#I know so little about my process

[cordspaghetti]

some more of these two

[machinerot]

[inkskinned]

there are a lot of posts out there that are positive and healthy coping mechanisms for handling the holidays. this is not one of them :)

i think there's like. going to be times in your life you will be stuck in a social situation that you cannot escape from gracefully. i do not know why the internet doesn't believe these times exist. it's not always just that your physical safety is at risk - sometimes it's legit like "i just don't currently have the energy or time to put in the effort of responding to this." sometimes it's a coworker you hate so much. sometimes it's just like, fine, you know? like you know you can handle your aunt when she's cheerily horrible, but if you actually set a boundary around her, it's going to be weeks of fallout with your father.

i don't know why people think the answer is always just "cut them out!" or "don't let them get away with that!" because ... the real world is tricky and complicated. i think kind of a lot of us have an internal "radiation poisoning" meter for certain people. like - i'm talking about the ones who are absolutely giving you gradual ick damage. like, you can handle them, but you'll be exhausted.

and yes. you absolutely should listen to your therapist and the good posts about handling others and set good boundaries and take care of yourself. prioritize peace.

HOWEVER :) ...... since im often in a situation with a Gradual Sense of Ick person i cannot just "cut out" of my life (without losing someone else precious to me) - i have sort of developed the most. maladaptive form of mischief possible. because like, if i'm going to have to listen to this shit again, i like to have a little bit of private fun with it.

now! again, i am physically safe, just mentally drained by this man. you should only do this with people you are not in danger with. which leads me to my suggestions for when your Unfortunate Acquaintance shows up and says oh everyone pay attention to me.

my favorite word is "maybe!" said as brightly and happily as possible. whenever the Horrible Person starts in on a topic you do not want to go further with, particularly if they make a claim that you know to be inaccurate, do not respond to it. you and i have both tried to actually argue with this person, and it hasn't gone well, because this person just wants the drama of an argument. however, "maybe!" gives them literally nothing to go on. it is incredibly disarming. they are used to people having some response. they know they can't prove what they're saying, and maybe! treats them like the child they are. it dismisses them in the politest way possible.

i like to say maybe! and then, in their stunned silence, immediately change the subject. this is because i have adhd and i will have something unrelated to talk about, but if you can't think of topics fast enough, i recommend just pointing to something and saying, "isn't that lovely?" because fuck you let's bring in some positivity.

by the way. that second trick - of pointing to something and stating an opinion about it? - that just works on its own, like, 70% of the time. i picked it up from teaching preschoolers. it's an intentional "redirect". it stops children crying and it also stops grown adults from finishing their explanation on why women belong in kitchens. dual wielding!

keep it silly for yourself. i absolutely do not care if people think i'm fucking stupid (it's more fun if they do) and as a result i will purposefully misunderstand things just to see how long it takes them to realize i've completely removed them from the subject at hand. when they say "women aren't funny" i get to be like. "which women." "all women." "all women in america?" "no in the world." "like the mole people? the people in the world?" "what? no. like, alive." "oh are we not counting the mole people?" "what the fuck are you talking about." "you don't believe in the mole people?"

similarly, i play a personal game called "one up me." my Evil Acquaintance literally knows this game exists (my family & friends caught onto it and now also play it) and it always fucking gets him. i don't know why. you have to be willing to be a little free-spirited on this one, though. the trick is that when they make one of those horrible little bigoted or annoying comments they are always making, you need to go one unit weirder. not more intense, mind you - just more weird. "you don't look good in that dress." "yeah, actually, my other dress was covered in squid ink due to a mishap at the soup store." "you shouldn't wear such revealing clothes." "wait, what? oh shit. sorry, your son tears off strips when no one is looking and eats them. i swear it was longer before we left the building."

the point of "one up me" is to completely upend this person's narrative. we both know this person likes setting up situations where you cannot "win" and then they really like telling other people how badly you handled it. in a usual situation, if you respond "please don't say something that rude", you're a bitch. but if you let it happen, you're letting yourself be debased. they are not usually expecting door number three: unflappably odd. because what are they going to say when they're telling everyone how badly you behaved? "she said my son eats her dresses" ".... okay?"

if you can, form an allyship with someone whomst you can tagteam with. where they can pick up on your weird "soup store" story and run with it.

the following phrase is amazing and can be deployed for any situation: "oh, be nice :) it's the holidays!" i do not know why this works as often as it does. i'll say it for the most random shit. i think this is bc most of the time these people know they're being impolite, they just like to fight.

godbless. when in doubt, remember that you could always start stealing their pens.

the whole point of this is - if you can't escape. maybe see how long you can just be. like. a horrible little menace.

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[slavhew]

And I just have to tell you that I

Love you so much these days,

[uhbasicallyjustmilex]

💚

[laundrybiscuits]

Eddie’s doing some dumb trick with a couple of wooden spoons, clever hands making them move through the air in improbable ways, and Steve’s about to bite his whisk in half. 

He’d thought for sure that Eddie would be going home the first week; Edward Munson, 29, bartender/musician from Brighton with mismatched tattoos and wild hair, seemed like exactly the kind of pretentious asshole who would flame out early with some ill-advised hipster experimentation. If Steve (28, social worker from Indiana, USA) had been a complete asshole, he’d have said that Eddie didn’t have the fundamentals. That he was all sizzle, no steak. 

It’s a good thing Steve’s not a complete asshole, because Eddie’s been blowing the technicals out of the water so consistently it’s actually pretty fucking embarrassing. His signatures and showstoppers are making a very respectable showing too, except for the time he tried to incorporate some fresh pandan extract and fucked up the liquid ratio, leaving him with a dripping mess that Mary’d declined to even try. 

Afterwards, Steve had seen him leaning against a tree and struggling to light a cigarette. Steve went over for no particular reason, flicking on his lighter and holding it out like a peace offering. Eddie looked at him warily, but bent over the offered flame. 

“Can’t believe I made it through this one,” Eddie said after a moment, white smoke curling out of his mouth.

“Yeah, I feel like that every week.” Steve leaned against the tree next to Eddie. It was a big tree, the kind that’s probably been growing in this field since before England was even England. 

“Nah, but—c’mon, you know what I mean.”

“You had some bad luck with your showstopper. Happens to the best of us, man. Your signature hand pies looked sick as hell.” Steve’s own hand pies had turned out pretty well, so he was feeling generous. It had only been the third week; plenty of time for Steve to snag Star Baker, though even by that point, Steve had been getting the creeping feeling that he was being a little too American about the whole thing. Everyone else seemed to think competitiveness was some kind of deadly sin. It was—actually kind of nice, to get the same kind of nerves he’d always gotten before high school basketball games, but know that he wasn’t really fighting against anyone except himself in the tent.

Anyway, the very next week, Eddie had done some kind of kickass gothic castle with a shiny chocolate dragon and gotten Star Baker for the second time. Steve had clapped him on the back, appropriately manly. Eddie had pulled Steve into a real hug, arms tight around Steve’s shoulders and his whole lean body pressed up close and warm. It had only lasted a moment, and then Eddie had bounded over to Mel and Sue, both of whom he’s been thoroughly charming since the get-go. 

Steve thinks that when this season—or, uh, series—airs, no matter where Eddie places, the entire country is going to be just as charmed. Eddie’s going to get whatever kind of cookbook deal or streaming show he wants. Sponsors will take one look at that handsome face and charismatic grin, and a whole world of possibilities is going to open up for Eddie. 

Steve’s not in it for any of that, of course. He’s here kind of by accident, because Robin pushed him to apply, and it’s a goddamn miracle he’s been holding his own. Hell, it’s a miracle he’s in this country at all. When Robin had started looking at the Cambridge MPhil program in linguistics, she’d said wouldn’t it be great if and he’d snorted, yeah right, like I could ever get whatever job I’d need to move to another freaking country, but then—well. Things had happened the way they’d happened, and now Robin’s almost finished with her degree and Steve is taking time off from the London charity he works at in order to be on Bake Off. 

He’s told all this to the cameras, plus the stuff about how baking started as a way for him to connect with the kids he used to babysit in Indiana, blah blah blah. He thinks it’s probably too boring for them to air, but he gets that they have to try to get a story anyway. 

Eddie Munson, on the other hand, is probably going to be featured in all the series promos. Steve is rabidly curious about what Eddie’s story is, but he hasn’t worked up the nerve to just ask. It should be the easiest thing in the world. They’ve got kind of a camaraderie going, the two of them; a bit of a bromance, as Mel’s put it more than once. 

It’s true they get along pretty well, and the cameras have been picking up on it: on the way Eddie’ll wander over to Steve’s bench like a stray cat whenever they get some downtime, how they wind up horsing around sometimes, working off leftover adrenaline from the frantic rush of caramelization or whatever. There’s the time Eddie had hopped up on a stool to deliver some kind of speech from Macbeth, of all things, and overbalanced right onto Steve, who had barely managed to keep them both from careening into a stand mixer. Sue had patted Eddie on the shoulder and said, “Well, boys, that’ll be going in the episode for sure.”

They both get along with the other contestants just fine, of course, but they’re two guys of about the same age with no wife and kids waiting at home. It’s only natural that they’re gravitating together, becoming something like friends, Steve figures. It’s pretty great that he’s getting at least one real friend out of this whole thing.

It would be even greater if Steve could stop thinking about Eddie’s hands in decidedly non-friendly ways. With all the paperwork he’s signed, he can’t even complain to Robin about how Eddie looks with his sleeves pushed up to show off the tattoos on his forearms, kneading dough and grunting a little under his breath with effort. Steve had almost forgotten to pre-heat his oven that day. 

Two benches away, Eddie fumbles the spoons he’s been juggling with a clatter, and he bursts out laughing, glancing over at Steve like Steve’s in on the joke. Steve grins back, heart twanging painfully in his chest, and thinks: well, fuck. Guess this is happening.

[seasicksilver]

good old times

[definitelynotshouting]

A Kemetic prayer to Bast for Jellie

Hail to You, O' Bast, Who guards the Two Lands! Hail to You, Iryt Ra! You who are swift and cunning, You who strike down enemies and nurture children. I ask that You protect and nurture the cat Jellie as she crosses into Your domain, through the Duat and into Your Hour. I ask that she is kept from harm and given safety and shelter in the cradle of Your arms. Hail to You, O' Bast, Devouring Lady, Mother of my Soul! I offer sweet cheese and fruits. I offer spiced tea and toasted nuts. I offer the ring of my sistrum. May Jellie only know warmth and good food with You, the comfort of the sun. May she hunt on under Your guidance. May she find peace and joy within Your company. Hail to You, O' Bast, Lady of the Ointments, the Knowledge through which death cannot approach too closely! I light this candle and ask that all those who have called this cat family find comfort and peace in this time of her absence. I ask that Your Light guides her to You, and that she remains safely within Your domain. May her name be forever remembered. May her ba be forever nourished through the shrines and images made in her honor. Thus it is done. Dua Bast!

this is free to reblog if you so choose, and i hope whoever reads it can find even a small measure of comfort in it❤️❤️❤️❤️🫂🫂🫂🫂🫂

[silverview]

reece characters getting called little ¯\_(ツ)_/¯

[nonomives]

How do you color your art!? Like color theory and stuff!! Your art looks so vibrant and gorgeous!!!

I like your Circus AU very much, Julie looks absolutely adorable haha!!

Babe im gonna be real with you, I just fuck around and find out--

Okok but in all honesty, I dont know. My main tip when it comes to coloring is knowing the value (darkness and lightness of colors). Your art could have the wackiest colors as possible but if you nail the values right, it will work out

Another thing, pride flags lowkey actually highkey are useful as references for color combos. Some peeps actually pointed out how Dolly's hair is the lesbian flag and yeaps--

Also also thanks! Have this Julie! Im still figuring out the other peep's designs but her's is pretty much set lol (i used the trans flag as a color guide hkabjdggjagjdg)

[auriidae]

goofy hermit doodles!! because uhh why not!!

[kirkwallsquad]

The Veilcast Episode 2: Before The Veilguard

in this week's episode, max chats about veilguard lore, all the companions, and manages NOT to go on an hour-long tangent about how hot davrin and taash are.

people and posts i reference in this episode:

@felassan, specifically the companion compilation post

@dalishious, specifically the catching up with thedas post

elle tchi's post about animating lucanis, which as a non-twitter-user i can't find or link to rn, but @biowho posted these screenshots

@bryceypants' post about emmrich being a sweet bean (with gorgeous fanart by @timethehobo)

@anneapocalypse's dragon meta post

[possamble]

What are your headcanons about Marcille's mom if you have any? It's interesting that what drew Donato to her was cause she lived the history he studied, or that was said somewhere at least. She must've had an interesting life.

so this was going to be just a normal answer but then I realized I have a Lot of Things To Say. so here goes, a compilation of what we know for a fact from the canon, what I've extrapolated from the visual cues and details, and my theories based on all of that.

Things we know for a fact about Marcille's mother because they were explicitly stated in the manga and supplemental materials:

She was a court mage for a Tall-man kingdom at the southern part of the Northern Continent

Donato, a court historian, fell in love with her because she had lived through the history he was studying, and he courted her for 17 years (age 15 to 32) before getting married

She was a cheerful person who rarely showed extreme emotion and took things as they came

She always cooked a huge meal for Marcille on her birthdays

She remarried a gnome after Donato's death and a short distance away from Marcille's childhood home

Pipi, Marcille's pet bird, was actually older than Marcille and originally belonged to her mother (bird died at 62)

She was extremely heartbroken when Donato died and ultimately ended up instilling a deep fear of mortality in Marcille with her words

the only time she showed extreme emotion in front of her family was when Donato could no longer eat his favourite dish near the end of his life.

She scolded Marcille for being cruel to ants (implying she can have a stern side when needed)

Things that are explicitly shown but mostly through visual cues

She has a very distinctive style of dress always involving a ribbon choker (mirroring Marcille's habit of always wearing a matching choker with any of her outfits that don't cover her neck)

She was almost stereotypically good at housekeeping and traditionally "wifely" things (very frequently depicted wearing an apron or doing some domestic chore when not at work, seems to have been an avid cook).

She knits? (also, note the affectionate smile as she's looking at Donato and Marcille reading a book together in the full panel)

She was as excited for Marcille's milestones as Donato was.

She didn't tell Marcille much about elven food

(there are a couple things that this panel in particular implies:

She lived a good deal of her life (if not being born and raised) in a mainly elven country in the West, implied by her knowing enough of an elven region's cuisine to prefer Tall-man food over it

seems to have a pretty carefree and casual demeanour overall, if this is how she replied to Marcille asking her about it (sounds like she never gave her culinary preferences that much thought to begin with)

slightly related to number 2, it seems like she and Marcille had a fairly casual parent-child dynamic (especially in comparison to the Toudens' memory of their father)

(local elf tastes Italian food once and never goes back))

However, she seems a lot more... serious in most of the other times we see her? Almost like the very stereotypical archetype of a graceful elf.

Subsequent conclusions about her personality:

Usually pretty carefree and cheerful at home, has been a loving and attentive parent throughout Marcille's childhood (while not being so doting that she didn't discipline Marcille).

Slightly more conjectural theories on her personality:

Had a much more graceful and professional personality at work, which would explain the more serious portraits we see of her.

Given that both she and Donato had positions at the royal court, it seems a little odd that she'd go out of her way to do all the housework herself, so maybe she just enjoyed doing it?

Now taping all the evidence together and toeing the line between analysis and fanfiction:

It's clear that she loved Donato very much and was utterly devastated by losing him. But there's one thing that really stuck out to me in what little we see of her:

Doesn't she seem... angry? The way she's gritting her teeth, clutching the tablecloth, and how this is the first and only time we see her eyes opened that wide. In the following panel, you see her being quiet and dejected after her initial outburst. She's still crying very intensely, but her brows are furrowed, and she's not really responding to Donato's affection in her body language.

We're not told the details of how she felt about losing Donato other than that it upset her. But this, to me, implies that she was angry and resented that he was aging, that the end of his life was approaching. An "it's not fair" type of preemptive grief. And if this was the first and last time she cried like this in front of her family, she was either very good at coping in private... or very bad at letting herself feel unpleasant emotions until they become unavoidable and end up overwhelming her.

It's not too remarkable a detail on the surface. It's even reminiscent of what the audience has seen of Marcille. But... when it comes to the big picture, you'd think an elf who voluntarily chose to marry a tall-man and have a half-elf child would have been better prepared for this.

It kind of recontextualizes her cheerfulness to me.

"I'm sure everything's gonna be okay!" (or some variation thereof, depending on what translation you have).

And this is stated to contrast her extreme grief when finally confronting Donato's failing body and eventual death. But I'm wondering if... maybe this optimism was why she was so upset. What if she went into all of it thinking "everything's gonna be okay"? What if she was a little young by elven standards, and just followed her heart thinking that her own resilience would get her through anything?

Of course, only to get completely overwhelmed when she actually loses Donato. She turns into a completely different person. And that's heartbreaking on its own-- but what the audience sees is the effect it had on Marcille. Can you imagine being her, watching your invincible and upbeat mother suddenly lose all the light in her eyes in one go?

I've already made a huge post about how I think Marcille models her "work persona" off her mother, but another thing that stuck with me as I was looking for more details in the manga was this:

copy pasting from the other post i made about it lmao it's like... the second she resigns herself to lifelong pain and terror, there's another portrait of her mother facing her like this. with their heads bowed, in mirrored body language of resignation and despair and sorrow. Except it's posed like Marcille is still looking at her mother but her mother is looking away.

It took me a second to realize, but I think that it's a visual metaphor for the fact that Marcille's mother was the only long-lived role model she had-- and she failed to model healthy grief for her daughter. I don't say this as an accusation or to disparage her as a character, but just as a matter of fact. In her, Marcille was seeing herself older and losing a short-lived spouse or loved one of her own, and all she saw was hopelessness.

But her mother didn't mean to instill hopelessness and terror in her. She wasn't really thinking of how it would truly affect Marcille at all (at least, that's how I'm interpreting her looking down and away from Marcille in the metaphor), she was just sad. And she, in her own way, was trying to protect her daughter and help her prepare for future losses.

What she meant was "loss is inevitable, and you have to learn how to be in pain but live on anyway." What Marcille heard was "loss is inevitable, and you will be scared and hurt for the rest of your life."

Again. Marcille's mother doesn't feature explicitly in the story the way her father does -- but in so many ways, her shadow, her silhouette, her reflection is always hanging over Marcille.

All that to say... headcanon-wise (everything from here on is 100% without evidence lmao), I'd like to think that she matured and realized that she failed Marcille. I imagine her being regretful about it, wanting a chance to fix it but never finding a way to insert herself back into Marcille's life when Marcille is so so so busy becoming the most accomplished mage possible. I imagine her being herself again, now, so many years after her loss and after remarrying -- but with her cheerfulness tempered with a lot more wisdom and the pain of having gone through loss like that. I think the second Marcille actually tells her what happened in the dungeon, she'd want to go running to her daughter again -- if Marcille tells her the full truth instead of just being embarrassed she let things get that far. (oh, the tragedy of her wanting to be more like her mother and an accomplished adult who doesn't need to be babied... being embarrassed to actually tell her mother how much she fucked up...)

There's also the tension of her having remarried -- I know that there's at least a little bit of resentment that Marcille harbours about that, because she's childish like that at heart even if she makes an effort not to externalize it. I think that her mother would be aware of that, potentially adding to her sense of guilt and apprehension at trying to reappear/intrude on Marcille's life. I honestly don't think Marcille has met her stepfather -- or even considers him a stepfather rather than "mama's new husband" and kind of a total stranger. I think she and her mother actively don't talk about it in their correspondence, like an elephant in the room.

but, ultimately, I think her mother is on her side no matter what. Ancient magic? Dark necromancy? Sure, she'll feel guilty and like she was partially responsible for setting Marcille down such a painful path, but she wouldn't care. that's her daughter!! she would've moved back west and been petitioning for her at the court, buying a house right next to the Canaries barracks and visiting her every day that she wasn't on a mission. And if her husband had opinions on Marcille becoming a "dark arts user," he either gets over it or it's divorce with him. Yes, she might have had her optimism completely humbled by losing Donato like that -- but she's still headstrong and self-assured and she doesn't care what people think of her. It's her way or the highway and she's always going to be in Marcille's corner.

(She also needs a name lol. I went with Juno, just to be cute about "Marcille"s closest real life equivalent being Marcella, which is the female version of Marcellus, which in turn is a diminutive of Marcus, which was derived from Mars. Absolutely in love with Marcille potentially being named after Ares/Mars the fucking god of war btw)

[gwinverarrouz]

Drew this for @modmad's recent Toonkind DnD game, where Bisig got a teeny tiny cameo :'>

[nerdie-faerie]

I'm once again thinking about the missed opportunities to have Klaus and Kol bond more. Part of Klaus' whole motivation as a vampire is to get his werewolf part back and to finally be stronger than Mikael (sort of, I'm simplifying) both of which can be obtained by breaking his curse. But Kol? Kol is the only other original that can relate to having a fundamental part of themself ripped away from them. Klaus might not have known he was a werewolf until he killed, but he likely still had a connection he couldn't explain, as evident by him going to watch the wolves transform. And something he'd never been able to explain was now gone. He might only be able to realise the connection afterwards through its absence.

Kol though. Kol had grown up with magic, a connection to nature and the world around him in a way the rest of his siblings supposedly didn't have. And then he gets turned. And not only has his baby brother died, his father has just murdered him and the rest of his siblings after forcing them to drink human blood, which he'll later learn. Now, not only does he have to deal with the grief of Henrik's death and also his own but also the loss of his magic. A loss that's likely only worsened by Kol being a self-proclaimed child prodigy.

Kol is pretty much the only one who could understand what Klaus is going through with the binding of his wolf. We know Kol searched for ways to get his magic back/carry on practicing magic in the same way that Klaus was looking for ways to break his curse. While Klaus likely could still feel his wolf there despite being bound, Kol has no access to his magic anymore. I just think they should've been able to bond or connect over their shared loss of an intrinsic aspect of their selves at the hands of their parents