitating behaviors and isolation, and a quest for profound vengeance. So maybe that can explain some of the enigma that is Alastor.
And this is just ONE facet of Al. I didn’t even get to bring up the isolation that comes with being an aroace nonbeliever in the 1930s Deep South. Like FUCK. I’m a mixed, aroace nonbeliever from a modern day conservative town and yall….what a weird experience for sure lol but anyway lemme get back to my life. Whole point of this was—-WHAT AN INTERESTING FUCKEN CHARACTER TO THINK ABOUT
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kyri45 · 8 days
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✨ShadowPeach Bio Parents Bio AU Q&A! 12/09✨
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Welcome to the Q&A! A space where I can answer related or similar question about the Shadowpeach Bio Parents AU! If you submitted your ask anonimously, then you’ll have to check the whole post if it’s answered here, if it’s not, worry not! Your asks might have been used for a future comic or just in the queue~
@snsp6 I really hope that this won’t change MK’s view on his bio dads :( Anonimo Hello! Wanted to ask or more so I am wondering, will MK start seeing Wukong differently after finding out he literally killed Mac and even after seeing their past and how close they were, dam the trauma, anyhoo I love your art and the Shadowpeach bio parent au! Keep up the great work! >:D
Oh it will. (In a good way? a Bad? that's for me to know and for you to wait a week to know)
@hopefulbelievertimemachine Imagine if MK found someone who recently found out that they were a demon and he comforts them cuz he had a similar experience.
Oh that would be sooo wholesome!!! It's one of my fav trope when there's another character who go throught the same exact thing as another character and the two of them bond over this.
@zammy357 Hello, hope your day/night is going well. I wanted to ask since me and a friend like your bio parents blog and wanted to know if we can use it for an arc? Our blog is called @amnesia-wukong-au. We wanted to ask before we started doing it.
Hi!! Yeah sure as long you tag me and the masterpost of the shadowpeach au
Anonimo Wait what is a glamour (in context of Sun Wukong and Macaque)
A glamour is a magic spell that changes/cover your appearance. Like in the show macaque should technically have 6 ears. for animation purposi I guess they are not drawing all of them, but we say he uses a glamour also for covering his scarred eye.
@clueless-simp ha chiesto: What if PIF, BDK, Sun Wukong, and Macaque (and most definitely Mei) did a "parent trap" tactic to get MK and Red Son together? Setting things up, getting them alone together, pretending they are all busy, and the only option is for them to spend time together under the sunset XD XD XD
Oh no that would end bad. like-comically bad.
@honeylavender27 ha chiesto: Imagine red realizing mk doesn't know about court napping and just invites him over one day. Red son: so I'm sure your wondering why I invited you here.. Mk: yeah it's kinda weird you didn't want Mei to come. Is everything ok? Red: perfect actually, I'll explain everything just enter here first please. Mk: oh ok -walks into the prepared courtnapping room and gets locked in-.....uh red? Redson: consider yourself courtnapped...
Ahah poor MK. I think they would make a disastrous courtnapping that would be the equivalent of the phrase "task failed succesfully"
@artgurusauce ha chiesto: ARGGGHHHH, they're SO CUTE! I love your bioparent AU so much! Altho I am wondering: When MK turns back to normal would he retain some subconscious paternal attachment to our ol boys here? Maybe he even calls Macaque "Mom" without realizing it...
@blazerratbluefire-blog ha chiesto: Plot twist of the century for the oblivious monkey men. MK remembers ~everything~ when he was a cub! I'm not sure if that is what is planned, but! It would be really funny! Especially if he just calls Macaque 'Mama' all casual and just walks away. While Macaque EXP. has crashed and is rebooting. Gosh, that would be so cute! I absolutely love your artwork, by the way! It is so adorable!
Can't answer yet. He does NOT have memories, but he will remember ONE thing...
@daniellemarvel4 Hi, fist off I love your work and can't wait to see what you do next! I was wondering who is more protective of MK when it comes to Red Son? Whether that would be Pigsy, Wukong, Macaque, or even Tang (mabye Mei but I don't think she could stay serious long enough). Also, can we see what Sandy's doing?
mmmmmm---- I think Wukong. Freenoodle is pretty chill with the DBK family after everything that happened. Mac is also quite alright since he was always in good relationship with them. I would say Wukong would just want to be sure his kid doesn't get hurt by the fire in any way
Anonimo I've been squealing, grinning, and kicking my feet going through the Shadowpeach Bio parents AU. Baby MK has been SO CUTE and fun. I wonder if he's going to remember or be embarrassed about it. Another part of me hopes that river is still in play so Sun & Mac can fall in and suddenly MK and everyone has 2 chaotic super-powered Baby Monkeys to take care off 😭 😭 😭
Anonimo ha chiesto: I almost cried they are sooo cute. I hope that we get more sweet family content. Loving the comic thanks for making it 💕💕💕💕
Anonimo ha chiesto: I don’t want the cure to work ! Or could it be like that: MK is such a powerful being that the Dosis Pif gave them, just wasn’t strong enough. Instead it only aged MK up a bit so now he is a small kid or a teenager but not a grown ass money man again. I am not ready to leave the monkey family stuff behind 🥺
unfortunately the river has been close untile further notice. (dw this wont be the end)
@cutvdo ha chiesto: Mei bribing Red Son with baby MK pictures
@luciferapollyon ha chiesto: I hope Mei, Red Son, Macaque and Wukong all got pics before they turned MK back
Anonimo ha chiesto: DHJSJDJDH LIL BABY BEAN! I wonder if Wukong and Macaque took any pics of lil MK while he was smol baby? She would keep them and use them as blackmail. (affectionately)
Anonimo ha chiesto: Your shadowpeach bio parent au is just perfect!! Thankyou for feeding the fandom with the nectar of the gods!!! Especially the one where mac slips into the bed after wukong waits all night. Like Mac would wake up in the morning and see him fast asleep and think of Peng asking 'is there anything Wukong could do that would break his hold over you?' and just seeing him at his most vulnerable right now he's like 'no, not when he always gives me a reason to stay.'
MY HEART
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@queen-of-purple-roses Wait if MK is experiencing Macaque’s memories then does that mean that Macaque can experience MK’s? Are they able to dive into each other’s minds?
So the thing is that MK is hearing the past from both POVs. Macaque by definition can hear ANYTHING so yeah he could definitely experience MKs memories. But the thing is-does he want to? I headcanon that his future-present-past hearing abilities are something he only used a couple of times, and because what he heard from them was so traumatic, he decided to NOT use them again (like wukong laser eyes)
@sillygothpartykid ha chiesto: I know everyone is asking you to make the gay monkeys kiss but I actually like how you are developing their relationship. You letting them work through their problems and feeling first giving us that sweet, sweet slow burn! Love your art btw!❤️❤️❤️
awwww ty!!!! yes pls slow burn for life.
@kraytherandomchick ha chiesto: Hey, love your ShadowPeach AU! (Started rereading it after crying from the season 5 finale hehe :'D) But there's always something that's kinda stuck in my head, if MK's no longer immortal, would Macaque or Wukong get sad at the thought of getting older and forced keep going without him?
So- *sigh* technically, we don't really know MK immortality status. it's a grey area for now. Because on one side, he's a stone monkey, who, by nature like Wukong, can perfectly age and grow like a normal monkey. On the other hand, he's technically died already, and by the time he was created by Nuwa, both his biological fathers were already immortal (Wukong bc yes, Macaque because he's a demon, and he can die from wounds and illness, but can't age)
So to answer: we don't know yet what's with him. we will see (I promise that)
@lmk4ever ha chiesto: I LOVE THE SHADOW PEACH BIO PARENT AU SO MUCH!! Mk boi is so lucky to have a artist like you and fathers like them. I want to ask, will shadowpeach ever get into a fight out of anger in front of Mk? Or did they moved on from that phase?
If they will fight it will be more of like- the 2 dads grounding MK. If they need to fight they learned that they need to go on another mountain to do it so they don't bother their child
Anonimo ha chiesto: Will we get a traffic light trio ship?
Probably not, but I'm all for dragonfruit/spicynoodle and having MK and Mei NOT dating each other at the same time.
@yuk1yun ha chiesto: If lmk season 6 isn't like your au, then I don't want to watch it
BRUH THAT'S THE NICEST THING I HEARD ALL WEEK
@conniescialla ha chiesto: HIIII!! ok scusa l'italiano ma letteralmente trovare artisti italiani ispira sempre quel momento patriottico alla YES ONE OF US MUAHHAHAH Scherzi a parte, il comic Shadowpeach bio parents Au è meraviglioso, si approva soprattutto l'hurt/comfort ;p
Tanti kudos!!<3
AAAAHHH CHE BELLO UN ALTR* ITALIAN*!!!!!
Anonimo ha chiesto: I really wanna see jelous wukong!!!!!! I dunno maybe some random demon trying to flirt with emo monkie or something and wukong is like oh hell no!! He is mine!! I think it would be so cute
he would become incredibly possessive and start hissing and growling like a tiger. NOBODY TOUCHES MY SOFT PILLOW
Anonimo ha chiesto: I think it would be so cute if Wukong would take care of sick Macaque! It would show Macaque that Wukong changed and is no longer like he was before. I wonder if Macaque got sick, would MK help or would Macaque be too stubborn to let anyone know.
I know everyone says Wukong is this great sage with incredible abilities in every field (and he is) but I would like to imagine that, since he needs to do these thing for Macaque specifically, he's so stressed over the fact he needs to do them perfectly that he fucks up lmao.
Like, he would try his best to take care of him and almost burn the kitchen in the meantime, while Macaque was only hoping the two of them could just stay more in bed cuddling each other
Anonimo ha chiesto: im just imagining Mac getting anxious becouse he cannot find baby MK and Wukong is there to calm him down
@shadowpeachera ha chiesto: Heyy I absolutely love your shadowpeach bio au, the drawings, the text its perfect! Did Mk every run off or get into trouble now that he’s a cub or even play games with Wukong and Macaque like hide and seek? That would be really cute. I can imagine them playing hide and seek while Mk discovers he can make shadow portals, meanwhile his parents are stressing and scared as they have no idea where he is.
i think both of them would freak out.
WAIT I HAVE THE PIC I HAVE THE PIC
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I'VE BEEN SAVING THIS PIC SINCE 2017
@nyx-daughterofchaos98 ha chiesto: Hi! For LMK, I watched a nature documentary on Monkeys the other day and a lot of monkeys correct each others behavior by doing something called “Disciplinary Nips” or “Discipline Bites” (This isn’t a sexual ask I promise) I think it would be absolutely hilarious, if Macaque and Wukong are napping together, and for whatever reason, Wukong keeps moving around, unable to get comfortable. And in his sleep-riddled state, Macaque gets annoyed and bites him. 🤣 Like; I’M TRYING TO SLEEP! KNOCK IT OFF! 🤣🤣🤣 And when Wukong does stop moving, Macaque does actually fall asleep. Even better is if Macaque wakes up and has absolutely No Idea he bit Wukong because he was half asleep at the time. Or he thinks it was a dream and ensue the shenanigans when he realizes it wasn’t.
OMG THAT'S SO CUTE AND SILLY AAHHHH!!! EVEN BETTER: what if they do this without noticing BEFORE they are like-actually romantically back together, and someone sees the mark bites AND THEY START TO ASSUME CERTAIN THINGS BRUH.
@tabs-tabi-tabby  Can Macaque help with MK’s clones? Or would that be Wukong’s area?
MK can't make the same clones macaque has. He can control a little bit his own shadow, and use that as a clone. so as long as it's his own shadow, it's more Mac area, if it's his own hair clone then it's Wukong's
@startdustmonkie ha chiesto: Does Mk and or Wukong know about Savage and Rumble? (If so how did they find out about them?) — (also: do Savage and Rumble see Mama macaque as a parent?)
@mushrum-soup ha chiesto: Hi just wanted to say I absolutely adore your shadow peach au it's literally the highlight of my week 💖I was wondering tho are rumble and savage just shadow clones in your au or similar to their Lego counterparts :O?
Yes they know about them. No they aren't his kids let's say. My own personal headcanon for the Au (or the show in general) is that they are both Macaque shadow, like- clones with a little bit of personality just like MK clones represent specific parts of his personality. He has 2 of them because he lived 2 lives, one before and one after he was brought back to life.
Anonimo ha chiesto: Just read the latest Shadowpeach bio kid comic, and i cant help but giggle a bit at how MK’s chirp woke Wukong and Macaque up lmao just the “and they snoozing- OH SHIT BABY CHIRPING WHATS WRONG-“
HE IS BABYYYY
@hellobur ha chiesto: Did you base when mk was reaching fr macaque after he was walking away because mk called him mama after this or was it a funny coincidence (mk also doe the pose but I can't find it lol)
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Also I absolutely love this story and your art your work is incredible! ^^
Omg LMAO NO I DIDN’T BUT NOW IT’S 100% MORE FUNNY
@dragonaboni-blog ha chiesto: Hi! First off, I love your art and your Shadowpeach AU, it's the reason I'm reactivating my own Tumblr account lol One of my favorite tropes in this story is "A gets sick and B takes care of him" so I'm wondering… What would that trope be like in the AU? What would the monkey trio be like when they got sick? Do any of them sleep through their illness? Or are any of them extremely dramatic like "These will be my last words…"? CoughcoughWUKONGCoughcough
Aaahh I’ve seen a lot of asks asking this one but honestly I don t know If I’ll ever draw that trope. Maybe bc Wukong should technically have canonically too much knowledge about general illness to be worried about normal daily life illness. If it was something more life-threating. Maybe yes, but I still have to cook.
Anonimo ha chiesto: Counterpoint: wukong can't handle spicy foods because he has no impulse control and his monkee brain wants him to only eat fruit and peaches
Ouch. Yes that seems about accurate for him lmao
Anonimo ha chiesto: About the lmk bio au.... we have seen that MK can manipulate certain parts of his body in the 72 transformations... so..... Wukong and Macaque could technically have children.
I’ll be 100% honest I have no idea if stone monkeys are…fertile?
Anonimo Hey there! I am in love with your art. LMK is something that came into my life recently and damn I love it so much! Love your AU, and I can't wait to see more of it. Funnily, since the baby MK incident I imagine this later on becoming a somewhat spark of many funny arguments later on. What I mean is I see baby MK has a favorite parent (*cough-cough* MacCRACK *cough-cough*) [Sorry with the name joke, couldn't help myself]. XD. And I imagine Wukong be a bit jealous at times and go 'Anything you can do I can do better XD' Also see lovely Redson have a thing for MK, and then I imagine him ask his parents about advice on pursuing his crush. "So who is the lucky girl?" "Well, you already know him-" *Spits out water* "You got yourself a husband?" "What, no I haven't yet-!"
Aww I don't think MK would have a favourite but definitely there are times where he wants one parent more than the other (play time with Wukong, nap time with Mamacaque)
Anonimo ha chiesto: Yknow what they say… like father like son! In the sense that they’re all gay /j
Oh yeah absolutely it's genetic/j
@wolfasketch ha chiesto: Mac being on the sunny side and Wuwu being in the shadows
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I know I'm looking into it too much but- AHHH!!!
That was unintentional but HOLY SIT U R RIGHT
Anonimo ha chiesto: Poor Red Boy never got to see baby MK! Imagine him just staring at the adorableness that is baby MK and being like 'I hope our future children look just like you OH MY GODS YOU'RE ADORABLE'. Baby MK: :3
Their child will literally be Kai from Ninjago so I guess THEY ARE RIGHT HE WILL BE
Anonimo ha chiesto: And then MK will wake up back to normal, confused, but proud that he managed to get them even closer?
100% yes
@drowning-in-webnovel-chapters ha chiesto: I can't imagine how the monkey dads are gonna try to go back to sleep after that, oof. Also Wukong definitely knows all that from when he used to help Macaque through visions, right?
Yup! He does indeed!
Anonimo ha chiesto: I’m guessing MK is getting a mini version of Macaque’s “can hear the past/present/future” thingy, did he managed to hear it accidentally or was he trying to learn more about his powers/Shadowpeach’s past ?
Yes, he was just wondering since last time that he found the sleeping cuddling with him, what exactly happened for them to rift away. Guess curiosity killed the cat
@aurabooboo ha chiesto: So. I'm rewatching season 5, right? I noticed that they almost had a yelling match with MK right in the middle. Would Wukong apologize to him for that?
These 3 have so much to talk about… i wont draw everything, but they definitely apologised offscreen.
@elianaroselight ha chiesto: It is quite telling how Wukong immediately knew what to do to help calm MK, but also, Macaque coming in with the perspective of having gone through it himself. The need for them to remain close by and wait until Mk is asleep before trying to leave. This means Mac has been through exactly what he is telling them not to do and knows the pain, sorrow and trauma that comes from feeling abandoned like this. They may be facing their past hurting their own kid through proxy and try to help him fight against the trauma. Luckily they have good people to help when they themselves can't. *looks at Freenoodles*
Yup! Their response is exactly related to what they do to calm the other!
@thenerdycupcake ha chiesto: So, does MK’s gold vision combine with his hearing sometimes so that he sees some of what he’s hearing from the past?
Oooohhh i guess he does! So he can literally see and hear the past!
@frogsfandoms ha chiesto: Omg why can I see after MK wakes up he thinks that it isn’t the past he’s hearing and that it actually just happened. Rushing to see if Wukong and Macaque are hurt and or trying to stop them from fighting 😭😭😭
Oohhh our baby still doesn’t want to believe it actually happened :(
Anonimo ha chiesto: Adult MK: OH MY GOD A SPIDER *desperate scared monkey noises* Baby MK: what's this? A 5 starts meal? *Tries to chomp said spider* He's gonna be sooo disgusted when someone tells him he tried to eat one fkdkdlfmfl
Oh poor MK. He’ll be teased about this for the rest of his days.
@sailera ha chiesto: Hello I have question about you Shadowpeach bio dads au- How would Pigsy react that his only employee turned to a baby? And hadn’t answered his phone in few days? Also love your art!! And your ISAT comic got me again interested in playing Sky ✨
Mk only became a baby for like- 20 hours. Mei told him that he stayed at FFM because he was ‘tired after training’. As of now Pigsy didn!t found out
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That's all for this week! Thank you a lot for all the asks!
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As a follow up to you post about mentors, just to make things fair, what are examples of Tikki being a bad mentor to Marinette?
Post in question for context.
Tikki often acts as the voice of the author. She's there to explain why Marinette is in the wrong. Since Miraculous has some wacky morals, that means we get a mix of good advice and wacky nonsense advice.
Two examples of bad advice that come to mind are Gamer and Strikeback. Gamer is the episode where Marinette stumbles upon an Ultimate Mecha Strike tournament, realizes that Adrien is taking part, and decides to compete so they can be on a team together. Marinette wins a spot through her own hard won skills and then this happens:
Tikki: All you wanted to do is spend time with Adrien, there are other ways to do that! Marinette: What are you getting at? Tikki: You know how much Max wanted to be in that tournament. Kim said he'd been training for it all year. Marinette: You're right. All I could think about was Adrien. 
This is how tournaments work, right? They're not tests of skill, but tests of who put in the most work or who wants to compete the most! That's why we had that scene with Marinette writing out her training schedule and motivations for evaluation, but she lied and that was wrong and...
Okay, I was the one lying here. There was no written evaluation because that's not how tournaments work. All anyone cares about is your skills. They don't care if you're doing this for personal glory or to get closer to a boy or whatever Adrien's motivation was because - notably - his motivation didn't matter in this episode about needing pure motives to be allowed to do things.
What if he didn't care about the competition and only did it to get closer to his classmates? That's not even a random guess. It's a valid read because Adrien ultimately gives his spot to Max while claiming that Max is the better player even though Adrien very clearly beat Max at the start of the episode. Ignoring that weird nonsense dialogue, why was it fine for Adrien to compete when he didn't care but wrong for Marinette to do the same? And Max wanting to compete to show off his skills is also a totally selfish motivation, so why does it matter that he wanted it more? Everything about this episode was nonsense and uncomfortably sexist. If Max wants to compete, then he needs to get better at the game. That's how competitions work.
Strikeback is the second part of the season four final and it starts with Marinette mourning the fact that "Adrien" has left Paris, leading to this:
Marinette: (crestfallen) It's all over, Tikki. Tikki: He'll be back, Marinette. He's just going on a voyage!
Which would be lovely advice if Adrien was a normal boy, but he's Chat Noir and Tikki knows that. She should be freaking out and trying to find a way to get him back to Paris, but then Tikki would have to support Marinette's actions and we can't have that, so instead Tikki gives this nonsense advice because she has to be against whatever "wrong" thing Marinette is doing today.
I could come up with a few more examples, but I think those two paint a pretty good picture of issue one re Tikki. However, when it comes to Tikki, my main issue with her is less a wealth of bad advice - unlike Plagg*, I think she's right more often than not - and more a lack of support. It feels like she's just here to judge Marinette and point out when she's doing something wrong, but a good mentor should be so much more than that.
Kuro Neko is a great example of this. When Chat Noir quits, Tikki just sits back and does nothing while her young charge is freaking out. She doesn't even try to defend Marinette when Plagg is going off about Chat Noir's "ill treatment". For all Plagg's faults in that episode, at least he's doing something about the situation. Meanwhile Tikki literally has two lines in the entire episode! A similar thing happens in Kwami's Choice where Plagg is the one driving them to act while Tikki just wrings her hands in despair.
Tikki: (sighs heavily) What can we do? Plagg: We must free them of that impossible choice. We must… free them of us.
These are not the actions of a mentor. Mentors aren't supposed to just offer judgement about things that their mentee has already done or is considering doing. They're supposed to be a source of support and guidance in hard times, but we never really see Tikki stepping in to give Marinette that kind of advice. If memory serves, she never offers solutions or acts as a sounding board. That role is mainly filled by Alya and I love Alya! It's good for Marinette to have support from a friend, but Alya is also a teenager while Tikki is an ancient being who has seen many Ladybugs go through the kind of struggles that Marinette is going through. I expect her to use that knowledge to help her charge, but she never does. This exchange from Passion perfectly highlights this problem:
Tikki: Don't worry, Plagg... my holder has decided to run away from her real feelings to pursue an impossible love with Cat Noir instead. Plagg: Uh, just to be sure, sugarcube, you do know that Cat Noir and my holder are one and the same person, right? Tikki: I do, but my holder doesn't. Plagg: If she declares her love to Cat Noir, something tells me she'll find out soon enough. Tikki: You have nothing to fear. When my holder is in love, she never gets anywhere. She'll just knit hats and make very complicated plans that will never come to fruition. Plagg: Hmm... ah, then everything's fine.
Tikki, I love you, but by the gods! With a mentor like you, Marinette doesn't need enemies to be miserable! Do you care about her at all??? What kind of mentor delights at their mentee's suffering? Not a good one, that's for sure.
*Quick note: I think that Plagg and Tikki are probably neck and neck for who has given the most bad advice, Plagg just feels like the bigger problem because we don't see him as much as we see Tikki. Since she's tied to the main character, Tikki gives advice in almost every episode and most episodes have decent morals.
Adrien's need for good advice can also feel more glaring because he's so isolated and passive. That makes Plagg's lack of good advice feel more harmful, but Marinette is just as isolated from real advice. Her mentor figures - Su Han, Fu, and Tikki - mostly give orders and judgement instead of support and guidance. It's just harder to spot that fact because Marinette is actively trying to do the right thing, meaning that she's more likely to make mistakes, and it's easy to see why she comes across as a lot less pathetic and a lot easier to judge.
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babbymochiiii · 14 days
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⊹₊ ⋆ᯓ★ street racer mark lee
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❤︎ ໋𓈒 street racer!mark x afab!reader; you can ride me...or you can ride with me.
ʚ warnings: not proof read, ngl i'm pretty lazy with the smut here...so bare with me cause i was losing the creative juice for it 💀, some boob loving, oral/fingering (f), p in v, unprotected sex (pls...use a condom), mark is drunk on pussy 🤷🏽, creampie x2, possessive mark, dub con, backseat sex, johnny being an asshole of not respecting your space, screaming match between mark and reader, and lots of curse words being thrown around one another. won't lie the second smut scene might make some of my readers uncomfortable due to the content it has and how mark just handles the situation, so i will be putting a little warning sign between the dialogue so if you wish to skip it you can, i don't think you need to have full context of what happens as i feel like the dialogue that comes after explains itself. 
ʚ to hear that songs that lowkey had some inspiration to this fic, here is the link to the spotify playlist i made; click here for street racer! mark playlist!
ʚ author’s note: yes this is me adding more about street racer mark from my first ever post here…but with a bit more fun >:) enjoy! originally, i did want to get this out before mark’s b-day, but my bf was in town from school and we’ll all writing plans went out the window and i had to take advantage of my time with him 😩🫶🏼 other than that note, i have been writing here and there for this post as much as i could or really come up with on the spot cause my brain is in a little :P mood for a while now so… ✨motivation is fast and furious ✨
ʚ word count: 7.4k words
❤︎ ໋𓈒 if you haven't read the past parts to this series, here is the series m.list!
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street racer!mark who loves the adrenaline rush he gets every time he races.
street racer! mark who is honestly pretty cold and straight forward with people but is a honestly a golden retriever with his tight circle. (He’s a Doberman basically)
street racer! mark from the first moment he saw you, he knew you were his.
street racer! mark who was ready to bash his opponents head into his steering wheel for even looking at you the way he did when you were set up as their flag girl (though he knew he couldn’t but that wouldn’t stop him)
street racer! mark who honestly catches johnny off guard when he acts all sweet and nice to you after you helped start the race he just finished (and won)
street racer! mark who realized he lowkey made a fool of himself when he asked you to be his sugar mama, but couldn’t help but feel his soul sore when he heard you laugh at his rambling
street racer! mark who knew the moment that you agreed to hanging out with him after his two races, you were meant to be his
street racer! mark who honestly cornered your friend into a corner and convinced her to give him your number after not seeing you for a month (he’s quite convincing without doing much)
street racer! mark who feels like a hormonal teenage boy feeling extremely nervous when texting you due to the fact that he wasn’t sure how your relationship with him stood
street racer! mark who the moments he sends the first text he throws his phone onto his bed before shoving his face between his hands because he knows that you have him whipped after one interaction
street racer! mark who jumps at the sound of his phone signaling that he had a new text message, and with a racing heart, grabs his phone and instantly felt his face heat up in ecstasy and a small laugh of embarrassment for not explaining that it was him in the first place when you asked who was texting you
street racer! mark who invites you out to the races tonight, shooting a blank bullet knowing it was hit or miss if you came out tonight or not; but to his delight you ended up saying yes causing him to jump up and let out a “HELL YEAH!” in the process while gaining a weird look from haechan as he walked passed his door
street racer! mark who watches your interaction with johnny from afar, his jaw set as he tries not to storm over. but the moment he sees johnny reach towards your hair and pull it out of the make-shift low bun you had something within him set ablaze and he started to make his way towards you.
“y/n! there you are!” he called out as he was close enough to be in your ear shot. “mark, hey!” you said as you turned and looked at him with a wide smile. “so I was thinking, do you possibly want to get in the car with me for my next race?” he asked you as he looked at you with a look that he knew you couldn’t refuse his offer. you have a look of hesitance. “i mean is that allowed? like dude, I’m not trying to break any rules that says I’m not supposed to do this so like—“ you rambled as you looked between mark and johnny for reassurance (it bothered him you looked at johnny with that look on your face and not just him…) “nah bro, you good. besides it’s sort of really freaking rare if someone sat in the passenger seat with the driver unless that person is on their team.” he made sure to reassure you as he placed his arm around your shoulders and bringing you to his side. you looked up at mark and gave him a wide smile of excitement, that to him, makes your eyes sparkle with said emotion. “then, yeah I’ll go ride with you.”
street racer! mark who can’t stop laughing at the way you scream his name out as he speeds down the roads. several squeals leave your lips as you also laughed out as he could tell was your adrenaline causing you to react in that way.
street racer! mark who can’t help but feel the pride swell in his chest as you cheer him on for winning the race.
street racer! mark who can’t help but hold in his laugh knowing that he caught you off guard with his slight flirt comment.
“all thanks to you.” “dude, you’re flirting.” you said as mark watched your jaw drop slightly in shock. with the small silence that falls between the two of you, makes you both laugh out over the moment.
street racer! mark who doesn’t think twice about leaning in (nor did he care) as he watched you lean in as well with hooded eyes.
street racer!mark who was ready to end johnny’s life as he knew he purposely slammed the car’s hood and squeezed in between the two of you for conversation.
street racer! mark who was trying his best to keep his cool in front of you as he continued the conversation.
“you should’ve heard how she was screaming at the top of her lungs.” mark said as he laughs about your reaction. “yeah i bet she was pretty loud.” johnny said with a cocky smirk while looking down at you.
street racer! mark who was picturing 1,000 ways of his killing his so called friend after the comment he made, but of course that didn’t stop for either of their slip up in front of you as they glared at one another with a knowing look.
street racer! mark who despite the fact he said goodbye to you with glee, he turned around back towards johnny, who he too was turning towards mark, losing the smile on his face as an intense silence falls before them.
"what are you getting at Suh?" mark said getting straight to the point. "don't know what you mean, Lee." johnny said with a smirk as the situation wasn't obvious. "you know i'm going after her." mark said as he felt his anger starting to take over him. johnny scoffs. "it's not like you laid a claim on her just yet mark. she's free game."
street racer! mark who knew with the way johnny smiled at him meant nothing good, and knew that if he wanted you to be his and only his, he had to find ways (and he always found a way)
street racer! mark who coincidentally bumped into you on college campus and somehow convinced you to hang out with him outside of the car meet (anything to get the upper hand)
street racer! mark who couldn't stop staring at you when he took you to a diner that is a couple miles out of town; you were scared of course, but mark reassured you that everything was going to be okay with him beside you (and dude has a gun with him so really yall are fine-)
street racer! mark who somehow convinced you to go with him to a tattoo/piercing shop with him.
"you're getting your eyebrow pierced?" you asked with an intrigued tone lacing around your question. "yeah, i mean, why not? been wanting to get one honestly." mark said as he gave you a quick glance as he continued to drive down the road towards the shop. "i think you'll look good with it." you said softly as you felt yourself blush at the thought of mark having an eyebrow piercing. suddenly, the thought was more than just innocent thought. mark is a very good looking man, you couldn't deny it as you felt yourself attracted, but for some reason the thought of mark having an eyebrow piercing....it makes you squeeze your thighs together. you tried to be discreet about it, as said man you're fantasizing about it right next to you.
street racer! mark who doesn't miss the way you clench your thighs together as you continue savoring the thought of mark having an eyebrow piercing. his free hand runs along the bottom of his bottom lip as a smirk stretches on his face at the thought of you getting turned on. the hand on steering wheel tightens slightly at the thought of you in such a way for him to the point that his knuckles turn white, before he let's go of his grip to calm himself down as you both have arrived to the shop.
"ready?" you asked mark as you both walked towards the front door of said shop. "ready than never, baby." mark said lowly in such a sultry tone, that it visible made chills run down your spine and for a slight blush dust on your face and neck, as you tried to look away from him, but he could read your body language by now and it only made him chuckle to himself.
street racer! mark who sits down on the chair the body piercer has in their room as they prep everything for the procedure.
when mark look's toward you he swears you're more nervous for him that he is for himself. "you okay, baby?" he asked as he couldn't help but smirk at you, but still took hold of your hand in his in a gentle hold. "y-yeah, just...you know. it's a big needle." you mumbled as you look down to where his thumb was rubbing gentle circles on your knuckles to distract you from your own nerves. "i'll be okay, don't worry too much for me baby." mark said as he gave you a small squeeze of reassurance.
street racer! mark who couldn’t help but feel his ego swell due to the fact that you couldn’t stop looking at him with his new piercing.
“you okay baby?” mark asked as he gave you a quick glance in the car before looking back towards the road. “huh? oh— uh yeah, i’m fine!” you squeaked out embarrassed as you looked at your hands resting at your lap. your nails are looking really interesting right now. mark smirked at your reaction before he continued to drive to your dorm complex.
street racer! mark who makes sure that everyone knows that you are his. does not give a flying fuck honestly at how people react when you’re with him, he knows has to stop it and doesn’t care how he’s gotta get them to shut up. but of course, there is johnny…who doesn’t know what isn’t yours, you shouldn’t touch.
street racer! mark who is fed up with johnny’s bs of blatantly flirting with you in front of him. to which he takes measures into his own hand and asks you out on an official date with him tomorrow night.
“on—on a date?” you asked him as he saw the way your face and neck started to flush in a delicate red shade. “yes, thought i’d make it official.” mark said as he leaned in slightly and tucked a stray piece of hair behind your ear. “i— yeah i would love to.” you mumbled softly to him as he let his hand linger softly on your cheek, causing you to flush deeper. “great i’ll pick you up, baby.” mark said as he placed a quick, tender kiss on your forehead. when mark stood straight, he looked behind you and saw the way johnny was sending him glares towards him, that mark couldn’t help but smirk at him before he took your hand and brought you to his car.
street racer! mark who goes all out for your first date with him. he was honestly a nervous wreck, but was pulling though seeing how brightly you were smiling at him, and just how your eyes caught the light just right...it made his heart go into overdrive at the sight before him.
street racer! mark who is such a gentleman throughout the whole date that you honestly can't help but make the first move on him when he dropped you off at your dorm room's door.
"i had a good night tonight." you said softly as you looked up towards mark with a small smile on your face and with a knowing blush resting on your face. "i'm glad you enjoyed it baby. anything for you." mark said as he looked down at you with a boyish smile playing on his face. something about the way mark looked in front of you had you in a daze. his black hair in a messy slicked back hairstyle with some strands of hair falling in his face. the classic leather black jacket he wore, this time with a white shirt underneath the jacket, black belt wrapped around blue jeans, as he wore black boots with his whole outfit. your mouth was honestly watering at the sight in front of you. "do you want to go on a da—" mark started but was cut off with the feeling of you taking hold of his shirt in your hand and pulling him down to your level. "—date?" "shut up and kiss me mark." you commanded softly as you eyed the way he licked his lips. without saying a word, mark leaned in and delivered one hell of a bruising kiss. nothing about the kiss was delicate like he was treating you all night. the kiss was straight passion that was breaking through the restraints that held around mark as all he's been wanting to do was devour you whole. there was some teeth clash, but neither of you cared as all you both wanted was to get closer to the other as you tried to fight for dominance in the kiss. you instantly gave up in trying to win for dominance when mark's tongue grazed along yours, causing you to whimper in the kiss as you felt yourself melting at the taste and feeling of him.
street racer! mark who was trying to be a complete and utter gentleman when it came to wanting to take things further with you, but didn't want to push things further if you weren't willing to push at the boundaries as well.
"baby." mark mumbled in the kiss before pulling himself apart, as much to both of yours protest. "i don't want to do anything you don't want to do." mark said as he felt your hands wrap themselves around his neck and find the length of his hair and pull at it, causing for a groan to escape his lips. mark felt himself twitch in his jeans as tugged again at his roots, causing him to bite his bottom lip and look down at you. "mark please...i need you" you muttered your plea as you looked up at him with such doe eyes and a small pout that mark knew that he was completely at your mercy.
street racer! mark who the moment you opened your door and walked inside, he had you pinned against the closed door.
"are you sure you want to do this?" mark said as he looked down at you where you were caged between his arms. "yes." you breathlessly moaned out as you arched your back where your chest grazed his, just to show him how willing you are. "fuck..." mark mumbled before he placed his had at the back of your neck and pulled you into another throb-inducing-kiss. clothes started to come off between the two of you as you walked towards your bed, where mark wanted everything to be comfortable, mostly for you. you were only left in your underwear as you laid so pretty under the dim lighting of your bedroom. mark swore under his breath as he watched the way your chest rises and falls in quick breathes. his eyes travel over the expense of your exposed skin. it didn't take long for mark to find himself between your thighs. he captured your lips into a gentle kiss, completely different from before. inviting as the kiss was, it quickly turned harsh and hot when you bit mark's bottom lip. mark led his kisses down your neck in open mouth kisses, leaving blossoming bruises on the juncture that was between your neck and shoulder. as mark's lips traveled down your sternum, you started to release more breathy moans as the ticklish sensations over your flushed skin. mark took hold of your plumped breasts into each of his hand and gave them a slight squeeze, earning a delicious moan from you. encouraged, he takes one of your hard nipples into his mouth and suck on them lightly while tracing the tip of his tongue over it. you started to mumble curses as mark began to stimulate your neglected nipple between his pointer finger and thumb. he pulled on the nipple as he simultaneously bit down softly and tug on the nipple in his mouth causing for you to arch your back off of your bed and moan out loudly. with a lewd pop, mark started to kiss down your navel leaving slight nips in his path. once he reached down your clothed cunt, he started to place small, quick pecks where your clit lays. seeing the way you reacted. without wanting to wait to devour you any longer, mark rips your underwear in half with a rasped promise; "i'll buy you a new one baby, don't worry." was the last you heard before a moan rips through you as he placed a hard press of his tongue between your wet folds. mark starts to eat you out in a rhythm-ed pace that his tongue and fingers followed as they went inside of you, curling the front of the digits against your gummy walls. as mark continued, he felt you clench around his fingers and tongue. with one last push and curl, he had you arching your back off of your bed with a loud moan as you came. mark helped you ride out your orgasm with slow thrusts of his fingers. as you came calmed down from the intensity of the orgasm, you failed to notice mark pulling down his pants freeing his hard, aching length from it's death trap. mark gave himself a few pumps before he leaned above you. he lined himself up to your gaping entrance, but wanted to distract you due to the fact he feels like he didn't stretch you out enough with his fingers.
mark placed his lips on yours in a searing kiss, that made you fully pull your focus into the kiss. as he continued to kiss you, mark pushed himself into your first ring of resistance. you whimpered at the sensation of the stretch, while mark moaned at how tight you felt around him. mark slowly pumped himself in and out, slowly, resting the waters a bit to see how you would react to his movements. as mark started to pick up his pace, you both completely lose yourselves to the sensation you were feeling. mark was completely weak in the knees as he felt the way your gummy walls milked him with each stroke. not realizing how lost he was in the feeling, mark speed up to such a delicious pace it had you rolling your eyes back and curling your toes. you could hear mark mumbling incoherent sentences, but you were able to catch some of the words that slipped out of his mouth; “so fucking tight.”; “she’s sucking me in so good— fuck.” ; “that’s it baby, take me just like that…”;“listen to her, she’s fucking talking to me.” with each sentence that you could catch beyond your moans and his grunts, caused you to clench around him uncontrollably, that only causes mark to keep losing the little resolve he had left. "baby, if you keep clenching me like that...i'm not going to last long." mark said as he felt himself just continuing his brutal pace that had him grazing against your cervix in such a delicious way, that you swore you would give this man whatever he wanted if it meant that he could keep making you feel the way you do right now. "mark, please...please i'm so close! i—" you choked out a moan as he started to go in such a much faster pace than he was before (that was surprising you in all honestly) that your legs were practically on his shoulders at this point for the way he kept leaning against you to kiss between the valley of your breasts, along the juncture of your neck and jaw. you could feel the long, burning tell-tale of your orgasm fast approaching, especially if mark kept up with the fast pace that his hips where sending against yours. making your entire body jump up against his thrusts. "fuck, baby you're so beautiful taking me the way you are and how you're looking at me." mark grunted out as he whipped a strand of hair that was clinging to your sweaty forehead. "so beautiful — shit — and all mine." mark said, and in that moment it was as if something officially snapped within his mind because if he was going fast now, he was going in faster (that you swore wasn't humanly possible but he was proving you wrong.) "say it." he said as his hand went down your navel, and pressed his thumb down hard onto your throbbing clit, causing you to arch your back at the sensation mixing in with his ruthless thrusts. "say it for me baby, please i need to hear it." mark moaned out, that sounded like an a whimper by the end. you knew then and there that he was close to his orgasm as much as you are as he wanted that one finally push and his hips started to stutter. "m-mark, i'm all yours!" you squealed out as mark started to rub his fingers in a messy side-to-side matter against your clit that without warning you came loud and hard. mark swore he was in heaven the moment he felt you clench his cock in such a vice grip that it was almost impossible to continue thrusting himself into you. but along with you, mark groaned as he let out his load inside of you (not really thinking of the consequences it could bring of course.) mark rode out his orgasm, while helping you through yours.
street racer! mark who watches you with such tender expression that it hurts his heart knowing how quickly you came into his world and took him off of the course he was on. (he's in love with you)
street racer! mark who slowly removes himself from inside of you with a groan, before quietly leaving your side to go to your bathroom to grab a soft towel to clean you up with.
you felt something gently graze over your sensitive entrance that caused you to let out a small whimper at the sensation. "hey...sorry i don't mean to hurt you baby. just trying to clean you up so we can go shower and sleep for the night." mark said gently as he lifted himself up and started to place sweet, gentle kisses on your face as he watched you slowly lift up your hooded eyelids that were heavy with sleep. "okay..." you said softly as you gave mark a small smile. you and mark looked at one another with such tenderness that you honestly felt like you were gonna go into some sort of cardiac arrest at the way your heart was beating out of it's normal pace. "hi." you said shyly as you didn't know what to say to him. mark chuckled as he saw the shy blush carry itself across your face and chest. "hi, baby." he said softly as he placed a kiss onto your forehead. "come on, lemme help you into the shower." he said as he placed his arms around your neck and the back of your knees.
street racer! mark who was absolutely incredible at aftercare that honestly made you want to cry due to the fact he paid such attention on your needs, that you just felt so loved.
street racer! mark who after your shower, gives you a shirt he found in your closet and brings you to bed. makes sure you drink your water, and that you get all the cuddles in as you both get some much needed sleep.
street racer! mark who hasn't seen you in a while due to you become busy with schoolwork as it became one of the busiest week of the school year.
street racer! mark who is excited when he steps out of his car in front of your school campus as he goes to the other side of his car to lean against it, to surprise you with a pick up ride from him, when the smile he had on his face falls as he sees you walking out with some guy at your side.
street racer! mark who can see the way you're smiling at him and tilted your head back in laughter, by the way your shoulders shook up and down, from what he said. whatever he could've said, couldn't be that funny.
street racer! mark who watches the way your eyes lit up at the exact moment that you looked forward again, that he couldn't help but feel reassured in himself when you left with a quick goodbye to the guy behind you and made a full sprint towards mark.
"mark!" you squealed out in happiness as you opened your arms open as you jumped into mark's waiting arms for you. mark spun the two of you around quickly as he held you in a tight hug that he wasn't quite ready to let go of you. "hey baby." he greeted you before he placed a kiss onto your lips. "what are you doing here?" you said as you looked up at him with such an infectious smile that he couldn't help the way his smile grew wider. "wanted to surprise you baby." he said as he tucked a stray strand of hair behind your ear. "ooh! a surprise, are we going somewhere?" you asked as you bit your bottom lip in excitement. "you could say something like that." mark teased you as he opened your door for you.
street racer! mark who lowkey disassociates as he drives on your way to your shared dorm room. he couldn't help but think about what he saw when he picked you up. something possessive paced within his chest, that honestly was slightly unsettling to him but he couldn't help but let the feeling grow and manifest inside of him.
street racer! mark who takes a detour from the original route that he usually takes to your place. he tried not to pay attention to the look you gave him from his peripheral vision.
⚠️CAN SKIP SCENE IF YOU WISH⚠️
"mark? why are we going this way?" you questioned quietly as you looked around the trees that were starting to surround you and the car. you were met with silence as you looked at the far out expression on his face. the silence felt so loud for you as you waited for mark to react to your question. as you opened your mouth to say something, mark suddenly breaks his car in the middle of the off-the-beaten road. silence once again takes over the two of you, creating a suffocating atmosphere in the car. you were about to speak up, but mark beat you to it. "surprise." he said in a mono toned voice. you felt a shiver run up your spine at the way he spoke to you. you've never heard him use this tone to you nor around you. it felt like a completely different person beside you. "surprise?" you questioned, afraid to add more to your question not knowing how his response is. "this is the surprise i have for you baby." mark said in a tone that was too overly sweet and it was starting to make you feel uneasy. "mark..." "who was that guy baby?" mark asked you as he tilted his head to the side, trying to seem innocent and curious. you studied mark's expression as much as you can as you tried to find some slip up on his end. seeing that he was being consistent with the front he is having, you sighed. "he's in a class of mine." mark hummed out as he looked past your shoulder with a small nod. "a guy from your class..." he mumbled out, still having that far out look on his face. when mark looked back at you, the look in his eyes almost made you flinch if he didn't reach over to you grabbing the back of your neck and pulling you forward. "why were you all smiles with him? don't you know you're mine? i don't get it." mark said as he looked down briefly before looking back at you. "why were you smiling at him?" he asked as he pouted at you. you honestly felt like you were gonna get whiplash. "i was being polite?" you questioned yourself at this point cause you didn't know how to approach it. mark just stared at you as the grip on the back of your neck tightened slightly as he adjusted his fingers. he reaches over with his free hand and grabs hold of you face, squishing your cheeks together to create an embarrassing pout on your lips. "get in the back seat." mark said with a side gesture of his head. you looked towards the small section of mark's car that he called his backseat. you didn't know what to make head or tail of. one part of you wanted to go cry about this cause you weren't sure where to put your emotions in, but the other part of you...she couldn't help but feel turned on by the situation you were in with mark. the way he let his possessive side show in such a raw way, made something primal rise within you. seeing that you weren't moving fast enough for him, mark repeated his command. "get in the back seat, baby." with a small gulp of uncertainty and of anticipation, you started to head towards the backseat. once situated in the backseat, you couldn't help but feel the tension rise as you saw the way mark was looking at you. a predator looking at it's prey. mark looked at you with such a predatory look in his eyes, pupils completely darken over with lust, it made you shudder and clamp your thighs together. he soon hoped over to the back seat with you and without missing a beat, he took hold of your ankle and yanked you down the seat to where he was above of you. a gasp leaves your lips as you looked up towards mark with wide eyes. without saying anything to you, mark takes holds of your hips and turns you around; ass up and face down. “mark can we please talk properly!?” you cried out as you tried to push his hands away from your hips as they tried to hook around the waist band of your skirt. "shh s'okay baby, i'm going to make you forget completely about your classmate." "mark! please..." you moaned out as you started to feel him play with your sensitive nub. "we're talking baby." mark said as he preoccupied himself with taking his half harden length out of the confines of his jeans.
“this isn’t how it’s supposed to be mark!” you cried out as you felt him push your panties to the side and start to rub himself against your slightly glistening folds. "i'd say this talk to going the way it's supposed to baby." was all he said as he continued to rub himself against your folds to the point where it was fully hard and dying to get inside of you. "besides you want me just as much as i want you. can't you feel how wet you are for me baby?" mark questions as he starts to tease your entrance with his swollen tip. you were completely torn. you didn't know what to do considering mark was not going to have an actual conversation regarding the situation the two of you are in. he just wanted to fuck this whole argument out of your system to get it over with and it just isn't supposed to be like that...you know this. but why was he making you feel so good about it. mentally you knew this whole ordeal was wrong but...physically you wanted him. you wanted to cry as you felt such intense and confused emotions, you just didn't know what to place what to what anymore. you truly couldn't find your voice in this situation, and it frustrated you to no end that you felt tears starting to sting your eyes. "please mark..." you whimpered out as you felt yourself starting to dissociate. "fuck baby, anything for you." mark said as he started to insert his length inside of you. as mark fully inserted himself inside of you he let out a pleasured moan, while you let out a whimpered cry. nothing that was happening to you felt real. absolutely nothing. mark continued pleasuring himself and you were completely disconnected. you weren't even sure if you actually came or you just faked it so it could be all over with. all you knew is that mark came inside of you, pulled out and covered you once again with your panties. letting his come ooze out of you and fall onto your panties, creating an uncomfortable feeling. "you're so good for me baby." mark whispered into your ear as he pushed your hair behind your ear and placed a chaste kiss on your temple. tears fell from your eyes as utter disgust consumed your entire being.
street racer! mark who has been noticing things have been rocky between the two of you since he picked you up from your class two weeks ago. but still has high hopes for the two of you as he sees that you are still reaching out to him in the best way you can.
street racer! mark who brings you to the car meets after the two weeks of rocky tension, to which he is completely happy and his "normal self" around you while he goes and does his races. and completely misses the way johnny watches your every move so he can have a chance to talk to you.
you were standing off to the side of the crowd in your own world as you waited for mark to finish his set races today. you were in your own world for so long, that you didn't notice that johnny has approached you until he waves his hand in your face. "oh..." you said softly as you blinked your eyes before looking up at johnny with a awkward smile. "hi, johnny." "hey sweetheart, you alright? i'm seeing you all alone and wanted to see how you're doing?" johnny says as he looked at you with a concerned look on his face. "oh i'm fine. just a bit tired from school and all." you said softly trying to shrug johnny off of you. "and mark's got you out here late? he should've just let you rest at your apartment." johnny said as he frowned his eyebrows. "yeah he wanted me to stay home and get some rest but i wanted to come out and support him since i know he has quite of few races set out for him tonight." you lied through your teeth as you gave johnny a smile. "you know..." johnny trials off as he rubs his hand on his chin before his gaze turned up on you. "...if you were my girl this wouldn't be happening to you." "excuse me?" you questioned as you felt a scoff leaves your lips as you looked at him in disbelief of what he just said to you. "i could be a better boyfriend than mark can be to you sweetheart." he said a he went to go and graze his hand on your face. you gently swatted johnny's hand away from your face before it made contact. "mark's not my boyfriend johnny." "oh really? he never made it official. this whole time i thought he has for the way he acts around you." johnny says as he rolls his eyes at the mere thought that mark has been with you for two months and hasn't grown the balls to make it official with you yet. "well...i'm not rushing him for making it official, johnny." you said as you took a step so you could create a space between yourself and johnny. "why are you even waiting when he's clearly comfortable in the position you guys are in." johnny says as he takes a step towards you, closing the space between the two of you. you rolled your eyes at him as you took a step backwards still trying to keep a good distant between him. not liking the fact that you keep distancing yourself from him, johnny takes hold of your wrist. "i could be a better boyfriend than him, angel." he whispers into your ear. "let me go!"
street racer! mark who finishes the first half of his races and looks for you the moment he parked his car. as he looked for you amongst the crowd, finally landed his eyes onto your figure. but what he saw was making him see red.
street racer! mark who sees the way you and johnny are both cozy against the other, as johnny holds you close to his form. even though he fails to see the obvious discomfort on your face, mark comes up with 1 to 1 million ways that this is you moving on from him and he just couldn't have it that way what's so ever.
street racer! mark who races towards the two of you. pushes johnny off of you and taking hold of your wrist in his hand and dragging you behind him to his car. damn the rest of the races he had planned out for the rest of the night...he wanted to deal with you.
"mark! slow down!" you cried out behind him as you stumbled on your steps as he was moving too fast for you to catch up to him. you were met with silence from him as he continued to drag you behind him. the only response you got from him was the hold on your wrist tightening to the point where it started to pinch your skin in between his fingers. the sensation causes you to wince. mark slightly faltered at the sound of your pained grunt, but continued pushing through the crowd towards his car. one you both made it to his car, mark opened the passenger's door and pushed you inside before he slammed the door shut. this causes you to flinch at the sound and the sudden jerked motion the car had due to the force of the car door slamming shut in your face. you honestly didn't know what was going to happen to you right now. you've never seen mark this mad before. yes...there was the instance with your classmate but this...this was a different mark. this wasn't the mark that you got to know. mark got into his side of the car with slam of his car door as well. without saying anything to you, he starts the car and has the car moving faster before you could get something into the tense air between the two of you. "mark—" "why do you do this!?" mark yells out as he starts to speed down the dirt road that leads out of the car meet. "do what mark!? what did i do?" you cried out as you felt tears sting the corner of your eyes as you felt yourself get frustrated as you knew where this was going to go now. "why the fuck were you so close to johnny? of all fucking people, him! you know how he makes me feel!" mark yells out as he slams one hand on the steering wheel. "mark...johnny was trying his usual shit on me yes! i was trying to get out of the situation but he wasn't letting me!" you said as tears started to fall down your face. "i don't fucking believe you." mark said with a scoff and a roll of his eyes. you felt your heart sink at the declaration he made about you. "are—" you cut yourself off as you felt a laugh bubble in your throat, letting yourself know that you are starting to fall into some sort of shock. "—are you fucking serious right now mark lee? do you FUCKING HEAR YOURSELF!?" you screamed out as more tears started to fall down your face in pure blistering anger. "i wouldn't be surprised if you've thrown yourself at him. i've seen the way you look at that motherfucker." mark says as he presses down on the gas peddle causing the car to jerk faster down the road. you looked towards the car's speedometer and was met with '100 mph' in bold, bright lettering. "mark slow down." you said as you stared at the speedometer and towards the outside of your window to see the dark sky and trees in a complete blur of speed. "mark slow down!" you cried out again. "just SHUT UP!" mark screamed out as he looked towards you with such intense anger in his eyes that you swore this man hates you from the way he is just treating you. you opened your mouth to say something but the next thing that you remember hearing was the sound of shattering glass and a gasp leave your lips, before your world goes completely black.
street racer! mark who groggily wakes up to intense bright lighting in his eyes, and he thinks that he simply left the lights on of his room again, until he starts to hear the slow beeping sounds around him.
street racer! mark who fully opens his eyes and takes in his surrounding to see that he is laying in a hospital bed, and his right arm is in a cast and a sling. he starts to wonder what happened, but all he can remember was the argument in the car with you and then everything went blank from there.
street racer! mark who gasps finally realizing that you were in the accident too and started to feel himself panic seeing that you weren't near him nor in the same room as him.
"you're finally awake." mark heard a voice say at the foot of his bed. mark looked towards the standing figure of his bed and recognized your best friend. he noticed the blood shot and puffy eyes she adored and couldn't help but assume the worst. "is she...is she—" "she's fine and thankfully very much alive, no thanks to you." she snaps as she gave him a look of pure disgust. mark rolls his eyes at her tone, but continues the conversation as if she never even spoke. "i want to go see her." he said as he tried to sit up but winces due to the sharp pain at his side. "you have bruised ribs, so i would lay down if i were you." she muttered as she sent daggers towards mark. "besides, i'm not letting you seeing her." she said as she crossed her arms across her chest and raised an eyebrow towards him as if daring him to challenge her. "the fuck? i can see her if i want. you don't get a say in that!" mark said as he started to feel his anger get the best of him. "you are the reason she is in a hospital bed right now! you are the reason she has a fucking coma!" your best friend yelled out as she pointed an accusing finger towards him as she tried to hold back the tears that are stinging her eyes due to the pure anger she was feeling. "a c-coma?" mark said as he looked at her with wide eyes. "yeah, a coma. the doctors don't know when she will wake up...the chances are low."
street racer! mark who felt his entire self being shatter at the thought of you not remembering anything that has happened.
"a coma..." mark muttered to himself as he felt himself start to zone out due to the shock the news brought him.
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ʚ a/n: to be completely honest with you, i wasn't really expecting to take it this way but i honestly like how it turned out because it adds a bit of drama to this fic and truly shows the persona i created for mark in this au. just wanted yall to go through what the reader goes through in seeing his true persona! lemme know your thoughts!!  
⭑𓂃taglist: @hyuckshinee @yesohhsehun @sfsrm-blog @rockstarhaechan
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noneorother · 11 months
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All the music you didn’t hear: The Good Omens soundtrack is lying to you. *Part 1*
The Bonkers Meta Series part 2: Electric Boogaloo.
I so rarely get a chance to misuse my experience in classical music, but here we are. When I realized on my most recent watch-through of the series that the David Arnold score was brilliant, but also really wonky in some parts and I couldn’t put my finger on why, @embracing-the-ineffable suggested I listen to the album soundtrack to compare.
And when I tell you what I found hidden in there, you’re going to need Eccles cakes...
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1) The Song is the Clue
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So right up top we have this banger. The 12th track on the album is the orchestral backdrop to the scene in the Job minisode where Aziraphale reveals Crowley’s crow/goats. The duration is 2:22 (the only track with multiples on the album), and if you look at the track by itself it doesn’t mean much. But the song just before it is actually from this fucking scene:
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You know, the one where there’s a song that’s a clue to a mystery. Except Clue is capitalised, and Aziraphale pronounces it. I’ve seen guesses that this is a reference to the movie Clue, but I would put a lot of money on the fact that we are supposed to read the title of the song currently playing at that moment in the show *as a Clue*, which is super convenient, because the word Clue is capitalized in the track listing. 
Seems like the overlords of Good Omens have a message for us : The song is the Clue. It’s what God wants. Cool cool cool. WHAT SONG?
2) Symmetry in all things 
Before I straight up tell you, we have to go back and look at season 1.
Now I’m far from the first to notice tons of parallels between the story, details and even lines in both seasons. It got me thinking that maybe there are some fun synch-up parallels between the two season’s soundtracks, seeing as they are both 6 episodes long. Here’s the end of S1 and then S2
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Oh that’s a bummer, I thought to myself. 
They don’t even add up to the same number, or playtime, and neither of them is exactly 60 tracks. But do you want to hear a secret? S2 is actually missing 3 tracks on the album. And because there are 2 discs in S2 (cute), the numbers of the tracks start over again from 1. Remember how much God likes sevens? Check out where all the weirdness is happening in disc 2 (I’ve added the missing track listings in red to add context):
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After checking each track with the show and listening side by side (for reasons that will become clear in another post) I can definitively say that there is something *very weird* going on at the end of episode 4. 
First is track 7, Zombie dressing room, which seems to actually reach over two distinct scenes of the photo evidence in the dressing room and then Shax in hell even though it only has one title.
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But *between* these two scenes we get an eerily silent wine date with Aziraphale & Crowley.
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There’s really no music or even sound here besides the dialogue and room tone (until after the cheers), and it seems like a very intentionally silent version of a ritz date from season 1.
My best guess is that we are supposed to divide that track into two tracks of 7, before and after the date to get a second track 7. Or maybe the silent one is missing music? The third track number 7 is the weirdest one. It’s this scene here, when Nina parks her bike, and Aziraphale parks the car at the end of S2E4.
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If you take a close listen to the music, it’s a jaunty little piece, with an oom-pah base in 3 ⁄ 4 time. The thing is, this music does not exist in any Good Omens album. Please feel free to correct me, but I’ve tried to find any part of any song that this could even be a reprise of, and I Shazammed it to be sure it wasn’t anything else. This song does not exist anywhere except in this scene. (It quickly morphs into a reprise of the original theme once Nina leaves Aziraphale). It’s an invisible song.
So we have 3 tracks at the end of S2E4: a long one, a silent one and an invisible one. Only one of which is numbered 7, but that all fit into that place in the track listing.
Which, when we add the two extras to the original total of fifty-nine we get... sixty-one! Hey wait a minute.
How are we going to get to 62?
3) The real missing track. 
So the real reason we had to go back to the S1 album was because it contains the missing track that God is talking about. Let’s compare the last tracks on each album.
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I’ve highlighted the mismatch between the in-show music and the album in S2, which means I had to add A Nightingale Sang in Berkeley Square back into the S2 album because guess what, it’s not in the S2 album. Even though it plays in the show. 
You want to know how not in the album it is? Amazon had to track it in the show as a season 1 song. They had to give Tori Amos credit for her song on Good Omens in the X-ray bonus features because that’s how not in the album this song is.
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So my fellow beings, if the song is the Clue, then It’s what God Wants.
And if God wants a happily ever after with Aziraphale and Crowley on their own side, then by Job, I think Neil is going to give it to her.
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And there's more where that came from! Part 2 coming shortly.
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i-tripped-on-a-rock · 3 months
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more low effort art of Alejandro and Noah!! I love them sm,,,, (I actually don’t like this drawing as much but it’s not horrible so I thought I would post it)
Some more of the fic out of context:
“The challenge begins in ten minutes! You kids have fun, I’ve got places to be!” Chris says into his large megaphone as the helicopter begins to take off. Noah rolls his eyes and hugs his arms closer to his chest. Cold and angry is never a good combination. Next to him, Alejandro scoffs quietly. Noah glances over at the taller teen, eyes still obscured by his sunglasses. Alejandro’s mask of “calm, kind, and flirtatious” is no where to be seen. The rest of the contestants are further away, and he hasn’t noticed Noah’s eyes on him yet.
“¿Qué ‘lugares’? ¿Una residencia de ancianos?” Alejandro mutters. He clearly didn’t mean for Noah to hear what he said given how quietly he spoke, and it took all of Noah’s self control to not burst out in startled laughter. He bites his bottom lip to suppress a laugh. His Spanish isn’t great-he’s barely conversational- but he understood enough. “What ‘places’? A retirement/nursing home?”
There was something about the way he said it that set Noah off. Alejandro had this air of irritation to him that Noah sees every morning when he looks in the mirror. He’d never seen the teen more unhappy to be here than in this exact moment, and it only made it more funny to him.
Every once in a while, Alejandro’s mask would slip up and Noah would get to see through his facade, even if it was just for a split second. He would make some sarcastic or mean comment, or just glare at a contestant. The mask was never down for more than a moment, but Noah noticed. Alejandro… he wasn’t that bad in those moments, if Noah was being completely honest with himself. The mask would slide right on the moment he remembers there’s people around, or when someone talks to him. It was like whiplash, despite how minor the changes were. It was almost impressive how much of a difference a few relaxed facial muscles and a charming smile could make.
Noah realizes he failed to suppress a snort at Alejandro’s comment when the other teen turns to look at him. Noah freezes like a fever in headlights as Alejandro stares at him. What surprises him the most, however, is that despite Alejandro realizing someone heard him, he hadn’t tried to hide behind his facade again. That irritating smile that Noah hates so much isn’t anywhere to be seen. Alejandro looked like he was silently speedrunning the 5 stages of grief before finally landing on confusion. It wasn’t until Alejandro began to speak that Noah remembers that he’s not supposed to know Spanish.
“Do you-“
“Sorry! I, um-.” Noah blurts out, frantically searching for an excuse and praying to any god that’s listening that his sunglasses are obscuring enough of his face to hide his panic, “I. I sneeze weird. I have mild anemia and get cold easily, and it’s already cold as hell here.”
Not a complete lie- he does mild anemia- but he’s basically rambling. Before Alejandro has the time to doubt or question him, Heather yells out to them.
“You two losers better get your asses over here! I will not have my win be delayed!” She’s stood further away from them with the rest of the contestants a bit away, stood in front of the beginning of the next challenge. Noah gladly latches on to the chance to switch topics
“Careful with all the cursing on camera, Heather! We wouldn’t want Chris to chop off all your hair again!” Noah calls back has he begins his trudge though the snow towards the challenge. He avoids Alejandro’s stare as he walks past and hopes he won’t push the issue. It’s too early into the game to be making mistakes, especially when it involves his biggest threat.
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killsaki · 1 year
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implode — there’s only so many feelings one can hold in, especially with bakugou blood in their veins.
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bakugou katsuki x little sister!reader
6.7k | minors dni | read on ao3
cw / tw : incest, drugging, hinted noncon gangbang, scummy!denki+sero+kiri, aphrodisiac, weed, alcohol, fingering, creampie, reader calls bkg ‘bubba’.
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is it hard being the sibling of a prohero?
of course! they disappear for days to weeks at a time—leaving for training, meetings, press events, and then for missions. you go from having them all to yourself, to sharing them with the world. from being their number one fan, to merely feeling like one amongst a million. and there’s so many things to worry about, from them going to work and never coming home, to a villain coming after you out of spite of being captured by said sibling.
those all sound logical answers to the question, normal ones. hence why you’ve practiced saying them so many times in case anyone ever asks.
but, truly, you knew most of those were things you’d never have to worry about. not when you’re the younger sister of none other than bakugou katsuki.
your brother being, well.. himself, was enough to keep any thoughts of danger from your mind. he was too fast, too strong, too skilled, too protective for anything to ever happen to either of you. but this peace of mind only gives room for you to dwell on other things.
like the social media ‘famous’ girls who just don’t shut up about how hot your brother is—which shouldn’t bother you so much, not in the stomach churning, phone gripping way that it does. and you could blame your intense reactions on the fact that you have to see it literally every time you try to scroll down your timeline, or that it’s just weird that your brother is suddenly getting so much attention.. but that's less believable than the first excuse to you.
and then there’s the out of context candids posted in tabloids of him saving civilians, who understandably look at him so longingly, and then there’s a picture painted of him as some kind of bachelor. to make matters worse, said online articles become almost impossible to escape no matter how much you try—partially thanks to your old school ‘friends’ sending them to you asking for all the details to share with their group chats, as if you’d tell them.
to top everything off, your brother, as doting as he is, never has time for you anymore. despite how you live with him, have your own room and bath in his unnecessarily large condo, and even have a card to his bank account for anything you could possibly need—still, you rarely see him. he’s so consumed in his work, from partols to missions, and when he’s not on the clock he’s forced to do press and modeling for whatever goodies they want to slap his picture onto.
and you could never hold that against him, not when he’s been working towards this his whole life. but still, having just a moment with him could cure all the thoughts that hang heavy in your mind daily. just a second to be reminded that your brother is yours, all alone. that you’re the only little sister he’ll ever have, the only girl he’ll ever need.
luckily for you, a day comes that your brother gets a day's break—more like he’s forced into a vacation as he never takes any days off. and he’s able to lounge about, meaning that he’s sitting on the couch in sweats and bouncing his leg waiting for someone to call his phone saying he can finally come to work as if being away from it was excruciating. you could giggle at the thought, what person besides katsuki would rather be out fighting petty criminals than relaxing on their own couch.
“did you hear me?” he questions, eyebrows furrowed slightly as he looks over at you.
you shake your head, too caught up in your thoughts to realize he was even speaking to you.
“the guys want me to go over for a bit. i won’t be gone long.” he repeats before turning back to his phone screen as he finishes typing.
your heart jumps into your throat. tonight was exactly what you’d been longing for, time with just the two of you, so you could reassure yourself the importance of the role you have in his life. so that you could have katsuki all to yourself. so that you could pretend for just a little while, that he’s just your brother again, not the hero you have to share with the world.
“i wanna go too.” you spit without thought.
he shoots you another look, lifting a brow as he blinks at you. “i want to come hang out too.” you say again as you chew at your lip, unable to back out of the situation your loud mouth has already gotten you into.
“no.” he replies back coldly, pushing himself from the couch before stretching his arms up, revealing the bottom of his toned stomach as he does so. “there’s going to be a lot of people, and drinking.” he looks at you out of the corner of his eyes before mumbling on. “and denki’s gonna be there.”
you snap your gaze up to him in confusion about the mention of a certain friend of his. but, he doesn’t let you get any questions out, heading off towards his room to get ready to leave. you pad right behind him, arms crossed while you walk, letting out huffs every few minutes just to remind him how you’re not going to give up. you sit on his bed as he collects an outfit to wear and little things he needs for a shower, noticing how he avoids making any glances in your direction.
it’s not until he’s already fully showered and starting to dress himself that he cracks, groaning as he looks at you.
“go fuckin’ get dressed.” he orders with out any actual malice in his tone. “once i get in the car, i’m leaving.”
your brother is many things, but a liar is not one.
so, you race to your room, tearing into your dresser to slip into that one outfit you’d been holding onto, hoping to wear the next time you’d gotten the chance to go on an outing with katsuki. though, you’d pictured something with more room for alone time, you suppose it would work at a party with his old friends too.
you’d just finished touching up what you need in the mirror as you hear his car engine start up, giving you only seconds to force yourself into your shoes and jog out to his car.
“you stay by my side until we leave.” he looks over at you, while you reach over your shoulder for the seatbelt, his crimson eyes squinted warningly. “i mean it.”
he didn’t mean it.
it’s not even half an hour after you arrive, barely finished shoving your way through the sweaty bodies crowded in someone’s living space, hardly enough time enough to adjust your ears to the shitty music and screams of laughter—something catches your brother's eye, to which he leaves you in the hands of his old classmate. ‘be back in a minute’, he says, pushing you into the red head’s side. but it’s not a minute, it’s been thirty and you haven’t managed to spot the blonde mess of a head, not even from your seat on the kitchen’s counter over the crowd merely feet away.
“what’s wrong?” kirishima raises his eyebrows slightly at you from behind his solo cup.
“just expected to be with kats’,” you huff, fingers twiddling with the end of your skirt. “kinda the only reason i came.”
he nods, glancing down into his drink before peering over his shoulder.
“want a sip?”
you know that you shouldn’t, how mad your brother will get at the both of you if he shows up to find you wasted and slung over his best friend.
“it’ll help you relax, at least until he gets back. i won’t let you drink too much, i promise.”
you can’t resist the small smile he gives. he’s so warm, safe. being with him is almost the same as being with katsuki, almost.
one sip turns into two cups, and suddenly it’s not just you and eijiro anymore. sero and denki showed up somewhere along the way. but, it’s fine, you think. they’re heroes alongside your brother, and they’ve known him long enough to know any better. only, in your slurred thoughts, that voice in the back of your mind starts to hope otherwise.
they’re all undoubtedly handsome, the three of them much taller than you despite the height difference amongst themselves, and all so strong. there’s sero with his shaggy black hair, signature grin and pretty ring clad fingers that grip the cup he’d been babysitting since he’d walked over. denki and his pretty pink lips he never stops running his tongue over, his slightly whiney voice and golden eyes that just get so much deeper when he looks at you. and then of course, kirishima, who’s just so unreasonably big, length and width—wait, that's… not the right words. but now you wonder—
“what are you smiling about?” the blonde asks from where he’s propped on the kitchen’s island across from you.
you shake your head, biting your lips when you realize how caught up in your thoughts you let yourself get with them still right in front of you.
“i was just thinking.” you let out, trying to look anywhere but at kirishima.
“thinking about?” the voice pipes in from beside you, resting his head on your arm as he leans back to look up at you. your heart races a bit when you can physically feel how close he’s gotten to you without you realizing.
“yeah, you’ve been so quiet. not really living up to the bakugou name.” sero shakes his head with fake disapproval.
“my brother’s not that loud.” you giggle, knowing it's a lie before it even hits your tongue. “i was just thinking about how i never see you guys, you’re so different than you were when i met you back at the graduation.” you sigh. “he never lets me go out with him when you guys invite him.”
you miss the look that hanta and kaminari share, how the corners of the blonde's mouth perk up for a split second before he paints on a confused expression.
“when do we invite him out?” he asks, tilting his head slightly when you look up at him.
you nearly mimic the movement when you register his words.
“always?..” you ask, but glancing at the dark haired man and the red head who share the same confused expression, you don't need an answer. “but he… i’m so confused.”
you can only blink, staring at the black side of the fridge, thinking back on the rare nights that he gets off with enough time to do anything besides shower and sleep. how he’d knock on your door, letting you know he was running over to one of ‘the guys’ house before it got too late. he was never gone too terribly long, but that’s just how your brother is. you always thought he literally only went to say hi and came home—wanting to get enough sleep for another full day of hero work. that’s the only thing that made any sense.
“hey, don’t worry about it.” kirishima’s large hand has somehow found its way to rub soothingly at your side, arm now wrapped behind your back.
“i’m sure he could’ve meant midoriya or something.” denki still wears a straight face, speaking with faulty concern.
sero stays quiet while he pulls out his phone, scrolling through something and finally starting to sip out of his cup.
“i should go try to find him.” you go to slide off the counter when denki speaks up again.
“i think you should stay with us.”
the words send a gut wrenching feeling to your core, your body screams to get away, but you fight it.
“why?” you dumbly ask, the smallest bit of curiosity keeping you.
“your brother’s busy.” he shrugs, bumping sero’s shoulder with his own.
the long fingers you were admiring minutes ago faint against yours as he hands you his phone, the screen showing a man you recognize unmistakingly as your brother, dressed in the outfit he’d worn tonight. his arm snug around some girl's lower back, ducked down with his mouth to her ear, the camera’s quality is shitty but even so, you can still see the way their bodies are pressed together. you feel your heart sink, though, you’re not entirely sure why.
you let yourself get slotted back into kirishima’s side, finding a sense of comfort in the weight of his arm around your shoulder as they walk you to the glass doors at the back of the house.
“don’t looked so bummed little baku’!” denki shoots you a grin. “we’ll keep you entertained for the night.”
the air is warm outside, not helping to cool your cheeks that are still hot from the alcohol. the four of you end up sitting on some cushioned benches near the middle of the yard, surrounded by small bushes. it’s much nicer than being inside, but you’re not entirely sure why they brought you out here. not until sero pulls out something rolled and a lighter. you watch as he puts it between his lips, lighting the end and inhaling til the end burns red without the flame. you forget to look away whenever he exhales, giving him the chance to catch you watching him.
“you want to hit it?” his voice suddenly sounds like silk, acting like ties as it’s doing everything to pull you in despite the way your nerves are still screaming at you.
“i’ve never smoked before.” you laugh awkwardly. “my brother would kill me.”
he flashes that big toothy grin, shaking his head for the who-knows-what time that night and you know you’re in for it whenever you see your brother again. but just for this second, you think it’ll be okay.. if he’s busy with some girl when he told you he’d be by your side for the night, then you can have fun with his cute friends.
“he doesn’t have to know.” sero pulls you back to the moment in front of you. “come here, i’ll teach you.”
you’re moving without thinking, giggling again at the way he shoo’s denki from beside him so that you can sit. he teaches you how to breathe it in easily, but how not to take too much. and you do exactly as he says, letting him put it on your lips, you pull in a slow but shallow drag. holding it until he tells you to let it out.
“good girl.” hanta smirks, the warmth of his hand holding your jaw as he moves the damp paper back to your mouth. “now do it again, just like that.”
you listen, thinking nothing of it. thinking nothing at all, actually. you can’t. the flood of warmth lingering in your veins from those drinks that you’re just realising were much stronger than you thought and the clouds now fogging your consciousness, too much to form any kind of thought.
“here, try this.” you hear from the side- no, in front of you. denki’s leaned over with a diamond shaped candy on his palm.
you hesitate, but not able to talk, body already working overtime to remember how to breathe properly.
“it’ll just make you feel good, i just took one too.” he reassures, gesturing again for you to grab it. if you could feel your body right now, you’d feel every single inch of it aching to run. you’d feel that same feeling in your stomach as it started to churn. maybe you would’ve listened this time. but instead all you can feel is the race in your chest as you eye the light blue against his pale skin.
“c’mon.” kirishima’s showing off his sharp teeth with how wide he’s grinning, trying his hardest to be just as reassuring as he was to get you to drink with him a while ago. “we’re your brother's best friends, you know we wouldn’t let anything happen to you.. even if he is busy.
you take another deep breath, nodding. right. katsuki wouldn’t let anything happen to you.
“let me.” denki’s suddenly standing over you, candy- pill pinched between his fingers, a grin just as big plastered on his face. “open up.”
you miss the devilish intent hiding behind those smiling faces. you miss the almost telepathic conversation they all have in the glances they share as you flutter your pretty eyes closed, letting your tongue fall out for denki to drop the pill on. it hits your taste, dissolving almost immediately. you swallow the bitter grainy bits, grimacing as you only have your spit to get it down with.
“give it just a few minutes.” the blonde speaks again, much more eagerly this time. which should alert you, all of this should.
you could blame it on the alcohol you have a low tolerance for, on the weed you’ve never smoked, on the fact you trust anyone who attaches their name to your brothers. but really, it’s because you’re dumb. you don’t think anything bad can ever happen to you. not like this. not when your brother is so close.
“it’s kinda warm out here.” you mumble, shifting uncomfortably on the padding. you feel the heat across your cheeks and down your neck, skipping to your stomach that warms slowly, trickling down between your legs and across your thighs. “think i want some water.”
you slowly push yourself to stand, body feeling heavy as you move. you don’t catch how they all follow right behind you, until sero—no, denki’s arm slinks its way around your waist as you walk. he pulls you away from the path back to the glass door and towards the gate in the big wooden fence.
“it’s too hot in there.” he tugs you again when you weakly attempt to pull away. “kirishima’s place isn’t too far from here. we can just hang out there while you cool off.”
you shake your head, mind racing to how badly you just want something to drink, and to be with katsuki. mentally cursing out the stupid girl in that picture for taking your brother away from you, for stealing his attention when you’re the one who needs it. and you curse yourself, for not listening to his warning when he said denki would be here.
“denki.” you drag your feet, doing anything to attempt a fight against the push of his much stronger hands. “what was that? the…” it’s hard to think, even harder to push those thoughts into words and say them aloud “the pill. what’d you give me?”
“i told you,” he smirks, glancing behind you and nodding one of the men over. “it’s just to make everything feel better.” stepping aside, kirishima’s heavy arm replaces denki’s, locking you under it and forcing you forward. your heart races at all the implications that could have. you don’t even notice you’re shaking until he wraps his other arm around you, bending his head down to graze the shell of your ear, whispering into it
“it’ll make things easier,” something about his tone makes you want to vomit. “just don’t think about it, pretty.”
“don’t get too friendly, dude, i’m the one who set this up.” denki bites, pulling his keys out as the four of you near a car. “there’s no way you get first.”
sero snickers again, sighing as kiri opens his mouth to snide back about how he’s been waiting two years and that you should at least get to pick that much. you can’t really make it out anymore, all you can hear is your own heartbeat banging in your ears.
you try and struggle out of his hold, which only makes them all laugh in turn and your heart falls into your stomach. you’re with pro heroes, if anything bad is going to happen to you here, at their hands, there's no way you’re going to fight your way out of it.
sero’s fingers wrap around the handle of the car’s back door when the voice booms out your name down the small hill the house is sitting on.
you can physically feel kirishima tense up and his heart start to race, you can hear the way sero and denki stop breathing in unison. you can even picture the way they all freeze without having to look, you can imagine the absolute fear in their face as they stand there, gaping at your brother.
his red eyes dig into you before taking a second to glance at the men around you.
“why do you look so fucked up?” he barks out, brows furrowing deeper with each step he takes towards you. “where the fuck were you guys about to go?”
he’s eyeing kirishima now, tugging you by your wrist out of the red head’s hold and into his own, gripping you as if he lets go, you'll get stolen away.
“she said it was hot in there.” kirishima shrugs awkwardly, face stiff.
“and who the fuck said you could take her anywhere?” bakugou tilts his head face twisted dumbfoundedly at the boldness his old friend suddenly seems to have.
“my place is just up the street she wanted to—“
“and why the fuck do you have her around denki?” you can feel bakugou’s skin grow hotter to the touch with each word he spits. or maybe it's you that’s getting hotter. god, it’s fucking hot.
“i didn’t drive.” he shrugs again, breaking eye contact to look over at the other blonde.
“she’s not a baby bakugou, she can be around whoever she wants.” kaminiari says smugly, like the idiot he is.
“i’ll kill you.” your brother doesn’t hesitate with this threat, and it wipes the smile off denki’s, raising his hands slightly in defence.
you use the hold he has on you to wrap your arm around his, feeling a great sense of relief pressed against him.
“he didn’t touch you did he?” katsuki’s voice is still gruff when he talks down to you, but you don’t mind it.
you know that he did technically touch you, but not enough to hurt anything. and if you answer truthfully it’ll just drag this out even longer, and all you want is to be wrapped around him. so, you shake your head, and you hope he doesn’t hear the way they all sigh in relief.
your brother doesn’t say anything else, just pulls you away towards where he’d parked. the second he turns around, you peek back at the men. kirishima has his head tossed back, hand over his chest as he takes in a deep breath, sero, leaned against the car shoulders shaking with laughter while denki curses and slams the driver side door shut.
“i’m hot katsu’” you whine when he unlocks the door for you.
“how much did he let you drink?” he scoffs, leaning across you and buckling your seatbelt for you as if you’re unable.
you huff, watching his strong arms reach over your body. his warm chest coming down to press into yours, that you find is so sensitive. so much so that a small whine escapes your throat before you’re able to register it he’s already pulled back looking down at you. one hand on the top of the car as he leans over, eyebrows pinched together.
“‘m just hot, bubba.” you assure, face burning in embarrassment and whatever else was setting your body on fire.
he immediately blasts the AC as soon as the car is on, and in the second that it satiates the burning under your skin, you remember.
“who was the girl?” you question, voice somewhere between shaking and slurring. you shouldn’t be asking, there’s no reason for you to do this right now—or at all. “the one you left me to go see.”
katsuki just stares ahead for a second before his jaw tightens.
“and where did you see me with a girl?” he asks blankly, like he already knows the answer.
“sero had a picture. they said you were busy, that’s why i stayed with them.” you answer truthfully, hoping he’d driven far enough to not want to turn back.
“i didn’t know her, sero at introduced us.” he scoffs, scowl resting on his face as he keeps his eyes focused on the drive.
the heat begins to dig into you again, the cool blow the ac’s aid only a temporary fix.
“why? why didn’t you come look for me? text me?” he asks, his short fuse burning already.
“you were busy.” you reply shortly, too focused on the ache going on in your lower half.
“and? if i knew that shit face was going to try fucking with you we would’ve left as soon as we got there.” he shakes his head, voice raising only slightly.
“you were with a girl, katsu! i didn’t want to interrupt.” you throw your head back against the cool leather, smoothing your hands out over your skirt, across the tops of your thighs as if that would help.
“you’re my little sister, that’s completely different.” he scrunches his face up as he glances between you and the road, the same thing he does anytime anyone says something he thinks is the slightest bit dumb.
“is it?” you ask.
“yes.” he snaps back. 
“so if i wasn’t your little sister, you wouldn’t care?” you mumble, shifting at the warmth you feel start to spill into your panties. “or if i wouldn’t have come with you tonight, would you have left with her?”
he sighs, exasperated.
“what the fuck are you saying right now?” he keeps glancing at you, rushing a reply.
“why did you leave me to go see her?” you groan. “why didn’t you stay with me? why didn’t you wanna just be at home with me?”
he only gets your name and a curse out before you cut him off, the heat itching at you becoming too much.
“katsu’ ‘m so hot.” you mewl, raking your hands down your body, reveling in the momentary coolness under your own touch. you can feel the way he stiffens slightly next to you, but the previous tension is out the window, almost forgotten.
“i have the ac on.” he states, keeping his eyes on the road as you near the building the two of you call home.
“it’s inside katsu, ‘m hot on the inside.”
he stops the car with a jerk in the middle of the parking lot, snapping his head over towards you.
“what did they give you?” his question is sharp, voice filled with anger once again.
“denki gave me candy—no, a pill.” you toss your head side to side, thighs rubbing together mindlessly. “to make me ‘feel good’—make everything, no—something feel good that’s what they said, but i just hurt.”
you can hear death threats spill out his mouth as he watches you squirm in the seat.
“i’ll take you to the hospital.” he mutters, putting a hand on the shoulder of your seat to look behind him as starts to back out.
“no!” you whine, grabbing his hand and pulling it to your lap. “i don’t want doctors touching me.”
he keeps his eyes on you as you put his palm against your inner thigh, watching how you keen against the seat when his skin touches yours.
“want you to help me, bubba, please.” he pulls his hand from you, face contorted with.. something before he’s rubbing his palms over his face and pulling at his hair. you realize what you just asked and for the umpteenth time tonight, your heart sinks. but this time you're sure that if you stood, it’d be sitting on the seat underneath you.
“i’m—katsuki, i’m sorry.” you start to babble out apology after apology, which soon all runs together and becomes broken as you tear up, voice cracking every other word.
the blond throws his head back, hard. quickly changing gear and moving his car into a private parking spot. you’re still crying when he pulls your wrist, strength easily shifting you over the middle console of his car and into his lap.
“tell me that you need my help.” he blinks up at you, holding your waist just above his lap. 
you nod, hoping it’ll suffice, but it doesn’t.
“i need you to help me, katsu—no one else can.” he drops you onto his lap, fingertips digging into the softness of your sides. “please, make it better.” you breathe, shakily. 
he uses his hold to drag you across his lap, the friction making you drop your head onto his shoulder. pleasure shooting up your spine, small whines of his name getting lost in his neck as he keeps grinding you down onto him until your thighs start to shake, your moans turn into breathless whines and you’re crumbling against him as you make a mess all over his jeans…
the two of you sit in panting silence for a few minutes before he tells you to move, that you need a shower. and like you always do, you listen. following him inside and discarding your clothes from your still buzzing body in silence. but as soon as the showers water hits you, you’re burning again. the ache between your legs coming back stronger than before, the burn in your stomach twice as hot and the need is too much.
you don’t hesitate to make your way right back to his room, body still nude and dripping all over the floors as you do. but you don’t care—your brain and body only knows one thing right now and it’s that you need your brother.
“what are you doing?” he strains, turning his head back towards the drawer he was sorting through as soon as he takes in your naked body standing at his doorway.
“i still hurt, katsu.” you whisper, not caring if he heard you or not. just wanting him to give you more than what he gave earlier.
“i already helped.” you can hear pain in his voice and it makes you want to cry. you wish you didn’t put him in such a position, that you would’ve just been grateful and stayed home—but you need him, it’s all your mind and body can tell you, you need him.
“help again.” you practically demand, craving him too badly to be embarrassed or think much at all about what you were doing. your hands land on his shoulders and pull yourself up to kiss at his neck trying to entice him.
“i can’t.” he groans low, but doesn’t attempt to push you away, letting you drag your lips across all the skin you can reach.
you don’t say anything else, not until you manage to pull him down by his hair to look at you.
“make it better.. like you always do.”
it’s the pebble that cracks the glass, his hands grip your waist and all but throw you onto his mattress. you only have a moment to gasp before he’s hovering over you.
“say it again.” he commands, voice rough as one of his hands makes its way to the apex of your thighs. your eyes flutter at the vibration of his words against your chest, the knot in your stomach already tying itself.
“make me feel better, bubba, please.”
there was a reason behind why he’s left the condo the few times that he does get to sit in the house, a reason why he doesn’t want to be alone with you for too long. it’s not that he doesn’t have any restraint, but he’s known thatif something ever happened, where the little sister that has always been the exception his selfish attitude asked him to do anything like this—even without whatever the fuck it was that denki gave you—he’d do it.
he drags a heavy finger along your slit, up to your still swollen clit making you gasp against his lips as they ghost your own. he teases only for a second, not able to bare you being in pain when he’s there to do something about it, just like he’s always been. he uses your excessive slick to rub harsh circles over your clit, it sends your eyes rolling back, it’s so much more practiced than the pathetic frottage he pulled in the car.
“need more, katsu, please.” you push your hips into his hand with the little bit of strength you have, desperate for as much as he’ll give you.
he drops his forehead to your shoulder this time, looking down as he moves his fingertips to your entrance, pushing two in without warning. he immediately works away with them, curling into your swollen, most sensitive wall and fucking into you with a strength that could only be possessed by such a high ranking pro hero. your wetness sticks to his knuckles with every pull before it squelches obscenely loud when he pushes back in.
“kiss me, katsu.” you whine.
he brings his lips back to yours, red eyes flickering between both of your eyes for a moment, waiting for you to take it back. you don’t, instead, sliding your hands from where they sat on his shoulders up to twist into his hair.
“you can pretend ‘m someone else… just please kiss me.” his fingers pause their movement for a moment, and he pulls away. you start to whine, from the loss and out of fear you’d said something wrong again.
“why would you say that?” you trip over any word that hits your tongue. but you don’t need to speak, he does it for you. “i don’t need to do that,” his fingers pick their pace back up, drawing wonton moans from you that you wouldn’t be able to bite back if you tried. “not when i’ve always pretended everyone else was you.” he admits.
your heart leaps in your chest just as he presses his mouth into yours, the kiss is littered with teeth and spit—but neither of you can find a reason to care.
the familiar feeling starts to coil in your stomach, your hips moving on their own down on his hand to chase the feeling of ecstasy but it never comes, you cry out as the pressure fades.
“more.” you cry softly against his lips, keeping your eyes screwed shut so you don’t have to face any look that he might give you. “‘need you.”
but, he complies, tugging himself out of the sweats he’d thrown on after his shower and kicking them off to be dealt with later. he doesn’t waste any time teasing, rushing to give you what you want—what you need, to make his pretty little sister feel good the way he’s been cursing his brain for imaging for the longest time.
he lines the thick head of him up with your already stretched hole, dropping back down to your lips as he eases in. the pop of the head of him pulls a gasp from the both of you, but he doesn’t give you time to adjust to it, knowing with how you’ve been aching to be filled all night that you can handle the stretch. which is exactly what he gives you, his fingers were nothing in comparison to the girth of his cock.
it stings, making your eyes tear up, and drags whine after whine from your throat. katsuki catches them in his mouth, swallowing them and shushing you while he continues to push in until he’s at the hilt. you babble out senseless ‘thank you’s while he pulls back slightly, never separating your hips and his own by too much. his hips make a circular motion, grinding back into you slowly, pushing the trimmed light colored pubes at the base of him against your ever throbbing clit and making you squeal from the pleasure of it.
he repeats it over and over, curved length of him dragging along your g-spot until youre twitching, your mouth hangs open, sounds falling against his lips as he drinks all of them in. your hips rise every few strokes trying to meet him, to egg him on to go harder, to give you more without having to ask for it, but he just wont. keeping his slow, sensual pace, as if he was fucking you at his own leisure and not because you basically forced yourself onto him
“love you, bubba.” you whisper drunkenly, lips dragging across his soft ones as you speak.
his hips stutter at your words, strong arms move from holding himself over you to grabbing the underside of your knees and pulling them slightly, wrapping your legs around him. “ah- my katsu.”
“keep telling me.” he grunts, sliding his hand down to your waist where your thighs fold over them. “tell me i’m yours, say that you’re mine.”
he finally picks up his antagonizing pace, hips still swirling into yours, pubic hair scratching against your bud with each push. the head of him presses deep against that spongey spot with each sway, heavy balls sticking to your leaked juices as you chant out the i love you’s like a mantra, like it’s the only meaningful thing that you’ve ever said. it’s not long before your legs start to shake, his cock hitting all of the right nerves in your throbbing cunt.
“don’t stop.” he repeats when your mouth drops wide open, orgasm creeping up on you.
“mine! you’re mine!” you cry as your vision turns white and your walls spasm around him. “‘m yours, all yours, bubba.” you whimper as the ache in your cunt becomes the pain of overstimulation.
your words and the steady throb of your clamping cunt ultimately bringing him to his end with you. you feel the heat simmer down as he fills you, warmth spilling out even as his cock still plugs you. and you couldn’t be more thankful for denki being such a scumbag.
you don’t have enough strength to stay awake past that, all of your energy left with the last orgasm. at some point you wake up, you’re clean between your thighs and cuddled up on your brother's warm chest. you shift only an inch and you could feel him jump awake to pull you closer, leaving a kiss on the top of your head before you drift back to sleep with small smiles on both of your faces—happy to be your brother’s girl.
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a / n : obligatory bkgs little sis tag : @vampireloverz <33 thank you stevie for inspiring me to write this in first place!!!! +++ happy birthday to The Guy !!!
reblogs + feedback appreciated !
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nenoname · 1 month
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Gravity Falls DVD Commentary Highlights
(just a huge, and I mean huge, dump of random quotes that stuck out to me, which I sorta separated into characters+their relationships and it's probably gonna be obvious that Stan is my fave lmao
I dunno how to make this legible for anyone but whatever, just take all these rando character tidbits. Stan Twin pranks! Sonployee essays! The concept for a post-Weirdmageddon episode that Alex insists is just too miserable but I want it anyway! The Pines family making me cry!)
Stan
"We love the idea of Stan [in Boss Mabel] having a minute to uh, having a context where we want to see him be his worst self and seeing his big brash personality in like a setting that everyone can understand, because the Mystery Shack is a little bit ungrounded because he's in his world of his characters, but seeing him out in the outside world is funny weird."
We really enjoyed the fact that he's as awful as ever and he's rewarded for it. We like those anti-morals where Stan uses his terribleness to succeed incredibly well.
I think it was a little hard for people to understand in the writer's room at the beginning of the series was that, even though Stan is following a lot of these tropes of being a miser, he's not grumpy. Like he actually loves being himself. He really revels in it like even though he's got some kind of sorrow inside, his kind of day-to-day like he's more about just the uncle who loves to hear himself and make dumb jokes than he is somebody who's mean or cruel or cynical per se.
The [NWHS] storyboards managed to make Stan this awesome action hero while still keeping him Stan. Like I like the fact that he steals a wallet in the middle of it. He steals a wallet, he smashes somebody against the wall, he sasses him but he also has this just great Inception moment. And it's because we're building to a big question about “who is Stan?”, I felt a moment of seeing him be kind of awesome further increases your “who is this guy?” He keeps going back and forth between like “oh geez my back” and you're like “all right that's the Stan I know” and then like “whoa, he just did an awesome jailbreak! Is he some kind of super villain? Who is he really?
There's more of Ford in Stan than I think Stan realizes that I think only comes out in certain moments.”
Why did Stan keep a clipping of himself titled “grifter at large”? I think he thought he looked cool in that picture. “You know I kind of have a Clint Eastwood look in this grifter at large photo. I think maybe I'll use this as an About the Author one day. I gotta hold on to this one. You know what, I'm a criminal but I'm a nostalgic criminal! Loving the past is my greatest crime now!”
I know how Stan feels in this [Principal talking to his family] scene, when somebody comes in and says like “You know what? There was a race you didn't know you were running and you're already behind, way behind.” 
And you know even though Stan is a guy who looks like he's having a fun time, I always, in my gut, thought of him as somebody who is a huge well of sadness, a loss of human connection. And that need to please, that trying to get laughs from the crowd and constantly telling dumb jokes and you know putting on a big show in the Mystery Shack, he's trying to get from them the affection that he never got from his family and lost with his brother.
Stan has been waiting for years to have a reunion with his brother. He's always felt like a screw-up. Stan once again had an idea of how he thought things were going to go. He thought that his brother was saying “I need your help” for the first time. He's going to go up there, they're gonna have some drinks, they're gonna catch up and instead he ended up shoving his brother into another dimension and running out of food and money. It's sort of his worst nightmare. But this was Stan's entire character, from the very beginning of the series, was built around this idea that he's living with this tragedy. He's a guy who outwardly seems like he doesn't appreciate family but in fact wants it more than anything in the world and feels like maybe he's not worthy of it and would do anything to prove that he is.
Seeing Stan figure out what he's good at felt important to me. Like he's never been good at anything in his life and he makes a stupid hokey joke and it suddenly turns into a profit. I felt like without [showing how the Mystery Shack was created], I was missing something and understanding why he would do this, how this would be the solution to his problem.
We would like the idea that Stan appears to win through dumb luck, that it's sort of Intelligence versus Guts but Stan wouldn't actually bet everyone's life on a dice roll. He's a cheater! At the end of the day, I believe Stan has been thrown out of Vegas for counting cards and for weighing dies and I believe he could con his way out of any game, particularly for an obnoxious wizard like this. The idea that Stan would gamble everyone on pure chance is like no. No, he's got a plan. This is the guy who escaped prison using gravity leaps, he's got a way out.
The one big thing [The Stanchurian Candidate] does is really highlights Stan's inferiority complex compared to his brother. Part of what he's doing is he's trying to be an important man here and this episode is actually a pretty good setup in many ways for Weirdmageddon Part 3. When we see Ford they're all going on this rescue mission to rescue Ford and this episode shows you just how much Stan wants to be the hero like the reason that he can't shake Ford's hand when they're in that circle.  The cold open of this where he sees everyone loves Ford and now that Ford's back, he's the best. Stan's like “well, how about I run for mayor!” It's just to boost his ego and make him feel better about himself.
Dipper and Mabel
“Straight man protagonists are really hard to write because every other character had a comedic hook. We understand that Soos is kind of this weirdo, his brain is in another place. Mabel has this exuberance and sees the best in every situation and is very creative. Stan is a crooked conman. Dipper is… the normal guy and a character like that can often feel like they don’t have agency, start to feel just reactive.
Waddles is Mabel's only love that lasts the summer. Mabel is very prone to love at first sight and Waddles is able to love back with Mabel's degree of love.
[In Sock Opera] Mabel's in love with Gabe, Dipper's in love with the Author and they're both willing to do something crazy to get get closer to that thing
There kept being layers of adjustment to make it, “okay what would it take to get Dipper to make a deal with Bill?”  1: He would have to not understand the rules of the deal. He's been tricked, he thinks he's just giving a puppet, he didn't know was himself. Classic genie rules, you get what you wish for in a way you didn't expect.  2: There's a little ticking clock that just started, which if he doesn't do it by now, he's gonna lose all this.  3: Bill rightfully points out that Mabel has been kind of not sacrificing for him and he maybe needs another ally right now  4: He was sleep deprived and actually you'll notice that Dipper blinks right before Bill arrives and that's our way of suggesting that that countdown might not have even existed
I think Dipper and Mabel are of equal exact intelligence but Dipper's insecure. He sees his accomplishments as a way to make himself better and thus is motivated to focus on things that are accomplishment type things. And Mabel is very confident and likes having fun and when she's having a good time, she has a little tunnel vision for the people and the things around her. That's one of her biggest flaws. She's actually really, really sweet when she notices and understands your pain but not when she's doing a bit, when she's doing a scene, when she's doing a gag.
Ford
Originally [the fake Author] looked a little bit more like an oddball wacky inventor and I felt he had to be pretty idiosyncratic. There's certain color things about him you'll notice. He's more or less got the color scheme of the Journal, you know maroons and golds, so that you kind of feel instinctively like maybe that's him. A lot of these motifs though we would end up using in Ford's design, as well the gloves and the coat and all that but much cooler later on but preparing you, it's Ford Lite. 
Now this is there's no logical reason that Ford would break [the warnings about the portal] up into all these books this way but up until this point he's been shown as this sort of all-knowing mysterious Puzzle Master that it felt appropriate, even though it's not logical.
It works for the storytelling so when Ford wrote that, that's when he was super sleep deprived. He realized that Bill had betrayed him, he was starting to have a hard time differentiating between fantasy and reality, he was losing sleep and scribbling all sorts of lunatic serial killer looking stuff about the end of the world.
In Time Traveler’s Pig, we see what should be a young Stanford Pines even though again, the design's a little off but we knew big sideburns, bushy hair. Although that Stanford looked a little bit more swole than this guy and that's one of the what we thought were very subtle clues in season one that helped a lot of fans figure figure everything out way too soon.
[Using the memory gun on the agents scene] needs to show that Ford's really awesome and so we could get rid of the agents and show that Ford can pretty much handle anything that Stan can't and also call back to our memory ray all in one.
There was a lot of fan speculation when we first met Ford. Generally when television shows introduce a new mysterious character late in the game, they turn out to be a villain like 9 out of 10 times. They turn out to be a villain or they're there to get killed off to show the stakes of something and like we could have made Ford evil but I always felt that that would be less interesting. The point that I was trying to get to is that Stan and Ford had this relationship that fell apart and it was both of their faults and I thought that if I'm Stan, I'd be more frustrated if Ford is actually a good guy. It would drive me insane if he's pretty reasonable, pretty rational, better at me than everything.
So we've flirted with this brief moment where it seems like he's a villain and we worked really hard to make it so that like his eyes are being covered by the reflection of the light. His dialogue is ambiguous enough here that for a moment you believe what Dipper believes, which is “maybe he's possessed by Bill.” You just saw him shaking Bill's hand, what is he supposed to believe?
I like that Ford has this photo with him, he had for a really really long time all the way through multiple dimensions. And he's probably told himself- I almost imagined if McGucket found that photo in his coat while they were working on the portal or something, like “What's this here?” and Ford would say “oh yes, that's a photo of a very important moment! That's when I…  that's when I first decided I want to be an inventor!” There would be no reference to the real reason he's keeping it. “This is me and my brother.” It would be like, “oh yes I was thinking about science as a horizon, a frontier to reach towards– you know like a boat, like a ship, like science! It's about science!”
Soos
You choose family. That you create over the course of your life and if that somebody earns being your family, like the Mystery Shack. These kids and Stan, they’re Soos' family and he's happy about that.
I feel like Soos gained something out of [Blendin’s Game]. He gains the knowledge that like “I'm tired of thinking about this man who I'm missing, who doesn't care about me. I'm going to concentrate on the people in front of me, the people that are my true family.”
Soos is a fan of the show even though he's in it. He's a big fan of Gravity Falls and [NWHS] killed him.
I always knew what I wanted Soos’ end to be Soos running the Mystery Shack. I imagine that Soos is actually way better at giving tours than Stan is because he loves all that stuff truly and he believes it. That's part of the difference. Stan’s like “um, all right suckers, this stagnant puddle is the befuddle puddle!” while Soos is like “yeah, one time I looked in there, I think i saw like a cyclops dude. Like, I really think I saw one! Like it might have been a reflection combining my pupils, but like?” and people are like “Whoa, really??”
McGucket
They hired a bunch of people and then they erased their memory. That’s my explanation for why there's like such amazing inventions that would take whole teams of people. McGucket secretly hired a number of contractors and erased their minds. Like I think of McGucket as being like a really sweet nice guy completely in over his head who just like “oh well, once I've erased one guy's mind, I gotta erase ten more guys’ minds to cover it up” and it just sort of builds into like “I guess I'm kind of this kingpin of crime and I'm starting a cult I didn't mean to. Whoopsy daisy!”
When we get to Ford and see their backstory and see their relationship, it just makes all the stuff that happens with the portal and what happens with Ford and all that more poignant that he had someone there who was not only his friend but also a voice of reason and telling him to stop and that he wouldn't listen to him, as opposed to Ford being down there on his own with nobody to bounce off, anybody to say “hey wait a minute, is this a good idea?”
“McGucket was the assistant and he was maybe this assistant who was sort of put upon and Ford kind of brought a college buddy together with him. You know Ford as somebody who lost Stan, and even though he rejected his brother, he kind of needs that other person and he tried to find that in this kind of sweet prodigy and he just pushed him too far.
[The test scene] is meant to show sort of what it was that McGucket needed to erase, what it was that drove him to madness. It was partially seeing the Nightmare Verse and the way it messed with his head and also partly just realizing that this thing has apocalyptic consequences and he doesn't want to be a part of it. And if he can't destroy it or talk Ford out of something, he can forget about it.
Because If Ford's weakness is pride, McGucket's weakness is weakness. He's got a kind heart and he can't stop people, he can't destroy things. I mean he should have basically knocked Ford out with a wrench and take this thing apart piece by piece. He's the one who understood how to build it but I think he's kind of a follower and I think he's the kind of person who could get suckered in by a cult leader. He’s the kind of person looking for instruction and he really respects Stanford and can't bring himself to uh, he's like “I just got out of a bunker! I don't want to go work for another guy down in another bunker! This is my third doomsday cult this year!”
Stan and the kids
Stan and Mabel have such a different life perspective it seemed natural that at some point they would get to a major conflict
Seeing Grunkle Stan and Dipper bond like, I sort of believe that both of them are bad with women and both of them would rather believe there's a giant conspiracy than that they have they just can't get ladies 
Can this idea about Mabel's relationship with Waddles actually reveal a rift between Mabel and Stan where Mabel and Stan actually get along pretty well in the series you know? When they they're both such strong stubborn personalities that when they conflict, they conflict hard like in Boss Mabel. But this idea that Waddles is sort of a metaphor for what Mabel loves and Stan loves Mabel but he doesn't really think that anything she thinks is necessarily smart or right. He loves her like “guys she's my sweet niece but she doesn't know anything you know? She doesn't know anything about a pig” She forgives a lot with Stan but like Waddles sort of represents like the purity of her deepest love and the idea that Stan would threaten that is genuinely a shock
In the previous season it ends with Dipper giving up his journal and there was a lot of argument about “oh is it lame if he just gets his journal back?” Another thing we struggled with, we knew that Stan knows the importance of this journal he wouldn't give the journal back to Dipper so it was a bit of a convolution we'd written ourselves into a corner. We wrote ourselves out, we said “okay he's photocopied it. he's giving it to Dipper because he knows that Dipper's really precocious and he'll never stop asking.”
“We knew that we wanted everything to come to a head when the kids are going to discover Stan's secret and they're going to discover it in such a way that they only get little bits and pieces and they have to decide for themselves based on the limited information. Is Stan's a good guy or if he's a bad guy? Ultimately that decision will be a decision of heart versus mind. And Dipper's mind, Mabel is heart and they're fighting with the scraps of information they have.  Should we trust our heart about how we feel about this guy over the course of the summer and everything we've been through or should we trust the clues? That seemed like a believable way to get Dipper and Mabel to begin a rift between them that is resolved by the end of the series.”
The way Stan acts in [NWHS] is like, to me part of what feels so grounded about it is like I'm a child of divorce and like I know that when parents or parent figures know that hard times are coming for the kids. They kind of lay it on thick they're like who wants ice cream you know what I mean? Like Stan being extra nice to them at the beginning is like it's kind of a realistic thing that that adults do when they know like big changes are coming.
I felt it was really important that we added the scene where they're at maximum bonding. They're up on the roof, they're shooting firecrackers. Stan knows in his heart that when his brother arrives everything is going to change in ways he can't predict and he's really savoring this moment because he knows, even if things goes completely smoothly, which they don't. the kids are still going to be mad at him, especially Dipper for basically lying.  They had this big meeting after the end of Scaryoke where of course Dipper also crossed his finger but Stan crosses his fingers and says “oh I'm telling you everything” and he knows that the kids are not going to be happy about the fact that he's been keeping this all from them because they've done amazing things together already and he should have trusted them before now. 
This act break is them saying, “wait, Stan might be a random grifter who maybe killed our real uncle!” That's pretty heavy for any show let alone a cartoon show.
What that would mean for them if all this stuff is true is so much further than just like, “oh he lied to us about a couple things.” It's just like, “no he's straight up just some random dude that we don't even know uh and the guy that I've been pining for this whole time is dead!”  We really try to stack the deck so it's like Mabel's perspective and Dipper's perspective are both kind of racing to see who gets in front and there'll be a moment where it's like yeah you kind of buy with Mabel she feels good about about Stan and then this scene is the most you’re ever with Dipper where we discover this huge crazy curveball and this feeling that you have looking at this newspaper and looking through these fake IDs this is how Dipper feels all the time.  If you want a window about what it's like to be Dipper, this moment where a giant conspiracy reveals itself out of little pieces and seems to suggest that no one is trustworthy like that's that's where Dipper lives and this to him confirms every bit of suspicion and every bit of paranoia he's ever had and he's willing to run with it. 
I love these characters so much that, for me I was like “I need to see Stan saying goodbye to the kids at that bus. And I don't want him to be some guy who isn't Stan, who doesn't even remember the kids.” That would be really dramatic. It might make you cry more but to me it doesn't actually mean anything. Their relationship which they've built, he was willing to sacrifice his memories to save them. That's how much they meant to him but because he was willing to do that, I think he deserves to get him back.
Stan and Ford
But I think Stan's hope is, that in Stan's mind this is going to play out one way which is that; he's going to free his brother, his brother's gonna come out of that portal after 30 years. Stan's probably imagining that Ford is weak, emaciated, wrapped in a blanket, that he'll stumble forward, through a beard. through blurry eyes, he'll be “my brother, is that you?” He'll embrace Stan, he'll hug him, he'll say, “all these years I thought I was goner but you saved me! I was wrong to mock you, I was wrong to call you the stupid twin! Dad was wrong about you! You're the greatest man and let's be friends again and who are these niece and nephew?” Like that was what Stan was kind of hoping. He knows it's there's a million things that could go wrong, including potentially the destruction of this dimension, but he so desperately needs to believe that he can make up for the problems of the past. He's hoping for this but he knows that things are going to change
When I started the series, I always knew Stan had a twin but all I knew about Ford from the jump was that he's everything Stan Isn't. So Stan is a guy with a huge chip on his shoulder, he's kind of a loser at life. There's somebody who is a winner at life or at least was a winner in all these ways that Stan wasn't.
We realized that in order to bring out the maximum amount of frustration in Stan, [Ford] needed to have a bit of a heart. Like here we see him being kind to the kids, he's not he's not all bad which is what's so infuriating to Stan. The idea that he would quickly get along with the kids when he can't get any respect from them. Ford is designed for what would bring out the most amount of conflict in the family. What would be Dipper's hero, what would be Stan's rival and who's somebody that we could empathize with. I mean, it’s  hard to empathize with a character that comes out and punches one of your characters in the face, basically before he almost says anything.
You see that at this age, that all the stuff [in their room] that would cross over, that would appeal to both of them. It's not just like “there's science stuff here” and then there's “what Stan would be into.” but no, they both like all this.
There was also a version [of ToTS] where early on, they'd rigged the school water fountain. They did sort of like a caper, it was science and a scam together when they were in elementary school but we decided to save the science for the science fair stuff.
We played around with the idea that you would see them working together doing little science games or pulling little pranks. There was actually a scene that some of it was even storyboarded where they're in a treehouse together and Crampelter and his friends have tracked them down and are begging for their lunch money and Stan and Ford have used their jerkiness and geniusness to rig up like a water balloon throwing machine that knocks Crampelter in the head. I remember him saying, “oh no, my old-timey paper crown!” We were really hanging a lampshade on all these sort of Little Rascal cliches.
Ford's not a villain. You know he's getting in Stan's face and saying “I want my life back” but hopefully by the end of the episode even though you don't root for his perspective, you understand his perspective where it's like Stan ruined his science project, Stan shoved him into the portal, Stan took over his house. He’s not completely unreasonable to want it back and he's not completely unreasonable about his request. He says “okay you've got till the end of the summer” and Stan's little look there tells you everything you need to know about how he feels about the situation.
We needed pressure to be at the point where Stan and Ford recognize their lifelong rivalry and Ford does a sincere apology to Stan and almost more importantly, he acknowledges Stan's intelligence. He says “you wouldn't have fallen for Bill's nonsense.” He recognizes that his brother has a kind of intelligence he doesn't.
I always imagined that as kids, Stan and Ford were like this dynamic duo. They were getting into scrapes and like planning pranks and with Stan's creativity and Ford's genius that they were an unstoppable awesome team, before life turned them against each other. I imagine that as kids they were always swapping glasses and tricking their parents so that they could get double presents. And this is a move they did back in New Jersey constantly. We had to figure out who's gonna make a sacrifice and how and even though it's Stan who agrees to be “I'll be the one erase my mind, it's fine, it's worth it”, it's a sacrifice for both. Ford at this point is willing to get his brother back and he has to lose him again. 
Stan and Ford, when they can finally work together, do bring out the best in each other. They just have been missing it for so long.
Post-mind return, Stan and Ford get along and that scene where they both threaten the bus driver gives a hint of what would happen if their powers were combined. We've never seen them working together as adults, they would be a really formidable duo.
Pines Family
[The Blind Eye has] such a great scene between Mabel and Wendy. We don't have a lot of scenes that are just them hanging out and she can kind of be like the cool older sister. Mabel's so obsessed with boys and Wendy's just like "yeah, whatever. They're a dime a dozen."
“in the storyboard, the postcard that Soos is holding up from New Orleans actually said Vegas and at the last minute we got really worried that people were gonna see that and think that that was a clue that Stan was Soos's deadbeat father. And because like our audience, we've trained them to look for clues and to connect dots, they start connecting dots that are not connected. And I called a late retake because, and I see people be like, “wouldn't that be cool if Stan was actually Soos's father” and I hate that headcanon. Whoever's listening and you think “that's a great idea!”-- that's a terrible idea!! Because it means that Stan ran out on his kid and then came back in his life. And weirdly pretends to not be his dad. It flies against the moral of this entire episode which is like, you know this guy who is Soos’ blood relative like cast him out and didn't come back and didn't make time for him and all these people did. These people are Soos’ real family and to say “Stan would be Soos' real father more if he was genetically–”, I'm like “no, no forget that!” Like relationships are about what you do. To me friendship is thicker than water and family is something you can create so I really didn't want anyone to think that we were suggesting that because to me, it actually wasn't just the wrong idea, it was like thematically against what the show's about.” "
"[In NWHS] Every character faces their worst possible choice, which is “Mabel must choose between Dipper and Stan” and “Soos must choose between Stan and the kids,” like “guard that thing with your life. I'm not going to explain to you why.” I believe that Soos would do anything to guard Mr Pines's secrets and these are the only two characters that could possibly make him doubt Stan, these two kids that he loves so much."
"For [DD&MD], you want to set it up as being like [Ford]'s like the coolest toy that's down in the basement that Dipper really wants to play with and he is not allowed to play with him."
"The first three quarters of the series are sort of about Dipper's crush on Wendy and this final quarter is sort of about his crush on the Author. He's such a fan of this guy and he's so used to being denied that which he's a fan of and he's never found anybody who cares about his nerdy stuff. Mabel doesn't care, Stan doesn't care, Soos cares but on a different level. He's so hungry for the approval of somebody like Ford This idea that they would bond over a nerdy board game felt like sort of the way to do this big idea in a sort of grounded way that I like better than like Ford presented Dipper with the Five Trials of the Genius Boy. “I passed these when I was your age! Can you do it too?” and it's like nope he just likes the same dork game that he does."
"The arrival of Ford is creating the two sets of twins starting to pair off between the Brainiacs and the Maniacs"
"Actually I enjoyed that [Ford putting the die in a cheap plastic case] got a little bit of a reckless side because it shows you the Stan part of him. The Stan part of Ford, the little bit that likes a little bit of danger, he likes a little bit of risk. If he would show that side, it would be in when he feels at ease, with a kindred spirit. Around Dipper he’d be like “isn't this pretty cool?” He'd never be that irresponsible around Stan.  I like that Dipper is sort of a little bit of a Achilles heel for Ford as well. Ford has certain blind spots and Dipper exacerbates some of those just because he's willing to encourage, he's willing to “yes and” Ford towards whatever dumb idea he might have."
"Dipper, Mabel, Stan and Ford, they're all characters who need each other. Without Dipper, Mabel's just in a fantasy land. Without Mabel, Dipper is just sort of just spiraling into misery, spiraling into his own neurosis and not being pulled into those social situations, not growing as a person."
"You want [Stan] to be true to our various awful grandfathers, so I feel like for the most part you know that [being shitty to women] a plausible thing for Stan to do, that you only forgive because you know he's not a role model. Nobody wants to be like Stan. The kids never look up to him. The only person who looks up to Stan is Soos and Soos is enough of a comedy character that you understand the joke is “oh this guy thinks the worst way to live is good.” And then at one point you realize why. We made it clear why Soos looks up to Stan is because he gave him his job. He gave him a father basically, he’s essentially Soos’ father. And of course Stan who's had a life of just chaos and disappointment, the only person who would be a surrogate son is [Soos] but also Soos has the biggest heart in the world. So only the biggest heart in the world could forgive all of Stan's many flaws and also if Soos can love Stan, then maybe there's something in there worth loving, then maybe we can too."
"Stan, even when he's sweet, he still has to threaten to murder his niece and nephew."
"I do think the value of [Stanchurian Candidate] is that we're learning just how important it is that [Stan]’s seen. At this point, the kids have become a surrogate family. At the beginning of the show, they were just kind of a little nuisance and then he kind of tried out getting the family from them that he never got from his brother and the idea that he would lose them to his brother is his greatest nightmare and the only way he can really express that is by trying to be impressive to them and trying to be his brother's rival."
"Ford offers Dipper this apprenticeship because Ford sees Dipper as somebody who's special like himself. That Ford's great flaw is arrogance. He believes that there's special people and everyone else and that you can be held back by your siblings. That human attachments are actually weaknesses. The song and dance that he's giving Dipper right now is the exact song of dance that he gave McGucket back when they were younger which is like “sure you could continue working on your job and computers but you and me are different. We're better than everyone else, we have a path that no one else can understand. Only us can do this.” And it’s a very seductive idea for Dipper but he starts to be a little insecure here. He’s kind of “I can't believe it” and he's sort of right to be suspicious because Dipper is a smart kid but Ford's projecting. Ford loves Dipper because he sees someone who tell him yes to everything. He'll never challenge him and if Dipper had taken Ford's apprenticeship,Dipper probably would have gone the way of McGucket, turned into a kind of insane paranoid hermit with no friends, just kind of losing his mind. Like it's a seductive offer but also ultimately Dipper needs to learn not to try to grow up too fast."
"This entire time Dipper's been having this journey of self-discovery and seeing his future as this wonderful thing that he can't wait for. Mabel has been, piece by piece, seeing her idea of the summer fall apart."
"As Ford and Dipper's relationship grow stronger, Stan and Mabel also find much more sort of connection. They both feel like the sibling that's getting kind of sidelined."
"I think [amnesiac!Stan] would be hardest on Soos, second hardest on Ford but Soos would show it. Probably third hardest on Mabel, fourth hardest on Dipper just because where their hearts are. Dipper's not heartless, that's a testament to just how heartbroken those other characters are."
Series goal+ The Finale
"So our idea was; the memory gun can erase a concept as designated by the dial. It stores it. It records you and it keeps that recording and that if you watch that recording things start to come back a little bit, that it hasn't actually completely erased it from your mind. It's more sublimated somewhere where it's really really hard to reach and in the series finale, my concept of Bill is that; if he hadn't gotten in all those forms and fought Stan, Stan is the one that destroyed Bill. Were it just the mind eraser itself that he would be sublimated somewhere but he was weakened in the mindscape and destroyed in the mindscape. But Stan's memories were being sublimated and by looking at the scrapbook in the same way that McGucket's memories come back, they start to come back to the surface."
"I think part of what makes [NWHS] work also is that it has the strongest ticking clock. Yeah, I mean. it has a literal ticking clock. Also the sun is going down it's also, the town is starting to drift apart as the characters are starting to drift apart. There's just such a sense of Doomsday and even though we have like a three-part apocalypse, to me nothing feels as apocalyptic as this episode now."
"The entire purpose of [ToTS] is that Stan and his brother have had this huge rivalry that remains to this day and threatens to tear apart Dipper and Mabel and briefly does, and then Dipper and Mabel are able to find their way together, which is meant to repair Stan and his brother's past."
"Here we're teeing up the rest of the conclusion of the series which is just “whoa this is different. The status quo is shifted and is it going to shift us?” and that was the mission of this entire story was shift. Shift things such that it pits Dipper and Mabel against each other so that they can ultimately make things right and fix their uncles’ trauma in the process."
"“Let's try to set things into motion such that all of these characters who we love, who love each other are placed at maximum odds”. So Ford's entire existence in the series is basically a wrench in the relationships between Stan, Dipper and Mabel, that Stan has had a sibling who he didn't get along with and they've grown up having this horrible rift. Dipper and Mabel are these two twins who love each other but are very very different and are at this sort of volatile growing up moment where if something goes wrong could they turn out like Stan and Ford."
"[The convincing Gideon] scene works for me because it sort of represents the full completion of Dipper's Wendy Arc. Even though he's talking about Gideon and Mabel, he's really talking about himself. That idea that you can't force someone to love you but you can strive to be someone worthy of loving. It really does come down to like be the best you, you can be and the right person will see and feel that."
"It was gonna be W1, W2, W3 and then some kind of goodbye story. I remember it being something vaguely about some sort of other time travel. Bringing Blendin back because he just kind of vamoosed in the middle of this big story. There was that discussed like time traveling back to the first day when the kids arrived. The challenge was thinking of a valuable arc. So like each episode needs to have like a new problem and a new resolution and I was trying to brainstorm what's something that could feel valuable for like a final episode after the apocalypse, after Stan's mind has been erased and he's in the process of getting it back. "
"The thing I remember I wrote one out it was it's the last day of summer. Dipper and Mabel are packing uh they're planning to go home, they're feeling like nostalgic, they kind of don't want to leave. Blendin shows up and he explains that there's all these time bubbles left over, these weird anomalies because of all the time business and what Bill has done and just to watch out and be careful. Then Dipper and Mabel actually accidentally trip into one of these bubbles that are sent back to the very first episode or actually beyond the first episode, their first day in Gravity Falls um and somehow this was meant their character arc was to go from being like a little sad that they're going to leave Gravity Falls to seeing what it was like on the first day. When they were scared to be in Gravity Falls. The idea is like their first day they're like “oh Grunkle Stan, he's this weird old man and we hate living in this house and like we missed our place of comfort back home! And this is a kind of scary new adventure that we don't like.”  The kids see their own growth and realize like “the way we felt about going to Gravity Falls like we don't think we can handle it, is how we feel about leaving.” That feeling of going into a new experience means that something new and exciting is going to happen you're going to grow. There was some thought that maybe over the course of that episode, Stan would get his memory back and something that the kids had done in the past would help him in the present, get his memory back.
"What's supposed to be happening here isn't that Stan's entire memory reappears in an instant. It's supposed to be a couple days of work and we see the beginning of that process when he looks at the scrapbook and then we're kind of jumping ahead a few days. maybe a week of just intensive memory therapy with Stan before he gets there."
"When we were trying to crack the half hour episode after Weirdmageddon, it felt like we were just kind of wallowing and Stan not having his memories. It was a very depressing thing. And we didn’t get to have Stan for the last episode, which was like “it's a great it's great i think you get the emotion like in this episode. It tears you apart when you see it. You could last a little bit longer on it. But going much longer, then you just feels like well what are we doing? Why are we just kind of wallowing in our own sorrows for no good reason.”
"When we had discussed the idea of an episode beyond this episode, a fourth episode, it was basically 20 minutes of [amnesiac!Stan]. This is so intense, you might think you want it but good lord, this is enough."
"Bill singing “We’ll meet again” was something that just felt like the perfect reference because this is kind of an ending about endings in a lot of ways and we know we know Bill's going to be defeated. We know that people like Vill and have grown attached to him and for him to sing “We’ll meet again” is sort of the perfect mysterious way to say like “I might be going, I might not be going.” It’s a reference to Dr Strangelove, a movie that famously ends with nuclear apocalypse and the song “We’ll meet again” so it's for those pop culture savvy. It's already tinged with a kind of a fear and an irony and the apocalypse built in, so it's perfect on a number of levels."
"The concept of the Zodiac as existing in our current canon is this idea that the prophecy was that friends and enemies would need to come together, seemingly impossible alliances would need to be made to stand up to Bill for this prophetic moment. You know that characters like Gideon who was who used to be an enemy, characters like Pacifica, like Robbie, that we've reached the point where thanks to the kids’ kindness and growth, they are now friends with Pacifica, they've resolved Robbie's jerkiness, they've helped McGucket with his memory. They've even overcome this issue with Gideon in W1 and so it seems like friends and enemies have all been restored, leaving only one thing which is Stan and Ford have to shake hands. And their pride once again is what dooms the entire world but they get so close."
"It's clear Stan, even though he's being stubborn here and holds things up, he's ready to do it.  He clasps Ford's hand and then Ford can't help but correct his ignorant brother with something that doesn't matter at all after professing how important all this is and how important it is to put pettiness aside, he's the one who ends up being petty in the end."
"I like that Stan [during the deal] is just thinking “all right, think white, think white, think white.” He's like “think about nothing but sitting on your lazy boy.” "
"Stan and Bill had never interacted in the series up until this moment  because he had just been taken over when he was asleep. We'd seen a lot of Ford and Bill, but Stan and Bill has never happened. And Bill sort of represents all the mystery and weirdness, and Stan is the guy who just wants to have a good life and protect his family. He's the one who never invited Bill in but he's willing to take Bill out."
"If Mabel's going home with a pig, Dipper's going home with this symbol of his friendship with Wendy. And even Stan he's wearing that Mabel sweater. That's a visual symbol of; he's softened up, he's embraced family, he doesn't need to be the tough guy all the time."
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gatheringbones · 1 year
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[“Later in the day, while Heather and I were making the bed and talking about the chores we needed to get through the next morning, she used a male pronoun in regard to me. “Well that’s gonna be weird, huh?” I said. “Not saying ‘he’ for me anymore.” “What do you mean?” she asked. “I mean I want to transition. I want to become a woman… fully.” She paused and fell silent. I think the revelation that I was a transsexual truly hit her in this moment. She slowly started to comprehend that this didn’t mean I’d simply be cross-dressing around the house. It started to hit me, too. I wanted to transition genders, and there was a lot more to that than just hormones and surgery. Neither of us fully understood what it meant yet, or where to start.
The next day Andrew and James met me at the studio to talk about plans around the album and the future of the band. Jordan came, too, as he was again filling in as our manager. Until then, I’d been telling them that I was writing a concept album about a transsexual prostitute—the metaphor behind the feeling of having whored myself out to a record label was thinly transparent since James, Andrew, and I were all processing our own post-traumatic stress disorder from the past couple years of music industry hell. Previously, I’d been able to sneak a few subtle metaphors about my dysphoria in here and there. But an album focused entirely on it? I didn’t know how to explain that, and the new songs were not sticking with the guys.
James could make out a few lyrics to the title track through his in-ear monitors: “You want them to see you like they see every other girl / But they just see a faggot.” “Hey, man,” he said between takes. “Are you saying ‘faggot’ on this song? It sounds like you’re saying it a lot. Are people gonna be cool with that?”
I realized that the reason the words weren’t connecting with them was that they didn’t have the context. So I came out with it. I didn’t mean to, I just wanted them to understand. I couldn’t hold back the momentum of the day before. Once the truth was spoken, it could be contained no longer.
“It’s about me, and how I’m a transsexual. This is something I’ve been dealing with for a long time,” I told them. Once I started explaining it, I couldn’t stop. It was like an out-of-body experience where I saw myself, but was powerless to hold back the flood of words. “I want to start living as a woman, and to be referred to as Laura. This is something I’ve thought about a lot and isn’t going away, so I might as well embrace it.”
No one knew what to say once I finally stopped rambling. The three of them just sat there in the studio control room, looking down at their feet or at whatever lit-up piece of audio equipment their eyes could find, focusing anywhere but on me. We’d had some heavy conversations over the years—emotional moments where we’d told each other off or outright quit the band—but nothing compared to this. Andrew’s usually warm smile was locked in since I started talking, and it looked like it was going to melt off his face. His skin flushed red, trying not to flinch. There was nothing any of them could say. I broke the silence by asking them to come smoke a joint with me. We got high standing in a circle in the open back doorway. “OK, well,” I said. “I guess that’s all we’ll do today. How about we try again tomorrow?”
We shared the most comically awkward group hug, a horrible mess of pats on the back and overly extended stiff arms. They left, and I locked the door behind them. Oh fuck, I thought. I called Heather and told her that I had just come out to them. It felt unreal to speak these secrets aloud, hearing myself verbalize thoughts that had only ever existed in my head.
The guys had an hour and a half back to Gainesville to think about all that had just been unloaded on them. James has since told me that as he sat there stoned on that long drive home, a lot of memories over the past 15 years suddenly started to make sense for him. My lyrics, my behavior on tour; one by one, he had tiny flashes of realization about me in this new light.”]
laura jane grace, from tranny: confessions of punk rock’s most infamous anarchist sellout, 2016
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buildgrist · 1 year
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I wrote this last year on Twitter, but since Empty Spaces has sort of abandoned ship, I'll post it here too:
"Funeral"
A woman's whole life changes the first time she sees a combat doll.
First-person, combat doll setting by Twitter user mars_phobos_L1
CW: Harassment, violence, military context, blood, personality changes, conditioning, surgery, unreliable memory
Story below cut:
1.
I washed out of combat training almost immediately, but it wasn’t enough to get me off the hook. I’m sure you all know how it goes – just because you can’t fight doesn’t mean you can’t support the ones who do. If you can’t carry a gun, you can fix a gun, if you can’t fly a plane, you can fuel a plane.
Nothing wrong with that, of course! It’s simply efficient use of resources, and I’m certainly in no place to criticize that, especially not given my current status, so to speak. But even then I wasn’t exactly bothered by it -- I would have rather not been conscripted at all, but maintenance would be safe and interesting and I was already pretty good at it.
2.
The first time I ever saw a combat doll was when I was at the range, trying to get in enough practice to pass my pistol qualifications. I didn’t even know she was there, at first - there was no fuss, no fanfare - but as soon as her handler started barking those sharp, staccato orders I realized what was going on.
I looked over, of course. I know, we’ve all been taught not to make eye contact with the dolls because they might take it as aggression, but how could I not be curious? Can any of you say you wouldn’t be tempted to take a peek?
I hadn’t expected her to not be wearing her mask. All the publicity photos, all the technical diagrams, all the battlefield footage always shows dolls with their masks on, so I assumed that was just their usual state – but no, I was wrong. That was her natural face, with her implant jacks and her surgical scars and her delicate-looking skin. I truly hadn’t expected her to be so pretty…
She caught me looking, of course. Dolls are the apex predators of the battlefield, and noticing a maintenance trainee staring at her was trivial in comparison. She met my eyes before I could look away, and then I couldn’t look away. I knew nothing except her eyes and my heart pounding in my ears, and I had no idea what was coming next… and then she grinned at me.
That grin did something to me, something strange and frightening and wonderful. It felt like lightning running down my spine, like watching a sunrise after being blind my whole life, like finding my way out of a forest I’d been lost in since birth. I was never the same again.
3.
I needed to know who she was, of course. She could pick off targets faster than my eyes could follow, with a perfect bullseye every time. Her handler ran her through everything in our arsenal, and more besides - pistols, rifles, machine guns, throwing knives, on and on - and she was perfect every time. How could I have not wanted to know more after watching a display like that?
Well, apparently, that made me the weird one in the battalion. Everyone I asked about her just shrugged or gave me sidelong glances. Why would they want to keep track of which doll was which, they asked? They were all equally frightening, after all. What did it matter what the shark swimming next to you was named?
It took more than a week - and a couple cases of beer - for me to find out who I’d seen. My buddy on the security team had seen the handler’s name and done some quick research, and he was willing to pass on that information… for the right price, of course.
Victoria. Her name was Victoria, and the next thing he said to me was “be fuckin’ careful around that one,” which didn’t make a whole lot of sense to me at the time. We’re taught to use caution around all dolls, combat or not, why the extra warning?
Because, he told me, there were stories about the Victory-class dolls. They weren’t the fastest dolls or the most powerful dolls, but they were notoriously unpredictable, and dangerous even to their allies. I won’t get into the details right now, that’s not what I’m here to do - but some of your classmates went pale the moment I said her name, so ask them about it later.
But what did that have to do with Victoria? I had to ask, because I used to be a little slow on the uptake sometimes. In case any of you haven’t put all the pieces together: Victoria is the first Victory-class, the flagship, the template upon which all others were modeled – and that meant if there was some fault with the Victory-class dolls, some flaw in their design or their conditioning, Victoria would definitely have it.
4.
Even with all he’d told me, and all I’d learned on my own afterwards, I still couldn’t get her off my mind. Not that I was thinking about her every second, or even every day, but that moment never quite left my mind. I’d lay down and try to sleep, close my eyes, and behind my eyelids I’d see that bare face, that grin, and my heart would start pounding all over again.
By the time we were given our assignments, I knew what I was going to do. I knew what I had to do. I got the cushiest possible position – 8th Supply Battalion, well away from any combat zones, where the greatest danger would be a private driving a forklift drunk. The perfect position to serve out three years of compulsory service and go back to my old life, right?
Except I didn’t want it. I hadn’t wanted it since the moment I’d seen her.
As soon as we were dismissed, I went straight to the commander’s office and asked for a transfer – which they don’t usually do, of course, but he was willing to hear me out anyway, so I told him I needed to be on Victoria’s maintenance crew. Once he was done laughing he asked me what I was really there to ask for, and I repeated my request. I explained to him that I was serious, that I wanted, needed more than anything else, to be assigned to maintenance for Victoria.
He didn’t understand – which is no surprise, because I don’t think any of you do either. Why would I have wanted to be transferred to the only role that had higher casualty rates than front-line infantry, right? Truth be told, I didn’t understand either, and I still don’t. There’s nothing I can point to, no specific reason, just this surety that I belonged there and nowhere else.
Someone needed to do maintenance on the dolls, right? Why shouldn’t it be someone enthusiastic about it, someone fully committed to their role? I don’t know if my argument won him over or if he was just tired of listening to me, but in the end he just shrugged and wrote out my transfer orders: maintenance crew, Victory-class combat doll “Victoria”.
I still remember what he said when he handed me the orders:
“It’s your funeral.”
5.
Just because I’d volunteered for the position didn’t mean I was any less nervous when I first reported for duty! The rest of the crew had already been giving me a hard time - I was the squeaky-clean new girl, fresh out of training - but honestly, they weren’t why I was nervous. That was just some laughs and some hazing, nothing I wasn’t used to by that point.
No, I was nervous because of the six-plus feet of exquisite purpose-built killing machine standing in the middle of the maintenance bay.
The thing is, though.. the reasonable thing would have been to worry that Victoria was going to kill me, right? That’s what you’d be afraid of, that’s what any sensible person would be afraid of! But it wasn’t what I was afraid of.
I’d done my research, I knew the numbers, and I was certain - beyond the slightest shadow of a doubt - that I wasn’t going to survive three years in her maintenance crew. I’d made my peace with that before I ever even walked into the commander’s office.
I was worried that Victoria wasn’t going to like me.
6.
I know that probably sounds bizarre to you - after all, nobody worries about whether their tank likes them, right? - but trust me, it was absolutely the biggest thing on my mind. So much so, in fact, that I decided to introduce myself to her immediately! Why hang around hiding behind the rest of the maintenance crew when I could just walk right up to her and make a good first impression instead?
So that’s exactly what I did. Right into the maintenance bay, right past the rest of the crew, right across those painted lines on the floor… one foot in front of the other, listening to the pounding of my heart until I was within arm’s length of an active combat doll.
I took one more deep breath, accepted that it could have been my last, and gave her the usual introduction: name, rank, and role. She just stared at me, with those intense eyes I remembered so well, and I offered a little bit of extra politeness – just a simple little “I look forward to working with you, ma’am.”
7.
The moment the words were out of my mouth, she grabbed me by the collar and dragged me in, my body pressed up against hers, and as I stared up at her in shock and fear and excitement, I heard her voice for the first time.
“You’re cute,” she said.
There were teeth in my neck before I could even make sense of her words - combat-specced teeth, the kind that can slice through bone - and it was unbearably painful… but also something about it felt right. I was helpless in her grip, completely powerless, and I realized that I’d wanted that all along.
I saw her true face for the first time, then. That flat, blank non-expression she’d been wearing when I walked up to her had simply been another mask, another disguise… and she’d let it fall away. As she licked my blood from her lips, I understood – she was a hunter, a predator, hungry for more and strong enough to take whatever she wanted… and I was her prey.
I suspect your instructor would kick me out of this class immediately if I described what she did next, so I’ll just say ‘she had her way with me and I had no desire to stop her.’ You’ll have to use your imaginations for the rest… or come find me sometime and I’ll be happy to tell you all about it!
8.
Anyway, even though it seemed like I’d made an excellent impression on Victoria, the rest of the maintenance crew was pretty clear that I’d made a pretty poor impression on them. As soon as we were off-duty and the dolls had all been escorted back to their bunker, they made their feelings known in a very direct fashion.
I got off easy, they told me, pointing out maintenance staff for other dolls. One man had a bloody bandage where his ear had been, and another was completely unresponsive – just blankly staring at a wall. In comparison to things like that, a bite and some fucking was downright gentle for a Victory-class doll!
The crew insisted that I’d better not expect special treatment from Victoria to mean they’d give me special treatment too – I protested that I’d never once expected that, but I don’t think they were listening to me by that point. From all the shouts and cursing, it seemed like they were upset that I, the death-wish rookie who walked right up to a combat doll and introduced herself, had been treated more gently than maintenance staff who simply wanted to carry out their duties safely.
I tried to answer them, I tried to explain that all I’d done was to be friendly and polite, that I’d just wanted to treat Victoria with the respect she deserved. They didn’t like that answer.
Nobody told me about this, so I’ll pass it on as a warning to you just in case: maintenance crews aren’t just wary of their dolls, they’re downright resentful of them. From their perspective, the dolls are the thing that stands between them and getting home safely, and they’re not particularly fond of people who see the situation differently.
I, not knowing this, made some helpful comments about the dolls not being our enemy, about our purpose being to support the dolls so they can carry out their Purpose. Shortly thereafter, in a totally unrelated event, I slipped and fell down a staircase – completely by accident, of course.
I’d been hoping that the maintenance crew - and the staircase - had gotten all the vitriol out of their system by then, but it only got worse. Someone had found out that I’d volunteered for the maintenance crew, while they’d all been unwillingly forced into that position, and it was all over. That was all the proof they needed to decide I wasn’t like them in some indescribable way. They might not have been able to explain how, exactly, I was different from them, but they all agreed that I was, and they all wanted to make that my problem.
9.
I next saw Victoria for post-mission diagnostics two days later. The procedures would be routine, and yet the crew was far more anxious than they had been for our previous visit to the maintenance bay. A doll just back from an operation, having spent only a few minutes being gentled by its handler before being sent off to maintenance, was the most dangerous kind of doll as far as the maintenance staff was concerned: all keyed up on adrenaline and battle stimulants and potentially unsure as to whether or not it was actually safe or still on the battlefield.
The crew all talked like they were off to the firing squad, and I had no idea what to expect as we all walked down to the hall… especially when they all hung back, in ones and twos and threes, lagging behind me while I walked up to the maintenance bay first.
I was the tribute, the offering, the fresh meat tossed to Victoria to sate her hunger - and oh, did she ever take the bait. She ran to me, snatched me right off the ground, and sprinted back to her designated zone as if to convince everyone she’d never left.. except now she had me clutched in her arms, her deadly teeth tracing up and down my neck, that beautiful voice giggling in my ear.
The maintenance team had to conduct their diagnostics around me, in the end. Victoria simply didn’t want to give me up, no matter how they tried to convince her -- and I had absolutely no desire to argue with that. Where could I possibly have wanted to be more than her arms?
In fact, I didn’t want to leave her arms. Even once our duty shift was done and she’d turned me loose, bloody and weary and deeply content, I lingered in the maintenance bay as the others fled for the mess. I knew what was waiting for me there - the same thing that had been waiting for me since I first met Victoria - and I wanted to avoid it for as long as possible.
10.
I hadn’t expected her to notice me hanging around - surely I was unworthy of her attention, right? - and yet, as I lingered behind, she spoke to me for the second time. “Not joining them?”
“No ma’am,” I told her, quietly enough for nobody else to hear. I hadn’t meant to say anything else, but the prospect of having a sympathetic ear was just too much, and the words just tumbled out of me. As she stared down at me with that blank expression, I explained how the crew had decided I didn’t belong, and how they’d been treating me since – the punches, the kicks, the fish in my bunk, the thousand other little reminders that they’d decided to hate me.
Eventually I ran out of words and found myself simply staring up at Victoria. She hadn’t said a single thing the entire time, and her expression was the same unreadable blankness that I’d seen before. While I tried to figure out whether she was sympathetic or simply bored, I suddenly realized that she’d met my gaze, staring into my eyes as if she was looking for something. I couldn’t imagine what she was looking for - and, truth be told, I still don’t know what it was - but I stared back up at her and let her look for it.
I guess she found what she was looking for - or perhaps found an absence of the wrong things - because she simply grabbed me by the arm and practically dragged me right out of the maintenance bay. What was she doing? Where was she going? She ignored my questions, of course, so I stopped asking them and simply walked along with her in silence.
You probably haven’t seen a doll bunker yet, but they’re extremely sturdy – downright overengineered, even. They’re even more heavily reinforced than munitions bunkers, and the only route in and out is through an extremely sturdy-looking steel door. It’s the sort of thing that makes the vault doors in heist movies look like tissue paper… and that was the door Victoria had led me to.
Even though I’d walked to the bunker with her willingly, I couldn’t help but protest a little as she swung the bunker door open. I had been told, upon my assignment, that only handlers and commanders were permitted to enter the doll bunker – all support staff were required to stay out in order to avoid ‘unnecessary manpower shortages’. Not that that stopped Victoria, of course! She simply picked me up by the back of my uniform like an uncooperative pet and tossed me right through the door.
11.
Have you ever walked into a room and found eight combat dolls staring directly at you? Sixteen eyes fixed on you, unblinking, like cats that have just spotted a mouse? Presumably not, but if you’re very lucky - or very unlucky - you might get to someday.
That’s where I found myself as the bunker door slammed shut behind me – gracelessly picking myself up off the floor under the hungry gaze of eight combat dolls. They waited a moment, graciously permitting me to get back to my feet, and then… well, I guess the best way to describe it is to say each one started trying, in her own way, to draw me away from my host.
Not a word was spoken, but carnal offers were made, and one or two dolls began to creep toward me as if stalking prey – and then suddenly they all froze at once. I couldn’t receive dollchat yet, so I didn’t know what Victoria said to them - and even now she just giggles when I ask! - but whatever it was, it was enough to convince the other eight dolls not to steal her guest away.
I spent that night in her bunk. I didn't do a lot of actual sleeping, of course, but the moments I did get... having a combat doll holding me close and murmuring sweet reassurances in my ear was maybe the safest I'd ever felt in my whole life. To be told I'm safe now, that the squad will look out for me, that I'm theirs forever…
12.
I hardly ever left the bunker after that. I would have never left, if I’d had the option, but there were still two things I was expected to handle: work and food.
I was still a member of Victoria’s maintenance crew, expected to be present for those duties, and since the necessary hardware was in the maintenance bay, that was where I had to be too. My first duty shift after being taken to the bunker, I’d hesitated – I was even more uncertain about showing my face around the rest of the crew now, after all! Victoria had just returned from a mission, so she would be waiting for me there, but I still had to get from the bunker to the maintenance bay on my own…
Before I figured it out myself, one of the other dolls took pity on me. She took my hand in hers, as if I was a child, and led me to the maintenance bay herself. It was permitted - after all, she was being escorted by maintenance staff - and nobody dared to say she couldn’t stand by while we Victoria received her post- mission diagnostics and I received an entirely different kind of post-mission attention.
I’m not sure if the crew ever appreciated just how much lighter on them she was when I was around, you know? I don’t know if they even noticed, or if they were too busy hating me. It didn’t matter, though – when we were done, Victoria and the other doll walked me back to the bunker, hand in hand, as if they were concerned I’d stray – or flee, perhaps, but there was already no chance of that.
If any of you ever get invited to a bunker, be aware: there’s nothing for you to eat. There is food for the dolls, although it’s terribly bland, but those meals are measured out to the last bite. Even once the whole squad had fully accepted me as their own, they still didn’t have anything to give me – every bite of food for me was one less for them, and dolls are always hungry.
The only way for me to get food would be to get it from the kitchens myself. I’d have to brave the hallways solo, avoiding any other staff, and throw myself on the cook’s mercy in the hopes that they’d be willing to let me take something back with them – and I’d have to do it two or three times a day! It’d be absolutely miserable, right?
As it turned out, that was practically a nonissue. The kitchen staff recognized me on sight - word spreads quickly, especially when you’re escorted to the bunker by two dolls! - and realized that we could solve each other’s problems: I needed food, and they didn’t want to interact with the dolls. If I could come out of the bunker to receive each day’s rations, rather than the staff needing to hand-deliver it directly to the dolls, they’d be more than happy to throw in each day’s worth of meals for me! Teamwork and problem-solving, that’s what we’re trained for, right?
13.
With food resolved and my duties sorted out… well, one day started to blur into the next. There are no windows in a doll bunker, after all -- there’s no sense of time unless you’ve got a chronometer built in, and I sure didn’t. I slept when they let me, I did as I was told, and every time the rations were delivered I felt a little more like I was walking through a dream.
The kitchen staff stopped looking straight at me, eventually. It wasn’t that they were afraid of me - I was no doll, no battlefield predator - but something about me unsettled them. Maybe my body language had changed – after all, I’d been spending more time around dolls than humans, even I could tell that I was picking up their mannerisms, that I was absorbing the way they spoke and moved and held their bodies.
Or maybe it was something else. Maybe there was something in my eyes. I had prostrated myself before the squad and worshipped them for the goddesses they were. I had licked blood from a doll’s body without ever stopping to wonder who it had belonged to. I had given myself to them over and over, even after my stamina was exhausted and I could do little more than accept their desires.
They had made me theirs - with pleasure and pain, with fear and adoration - but they decided I was ready for more.
14.
I’d tell you it was a day like any other, but I don’t even know if it was a day. It was just another moment in the bunker, a moment of laying on a bare concrete floor, my limbs tangled with giggling dolls who simply couldn’t bear to let their plaything go… and then it wasn’t.
They hauled me up off the floor and pushed my back against the wall, one on each side of me, and the rest of the squad parted as Victoria approached, as the doll who’d claimed me first stood over me once more.
“You’ve been fun,” she told me, “but you can be better. We want you to be better. Don’t you want to be better for us?”
Even after all the time I’d spent with them, I still hesitated. I knew what they meant, and I had learned exactly what it entailed. The surgery, the conditioning, the experience of not being human anymore – but wasn’t I already seen as no longer human?
Victoria saw that hesitation, she saw the fear in my eyes, and stroked my head like a pet. She promised me she’d stay by my side the whole time… and she promised to do my conditioning herself.
How could I say no to that?
15.
The surgeons broke me. There’s no way to sugarcoat that. Even without all the modifications combat dolls get, having an arrhythmia control device implanted in your chest without any anesthetic is simply more than any human can bear and stay sane – so I didn’t. I screamed, I struggled and I let myself fall apart.
Victoria put me back together. She reminded me how much I liked being helpful, and how much I enjoyed being useful. She dug up my memories of how much I loved each and every member of the squad, and she made those memories into the core of my personality so I could never, ever forget again. As for the rest of my memories… well, I told you this whole story, didn't I? But everything before the dolls took me in feels distant, removed from me, as if they're someone else's memories instead of my own. It's better that way – I have a whole new life and a whole new family to love.
Speaking of which, Victoria had a surprise for me once I'd recovered, a way of celebrating me as the newest part of their family. One at a time, each doll got up on one of the bunks like it was a makeshift stage and delivered maudlin, overdramatic speeches about the person they imagined I had been before, and we all giggled along together.
In the end, it was my funeral after all.
16.
There you have it, that's the whole story. That's how I went from being just like you to being who I am now. Your instructor wanted me to share it as a warning, a cautionary tale, and I'm sure for most of you it is. But for one or two of you, if it appeals–
Yes, sir?
Understood, sir.
Thank you for your time, everyone! May fate preserve us! Good luck on your quals!
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daisukitoo · 1 year
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I am 15% of the way through Harrow the Ninth. There are no plot spoilers below.
"Second person, past tense" is a really weird choice for a novel's narration, and I will be disappointed if this does not pay off mightily.
Most pieces I see in second person POV are short stories. The goal is to establish intimacy and immediacy, and they are most commonly in the present tense. The notion is that the action is happening to you, right now, and you are finding out about it as you the reader go through the story. Occasionally you see such a story in the future tense, suggesting someone is prophesying to you.
Second person, past tense is someone telling you your own history. This is kind of weird. One assumes a Memento story with an amnesia premise, or similarly Merlin living backwards in time. The second person here raises the question of who is telling you the story. The past tense raise the question of why you need someone to tell you your own story.
That our protagonist is explicitly and demonstrably insane gives us a lot of "why," although the particular "why" depends on the "who." The most obvious "who" is that Harrow is telling herself her own story. We have already seen Harrow telling herself her own story within this story, so adding another layer of recursion seems obvious and later adding multiple seems fun.
But here we reach a fork that we cannot resolve this early in the book. Is Harrow in a moment of lucidity telling herself what she should already know? Is Harrow in a moment of insanity hallucinating a new history? Is Harrow just lying to herself because the ending of Gideon the Ninth was too painful?
Harrow the Ninth is sometimes described as gaslighting the reader about Gideon the Ninth. Someone is not telling the truth about something here. One character seems to have noticed, but it is hard to be sure when our narrator is unreliable and may be hallucinating and/or lying.
Gideon was a somewhat unreliable narrator not in the sense that she lied (except perhaps about her emotions, except perhaps mostly to herself) but in that she was not paying attention, like the meme post in circulation about a movie showing the start of World War I from the perspective of a pet pigeon. You can probably identify all the important plot points of Gideon the Ninth by how boring Gideon finds them.
Harrow is more classically unreliable. She has a skewed perspective, and within that perspective she hallucinates, and on top of those hallucinations she will deceive herself and others. This early in the book, we already have many examples of Harrow seeing things that aren't there. She tends to realize within a page or two that she is hallucinating. The big news at some point should be that those little hallucinations were within the context of a larger hallucination and/or lie.
And now I need to go finish the book so I can check my Tumblr notifications without worrying about spoilers in the notes.
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flavoredfaeman · 2 months
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Okay making my own long post so that I can get out all my thoughts clearly
So to start off 1. I think that queer baiting is a completely useless term, in part because all it is used for is arguing whether or not something is queer enough (in part because queerbaiting is an incredibly rare phenomenon in western media), 2. I think that the way male queerness is treated in Deadpool is unfortunate, and 3. Gay people are allowed to find joy in goofy movies and it isn't that serious.
**this is all my opinion, a lot of these topics are up to personal interpretation just like with any other movies or media discussion (I am trying to also cover multiple perspectives here, but I am only one person)
Let's get one thing clear right off the bat, no one who is familiar with marvel and disney actually thought that Deadpool and Wolverine were going to kiss/fuck nasty/become an item. (Those were jokes guys.) Those of us who were hoping for queerness were hoping for some subtext at most or the Deadpool-typical type jokes where he smacks a guy's ass, makes a quippy comment and moves on. And within that context of expectation, we were given way more than we expected.
Now, I will say that it is absolutely sad that we can have these movies with gay jokes, but that actually portraying queer characters seems to be too much for them. As is typical (to my knowledge) of bigger movies, they were allowed to make a side lesbian couple (this is a much larger topic, but for the purposes of this conversation, let me add on: cishet men think lesbians are hot + women are not considered to be able to have "real" relationships without men. So they can get greenlit a bit easier.), but Deadpool is not allowed to have meaningful connections to other men.
Deadpool's jokes about gayness can be interpreted in different ways. To some people, they feel hurtful and deriding. To others, they are the jokes made by a man who is comfortable in his identity, and who makes jokes to take power away from people who may want to use his queerness against him. It's really hard to argue this one way or the other, since Deadpool isn't a real person who we can ask to clarify. As such, how one feels about these jokes usually sits within the context of how they view Deadpool and the movies in general. Personally, I think that these jokes are meant to shock audiences, but I don't think they are actually intended to be hurtful. Especially when the funny part of most of the jokes is when he is making them, not that it's gay. Like, straight or gay, it's funny to talk about sex in a really emotional/tense moment, or in the middle of a fight. Particularly when you see how he treats the other queer people around him, not to mention, you know, the fact that he's canonically pansexual. (Frankly I find it kinda weird to go "aah there's a queer man making jokes about being a queer man!! How terrible!!" but that's my prerogative)
From movie 2 to 3 there does seem to be a change in how queerness is being treated. A positive change, in my opinion. Because Deadpool isn't making all that many jokes in this one, he's got a few for sure (Wolverine has one or two as well!!) but a lot of what he's doing is becoming genuinely close to Wolverine. This shifts the dynamic, now it's not just Deadpool making gay jokes or advances to people who don't really reciprocate (to my memory, though I feel like Colossus may have flirted back at like the end of Deadpool 2?), instead the jokes are being reciprocated/responded to and the characters are being put on even ground. Wolverine is a realized character, just like Deadpool, so they are able to grow closer over the course of the movie, and form an actual connection and bond. (Also a lot of the gay jokes become "wow isn't wolverine so hot?" jokes)
Important to also add that yes, they do start the movie with a very fraught and tense relationship, they are both very violent characters, Wolverine has crazy anger issues, and Deadpool makes everything a joke. All of these things are important to their characters and story! If you took some of those early interactions out of context you could argue that Wolverine isn't reciprocating or something of the like, but that would require ignoring the majority of the film. They are kinda crazy and impervious characters who have opposite personalities in a high stakes setting, of course they are going to fight and try to harm one another.
As much as it's already been talked to death, it is genuinely important to discuss the metaphors in this movie. Because as funny as the Honda jokes are, that scene is heavily implied to be a sex scene. This is the art of film, what you cannot show the viewer, you must convey some other way. The fight happens to You're The One That I Want, they repeatedly stab intimate places (stabbing as metaphor for penetration), the way they position themselves in the car and through themselves at each other, and the camera panning towards the bumper as the car shakes (a classic fade to black sex move). This is all movie language, and it is vital to understanding what a movie is portraying.
The climax is also very important in this regard, because as camp as it is, they were willing to die for each other and in that willingness they were able to save each other. Like A Prayer is playing, they are holding hands, when Wolverine's shirt explodes Deadpool takes a moment to oggle him despite the fact that they're both getting absolutely electrocuted or whatever.
Now, despite all of this absolutely beautiful subtext, Deadpool and Wolverine do not get together. That is absolutely an important part of this conversation, their relationship is ultimately left ambiguous. But a queer man being in a homoerotic ambiguous relationship with another man, does not a queer bait make.
Vanessa is an important part of this discussion of course - though to preface this, I find their relationship really boring so I don't really remember a lot of what happened between them in the first movie. Deadpool is canonically pansexual, so his relationship with any woman does not make him any less queer. Though, it could be argued that she's been kept around as a character to make sure he's always in or longing for a straight relationship.
Some people have been arguing that the movie ends with Deadpool getting back together with her, which blatantly does not happen. They were in a weird stage of exes being friends at the start of the movie, where she was in a new relationship, and he was still pining. All he does at the end of the movie is go over to her to let her know he cares about her, which could be romantic or platonic - but IS NOT them getting together. And again - even if he still is in love with her by the end of the movie, he is still queer.
In addition, I don't think that Deadpool is monogamous. He's constantly flirting and showing interest in many different people. Now I don't remember if he ever has a conversation with Vanessa about monogamy, so I could be missing an important part of their dynamic. But as it stands to my knowledge, Deadpool being in love with Vanessa doesn't mean he's not in love with Wolverine.
Both of these potential relationships end in the air. And of the two (if we assume monogamy is important) Vanessa said she had a boyfriend, and Wolverine just moved into Deadpool's apartment. So Wolverine is in a much better position to end up with Deadpool than Vanessa is.
It's also good to note that everything we got in this movie was fought tooth and nail for by Ryan Reynolds and the movie's team. There is every chance that Deadpool and Wolverine's relationship would not be implied but rather outright in a world where studio opinions don't matter.
Everything that I've just described is not queerbaiting. A movie with queer people in it canonically, is not queerbaiting. Queerbaiting is when media sells a character/relationship as queer in order to get an audience and then tells that audience that they are not actually queer (usually done incredibly insultingly, think Sherlock). Marvel and Disney do not need to market towards queer people to get an audience, in fact marketing towards queer people is more likely to lose fans, and gain hate. It's also important to note that the marketing hasn't been marketing these two as queer, they aren't almost kissing in material, the cover is a friendship charm, the most they do is address the fact that Wolverine/Hugh Jackman is hot af. So it literally isn't queerbaiting.
Now, whether or not someone is disappointed in the level of queerness is completely up to the individual! Everyone is welcome to their opinions and feelings about the movie, disappointed or delighted. But a movie is not queerbaiting just because you are disappointed.
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purpurussy · 5 months
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what is all of this like for post-hiatus phannies?
I've been trying to figure out how to phrase this for a minute. The most obvious comparison would be that it's like starting a TV show 10 seasons in, but that doesn't come remotely close to the amount of required reading necessary to understand even 5% of the references. This has not been a problem for me, as I love nothing more than a good all-consuming hyperfixation rabbit hole, but something I'm realizing is that you really just had to be there to fully Understand.
I got into d&p properly in December of 2023, when gamingmas appealed to my emotionally curious nature and then gave me some kind of irreversible brain damage which I'm still trying to process. Since then I've been consuming their back catalogue as though it's laced with cocaine, and obsessively lurking on phannie tumblr until I finally made this blog a few weeks ago.
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I actually watched Dan's videos for a little while back in roughly 2013/2014, but something about his content back then just wasn't working for me like it does now (I have such a clear memory of watching Reasons Why Dan’s A Fail and thinking "aw man why does this cute little twink hate himself so much 😔" and then going back to watching Jenna Marbles lmao. Funnily enough it did make me change my negative self-talk a little bit). I was very much a brief casual viewer who went off them pretty much after watching a few videos, and after that I was sort of vaguely aware of them as the cultural icons of the 2010s that they were, but I wasn't keeping up with them at all. 
I don't even remember BIG coming out, which is insane because I've always been extremely chronically online and it definitely broke containment as a cultural moment (although I think I was trying to minimize my social media use at that point in my life, so maybe that's why it went over my head). I feel like I must have heard something about it at the time, though, because I knew they were gay when I started watching them last year. What's really strange is that a lot of this stuff is kinda timeless to me. I don't remember it happening 5, 10 or 15 years ago - I just witnessed it very recently. For a lot of you guys, BIG happened 5 years ago, but I just watched it for the first time a few months ago. At the same time, in my mind they've just always been gay, since I wasn't in the trenches of the unhinged online culture surrounding them in the early/mid 2010s. It's so confusing to balance my weird temporal perception of these events with the impressions that I get from you guys. Oftentimes I have to judge roughly when something would have happened based on their appearances - it's not actually a *memory* for me, like it is for you. I absolutely love the dynamic and branding they have now, and the deep dives into their past are more of a curious exploration of how they got here, rather than actually nostalgic (or, I suppose, mildly traumatic) for me. It’s still very interesting and compelling to me, but because I love the current iteration of Dan and Phil, not because I’m emotionally invested in who they used to be. 
Sometimes I’ll be aware that an event happened, but I won’t realize how monumental it was until I see people talking about it (I hate to say it but I genuinely don't fully understand why the BONCAs thing was so earth-shattering, but like I said, I've always lived in a post-BIG universe, and I think you just had to be there). There are also plenty of references to stuff that's just been lost to time, which I have to piece together with context clues, as well as the more unhinged demonic stuff that I just don't have any interest in exploring whatsoever (I think I might have watched the v-day video if I'd been there when it leaked and I was a stupid teenager, but at this point, I don't even feel any kind of morbid curiosity for it. I just feel really bad for them that it got leaked. Plus, unfortunately, I think I've learned all I need to know about it through internet osmosis here). I feel like a lot of these events have a real emotional meaning for you guys, when to me, they're just interesting/funny/insane anecdotes which give some context to everything. Some of the shit that you guys lived through back then is absolutely wild, and I love and appreciate all of you for meticulously archiving and documenting everything and for being so willing to answer the same questions over and over again! Otherwise I feel like I wouldn't be able to really be part of this community, and posting my silly little memes on this blog is so fucking fun. So thank you all for that.
It seems like this is one of the most ride-or-die fanbases I've ever seen. The fact that they could invent the concept of YouTubers doing world tours, successfully execute that multiple times, branch out into several other ventures, come out as gay not fully knowing how that would affect their careers, disappear for several years and then come back knowing that there would be a solid audience waiting for them even after their virality had died down, drop merch every 3 seconds - I don't know who else can really get away with that, for almost 15 years, in the extremely "live fast die young" culture of internet fame. And I think it's in no small part because you all have chronic "unconditionally supporting dan and phil" disease. (While we’re on the topic, I feel very lucky to have missed the hiatus era. There's kind of a compression in the timeline for me between the gaming channel going dark and Dan starting his WAD tour, where it's like that time just doesn't exist in the Dan and Phil cinematic universe for me. It took me a while to realize how insane it must have been when they came back in full force, I can't even imagine how that must have felt.)
Of course, there's a caveat in that I'm saying this only really knowing about the tip of the demon iceberg. I’m aware of people engaging in behaviours such as doxxing them, outing them and stalking their families, which is horrifying in and of itself, but I don’t know how long it went on for or how many people were involved. I think people are generally pretty well-behaved at this point, and most of the drama seems to be between different schools of thought within the fanbase itself. I assume a big part of the reason for that is people's varying degrees of involvement in (and remaining notion of guilt for) the boundary-crossing behaviour from the old days. Living with the spectre of this insanity is kind of strange - it makes me feel nervous sometimes that I’m gonna accidentally say something that hits a nerve, or cross a line I didn’t know existed, because there’s all this history that I don’t fully understand, beyond just the normal unwritten rules for interacting with fan spaces online. 
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The topic that got me writing this in the first place was the orange heart incident, and everyone’s subsequent meltdown. For me, the excitement in them soft/hard/semi launching is more about me just getting excited about any open, proud expression of queer joy - it heals something inside me every time I hear a man referring to his husband or a woman referring to her wife (excuse the gendered terms, ykwim. gay shit). It's just that sentiment, combined with the fact that I'm parasocially invested in them: I'd love to see that energy from my fave little guys who live inside my computer. I am basically rooting for them to become more comfortable with just talking about gay stuff more openly and candidly, and I guess that would require a bit of a hard launch, although I can understand that they don't want to potentially open the door to excessive questioning regarding their relationship. I feel like it ✨hits different✨ for people who watched them for years before they came out. Like, you guys are rooting for people who you watched in real time struggling with their identities and internalized homophobia for years and years, while to me, they’re just some guys who I’m a fan of. Sometimes I get caught up in the emotional frenzy of their hard-launch breadcrumbs even though I don’t feel quite as insane about it as you guys (I said in some tags a few days ago that it’s like the base instinct to turn around and start running if you see a crowd of people running towards you and screaming in terror, even if you have no idea what’s going on). Anyway, I would love to see them being more gooey with each other, and I am gobbling up the breadcrumbs they're feeding us atm, because I love seeing gay people expressing gay love with no shame 🧡 
I think my perception of them as a couple, or of their sexualities independently, is just kind of an extension of everything Dan said in BIG. I really have no doubt that they're a couple, and I don't feel any kind of weird Catholic guilt in saying that, since I neither witnessed nor participated in the insanity back then. I interpreted (I'm paraphrasing) "obviously we were more than friends, but it was more than just romantic, we're like, actual soulmates" followed by "as for the situation now? we're private people and we'd like to keep that part of our lives private" as him essentially saying that obviously they're a couple, but that their relationship is not part of the Dan And Phil™ Brand. The brand is 2 guys who have great chemistry doing comedy together (5 feet apart even though clearly they are gay and in love). And I think that's a completely healthy decision to make, even irrespective of their history. I think a hard launch would be subtle, and it wouldn’t realistically change the nature of their content that much. 
With that being said, to me, it seems slightly wild for people to adamantly insist they're not a couple, or that it’s “invasive” to assume that they are one (not that that really applies to anyone here, but elsewhere on the internet). If they were a straight man and a straight woman, and there wasn't a huge chunk of people on the internet struggling with this oddly conditioned aversion to seeing them as a couple, then nobody on earth would be insisting that it's weird to assume they're together. Dan confirmed that they became romantically involved around the time they met, and building a forever home with your ex is crazy, that's all there is to it.
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This is kind of a messy stream of thoughts (it ended up sort of becoming 2 essays for the price of 1) and I don't really know where I was going with it. In conclusion I think that day 1 phannies are braver than any US marine and you have all suffered more than Jesus on the cross, and I'm extremely thankful that I get to reap the rewards of your labour now without having lived through the dark ages myself. I also think some of you are holding onto a bit of unnecessary guilt for dumb shit you said on the internet when you were a kid. And Dan and Phil are gay and I love them and I reeeeaaaallllyyy want them to do a podcast so bad because this is all conjecture and I would parasocially love to hear their actual thoughts on it
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tinykonig · 2 years
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König x Reader Headcanons
this is my first post!!!! im so excited!! i have had an extremely annoying day and just wanted to write these down to cheer me up a bit- hope you guys like them as well :) some of these are self indulgent so forgive me. im writing my könig fic but its taking a while since finals are upon me :/ Warnings: NSFW at the bottom, I put an indicator before :)
He is an extremely active listener. If he’s standing and you are talking to him, he has his feet pointed towards you and his head ducked down a bit so he can hear you better since he’s so tall. Nods along to whatever you say and generally has attentive body language
Remembers the smallest details from any conversation. You tell him a story about your childhood pet and months later he will casually say the pet’s name in another conversation. It always takes you off guard a little
When he realizes he likes you, he panics. Writes frantically in his journal for about 3 hours about it.
You catch on to his little crush pretty quickly, given how he lingers near you more than anyone else and gets shy at the smallest interactions
When you finally confess to him that you feel similarly he is so incredibly happy but flustered. Had to take a cold shower that night to calm himself down
Gives you little gifts all the time (one of his love languages for sure). A drawing he did, a flower he saw on the side of the road, some candy he brought from home, etc
Also collects anything you may gift him. Hoards them and protects them like they are living and breathing
Goes through them on nights when you two have to be apart. He can be extremely sentimental
If you are an artist in anyway, he is your HYPE MAN. Hangs up your drawings/poems/photographs, whatever it may be, in his little dorm room
He melts if you cook/bake him something homemade. Like seriously might get choked up. He loves the smell of baked goods, it always makes him feel right at home. You always try to bake him something on his birthday and he is over the moon about it
Protective but knows you can handle yourself most of the time. Despite his introverted nature he will defend you loudly and aggressively if he senses that it’s necessary
He loves any little weird quirks you may have. You love the smell of clean laundry? He thought it was so cute when you would sniff the shirts coming out of the dryer
OH OH OH LOVES THE THING WHERE YOU HAVE ONE HEADPHONE AND HE HAS THE OTHER AND YOU LISTEN TO THE SAME MUSIC AND JUST HANG OUT. oh man
Accidentally bumps into/knocks you with his hands or arms soooo often. He’s a big boy who doesnt quite have spatial awareness sometimes
He feels so bad everytime it happens and just cradles your face in his hands and apologizing so rapidly (it never really hurts but you like the attention so)
If you dont know german he will give you a “german word of the day” and will say it to you the entire day in context until you guess what it means
Is so excited when you guess right
Not gonna be into PDA it’s too much for him. He’s just constantly your shadow 24/7 in public. The most is having a hand on your back or shoulder so you don’t get lost in a crowd
In private however. Clingiest boy alive (his other love language is physical touch)
Lives for you laying your head on his lap. Plays with your hair or traces your features while he talks to you about his day or a book he started reading
Has the most expressive eyes in the world
I headcannon him as ginger, his hair slightly shaggy (haircuts give him anxiety so he does it himself when it starts to get in his eyes) and wavy
light freckles on his cheeks and across his nose!!!
With his blue eyes he is truly such a picture of beauty
He isn’t super weird about showing his face to you. When you start hanging out outside of work duties he doesn’t wear it, and appreciates that you dont bring attention to it
Sometimes you make a little comment about him being pretty and his face is on FIRE but he just quietly says thank you and has a little smile on his face
Compliments you shyly but often, will not make eye contact with you when he says it
Writes you super heartfelt notes that he will leave you to find because he can better express himself that way
Don’t get me wrong though he has his moments where he can be very very cocky!!
For example: right after a successful mission when he is still riding the adrenaline rush, he is much touchier with you even in front of others
If you need him to reach something he loves that and gets a little power trip. Teases you and makes you jump to get it from him a bit
If he notices that he made YOU blush, wooo boy he loves to tease you. “Did you like that, hmm?”, with a sickly sweet smile
NSFW BELOW
The first time was extremely soft and slow and sweet. He was very eager but very unsure of himself. Didn’t know where to put his hands. You had to guide him and reassure him and he didn’t last very long but it was sweet
He whimpered the entire time
After that, he slowly gains confidence and learns what works for you two
Still likes for you to be in control mostly, with rare soft dom moments
Will try almost anything once!!
Loves praise. Too insecure for degradation and absolutely can’t degrade you either
Loves to eat pussy sooooo much… You have a bad day? He’s on his knees in the shower with one of you thighs on his shoulder. Its your birthday? He got you like 9 presents but the finale is cumming on his tongue 4 times
He fucking growls sometimes when he’s overstimulated and its the greatest thing to grace your ears
Says “I love you” like a chant when he’s cumming in you
Wants to see your face the whole time
Ironically he is great at making eye contact in the bedroom
He has the sexiest thighs in the world
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seventeenlovesthree · 5 months
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Character/Relationship Analysis: How Taichi's and Sora's arcs in the late Etemon/early Vamdemon arc are intertwined, how they (in)directly activate each other's Crests and how they're the most important plot drivers/leading figures at this point in the series.
One of my early theories regarding the character line-up in Adventure was how Sora could have potentially been the secondary main character besides Taichi (instead of Yamato). And I still believe that nothing makes that theory more apparent than taking a close look at how the "Crest activation period" frames these two as main plot drivers that are the reason why the group sticks together - and also why they all found their way back together after Taichi's disappearance. So let's break this down, shall we.
As pointed out in the analysis post above, when you just watch the opening of the series without any context, you might assume that Sora is the secondary/female main character anyway, because she (and Piyomon) are basically always coming after Taichi (and Agumon). And if you look at Sora's impact in the series, that isn't even too farfetched - especially when you consider that she is LITERALLY stepping up to be leader in the Etemon arc in the novels while Taichi is in a dark spot, whereas Yamato is later on declared to be "too emotional to be a leader".
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That aside, let's dig into the set-up here: In the Etemon arc, Sora's Crest is the last to be found. We do not know a lot about the characters' singular arcs at this point, so watching her worrying about the situation doesn't strike the viewer as too weird yet. While it astonishes her that Taichi is so keen on finding her Crest for her sake (despite knowing how selfless he can be too), Taichi himself doesn't see any reason to falter and reassures her instead. This is important, because these two have known each other for quite a while already; they have been in the same class together since elementary school, are also partners in their football club - thus, Taichi's view on Sora is pretty settled. He is very vocal when it comes to "words of reassurance" towards people he cares about and so he repeatedly mentions how caring and selfless Sora is to him, how she always worries about others first and how she shouldn't doubt herself and her qualities - neither because of her own perception of herself nor because of the lies PicoDevimon had been feeding her. Because Sora's perception of herself is indeed slightly skewed, but we will get to that.
Taichi's road to (re)discovering his personal sense of courage is irrevocably linked to his wish to save Sora; initially, his recklessness had repeatedly caused trouble, not only by letting his own Digimon partner go through a dark evolution, but also because he let one of his longest and best friends get captured by the enemy. He initially promised that they would find her Crest for her - and now he is being humbled once more, threatened by an electrical fence right in front of him that could potentially kill him, punishing for losing his way once again. He is aware that something important was lost, referring to both his "brave heart" - and Sora.
Why is that so important?
Not only is Taichi fulfilling both of his promises in the end - saving Sora himself and personally giving her the Crest they've been looking for -, but this is (in)directly mirrored in Sora's arc as well.
Once Taichi disappears after defeating Etemon, the group starts to search for him - for two whole months, while some of them already start to lose hope and drift apart. Sora realizes that the group is torn on how to proceed, but can't stop herself from wishing to find Taichi. Because, once again, something important was lost, indirectly referring to both Taichi - and the sense of togetherness in the group. One might argue that her leaving the others behind may not look very sensible at first glance - but just like she was the one who enabled Taichi's Crest to glow, her disappearance indirectly has an impact on (almost) everybody else's arcs as well. (Additionally, they would not have learned the meanings of the Crests, if Sora hadn't overheard PicoDevimon talking about them to Vamdemon...)
As a complementary force to Sora, Taichi's return reunites the group bit by bit. It almost feels like they're acting as fairy godparents to everyone else, each in their own way - while Sora is hiding in the shadows, giving everyone advice (Agumon, Mimi) or physical aid (Jyou, Yamato) to protect and guide them in the right direction, Taichi directly tries to pull them out of their corrupted viewpoints (Takeru, Yamato, Mimi, Koushirou rather indirectly), whether through words or actions. It's absolutely no surprise that the scene where Yamato tells Taichi that he was the one who brought them all back together (episode 28) is basically a direct mirror of them all coming together to agree to save Sora (episode 20). Because these two are the glue that keeps it all together.
And so, of course it puzzles Taichi that Sora doesn't want to reveal herself to the group again. Of course it surprises him that the girl, whom they all came together for to rescue, who secretly protected all of them behind the scenes due to her kind heart and selflessness and who never gave up looking for him - once again, doubts herself like that. Not only that, she screams at him, tells him that he has no idea who she really is. That her "love" is a facade, that she has no idea what love even means - that she had lost (or never even possessed) her personal sense of love.
(To go on a small tangent here, their framing is just endlessly interesting to me, because the misunderstanding and miscommunication between them is a red thread that spins throughout the entirety of the series. And it is rather tragic, because throughout it all - they actually never really seem to be drifting apart, but due to their lack of means of communication, they cannot be close for some reason. Whether you think of them as platonic or romantic doesn't even matter, the general idea remains the same: They are on each other's minds, they are incredibly important to one another and never stop feeling that way, consciously or subconsciously. It's why Taichi encourages Sora to be with Yamato, but still goes observing the black spore kids together with her in 02, it's why Sora still feels comfortable being physically close to Taichi in DSB and Tri, it's why she gets upset that he ALWAYS gets her - somewhat - right despite not finding the CORRECT words in OWG and Tri, it's why the connections never vanishes in Kizuna... But they're also both awfully insecure about certain parts of themselves, especially when it comes down to decision-making towards their futures and selves. Since neither of them can be fully open up to each other about that, things kinda feel like they are on hold.)
In the end, Taichi (mirrored by Pyocomon's words below) had been correct to tell Sora not to believe in PicoDevimon's lies, not to give in to her own self-doubts - and eventually, she realizes that, just like her mother, she simply did not want anyone else to get hurt even more.
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The way Taichi is framed here, smiling at her with absolute glee and satisfaction marks the end of this arc - while he wasn't directly triggering her Crest to be activated, he still believed in her best qualities just like her Digimon partner did, refusing to let her get corrupted more. And even if the infamous sentence "I want Sora's love too" is more of a light-hearted little throw-away line, it's intriguing to look at the potential implications overall here: Since Taichi's arc of Courage was fueled by his wish to save Sora, since Taichi was the one who eventually gave Sora the Crest of Love, since both their arcs were initially sparked by their wishes to find each other again as they took the others under their wings like proud parents... Let's say, after all this time since Taichi had successfully saved Sora, after all the searching leading up to finally being reunited (after several months in Sora's case), they both must have been incredibly relieved that it had all turned out nicely. To see each other again alive and well.
It started with his Crest - and ended with hers.
Long story short, the Adventure would have stopped rather early if it hadn't been for these two, their bond and loyalty toward each other - and also their sense of leadership.
Last note: Shout-out to the third most important character in this arc - if it hadn't been for Koushirou, Taichi would not have found Sora, may not even have found a way back to the Digital World and they also would not have been able to solve the card riddle to get back home.
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