#I like handwriting things a lot because I like my own handwriting too. I don't know how legible it is but

[anglerflsh]

your handwriting looks like a letter you'd find from a great grandfather or the likes /pos

the merit goes to those famous calligraphy classes I had to take because I held my pencils weird

[aakeysmash]

prompt:

sukuna skipping gym to sleep in and later on does his workout in their living room, using her as a weight when doing push ups, may turn heated hehe

college Sukuna's masterlist

turned this into a college!sukuna drabble lmao sorry!! no smut this time, i wanted to elaborate a bit on sukuna's protectivness toward yuuji :)

You're humming a song from your studying playlist when you hear someone knocking at your door. You look at the clock you keep on your desk near a plant Yuuji gifted you last week. On the terracotta vase there's a scribbled note in the obvious handwriting of a child.

To: baby peach, but no more annoying screams when we play, please!

You smile. He always chooses to be baby mario when you play Mario Kart together because he doesn't want you to feel alone in case you're the only baby character. He's such a cute kid, you're lucky to have him as one of your almost-roommates.

You get up (it's still pretty early anyway) and stretch your back, hearing it pop. You open the door, and standing in front of it is the same kid you were thinking about.

"Hey," you wave at him, a happy tilt to your voice. You look at him shuffling and avoiding your gaze.

"Is everything okay, Yuuji?" you start getting worried. He mumbles something you don't hear clearly, so you make him repeat himself. He juts his lip out, then looks straight at your face.

"Can you take me to school please?"

You raise your eyebrows. Usually, this is a big brother kind of duty: where is Sukuna? Yuuji takes your silence as rejection and starts backtracking.

"Sorry, I didn't want to disturb you, I can just go alone-"

"Sure, let me grab my purse and we can go," you stop him, changing your expression to one of calmness, ruffling his pink, unruly hair.

"Are you sure it's not a bother?" he asks you hesitantly. "Big bro closed his door and I can't seem to be able to wake him up... and I'm supposed to be accompanied by an adult..."

"It's not a big deal, Yuuji. I'll take you in my passenger seat, okay? We'll be there shortly," you reassure him, nodding.

"Thanks," he says, blushing, giving you one of the biggest smiles you've ever seen him do. Your heart melts a little, and he looks at you like you've physically hung up the sun shining outside.

When you get back home, you're not even able to get to your room when you find yourself being squished between the nearest wall and a hot, rapidly rising and falling chest.

"Where the fuck is my brother?" Sukuna grits out his teeth, breathing down your neck. You wince. He's controlling his strength, but he's still a mountain compared to you, and your ribcage is starting to hurt.

"Get off of me right now or I'm calling the police, Itadori."

He notices he must have been too rough and takes a step back, mumbling an apology while still looking at you menacingly. You pat your clothes, making sure there are no wrinkles before answering him.

"I took him to school. He told me he was being neglected by his own caretaker, so I had to intervene," you shrug.

"He did not say that. He doesn't even know the word neglect," he says, sighing. His shoulders drop and he takes on a more relaxed appearance.

"What's wrong with you? You've never gotten up later than 6 am," you ask him, trying to sound nonchalant, walking toward your fridge to make yourself a toast. The truth is, you're starting to get attached to him. In the last couple of months, you've created some sort of bond, and it's probably also thanks to Yuuji and his stubbornness in making you do things like you're a family. Just last night, he forced you both to make cookies with him because apparently his friend Megumi was coming to play this afternoon and "he wanted to make a good impression".

Sukuna, on the other hand, can be a lot. The majority of the time he nudges you to get you to move out of his way (he just does it to see your annoyed face, but he's not going to tell you that), huffs in your face when you say he hasn't cleaned his dishes from the night before, and flips you off whenever you try to have a civil conversation about who's turn it is to choose the film on Friday night. But he's also pretty attentive. It's not like he makes you notice it, but he does feel bad for you when you get out of your room after an all nighter because of your studies. He thinks you're annoying because you're always trying to pry into his private life, but when you're not home Yuuji always asks of your whereabouts. Yeah, that's definitely why he can't stop thinking about you laughing with the boy he literally raised. The boy whose disappearance was driving him insane this morning.

Because sure, Sukuna tells Yuuji he's a brat 95% of the time, and the kid yaps way too much for his taste. He also manhandles the kid badly, telling him he's way too weak to be called his brother, and more often than not Sukuna tells him he's adopted and that he'll kick him out as soon as he can. But you've seen the way he prepared soup every night when his little brother caught the flu in December—he's just full of shit. He'll never admit how hard it was to raise a brother he didn't want at 13, alone and broke. But he'll make sure the child never doubts of having someone to fall back into like Sukuna did since he was much younger than Yuuji is now.

"Didn't sleep well and I missed the gym," he responds, munching on an apple. You hum in acknowledgment, not turning around from the stove.

"You know that pilates class you suggested to me last week? I found their videos on YouTube. I was thinking of starting them today," you quickly change the topic. You know you won't get more than that; him admitting he didn't sleep well was already a win.

"Wanna start them with me, chipmunk?" he asks you. You turn around to slap his arm slightly.

"I told you to stop calling me that," you say rolling your eyes.

"No."

You whine. "Yes, by the way. I want to see you suffer like the men I see on TikTok."

"Come be my weight and I'll do pilates with you today," he suddenly says. You're biting your toast and you're so caught off guard that you start coughing up crumbles. He hands you a glass of water while telling you you're too fucking dramatic.

"What does it mean to be your weight?" you tentatively ask him when you can breathe properly again.

That's how you find yourself sitting crisscrossed on his back, gripping his shirt as hard as you can, while he does pushups and tries not to laugh every time you scream about him moving too much and almost making you fall.

[luveline]

that spencer x bombshell one you just posted has me giggling and kicking my feet I think I’m in love with YOU 🫵

Now I’m thinking of spencer x bombshell where the team starts to not view reid as unwillingly tortured by her flirting. Like maybe Morgan makes a comment to reid about something he does and is like “don’t torture the poor girl” and he’s like oh shit I’M the one torturing too now?

im in love with YOU !! for you, ty for requesting ♡ fem

“Difficult,” you say, resting your head on the table. 

“I know.” Spencer wiggles his pen back and forth between two fingers, thinking hard. This case is proving to be indecipherable. None of the details want to add up, and no clear profile geographical or otherwise appears. 

“Useless.” 

“Who, me or you?” 

“Us.” You sigh morosely. “Mostly me.” 

You're not being serious. Spencer huffs a soft laugh and continues to turn the details over in his head. You open your notebook and scratch down a couple of sentences with a pen, a visual thinker. Your mind map turns to a second iteration and then a third. You can't connect the dots because they're too far apart from each other; Spencer can't do it either. Not alone. 

He scoots his chair as close to yours as possible, your knees touching, his elbow in your side. “Can I look?” he asks. 

“Of course you can. Sorry about my handwriting.” 

He shakes his head. Your handwriting is perhaps the only thing about you he wouldn't say was one hundred percent perfect. You can't control it like other things. It is perfect, in a way, because it's yours, but you've been writing quickly and he struggles to make out the occasional letter. 

He leans in toward the page. “What's this word?” he asks. 

You lean in to see it. “Coruscated.” 

“The swimming pool?” he asks, lifting his face to yours. You're closer now, and beautiful like this. He can see the powder under your eyes, the lines in your irises, the slight fading of your lipstick at the corners of your mouth. There's an eyelash on your cheek. He lifts a hand to wipe it away. “What's so important about that?” 

“It reminded me of something…” You pause as he touches your face. “Something…” Your voice lilts up in question, half-shudder. 

“Eyelash,” he explains, blowing it off of his finger. 

“Right,” you say, eyes oddly wide and soft at once, your eyebrows lifted at the starts. 

“You okay?” 

“Is she okay? Reid, you're torturing the poor girl. Give her some air,” Morgan says with a chuckle. 

Spencer leans backwards in surprise, no idea what Morgan could possibly mean. Your eyes relax as you regain some personal space, your hands coming together loosely in your lap. You laugh weakly. 

Spencer looks you up and down. He's torturing you? That doesn't make sense. For as long as you've known one another, the team has joked that your flirty ways and feminine wiles are too much for Spencer to handle. You once gave him an apology he didn't want, worried you actually were hurting him by being your playful self, and he'd set that straight immediately. You don't torture him. It's a lot of feelings to be doted on so much by you, and painful isn't one of them. Overwhelming, sometimes, and exciting, sure. 

He never realised he had the power to overwhelm you. Not until that moment. You offer a funny smile far from your usual smirk and try to steamroll Morgan's claim. “Guess I should've made a wish.” 

“What would you wish for?” Spencer asks quietly. 

You still. Morgan shakes his head in disapproval, but he laughs again and stands up. “I think they'd call that a taste of your own medicine, sweetheart,” he says to you. 

You meet Spencer's eye. “I think they would,” you say bashfully. 

For three blissful seconds, Spencer enjoys the reality of having made you flustered. You, gorgeous, confident you, left flushed and a little daunted by his casual actions and simple (maybe slightly flirtatious) questioning. But then he remembers how much he likes you and pushes it away. 

“Sorry,” he says, plastering a smile over uncertain lips, “I didn't mean to do that.” 

“No, it's okay.” 

He turns to your notes, but gives you a look from the side. “I hope you wished for someone to solve the case. We're never getting anywhere like this.” 

“Are you saying you can't?” You rest your chin in your hand. “And here I thought you were more than a pretty face.” 

You have a quick recovery rate, evidently. 

[ikarakie]

one of the known, undisputed rules of riding in steve harrington's car: passenger seat gets music privileges.

if you brought your own tape, and won the usually vicious battle for shotgun, there was a 100% chance that the drive would be backed with music of your choice. hell, there was even a small collection growing in steve's glove box of music that wasn’t his, because people left them behind either on accident or on purpose. no one really knew what steve liked to listen to- maybe minus robin- but he always seemed happy with whatever the passenger put in.

until one day, when dustin and lucas and mike climbed into his car. dustin had won passenger seat privileges, after a rather tense game of rock, paper, scissors, and instantly reached for the tape player.

steve smacked his hand down. "paws off, henderson." he scolded, not unkindly. all three kids stared at him like he'd grown a third limb as he pulled out of the wheeler's driveway. electric guitar played at a semi-low volume.

"what the hell?!" dustin squawked. "why can't i change the tape?" steve rolled his eyes, fingers tapping along to the rhythm of the beat on the wheel. none of the kids recognised the song, and it certainly didn't seem the kind of thing steve harrington would willingly listen to.

"is it so surprising i want to listen to my own tape in my car?" steve asks. dustin shouts an affronted, 'YES!' to which steve just shakes his head and continues driving.

the man on the track sings over heavy drums and guitar, talking about how he needed someone to 'show me the things that make true happiness' and 'he must be blind.' then, there's a guitar solo that steve smiles at.

"who are you?" mike asked, suspicious. "what did you do with our steve?"

"oh, shut up, wheeler." steve meets his eye in the rearview mirror. "next one to complain loses tape privileges for their next three turns."

that does shut them up. they make idle conversation over a couple more songs before they pull up to their destination. mostly threatening each other over high scores and making bets. steve waves them off with the usual 'don't be stupid' lecture and pulls out of the arcade parking lot, the bass of whatever the next track had been audible even through his closed doors and windows.

after that, steve retains ownership of his stereo every now and then, always playing some form of heavy metal. it just becomes the norm, though never fails to confound whoever's in the car. (because, seriously? polo shirt wearing steve harrington and heavy metal?)

they only ever hear anyone else listen to it after they join hellfire. eddie invites them to his trailer to create their characters together, and when they walk in one of the songs from that dumb tape is playing from a record in the corner.

"woah! you like this music too?" lucas asks. eddie nods excitedly.

"yeah, man! you a fan?" his smile dims a little when lucas shakes his head, but dustin is quick to jump in.

"our friend steve is always listening to a dumb mixtape with this sorta stuff on it." he explains, missing how eddie's eyes light up and his smile turns a little bashful. "he used to let us play whatever we want, but ever since he got that tape he makes us listen to it sometimes when he drives us around."

"well," eddie sighs, fiddling with one of his chunky silver rings. "seems this steve knows someone with very good taste in music." there's a warm look in his eyes before he claps his hands and diverts their attention to the character sheets he printed out.

later that night, steve gets a call.

"you told me you only listened to that tape once." the voice on the other end drawls. it's low and teasing, but it's undercut with obvious wonder and fondness. steve doesn't even bother pretending to be confused.

"well, it's good." (it makes me think of you) he replies, like it pains him. eddie giggles, and steve eyes the tape in question. sat on his bedside table, 'for my stevie' scrawled across it in eddie's neatest handwriting. shitty little hearts drawn around his name and an even shittier skull at the end. "how'd you know?"

"recognised my mötörhead record." eddie coos, "told me how you revoke their music privileges to listen to it." a pause. "you're so fucking cute."

steve can't help the dorky smile that spreads over his face. the way he twirls the phone cord like a fucking lovesick loser. he cracks a joke about making eddie a mixtape featuring the likes of duran duran and tears for fears, which makes him fake retch. they chat for a little while longer, whispering 'i love you's through the phones like it was their first time saying it.

the tape stays firmly in the bmw's music rotation.

[midnightanxietytm]

He takes his whiskey neat

A/N: Look, I think i was possessed while writing this one /j. It was like 1 am and I was procrastination on college work, I dunno what happened but this is the ungodly spawn of my imagination mixed with sleep deprivation, caffeine and stress. Enjoy and don't question it too much

Contents: Ford Pines x reader, pinning (lots of pining), I pictured reader in their late 40s to early 50s so there is an age gap but nothing extreme. There's some plot in those holes. uhhh lots of tension and no payoff because im pretty sure I passed out before I got to that part.

Word count: 996

There’s this look on his eyes now that you can’t quite figure out.

Ever since Stanford Pines came back from the portal, ever since weirdmageddon and the end of that fateful summer, something about him fundamentally changed. There’s contempt, relief, sure, but there's more to it, something that he keeps deep in that rattling metal-protected brain of his.

And god forbid sometimes you just want to pick him apart entirely, figure out every detail, note it down, absorb it, maybe then his mere presence won’t entice you, mess you, so goddamn much.

It culminates, as all events are bound to do, right before that year’s summer vacation, you blame the heat. 

Soos and Melody took a vacation for themselves, entrusting the shack back to Stan’s less than trustworthy hands, just like old times. Ford slips back into the basement so easily you almost follow him; your mind briefly longing for that nostalgia of being freshly out of college, when you and Ford were easily impressed by the oddness of the world.

You were a prodigy; a good ten years younger than him yet still doing your masters while he did his doctorate, and in the same area with similar themes! Back then, you two were just bright-eyed yet very tired academics… Then Gravity Falls presented itself on a silver platter, and Bill followed through.

You were there, on the day of the portal, or at least, almost there, going back for the thousandth time, expecting no answer to your knocks at the door as usual, only to be met with the fallout of something far worse than refusal.

And then he was back, less jittery, less paranoid and less sleep deprived than he was before at least. But there was that thing in his eyes, that inherent distrust, detachment…? You struggled to find the words and if there’s one thing that you as a scientist can’t deal with is a question that goes unresearched.

So it began; your “research” depended on experiment and to experiment, you firstly decided to get close to your unwilling subject. And you go down the rabbit hole.

You find him in the basement, of course. He’s drawing on loose sheets of paper, some of the discarded pieces lay on the floor, and the cd player by his side is playing just loud enough to muffle your footsteps as you approach him by his right side. “Updating the journal?” You ask, nonchalantly, as if you hadn't obsessively turned each page of his journals before, as if your own handwriting wasn’t squeezed in the first ones before his old muse took all the space left.

Ford just hums, raising his chin slightly, but not his eyes, just to acknowledge the question. “Not really, just trying to get some proportion practice. Looking back, some of my work on the first journal was… Not the best.” 

A chuckle leaves your mouth; “If you say so…” You hum, picking up one of the filled out pages that were pushed aside in the table and pretending to look it over as he places his pen down and looks up at you.

“Any advice?” He asks, and once again you pretend to be paying attention to anything but him and his every movement.

“Not really… I think you’re good.” You place the paper back at the table, leaning against it. “Thought you’d be going through your abstract phase by now, honestly.” And you smirk down at him.

He leans back, crossing his arms; “I fear I’m too logical to have an abstract phase, even my craziest dreams have math and science behind them.” And you both laugh, and your curiosity itches more and more every millisecond.

The next words that leave your mouth were planned and inwardly rehearsed, but they come out natural as a summer breeze. “Every tortured artist has an abstract phase, get on with the times, sixer!” It comes out as a joke, it's a test. And suddenly you’re too nervous to stay there, staring at him and waiting for a rebuttal. You push yourself off the table and zipline to one of the bookshelves, reaching towards the back of it, you pull the ‘eureka whiskey’ and the two cups.

He just watches you for a second, then accepts the cup as you pour him one, then one for yourself. 

And it’s truly the eureka whiskey, because goddamn you just found something in those eyes. 

He takes a sip; “Yeah I guess those portal days would do for some good surrealist pieces at least.”

“I can’t even imagine.” You say.

He smirks, lips inches from his cup. “You can’t…” He takes a sip. “That’s the point of surrealist.” You want his brain under a microscope, you want his breath mixing with yours, you want to never see him again, you want to wake up near him every day.

The curse of science is that in the endeavor to figure out the world, the scientist often loses sight of themselves. 

The witty remarks, the planned lines, the psychological strategies, all fly out of you head and you lean back against his desk. He’s leaned further back now and his chair is turned diagonally towards you and he watches with a smile and those eyes. “What did you see?” It’s almost a whisper, because you think he might actually tell you, and that scares you more than anything.

“Too much…” He swallows, sighs, takes a swing of whiskey and rests the empty cup on the desk. “It was very chaotic, honestly that’s all I want to say…” You sigh, pushing yourself up to sit at his desk, and his head tilts as he watches you. 

“I’m glad you’re back.” You settle, even though it doesn’t even come near to all the things you want to express. He smiles, and his eyes travel down, landing on your hands, holding your barely touched whiskey glass. You follow his gaze, and chuckle. “I’m more of a whine person.”

“I know…”

[fioiswriting]

The sea and the fire

“Fire and water looked so lovely together. It was a pity they destroyed each other by nature.” - R.F Kuang

Summary : when you're married to your childhood sweetheart who becomes your enemy and you get lost in the terrible maze of politics.

[previous chapter] [masterlist]

Rating : None for now, will be explicit 18+ later MDNI

Pairing : Aemond Targaryen x Velaryon/Strong!niece!Reader (There will be some Cregan Stark x Reader later)

TW :  none for now except not proofread. TW will be added as the story progresses.

Words count : 4408

AN : Hi everyone!! I hope you're all doing well. So, MONTHS later, I've finally decided to post chapter 2. Sorry for the wait.

[About this story This fanfiction is inspired by an RP I started with my girlfriend (@irmawrites, go check her work) in early 2023, which is still ongoing. My girlfriend writes for her OC (who is the daughter of Viserys and Alicent) as well as for Aemond and Cregan, while I write for my OC (who is the daughter of Rhaenyra) as well as for Aegon and Cole mostly. This fanfiction doesn't cover exactly the same events, I've changed some things, added some others and omitted some. But it follows the main storyline. The character of Irma is a nod to my girlfriend and is based on another of her OCs (Alicent's niece). I'm keen to turn this story into fanfiction and I hope you'll like it! ❤️ I know there's a ton of fanfiction out there based on the Aemond x Rhaenyra's daughter trope. If you don't like it, if you feel uncomfortable, or if you've read too much of it, I'd suggest you read another fanfiction written by one of the many talented authors on this platform ❤️ The story will unfold in several arcs, with the first arc building up the relationship between the reader and Aemond. The tone is therefore lighter. The following arcs (which I can't wait to get to!!) will gradually introduce a lot more angst (my favourite thing to write). The tone will be radically different. Overall, the fanfiction will sometimes be based on elements of the book, and sometimes on the show, with my own interpretations. Please bear in mind that my dialogue will sound very "modern" because I struggle to write medieval dialogue in English, as it's not my mother tongue.]

Also English is not my first language, so sorry for the grammar mistakes !! 

After all that talk, ENJOY <3

Chapter 2 : Familiarity

There was a sense of renewed familiarity. 

You had regained your childhood bedroom and with it your landmarks. Of course, you still missed Dragonstone. And that could seem strange to some - Dragonstone was just a damp cave, a pile of stones perched on a rock. You were in King's Landing, now. You lived in opulence, in a royal comfort unmatched by the perch above the sea where you had spent most of your youth. 

But Dragonstone had a charm you couldn't find in King's Landing. Perhaps it was the stillness of the library where you spent all your time, lost among the scrolls of parchment and the thick tomes, or perhaps it was the sound of the crashing waves that rocked you on stormy nights, you weren't sure.

But somehow a sense of familiarity had returned. Your old room hadn't changed much, despite Alicent's questionable alterations to the decoration of the Red Keep. You had found an old toy in the shape of a dragon, and even some old paper on which you had practised your precise handwriting under the strict gaze of a stern Septa when you were a child. It was a memory frozen in time, a kind of testimony to the past. A room that reflected the little girl you were when you left King's Landing.

But perhaps you could change it to your liking, to reflect the young woman you had become. Perhaps it was a way of keeping you occupied before you left again. After all, your mother had promised that your stay would only be temporary. Just time to sort out some inheritance issues. Time to try and heal your family's wounds. Time to secure your family's future. As if the hope of you all rested on your shoulders; the only guarantee that your family wouldn't descend into a bloody escalation, or something like that. 

And yet, even though you'd only been here a short time, you'd already gotten into trouble, and it was Aemond himself who had to rescue you. You hated the idea.

You hated the fact that he'd come to your aid.

You hated the fact that you owed him, that you were indebted to him.

Fortunately, your little escapade hadn't been reported - you didn't want to disappoint your mother, or see the reproachful look on her face, even though you were aware that she might not be in the best position to make a comment. You were close to your mother. You were her eldest. You were her only daughter. She cherished and loved you, and you knew you could share everything with her. But you cherished your secret freedom, and you feared that her concern for her only daughter would give her the bad idea of assigning you closer supervision.

You didn't need a chaperone. You valued what little freedom your condition as a daughter afforded you.

As you slipped under the sheets, your thoughts kept returning to Aemond. The way he'd protected you, the way he'd carried you on his shoulder - it was humiliating, you weren't an object. And the way you had planted a kiss on his cheek. An impulsive act. A foolish act. You had to admit that you weren't averse to doing it again.

It just didn't make sense. Why had he come looking for you when he'd never answered your letters? He'd probably felt superior, after calling you and your brothers bastards, he'd probably decided you weren't good enough to be his friend anymore.  All this time, all these years, you'd been waiting for a word from him - a mere reply to the letters you'd sent. It never came. You concluded that your friendship had ended, in silence, after all you had done for him; after reassuring him, after holding his hand while the maester tried to repair the broken flesh on his face as best he could.

Had he really been your friend for even one day, or had it all been a facade, a role he'd played? Had he ever been sincere?

You were furious.

Rhaenyra had stroked your hair through every disappointment that gripped your heart like the loving mother she was. Daemon - Daemon had soothed you in his own way, telling you again and again that Aemond wasn't a good man, and that you would save your heart by forgetting him.

But now he had come looking for you. Something had changed. He had taken a step in your direction. You were lost. You were angry, but it was not just anger. There was something else underneath that pile of confusion and resentment. His approach unsettled you. Every step he took towards you, every word he said, sent a whirlwind of conflicting emotions through you. A burning curiosity. An irresistible attraction. 

You hated yourself for thinking it, but maybe your betrothal wasn't such a bad idea. Maybe you could retrieve the complicity of your childhood.

Maybe it had never really disappeared.

In the early hours of the morning, the smell of warm bread tickled your nose even before you felt the warmth of the sun's rays through your chamber window. You rolled onto your side to steal a few more minutes of comfort, stifling a grunt into your pillow. You waited fatefully for the moment when Celia or Jeyne would come and wake you.

"Wake up you lazy groundhog, you've got things to tell me!" 

But the high-pitched, overly cheerful voice that echoed around your room wasn't Celia's, and it certainly wasn't Jeyne's. You sat up immediately, as if someone had thrown a bucket of water over you, your fingers rubbing your tired eyes to make sure you weren't dreaming. 

Irma Hightower was standing in your room, in a gown more extravagant than ever. You wanted to throw yourself into her arms.

"It was usually me who overslept in the morning and you who had to wake me up," Irma exclaimed, placing the tray she carried awkwardly under her arm on the table with a loud clatter, causing the tea to overflow from the cup and drip onto the wooden table. "But I reckon that sneaking out seems tiring." She punctuated his remark with a knowing wink before dusting off her dress as if she'd just worked in the straw or done the most strenuous physical labour in the world.

Still too sleepy to make sense of your friend's words, you frowned as you looked around for your two handmaidens, the ones who woke you up every morning, helped you get dressed and brought you your meal. "Where are -"

"I dismissed them for the rest of the morning," Irma replied without letting you finish the sentence. That explained the tray and the near disaster. "But here's your breakfast. Gods, did you know a tray was thatheavy? " She paused briefly, barely giving you time to wake up properly.

Irma Hightower was a tornado. She swept away everything in her path - she carried away hearts and minds with equal ease, leaving a whirlwind of chaos behind her. Wherever she went, she stirred the air with unbridled energy, forcing others to adapt to her frenetic pace or be wiped out by her determination. But it would be a lie to say you weren't happy to see her. You sat down on the edge of the bed and stretched, your arms reaching for the ceiling before tilting your head to one side. A smile curved the corner of your lips as you watched your friend. You wondered what Irma was doing in your room in the early hours of the morning, especially when, last you heard, she was supposed to be in Oldtown furthering her education. 

To tell the truth, you might have had an idea why she was here. You just didn't want to subject yourself to your friend's interrogation - some secrets should remain your secrets.

And what you'd done yesterday was one of them.

"'So?" she asked with a mixture of overflowing curiosity and impetuosity, her brown curls twirling around her face.

"So what?" you sighed as you went behind your dressing screen to remove your nightgown. You slipped into a flowing ocean-blue dress adorned with pearls and embroidery - one of your favourite gowns, a creation that reminded you of your favourite element: the sea. 

Unlike your brothers, you weren't made of fire and blood. You were made of sea and storm, and you knew deep down that this was perhaps hypocritical - your own appearance reminded you of it every day. But it was what your heart had always told you, and you'd come to believe it, too. The feeling of your feet in the water and the breeze on your face, its salty taste against your lips, was the one that brought you the most comfort. 

"So what happened yesterday ?” Irma insisted. Her voice grew impatient. "I saw you.”

But you ignored her, busy wriggling to reach the lacing at the back of your dress. In vain. You weren't flexible enough. "Since you've decided to play the handmaid today, help me get dressed," you replied, appearing on one side of the screen, your hands gripping the fabric tightly, your back to her. Irma rose with a long sigh - it was just for show, you knew - and came over to you. You smiled mischievously. You had to admit that you enjoyed seeing her in this role, so opposite to who she really was. You wondered what her time in Oldtown had been like; whether she'd been treated like the spoilt brat she truly was, or whether, on the contrary, she'd had to learn patience, faith and discipline - all qualities that didn't characterise her. 

"I could actually keep you as my lady in waiting, you know. You'd be good for that. Forced to follow me everywhere, I'd love that." 

You didn't need to see her to know that she rolled her eyes. " I am the Queen's niece. I was made for more than that."

When her fingers became tangled in the lacing of your dress, she spoke again, her voice caressing the back of your ear as she tugged at the lacing with a little more force: "You haven't answered my question."

How could you forget that Irma was so perceptive? And above all, how could you forget that when Irma wanted something, it was impossible for her not to get it? You weren't going to get away. She would insist, until you fell for her angelic pout and her round eyes that tried to win you over.

It reminded you of your shared youth - the times you spent together, swapping secrets and gossip, talking about your joys and sorrows. You had been inseparable before you were forced to return to Dragonstone, and she to Oldtown. 

"Nothing happened. At least nothing like you may think," you admitted, turning to smooth the front of your dress. You whirled around, the fabric rising gently around you like a bluish wave. "How do I look?"

"I wouldn't describe being carried around like a sack of flour on your dark uncle's shoulder as nothing. Especially in your family." 

Irma inspected your outfit, her eyes expertly examining you from top to bottom and then from bottom to top, looking for the slightest detail that would have spoiled her work. She brushed away a stray strand of hair that had fallen across your face.

"Did he kiss you?" Her eyebrows arched, her mouth forming a playful pout of false surprise. She was clearly determined to decipher your every secret, to expose them. You hesitated for a moment, to cast doubt, to let her imagine more - but you were afraid of the repercussions this might have on you. You weren't sure that Irma knew how to hold her tongue. And you didn't want to risk exposing yourself to Aemond's irritation over false rumours. Not when you'd planned to play with him a bit; to prove to him that you had the upper hand, that you could have him wrapped around your little finger and drive him mad. You were still suspicious of him. You hadn't really figured him out yet. You just knew he'd changed since the last time you'd seen him, but you weren't sure how much.

"No, he didn't kiss me," you repeated, putting the same emphasis on the word as your friend. You walked over to the table to sip your still steaming cup of tea. You could feel Irma's round eyes on your back - she was waiting for you to say more. She probably had a dozen unanswered questions: why had Aemond brought you back like this? Where had you been? Who had you been with? What had you done? But you didn't answer right away, biting into the crusty bread.

"He just... came to fetch me," you finally admitted between two bites, your mouth half full - it was a far cry from the princess manners in which you'd been raised. Sitting on your bed, Irma stared at you with her brown eyes - the same as her aunt's. "I was with Aegon. In King's Landing. And I got lost."

That was enough. Irma didn't need to know everything; after all, it wasn't a lie if you only omitted certain details that you deemed relatively unimportant.

Or that Irma didn't need to know.

But the revelation provoked a silence. Your friend didn't answer immediately. Her eyes narrowed, revealing a fine line between her eyebrows, and her lips pursed into a bitter pout. She looked troubled, her fingers twitching in her lap. "I didn't know you were close to Aegon."

If you didn't know her so well, you wouldn't have detected the note of reproach in her voice. Was it jealousy? Was your friend jealous of the time you spent with Aegon?

You weren't sure you understood. He was married - and more importantly, as you remembered, Irma hated him for his debauchery and the alcohol he drank to excess. 

But this was no time to argue, and you preferred to play it safe. There would be plenty of time for your investigation later, when Irma's suspicions would be at rest. "He's my uncle and... he suggested he show me the streets of King's Landing because I was feeling bored." 

And the idea seemed liberating at the time. A moment of stolen freedom, away from the court, away from your duties. Where you were no longer the model princess, the paragon of virtue, but just another girl, lost in anonymity. You weren't sure she understood - she'd always loved the court, the gowns and the politics. You too, of course. It would be a lie to say you weren't made for it; for the life your status as a princess could offer you. You cherished the comforts and loved the responsibilities that came with your role. But sometimes those same responsibilities – and duty above all - stifled you. You needed solitude. To be somewhere else.

"It's dangerous. You could have been harmed!" Irma said, crossing her arms over her chest with an air of concern and annoyance. "You can't just follow a man like Aegon into the city," she sighed.

Some truth was hidden in her words, and you were aware of your lack of rationality, of the stupidity of your foolishness. The danger you had put yourself in, too, for if Aemond hadn't intervened... You didn't want to think about it. The dirty hands and lecherous looks those men gave you still made you shudder. All those risks for an illusory feeling of freedom, wasn't it a high price to pay?

Aemond had come for you. The humiliation still burned on your cheeks. 

"Lost in your thoughts?" Irma asked impatiently, offering you her arm as if she'd waited too long for you to come out of your reverie, "thinking about your Prince Charming again?"

You gave her a little tap on the arm, your eyes raised to the sky at the broad smile that stretched her lips, but you accepted her invitation anyway. "Fine, let's go. I heard that they are training this morning. And I know you're not indifferent to Dornish charm." You winked at her. And arm in arm, you and Irma walked through the corridors of the Red Keep towards the courtyard.

Aemond's movements were precise and swift. Faced with Ser Criston's Morningstar, he moved skilfully, as nimble as a cat. You leaned against the parapet of the ramparts; your eyes riveted on the two silhouettes that seemed to be dancing in the courtyard amidst the small crowd that had gathered around them. Irma didn't miss a moment of the spectacle, and you wondered if there was a man she didn't find charming.  Aemond, probably.  You knew she didn't bear any affection for him - he was too serious, too stern. Too scary, too.

"Did you get tired of Oldtown, is that why you're here?" you asked teasingly, glancing briefly at Irma.

She leaned towards you as if to share a secret, not taking her eyes off the show the two men were offering. "They didn't want me anymore," she confided. "I used to drive the maesters and the septas mad. It was amusing."

You should have known better. Irma was too stubborn and brash to be around men and women who had dedicated their lives to knowledge. She was intelligent, there was no denying that, but she lacked the patience and diligence that the study of texts demanded. Though she had spent her childhood in King's Landing, perfecting her courtly education at her aunt's side, her rebellious attitude had sent her straight back to Oldtown. And then, she had threatened the Maesters and the Septas - she belonged at Court and she was convinced of it.

"And how is Daeron?" 

"As courteous and charming as ever," she replied. 

Aemond disarmed Cole and everyone applauded; including Jace and Luke, who you could recognise in the crowd. Your betrothed's eyes shifted from the spot he was staring at in the crowd - your brothers? - and looked up at you for a moment. You wondered if Aemond had seen you, if he had felt your gaze on him, and if that was why he had become fiercer in his attacks. A strange sensation arose in your belly, as if a swarm of butterflies were fluttering in your stomach, making your heart beat faster.  You forced yourself to suppress your emotions, which you blamed on all the time you'd spent away from Dragonstone. You refused to admit that it was Aemond's gaze that you sought more than any other, especially after the events of the previous day. Especially when you could still feel his skin against yours, his firm hands around your body, his face just a few inches from yours.

You wondered what had possessed you to kiss him on the cheek. 

You wanted to play with him, that was certain. But you refused to subject your heart to the whims of love. Not after the heartache you'd felt when you found out he'd forgotten you so easily.

It was nothing serious.

You met Aemond's gaze. The intensity of his lilac eye had this very capacity to send shivers down your spine.  He didn't even crack a smile, and looked away as if nothing had happened.

"I'll see you later," Irma said, squeezing your arm, before turning on her heels to - presumably - find some male company. Once you were alone, you walked down the steps that led from the ramparts to the courtyard. Your steps instinctively brought you to where Aemond was standing, ready to sheathe his sword.

If he seemed surprised to see you, he didn't show it. His icy eye rested on you, unreadable as ever.

"Lady Strong."

"We should talk," you began, ignoring the unpleasant way he had just addressed you. Lady Strong. The nickname left a sting of humiliation, and under normal circumstances you would have reacted. You would have defended yourself, you would have thought of something witty to retort - but today you had decided to take a step towards peace. You had decided to show that you hadn't come here with any animosity, even though everything inside you was screaming to make him swallow his insolence.

"There is nothing to talk about," he replied mechanically. Cold. Distant. Disinterested. Syllables sharp and icy. 

But yes, there were a thousand things to talk about; the betrothal that would lead to your certain future marriage, the events of yesterday, the letters he had never answered, his hostile and cold attitude towards you. There were all these things and more, but neither of you seemed to know how or where to begin.

"About yesterday -"

"I haven't spoken a word to anyone. Your little secret is safe with me. You can rest assured, niece."

That's not what you meant. It wasn't that you wanted to talk about - it was everything around it; it was the reasons, it was how he had found out, it was the consequences, it was the kiss on his cheek, it was the thick tension between you that you were sure he had felt too. It was all these things.

You took a step towards him. Suddenly you felt yourself bubbling. And as if you'd grown wings, you closed the distance between you without looking away.

"Why?" you asked, your tone more urgent. You wanted to push him over the edge. You wanted him to admit what you knew for a fact that he would never be able to. "You could expose me. Tell everyone about my little escapades. Make me lose all credibility. End our betrothal." You paused, leaning your body towards him, your warmth mingling with his.

You felt him hold his breath. He tensed, straightening his neck, tilting his head slightly to the side to watch you.

"Why exactly would I do that, Lady Strong?"

Because you hate me, you were tempted to reply. Because you hate me, just as you hate my brothers. Because you cut me off all those years ago, without a word. And despite all the affinities that could bring you together, despite the fond memories of your shared childhood and your closeness, despite the love you harboured for him, you were loyal to your siblings, like he was to his. Whatever you did, you would always be associated with them. Your family. So wasn't it normal for him to see you as an extension of the hatred he felt for them?

At your silence, he continued, this time in High Valyrian: "I am not the one who despises the other. You know that."

Hate was nothing more than a form of passion.

But you weren't sure it was hate you felt for Aemond - no, the hate would come later, stronger, hotter than ever.  For now, you felt disappointment and a form of betrayal after the friendship that had bound you together for more than a decade. 

"I am not the one who is determined to make you my enemy." 

Enemy, like water to fire. Trying to destroy each other by nature.

"And yet, you treat me like one," you replied. Sharpness staining your voice. 

He let out a hm. He was still staring at you; the sensation was almost disturbing. He took a step in your direction, violating your breathing space. You had to lift your head to maintain eye contact. Then he leaned towards you, the corner of his lips turned up slightly in a smirk.

"I wouldn't have come to rescue you if you were my enemy."

The words barely out of his mouth, he straightened and took a step back, giving you the courtesy to walk away as your cheeks turned red. You didn't need him to remind you of what had happened yesterday. The memory was still frozen in your mind, clear and intact. The ghost of his touch like a burn. You wondered if he felt the same; if he thought about your lips on his cheek, if they had left an invisible, indelible mark on his skin, like his fingers on yours.

You had to change the subject. Quickly. Before you got caught at your own game. 

Your hand came to rest on the hilt of his sword on the table beside the training area. You lifted it. It felt heavy in your hand, still warm from Aemond's grip.

It was strange, this power in your hand. A weapon that could take a life. Too big and unsuitable for your delicate fingers, but fascinating. 

"Teach me."

"No," he replied immediately, following your every move with his icy gaze, as if he feared you might hurt yourself. You rested the heavy sword on the wooden table before turning. You approached him again.

"Daemon taught me how to use a dagger. At least he taught me where to aim to hurt." You flatten your hand against his chest, just below his ribcage. His body stiffens beneath your palm. "He said it was to protect me from dangerous men." Your gaze travelled from your hand to his eyes.

Aemond chuckled. He didn't try to push you away. On the contrary, he kept your hand pressed against him. His fingers wrapped around your wrist, and he guided your hand to his jugular, where you could feel his heart throbbing against your fingertips.

"First lesson: that is where you aim to kill." Caught off guard, you tried to withdraw your hand, but Aemond held it in place, your fingertips on his skin, your eyes both searching and challenging each other. The air was charged. Tense. Like a cloud before a storm. You held your breath. "But you wouldn't dare hurt a fly."

He released your wrist and gripped your chin between his thumb and forefinger, forcing you to step back until your back hit the table. He leaned in. His face so close to yours that you could almost feel his warm breath melting into yours. A few inches and you could close the gap between your lips. A few inches and -

"Well, niece. I hope to see you for dinner. And, of course, I expect you to behave."

With that he released you. With that, he turned on his heel. 

He stopped. And without looking back, he added: "And please. Don't make a habit of me saving you. 

Well, you were evenly matched.

[fictionadventurer]

1980 Pride and Prejudice Episode 1 Thoughts

I'm kind of digging the low-budget 1980s artificiality. Feels comfortable.

Love Mr. and Mrs. Bennet, and the way the script highlights the sitcom vibes of the story, especially in their scenes.

This Lizzie is amazing. She's lively, witty, mischievous, but without feeling like a modern girl in Regency dress. I think I started to fall a little bit in love with her.

Not too fond of Jane so far. Maybe I'm too influenced by other adaptations' takes on her, but she just doesn't act like Jane. I didn't even know which sister was Jane until after the first ball.

This Bingley's a touch too much on the buffoonish side. Though the scenes of banter with Darcy and Lizzie were well-done.

(I'm a bit disappointed they cut out a lot of banter in the letter-writing scene. Now "if Darcy were not such a great tall fellow" seems to come out of nowhere, because we don't get Bingley's witty rejoinder about "comparative heights and sizes").

I'm surprised by how much focus there is on Mary, though disappointed that they portray her piano-playing as "she's terrible" and not "she's better than Lizzie but too stiff and artificial".

Also a lot of Kitty and Lydia! Excellent! (We get the coughing scene!)

Sir William Lucas and Charlotte are both very good.

Everything I've ever heard about this adaptation has focused on how robotic this Darcy is. I guess that skewed my expectations, because I found him shockingly expressive. He's reserved, haughty, and wears his good breeding like a mask, but he's not inhuman. There are plenty of moments where he loosens up a bit, or where we can see the humanity behind the iron control. Like the letter-writing scene--Darcy goes after Bingley for boasting about his poor handwriting, and it might seem like he's just being a pedantic stick-in-the-mud, but he was so straight-faced about it that it was clear to me that he was joking around with a friend.

That first scene with Darcy did feel more like these people were telling us how proud Darcy was before he had a chance to show them.

That first moment with Elizabeth made me realize that the worst thing Darcy says is not "not handsome enough to tempt me" but "I am in no humor to give consequence to young ladies who are slighted by other men." Ouch.

Fascinated by how much of the narration is put into dialogue (and how well it usually works).

There were several points where the dialogue seemed too stilted and artificial, but it's almost word-for-word from the book, so I can't really complain.

I did find myself wondering how well this works for people who don't know the book. Sure, it's almost word-for-word (if abridged and rearranged in places), but is it engaging on its own merits, or just a satisfying watch for the book-loving pedants who can tell it's word-for-word? Because the style of this feels like something that most people wouldn't find engaging if they didn't already know the story.

[nightowl374art]

Hey,

This is my second question/ message here, the first one was massive so apologies for that lol but I hope you get to reply to it someday!

I wanted to show this to you because this page obviously wouldn't be possible without you. As I mentioned I've grown very close of your art in the past month and I couldn't help but dedicate a page to my favorite pieces.

I redrew them on my sketchbook in your style the closest I could (I hope you don't mind). I mentioned in my first ask that I really loved the Amazing Spider-Man redraw with Miles and Gwen so I kinda made it into my own fairytale from your drawing. (I hope you don't mind and btw I never posted this anywhere because I didn't want to upset you in any way because you could've feel like this was just a copy of your drawings)

The drawing with Tarboy was supposed to be Miles as the Starboy album cover but I made it too close to the edge of my Skechbook and I didn't want to alter the shape and size of the letters so It stays like that lol (I think its funny tho btw).

Oh and the "Nah Imma kill myself" was just a meme I saw on Tumblr of Miles famous quote "Nah Imma do my own thing" that I drew in a boring class because I needed a distraction and that came up to my mind.

(btw the Tarboy and Nah Imma kill myself were the first drawings of that page if I didn't finish them already by the time I started sketching yours I would definitely make a whole page with your drawings only)

Ok one last thing the little texts are songs that remind me of Miles and Gwen. They are from my GostFlower playlist.

Ok I realized I wrote way too much but I think I just can't help myself when I'm excited so sorry about that.

Thank you from the bottom of my heart for making me smile with your art they bring me a lot of happiness.

Hope you're doing well and take care!

❤️🌻🕸️

Babe, you have talent, I can see that. You’ve done a wonderful job of recreating what I’ve made and I’m flattered, it’s very heartwarming to see this. There’s so much personality in your art. If my work inspires you to create, that’s what matters. I even see a bit of Miles’ style in your work 😉 (your handwriting is super cool btw). Well done. 🙌

[silent-words]

Gale and His Autonomy

Inspired by this post by @an-excellent-choice and @brainrotbutobsessed. Too long to include in a reblog.

He regains his autonomy from Mystra, because he has never seen himself as anything else other than overachiever in magic. Because he was told that's the only thing he can do, the only way he can live and be worthy to exist. Let me tell you a story.

I understand Gale in more ways than one. The moment I entered primary school I was told I have to study, and study hard. I wasn't told that I had to be the best, it just came naturally to me. When my friends called the land line (home phone), my grandma answered that I'm busy making homework and will not go outside. (Thankfully my best friend didn't give up on me). Even in summer I was told to train in handwriting and learning my native language. I started learning English when I was 8. The same year I started learning Latin (my school was not an ordinary one). In secondary school I had problems in communicating with my classmates, and I was told (by my family) that I was superior to them because I had more A marks. When I wanted to ask for advice on how to communicate with other teenagers in my class, I was told to answer them in Latin, because that's what I'm good at.

When I entered university, I found a society of people who were the same as me. I found great friends there, don't get me wrong. But I still was only worth when my student's record book was full of "excellent" marks. Only after I got my PhD did I start questioning that approach, that my only worth is in making myself good in my work and study.

In my opinion Gale went through the same process. He was a very talented child. And everyone around him, maybe even his mother, wanted him to become a great wizard. They trace a path for him, and never asked him if that is what he wanted. And he wanted it, just like I wanted to be a scholar. The problem is, he thought of himself as a wizard, not as a person.

His hubris, of course, caused a lot of harm. To be frank, he was an idiot in trying to humour Mystra with this ancient forbidden magic. But he couldn't think of another, healthier way to please a goddess. Because he didn't know. He was taught to "answer in Latin" when having troubles communicating with people. And it was a goddess, he couldn't just give her flowers or some intricate book without disastrous Weave-eating magic in it.

Gale thought he had an autonomy, he thought he had control over his life, but in truth he hadn't. Other characters like Astarion and Karlach had a luxury of understanding that they were being manipulated. He was like Shadowheart and Lae'zel, made to think he does everything by his own volition.

[unnamed-axolotl]

HAAANDSS I've always prided myself on being able to draw them so HERES A FUN LITTLE THINGY I DID!!! Tried to get a good variety of hands here. With the humans, ranging from young child to older child to adult, plus a couple of skin tones and features. Then with the animatronics, what the difference is between a harshly-put-together robot vs. an actually well-put-together animatronic.

(AND AS A BONUS their handwriting and how I think they'd draw smilies!!!!)

HEADCANONS UNDER THE CUT, written in the order I drew them in, not the order they appear.

I started with Michael. I was originally going to make him a lot more worn out, but just kept it simple probably for the sake of my sanity. A good few scars from the stuff he's went through. He probably has rather good handwriting because he's had a lot of practice both with legal documents and probably journaling. (Not really taking into account the Logbook here. It totally wasn't because I don't know what his handwriting looks like off the top of my head and was too lazy to get out of bed and get the book to reference.) He does a pretty generic smiley face, too.

Cassie was next. I don't really draw human hands with fingernails a lot so that was a challenge. The idea here was to make a hand that was that of an older kid, but obviously not as big or with fingers as long as Michael's are, for example. I played with her skin tone for a little bit, and I'm not too experienced with working in color, so please do let me know if there's anything I can improve upon when I do darker skin tones in the future! I was trying to get that lighter tone on her underhand but wasn't too positive about it. I also gave her some funky little bracelets, one of which is a direct copy of a bracelet that my lovely friend (@masquayla-the-splendid) for me. Cassie probably has fairly decent handwriting and definitely dots her i's with hearts when she writes her name. She tries to make the smiley faces look cute.

Evan's turn! I headcanon Evan to be much younger, so I made his hands smaller and stubbier. He's pretty pale because of the whole dying thing, and he's got some freckles and moles, sort of inspired by my own hand in a way! I've got little moles everywhere so I figured I'd incorporate that into his design, partly as a way to add more flair to an otherwise plain base. Other than that, not much going on here. He's got messier handwriting because he's a kid, and in my AU he didn't really get to go to school for all that long, so his siblings probably taught him how to write before he died. The brain damage probably doesn't help much either. He's trying his best.

For Sun and Moon, initially I couldn't decide which one of the two to color. As I was making the base I was thinking pretty hard about it, but ultimately figured out that I could probably just split it down the middle, and it worked! I've been trying to give the Daycare Attendants longer fingers to reflect how their hands look in the games. I couldn't make their hands too big because it either looked stupid to me or took up too much space, so I settled with this. I also gave them little scratches on their fingerpads. Sun and Moon have different signatures, with Moon's being a little more neat while Sun's is more fun and just a tad messier. He also overdecorates a bit. Moon stays simple with his smiley faces and Sun loves to express Big Happiness in his.

Ennard's hands (particularly their wrists where their wires tangle together like that) never look the same twice when I draw them, but I like to think the placement of their wires probably changes fairly frequently too, like a Double Rex Rat who has a new coat pattern every few days. Their wires have tarnished over time, but they try to maintain just a little bit of glint, despite the rusting, which is particularly noticeable in the spots where their fingertips brush against things most often. They've also got those little stray wires that poke out of each fingertip. Of course, holding any kind of writing utensil with those Big Meaty Claws has gotta be difficult, so even if they try their hardest, it's not gonna turn out great. Same with their smiley faces. They're doing their best.

[lawrites]

Rubens Can Suck It!!

Sweet Gotham S1! Edward Nygma x Plus Size! Female Reader

You are having an awful day when someone leaves a note on your desk, describing your figure. It sets you off, and Ed is the one who seeks to comfort you.

This fic features a LOT of insecurities, specifically around being plus size. It talks about the feeling of being seen by others and how shitty some officers at the GCPD are. But Ed is sweet. No warnings beyond that EXCEPT some dirty thoughts from Ed 👀.

It's been an awful morning and it's only 8 AM.

As a woman who works in a field primarily made up of men, especially a plus size woman, you have made your confidence into your armor. Yeah some of the officers could be pigs, (most of them, actually), but you do love your body and how it looks, so it doesn't bother you.

You enjoy wearing bold colors, pretty dresses, structured pant suits, and even pencil skirts to work most days. They make you feel infallible, and you KNOW you look cute in them. No matter what those tiny men say, you can get through the day feeling good.

And usually...it works. There are some days that you think everyone struggles with their looks, no matter their size. It's what happens when your society is constantly screaming "YOU CAN BE BETTER BUY THIS PRODUCT" at you from all angles.

And so, while you are beating yourself up for letting your confidence slip, you decide to go ahead and make yourself more comfortable while you get it back. Especially because trying to force it wasn't working.

Every glance in the mirror was followed by a critical voice, today. Your hair just didn't sit right, your chosen outfit was too tight and the textures were bothering you, and the high heels you sometimes wear would clack and bring eyes to you. All of that sounded just...exhausting, especially when you just want to get through the day and go home without drawing any attention to yourself.

While usually a pair of eyes on you wouldn't bother you, the thought of Harvey Bullock only staring at your tits when he talks to you, or Jim glancing up and down in what he thinks is a subtle way, or any of the officers giggling when you walk by...yeah it would take only one thing to set you off today, you can tell.

So, while it isn't the most flattering outfit you own, you throw your hair into a ponytail and pull an oversized sweater and linen pants on. Comfy, cozy, still professional enough, and properly disguising your body from any eyes, appreciative or insulting.

After that rollercoaster of emotions while you were getting ready, you don't have time to stop for coffee on your way in, which just adds to your mood. And, of fucking course, some guy decided to begin terrorizing Gotham at 7 in the fucking morning, so all public transport is delayed.

You barely manage to get to your desk by 8 AM with no coffee and already in a bad mood. Setting your stuff down, you dig your palms into your eyes, trying to fight off the urge to just leave. A small slip of paper in neat handwriting makes you smile just a bit, though.

What is always found on the ground

But never gets dirty?

You struggle for a second, your brain moving at a slow pace thanks to the lack of coffee. That is, until you hear footsteps and something blocks the lights streaming in from the windows. You gasp and turn towards Edward Nygma, who is standing right next to you and casting a...

"Shadow!" You blurt out.

He gives you one of his sweet, tight-lipped smiles and nods. "Correct!"

You force a cheery tone to your voice so you don't spoil his mood. Ed may be a bit...odd, but he is one of your best friends here, and he doesn't deserve to be brought down just because you aren't in a good mood. "Great! How many is that so far, Eddie?"

He immediately recites, "That would be 85 riddles correctly guessed out of 90 I have shared with you. 3 you needed a hint for and 2 you did not solve entirely."

You cross your arms in mock anger. "Hey! I did my best! Those ones were hard. It's almost like you wanted me to fail or something."

He hurriedly scrambles to get the next sentence out, "Oh! Oh I would n-never! I j-just..."

Whoops, guess your bad mood made that "mock" anger sound more like actual anger. You take on a placating tone, "Ed, it's ok! I know you just enjoy riddles. And sometimes that big brain of yours makes up a new one that stumps me."

You laugh, maybe a bit bitterly, now, as your bad mood forces itself to the front again. The next sentence is nearly mumbled, "I mean, it must be difficult, sometimes, making puzzles for someone who isn't as smart as you."

Ed seems confused more than anything, now. "I'm...I'm not sure what brought that on, but writing down riddles for you every morning is f-fun for me!"

You sigh, twirling a pen from your desk in your hand to avoid eye contact. "It's just...it's just one of those days, Ed. I couldn't find an outfit that made me look nice..."

Ed interrupts you with his insistence, but he still stumbles over his words, "B-but you always look n-nice!"

Your smile comes out as a grimace, "You're sweet, Ed, but everyone doesn't think so." You glance around to make sure that your next words aren't overheard. "I know that I can usually brush cruel insults away, because I try to tell myself I'm beautiful..." You choke out the last part of your sentence, cutting yourself off before you get too emotional in the middle of the office.

You get up and decide to leave the main lobby to get some of the shitty coffee from the break room. At least there you could better disguise the tears in your eyes. "It's really not a big deal, Ed. I guess I'm just not myself, today. Give it a day or two and I'll be more amusing."

And without waiting for a response, you hurry off.

He stands there awkwardly for a few moments, unsure how to respond to the dismissal you just gave him. Usually the two of you would talk for at least 5 more minutes.

Wracking his brain as he walks away, he tries to think of something to cheer you up.

-----------------------------------------

Rubens

Flashes of his paintings fly through Ed's mind as he attempts to type out a sweet note to you. Every time he gets a glance of a plush thigh or your soft belly, he thinks of how he painted Venus, the Goddess of Beauty.

A voice he's been trying to avoid for a while now pipes up, Yeah, Goddess of only beauty? I'm sure that's all you're thinking about, Ed. How about Goddess of Se-

Ed cuts the voice off before it can finish that thought, but now he is unfortunately thinking about it, even at work. Rubens didn't paint all of his women clothed, especially Venus. Her nude form fuses with yours in Ed's mind, haunting him, taunting him.

There's just...so much he can play with. Your body...so much he can sink his long fingers into. He goes back to your belly, what he has ascertained to be the main source of your insecurity. He empathizes with that, but all he can think of whenever you wear something tight is bending you over in the medical lab on site and holding onto that plush belly as he-

Again, he cuts himself off. He would like to think that the other voice took over again there, but those thoughts were all him. He adjusts himself a bit as he sits at his desk, trying to be subtle.

Then he looks back at the screen in front of him, remembering your mood today, and that hits him like a bucket of cold water. He curses the tears in your eyes from old insecurities popping up again. He has seen you become more and more confident in your time at the GCPD, learning to ignore the pigs that giggle at everything that isn't "normal" to them.

Ed knows that feeling, and especially the taunts from those cops, well. He's off, to them. He never quite knows when to start or end a conversation, and he injects his interests even when he knows people are tired of them.

And that's why he likes (loves) you. You always smile and try with his riddles. You even continue to talk to him after, and are interested in who he is outside of work! That's rare. And if he could return that joy you have given him every day, it would be worth it for the possibility of you figuring out his true thoughts.

Unfortunately, while he has a mind for riddles, analytics, and all things mathematical, he has not been as blessed with poetry. So he wants to type this out...if nothing else than to keep you from feeling like you owe him something.

He types and deletes and types and deletes, looks at the clock, drums his fingers on the desk, and then types slowly this time. Reading it over, he nods at what he has written. It's not amazing, but he hopes it will make you feel like there are people in the office that are on your side, maybe even a secret admirer.

-------------------------------------

And now you're soaking wet. You just wanted to escape your desk and get a simple sandwich and the sky decided that it was a perfect time to begin a deluge right before you got back to the GCPD building. Why? God hates you, apparently. There's no other explanation that would satisfy your overdramatic mind at this point in time.

Luckily you managed to keep your precious food dry by stuffing it under your coat, but the rest of you is definitely not so lucky. You huff and start towards your desk. Bullock sees you on the way, starts a sentence of some sort, (most likely to quip at your condition), but the glare you send his way shuts him up immediately.

You end up collapsing at your desk and peeling off your outer coat, feeling the air conditioning of the building start to combine with your wet clothes to make a chill seep into your bones. Trying to ignore it but unable to suppress a shiver, you place your food on your desk...wait...is that? It is! Someone left a little typed note to you under the bag.

You pick up the note, giving it a quick glance to see if there was anything to connect it to someone. There are no initials or name...hmmm.

Your eyes read over the words on the page once...twice. And your heart shatters. How could...why would...how could someone be so heartless that they would taunt you today of all days?

There is a group of those rude, awful officers that like to congregate together around the water cooler, gossiping and laughing at anyone who wasn't them. But right now, one of them is talking while looking directly at you, and when he stops he throws his head back in laughter, with the rest following.

Holding back a sob, you crumple the letter in your hand and get out of the room as fast as you can without running. As soon as you are out of their sight, tears start streaming down your face and you run to a nearby empty room. It doesn't even matter what it is, you just care that it's empty and safe and lock the door behind you, collapsing against a wall and trying to catch your breath as you gasp for air.

You hold that position for only about 30 seconds, trying to muffle your sobs so they couldn't be heard by anyone outside, but apparently you weren't quiet enough. A quiet knock sounds on the door.

Tap tap tap

You do your best to school your voice, but it still comes out shaky as you reply "Please find another room."

But the voice that filters through the door is one you recognize well.

"Y-you looked cold, so I brought you an emergency blanket. Oh! And a-also your lunch."

You let out a sob, unable to stifle it. "T-thank you, Ed." And you walk over to the door to unlock it, opening it just a tad so he can't see your state.

But Ed is observant, and even with what little you present to him, he can see you are massively upset. Your eyes are bloodshot, and you are trembling, whether from the cold or from your current emotions, that he can't tell. He tries his best to gather some courage.

"W-would you mind if I sat with you for l-lunch?" He holds up your bag of food and you notice that his own lunch is clasped in his hand behind it.

Quickly, you try to consider if you are ready to fully cry in front of Ed, but his kind, if nervous, smile and his own insistence on joining you made you certain that he wouldn't be too judgemental.

You turn your head to the side to try and hide it a bit more as you step back to open the door. Your arm sweeps over to gesture to where you were sitting. "Be my guest, Mr. Nygma."

This makes him let out a nervous chuckle, but he enters anyway. You close the door behind him and lock it.

"I hope you don't mind, I just don't want anyone to see me...well..."

He nods, "That is perfectly understandable."

You both stand awkwardly for a few moments, but you eventually feel the floor calling to you again, so you nestle against the wall where you previously had collapsed. Ed slowly settles down at a respectable distance from you, his gangly limbs shuffling until he finds a comfortable position.

When he hands you your bag of food, he decides it's better to talk about what happened than sit in silence. "M-may I ask why you are upset?" You glance at him, and your eyes start to fill with tears again. He hurriedly starts to stutter through another sentence, "Oh! B-but if you p-prefer not to talk about it, t-that's ok!"

You shake your head, glancing down at the floor. "I just...I guess people like to take advantage of you when you're down sometimes, Ed."

You sigh, but begin feeling more angry than sad. "I mean, I've been in a bad mood all day, I got rained on when I was just trying to get some food, and then some asshole leaves me this."

You open your hand to reveal the crumpled note to Ed. He keeps his face as neutral as he can, recognizing it. Oh no, you fucked up, Ed! The voice in his head gleefully taunts.

Your sniffle brings him back, and you look down at the note, spreading it out so you can read it out loud.

"While you are not seen by others as a beauty

I cannot keep myself from glancing at your desk.

Your figure is full, and yet one word sticks truly,

I can only describe you as such: Rubenesque."

Ed ponders over the poem, while a bit rudimentary, it was full of his true compliments to you. But your face crumples when you get to the last word, stuttering it out.

Your eyes look to him, "I mean, Ed! How could someone write this?"

You see his face scrunch in confusion. "I admit, I do not quite understand. I see nothing wrong with the note?"

Feeling frustration well inside of you, you gesture with your hands wildly. "Nothing wrong? It's that word, Rubenesque!! It's an insult, I know it, especially with how those assholes were glancing at me as I read it, laughing once I was done."

Ed seems to be more confused now. "I was not aware it was an insult?"

You nod, and remember all of the times you have heard it in the past, "It's always been used by people who want to try and appear to be kind, but truly aren't. They call me Rubenesque in this snide tone, like it's something they can barely stand to spit out of their mouths."

Ed tries to interrupt, but you continue, softer now. "I just don't know Ed. The whole note seems to be mocking me...calling me full figured and not a beauty. Am I really that bad?" He shakes his head while you feel tears starting again, so you look down at the floor.

Now at a whisper, you barely get out the next words. "I just...I don't even want someone to like me anymore. I just want them to leave me alone." With that vulnerable confession, you sob, and bring your hands to your face, trying desperately to cover it. A shiver runs through you again.

After a few beats, you feel warmth around you, and you glance up to see that Ed has moved closer to cover you with the blanket he brought. His long arms stay in place in a hug after he positions it, keeping you close to him. You are a bit taken aback, as the most that Ed has touched anyone in the past was maybe a handshake.

He leans down so you can hear him, his voice more sure, now, even if it is soft. "Do you know about the painter, Rubens?"

You shake your head. "Is that where the term comes from?" He nods. Not feeling charitable, you grab the blanket and bring it closer around you as you grumble out, "Rubens can suck it."

He lets out a giggle at that, and you feel your heart warm at the noise. "I understand that you feel it is an insult...would you mind if I explain what it really means?"

You nod, because even if it is as bad as you make it out to be, at least you can hear his voice as he explains it.

One of his hands strokes the blanket surrounding you, right on top of your arm. "Rubens painted many different subjects, but the descriptor of Rubenesque usually refers to his nude paintings of women. Specifically, women like Venus."

You lift up your head to look at him. "Venus as in the Goddess of Beauty?"

He nods, gently. "Yes, among...other things." His eyes darken for just a moment before returning to his informative rant. "The women he paints are known to be full-figured, yes, but they are beautiful because of that, in my opinion."

You sit as still as you can, barely breathing, wanting to hear every word he says. A long finger comes under your chin and guides your face until you are looking right at him. "I wrote you that note. I think you are the definition of beauty."

And with that, he brings you gently forward, looking in your eyes the whole time. You let him, and lean forward to meet his lips. The kiss you share is sweet and short, but it fills you with a giddiness that makes you feel like a teen experiencing her first kiss again.

You separate smiling at each other, and Ed reaches up to kiss your forehead. "I apologize for upsetting you. I was trying to be a secret admirer."

You chuckle, "Yeah, well, it didn't help that I read the note as uncharitably as I could." You glance up at him, "I'm sorry for crumpling it up in anger."

He shakes his head. "D-don't apologize. I'll write you as m-many bad poems as you want." One of his long arms slowly moves down, and a finger traces your hip over the blanket. "Is this ok?"

You feel a warmth spark through you again as he makes contact, and all you trust yourself to do is nod. He nuzzles into your neck, whispering in your ear.

"I want you to know, right now, so there is no doubt, I love your body. These hips, your plush belly...even your soft arms." You feel his warm breath on your ear, and it makes you shudder. "They all remind me of art, and they make me want to..."

He trails off, and brings his hand away from your hip quickly, as if burned. You miss his touch, already, and confusedly ask, "What? Ed?"

You can't tell anything from his neutral face, but he gets up, suddenly, grabbing your lunches together again. "Let's find a better place for lunch, more comfortable...maybe with a table."

You nod, standing up with him. As you position the blanket around you, Ed wraps an arm around your waist.

"A-and...if you would like...have dinner with me tonight. I'll cook for you and...tell you more of my thoughts."

Your cheeks heat up, and his do as well. "Ed, I..." You think for a moment. "I'd love to have dinner with you."

He grins at you, again-one of his sappy, closed mouth grins-and leads you out of the room in his embrace. The two of you chat and giggle, seeking out a proper place for lunch and ignoring all of the stares you get. If you have each other, the rest of the world doesn't matter.

---------------------------------------

[egginfroggin]

Buried Treasure in the Sand, the Lynari Desert

"We once met a man who said he dreamed of finding a great treasure buried in the desert. "Everyone burst into laughter, and told him there was no such thing. "But the moment I saw this place, I felt his dream would surely come true. "The desert glittered like a sea of jewels under that shimmering sun."

~ Opening narration, the Lynari Desert

Talking under the cut:

So this took a while! It would have been up sooner, most likely, but Kirby decided to rot my brain for a while.

This is for my Pokemon/FFCC AU, and is part of what could be considered the main story, following Akari and Rei (or Dawn and Lucas). Return to Sender takes place in the same AU, though that mainly follows the train twins.

I learned a lot doing this, and although I know I could probably polish it more, I just want it to be done so that I don't lose motivation with the project and get discouraged. It's time for it to be finished, so it's finished -- not perfect, but as close as it will get.

Tried emulating the fancy script that they use for the dungeon names for the handwriting; it was tricky. Fun fact, I was so into FFCC when I was younger that I actually thought it'd be fun to absorb the script's fanciness into my own handwriting -- thus, my handwriting was once nigh illegible, but has settled to something halfway between cursive and print, still with some excessive swoopiness here and there.

It's never really stated who the narrator is referring to in the opening narration for the Lynari Desert, but I somehow always assumed that it was Hurdy/Gurdy. He would be the most likely to know of a "treasure" hidden in the desert, after all, though he might not remember why. Also, Gurdy is the one you learn the riddle from, so I guess I always just thought it was him.

Anyway, the man in question is Emmet this time around. What's he doing here? I'd love to tell you, but I'll let y'all ruminate on it because this is getting long and alas, I'm too tired to attempt much more coherent thought.

So, thank you all for reading! I am open to constructive criticism, especially about backgrounds and shading, as I consider myself to struggle with those.

Thank you very, very much, and I hope you all have a wonderful, blessed day! (ˊᗜˋ)/ᵗᑋᵃᐢᵏ ᵞᵒᵘ* <3

(program: krita; time taken: about 28 hours, cumulative)

[vaguely-concerned]

I have seen people question whether dios apate minor really needed to happen the way it did. it's the 'this could have been an email' of htn. 'augustine this did not have to be a threesome', I hear people saying. and boy do I have an obnoxious amount of things to say to protest this perfectly sensible assertion so here we go haha

1) yes it absolutely had to be like that. It says so on this piece of paper *hands you a piece of paper that says "because I said so and also it's narratively and thematically Sexy"* in my half-legible handwriting. seeing tamsyn muir describe harrow the ninth as a book about being a kid and realizing your parents probably had sex has given me such validation, I am unstoppable now. (to be serious for a moment, harrow the ninth is essentially a bildungsroman, and the threesome scene does a whole lot of thematic heavy lifting around harrow glimpsing elements of adulthood, relationships, and sexuality she clearly finds at the same time repulsive, bewildering and fascinating, and around opening her and especially our eyes to how much john is just a man with human longings still, under the god stuff. dios apate is crucial plot- and character-wise too -- it's a loadbearing threesome in terms of delivering the clues you need to piece together the mystery plot of the book, which is simply delightful -- but even more so thematically. and then the scene at the end where they confront john gives gideon some of that same opportunity to peek into adulthood and go '...well shit I guess', as a sort of mirror, just without the french kissing that time and more murder. the things magnus and abigail model for the girls about love and adulthood? mercy and augustine are providing the opposite-day batshit insane version of that fhdskjfa, you know, for contrast and spice)

2) listen... it gets lonely out there in deep space with your 'legendary unamorous' brother, two infant pathetic baby kitten sisters who you'll probably have to kill one day when you take another stab at god if they don't manage to get themselves killed along the way on their own, and the two people you've spent the last ten thousand years having separate yet connected married & divorced arcs with and also btw one of them is god... honestly a threesome over the dinner table is probably The most well-adjusted reaction one might hope for under those circumstances

3) on a characterization level I think Augustine is actually doing something incredibly deliberate with it: he's presenting John with yet another chance to admit what he did. which is notable especially since the deal he and mercy agree on as a condition for the threesome to happen at all seems to be that they're going to give the ol' godslaying another game try sooner rather than later. (I get the sense that it's not so much that he disagrees with her ultimate goal so much as that he thinks she's being dangerously indiscreet and hasty going about it, before. “though I think it will be the death of us,” huh.)

notice how he's structuring the whole thing: he's invoking the intimacy and love in their strange little threeway relationship and how long it's been by truly playing along with john's 'we're a happy family really when we're at home! :)' delusion (helped along by lowered inhibitions via enormous amounts of alcohol and what I've previously described as a joint mercy/augustine leyendecker themed thirst trap. ah, a classic). he brings up alecto and what happened to her -- or rather, he is clever enough to make john bring up alecto and how she is totally dead, right?? by seeming to make a careless statement that leads there and then acting contrite about it after. he (helped along by mercy, who I think realizes exactly what he's doing -- this is very much a two-man con) brings up how much they all loved their cavaliers, and wow funny how that's been haunting us for ten thousand years now huh :) wow, a lot of our other lyctor friends slash family sure are super dead in the name of some unknowable greater reason neither of us quite grasp and that you won't fucking tell us, aren't they. these are all the main grievances he and mercy confront john about at the end of the book, but put forth much more subtly and not phrased as an accusation -- he's baring his and mercy's vulnerabilities as bait, essentially. if john had, say, a conscience where his conscience should be instead of a black hole, it probably should have stirred something in him.

(also let me just say... the way augustine just takes a pneumatic drill to the TWO tender spots g1deon seems to have and then has the audacity to be like 'oh dear. did that upset him. ooof my bad *loooong dead-eyed slurp of his wine*' is just sooo... he's such a bitch!!! he's the only person who could ever have held their own in a ten-thousand-year bitch-off with mercy and I love him so much. well even if it wasn't all to get g1deon into murder range for harrow I think he wouldn't enjoy sticking around for the 'getting our tongues on god' part of the evening so maybe it's a kindness, really, and totally not pent-up aggression from the last twenty years or so breaking through)

he is all but shaking john by the lapels begging him to just... come clean about it already, to stop thinking he's still kidding everyone else along with himself. it's clear throughout the book that augustine knows exactly what john is at this point -- and all of the most cynical things he does say about it turn out to be distressingly right. john is always less sentimental than you'd think. john wouldn't forgive mercy, he will abandon in a heartbeat anything that isn’t necessary to him anymore, whether emotionally or in some other way. and still he seems to hold out some desperate absurd hope that the man he wants, the man he thought was there, is in there, somewhere deep deep down, if he just gives him the chance to show himself.

(mercy definitely has her own side of this whole thing, I'm just focusing more on augustine because this evening was like. his idea in the first place and I feel like we can Read Some Things into that fact lol. now that we have both ntn and htn to go from I sort of have this sense that the things augustine wants from john are more... personal? more interpersonal? they both love him equally, but mercy's love seems tinged slightly more towards the religious (augustine accuses her of knowing 'only worship without adoration', which like... also the eight house's entire Vibe lol) -- mercy at the end of that book is totally a person breaking up with GOD, not just with john -- while augustine's vibe is more like a man in the last not-with-a-bang-but-a-whimper days of a marriage that sort of felt like it could have been something real and good once but all your illusions about it have since been taken from you and trampled underfoot into the mud and you've had the divorce papers signed and ready in a drawer for over a year now, hell, as it turns out, is other people etc. lmao)

having a threesome over the dinner table with god is one thing, having a threesome over the dinner table centered on the one man and god who has yet again let you down in a way so fundamental it can barely fit into words and who you both still love in a way anyway, miserably, and also just reaffirmed your joint resolution to murder (all under the pretense that it gives your baby sisters the chance to murder your brother of ten thousand years yeah that's why this is happening no other underlying aching emotional motivations here haha)... listen mercy and augustine are simply on a different level, theologically. they've added horny shrimp colours to the religious spectrum. who else does it like them

[masonmyluv]

Part 1

A/N: I really hope you will all like this story. It’s my first pretty long story (it will have around 10 parts, so stay tuned ;) ) that I’m posting here. You can also find the story on my wattpad account (username: tmrxlover_writer).

Pictures are from Pinterest, the filter is Cinnamon on Polarr.

Warnings: none

︵✦⋆₊°˖︵‿₊

Another day at Uni after he just scored his first La Liga goal . He was buzzing, but had to be on time for classes. He was sure the whole university will congratulate him. Being famous was difficult when you just wanted to be a normal student.

"Our boy Fermin is back!"

You looked up from your notes to see Fermin being congratulated by the whole class. People hugging him, patting him on the back. "Thanks man" he kept saying, trying to make his way to his place. He just wanted the class to begin so everyone could leave him alone. "Hey" he said, sitting next to you. "Hi" you replied quietly. Being the shy nerdy girl was bad enough when you were sitting near the hot athletic guy. You asked yourself multiple times why did he choose to sit near you in the first year. There were a lot of empty places, but he chose the second row in the front, exactly near you. "Anything that I missed?" He asked, looking at your notes. He always admired your beautiful handwriting and how organised you were, so he knew where to choose to sit at your first class together. Surely not the guy with only a piece of paper and a pen, but rather the girl surrounded by books, coloured pencils and a cup of coffee. He didn't have the balls to ask you to get coffee in the morning, even though he wasn't drinking it, he would offer to come along with you.

"Erm...not really. We talked about more practical stuff. I made some notes if you want to take a picture or something" you offered shyly. You never ever gave your notes to anyone because they were just some lazy asses who didn't care about anything, but you were here to learn. You wanted to be a physiotherapist. They were here just to get a diploma. Not Fermin though. He was passionate about the subject, even though he missed a lot of classes because of his packed schedule. You were willing to help him because he showed interest. And appreciated your work too.

"Thanks. Actually I had an idea, I mean a proposal" he said. "I'm quite behind with everything, so I was wondering if you'd like to meet somewhere and help me catch up? It's okay if you don't want to" he said nervously. Why the heck was he nervous? He scored his first goal in freaking La Liga and was nervous talking to a girl he's seen almost every day in 3 years. You thought about his idea, you wanted to help him, but you weren't the person to meet up in random places to study. You liked the confined space of your room and desk, and maybe the library or the coffee shop, when you had to do computer work.

"I don't want to sound... uhh... like I'm inviting myself" he said blushing as if reading your mind. "But I can come to your place, if that's okay with you". "I... uhh" you rambled on, but the professor was already in class, ready to read one of his boring presentations for 2 hours. You barely paid attention to what he was saying, debating whether to accept Fermin's idea or not, while drawing random patterns on your copybook. Fermin noticed you zooming out so he scribbled something down on his own copybook. He nudged you so you could read what he wrote.

It's okay. It was just an idea :)

You shook your head, writing under his: we talk after the class.

For the rest of the class, you took notes, while Fermin tried paying attention, but his mind kept drifting off somewhere else. What if he overstepped with all this I-can-come-to-your-place-to-study thing and you would think he's weird? He face palmed himself for that, but you were his only hope to pass the exams this semester. The professor finally ended the class and you started packing your bag. Neither of you spoke until you were out of the class.

"Listen I—"

"It's okay if—"

You both stopped mid sentence and chuckled. "You first" he encouraged. "So, I think it's okay for you to come. I live alone anyway. Just tell me when it's okay with you". Fermin couldn't believe what he was hearing. You never ever invited someone over and he could respect that it was your safe place and he didn't want to intrude. "Are you sure it's okay?" He asked and you nodded. "Okay, let me see. Actually I'll text you the day before because I'll have some recovery trainings and I'll be free to come" he said. "I know it's difficult to put up with me" he chuckled nervously. "It's okay. It's not like I'm a party animal or anything" you said. "Okay... I'll let you know soon. Bye. And thank you" he said, climbing into his car. He thought of offering you a car ride, but maybe it was too much overstepping in one day, so he just waved at you and you waved back to him.

When you arrived home, you thought about this day. What the heck was today? Of course you gave him your notes pretty often, but him to come here to study? That was a whole new level.

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Hope you like it 🤍

Feedback is appreciated 😊

[sarcophagid]

give us the itha headcanons :3

ask and ye shall receive

honestly i don't think ithaqua's unbothered by the cold. it sets into the bones after a long day of killing or whatever, he just wants to sit by the fire and gts. hearth also reminds him of his mom ;-;

i'm so torn between whether he's a good cook or a bad cook. good cook is cute and probably more in character but bad cook is funny. either way i think he's a decent baker if the official art is anything to go by

his back hurts a lot because he's always hunched over. also the stilt walking does a number on his knees and ankles. esp when he has to bind them tightly, does not help his circulation that it's so cold and the vasodilation starts. poor bastard needs a hot bath and a massage TOT

given the redheaded lady is Educated educated in the 1900s, his handwriting is actually really neat and cursive. distinguishes between "writing" and "printing" too. it also works with copying nathaniels handwriting for the fake suicide note. (he's fancy schmancy)

^ i think one day they have to write letters or smth and his looks like the declaration of independence and someone goes "we just didn't expect it.. given the forest guy thing..." and he stops participating in group events.

ithaqua's lowkey a "we have ___ at home" person. he's used to just diy-ing things by himself in the woods with idk. bear shit and elbow grease. if you guys want something and you prefer the store bought one/someone elses he gets mad. you don't like my doohickey?

he doesn't like mirrors and stuff. photos too, although theres less of a risk of that.

i think he has a shaky memory regarding the attack and his life prior to becoming the 'night watch' given all his references to 'forgetting' in flavour text etc. it's also probable that he doubts his own understanding of reality and the 'truth' that occurred due to his isolation and the traumatic nature of the events, although it's not like there's any other version he can rely on. there's also a likelihood he's just acting without remembering his original motive at some point.

[velvet-games]

I finally finished the piece for @prince-liest's OC, Tzafael! this really reminded me of how fun character design is (and also that I've completely forgotten how to make digital art, but that's besides the point...) <3

credit to @hogbogglerspirits for the umbrella design! I kind of butchered it so please look at the original and throw lots of love at them

LOTS of notes, draft sketches, brainstorming, etc. below the cut. enjoy!

(note: a lot of what I'm talking about is based on posts prince made under their #tzafael tag, so take a look at those if you haven't yet!)

thanks for joining me below the cut! here's the sketch without the colors as a treat (in case you want to color it yourself or something, idk).

notes about making the digital drawing:

holy shit this took me forever -- I was not kidding about forgetting how to make digital art lmao. I forgot how much less forgiving digital lines are and genuinely lost the spoons to even attempt lineart, hence just a sketch below the colors.

some of you might've seen the original sketch I sent to prince, which the digital version diverges from just a little. it's mostly the halo which I'll explain later, and I finally caved and drew the sixth eye (you can tell I drew and erased it multiple times in the sketch lmao -- still don't know if I prefer it with or without)

here's the original color ref by the lovely @gendermeh! my color scheme ended up looking really different, so some notes about that:

I was looking at references for magpies like this

and I wanted to basically follow that color scheme while also being somewhat similar to the original -- dark head/shoulders --> dark top of the jacket, bright blue wings --> bright blue bottom of the jacket, greenish tailfeathers --> green pants, hints of purple --> purplish sleeve and pant ends

I also tried (and mostly failed, let's be real) to capture the iridescence of the feathers -- they look like oil spilled on the pavement or iridescent hematite to me! I think the key ended up being adding bright greens/purples and roughly blending them into the blues or vice versa but I didn't really figure that out until I got to the pants lol.

I'm gonna be honest; I don't remember why I went with this shape for the tailcoat. I just remember being unhappy with the sketch and then trying a bunch of different shapes that mostly looked worse lol -- I think I landed on this because a split tail kind of looks like wings?

KEPT the shoes -- absolutely magnifique. I wish I knew how to color gold better.

added lots of jewelry! they like shiny things :)

ALSO PLEASE LOOK AND APPLAUD ME. I FINALLY REMEMBERED TO LABEL MY LAYERS!! NO I DON'T REMEMBER WHY THE HALO HAS ITS OWN LAYER.

alright, time for some more design notes/explanations + draft sketches!

but first, a couple disclaimers:

I want to make it very clear that I LOVE everything about the original design. I made a lot of changes based on personal preference/the way I interpreted the character. I was actually planning on making a digital piece that was more faithful to the original design too, but I was just out of spoons for it cause of life stuff.

you probably shouldn't try to read the notes I made in the sketches I'm about to show you unless I say otherwise. most of it is incoherent brain vomit in illegible artist handwriting and I'll transcribe/explain the stuff I think is important :) (the stuff in quotes are direct transcriptions of my notes)

I know my sketches are very messy lol. I only draw for fun, so I usually don't force myself to make stuff any neater than necessary unless it's supposed to be a formal piece. try to bear with me.

1:

my first few sketches of them! (I think?) this was before I sent prince a laundry list of questions so I was still trying to get a vibe

"magpie -- beak lips?" -- you'll see this in a few sketches; I considered giving them the lipstick design that velvette has since it looks like a beak. I still kind of think it's cute, but 1) I'm pretty sure velvette is the only character that has them, so I didn't want to make it seem like they were related somehow and 2) I thought it might be distracting with how much other crazy stuff I ended up including in their head/face

also, sidenote since it's relevant to what I said about vel: something I realized was important is how one character's design relates to the designs of the rest of the cast. I wasn't sure how much I should've gone for what looked good in a vacuum, how much should be based on what other characters looked like canonically, or what other characters would look like if I also designed them. it ended up being mostly the second option, but it was honestly still a struggle. should I take away some of the tumblr-sexyman-ness (no shade to tumblr sexymen; I love them) because there are other characters that already have it? should I relate their design to sera's and emily's in the show or should I think about how I would've designed sera and emily? should I follow some of the design philosophy of the original show and just throw stuff on there because it looks cool (the answer is yes btw)? decisions, decisions ...

I don't think this showed up really well in most of the drawings, but they actually have a black line down their nose! let's take a look at sera:

since they're siblings, I wanted to include some similar facial markings. the nose line ended up being the only thing I kept though -- I was going to include freckles, but I have a compulsive need to give every character giant bottom lashes so there ended up being no room T.T I like that the magpie's hints of purple kind of match hers tho!

the wingification of the hair begins! I was still unsure of it at this point, but it was an idea I had since I was kind of struggling with how straight the feathers were in the original.

"maybe the ones on their head count as wings (so only one main pair)" -- I originally just had the 2 pairs of wings on their head, so I was thinking of just giving them 1 pair on their back so there would be still be 6 total. also this middle drawing of them is meant to be their exorcist outfit (I wanted it to be a cross between what the other exorcists wear and sera's outfit)

at this stage, I was thinking of giving them more magpie-like characteristics, so I looked at some references and tried to emulate them in a more human design. this ended up being really awkward so I scrapped it, but I still like the idea that their exorcist mask looks like a bird (kind of like a plague doctor's)

2:

peekaboo! I love the idea of them using the wing hair to cover their eyes lol. (ended up using that idea for my own seraph OC since that's their biblically accurate purpose: to cover their eyes/faces in reverence/humility -- doesn't really fit with tzafael tho lol, so they show their face most of the time)

an eyeball in the bowtie -- pretty self-explanatory. the eyeball motif is important.

the one in the middle is just me practicing drawing the original design, and the one on the right is another exorcist outfit I think. I wanted to include the diamond motif/points that sera has on her dress (the diamonds on the bottom turn into eyeballs, which is why the final design also has eyeballs on tzafael's sleeves/pants)

3:

lots of notes on the side based on what prince said in response to my ask

"localized omniscience (power of sight) -- cool + ironic that their sight was supposed to serve God but made them see Heaven for what it really is instead"

another exorcist outfit, this time including the feathers

I was also experimenting with the halo; I was trying to make it look sort of like sera's crown, but that didn't feel right ...

some practice with eyes -- my style is pretty flexible with eye shapes, so I try to make them suit the character. I drew lute's eye and also an actual magpie's as references -- lute's because of the exorcist background and also because they looked appropriately sharp, magpie's for obvious reasons. once again, my compulsive need for giant bottom lashes strikes

there was honestly a lot to balance with the eyes -- I wanted them to look condescending/bored (lowered top lid) but also amused (raised bottom lid) and like a magpie (round) but also harsh/mischievous (sharp, maybe slit pupils like a snake) and similar to sera's (but not too decorated -- also does it make sense for them to look like sera's if emily's don't even look like sera's?)

considered having wings on the shoulders -- the magpie pattern is super cool, so it would've been nice to have that somewhere more explicitly in the design. I still think that might fit in an outfit they would wear in heaven (maybe for formal occasions)

the introduction of the sweatervest! honestly I kind of love this for the way it captures more of the preppy, spoiled old-money upper-class vibe some heaven residents have, but it was scrapped since I couldn't imagine them wearing that while trying to scare the denizens of hell. maybe something they wear casually though.

"yes nictating membrane (on every eye!)" -- AHH I'm so sad I didn't end up putting this to use. I just feel like the whole effect is based on actually seeing them blink, and I don't animate lol.

4:

ugh, the nefarious laughter one ... don't worry I tried harder on a sketch later on lol.

"like the diamonds on Sera + Em" + "diamonds turn into eyes?" -- I draw the diamonds on the sweatervest turning into eyes later.

tried an actual bow instead of a bowtie -- very cute but didn't fit the vibe.

a skirt! I think they would wear a skirt sometimes.

5:

"FUCK ASS BOB" -- asghdk the wingification of the hair continues. unfortunately, I'm realizing at this point that the silhouette of the hair is starting to look a lot like alastor's. I gave a very half-hearted attempt at mitigating this, but it goes back to the thing of how much I am obligated to the original show's designs and what looks cool to me -- I think the wing hair fits them and I didn't want to change it because of alastor, plus my alastor design actually has completely different hair anyway. I did add a third pair to the back to look like a ponytail though.

introduction of the scarf! I was actually going to include this in the final design but uh,,, I forgor. are you starting to see a pattern.

the reason for the scarf is that the "tzafael going to places they know they'll draw attention/can incite chaos" reminded me of that scene in avengers where loki walks into a fancy building looking pretentious af and just casually stabs a guy's eye out. not really the same thing but I felt like the vibe matched. hence, loki's funny little scarf fit.

6:

uaoughdfjh it was SO FUN to draw the wing hair, and it was at this point that I realized they had to stay even though I wasn't sure if it was too different from the original.

gossiping with rosie cause that's the first person I thought of -- tzafael also summoned a pearl necklace to clutch because of the sheer drama of it all (your ex-husband did what??)

also started drawing the rings on their hands. magpie like shiny.

7:

lots of notes cause I was trying to compile the things I still needed to think about/incorporate into the final (I thought this was gonna be the last draft ... haha)

trying to include more bird/eye motifs

"fish ... purse?" -- ha! I forgot I was gonna give them a fish purse. I think I drew that in a later sketch, but not them wearing it.

"picked up Hellish traits bc of extended stay -- existential crisis?" -- I asked prince about the sharp teeth, and their answer implied that they became sharp as they stayed in hell longer, which got me thinking ... I feel like that's actually a great body horror concept. lucifer falling and looking like a normal angel at first, eventually waking up to more and more devilish features and feeling more and more like he's lost his home and his past self ... spooky.

another exorcist outfit -- I actually really like the eyes on the ribs! I never made a final draft for the exorcist uniform, but it would probably look close to what I drew here.

the one on the bottom was meant to be similar to the feathered shoulder pad idea, but this time with the whole magpie (with giant eyes). tried putting the "freckles" (really just dots in this case) over their brows, but that ended up looking kinda weird.

the eye is pretty close to the final design

the one on the right was supposed to be the full final design, but I was totally off lol -- the long trench coat really doesn't give off the right vibe at all

8:

playing around more with the loki vibes of the scarf, also added an eyeball to the chest

I never got happy with the design of the back of the coat -- I think it should probably just be blank at this point. but the sketch here is meant to look like wings/tailfeathers.

yet another exorcist outfit, this time with more magpie motifs. I actually like this one a lot, but I probably should've added the eyes on the ribs from the last sketch. I think I also considered giving them actual tailfeathers at this point.

9:

thanks for sticking with me! I promise we're almost done. have a trans dinosaur I saw while I was travelling as a treat <3

10:

this is after I finished the sketch for the final piece and realized I didn't like the halo design. I drew lute's, sera's, em's, and adam's as refs. (honestly I love the show's idea that each person/people of each rank have a different kind of halo -- I wonder if they can switch them out?)

my main inspiration ended up being the exorcist halo, but I made it look more like an eyeball -- since it always points toward heaven, we can say it's always "looking" at heaven.

(also sera's feather lashes! they're so cute)

11:

EVEN MORE EXORCIST DOODLES

12:

tzafael shooing away my fox demon OC

13:

these are actually sketches for my own seraph OC (raguel), but I wanted to include it since it has even more wing/feather hair variations. I also think the idea of the eyelashes being feather-like could've been cool for tzafael.

14:

some more OG design doodles

tzafael and raguel together because self-indulgence is the name of the game babey (also wanted to draw tzafael freaked out with their wings flared)

(raguel's blind btw, hence asking for eyes -- tzafael has so many!)

you can probably read the dialogue here so give it a shot. I believe in you.

15:

you know what? the fish purse deserves some doodles

16:

putting them in Situations! I was reading over prince's posts again and I realized there were some funny things I could draw them doing/saying

again you can probably read the words here

angel dust also loves fish (but is apparently bad at taking care of them, hence the suffocating blobfish), so tzafael shows him their aquarium (complete with live fish and flora ofc)

I thought alastor was 8 ft but apparently he's 7.3 ft? so tzafael is enjoying the .2 ft they have on him

trying and failing again to come up with a design for the back of the jacket lol

THE crowley quote

apparently the halo still sends signals from the exorcists -- thought their reaction to the battle at the hotel would be funny

the nefarious laughter (take 2) that I promised -- based on a doodle of alastor viv did that I found

them being sad and curling up in a pile of shiny things like a dragon

OKAY I'M DONE. huge, huge thank you to prince for sharing their OC! this was a lot of fun and clearly inspired me a lot haha. please check out their writing; it's literally so good that I can't read anything else these days. I am chewing on their thoughts constantly.

this was an absolute monster of a post, so if you're still reading, I am both impressed and bewildered at your patience. I hope you enjoyed! (I certainly did!)