#I learned that loving people can be a selfish thing

[hadesknockedupintheunderworld]

I have all of these extended thoughts on my head about the amazing way themes and character relationships are handled in Iruma-kun and the inclusion of queerness and the handling of the coming of age narrative in this shonen manga/anime

And every time all that comes out when I'm reccing it is "You should watch/read it"

Do it. Go watch/read Mairimashita! Iruma-kun/Welcome to Demon School Iruma-kun

Please.

[neverendingford]

.

[shannonsketches]

Why is the anime so weird, it's not even the same series dude?? It's like,

Anime:

GOKU: I have a great idea to bring peace to the universe, and my leadership and compassion alone will unite us all. I have No Flaws and am A True Relatable Everyman :)

VEGETA: NO! I AM THE BEST AND I WILL CAUSE PROBLEMS UNTIL I AM RECOGNIZED AS SUCH!!!!

Manga:

GOKU: Vegeta what's cornmeal made of? I know it's what the corn eats, but what's it made of? VEGETA: Hey Kakarot let's play the quiet game until one of us dies.

[uncanny-tranny]

And another thing that gets me about the human condition is how we weren't even meant to survive this world alone - humans with humans. We chose to trust certain animals, to nourish them, to be symbiotic with them, to love them like we love ourselves. I think a lot of people talk about how selfish it is for humans to take advantage of animals, but I think that's too simplistic. It's closer to friendship - if you do not foster the relationship, then it simply won't go anywhere, and I think the implication that animals can't ever know anything for themselves, for their survival, is also human-centric and selfish (selfishness not inherently being a bad thing).

It's just nice to know that we want to be around people - we want to be around comfort and security and safety so much that we now have animals by our side. Every time I cuddle with my cat, I think that we weren't meant to survive this world alone; she is shaped to fit in my chest, and my arms were made to wrap around her.

[triglycercule]

What do you think the types of drunk would the murder trio be? Im pretty sure ask dusttale already answered this question about dust but i have to ask the mtt expert

see now askdusttale DID answer the question. but they didn't ANSWER the question when asked what dust is like drunk. they just said that dust is the type to drink himself blackout drunk. so that mean i have total freedom on deciding what the mtt are like drunk hehehe (rubs hands together in a villanous way that you would imagine nightmare doing or something idk)

i already have an absolutely hilarious idea for horror and it might just because i'm on the guilt section of his character analysis but i could TOTALLY imagine him being an emotional drunk. like he CRIES. horror sans man known for being incredibly guarded and private with what he feels bawling his eye out. he gets mad he gets sad he does not get happy because horror doesn't have the right to be happy. he is too upset over the fact that he fucking DOOMED all of horrortale because of his selfishness and nothing can stop him from being incredibly vocal about that fact so much so that killer had to tape his mouth shut because he wouldn't stop crying so loud. and then he just silently cries until he passes out from exhaustion. the alcohol has an incredibly strong effect on him because i dont think he would drink regularly plus he definitely hasnt drinken anything in those 7 years of starvation. it hits like a fucking plane crashing into him. or like getting his eye taken out again. either one!

another funny idea i had for killer would be like the alcohol affecting him but he SWEARS that he's still sober. he is very confused when he starts stumbling because wtf he doesnt FEEL drunk??? why is he bumping into walls and tables HELP WHY DOES HE SOUND FUCKING STUPID???? the alcohol is definitely effecting him but he swears he swears he doesn't feel drunk. hes not drunk its just the damn body doing this stupid bullshit!!!! he's still very aware of what's going on and is basically the same as sober but just like. he's wiggly he's wobbly and oh shit he just fell head face first into a tv whoops. he'd also have a high tolerance because just because. he can drink without feeling like shit until he just blacks out mid conversation with someone because his body couldn't take the toll of all the beer or whatever. hilarious idea triglycercule thank you triglycercule i know

dust in the context that we already know that he drinks AND he can fight against the human while like partially drunk.... i feel it would be kinda like a giggly drunk situation. except dust doesn't laugh at anything that's funny he only laughs when someone gets hurt or something. SADISTIC giggly drunk. because i can already imagine a half drunk dust laughing his ass off after killing the human and its a beautiful sight to me.

anyways imagine how it goes when you pair this sadistic giggly drunk with another that wont stop going through the 5 stages of grief and another that keeps on fucking falling over for no reason in his eyes. dream blunt rotation but the blunt is a bottle of vodka. i can already imagine it in my head and its fucking HILARIOUS. horror going on about how he caused the deaths of others and manipulated and tricked papyrus while killer is just trying his best to keep his eyes open because for some reason they won't stop trying to close. he is surprisingly getting frustated. dust has long since lost his voice laughing at this and he's just silent wheezing at everything. also phantom papyrus is only making the laughter worse because he keeps on making rude comments towards horror and killer and only he can hear him and its guffaw inducing. mtt amazing friend group you dont get shit like this anywhere else

[m0e-ru]

the gas station attendant social link alternate universe is about the past and the future. it is about accepting you who you were and who you are and who you'll be. accepting every aspect of yourself, intangible and tangible. that maybe you are fractured, broken, fragmented, empty, torn apart, or one thousand different things. but you are there for yourself, whoever that may be. whoever they may be. it is about love and betreyal and kindness and malice and caring and hate. deliberate or accidental. it is about learning and realizing and doing something about it and doing nothing about it. it is about the constant pursuit of knowledge no matter how fun it is no matter how terrifying it is. no matter if it's a genuine drive or something forced unto the self as one is pushed to the ledge. it is about life and death and what is real and what is not. it is about accepting what is there and making the effort to make it different. it is about stagnancy and improvement. it is about being the same and about change. it is about friendships about family about relationships about the inherent love present in all of it. it is about finding yourself in someone and the choice to help the other to help the self. to fill each other's half empty cups and overflow with gratitude or spill out and become an emptiness so unbearable that the irony of a rush of tears come flooding out somehow. it is about potential and the need to pursue it and find it and accomplish it and grow and grow and grow and learn and learn and learn and live and live and live no matter what anyone says. no matter what you say. it is about god. it is about human. it is about the bond with the one god once called its puppet but lives in the role itself no longer can be called an actor. because of love. because of love.

[nymfaia-archive]

COLETTE HURTS MEEEEEE

[cherrygarden]

,

[teaboot]

On of the less intuitive things about love, I've found, of any kind, is the importance of needing things.

I didn't realize it until recently, but I've always seen love as something requiring sacrifice, selflessness, patience, and generosity- to ask for nothing is to be the best person I can be, small and quiet and never in the way, always happy and helpful, self-sufficient and present when desired.

It's only as an adult, now, that I'm beginning to see the selfishness of wanting nothing.

I cut my friend's hair in my kitchen the other day. They wanted a trim and I had the skills, so I offered, and was genuinely excited when they stopped hesitating over "bothering me" and took me up on it. It was a peaceful afternoon, and we had tea and chatted for an hour or more.

My brother and I shared popcorn at the movies a while ago. When I came time to pay, I pulled my card out like a wild western sheriff and slapped it on the machine before he could fight me for it first. The satisfaction was delightful.

Someone called me crying on the phone the other day. Kept apologizing for disturbing me at work, talking about how they were bothering me on my lunch break. I was telling the truth when I told them that really, I was flattered and honored and relieved, knowing that if they were hurting I would know, that I didn't have to worry in silence. It felt good to hear them slowly come down, and to know that they knew it would be better soon, and to hear them laugh wetly on the other end. We're getting together for a visit next week.

It's hard to need things, if you've trained yourself not to. It's hard to want things, when you don't know how to want anymore. Trusting people is difficult, and so is relying on them, but I don't know where I'd be without the people who rely on me.

I've heard a lot of people say, "Nobody will love you unless you love yourself". I've had a lot of thoughts about it. It's not right, but it's not wrong, either, I think.

"Nobody will love you unless you love yourself"... I've always taken that to mean, "You will not be lovable until you develop a positive view of yourself as a person".

Now, I think it's sort of inside-out.

"Nobody will love you unless you love yourself"... because nobody can show their love to you in a way that you can accept until you treat yourself kindly, and learn what you need, and what you want, and how to ask for it, and then give that vulnerability away.

Love, for me, is someone I ask for a ride to the airport. Whether they end up doing this or not is irrelevant.

It's not needy, or selfish, or taking up energy. It's giving the gift of being wanted, and needed, and thought of. It's giving someone the security of being part of someone's life.

[babygirlbuckaroo]

.

[ambrosiagourmet]

I want to talk about why I think this is the one of the most important Falin panels:

So, Falin is really nice, right? It's one of the first things we really learn about her. She's kind even to the monsters of the dungeon - choosing to ward the party rather than fight spirits and cause them needless harm.

In the above early flashback in chapter 11, we see Marcille fawning over Falin's kindness, calling her an angel. Namari calls her soft-hearted. We see Falin choose not to fight even when a zombie attacks - instead she resolves the confrontation with a hug. After the flashback, the first thing Senshi says is that Falin "sounds like quite the person," which Marcille strongly affirms.

At this point in the story, all we have seen of Falin are these impressions; she is a healer, an angel, a caretaker with an infinite well of kindness towards everyone she meets - both friend and foe.

And honestly, that remains most of what we have to go by to understand her. The only times we get to see Falin on the page, alive and just herself, are in the opening and closing pages of the story and in the brief period of time after she is resurrected.

Nonetheless, we do have some more details to work with. For one, there is the scene that The Panel is from - a short memory in chapter 75, when Marcille flashes back to while she's dying. In that scene, Falin prepares to teleport them all out, and says that she's sorry "if there is a person at [their] destination." And that's when we get The Panel.

If you teleport someone or something into another person, the person teleported into is likely to be, at minimum, severely injured. They could die.

We can see a lovely little horrifying example of exactly why in one of the Daydream Hour doodles:

So, hmm. That's not... that's not SUPER nice. Certainly not displaying the same "kindness to all, friend and foe included" we saw represented earlier. On a basic level, this adds some nuance to Falin's kindness. We see it break a little, when pushed to the limit. We see her chose to protect the people she loves above all else.

Which makes sense! As Laios says when the Winged Lion accuses him of similarly being motivated more by his friends' safety than everyone else in the dungeon, "...most people, aside from virtuous do-gooders, would feel the same way."

So, we can take The Panel as simply showing a moment of weakness for Falin. A time when she was pushed to her limits, and that "most people" selfish side of her shone through.

However... I think there's a little more going on with Falin than just her being an angel 99% of the time, except just that once. I love The Panel because I think it helps us understand that Falin isn't just motivated by kindness - she also has a desire to avoid seeing people in pain.

Isn't that the same thing?

No, no it very much is not.

Let's look at a short comic from the Falin section of the Adventurer's Bible, because I think it illustrates this point perfectly. The group is complaining about how much Marcille's healing hurts, and comparing it to Falin's, which "doesn't hurt a bit." Marcille retorts with the following:

Now, the punchline of this comic is that, despite Marcille's sentimental assertion that she's "thinking of [them]" by letting her healing magic hurt, they all still prefer to be healed by Falin.

But hey, this wouldn't be the first time that Dungeon Meshi hides a very real character beat or insight in a gag, so let's think about this somewhat seriously.

If Marcille is right (and she knows a fair bit about magic, so we can assume that she has at least somewhat of a point), then what Falin is doing isn't kind. I suppose if someone specifically requested to not feel the pain, it could be kind, but that's not really what happened here. She is the one who felt badly about the others being in pain, and she is the one who decided, without telling them or giving them a choice in the matter, to take away that pain.

Both Marcille and Falin are healing the party, but Marcille is doing it in a way that accomplishes the task in the most straight forward way, without any additional interference. Falin is going out of her way to perform the healing in a way she is more comfortable with. A way that avoids pain.

Going back the The Panel, I don't think its a coincidence that the only time we see Falin (well, non-chimera Falin) willing to do something that could hurt someone is when any potential pain will be far away from her. If she got someone hurt or killed by teleporting the party to the surface? Not only would it be far out of her sight, but she'd be dead before she had to deal with any consequences of that action.

Falin is not a confrontational person. She doesn't push when Marcille won't tell her the truth about the resurrection, and she comforts Laios about her own death - both of those things happening in the only full chapter she is alive and conscious in the whole story.

We also know that she considered accepting Shuro's proposal, despite not having any special feelings towards him, and that Falin never explained to Marcille that she wanted them to share a meal together. When she brought Marcille various foods at the academy, she just accepted Marcille's confused rejection and gave up.

And lastly, we know that she is still in contact with her parents, despite the neglect and abuse she suffered at their hands. Although the way someone chooses to handle contact with abusive or bad family is a complicated topic, which I don't want to overly simplify, I do I think this fact gets at the heart of how she handles conflict.

So many people that Falin loves have hurt her. There are understandable hurts, like Laios leaving the village, or Marcille not understanding the food. And there are bigger, far less justifiable hurts - like her parents neglecting her throughout her childhood, and sending her away to be alone at the magic academy.

It doesn't seem like Falin has ever confronted any of it directly.

And the unhealthy aspects of this kind of avoidance of pain and confrontation is one of the things that the story of Dungeon Meshi is all about. We see Laios grapple with it before he goes to kill Falin, and we see Marcille acknowledge it at the end of the story, when she tells Laios that she has come to terms with Falin's death:

Eating is a part of life. Consuming other living things is a part of life. It isn't really possible to avoid that pain - you can only hide from the truth of it. You have to be selfish everyday. You have to eat - to choose to live. To choose to take up space.

And this is something Falin embraces, too. She comes back to life, after all.

We see her choose to come back to life.

And how does she make that choice? She eats. She consumes, and then she is asked a question by the manifestation of hunger itself:

Do you want to eat more?

There is a double meaning in the Winged Lion's final words on the next page.

When I first read this, I took it as him saying: life is cruel. You will suffer. You will feel more pain.

But perhaps, especially for Falin, this also means: you are choosing a path where you must cause pain. Where you must consume. Where you must take, and must be selfish. Because eating is the special privilege of the living, and it is their burden, too. In order to stay alive, she will need to keep eating.

And she chooses that. Chooses to be selfish. It's why her resurrection scene is so important, and it's why The Panel is so important. Because Falin coming back isn't the ultimate reward for all of the party's hard work.

It's her choice. Just like it was her choice that started everything in the first place. But this time, she doesn't choose to accept causing pain for the sake of Marcille and Laios. She does it for her own sake.

[themadknightuniverse]

Loustat short comics - There is nothing else until the storm is over - Interview with the Vampire TV Series

text transcription under the cut ⬇️

Fake magazine illustration

Page 1 Daniel : So, tell me... Did you see Lestat again?

Page 2 Louis : When he's not on Tour, he would occasionally visits.

Page 3 Daniel : So you're what, now? Friends?

Louis : [Hello Lestat.]

Lestat : [Hello Louis.]

It would be too simple. You know us.

Louis : [ That's new. Still enjoying the glitz and glamor?]

But there is this arrangement we are both fine with.

Page 4 When two people hurt each other so deeply, what is left afterwards?

Page 5 Things like that, it seals doors once still unlocked at the time. Can time really heal everything?

[Mets moi dans mon cercueil, Louis, Louis...]

Page 6 [Stay down chéri, I don't want to fight like this. I'll stay. I'll stay, I'll never leave you ever again. I promise. I'll be happy. For you. For her. Please please please please]

Some things were flipped over to show the truth. Others, I learned to see differently. I faced my wrongs.

[I'll be anything please please please please please please. I didn't know it was a gift. I wore it like a curse. I was selfish. I wanted you to suffer. Because I was. Suffering. I came to thank you.]

Page 7 Do we love each other still? Yes. Can we live under the same roof, share the same spaces, the same bed, for an extended period of time, again? No. But this raging, all devouring passion, it is now replaced by something that can never be altered. Is this the price we had to pay to finally be equals?

Page 8 We have never been more understanding of each other. A shadow of something that could have been from the start. Friendly jokes. Bickering I will never admit enjoying. Respect. And then, the always surprising softness. So eerie after all that happened. Yet, we always welcome it.

Page 9 Daniel : [How dramatic. Not ready to live together again, yet he's all over your coffee table.]

Louis: [I didn't buy these.]

Daniel : [Sure. Will you let me know the next time he passes by?]

Louis : [Well I can't. This is his safe place. You will have to find him by yourself I'm afraid.]

Daniel : [Of course. He can't make anything easy. As if he didn't have enough safe places with his ten properties.]

Page 10 Louis: [Nice chat. Bye, Daniel.]

Lestat : [Only when I'm not on Tour, hm?]

Louis [Approximately.]

Lestat : [Thanks.]

Louis : [Did you really just say thank-]

Lestat: *kisses Louis* [...too soon?]

Page 11 Louis : Almost a century is enough waiting.

[starsonmarsy]

.

[stringsbasement]

ngl i 100% thought peri would be an antagonist

he's the first fairy in thousands of years, born directly under the lineage of what has to be the most powerful fairy family line in current existence

(cosmo is a von strangle, and also the very reason fairies stopped having babies in the first place. he's incredibly powerful and nobody talks about it for some reason. it's clear peri inherited that destructive potential)

the second he was born, entire fairy species (including his own kin) were out to get him to use his volatile magic for their own selfish goals. he's nearly kidnapped thrice, and almost ends the universe on the same day

the threats keep coming, and he's being dragged to countless adventures that put him at risk. he literally ceases to exist more than once

anyway, i wouldn't be surprised if some form of expectations were placed upon him growing up. maybe not by his family, but he's famous (a teacher described him as such once); in fairy world, he's automatically adored and celebrated by adults and peers alike, which foop antagonizes (and tries to kill) him for

cosmo and wanda would, realistically, of course try to shield him from all this, but no matter what they do, he's inevitably isolated

people either want to use him, put him on a pedestal, or is a universally infamous human godchild who will forget all about him in a matter of years

(cosmo and wanda becoming godparents and learning (choosing) to eventually let go of their kids is one thing, but it can be assumed poof was still a young, underdeveloped child by the time timmy (+chloe, for what it's worth) got his memories wiped

and he sees that timmy's able to live his own happy life without him in it. he lost his brother just like that, and there's nothing he can do despite all his godly powers)

there's so, so many ways he could've gone wrong

thus, my initial thought was that peri was going to be a somewhat petty, "spoiled brat," and him becoming a godparent would be the result of spite or rebellion, which cosmo and wanda would feel entirely responsible for. I HATE MY PARENTS!! yada yada yada

it was a pleasant surprise to see all those clips of them loving each other. and it's not even because i doubted for a second that cosmo and wanda are bad parents, it's just what you usually expect when seeing shows from the 2000s, even if it doesn't make sense

all things considered, i'm very glad they went for the lighthearted silly family trope. not every show needs such conflicts, and showing healthy dynamics are better for kids overall

still, i find it interesting to think about if they'd gone down another route instead. i love me a pathetic cringy villain who tries (fails) to hate the people they love the most

[trainer-blue]

vent //

school friends dont look //

//

[imsosleepyofyourbull]

I firmly believe that Kabru is autistic but masks so hard that he’s convinced himself and (almost) everyone around him that he’s neurotypical.

That man’s special interest is people and how they work, but he just thinks it’s him Being So Good At Socializing — like he doesn’t spend 95% of his time people watching and adjusting his personality in response to the traits he witnesses and obsessing over the intricacies of human interaction while mapping an ever growing relationship chart in his head. For fun. He even admits it in the manga!

Like, look at him!!!

It’s such a shame that — because he’s the narrative foil to Laios and his interest is generally considered more “socially acceptable” in both their world and our own — more people don’t realize this about him. He’s constantly misinterpreted as a horribly manipulative person who only acts the way he does to use the people around him, when that’s explicitly shown to not be the case at all. Kabru is naturally empathetic and is almost always thinking about other people, regardless of whether or not they’re right there with him or a thousand miles away.

I mean, his most defining motivation is his desire to do everything he can to avoid another tragedy like the one at Utaya. Someone who doesn’t care wouldn’t have a goal like that, and they most certainly wouldn’t go about it the way he does. He’s constantly working to help people who can help everyone else and tries so hard to make sure that anyone who seems like a threat is actually someone he needs to worry about before doing anything about it. His supposed aversion to Laios is only because of the ridiculous trolley problem he’s set up in his own head.

Outside of that, he (rather justifiably) hates monsters but is desperate to understand Laios’ love for them and his apparently most selfish goal in getting close to the guy was literally just to become friends with him.

When he’s interacting with the canaries and they imply that they’re going to take him and all of his friends to the West, his first thought is of Rin and how much she’d hate to be stuck in the place that gave her so many bad memories.

He helps Kuro learn Common when Mickbell is asleep and firmly looks forward to the day that the half-foot and Kuro can communicate properly so that their relationship can get properly started without any miscommunication.

And he understands Mithrun with only a handful of weeks AT BEST interacting with him, getting enraged when the elf seems to give up and immediately trying to help him find a new motivation for life.

I’m excited just thinking about the day that Kabru starts unmasking more and more around his friends — both new and old — because if being with my current friend group has taught me anything, it’s that hanging out with anyone so unabashedly themselves is bound to make you more comfortable with yourself too. It’s part of the reason why I like Labru so much! There’s something nice about imagining them hanging out in the throne room or laying in the grass outside and talking for hours on end about their special interests. They might not strictly understand what the other finds so fascinating about monsters or people, but they can grasp that shared feeling of love.

They probably influence each other in really good ways too, with Kabru helping Laios figure out what people are thinking even when it doesn’t make sense or Laios helping Kabru understand that not everyone and everything needs to be analyzed a thousand times over. They both get to learn that there are people like them and people who will love them without them ever having to change a thing about themselves. They deserve to know that they’re fine the way they are.