#I like to imagine Katniss during the second games watching him do something stupid and going “oh yeah I’m going to have his children” | Explore Tumblr Posts and Blogs

hockeysweetheart · 4 years

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So This post will be about the realitonship Between Peeta And Katniss this will be a long one PART 1... Catching Fire and Mockingjay will be in another post

Peeta Mellark! Oh, no, I think. Not him. Because I recognize this name, although I have never spoken directly to its owner. Peeta Mellark.

Why him? I think. Then I try to convince myself it doesn't matter. Peeta Mellark and I are not friends. Not even neighbors. We don't speak. Our only real interaction happened years ago. He's probably forgotten it. But I haven't and I know I never will. It was during the worst time. My father had been killed in the mine accident three months earlier in the bitterest January anyone could remember. The numbness of his loss had passed, and the pain would hit me out of nowhere, doubling me over, racking my body with sobs. Where are you? I would cry out in my mind. Where have you gone? Of course, there was never any answer. The district had given us a small amount of money as compensation for his death, enough to cover one month of grieving at which time my mother would be expected to get a job. Only she didn't. She didn't do anything but sit propped up in a chair or, more often, huddled under the blankets on her bed, eyes fixed on some point in the distance. Once in a while, she'd stir, get up as if moved by some urgent purpose, only to then collapse back into stillness. No amount of pleading from Prim seemed to affect her. I was terrified. I suppose now that my mother was locked in some dark world of sadness, but at the time, all I knew was that I had lost not only a father, but a mother as well. At eleven years old, with Prim just seven, I took over as head of the family. There was no choice. I bought our food at the market and cooked it as best I could and tried to keep Prim and myself looking presentable. Because if it had become known that my mother could no longer care for us, the district would have taken us away from her and placed us in the community home. I'd grown up seeing those home kids at school. The sadness, the marks of angry hands on their faces, the hopelessness that curled their shoulders forward. I could never let that happen to Prim. Sweet, tiny Prim who cried when I cried before she even knew the reason, who brushed and plaited my mother's hair before we left for school, who still polished my father's shaving mirror each night because he'd hated the layer of coal dust that settled on everything in the Seam. The community home would crush her like a bug. So I kept our predicament a secret. But the money ran out and we were slowly starving to death. There's no other way to put it. I kept telling myself if I could only hold out until May, just May 8th, I would turn twelve and be able to sign up for the tesserae and get that precious grain and oil to feed us. Only there were still several weeks to go. We could well be dead by then. Starvation's not an uncommon fate in District 12. Who hasn't seen the victims? Older people who can't work. Children from a family with too many to feed. Those injured in the mines. Straggling through the streets. And one day, you come upon them sitting motionless against a wall or lying in the Meadow, you hear the wails from a house, and the Peacekeepers are called in to retrieve the body. Starvation is never the cause of death officially. It's always the flu, or exposure, or pneumonia. But that fools no one. On the afternoon of my encounter with Peeta Mellark, the rain was falling in relentless icy sheets. I had been in town, trying to trade some threadbare old baby clothes of Prim's in the public market, but there were no takers. Although I had been to the Hob on several occasions with my father, I was too frightened to venture into that rough, gritty place alone. The rain had soaked through my father's hunting jacket, leaving me chilled to the bone. For three days, we'd had nothing but boiled water with some old dried mint leaves I'd found in the back of a cupboard. By the time the market closed, I was shaking so hard I dropped my bundle of baby clothes in a mud puddle. I didn't pick it up for fear I would keel over and be unable to regain my feet. Besides, no one wanted those clothes. I couldn't go home. Because at home was my mother with her dead eyes and my little sister, with her hollow cheeks and cracked lips. I couldn't walk into that room with the smoky fire from the damp branches I had scavenged at the edge of the woods after the coal had run out, my bands empty of any hope. I found myself stumbling along a muddy lane behind the shops that serve the wealthiest townspeople. The merchants live above their businesses, so I was essentially in their backyards. I remember the outlines of garden beds not yet planted for the spring, a goat or two in a pen, one sodden dog tied to a post, hunched defeated in the muck. All forms of stealing are forbidden in District 12. Punishable by death. But it crossed my mind that there might be something in the trash bins, and those were fair game. Perhaps a bone at the butcher's or rotted vegetables at the grocer's, something no one but my family was desperate enough to eat. Unfortunately, the bins had just been emptied. When I passed the baker's, the smell of fresh bread was so overwhelming I felt dizzy. The ovens were in the back, and a golden glow spilled out the open kitchen door. I stood mesmerized by the heat and the luscious scent until the rain interfered, running its icy fingers down my back, forcing me back to life. I lifted the lid to the baker's trash bin and found it spotlessly, heartlessly bare. Suddenly a voice was screaming at me and I looked up to see the baker's wife, telling me to move on and did I want her to call the Peacekeepers and how sick she was of having those brats from the Seam pawing through her trash. The words were ugly and I had no defense. As I carefully replaced the lid and backed away, I noticed him, a boy with blond hair peering out from behind his mother's back. I'd seen him at school. He was in my year, but I didn't know his name. He stuck with the town kids, so how would I? His mother went back into the bakery, grumbling, but he must have been watching me as I made my way behind the pen that held their pig and leaned against the far side of an old apple tree. The realization that I'd have nothing to take home had finally sunk in. My knees buckled and I slid down the tree trunk to its roots. It was too much. I was too sick and weak and tired, oh, so tired. Let them call the Peacekeepers and take us to the community home, I thought. Or better yet, let me die right here in the rain. There was a clatter in the bakery and I heard the woman screaming again and the sound of a blow, and I vaguely wondered what was going on. Feet sloshed toward me through the mud and I thought, It's her. She's coming to drive me away with a stick. But it wasn't her. It was the boy. In his arms, he carried two large loaves of bread that must have fallen into the fire because the crusts were scorched black. His mother was yelling, "Feed it to the pig, you stupid creature! Why not? No one decent will buy burned bread!" He began to tear off chunks from the burned parts and toss them into the trough, and the front bakery bell rung and the mother disappeared to help a customer. The boy never even glanced my way, but I was watching him. Because of the bread, because of the red weal that stood out on his cheekbone. What had she hit him with? My parents never hit us. I couldn't even imagine it. The boy took one look back to the bakery as if checking that the coast was clear, then, his attention back on the pig, he threw a loaf of bread in my direction. The second quickly followed, and he sloshed back to the bakery, closing the kitchen door tightly behind him. I stared at the loaves in disbelief. They were fine, perfect really, except for the burned areas. Did he mean for me to have them? He must have. Because there they were at my feet. Before anyone could witness what had happened I shoved the loaves up under my shirt, wrapped the hunting jacket tightly about me, and walked swiftly away. The heat of the bread burned into my skin, but I clutched it tighter, clinging to life. By the time I reached home, the loaves had cooled somewhat, but the insides were still warm. When I dropped them on the table, Prim's hands reached to tear off a chunk, but I made her sit, forced my mother to join us at the table, and poured warm tea. I scraped off the black stuff and sliced the bread. We ate an entire loaf, slice by slice. It was good hearty bread, filled with raisins and nuts. I put my clothes to dry at the fire, crawled into bed, and fell into a dreamless sleep. It didn't occur to me until the next morning that the boy might have burned the bread on purpose. Might have dropped the loaves into the flames, knowing it meant being punished, and then delivered them to me. But I dismissed this. It must have been an accident. Why would he have done it? He didn't even know me. Still, just throwing me the bread was an enormous kindness that would have surely resulted in a beating if discovered. I couldn't explain his actions. We ate slices of bread for breakfast and headed to school. It was as if spring had come overnight. Warm sweet air. Fluffy clouds. At school, I passed the boy in the hall, his cheek had swelled up and his eye had blackened. He was with his friends and didn't acknowledge me in any way. But as I collected Prim and started for home that afternoon, I found him staring at me from across the school yard. Our eyes met for only a second, then he turned his head away. I dropped my gaze, embarrassed, and that's when I saw it. The first dandelion of the year. A bell went off in my head. I thought of the hours spent in the woods with my father and I knew how we were going to survive. To this day, I can never shake the connection between this boy, Peeta Mellark, and the bread that gave me hope, and the dandelion that reminded me that I was not doomed. And more than once, I have turned in the school hallway and caught his eyes trained on me, only to quickly flit away. I feel like I owe him something, and I hate owing people. Maybe if I had thanked him at some point, I'd be feeling less conflicted now. I thought about it a couple of times, but the opportunity never seemed to present itself. And now it never will. Because we're going to be thrown into an arena to fight to the death. Exactly how am I supposed to work in a thank-you in there? Somehow it just won't seem sincere if I'm trying to slit his throat.

Can I just say How much Peeta must be like Oh my god yes I am with the girl I love. But how will I tell that when we are trying to kill each other

I have misjudged him. I think of his actions since the reaping began. The friendly squeeze of my hand. His father showing up with the cookies and promising to feed Prim. did Peeta put him up to that? His tears at the station. Volunteering to wash Haymitch but then challenging him this morning when apparently the nice-guy approach had failed. And now the waving at the window, already trying to win the crowd. All of the pieces are still fitting together, but I sense he has a plan forming. He hasn't accepted his death. He is already fighting hard to stay alive. Which also means that kind Peeta Mellark, the boy who gave me the bread, is fighting hard to kill me.

"What's he saying?" I ask Peeta. For the first time, I look at him and realize that ablaze with the fake flames, he is dazzling. And I must be, too. "I think he said for us to hold hands," says Peeta. He grabs my right hand in his left, and we look to Cinna for confirmation. He nods and gives a thumbs-up, and that's the last thing I see before we enter the city.

IS CINNA A Matchmaker and The others because shit I be dammed.

A warning bell goes off in my head. Don't be so stupid. Peeta is planning how to kill you, I remind myself. He is luring you in to make you easy prey. The more likable he is, the more deadly he is. But because two can play at this game, I stand on tiptoe and kiss his cheek. Right on his bruise.

Just you wait soon you’ll see What Peeta’s Plan will be.

Then Peeta totally covers for her... and They go talk on the rooftop about it and Peeta does...

Peeta and I walk together down the corridor to our rooms. When we get to my door, he leans against the frame, not blocking my entrance exactly but insisting I pay attention to him. "So, Delly Cartwright. Imagine finding her lookalike here." He's asking for an explanation, and I'm tempted to give him one. We both know he covered for me. So here I am in his debt again. If I tell him the truth about the girl, somehow that might even things up. How can it hurt really? Even if he repeated the story, it couldn't do me much harm. It was just something I witnessed. And he lied as much as I did about Delly Cartwright. I realize I do want to talk to someone about the girl. Someone who might be able to help me figure out her story.

Peeta takes off his jacket and wraps it around my shoulders. I start to take a step back, but then I let him, deciding for a moment to accept both his jacket and his kindness. A friend would do that, right? "They were from here?" he asks, and he secures a button at my neck. ( UMM SURE “ friends” do that Katniss...

"It's getting chilly. We better go in," he says. Inside the dome, it's warm and bright. His tone is conversational. "Your friend Gale. He's the one who took your sister away at the reaping?" "Yes. Do you know him?" I ask. "Not really. I hear the girls talk about him a lot. I thought he was your cousin or something. You favor each other," he says. "No, we're not related," I say. Peeta nods, unreadable. "Did he come to say good-bye to you?" "Yes," I say, observing him carefully. "So did your father. He brought me cookies." Peeta raises his eyebrows as if this is news. But after watching him lie so smoothly, I don't give this much weight. "Really? Well, he likes you and your sister. I think he wishes he had a daughter instead of a houseful of boys." The idea that I might ever have been discussed, around the dinner table, at the bakery fire, just in passing in Peeta's house gives me a start. It must have been when the mother was out of the room. "He knew your mother when they were kids," says Peeta. Another surprise. But probably true. "Oh, yes. She grew up in town," I say. It seems impolite to say she never mentioned the baker except to compliment his bread. We're at my door. I give back his jacket. "See you in the morning then."

Okay Peeta I see what your doing... Seeing if anything Is going on between Katniss and Gale... I totally almost missed this.

When Haymitch has finished several platters of stew, he pushes back his plate with a sigh. He takes a flask from his pocket and takes a long pull on it and leans his elbows on the table. "So, let's get down to business. Training. First off, if you like, I'll coach you separately. Decide now." "Why would you coach us separately?" I ask. "Say if you had a secret skill you might not want the other to know about," says Haymitch. I exchange a look with Peeta. "I don't have any secret skills," he says. "And I already know what yours is, right? I mean, I've eaten enough of your squirrels." I never thought about Peeta eating the squirrels I shot. Somehow I always pictured the baker quietly going off and frying them up for himself. Not out of greed. But because town families usually eat expensive butcher meat. Beef and chicken and horse. "You can coach us together," I tell Haymitch. Peeta nods. "All right, so give me some idea of what you can do," says Haymitch. "I can't do anything," says Peeta. "Unless you count baking bread." "Sorry, I don't. Katniss. I already know you're handy with a knife," says Haymitch. "Not really. But I can hunt," I say. "With a bow and arrow." "And you're good?" asks Haymitch. I have to think about it. I've been putting food on the table for four years. That's no small task. I'm not as good as my father was, but he'd had more practice. I've better aim than Gale, but I've had more practice. He's a genius with traps and snares. "I'm all right," I say. "She's excellent," says Peeta. "My father buys her squirrels. He always comments on how the arrows never pierce the body. She hits every one in the eye. It's the same with the rabbits she sells the butcher. She can even bring down deer." This assessment of my skills from Peeta takes me totally by surprise. First, that he ever noticed. Second, that he's talking me up. "What are you doing?" I ask him suspiciously. "What are you doing? If he's going to help you, he has to know what you're capable of. Don't underrate yourself," says Peeta. I don't know why, but this rubs me the wrong way. "What about you? I've seen you in the market. You can lift hundred-pound bags of flour," I snap at him. "Tell him that. That's not nothing." "Yes, and I'm sure the arena will be full of bags of flour for me to chuck at people. It's not like being able to use a weapon. You know it isn't," he shoots back. "He can wrestle," I tell Haymitch. "He came in second in our school competition last year, only after his brother." "What use is that? How many times have you seen someone wrestle someone to death?" says Peeta in disgust. "There's always hand-to-hand combat. All you need is to come up with a knife, and you'll at least stand a chance. If I get jumped, I'm dead!" I can hear my voice rising in anger. "But you won't! You'll be living up in some tree eating raw squirrels and picking off people with arrows. You know what my mother said to me when she came to say good-bye, as if to cheer me up, she says maybe District Twelve will finally have a winner. Then I realized, she didn't mean me, she meant you!" bursts out Peeta. "Oh, she meant you," I say with a wave of dismissal. "She said, 'She's a survivor, that one.' She is," says Peeta. That pulls me up short. Did his mother really say that about me? Did she rate me over her son? I see the pain in Peeta's eyes and know he isn't lying. Suddenly I'm behind the bakery and I can feel the chill of the rain running down my back, the hollowness in my belly. I sound eleven years old when I speak. "But only because someone helped me." Peeta's eyes flicker down to the roll in my hands, and I know he remembers that day, too. But he just shrugs. "People will help you in the arena. They'll be tripping over each other to sponsor you." "No more than you," I say. Peeta rolls his eyes at Haymitch. "She has no idea. The effect she can have." He runs his fingernail along the wood grain in the table, refusing to look at me. What on earth does he mean? People help me? When we were dying of starvation, no one helped me! No one except Peeta. Once I had something to barter with, things changed. I'm a tough trader. Or am I? What effect do I have? That I'm weak and needy? Is he suggesting that I got good deals because people pitied me? I try to think if this is true. Perhaps some of the merchants were a little generous in their trades, but I always attributed that to their long-standing relationship with my father. Besides, my game is first-class. No one pitied me!

I glower at the roll sure he meant to insult me. After about a minute of this, Haymitch says, "Well, then. Well, well, well. Katniss, there's no guarantee they'll be bows and arrows in the arena, but during your private session with the Gamemakers, show them what you can do. Until then, stay clear of archery. Are you any good at trapping?" "I know a few basic snares," I mutter. "That may be significant in terms of food," says Haymitch. "And Peeta, she's right, never underestimate strength in the arena. Very often, physical power tilts the advantage to a player. In the Training Center, they will have weights, but don't reveal how much you can lift in front of the other tributes. The plan's the same for both of you. You go to group training. Spend the time trying to learn something you don't know. Throw a spear. Swing a mace. Learn to tie a decent knot. Save showing what you're best at until your private sessions. Are we clear?" says Haymitch. Peeta and I nod. "One last thing. In public, I want you by each other's side every minute," says Haymitch. We both start to object, but Haymitch slams his hand on the table. "Every minute! It's not open for discussion! You agreed to do as I said! You will be together, you will appear amiable to each other. Now get out. Meet Effie at the elevator at ten for training." I bite my lip and stalk back to my room, making sure Peeta can hear the door slam. I sit on the bed, hating Haymitch, hating Peeta, hating myself for mentioning that day long ago in the rain. It's such a joke! Peeta and I going along pretending to be friends! Talking up each other's strengths, insisting the other take credit for their abilities. Because, in fact, at some point, we're going to have to knock it off and accept we're bitter adversaries. Which I'd be prepared to do right now if it wasn't for Haymitch's stupid instruction that we stick together in training. It's my own fault, I guess, for telling him he didn't have to coach us separately. But that didn't mean I wanted to do everything with Peeta. Who, by the way, clearly doesn't want to be partnering up with me, either. I hear Peeta's voice in my head. She has no idea. The effect she can have. Obviously meant to demean me. Right? but a tiny part of me wonders if this was a compliment. That he meant I was appealing in some way. It's weird, how much he's noticed me. Like the attention he's paid to my hunting. And apparently, I have not been as oblivious to him as I imagined, either. The flour. The wrestling. I have kept track of the boy with the bread.

OH MY GOD someone stop me before the whole freaking book is on this

Okay I am skipping the training the Katniss shot an arrow at the gamemakers scored 11 bla bla read that in the book and to Peeta asking to train alone.

The stew's made with tender chunks of lamb and dried plums today. Perfect on the bed of wild rice. I've shoveled about halfway through the mound when I realize no one's talking. I take a big gulp of orange juice and wipe my mouth. "So, what's going on? You're coaching us on interviews today, right?" "That's right," says Haymitch. "You don't have to wait until I'm done. I can listen and cat at the same time," I say. "Well, there's been a change of plans. About our current approach," says Haymitch. "What's that?" I ask. I'm not sure what our current approach is. Trying to appear mediocre in front of the other tributes is the last bit of strategy I remember. Haymitch shrugs. "Peeta has asked to be coached separately."

Betrayal. That's the first thing I feel, which is ludicrous. For there to be betrayal, there would have had to been trust first. Between Peeta and me. And trust has not been part of the agreement. We're tributes. But the boy who risked a beating to give me bread, the one who steadied me in the chariot, who covered for me with the redheaded Avox girl, who insisted Haymitch know my hunting skills. was there some part of me that couldn't help trusting him? On the other hand, I'm relieved that we can stop the pretense of being friends. Obviously, whatever thin connection we'd foolishly formed has been severed. And high time, too. The Games begin in two days, and trust will only be a weakness. Whatever triggered Peeta's decision - and I suspect it had to do with my outperforming him in training - I should be nothing but grateful for it. Maybe he's finally accepted the fact that the sooner we openly acknowledge that we are enemies, the better.

Ha no sweety he has a bigger plan he doesn’t want you to know yet.

I'm still in a daze for the first part of Peeta's interview. He has the audience from the get-go, though; I can hear them laughing, shouting out. He plays up the baker's son thing, comparing the tributes to the breads from their districts. Then has a funny anecdote about the perils of the Capitol showers. "Tell me, do I still smell like roses?" he asks Caesar, and then there's a whole run where they take turns sniffing each other that brings down the house. I'm coming back into focus when Caesar asks him if he has a girlfriend back home. Peeta hesitates, then gives an unconvincing shake of his head. "Handsome lad like you. There must be some special girl. Come on, what's her name?" says Caesar. Peeta sighs. "Well, there is this one girl. I've had a crush on her ever since I can remember. But I'm pretty sure she didn't know I was alive until the reaping." Sounds of sympathy from the crowd. Unrequited love they can relate to. "She have another fellow?" asks Caesar. "I don't know, but a lot of boys like her," says Peeta. "So, here's what you do. You win, you go home. She can't turn you down then, eh?" says Caesar encouragingly. "I don't think it's going to work out. Winning. won't help in my case," says Peeta. "Why ever not?" says Caesar, mystified. Peeta blushes beet red and stammers out. "Because. because. she came here with me."

For a moment, the cameras hold on Peeta's downcast eyes as what he says sinks in. Then I can see my face, mouth half open in a mix of surprise and protest, magnified on every screen as I realize, Me! He means me! I press my lips together and stare at the floor, hoping this will conceal the emotions starting to boil up inside of me. "Oh, that is a piece of bad luck," says Caesar, and there's a real edge of pain in his voice. The crowd is murmuring in agreement, a few have even given agonized cries. "It's not good," agrees Peeta. "Well, I don't think any of us can blame you. It'd be hard not to fall for that young lady," says Caesar. "She didn't know?" Peeta shakes his head. "Not until now." I allow my eyes to flicker up to the screen long enough to see that the blush on my cheeks is unmistakable. "Wouldn't you love to pull her back out here and get a response?" Caesar asks the audience. The crowd screams assent. "Sadly, rules are rules, and Katniss Everdeen's time has been spent. Well, best of luck to you, Peeta Mellark, and I think I speak for all of Panem when I say our hearts go with yours." The roar of the crowd is deafening. Peeta has absolutely wiped the rest of us off the map with his declaration of love for me. When the audience finally settles down, he chokes out a quiet "Thank you" and returns to his seat. We stand for the anthem. I have to raise my head out of the required respect and cannot avoid seeing that every screen is now dominated by a shot of Peeta and me, separated by a few feet that in the viewers' heads can never be breached. Poor tragic us.

Okay How Katniss shows her love is this

After the anthem, the tributes file back into the Training Center lobby and onto the elevators. I make sure to veer into a car that does not contain Peeta. The crowd slows our entourages of stylists and mentors and chaperones, so we have only each other for company. No one speaks. My elevator stops to deposit four tributes before I am alone and then find the doors opening on the twelfth floor. Peeta has only just stepped from his car when I slam my palms into his chest. He loses his balance and crashes into an ugly urn filled with fake flowers. The urn tips and shatters into hundreds of tiny pieces. Peeta lands in the shards, and blood immediately flows from his hands. "What was that for?" he says, aghast. "You had no right! No right to go saying those things about me!" I shout at him. Now the elevators open and the whole crew is there, Effie, Haymitch, Cinna, and Portia. "What's going on?" says Effie, a note of hysteria in her voice. "Did you fall?" "After she shoved me," says Peeta as Effie and Cinna help him up. Haymitch turns on me. "Shoved him?" "This was your idea, wasn't it? Turning me into some kind of fool in front of the entire country?" I answer. "It was my idea," says Peeta, wincing as he pulls spikes of pottery from his palms. "Haymitch just helped me with it." "Yes, Haymitch is very helpful. To you!" I say. "You are a fool," Haymitch says in disgust. "Do you think he hurt you? That boy just gave you something you could never achieve on your own." "He made me look weak!" I say. "He made you look desirable! And let's face it, you can use all the help you can get in that department. You were about as romantic as dirt until he said he wanted you. Now they all do. You're all they're talking about. The star-crossed lovers from District Twelve!" says Haymitch. "But we're not star-crossed lovers!" I say. Haymitch grabs my shoulders and pins me against the wall. "Who cares? It's all a big show. It's all how you're perceived. The most I could say about you after your interview was that you were nice enough, although that in itself was a small miracle. Now I can say you're a heartbreaker. Oh, oh, oh, how the boys back home fall longingly at your feet. Which do you think will get you more sponsors?" The smell of wine on his breath makes me sick. I shove his hands off my shoulders and step away, trying to clear my head. Cinna comes over and puts his arm around me. "He's right, Katniss." I don't know what to think. "I should have been told, so I didn't look so stupid." "No, your reaction was perfect. If you'd known, it wouldn't have read as real," says Portia. "She's just worried about her boyfriend," says Peeta gruffly, tossing away a bloody piece of the urn. My cheeks burn again at the thought of Gale. "I don't have a boyfriend." "Whatever," says Peeta. "But I bet he's smart enough to know a bluff when he sees it. Besides you didn't say you loved me. So what does it matter?" The words are sinking in. My anger fading. I'm torn now between thinking I've been used and thinking I've been given an edge. Haymitch is right. I survived my interview, but what was I really? A silly girl spinning in a sparkling, dress. Giggling. The only moment of any substance I hail was when I talked about Prim. Compare that with Thresh, his silent, deadly power, and I'm forgettable. Silly and sparkly and forgettable. No, not entirely forgettable, I have my eleven in training. But now Peeta has made me an object of love. Not just his. To hear him tell it I have many admirers. And if the audience really thinks we're in love. I remember how strongly they responded to his confession. Star-crossed lovers. Haymitch is right, they eat that stuff up in the Capitol. Suddenly I'm worried that I didn't react properly. "After he said he loved me, did you think I could be in love with him, too?" I ask. "I did," says Portia. "The way you avoided looking at the cameras, the blush." They others chime in, agreeing. "You're golden, sweetheart. You're going to have sponsors lined up around the block," says Haymitch. I'm embarrassed about my reaction. I force myself to acknowledge Peeta. "I'm sorry I shoved you." "Doesn't matter," he shrugs. "Although it's technically illegal." "Are your hands okay?" I ask. "They'll be all right," he says.

Okay I have to admit that was kinda sweet but Honey Pushing him yeah hes gonna love that.

There Nerves of the Hunger Games talk is kinda cute I will admit but Then its like wtf

My feet move soundlessly across the tiles. I'm only yard behind him when I say, "You should be getting some sleep." He starts but doesn't turn. I can see him give his head a slight shake. "I didn't want to miss the party. It's for us, after all." I come up beside him and lean over the edge of the rail. The wide streets are full of dancing people. I squint to make out their tiny figures in more detail. "Are they in costumes?" "Who could tell?" Peeta answers. "With all the crazy clothes they wear here. Couldn't sleep, either?" "Couldn't turn my mind off," I say. "Thinking about your family?" he asks. "No," I admit a bit guiltily. "All I can do is wonder about tomorrow. Which is pointless, of course." In the light from below, I can see his face now, the awkward way he holds his bandaged hands. "I really am sorry about your hands." "It doesn't matter, Katniss," he says. "I've never been a contender in these Games anyway." "That's no way to be thinking," I say. "Why not? It's true. My best hope is to not disgrace myself and. " He hesitates. "And what?" I say. "I don't know how to say it exactly. Only. I want to die as myself. Does that make any sense?" he asks. I shake my head. How could he die as anyone but himself? "I don't want them to change me in there. Turn me into some kind of monster that I'm not." I bite my lip feeling inferior. While I've been ruminating on the availability of trees, Peeta has been struggling with how to maintain his identity. His purity of self. "Do you mean you won't kill anyone?" I ask. "No, when the time comes, I'm sure I'll kill just like everybody else. I can't go down without a fight. Only I keep wishing I could think of a way to. to show the Capitol they don't own me. That I'm more than just a piece in their Games," says Peeta. "But you're not," I say. "None of us are. That's how the Games work." "Okay, but within that framework, there's still you, there's still me," he insists. "Don't you see?" "A little. Only. no offense, but who cares, Peeta?" I say. "I do. I mean, what else am I allowed to care about at this point?" he asks angrily. He's locked those blue eyes on mine now, demanding an answer. I take a step back. "Care about what Haymitch said. About staying alive." Peeta smiles at me, sad and mocking. "Okay. Thanks for the tip, sweetheart." It's like a slap in the face. His use of Haymitch's patronizing endearment. "Look, if you want to spend the last hours of your life planning some noble death in the arena, that's your choice. I want to spend mine in District Twelve." "Wouldn't surprise me if you do," says Peeta. "Give my mother my best when you make it back, will you?"

"Count on it," I say. Then I turn and leave the roof. I spend the rest of the night slipping in and out of a doze, imagining the cutting remarks I will make to Peeta Mellark in the morning. Peeta Mellark. We will see how high and mighty he is when he's faced with life and death. He'll probably turn into one of those raging beast tributes, the kind who tries to eat someone's heart after they've killed them.

Okay The 74th Games ( shit this is long)

When suddenly I notice Peeta, he's about five tributes to my right, quite a fair distance, still I can tell he's looking at me and I think he might be shaking his head. But the sun's in my eyes, and while I'm puzzling over it the gong rings out. And I've missed it! I've missed my chance! Because those extra couple of seconds I've lost by not being ready are enough to change my mind about going in. My feet shuffle for a moment, confused at the direction my brain wants to take and then I lunge forward, scoop up the sheet of plastic and a loaf of bread. The pickings are so small and I'm so angry with Peeta for distracting me that I sprint in twenty yards to retrieve a bright orange backpack that could hold anything because I can't stand leaving with virtually nothing.

An argument breaks out until one tribute silences the others. "We're wasting time! I'll go finish her and let's move on!" I almost fall out of the tree. The voice belongs to Peeta

Thank goodness, I had the foresight to belt myself in. I've rolled sideways off the fork and I'm facing the ground, held in place by the belt, one hand, and my feet straddling the pack inside my sleeping bag, braced against the trunk. There must have been some rustling when I tipped sideways, but the Careers have been too caught up in their own argument to catch it. "Go on, then, Lover Boy," says the boy from District 2. "See for yourself." I just get a glimpse of Peeta, lit by a torch, heading back to the girl by the fire. His face is swollen with bruises, there's a bloody bandage on one arm, and from the sound of his gait he's limping somewhat. I remember him shaking him his head, telling me not to go into the fight for the supplies, when all along, all along he'd planned to throw himself into the thick of things. Just the opposite of what Haymitch had mid him to do. Okay, I can stomach that. Seeing all those supplies was tempting. But this. this other thing. This teaming up with the Career wolf pack to hunt down the rest of us. No one from District 12 would think of doing such a thing! Career tributes are overly vicious, arrogant, better fed, but only because they're the Capitol's lapdogs. Universally, solidly hated by all but those from their own districts. I can imagine the things they're saying about him back home now. And Peeta had the gall to talk to me about disgrace? Obviously, the noble boy on the rooftop was playing just one more game with me. But this will be his last. I will eagerly watch the night skies for signs of his death, if I don't kill him first myself. The Career tributes are silent until he gets out of ear shot, then use hushed voices. "Why don't we just kill him now and get it over with?" "Let him tag along. What's the harm? And he's handy with that knife." Is he? That's news. What a lot of interesting things I'm learning about my friend Peeta today. "Besides, he's our best chance of finding her." It takes me a moment to register that the "her" they're referring to is me. "Why? You think she bought into that sappy romance stuff?" "She might have. Seemed pretty simpleminded to me. Every time I think about her spinning around in that dress, I want to puke." "Wish we knew how she got that eleven." "Bet you Lover Boy knows." The sound of Peeta returning silences them. "Was she dead?" asks the boy from District 2. "No. But she is now," says Peeta. Just then, the cannon fires. "Ready to move on?" The Career pack sets off at a run just as dawn begins to break, and birdsong fills the air. I remain in my awkward position, muscles trembling with exertion for a while longer, then hoist myself back onto my branch. I need to get down, to get going, but for a moment I lie there, digesting what I've heard. Not only is Peeta with the Careers, he's helping them find me. The simpleminded girl who has to be taken seriously because of her eleven. Because she can use a bow and arrow. Which Peeta knows better than anyone. But he hasn't told them yet. Is he saving that information because he knows it's all that keeps him alive? Is he still pretending to love me for the audience? What is going on in his head?

But it's too late to run. I pull a slimy arrow from the sheath and try to position it on the bowstring but instead of one string I see three and the stench from the stings is so repulsive I can't do it. I can't do it. I can't do it. I'm helpless as the first hunter crashes through the trees, spear lifted, poised to throw. The shock on Peeta's face makes no sense to me. I wait for the blow. Instead his arm drops to his side. "What are you still doing here?" he hisses at me. I stare uncomprehendingly as a trickle of water drips off a sting under his ear. His whole body starts sparkling as if he's been dipped in dew. "Are you mad?" He's prodding me with the shaft of the spear now. "Get up! Get up!" I rise, but he's still pushing at me. What? What is going on? He shoves me away from him hard. "Run!" he screams. "Run!" Behind him, Cato slashes his way through the brush. He's sparkling wet, too, and badly stung under one eye. I catch the gleam of sunlight on his sword and do as Peeta says. Holding tightly to my bow and arrows, banging into trees that appear out of nowhere, tripping and falling as I try to keep my balance. Back past my pool and into unfamiliar woods. The world begins to bend in alarming ways. A butterfly balloons to the size of a house then shatters into a million stars. Trees transform to blood and splash down over my boots. Ants begin to crawl out of the blisters on my hands and I can't shake them free. They're climbing up my arms, my neck. Someone's screaming, a long high pitched scream that never breaks for breath. I have a vague idea it might be me. I trip and fall into a small pit lined with tiny orange bubbles that hum like the tracker jacker nest. Tucking my knees up to my chin, I wait for death. Sick and disoriented, I'm able to form only one thought: Peeta Mellark just saved my life.

The news sinks in. Two tributes can win this year. If they're from the same district. Both can live. Both of us can live. Before I can stop myself, I call out Peeta's name.

I clap my hands over my mouth, but the sound has already escaped. The sky goes black and I hear a chorus of frogs begin to sing. Stupid! I tell myself. What a stupid thing to do! I wait, frozen, for the woods to come alive with assailants. Then I remember there's almost no one left. Peeta, who's been wounded, is now my ally. Whatever doubts I've had about him dissipate because if either of us took the other's life now we'd be pariahs when we returned to District 12. In fact, I know if I was watching I'd loathe any tribute who didn't immediately ally with their district partner. Besides, it just makes sense to protect each other. And in my case - being one of the star-crossed lovers from District 12 - it's an absolute requirement if I want any more help from sympathetic sponsors.

Hugging the rocks, I move slowly in the direction of the blood, searching for him. I find a few more bloodstains, one with a few threads of fabric glued to it, but no sign of life. I break down and say his name in a hushed voice. "Peeta! Peeta!" Then a mockingjay lands on a scruffy tree and begins to mimic my tones so I stop. I give up and climb back down to the stream thinking, He must have moved on. Somewhere farther down. My foot has just broken the surface of the water when I hear a voice. "You here to finish me off, sweetheart?" I whip around. It's come from the left, so I can't pick it up very well. And the voice was hoarse and weak. Still, it must have been Peeta. Who else in the arena would call me sweetheart? My eyes peruse the bank, but there's nothing. Just mud, the plants, the base of the rocks. "Peeta?" I whisper. "Where are you?" There's no answer. Could I just have imagined it? No, I'm certain it was real and very close at hand, too. "Peeta?" I creep along the bank. "Well, don't step on me." I jump back. His voice was right under my feet. Still there's nothing. Then his eyes open, unmistakably blue in the brown mud and green leaves. I gasp and am rewarded with a hint of white teeth as he laughs. It's the final word in camouflage. Forget chucking weights around. Peeta should have gone into his private session with the Gamemakers and painted himself into a tree. Or a boulder. Or a muddy bank full of weeds. "Close your eyes again," I order. He does, and his mouth, too, and completely disappears. Most of what I judge to be his body is actually under a layer of mud and plants. His face and arms are so artfully disguised as to be invisible. I kneel beside him. "I guess all those hours decorating cakes paid off." Peeta smiles. "Yes, frosting. The final defense of the dying." "You're not going to die," I tell him firmly. "Says who?" His voice is so ragged. "Says me. We're on the same team now, you know," I tell him. His eyes open. "So, I heard. Nice of you to find what's left of me." I pull out my water bottle and give him a drink. "Did Cato cut you?" I ask. "Left leg. Up high," he answers. "Let's get you in the stream, wash you off so I can see what kind of wounds you've got," I say. "Lean down a minute first," he says. "Need to tell you something." I lean over and put my good ear to his lips, which tickle as he whispers. "Remember, we're madly in love, so it's all right to kiss me anytime you feel like it." I jerk my head back but end up laughing. "Thanks, I'll keep it in mind." At least, he's still able to joke around. But when I start to help him to the stream, all the levity disappears. It's only two feet away, how hard can it be? Very hard when I realize he's unable to move an inch on his own. He's so weak that the best he can do is not to resist. I try to drag him, but despite the fact that I know he's doing all he can to keep quiet, sharp cries of pain escape him. The mud and plants seem to have imprisoned him and I finally have to give a gigantic tug to break him from their clutches. He's still two feet from the water, lying there, teeth gritted, tears cutting trails in the dirt on his face. "Look, Peeta, I'm going to roll you into the stream. It's very shallow here, okay?" I say. "Excellent," he says. I crouch down beside him. No matter what happens, I tell myself, don't stop until he's in the water. "On three," I say. "One, two, three!" I can only manage one full roll before I have to stop because of the horrible sound he's making. Now he's on the edge of the stream. Maybe this is better anyway. "Okay, change of plans. I'm not going to put you all the way in," I tell him. Besides, if I get him in, who knows if I'd ever be able to get him out? "No more rolling?" he asks. "That's all done. Let's get you cleaned up. Keep an eye on the woods for me, okay?" I say. It's hard to know where to start. He so caked with mud and matted leaves, I can't even see his clothes. If he's wearing clothes. The thought makes me hesitate a moment, but then I plunge in. Naked bodies are no big deal in the arena, right? I've got two water bottles and Rue's water skin. I prop them against rocks in the stream so that two are always filling while I pour the third over Peeta's body. It takes a while, but I finally get rid of enough mud to find his clothes. I gently unzip his jacket, unbutton his shirt and ease them off him. His undershirt is so plastered into his wounds I have to cut it away with my knife and drench him again to work it loose. He's badly bruised with a long burn across his chest and four tracker jacker stings, if you count the one under his ear. But I feel a bit better. This much I can fix. I decide to take care of his upper body first, to alleviate some pain, before I tackle whatever damage Cato did to his leg. Since treating his wounds seems pointless when he's lying in what's become a mud puddle, I manage to prop him up against a boulder. He sits there, uncomplaining, while I wash away all the traces of dirt from his hair and skin. His flesh is very pale in the sunlight and he no longer looks strong and stocky. I have to dig the stingers out of his tracker jacker lumps, which causes him to wince, but the minute I apply the leaves he sighs in relief. While he dries in the sun, I wash his filthy shirt and jacket and spread them over boulders. Then I apply the burn cream to his chest. This is when I notice how hot his skin is becoming. The layer of mud and the bottles of water have disguised the fact that he's burning with fever. I dig through the first-aid kit I got from the boy from District 1 and find pills that reduce your temperature. My mother actually breaks down and buys these on occasion when her home remedies fail. "Swallow these," I tell him, and he obediently takes the medicine. "You must be hungry." "Not really. It's funny, I haven't been hungry for days," says Peeta. In fact, when I offer him groosling, he wrinkles his nose at it and turns away. That's when I know how sick he is. "Peeta, we need to get some food in you," I insist.

"It'll just come right back up," he says. The best I can do is to get him to eat a few bits of dried apple. "Thanks. I'm much better, really. Can I sleep now, Katniss?" he asks.

"Soon," I promise. "I need to look at your leg first." Trying to be as gentle as I can, I remove his boots, his socks, and then very slowly inch his pants off of him. I can see the tear Cato's sword made in the fabric over his thigh, but it in no way prepares me for what lies underneath. The deep inflamed gash oozing both blood and pus. The swelling of the leg. And worst of all, the smell of festering flesh.

I want to run away. Disappear into the woods like I did that day they brought the burn victim to our house. Go and hunt while my mother and Prim attend to what I have neither the skill nor the courage to face. But there's no one here but me. I try to capture the calm demeanor my mother assumes when handling particularly bad cases.

"Pretty awful, huh?" says Peeta. He's watching me closely.

"So-so." I shrug like it's no big deal. "You should see some of the people they bring my mother from the mines." I refrain from saying how I usually clear out of the house whenever she's treating anything worse than a cold. Come to think of it, I don't even much like to be around coughing. "First thing is to clean it well."

I've left on Peeta's undershorts because they're not in bad shape and I don't want to pull them over the swollen thigh and, all right, maybe the idea of him being naked makes me uncomfortable. That's another thing about my mother and Prim. Nakedness has no effect on them, gives them no cause for embarrassment. Ironically, at this point in the Games, my little sister would be of far more use to Peeta than I am. I scoot my square of plastic under him so I can wash down the rest of him. With each bottle I pour over him, the worse the wound looks. The rest of his lower body has fared pretty well, just one tracker jacker sting and a few small burns that I treat quickly. But the gash on his leg. what on earth can I do for that?

"Why don't we give it some air and then. " I trail off.

"And then you'll patch it up?" says Peeta. He looks almost sorry for me, as if he knows how lost I am.

"That's right," I say. "In the meantime, you eat these." I put a few dried pear halves in his hand and go back in the stream to wash the rest of his clothes. When they're flattened out and drying, I examine the contents of the first-aid kit. It's pretty basic stuff. Bandages, fever pills, medicine to calm stomachs. Nothing of the caliber I'll need to treat Peeta.

"We're going to have to experiment some," I admit. I know the tracker jacker leaves draw out infection, so I start with those. Within minutes of pressing the handful of chewed-up green stuff into the wound, pus begins running down the side of his leg. I tell myself this is a good thing and bite the inside of my cheek hard because my breakfast is threatening to make a reappearance.

"Katniss?" Peeta says. I meet his eyes, knowing my face must be some shade of green. He mouths the words. "How about that kiss?"

I burst out laughing because the whole thing is so revolting I can't stand it.

"Something wrong?" he asks a little too innocently.

"I. I'm no good at this. I'm not my mother. I've no idea what I'm doing and I hate pus," I say. "Euh!" I allow myself to let out a groan as I rinse away the first round of leaves and apply the second. "Euuuh!"

"How do you hunt?" he asks.

"Trust me. Killing things is much easier than this," I say. "Although for all I know, I am killing you."

"Can you speed it up a little?" he asks.

"No. Shut up and eat your pears," I say.

After three applications and what seems like a bucket of pus, the wound does look better. Now that the swelling has gone down, I can see how deep Cato's sword cut. Right down to the bone.

"What next, Dr. Everdeen?" he asks.

"Maybe I'll put some of the burn ointment on it. I think it helps with infection anyway. And wrap it up?" I say. I do and the whole thing seems a lot more manageable, covered in clean white cotton. Although, against the sterile bandage, the hem of his undershorts looks filthy and teeming with contagion. I pull out Rue's backpack. "Here, cover yourself with this and I'll wash your shorts."

"Oh, I don't care if you see me," says Peeta.

"You're just like the rest of my family," I say. "I care, all right?" I turn my back and look at the stream until the undershorts splash into the current. He must be feeling a bit better if he can throw.

"You know, you're kind of squeamish for such a lethal person," says Peeta as I beat the shorts clean between two rocks. "I wish I'd let you give Haymitch a shower after all."

I wrinkle my nose at the memory. "What's he sent you so far?"

"Not a thing," says Peeta. Then there's a pause as it hits him. "Why, did you get something?"

"Burn medicine," I say almost sheepishly. "Oh, and some bread."

"I always knew you were his favorite," says Peeta.

"Please, he can't stand being in the same room with me," I say.

"Because you're just alike," mutters Peeta. I ignore it though because this really isn't the time for me to be insulting Haymitch, which is my first impulse.

I let Peeta doze off while his clothes dry out, but by late afternoon, I don't dare wait any longer. I gently shake his shoulder. "Peeta, we've got to go now."

"Go?" He seems confused. "Go where?"

"Away from here. Downstream maybe. Somewhere we can hide you until you're stronger," I say. I help him dress, leaving his feet bare so we can walk in the water, and pull him upright. His face drains of color the moment he puts weight on his leg. "Come on. You can do this."

But he can't. Not for long anyway. We make it about fifty yards downstream, with him propped up by my shoulder, and I can tell he's going to black out. I sit him on the bank, push his head between his knees, and pat his back awkwardly as I survey the area. Of course, I'd love to get him up in a tree, but that's not going to happen. It could be worse though. Some of the rocks form small cavelike structures. I set my sights on one about twenty yards above the stream. When Peeta's able to stand, I half-guide, half-carry him up to the cave. Really, I'd like to look around for a better place, but this one will have to do because my ally is shot. Paper white, panting, and, even though it's only just cooling off, he's shivering.

I cover the floor of the cave with a layer of pine needles, unroll my sleeping bag, and tuck him into it. I get a couple of pills and some water into him when he's not noticing, but he refuses to eat even the fruit. Then he just lies there, his eyes trained on my face as I build a sort of blind out of vines to conceal the mouth of the cave. The result is unsatisfactory. An animal might not question it, but a human would see hands had manufactured it quickly enough. I tear it down in frustration.

"Katniss," he says. I go over to him and brush the hair back from his eyes. "Thanks for finding me."

"You would have found me if you could," I say. His forehead's burning up. Like the medicine's having no effect at all. Suddenly, out of nowhere, I'm scared he's going to die.

"Yes. Look, if I don't make it back - " he begins.

"Don't talk like that. I didn't drain all that pus for nothing," I say.

"I know. But just in case I don't - " he tries to continue.

"No, Peeta, I don't even want to discuss it," I say, placing my fingers on his lips to quiet him.

"But I - " he insists.

Impulsively, I lean forward and kiss him, stopping his words. This is probably overdue anyway since he's right, we are supposed to be madly in love. It's the first time I've ever kissed a boy, which should make some sort of impression I guess, but all I can register is how unnaturally hot his lips are from the fever. I break away and pull the edge of the sleeping bag up around him. "You're not going to die. I forbid it. All right?"

"All right," he whispers.

I step out in the cool evening air just as the parachute floats down from the sky. My fingers quickly undo the tie, hoping for some real medicine to treat Peeta's leg. Instead I find a pot of hot broth.

Haymitch couldn't be sending me a clearer message. One kiss equals one pot of broth. I can almost hear his snarl. "You're supposed to be in love, sweetheart. The boy's dying. Give me something I can work with!"

And he's right. If I want to keep Peeta alive, I've got to give the audience something more to care about. Star-crossed lovers desperate to get home together. Two hearts beating as one. Romance.

Never having been in love, this is going to be a real trick. I think of my parents. The way my father never failed to bring her gifts from the woods. The way my mother's face would light up at the sound of his boots at the door. The way she almost stopped living when he died.

"Peeta!" I say, trying for the special tone that my mother used only with my father. He's dozed off again, but I kiss him awake, which seems to startle him. Then he smiles as if he'd be happy to lie there gazing at me forever. He's great at this stuff.

I hold up the pot. "Peeta, look what Haymitch has sent you."

Getting the broth into Peeta takes an hour of coaxing, begging, threatening, and yes, kissing, but finally, sip by sip, he empties the pot. I let him drift off to sleep then and attend to my own needs, wolfing down a supper of groosling and roots while I watch the daily report in the sky. No new casualties. Still, Peeta and I have given the audience a fairly interesting day. Hopefully, the Gamemakers will allow us a peaceful night. I automatically look around for a good tree to nest in before I realize that's over. At least for a while. I can't very well leave Peeta unguarded on the ground. I left the scene of his last hiding place on the bank of the stream untouched - how could I conceal it? - and we're a scant fifty yards downstream. I put on my glasses, place my weapons in readiness, and settle down to keep watch. The temperature drops rapidly and soon I'm chilled to the bone. Eventually, I give in and slide into the sleeping bag with Peeta. It's toasty warm and I snuggle down gratefully until I realize it's more than warm, it's overly hot because the bag is reflecting back his fever. I check his forehead and find it burning and dry. I don't know what to do. Leave him in the bag and hope the excessive heat breaks the fever? Take him out and hope the night air cools him off? I end up just dampening a strip of bandage and placing it on his forehead. It seems weak, but I'm afraid to do anything too drastic. I spend the night half-sitting, half-lying next to Peeta, refreshing the bandage, and trying not to dwell on the fact that by teaming up with him, I've made myself far more vulnerable than when I was alone. Tethered to the ground, on guard, with a very sick person to take care of. But I knew he was injured. And still I came after him. I'm just going to have to trust that whatever instinct sent me to find him was a good one. When the sky turns rosy, I notice the sheen of sweat on Peeta's lip and discover the fever has broken. He's not back to normal, but it's come down a few degrees. Last night, when I was gathering vines, I came upon a bush of Rue's berries. I strip off the fruit and mash it up in the broth pot with cold water. Peeta's struggling to get up when I reach the cave. "I woke up and you were gone," he says. "I was worried about you." I have to laugh as I ease him back down. "You were worried about me? Have you taken a look at yourself lately?" "I thought Cato and Clove might have found you. They like to hunt at night," he says, still serious. "Clove? Which one is that?" I ask. "The girl from District Two. She's still alive, right?" he says. "Yes, there's just them and us and Thresh and Foxface," I say. "That's what I nicknamed the girl from Five. How do you feel?" "Better than yesterday. This is an enormous improvement over the mud," he says. "Clean clothes and medicine and a sleeping bag. and you." Oh, right, the whole romance thing. I reach out to touch his cheek and he catches my hand and presses it against his lips. I remember my father doing this very thing to my mother and I wonder where Peeta picked it up. Surely not from his father and the witch. "No more kisses for you until you've eaten," I say. We get him propped up against the wall and he obediently swallows the spoonfuls of the berry mush I feed him. He refuses the groosling again, though. "You didn't sleep," Peeta says. "I'm all right," I say. But the truth is, I'm exhausted. "Sleep now. I'll keep watch. I'll wake you if anything happens," he says. I hesitate. "Katniss, you can't stay up forever." He's got a point there. I'll have to sleep eventually. And probably better to do it now when he seems relatively alert and we have daylight on our side. "All right," I say. "But just for a few hours. Then you wake me." It's too warm for the sleeping bag now. I smooth it out on the cave floor and lie down, one hand on my loaded bow in case I have to shoot at a moment's notice. Peeta sits beside me, leaning against the wall, his bad leg stretched out before him, his eyes trained on the world outside. "Go to sleep," he says softly. His hand brushes the loose strands of my hair off my forehead. Unlike the staged kisses and caresses so far, this gesture seems natural and comforting. I don't want him to stop and he doesn't. He's still stroking my hair when I fall asleep. Too long. I sleep too long. I know from the moment I open my eyes that we're into the afternoon. Peeta's right beside me, his position unchanged. I sit up, feeling somehow defensive but better rested than I've been in days. "Peeta, you were supposed to wake me after a couple of hours," I say. "For what? Nothing's going on here," he says. "Besides I like watching you sleep. You don't scowl. Improves your looks a lot." This, of course, brings on a scowl that makes him grin. That's when I notice how dry his lips are. I test his cheek. Hot as a coal stove. He claims he's been drinking, but the containers still feel full to me. I give him more fever pills and stand over him while he drinks first one, then a second quart of water. Then I tend to his minor wounds, the burns, the stings, which are showing improvement. I steel myself and unwrap the leg. My heart drops into my stomach. It's worse, much worse. There's no more pus in evidence, but the swelling has increased and the tight shiny skin is inflamed. Then I see the red streaks starting to crawl up his leg. Blood poisoning. Unchecked, it will kill him for sure. My chewed-up leaves and ointment won't make a dent in it. We'll need strong anti-infection drugs from the Capitol. I can't imagine the cost of such potent medicine. If Haymitch pooled every donation from every sponsor, would he have enough? I doubt it. Gifts go up in price the longer the Games continue. What buys a full meal on day one buys a cracker on day twelve. And the kind of medicine Peeta needs would have been at a premium from the beginning. "Well, there's more swelling, but the pus is gone," I say in an unsteady voice. "I know what blood poisoning is, Katniss," says Peeta. "Even if my mother isn't a healer." "You're just going to have to outlast the others, Peeta. They'll cure it back at the Capitol when we win," I say. "Yes, that's a good plan," he says. But I feel this is mostly for my benefit. "You have to eat. Keep your strength up. I'm going to make you soup," I say. "Don't light a fire," he says. "It's not worth it."

The sound of the trumpets startles me. I'm on my feet and at the mouth of the cave in a flash, not wanting to miss a syllable. It's my new best friend, Claudius Templesmith, and as I expected, he's inviting us to a feast. Well, we're not that hungry and I actually wave his offer away in indifference when he says, "Now hold on. Some of you may already be declining my invitation. But this is no ordinary feast. Each of you needs something desperately." I do need something desperately. Something to heal Peeta's leg. "Each of you will find that something in a backpack, marked with your district number, at the Cornucopia at dawn. Think hard about refusing to show up. For some of you, this will be your last chance," says Claudius. There's nothing else, just his words hanging in the air. I jump as Peeta grips my shoulder from behind. "No," he says. "You're not risking your life for me." "Who said I was?" I say. "So, you're not going?" he asks. "Of course, I'm not going. Give me some credit. Do you think I'm running straight into some free-for-all against Cato and Clove and Thresh? Don't be stupid," I say, helping him back to bed. "I'll let them fight it out, we'll see who's in the sky tomorrow night and work out a plan from there." "You're such a bad liar, Katniss. I don't know how you've survived this long." He begins to mimic me. "I knew that goat would be a little gold mine. You're a little cooler though. Of course, I'm not going. He shakes his head. "Never gamble at cards. You'll lose your last coin," he says. Anger flushes my face. "All right, I am going, and you can't stop me!" "I can follow you. At least partway. I may not make it to the Cornucopia, but if I'm yelling your name, I bet someone can find me. And then I'll be dead for sure," he says. "You won't get a hundred yards from here on that leg," I say. "Then I'll drag myself," says Peeta. "You go and I'm going, too." He's just stubborn enough and maybe just strong enough to do it. Come howling after me in the woods. Even if a tribute doesn't find him, something else might. He can't defend himself. I'd probably have to wall him up in the cave just to go myself. And who knows what the exertion will do to him? "What am I supposed to do? Sit here and watch you die?" I say. He must know that's not an option. That the audience would hate me. And frankly, I would hate myself, too, if I didn't even try. "I won't die. I promise. If you promise not to go," he says. We're at something of a stalemate. I know I can't argue him out of this one, so I don't try. I pretend, reluctantly, to go along. "Then you have to do what I say. Drink your water, wake me when I tell you, and eat every bite of the soup no matter how disgusting it is!" I snap at him. "Agreed. Is it ready?" he asks. "Wait here," I say. The air's gone cold even though the sun's still up. I'm right about the Gamemakers messing with the temperature. I wonder if the thing someone needs desperately is a good blanket. The soup is still nice and warm in its iron pot. And actually doesn't taste too bad. Peeta eats without complaint, even scraping out the pot to show his enthusiasm. He rambles on about how delicious it is, which should be encouraging if you don't know what fever does to people. He's like listening to Haymitch before the alcohol has soaked him into incoherence. I give him another dose of fever medicine before he goes off his head completely. As I go down to the stream to wash up, all I can think is that he's going to die if I don't get to that feast. I'll keep him going for a day or two, and then the infection will reach his heart or his brain or his lungs and he'll be gone. And I'll be here all alone. Again. Waiting for the others. I'm so lost in thought that I almost miss the parachute, even though it floats right by me. Then I spring after it, yanking it from the water, tearing off the silver fabric to retrieve the vial. Haymitch has done it! He's gotten the medicine - I don't know how, persuaded some gaggle of romantic fools to sell their jewels - and I can save Peeta! It's such a tiny vial though. It must be very strong to cure someone as ill as Peeta. A ripple of doubt runs through me. I uncork the vial and take a deep sniff. My spirits fall at the sickly sweet scent. Just to be sure, I place a drop on the tip of my tongue. There's no question, it's sleep syrup. It's a common medicine in District 12. Cheap, as medicine goes, but very addictive. Almost everyone's had a dose at one time or another. We have some in a bottle at home. My mother gives it to hysterical patients to knock them out to stitch up a bad wound or quiet their minds or just to help someone in pain get through the night. It only takes a little. A vial this size could knock Peeta out for a full day, but what good is that? I'm so furious I'm about to throw Haymitch's last offering into the stream when it hits me. A full day? That's more than I need. I mash up a handful of berries so the taste won't be as noticeable and add some mint leaves for good measure. Then I head back up to the cave. "I've brought you a treat. I found a new patch of berries a little farther downstream." Peeta opens his mouth for the first bite without hesitation. He swallows then frowns slightly. "They're very sweet." "Yes, they're sugar berries. My mother makes jam from them. Haven't you ever had them before?" I say, poking the next spoonful in his mouth. "No," he says, almost puzzled. "But they taste familiar. Sugar berries?" "Well, you can't get them in the market much, they only grow wild," I say. Another mouthful goes down. Just one more to go. "They're sweet as syrup," he says, taking the last spoonful. "Syrup." His eyes widen as he realizes the truth. I clamp my hand over his mouth and nose hard, forcing him to swallow instead of spit. He tries to make himself vomit the stuff up, but it's too late, he's already losing consciousness. Even as he fades away, I can see in his eyes what I've done is unforgivable. I sit back on my heels and look at him with a mixture of sadness and satisfaction. A stray berry stains his chin and I wipe it away. "Who can't lie, Peeta?" I say, even though he can't hear me. It doesn't matter. The rest of Panem can.

The sound of rain drumming on the roof of our house gently pulls me toward consciousness. I fight to return to sleep though, wrapped in a warm cocoon of blankets, safe at home. I'm vaguely aware that my head aches. Possibly I have the flu and this is why I'm allowed to stay in bed, even though I can tell I've been asleep a long time. My mother's hand strokes my cheek and I don't push it away as I would in wakefulness, never wanting her to know how much I crave that gentle touch. How much I miss her even though I still don't trust her. Then there's a voice, the wrong voice, not my mother's, and I'm scared. "Katniss," it says. "Katniss, can you hear me?" My eyes open and the sense of security vanishes. I'm not home, not with my mother. I'm in a dim, chilly cave, my bare feet freezing despite the cover, the air tainted with the unmistakable smell of blood. The haggard, pale face of a boy slides into view, and after an initial jolt of alarm, I feel better. "Peeta." "Hey," he says. "Good to see your eyes again." "How long have I been out?" I ask. "Not sure. I woke up yesterday evening and you were lying next to me in a very scary pool of blood," he says. "I think it's stopped finally, but I wouldn't sit up or anything." I gingerly lift my hand to my head and find it bandaged. This simple gesture leaves me weak and dizzy. Peeta holds a bottle to my lips and I drink thirstily. "You're better," I say. "Much better. Whatever you shot into my arm did the trick," he says. "By this morning, almost all the swelling in my leg was gone." He doesn't seem angry about my tricking him, drugging him, and running off to the feast. Maybe I'm just too beat-up and I'll hear about it later when I'm stronger. But for the moment, he's all gentleness. "Did you eat?" I ask. "I'm sorry to say I gobbled down three pieces of that groosling before I realized it might have to last a while. Don't worry, I'm back on a strict diet," he says. "No, it's good. You need to eat. I'll go hunting soon," I say. "Not too soon, all right?" he says. "You just let me take care of you for a while." I don't really seem to have much choice. Peeta feeds me bites of groosling and raisins and makes me drink plenty of water. He rubs some warmth back into my feet and wraps them in his jacket before tucking the sleeping bag back up around my chin. "Your boots and socks are still damp and the weather's not helping much," he says. There's a clap of thunder, and I see lightning electrify the sky through an opening in the rocks. Rain drips through several holes in the ceiling, but Peeta has built a sort of canopy over my head an upper body by wedging the square of plastic into the rock above me

The memory of the feast returns full-force and I feel sick. "He did. But he let me go." Then, of course, I have to tell him. About things I've kept to myself because he was too sick to ask and I wasn't ready to relive anyway. Like the explosion and my ear and Rue's dying and the boy from District 1 and the bread. All of which leads to what happened with Thresh and how he was paying off a debt of sorts. "He let you go because he didn't want to owe you anything?" asks Peeta in disbelief. "Yes. I don't expect you to understand it. You've always had enough. But if you'd lived in the Seam, I wouldn't have to explain," I say. "And don't try. Obviously I'm too dim to get it." "It's like the bread. How I never seem to get over owing you for that," I say. "The bread? What? From when we were kids?" he says. "I think we can let that go. I mean, you just brought me back from the dead." "But you didn't know me. We had never even spoken. Besides, it's the first gift that's always the hardest to pay back. I wouldn't even have been here to do it if you hadn't helped me then," I say. "Why did you, anyway?" "Why? You know why," Peeta says. I give my head a slight, painful shake. "Haymitch said you would take a lot of convincing." "Haymitch?" I ask. "What's he got to do with it?" "Nothing," Peeta says. "So, Cato and Thresh, huh? I guess it's too much to hope that they'll simultaneously destroy each other?" But the thought only upsets me. "I think we would like Thresh. I think he'd be our friend back in District Twelve," I say. "Then let's hope Cato kills him, so we don't have to," says Peeta grimly. I don't want Cato to kill Thresh at all. I don't want anyone else to die. But this is absolutely not the kind of thing that victors go around saying in the arena. Despite my best efforts, I can feel tears starting to pool in my eyes. Peeta looks at me in concern. "What is it? Are you in a lot of pain?" I give him another answer, because it is equally true but can be taken as a brief moment of weakness instead of a terminal one. "I want to go home, Peeta," I say plaintively, like a small child. "You will. I promise," he says, and bends over to give me a kiss. "I want to go home now," I say. "Tell you what. You go back to sleep and dream of home. And you'll be there for real before you know it," lie says. "Okay?" "Okay," I whisper. "Wake me if you need me to keep watch." "I'm good and rested, thanks to you and Haymitch. Besides, who knows how long this will last?" he says. What does he mean? The storm? The brief respite ii brings us? The Games themselves? I don't know, but I'm ion sad and tired to ask. It's evening when Peeta wakes me again. The rain has turned to a downpour, sending streams of water through our ceiling where earlier there had been only drips. Peeta has placed the broth pot under the worst one and repositioned the plastic to deflect most of it from me. I feel a bit better, able to sit up without getting too dizzy, and I'm absolutely famished. So is Peeta. It's clear he's been waiting for me to wake up to eat and is eager to get started.

ither that or he's got very generous sponsors," says Peeta. "I wonder what we'd have to do to get Haymitch to send us some bread." I raise my eyebrows before I remember he doesn't know about the message Haymitch sent us a couple of nights ago. One kiss equals one pot of broth. It's not the sort of thing I can blurt out, either. To say my thoughts aloud would be tipping off the audience that the romance has been fabricated to play on their sympathies and that would result in no food at all. Somehow, believably, I've got to get things back on track. Something simple to start with. I reach out and take his hand. "Well, he probably used up a lot of resources helping me knock you out," I say mischievously. "Yeah, about that," says Peeta, entwining his fingers in mine. "Don't try something like that again." "Or what?" I ask. "Or. or. " He can't think of anything good. "Just give me a minute." "What's the problem?" I say with a grin. "The problem is we're both still alive. Which only reinforces the idea in your mind that you did the right thing," says Peeta. "I did do the right thing," I say. "No! Just don't, Katniss!" His grip tightens, hurting my hand, and there's real anger in his voice. "Don't die for me. You won't be doing me any favors. All right?" I'm startled by his intensity but recognize an excellent opportunity for getting food, so I try to keep up. "Maybe I did it for myself, Peeta, did you ever think of that? Maybe you aren't the only one who. who worries about. what it would be like if. " I fumble. I'm not as smooth with words as Peeta. And while I was talking, the idea of actually losing Peeta hit me again and I realized how much I don't want him to die. And it's not about the sponsors. And it's not about what will happen back home. And it's not just that I don't want to be alone. It's him. I do not want to lose the boy with the bread. "If what, Katniss?" he says softly. I wish I could pull the shutters closed, blocking out this moment from the prying eyes of Panem. Even if it means losing food. Whatever I'm feeling, it's no one's business but mine. "That's exactly the kind of topic Haymitch told me to steer clear of," I say evasively, although Haymitch never said anything of the kind. In fact, he's probably cursing me out right now for dropping the ball during such an emotionally charged moment. But Peeta somehow catches it. "Then I'll just have to fill in the blanks myself," he says, and moves in to me. This is the first kiss that we're both fully aware of. Neither of us hobbled by sickness or pain or simply unconscious. Our lips neither burning with fever or icy cold. This is the first kiss where I actually feel stirring inside my chest. Warm and curious. This is the first kiss that makes me want another. But I don't get it. Well, I do get a second kiss, but it's just a light one on the tip of my nose because Peeta's been distracted. "I think your wound is bleeding again. Come on, lie down, it's bedtime anyway," he says.

I'm not really sure how to ramp up the romance. The kiss last night was nice, but working up to another will take some forethought. There are girls in the Seam, some of the merchant girls, too, who navigate these waters so easily. But I've never had much time or use for it. Anyway, just a kiss isn't enough anymore clearly because if it was we'd have gotten food last night. My instincts tell me Haymitch isn't just looking for physical affection, he wants something more personal. The sort of stuff he was trying to get me to tell about myself when we were practicing for the interview. I'm rotten at it, but Peeta's not. Maybe the best approach is to get him talking. "Peeta," I say lightly. "You said at the interview you'd had a crush on me forever. When did forever start?" "Oh, let's see. I guess the first day of school. We were five. You had on a red plaid dress and your hair. it was in two braids instead of one. My father pointed you out when we were waiting to line up," Peeta says. "Your father? Why?" I ask. "He said, 'See that little girl? I wanted to marry her mother, but she ran off with a coal miner,'" Peeta says. "What? You're making that up!" I exclaim. "No, true story," Peeta says. "And I said, 'A coal miner? Why did she want a coal miner if she could've had you?' And he said, 'Because when he sings. even the birds stop to listen.'" "That's true. They do. I mean, they did," I say. I'm stunned and surprisingly moved, thinking of the baker telling this to Peeta. It strikes me that my own reluctance to sing, my own dismissal of music might not really be that I think it's a waste of time. It might be because it reminds me too much of my father. "So that day, in music assembly, the teacher asked who knew the valley song. Your hand shot right up in the air. She stood you up on a stool and had you sing it for us. And I swear, every bird outside the windows fell silent," Peeta says. "Oh, please," I say, laughing. "No, it happened. And right when your song ended, I knew - just like your mother - I was a goner," Peeta says. "Then for the next eleven years, I tried to work up the nerve to talk to you." "Without success," I add. "Without success. So, in a way, my name being drawn in the reaping was a real piece of luck," says Peeta. For a moment, I'm almost foolishly happy and then confusion sweeps over me. Because we're supposed to be making up this stuff, playing at being in love not actually being in love. But Peeta's story has a ring of truth to it. That part about my father and the birds. And I did sing the first day of school, although I don't remember the song. And that red plaid dress. there was one, a hand-me-down to Prim that got washed to rags after my father's death. It would explain another thing, too. Why Peeta took a beating to give me the bread on that awful hollow day. So, if those details are true. could it all be true? "You have a. remarkable memory," I say haltingly. "I remember everything about you," says Peeta, tucking a loose strand of hair behind my ear. "You're the one who wasn't paying attention." "I am now," I say. "Well, I don't have much competition here," he says. I want to draw away, to close those shutters again, but I know I can't. It's as if I can hear Haymitch whispering in my ear, "Say it! Say it!" I swallow hard and get the words out. "You don't have much competition anywhere." And this time, it's me who leans in. Our lips have just barely touched when the clunk outside makes us jump. My bow comes up, the arrow ready to fly, but there's no other sound. Peeta peers through the rocks and then gives a whoop. Before I can stop him, lie's out in the rain, then handing something in to me. A silver parachute attached to a basket. I rip it open at once and inside there's a feast - fresh rolls, goat cheese, apples, and best of all, a tureen of that incredible lamb stew on wild rice. The very dish I told Caesar Flickerman was the most impressive thing the Capitol had to offer. Peeta wriggles back inside, his face lit up like the sun. "I guess Haymitch finally got tired of watching us starve."

Every cell in my body wants me to dig into the stew and cram it, handful by handful into my mouth. But Peeta's voice stops me. "We better take it slow on that stew. Remember the first night on the train? The rich food made me sick and I wasn't even starving then." "You're right. And I could just inhale the whole thing!" I say regretfully. But I don't. We are quite sensible. We each have a roll, half an apple, and an egg-size serving of stew and rice. I make myself eat the stew in tiny spoonfuls - they even sent us silverware and plates - savoring each bite. When we finish, I stare longingly at the dish. "I want more." "Me, too. Tell you what. We wait an hour, if it stays down, then we get another serving," Peeta says. "Agreed," I say. "It's going to be a long hour." "Maybe not that long," says Peeta. "What was that you were saying just before the food arrived? Something about me. no competition. best thing that ever happened to you. " "I don't remember that last part," I say, hoping it's too dim in here for the cameras to pick up my blush. "Oh, that's right. That's what I was thinking," he says. "Scoot over, I'm freezing." I make room for him in the sleeping bag. We lean back against the cave wall, my head on his shoulder, his arms wrapped around me. I can feel Haymitch nudging me to keep up the act. "So, since we were five, you never even noticed any other girls?" I ask him. "No, I noticed just about every girl, but none of them made a lasting impression but you," he says. "I'm sure that would thrill your parents, you liking a girl from the Seam," I say. "Hardly. But I couldn't care less. Anyway, if we make it back, you won't be a girl from the Seam, you'll be a girl from the Victor's Village," he says. That's right. If we win, we'll each get a house in the part of town reserved for Hunger Games' victors. Long ago, when the Games began, the Capitol had built a dozen fine houses in each district. Of course, in ours only one is occupied. Most of the others have never been lived in at all. A disturbing thought hits me. "But then, our only neighbor will be Haymitch!" "Ah, that'll be nice," says Peeta, tightening his arms around me. "You and me and Haymitch. Very cozy. Picnics, birthdays, long winter nights around the fire retelling old Hunger Games' tales." "I told you, he hates me!" I say, but I can't help laughing at the image of Haymitch becoming my new pal. "Only sometimes. When he's sober, I've never heard him say one negative thing about you," says Peeta. "He's never sober!" I protest. "That's right. Who am I thinking of? Oh, I know. It's Cinna who likes you. But that's mainly because you didn't try to run when he set you on fire," says Peeta. "On the other hand, Haymitch. well, if I were you, I'd avoid Haymitch completely. He hates you." "I thought you said I was his favorite," I say. "He hates me more," says Peeta. "I don't think people in general are his sort of thing." I know the audience will enjoy our having fun at Haymitch's expense. He has been around so long, he's practically an old friend to some of them. And after his head-dive off the stage at the reaping, everybody knows him. By this time, they'll have dragged him out of the control room for interviews about us. No telling what sort of lies he's made up. He's at something of a disadvantage because most mentors have a partner, another victor to help them whereas Haymitch has to be ready to go into action at any moment. Kind of like me when I was alone in the arena. I wonder how he's holding up, with the drinking, the attention, and the stress of trying to keep us alive. It's funny. Haymitch and I don't get along well in person, but maybe Peeta is right about us being alike because he seems able to communicate with me by the timing of his gifts. Like how I knew I must be close to water when he withheld it and how I knew the sleep syrup just wasn't something to ease Peeta's pain and how I know now that I have to play up the romance. He hasn't made much effort to connect with Peeta really. Perhaps he thinks a bowl of broth would just be a bowl of broth to Peeta, whereas I'll see the strings attached to it. A thought hits me, and I'm amazed the question's taken so long to surface. Maybe it's because I've only recently begun to view Haymitch with a degree of curiosity. "How do you think he did it?" "Who? Did what?" Peeta asks. "Haymitch. How do you think he won the Games?" I say. Peeta considers this quite a while before he answers. Haymitch is sturdily built, but no physical wonder like Cato or Thresh. He's not particularly handsome. Not in the way that causes sponsors to rain gifts on you. And he's so surly, it's hard to imagine anyone teaming up with him. There's only one way Haymitch could have won, and Peeta says it just as I'm reaching this conclusion myself. "He outsmarted the others," says Peeta. I nod, then let the conversation drop. But secretly I'm wondering if Haymitch sobered up long enough to help Peeta and me because he thought we just might have the wits to survive. Maybe he wasn't always a drunk. Maybe, in the beginning, he tried to help the tributes. But then it got unbearable. It must be hell to mentor two kids and then watch them die. Year after year after year. I realize that if I get out of here, that will become my job. To mentor the girl from District 12. The idea is so repellent, I thrust it from my mind. About half an hour has passed before I decide I have to eat again. Peeta's too hungry himself to put up an argument. While I'm dishing up two more small servings of lamb stew and rice, we hear the anthem begin to play. Peeta presses his eyes against a crack in the rocks to watch the sky. "There won't be anything to see tonight," I say, far more interested in the stew than the sky. "Nothing's happened or we would've heard a cannon." "Katniss," Peeta says quietly. "What? Should we split another roll, too?" I ask. "Katniss," he repeats, but I find myself wanting to ignore him. "I'm going to split one. But I'll save the cheese for tomorrow," I say. I see Peeta staring at me. "What?" "Thresh is dead," says Peeta. "He can't be," I say. "They must have fired the cannon during the thunder and we missed it," says Peeta. "Are you sure? I mean, it's pouring buckets out there. I don't know how you can see anything," I say. I push him away from the rocks and squint out into the dark, rainy sky. For about ten seconds, I catch a distorted glimpse of Thresh's picture and then he's gone. Just like that. I slump down against the rocks, momentarily forgetting about the task at hand. Thresh dead. I should be happy, right? One less tribute to face. And a powerful one, too. But I'm not happy. All I can think about is Thresh letting me go, letting me run because of Rue, who died with that spear in her stomach. "You all right?" asks Peeta. I give a noncommittal shrug and cup my elbows in my hands, hugging them close to my body. I have to bury the real pain because who's going to bet on a tribute who keeps sniveling over the deaths of her opponents. Rue was one thing. We were allies. She was so young. But no one will understand my sorrow at Thresh's murder. The word pulls me up short. Murder! Thankfully, I didn't say it aloud. That's not going to win me any points in the arena. What I do say is, "It's just. if we didn't win. I wanted Thresh to. Because he let me go. And because of Rue." "Yeah, I know," says Peeta. "But this means we're one step closer to District Twelve." He nudges a plate of foot into my hands. "Eat. It's still warm." I take a bite of the stew to show I don't really care, but it's like glue in my mouth and takes a lot of effort to swallow. "It also means Cato will be back hunting us." "And he's got supplies again," says Peeta. "He'll be wounded, I bet," I say. "What makes you say that?" Peeta asks. "Because Thresh would have never gone down without a fight. He's so strong, I mean, he was. And they were in his territory," I say. "Good," says Peeta. "The more wounded Cato is the better. I wonder how Foxface is making out." "Oh, she's fine," I say peevishly. I'm still angry she thought of hiding in the Cornucopia and I didn't. "Probably be easier to catch Cato than her." "Maybe they'll catch each other and we can just go home," says Peeta. "But we better be extra careful about the watches. I dozed off a few times." "Me, too," I admit. "But not tonight." We finish our food in silence and then Peeta offers to take the first watch. I burrow down in the sleeping bag next to him, pulling my hood up over my face to hide it from the cameras. I just need a few moments of privacy where I can let any emotion cross my face without being seen. Under the hood, I silently say good-bye to Thresh and thank him for my life. I promise to remember him and, if I can, do something to help his family and Rue's, if I win. Then I escape into sleep, comforted by a full belly and the steady warmth of Peeta beside me. When Peeta wakes me later, the first thing I register is the smell of goat cheese. He's holding out half a roll spread with the creamy white stuff and topped with apple slices. "Don't be mad," he says. "I had to eat again. Here's your half." "Oh, good," I say, immediately taking a huge bite. The strong fatty cheese tastes just like the kind Prim makes, the apples are sweet and crunchy. "Mm." "We make a goat cheese and apple tart at the bakery," he says. "Bet that's expensive," I say. "Too expensive for my family to eat. Unless it's gone very stale. Of course, practically everything we eat is stale," says Peeta, pulling the sleeping bag up around him. In less than a minute, he's snoring. Huh. I always assumed the shopkeepers live a soft life. And it's true, Peeta has always had enough to eat. But there's something kind of depressing about living your life on stale bread, the hard, dry loaves that no one else wanted. One thing about us, since I bring our food home on a daily basis, most of it is so fresh you have to make sure it isn't going to make a run for it. Somewhere during my shift, the rain stops not gradually but all at once. The downpour ends and there's only the residual drippings of water from branches, the rush of the now overflowing stream below us. A full, beautiful moon emerges, and even without the glasses I can see outside. I can't decide if the moon is real or merely a projection of the Gamemakers. I know it was full shortly before I left home. Gale and I watched it rise as we hunted into the late hours. How long have I been gone? I'm guessing it's been about two weeks in the arena, and there was that week of preparation in the Capitol. Maybe the moon has completed its cycle. For some reason, I badly want it to be my moon, the same one I see from the woods around District 12. That would give me something to cling to in the surreal world of the arena where the authenticity of everything is to be doubted. Four of us left.

For the first time, I allow myself to truly think about the possibility that I might make it home. To fame. To wealth. To my own house in the Victor's Village. My mother and Prim would live there with me. No more fear of hunger. A new kind of freedom. But then. what? What would my life be like on a daily basis? Most of it has been consumed with the acquisition of food. Take that away and I'm not really sure who I am, what my identity is. The idea scares me some. I think of Haymitch, with all his money. What did his life become? He lives alone, no wife or children, most of his waking hours drunk. I don't want to end up like that.

"But you won't be alone," I whisper to myself. I have my mother and Prim. Well, for the time being. And then. I don't want to think about then, when Prim has grown up, my mother passed away. I know I'll never marry, never risk bringing a child into the world. Because if there's one thing being a victor doesn't guarantee, it's your children's safety. My kids' names would go right into the reaping balls with everyone else's. And I swear I'll never let that happen.

The sun eventually rises, its light slipping through the cracks and illuminating Peeta's face. Who will he transform into if we make it home? This perplexing, good-natured boy who can spin out lies so convincingly the whole of Panem believes him to be hopelessly in love with me, and I'll admit it, there are moments when he makes me believe it myself? At least, we'll be friends, I think. Nothing will change the fact that we've saved each other's lives in here. And beyond that, he will always be the boy with the bread. Good friends. Anything beyond that though. and I feel Gale's gray eyes watching me watching Peeta, all the way from District 12.

Discomfort causes me to move. I scoot over and shake Peeta's shoulder. His eyes open sleepily and when they focus on me, he pulls me down for a long kiss.

"We're wasting hunting time," I say when I finally break away.

"I wouldn't call it wasting," he says giving a big stretch as he sits up. "So do we hunt on empty stomachs to give us an edge?"

"Not us," I say. "We stuff ourselves to give us staying power."

"Count me in," Peeta says. But I can see he's surprised when I divide the rest of the stew and rice and hand a heaping plate to him. "All this?"

"We'll earn it back today," I say, and we both plow into our plates. Even cold, it's one of the best things I've ever tasted. I abandon my fork and scrape up the last dabs of gravy with my finger. "I can feel Effie Trinket shuddering at my manners."

"Hey, Effie, watch this!" says Peeta. He tosses his fork over his shoulder and literally licks his plate clean with his tongue making loud, satisfied sounds. Then he blows a kiss out to her in general and calls, "We miss you, Effie!"

I cover his mouth with my hand, but I'm laughing. "Stop! Cato could be right outside our cave."

He grabs my hand away. "What do I care? I've got you to protect me now," says Peeta, pulling me to him.

"Come on," I say in exasperation, extricating myself from his grasp but not before he gets in another kiss.

We finish our food in silence and then Peeta offers to take the first watch. I burrow down in the sleeping bag next to him, pulling my hood up over my face to hide it from the cameras. I just need a few moments of privacy where I can let any emotion cross my face without being seen. Under the hood, I silently say good-bye to Thresh and thank him for my life. I promise to remember him and, if I can, do something to help his family and Rue's, if I win. Then I escape into sleep, comforted by a full belly and the steady warmth of Peeta beside me. When Peeta wakes me later, the first thing I register is the smell of goat cheese. He's holding out half a roll spread with the creamy white stuff and topped with apple slices. "Don't be mad," he says. "I had to eat again. Here's your half." "Oh, good," I say, immediately taking a huge bite. The strong fatty cheese tastes just like the kind Prim makes, the apples are sweet and crunchy. "Mm." "We make a goat cheese and apple tart at the bakery," he says. "Bet that's expensive," I say. "Too expensive for my family to eat. Unless it's gone very stale. Of course, practically everything we eat is stale," says Peeta, pulling the sleeping bag up around him. In less than a minute, he's snoring. Huh. I always assumed the shopkeepers live a soft life. And it's true, Peeta has always had enough to eat. But there's something kind of depressing about living your life on stale bread, the hard, dry loaves that no one else wanted. One thing about us, since I bring our food home on a daily basis, most of it is so fresh you have to make sure it isn't going to make a run for it. Somewhere during my shift, the rain stops not gradually but all at once. The downpour ends and there's only the residual drippings of water from branches, the rush of the now overflowing stream below us. A full, beautiful moon emerges, and even without the glasses I can see outside. I can't decide if the moon is real or merely a projection of the Gamemakers. I know it was full shortly before I left home. Gale and I watched it rise as we hunted into the late hours. How long have I been gone? I'm guessing it's been about two weeks in the arena, and there was that week of preparation in the Capitol. Maybe the moon has completed its cycle. For some reason, I badly want it to be my moon, the same one I see from the woods around District 12. That would give me something to cling to in the surreal world of the arena where the authenticity of everything is to be doubted. Four of us left.

Discomfort causes me to move. I scoot over and shake Peeta's shoulder. His eyes open sleepily and when they focus on me, he pulls me down for a long kiss

The boulders diminish to rocks that eventually turn to pebbles, and then, to my relief, we're back on pine needles and the gentle incline of the forest floor. For the first time, I realize we have a problem. Navigating the rocky terrain with a bad leg - well, you're naturally going to make some noise. But even on the smooth bed of needles, Peeta is loud. And I mean loud loud, as if he's stomping his feet or something. I turn and look at him. "What?" he asks. "You've got to move more quietly," I say. "Forget about Cato, you're chasing off every rabbit in a ten-mile radius." "Really?" he says. "Sorry, I didn't know." So, we start up again and he's a tiny bit better, but even with only one working ear, he's making me jump. "Can you take your boots off?" I suggest. "Here?" he asks in disbelief, as if I'd asked him to walk barefoot on hot coals or something. I have to remind myself that he's still not used to the woods, that it's the scary, forbidden place beyond the fences of District 12. I think of Gale, with his velvet tread. It's eerie how little sound he makes, even when the leaves have fallen and it's a challenge to move at all without chasing off the game. I feel certain he's laughing back home. "Yes," I say patiently. "I will, too. That way we'll both be quieter." Like I was making any noise. So we both strip off our boots and socks and, while there's some improvement, I could swear he's making an effort to snap every branch we encounter. Needless to say, although it takes several hours to reach my old camp with Rue, I've shot nothing. If the stream would settle down, fish might be an option, but the current is still too strong. As we stop to rest and drink water, I try to work out a solution. Ideally, I'd dump Peeta now with some simple root-gathering chore and go hunt, but then he'd be left with only a knife to defend himself against Cato's spears and superior strength. So what I'd really like is to try and conceal him somewhere safe, then go hunt, and come back and collect him. But I have a feeling his ego isn't going to go for that suggestion. "Katniss," he says. "We need to split up. I know I'm chasing away the game." "Only because your leg's hurt," I say generously, because really, you can tell that's only a small part of the problem. "I know," he says. "So, why don't you go on? Show me some plants to gather and that way we'll both be useful." "Not if Cato comes and kills you." I tried to say it in a nice way, but it still sounds like I think he's a weakling. Surprisingly, he just laughs. "Look, I can handle Cato. I fought him before, didn't I?" Yeah, and that turned out great. You ended up dying in a mud bank. That's what I want to say, but I can't. He did save my life by taking on Cato after all. I try another tactic. "What if you climbed up in a tree and acted as a lookout while I hunted?" I say, trying to make it sound like very important work. "What if you show me what's edible around here and go get us some meat?" he says, mimicking my tone. "Just don't go far, in case you need help." I sigh and show him some roots to dig. We do need food, no question. One apple, two rolls, and a blob of cheese the size of a plum won't last long. I'll just go a short distance and hope Cato is a long way off. I teach him a bird whistle - not a melody like Rue's but a simple two-note whistle - which we can use to communicate that we're all right. Fortunately, he's good at this. Leaving him with the pack, I head off. I feel like I'm eleven again, tethered not to the safety of the fence but to Peeta, allowing myself twenty, maybe thirty yards of hunting space. Away from him though, the woods come alive with animal sounds. Reassured by his periodic whistles, I allow myself to drift farther away, and soon have two rabbits and a fat squirrel to show for it. I decide it's enough. I can set snares and maybe get some fish. With Peeta's roots, this will be enough for now. As I travel the short distance back, I realize we haven't exchanged signals in a while. When my whistle receives no response, I run. In no time, I find the pack, a neat pile of roots beside it. The sheet of plastic has been laid on the ground where the sun can reach the single layer of berries that covers it. But where is he? "Peeta!" I call out in a panic. "Peeta!" I turn to the rustle of brush and almost send an arrow through him. Fortunately, I pull my bow at the last second and it sticks in an oak trunk to his left. He jumps back, flinging a handful of berries into the foliage. My fear comes out as anger. "What are you doing? You're supposed to be here, not running around in the woods!" "I found some berries down by the stream," he says, clearly confused by my outburst. "I whistled. Why didn't you whistle back?" I snap at him. "I didn't hear. The water's too loud, I guess," he says. He crosses and puts his hands on my shoulders. That's when I feel that I'm trembling. "I thought Cato killed you!" I almost shout. "No, I'm fine." Peeta wraps his arms around me, but I don't respond. "Katniss?" I push away, trying to sort out my feelings. "If two people agree on a signal, they stay in range. Because if one of them doesn't answer, they're in trouble, all right?" "All right!" he says. "All right. Because that's what happened with Rue, and I watched her die!" I say. I turn away from him, go to the pack and open a fresh bottle of water, although I still have some in mine. But I'm not ready to forgive him. I notice the food. The rolls and apples are untouched, but someone's definitely picked away part of the cheese. "And you ate without me!" I really don't care, I just want something else to be mad about. "What? No, I didn't," Peeta says. "Oh, and I suppose the apples ate the cheese," I say. "I don't know what ate the cheese," Peeta says slowly and distinctly, as if trying not to lose his temper, "but it wasn't me. I've been down by the stream collecting berries. Would you care for some?" I would actually, but I don't want to relent too soon. I do walk over and look at them. I've never seen this type before. No, I have. But not in the arena. These aren't Rue's berries, although they resemble them. Nor do they match any I learned about in training. I lean down and scoop up a few, rolling them between my fingers. My father's voice comes back to me. "Not these, Katniss. Never these. They're nightlock. You'll be dead before they reach your stomach." Just then, the cannon fires. I whip around, expecting Peeta to collapse to the ground, but he only raises his eyebrows. The hovercraft appears a hundred yards or so away. What's left of Foxface's emaciated body is lifted into the air. I can see the red glint of her hair in the sunlight. I should have known the moment I saw the missing cheese. Peeta has me by the arm, pushing me toward a tree. "Climb. He'll be here in a second. We'll stand a better chance fighting him from above." I stop him, suddenly calm. "No, Peeta, she's your kill, not Cato's." "What? I haven't even seen her since the first day," he says. "How could I have killed her?" In answer, I hold out the berries.

Peeta's a whiz with fires, coaxing a blaze out of the damp wood. In no time, I have the rabbits and squirrel roasting, the roots, wrapped in leaves, baking in the coals. We take turns gathering greens and keeping a careful watch for Cato, but as I anticipated, he doesn't make an appearance.

Okay I skipped to the Mutt Part with Peeta and Katniss ( After Catos down on the ground)

I turn my attention to Peeta and discover his leg is bleeding as badly as ever. All our supplies, our packs, remain down by the lake where we abandoned them when we fled from the mutts. I have no bandage, nothing to staunch the flow of blood from his calf. Although I'm shaking in the biting wind, I rip off my jacket, remove my shirt, and zip back into the jacket as swiftly as possible. That brief exposure sets my teeth chattering beyond control. Peeta's face is gray in the pale moonlight. I make him lie down before I probe his wound. Warm, slippery blood runs over my fingers. A bandage will not be enough. I've seen my mother tie a tourniquet a handful of times and try to replicate it. I cut free a sleeve from my shirt, wrap it twice around his leg just under his knee, and tie a half knot. I don't have a stick, so I take my remaining arrow and insert it in the knot, twisting it as tightly as I dare. It's risky business - Peeta may end up losing his leg - but when I weigh this against him losing his life, what alternative do I have? I bandage the wound in the rest of my shirt and lay down with him. "Don't go to sleep," I tell him. I'm not sure if this is exactly medical protocol, but I'm terrified that if he drifts off he'll never wake again. "Are you cold?" he asks. He unzips his jacket and I press against him as he fastens it around me. It's a bit warmer, sharing our body heat inside my double layer of jackets, but the night is young. The temperature will continue to drop. Even now I can feel the Cornucopia, which burned so when I first climbed it, slowly turning to ice. "Cato may win this thing yet," I whisper to Peeta. "Don't you believe it," he says, pulling up my hood, but he's shaking harder than I am. The next hours are the worst in my life, which if you think about it, is saying something. The cold would be torture enough, but the real nightmare is listening to Cato, moaning, begging, and finally just whimpering as the mutts work away at him. After a very short time, I don't care who he is or what he's done, all I want is for his suffering to end. "Why don't they just kill him?" I ask Peeta. "You know why," he says, and pulls me closer to him. And I do. No viewer could turn away from the show now. From the Gamemakers' point of view, this is the final word in entertainment. It goes on and on and on and eventually completely consumes my mind, blocking out memories and hopes of tomorrow, erasing everything but the present, which I begin to believe will never change. There will never be anything but cold and fear and the agonized sounds of the boy dying in the horn. Peeta begins to doze off now, and each time he does, I find myself yelling his name louder and louder because if he goes and dies on me now, I know I'll go completely insane. He's fighting it, probably more for me than for him, and it's hard because unconsciousness would be its own form of escape. But the adrenaline pumping through my body would never allow me to follow him, so I can't let him go. I just can't.The only indication of the passage of time lies in the heavens, the subtle shift of the moon. So Peeta begins pointing it out to me, insisting I acknowledge its progress and sometimes, for just a moment I feel a flicker of hope before the agony of the night engulfs me again.Finally, I hear him whisper that the sun is rising. I open my eyes and find the stars fading in the pale light of dawn. I can see, too, how bloodless Peeta's face has become. How little time he has left. And I know I have to get him back to the Capitol.Still, no cannon has fired. I press my good ear against the horn and can just make out Cato's voice."I think he's closer now. Katniss, can you shoot him?" Peeta asks.If he's near the mouth, I may be able to take him out. It would be an act of mercy at this point."My last arrow's in your tourniquet," I say."Make it count," says Peeta, unzipping his jacket, letting me loose.So I free the arrow, tying the tourniquet back as tightly as my frozen fingers can manage. I rub my hands together, trying to regain circulation. When I crawl to the lip of the horn and hang over the edge, I feel Peeta's hands grip me for support.It takes a few moments to find Cato in the dim light, in the blood. Then the raw hunk of meat that used to be my enemy makes a sound, and I know where his mouth is. And I think the word he's trying to say is please.Pity, not vengeance, sends my arrow flying into his skull. Peeta pulls me back up, bow in hand, quiver empty."Did you get him?" he whispers.The cannon fires in answer."Then we won, Katniss," he says hollowly."Hurray for us," I get out, but there's no joy of victory in my voice.

A moment not matter what I will always Watch

"Greetings to the final contestants of the Seventy-fourth Hunger Games. The earlier revision has been revoked. Closer examination of the rule book has disclosed that only one winner may be allowed," he says. "Good luck and may the odds be ever in your favor." There's a small burst of static and then nothing more. I stare at Peeta in disbelief as the truth sinks in. They never intended to let us both live. This has all been devised by the Gamemakers to guarantee the most dramatic showdown in history. And like a fool, I bought into it. "If you think about it, it's not that surprising," he says softly. I watch as he painfully makes it to his feet. Then he's moving toward me, as if in slow motion, his hand is pulling the knife from his belt - Before I am even aware of my actions, my bow is loaded with the arrow pointed straight at his heart. Peeta raises his eyebrows and I see the knife has already left his hand on its way to the lake where it splashes in the water. I drop my weapons and take a step back, my face burning in what can only be shame. "No," he says. "Do it." Peeta limps toward me and thrusts the weapons back in my hands. "I can't, I say. "I won't." "Do it. Before they send those mutts back or something. I don't want to die like Cato," he says. "Then you shoot me," I say furiously, shoving the weapons back at him. "You shoot me and go home and live with it!" And as I say it, I know death right here, right now would be the easier of the two. "You know I can't," Peeta says, discarding the weapons. "Fine, I'll go first anyway." He leans down and rips the bandage off his leg, eliminating the final barrier between his blood and the earth. "No, you can't kill yourself," I say. I'm on my knees, desperately plastering the bandage back onto his wound. "Katniss," he says. "It's what I want." "You're not leaving me here alone," I say. Because if he dies, I'll never go home, not really. I'll spend the rest of my life in this arena trying to think my way out. "Listen," he says pulling me to my feet. "We both know they have to have a victor. It can only be one of us. Please, take it. For me." And he goes on about how he loves me, what life would be without me but I've stopped listening because his previous words are trapped in my head, thrashing desperately around. We both know they have to have a victor. Yes, they have to have a victor. Without a victor, the whole thing would blow up in the Gamemakers' faces. They'd have failed the Capitol. Might possibly even be executed, slowly and painfully while the cameras broadcast it to every screen in the country. If Peeta and I were both to die, or they thought we were. My fingers fumble with the pouch on my belt, freeing it. Peeta sees it and his hand clamps on my wrist. "No, I won't let you." "Trust me," I whisper. He holds my gaze for a long moment then lets me go. I loosen the top of the pouch and pour a few spoonfuls of berries into his palm. Then I fill my own. "On the count of three?" Peeta leans down and kisses me once, very gently. "The count of three," he says. We stand, our backs pressed together, our empty hands locked tight. "Hold them out. I want everyone to see," he says. I spread out my fingers, and the dark berries glisten in the sun. I give Peeta's hand one last squeeze as a signal, as a good-bye, and we begin counting. "One." Maybe I'm wrong. "Two." Maybe they don't care if we both die. "Three!" It's too late to change my mind. I lift my hand to my mouth, taking one last look at the world. The berries have just passed my lips when the trumpets begin to blare. The frantic voice of Claudius Templesmith shouts above them. "Stop! Stop! Ladies and gentlemen, I am pleased to present the victors of the Seventy-fourth Hunger Games, Katniss Everdeen and Peeta Mellark! I give you - the tributes of District Twelve!"

And we are not done Yet...

The hovercraft materializes overhead and two ladders drop, only there's no way I'm letting go of Peeta. I keep one arm around him as I help him up, and we each place a foot on the first rung of the ladder. The electric current freezes us in place, and this time I'm glad because I'm not really sure Peeta can hang on for the whole ride. And since my eyes were looking down, I can see that while our muscles are immobile, nothing is preventing the blood from draining out of Peeta's leg. Sure enough, the minute the door closes behind us and the current stops, he slumps to the floor unconscious. My fingers are still gripping the back of his jacket so tightly that when they take him away it tears leaving me with a fistful of black fabric. Doctors in sterile white, masked and gloved, already prepped to operate, go into action. Peeta's so pale and still on a silver table, tubes and wires springing out of him every which way, and for a moment I forget we're out of the Games and I see the doctors as just one more threat, one more pack of mutts designed to kill him. Petrified, I lunge for him, but I'm caught and thrust back into another room, and a glass door seals between us. I pound on the glass, screaming my head off. Everyone ignores me except for some Capitol attendant who appears behind me and offers me a beverage. I slump down on the floor, my face against the door, staring uncomprehendingly at the crystal glass in my hand. Icy cold, filled with orange juice, a straw with a frilly white collar. How wrong it looks in my bloody, filthy hand with its dirt-caked nails and scars. My mouth waters at the smell, but I place it carefully on the floor, not trusting anything so clean and pretty. Through the glass, I see the doctors working feverishly on Peeta, their brows creased in concentration. I see the flow of liquids, pumping through the tubes, watch a wall of dials and lights that mean nothing to me. I'm not sure, but I think his heart stops twice. It's like being home again, when they bring in the hopelessly mangled person from the mine explosion, or the woman in her third day of labor, or the famished child struggling against pneumonia and my mother and Prim, they wear that same look on their faces. Now is the time to run away to the woods, to hide in the trees until the patient is long gone and in another part of the Seam the hammers make the coffin. But I'm held here both by the hovercraft walls and the same force that holds the loved ones of the dying. How often I've seen them, ringed around our kitchen table and I thought, Why don't they leave? Why do they stay to watch? And now I know. It's because you have no choice. I startle when I catch someone staring at me from only a few inches away and then realize it's my own face reflecting back in the glass. Wild eyes, hollow cheeks, my hair in a tangled mat. Rabid. Feral. Mad. No wonder everyone is keeping a safe distance from me.

I slip my legs out of bed, nervous about how they will bear my weight and find them strong and steady. Lying at the foot of the bed is an outfit that makes me flinch. It's what all of us tributes wore in the arena. I stare at it as if it had teeth until I remember that, of course, this is what I will wear to greet my team. I'm dressed in less than a minute and fidgeting in front of the wall where I know there's a door even if I can't see it when suddenly it slides open. I step into a wide, deserted hall that appears to have no other doors on it. But it must. And behind one of them must be Peeta. Now that I'm conscious and moving, I'm growing more and more anxious about him. He must be all right or the Avox girl wouldn't have said so. But I need to see him for myself. "Peeta!" I call out, since there's no one to ask. I hear my name in response, but it's not his voice. It's a voice that provokes first irritation and then eagerness. Effie. I turn and see them all waiting in a big chamber at the end of the hall - Effie, Haymitch, and Cinna. My feet take off without hesitation. Maybe a victor should show more restraint, more superiority, especially when she knows this will be on tape, but I don't care. I run for them and surprise even myself when I launch into Haymitch's arms first. When he whispers in my ear, "Nice job, sweetheart," it doesn't sound sarcastic. Effie's somewhat teary and keeps patting my hair and talking about how she told everyone we were pearls. Cinna just hugs me tight and doesn't say anything. Then I notice Portia is absent and get a bad feeling. "Where's Portia? Is she with Peeta? He is all right, isn't he? I mean, he's alive?" I blurt out. "He's fine. Only they want to do your reunion live on air at the ceremony," says Haymitch. "Oh. That's all," I say. The awful moment of thinking Peeta's dead again passes. "I guess I'd want to see that myself." "Go on with Cinna. He has to get you ready," says Haymitch. It's a relief to be alone with Cinna, to feel his protective arm around my shoulders as he guides me away from the cameras, down a few passages and to an elevator that leads to the lobby of the Training Center. The hospital then is far underground, even beneath the gym where the tributes practiced tying knots and throwing spears. The windows of the lobby are darkened, and a handful of guards stand on duty. No one else is there to see us cross to the tribute elevator. Our footsteps echo in the emptiness. And when we ride up to the twelfth floor, the faces of all the tributes who will never return flash across my mind and there's a heavy, tight place in my chest.

When the elevator doors open, Venia, Flavius, and Octavia engulf me, talking so quickly and ecstatically I can't make out their words. The sentiment is clear though. They are truly thrilled to see me and I'm happy to see them, too, although not like I was to see Cinna. It's more in the way one might be glad to see an affectionate trio of pets at the end of a particularly difficult day.

Okay I know this part doesn’t really have Peeta in it but It’s super important

Haymitch's eyes shift around my musty holding space, and he seems to make a decision. "But nothing. How about a hug for luck?"

Okay, that's an odd request from Haymitch but, after all, we are victors. Maybe a hug for luck is in order. Only, when I put my arms around his neck, I find myself trapped in his embrace. He begins talking, very fast, very quietly in my ear, my hair concealing his lips.

"Listen up. You're in trouble. Word is the Capitol's furious about you showing them up in the arena. The one thing they can't stand is being laughed at and they're the joke of Panem," says Haymitch.

I feel dread coursing through me now, but I laugh as though Haymitch is saying something completely delightful because nothing is covering my mouth. "So, what?"

"Your only defense can be you were so madly in love you weren't responsible for your actions." Haymitch pulls back and adjusts my hairband. "Got it, sweetheart?" He could be talking about anything now.

"Got it," I say. "Did you tell Peeta this?"

"Don't have to," says Haymitch. "He's already there."

"But you think I'm not?" I say, taking the opportunity to straighten a bright red bow tie Cinna must have wrestled him into.

"Since when does it matter what I think?" says Haymitch. "Better take our places." He leads me to the metal circle. "This is your night, sweetheart. Enjoy it." He kisses me on the forehead and disappears into the gloom.

I tug on my skirt, willing it to be longer, wanting it to cover the knocking in my knees. Then I realize it's pointless. My whole body's shaking like a leaf. Hopefully, it will be put down to excitement. After all, it's my night.

The anthem booms in my ears, and then I hear Caesar Flickerman greeting the audience. Does he know how crucial it is to get every word right from now on? He must. He will want to help us. The crowd breaks into applause as the prep teams are presented. I imagine Flavius, Venia, and Octavia bouncing around and taking ridiculous, bobbing bows. It's a safe bet they're clueless. Then Effie's introduced. How long she's waited for this moment. I hope she's able to enjoy it because as misguided as Effie can be, she has a very keen instinct about certain things and must at least suspect we're in trouble. Portia and Cinna receive huge cheers, of course, they've been brilliant, had a dazzling debut. I now understand Cinna's choice of dress for me for tonight. I'll need to look as girlish and innocent as possible. Haymitch's appearance brings a round of stomping that goes on at least five minutes. Well, he's accomplished a first. Keeping not only one but two tributes alive. What if he hadn't warned me in time? Would I have acted differently? Flaunted the moment with the berries in the Capitol's face? No, I don't think so. But I could easily have been a lot less convincing than I need to be now. Right now. Because I can feel the plate lifting me up to the stage. Blinding lights. The deafening roar rattles the metal under my feet. Then there's Peeta just a few yards away. He looks so clean and healthy and beautiful, I can hardly recognize him. But his smile is the same whether in mud or in the Capitol and when I see it, I take about three steps and fling myself into his arms. He staggers back, almost losing his balance, and that's when I realize the slim, metal contraption in his hand is some kind of cane. He rights himself and we just cling to each other while the audience goes insane. He's kissing me and all the time I'm thinking, Do you know? Do you know how much danger we're in? After about ten minutes of this, Caesar Flickerman taps on his shoulder to continue the show, and Peeta just pushes him aside without even glancing at him. The audience goes berserk. Whether he knows or not, Peeta is, as usual, playing the crowd exactly right. Finally, Haymitch interrupts us and gives us a good-natured shove toward the victor's chair. Usually, this is a single, ornate chair from which the winning tribute watches a film of the highlights of the Games, but since there are two of us, the Gamemakers have provided a plush red velvet couch. A small one, my mother would call it a love seat, I think. I sit so close to Peeta that I'm practically on his lap, but one look from Haymitch tells me it isn't enough. Kicking off my sandals, I tuck my feet to the side and lean my head against Peeta's shoulder. His arm goes around me automatically, and I feel like I'm back in the cave, curled up against him, trying to keep warm. His shirt is made of the same yellow material as my dress, but Portia's put him in long black pants. No sandals, either, but a pair of sturdy black boots he keeps solidly planted on the stage. I wish Cinna had given me a similar outfit, I feel so vulnerable in this flimsy dress. But I guess that was the point.

All I know is that the only thing keeping me on this love seat is Peeta - his arm around my shoulder, his other hand claimed by both of mine. Of course, the previous victors didn't have the Capitol looking for a way to destroy them. Condensing several weeks into three hours is quite a feat, especially when you consider how many cameras were going at once. Whoever puts together the highlights has to choose what sort of story to tell. This year, for the first time, they tell a love story. I know Peeta and I won, but a disproportionate amount of time is spent on us, right from the beginning. I'm glad though, because it supports the whole crazy-in-love thing that's my defense for defying the Capitol, plus it means we won't have as much time to linger over the deaths. The first half hour or so focuses on the pre-arena events, the reaping, the chariot ride through the Capitol, our training scores, and our interviews. There's this sort of upbeat soundtrack playing under it that makes it twice as awful because, of course, almost everyone on-screen is dead. Once we're in the arena, there's detailed coverage of the bloodbath and then the filmmakers basically alternate between shots of tributes dying and shots of us. Mostly Peeta really, there's no question he's carrying this romance thing on his shoulders. Now I see what the audience saw, how he misled the Careers about me, stayed awake the entire night under the tracker jacker tree, fought Cato to let me escape and even while he lay in that mud bank, whispered my name in his sleep. I seem heartless in comparison - dodging fireballs, dropping nests, and blowing up supplies - until I go hunting for Rue. They play her death in full, the spearing, my failed rescue attempt, my arrow through the boy from District 1's throat, Rue drawing her last breath in my arms. And the song. I get to sing every note of the song. Something inside me shuts down and I'm too numb to feel anything. It's like watching complete strangers in another Hunger Games. But I do notice they omit the part where I covered her in flowers. Right. Because even that smacks of rebellion. Things pick up for me once they've announced two tributes from the same district can live and I shout out Peeta's name and then clap my hands over my mouth. If I've seemed indifferent to him earlier, I make up for it now, by finding him, nursing him back to health, going to the feast for the medicine, and being very free with my kisses. Objectively, I can see the mutts and Cato's death are as gruesome as ever, but again, I feel it happens to people I have never met. And then comes the moment with the berries. I can hear the audience hushing one another, not wanting to miss anything. A wave of gratitude to the filmmakers sweeps over me when they end not with the announcement of our victory, but with me pounding on the glass door of the hovercraft, screaming Peeta's name as they try to revive him. In terms of survival, it's my best moment all night. The anthem's playing yet again and we rise as President Snow himself takes the stage followed by a little girl carrying a cushion that holds the crown. There's just one crown, though, and you can hear the crowd's confusion - whose head will he place it on? - until President Snow gives it a twist and it separates into two halves. He places the first around Peeta's brow with a smile. He's still smiling when he settles the second on my head, but his eyes, just inches from mine, are as unforgiving as a snake's. That's when I know that even though both of us would have eaten the berries, I am to blame for having the idea. I'm the instigator. I'm the one to be punished. Much bowing and cheering follows. My arm is about to fall off from waving when Caesar Flickerman finally bids the audience good night, reminding them to tune in tomorrow for the final interviews. As if they have a choice. Peeta and I are whisked to the president's mansion for the Victory Banquet, where we have very little time to eat as Capitol officials and particularly generous sponsors elbow one another out of the way as they try to get their picture with us. Face after beaming face flashes by, becoming increasingly intoxicated as the evening wears on. Occasionally, I catch a glimpse of Haymitch, which is reassuring, or President Snow, which is terrifying, but I keep laughing and thanking people and smiling as my picture is taken. The one thing I never do is let go of Peeta's hand. The sun is just peeking over the horizon when we straggle back to the twelfth floor of the Training Center. I think now I'll finally get a word alone with Peeta, but Haymitch sends him off with Portia to get something fitted for the interview and personally escorts me to my door. "Why can't I talk to him?" I ask. "Plenty of time for talk when we get home," says Haymitch. "Go to bed, you're on air at two."

The interview takes place right down the hall in the sitting room. A space has been cleared and the love seat has been moved in and surrounded by vases of red and pink roses. There are only a handful of cameras to record the event. No live audience at least. Caesar Flickerman gives me a warm hug when I. come in. "Congratulations, Katniss. How are you faring?" "Fine. Nervous about the interview," I say. "Don't be. We're going to have a fabulous time," he says, giving my cheek a reassuring pat. "I'm not good at talking about myself," I say. "Nothing you say will be wrong," he says. And I think, Oh, Caesar, if only that were true. But actually, President Snow may be arranging some sort of "accident" for me as we speak. Then Peeta's there looking handsome in red and white, pulling me off to the side. "I hardly get to see you. Haymitch seems bent on keeping us apart." Haymitch is actually bent on keeping us alive, but there are too many ears listening, so I just say, "Yes, he's gotten very responsible lately." "Well, there's just this and we go home. Then he can't watch us all the time," says Peeta. I feel a sort of shiver run through me and there's no time to analyze why, because they're ready for us. We sit somewhat formally on the love seat, but Caesar says, "Oh, go ahead and curl up next to him if you want. It looked very sweet." So I tuck my feet up and Peeta pulls me in close to him. Someone counts backward and just like that, we're being broadcast live to the entire country. Caesar Flickerman is wonderful, teasing, joking, getting choked up when the occasion presents itself. He and Peeta already have the rapport they established that night of the first interview, that easy banter, so I just smile a lot and try to speak as little as possible. I mean, I have to talk some, but as soon as I can I redirect the conversation back to Peeta. Eventually though, Caesar begins to pose questions that insist on fuller answers. "Well, Peeta, we know, from our days in the cave, that it was love at first sight for you from what, age five?" Caesar says. "From the moment I laid eyes on her," says Peeta. "But, Katniss, what a ride for you. I think the real excitement for the audience was watching you fall for him. When did you realize you were in love with him?" asks Caesar. "Oh, that's a hard one. " I give a faint, breathy laugh and look down at my hands. Help. "Well, I know when it hit me. The night when you shouted out his name from that tree," says Caesar. Thank you, Caesar! I think, and then go with his idea. "Yes, I guess that was it. I mean, until that point, I just tried not to think about what my feelings might be, honestly, because it was so confusing and it only made things worse if I actually cared about him. But then, in the tree, everything changed," I say. "Why do you think that was?" urges Caesar. "Maybe. because for the first time. there was a chance I could keep him," I say. Behind a cameraman, I see Haymitch give a sort of huff with relief and I know I've said the right thing. Caesar pulls out a handkerchief and has to take a moment because he's so moved. I can feel Peeta press his forehead into my temple and he asks, "So now that you've got me, what are you going to do with me?"

I turn in to him. "Put you somewhere you can't get hurt." And when he kisses me, people in the room actually sigh.

For Caesar, this is a natural place to segue into all the ways we did get hurt in the arena, from burns, to stings, to wounds. But it's not until we get around to the mutts that I forget I'm on camera. When Caesar asks Peeta how his "new leg" is working out.

"New leg?" I say, and I can't help reaching out and pulling up the bottom of Peeta's pants. "Oh, no," I whisper, taking in the metal-and-plastic device that has replaced his flesh.

"No one told you?" asks Caesar gently. I shake my head.

"I haven't had the chance," says Peeta with a slight shrug.

"It's my fault," I say. "Because I used that tourniquet."

"Yes, it's your fault I'm alive," says Peeta.

"He's right," says Caesar. "He'd have bled to death for sure without it."

I guess this is true, but I can't help feeling upset about it to the extent that I'm afraid I might cry and then I remember everyone in the country is watching me so I just bury my face in Peeta's shirt. It takes them a couple of minutes to coax me back out because it's better in the shirt, where no one can see me, and when I do come out, Caesar backs off questioning me so I can recover. In fact, he pretty much leaves me alone until the berries come up.

"Katniss, I know you've had a shock, but I've got to ask. The moment when you pulled out those berries. What was going on in your mind. hm?" he says.

I take a long pause before I answer, trying to collect my thoughts. This is the crucial moment where I either challenged the Capitol or went so crazy at the idea of losing Peeta that I can't be held responsible for my actions. It seems to call for a big, dramatic speech, but all I get out is one almost inaudible sentence. "I don't know, I just. couldn't bear the thought of. being without him."

"Peeta? Anything to add?" asks Caesar.

"No. I think that goes for both of us," he says.

Caesar signs off and it's over. Everyone's laughing and crying and hugging, but I'm still not sure until I reach Haymitch. "Okay?" I whisper.

"Perfect," he answers.

I go back to my room to collect a few things and find there's nothing to take but the mockingjay pin Madge gave me. Someone returned it to my room after the Games. They drive us through the streets in a car with blackened windows, and the train's waiting for us. We barely have time to say good-bye to Cinna and Portia, although we'll see them in a few months, when we tour the districts for a round of victory ceremonies. It's the Capitol's way of reminding people that the Hunger Games never really go away. We'll be given a lot of useless plaques, and everyone will have to pretend they love us.

The train begins moving and we're plunged into night until we clear the tunnel and I take my first free breath since the reaping. Effie is accompanying us back and Haymitch, too, of course. We eat an enormous dinner and settle into silence in front of the television to watch a replay of the interview. With the Capitol growing farther away every second, I begin to think of home. Of Prim and my mother. Of Gale. I excuse myself to change out of my dress and into a plain shirt and pants. As I slowly, thoroughly wash the makeup from my face and put my hair in its braid, I begin transforming back into myself. Katniss Everdeen. A girl who lives in the Seam. Hunts in the woods. Trades in the Hob. I stare in the mirror as I try to remember who I am and who I am not. By the time I join the others, the pressure of Peeta's arm around my shoulders feels alien.

When the train makes a brief stop for fuel, we're allowed to go outside for some fresh air. There's no longer any need to guard us. Peeta and I walk down along the track, hand in hand, and I can't find anything to say now that we're alone. He stops to gather a bunch of wildflowers for me. When he presents them, I work hard to look pleased. Because he can't know that the pink-and-white flowers are the tops of wild onions and only remind me of the hours I've spent gathering them with Gale.

Gale. The idea of seeing Gale in a matter of hours makes my stomach churn. But why? I can't quite frame it in my mind. I only know that I feel like I've been lying to someone who trusts me. Or more accurately, to two people. I've been getting away with it up to this point because of the Games. But there will be no Games to hide behind back home.

"What's wrong?" Peeta asks.

"Nothing," I answer. We continue walking, past the end of the train, out where even I'm fairly sure there are no cameras hidden in the scrubby bushes along the track. Still no words come.

Haymitch startles me when he lays a hand on my back. Even now, in the middle of nowhere, he keeps his voice down. "Great job, you two. Just keep it up in the district until the cameras are gone. We should be okay." I watch him head back to the train, avoiding Peeta's eyes.

"What's he mean?" Peeta asks me.

"It's the Capitol. They didn't like our stunt with the berries," I blurt out.

"What? What are you talking about?" he says.

"It seemed too rebellious. So, Haymitch has been coaching me through the last few days. So I didn't make it worse," I say.

"Coaching you? But not me," says Peeta.

"He knew you were smart enough to get it right," I say.

"I didn't know there was anything to get right," says Peeta. "So, what you're saying is, these last few days and then I guess. back in the arena. that was just some strategy you two worked out."

"No. I mean, I couldn't even talk to him in the arena, could I?" I stammer.

"But you knew what he wanted you to do, didn't you?" says Peeta. I bite my lip. "Katniss?" He drops my hand and I take a step, as if to catch my balance.

"It was all for the Games," Peeta says. "How you acted."

"Not all of it," I say, tightly holding onto my flowers.

"Then how much? No, forget that. I guess the real question is what's going to be left when we get home?" he says.

"I don't know. The closer we get to District Twelve, the more confused I get," I say. He waits, for further explanation, but none's forthcoming.

"Well, let me know when you work it out," he says, and the pain in his voice is palpable.

I know my ears are healed because, even with the rumble of the engine, I can hear every step he takes back to the train. By the time I've climbed aboard, Peeta has disappiared into his room for the night. I don't see him the next morning, either. In fact, the next time he turns up, we're pulling into District 12. He gives me a nod, his face expressionless.

I want to tell him that he's not being fair. That we were strangers. That I did what it took to stay alive, to keep us both alive in the arena. That I can't explain how things are with Gale because I don't know myself. That it's no good loving me because I'm never going to get married anyway and he'd just end up hating me later instead of sooner. That if I do have feelings for him, it doesn't matter because I'll never be able to afford the kind of love that leads to a family, to children. And how can he? How can he after what we've just been through?

I also want to tell him how much I already miss him. But that wouldn't be fair on my part.

So we just stand there silently, watching our grimy little station rise up around us. Through the window, I can see the platform's thick with cameras. Everyone will be eagerly watching our homecoming.

Out of the corner of my eye, I see Peeta extend his hand. I look at him, unsure. "One more time? For the audience?" he says. His voice isn't angry. It's hollow, which is worse. Already the boy with the bread is slipping away from me.

I take his hand, holding on tightly, preparing for the cameras, and dreading the moment when I will finally have to let go.

#THG #HUNGER GAME #Hunger games #The Hunger Games #catching fire #CatchingFire #Peeta #Peeta Mellark #katniss and peeta #katniss everdeen #Katniss #everlark #The Hunger Games Catching Fire #mockingjay #mockingjay part 1 #Josh Hutcherson #mockingjay part 2

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kriscme · 3 years

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One Life to Live

Hi, sorry for the delay if you’re following this story on Tumblr. The chapters that have been put on AO3 have at last caught up with the chapters here. New chapters will go up weekly from hence on. You might find it easier to read on AO3 though. I’d link if I knew how. I’m Kris22 over there.

As always thanks to Ronja for allowing me to write fanfic of her Hunger Games fanfic “The Chance You Didn‘t Take” available on AO3 and FanFiction. Chapter 30 “Marcus presents well on TV, doesn’t he? You wouldn’t guess how much he hates it.” My hand stills as I focus on the screen and Buttercup nudges his head beneath my palm in protest. I absently go back to scratching him behind the ears and his chest rumbles in contentment. “Yeah, well, you soon learn to fake it,” replies Johanna from the other end of the sofa. “You should know that better than anyone.” “Yeah,” I say. Fake or not fake, real or not real, on television who can tell the difference? “That’s where Gale and I used to meet to go hunting,” I tell her. Cressida had Marcus stand with his back to the valley, using the mountains in the distance as backdrop. The sun was directly behind him and it shone through his golden-brown hair and set it aflame as if it were a halo. Man-on-fire, I can almost hear Cinna say. He’s the darling of the media now. I don’t envy him. I nervously wait for the moment Cressida interrupted the interview to ask me how I feel about a national park but it’s like it didn’t happen. It’s been edited so seamlessly that no one would guess there’d been a break in the dialogue between Marcus and herself. True to her word, there’s not even the slightest glimpse or mention of me anywhere. And nothing either in the separate feature she did on District 12 that had aired immediately before.

I let out my breath in a long exhale and feel the tension ebb from my muscles. I imagine Marcus in District 13 having the same reaction. We felt sure that if there were any compromising footage it would come out either before the interview was broadcast or during. And apart from that . . . um . . . incident in the woods, what else could they have on us? Only that Marcus was a guest in my house but that was a very reasonable arrangement given the circumstances. Otherwise, it was all very circumspect. No public displays of affection, no chaining naked to trees, no fights with logging companies. Only Johanna knew the extent of our relationship, and I doubt she’d have told anyone. Peeta’s engagement to Lace would have made a juicy story, but thankfully he’s protected, having done nothing to attract publicity to himself – either through his own actions or through association with another. “Looks like you’ve dodged a bullet,” says Johanna. She reaches for the remote to switch off the television and then settles back onto the sofa. A plate of Peeta-made cookies is on the coffee table delicately iced in Peeta’s signature style. She takes one and scrapes off the icing with her teeth. Johanna likes the icing best. If you let her, you’d end up with a plate of cookies that look as if mice had been at them. “It would seem so,” I reply. I wish I could feel more certain, but if I’ve learned anything from my experiences is that life seldom is. In fact, feeling safe almost guarantees that you’re not. I forget to stroke Buttercup again, and tired of my erratic attention, he decides it’s time to move on. He drops to the floor and ambles over to his favorite lounge chair, tail swishing. He leaves behind a layer of cat hair on my dark green trousers. “I told you nothing would happen,” says Johanna. “Wouldn’t want to ruin the fantasy they’d put so much effort into perpetuating, would they? I stand naked against a tree for a good cause and the media goes berserk. You get caught shagging against a tree with the current golden boy and then nothing.” “You know that’s not true,” I say, exasperated that she still thinks like this. “Maybe at one time, when it would have made the Capitol look stupid if the truth came out, but not now. They’ve had no compunction giving Marcus bad publicity in the past so I can’t see why it would be different just because I’m involved. We were mistaken about what we heard that’s all, and then we let paranoia take over.”

I’d agonized over whether I should tell Marcus about Remus and the knowing look he gave me when I returned to camp. In the end, I decided that he should have all the information just in case he needed to be prepared. That was a mistake. Between Cressida’s return to the Capitol the following day and Marcus’s for District 13 a week later, our waking hours were spent alternating between optimism that we had nothing to worry about and then dread that we had everything to worry about. Marcus was petrified that another scandal would put his mission in jeopardy. As there’s no official mandate from the central government to establish national parks, he depends on the goodwill and co-operation of individual districts and a negative association with me – any association with me, actually – could have that support withdrawn. Especially in 13 where my name is anathema. For me, it was the terror of a media onslaught, that what had happened before could happen again – my private life no longer private but entertainment to be analyzed and exploited. That the careful re-building of my life as plain Katniss Everdeen would all come to naught. That it might impact on Peeta, who’s only just now finding himself after what Snow did to him. We had our first ever real argument. I told him it was his fault for breaking his own rule and luring me into a clandestine meeting with him for sex. And he said it was my fault for . . . he couldn’t quite articulate why it was my fault but it had something to do with being Katniss Everdeen. It seems if I’d been a nobody we could have fucked in the main street (his words) and while it would likely have had us arrested in 12 it wouldn’t have merited even the smallest mention in the Capitol. Because, you know, we’re just ignorant hayseeds and they are so much more sophisticated than we are and they have no morals (my words). Oh, and he wasn’t exactly a nobody either. In fact, that was the problem. We did calm down and apologize to each other and had make-up sex, which was nice, but it wasn’t how I imagined we’d be spending our final days together – tense, fearful, with each blaming the other for our predicament. It wasn’t until the night before he departed for 13 that we came to a mutual understanding. Neither of us were at fault. We were victims of our celebrity – a celebrity that neither of us had sought. Mine was thrust upon me, and his was a regrettable consequence of his life’s work. But I did tell him he was partly to blame. If he had been fifty, pot-bellied and bald instead of young, handsome and with eyes the color of maple-syrup that could melt any women’s heart, he wouldn’t attract a fraction of the media attention that he does. And then he told me that if I had been a scraggy, wrinkled old bat instead of young and nubile with eyes like silver moons and hair evocative of midnight, all the Games prowess in the world couldn’t have made me the cultural icon I’d become. We were just too good looking for own good. And then we laughed and had sex – playful, affectionate, I-want-to-remember-this-forever sex.

But the worry was still there when we lay in each other’s arms that night, and the next morning when we said our goodbyes. It was a bitter-sweet ending to what had been an unforgettable interlude but as I watched him pass through the Village gates for the last time, rucksack piled high, long legs in hiking boots striding purposely towards the next wilderness to be saved, I was struck by the rightness of it. It was how it was always going to end; how it always should have ended. Johanna tosses a denuded cookie back onto the plate and picks up a fresh one. She ignores the pained look I send her way. “Would you have gone with him?” she asks. “If you could?” I brush cat hairs from my trousers to give me a few seconds to think about it. I’d honestly never considered it since I can’t leave 12. But there was a time when I could have happily left everything behind and followed him around the country, hiking mountain trails and making love at every opportunity. It was at the concrete house by the lake, the morning after we’d made love for the first time and there weren’t enough superlatives in the world to describe how wonderful I thought he was, although now I find it hard to determine exactly what I did feel for him.

“No,” I say eventually. “Even if didn’t mean being in the public eye again, I still wouldn’t. We don’t want the same things.” I hesitate, wondering if I should say anything, but then blurt it out. “I don’t think I’m normal.” I brace for the sarcastic response I’m sure to get, but to my relief it doesn’t come. “None of us are,” she says grimly. “You don’t go through what we have and come out normal at the end of it.” She’s silent for a moment, but then rouses herself. “But if you want me to comment further, you’ll have to be more specific,” she adds. I sigh. I don’t know to explain it to myself, let alone to someone else. “Well, it’s about how I felt about Marcus. I mean, it wasn’t that long ago when I would have done almost anything for him. He made me feel so . . . so . . . “ “Turned on?” she smirks. I feel my face grow hot. I should have known the real Johanna couldn’t be too far from the surface. “Yes, but more than that. Wanted. Desirable. And we had so much in common too. But when he left, I didn’t feel much of anything. I should have been devastated, shouldn’t I?” “Rebound.”

“What?” “It was a rebound. It’s when you haven’t got over one relationship and you dive straight into another. Marcus gave you the validation that Peeta didn’t. It’s not so complicated. Pretty simple, in fact. Happens all the time.” “It does?” “Yep. It goes like this. You feel like shit because you’re still hung-up on your ex so you’re looking for a distraction – something or someone to make you feel better. So along comes Marcus who is clearly attracted and you transfer the feelings you don’t think Peeta wants on to him. Only it doesn’t last because it’s not based on anything real.” But some things were real. I really did like him, felt a connection with him, even. And I liked the sex, but maybe that’s just a physical thing. I haven’t been with enough men to know if it’s different when it’s with someone you truly love. “A rebound is bad then?” I ask. “Depends,” she says. She takes another cookie from the plate. “Has it made you feel better or worse? And then there’s the person on the other end of it. It’s generally considered not fair to them. But, if you had to pick the ideal man to have a rebound with, you couldn’t have done better than Marcus. I told you at the beginning– one track mind. Nothing competes with saving the forests for him.” Gale. He was like that. The cause is more important than any relationship. As soon as Gale heard about the uprisings in the Districts, he no longer wanted to escape with me into the woods when just minutes before, he’d been so keen. But Peeta, he would have gone with me, even though he knew it was a bad idea. “He told me he doesn’t keep girlfriends for very long. I guess that’s why,” I say. He’d also have figured out what a liability I’d be to him. And I certainly wouldn’t want the kind of life a relationship with him would entail. That final week had been an eyeopener for us both. But at least it ended well, all things considered. I put out my hand for a cookie but change my mind when I can’t find one that hasn’t had the icing scraped off.

“You’re disgusting,” I tell her. But I can’t keep from laughing. It’s part amusement, part relief. No repercussions from that lapse of judgement in the woods and an explanation that makes sense to me about my feelings for Marcus. I feel a sudden rush of affection for the woman who’s helped me through this – and more besides. Once I compared her to an older sister who really hates you. I guess I have to revise it to an older sister who sometimes seems to hate you but really doesn’t, and you can always depend on to have your back. “I’m going to miss you,” I say. “Yeah, I know,” Johanna replies casually as if she were picking lint off a sweater. “But my reason for coming here in the first place was to help Marcus out and he’s gone. Peeta doesn’t need me anymore either. So even if I hadn’t been asked to, it still would have been time for me to go home.” “You’re going to be great mayor.” “Thanks, but I’m not mayor quite yet. I have to be elected first. It’s the way it’s done now.” Before the war, District mayors were appointed by the Capitol but now all governing roles are decided by vote. It’s the republic Plutarch had talked about, just like in the history books. The people elect their own representatives. “You’ll get it,” I say confidently. “They love you in 7. They wouldn’t have asked you to run, otherwise.” Who’d have guessed that Johanna would be destined to be Mayor of District 7, but when you think about it, it’s the perfect fit. She’ll bring passion, commitment and integrity to the role. And essential for a career in politics, a thick skin. “So, have you thought about what you’d like to do on your last night here and to celebrate your candidacy?” I ask. “How about drinks first at the pub and then dinner at that restaurant you like or maybe see a movie. Or we could do all three. Anything you like. “ “Anything I like?” she asks ominously. Images of pub crawls, strippers and naked sprints through the streets flash through my mind. “What I’d like is dinner with just the four of us. You, me, Peeta and Haymitch.” I groan. This is far, far worse. “You more than anyone know the circumstances – “ “I don’t care,” she says flatly. “Ever since I got here, I’ve been stuck between the two of you. Haymitch has too. Why don’t you think of other people for a change and how it affects them? You and Peeta are Haymitch’s family! What do you think it’s been like for him?” “He hasn’t said anything,” I say, on the defensive. “How can I know if – “

“It should be fucking obvious! How brainless can you get?” She gives me a look filled with contempt. I guess she’s back to being the older sister who hates you. I hadn’t considered it from Haymitch’s perspective. He’d have missed the dinners, I suppose, but it’s not as if they could continue forever. They were only intended to help us establish a routine. And besides, it was Peeta who showed the first signs of breaking from them. “It’s not like I started it.” As I say it, I realize how false that is. I was the one who put a complete stop to the dinners and made things awkward between Peeta and me. All because I couldn’t handle him being with Lace. “I don’t care who started it,” she says, but less angrily than before. “It’s time for it to stop. Is this how you’re going to live the rest of your lives? Forever trying to avoid being in the same place at the same time? You’re neighbors, for fuck’s sake. You’ve been in two Games and a war together. You don’t throw away a bond like that because he fucked another woman when his brain was mush. And now that you’ve fucked another man, you’re even. There’s nothing standing in your way now. So, what’s stopping you? It can’t be Lace. She’s gone.” Gone, but not forgotten. Not by me, and not by Peeta either. But Johanna does have a point. If Haymitch is a kind of father figure to us both, then that makes us his children. And having two children who don’t get along and won’t join in any family activities if the other is there too, can’t have been easy. For my own part, it has been a strain avoiding Peeta when we live so close, work similar hours, and have Haymitch in common. But it hasn’t been just me. Peeta stopped seeking me out like he used to when he found out that I’m in love him. Nothing about our situation has changed, Lace or no Lace. He stays away from me because he knows that I’m in love him and he feels bad that he can’t love me back. And I stay away from him because I know that he knows, and feel humiliated that he does. But if . . . “You’re right,” I say. “It is ridiculous. You make the arrangements and I’ll be there.” “And now that Marcus is out of the picture – “

She stops suddenly, confused. “You will?” “Yes. In fact, I can hardly wait. It’ll be fun.” I rise from the sofa to gather the cups and the plate of ruined cookies to signal that the visit is over. Johanna looks stunned as if she can’t believe how easy that victory was. She was probably all primed to go into battle and then it failed to materialize. How disappointing that must be.

“Oh, Johanna!” I call out cheerily just as she’s about to walk out the door. I’ve just remembered something Haymitch told me. “Maybe we should let Peeta do the cooking. He likes to do it. He’d always take over when we had our dinners.” If I have to do this thing, I at least want the food to be good. “Sure,” she says, still dazed. And then she’s gone. I wonder if Peeta has already agreed to it, or that she still has the job of guilting him into it too. I decide that it doesn’t matter either way. Peeta will be motivated by the same reasoning as me. The present situation can’t continue. It’s funny, in the way that’s weird rather than amusing, that mine and Peeta’s situation is now reversed. In the days following the Games and before we embarked on the Victory Tour, he avoided me for pretty much the same reasons I avoid him now. And, in turn, I avoided him for the same reason he avoids me. It’s the discomfort of being around someone whose feelings you don’t return. But there’s one crucial difference. Peeta had hope. I know that now from what Haymitch told Peeta before the prep teams arrived. He could afford to wear his heart on his sleeve knowing that there was a good chance that if I was given the space I needed, it was only a matter of time before I felt the same way. I have no hope. Therefore, my strategy will have to be different. This is about survival, not about capturing Peeta’s heart.

Peeta will have to believe that whatever I felt for him, I no longer do. That’s the only way we can be at ease with each other. I may never stop loving him, but I know how to bury my feelings so that they don’t show. I’ve had plenty of practice at it. After my father died. When I was reaped. When he started going out with Lace. I can do this. I can put on a show. I don’t even have to be good at it. In the Games, Peeta was convinced I was in love him because he wanted to believe it. So now I do the opposite and he’ll believe because he wants to believe. And if he can’t do that, he’ll pretend. We’re both very good at pretending. Chapter 31 Venia purses her lips at the state of my nails. “There’s not much I can do with these apart from a polish. If you want artificial nails, you’ll have to come back when Octavia’s here.” “It doesn’t matter,” I say. “I mostly just wanted my hair trimmed.” The shape Flavius had cut into my hair has nearly all grown out. Working at the school during the week, and out in the woods with Marcus on the weekends hadn’t left much time for trips to the beauty salon. I ask, “Where’s Octavia? Not sick, I hope.”

It’s unusual not to see Octavia at her station, her auburn head bent over her task. Since Venia re-united with her coworkers, each has settled into their former specialties as beauty therapists. Flavius is hair and makeup. Octavia is the nail expert. And Venia is skin treatments and waxing. “She left work early,” smirks Flavius. “She has a date.” Venia collects a few tools from the nail station and returns to my side. While Flavius cuts, Venia smooths and buffs. It reminds me of my days as a tribute when all three of them would be working on various body parts at the same time. “We weren’t busy, anyway,” says Venia. “You’re the last customer for the day.” I know. That’s the reason I chose to come at this time. I didn’t want to take the chance of running into Lace when she’s having her roots done. “Anyone I know?” I ask. “Possibly,” replies Venia. “He’s from 12. Thom something. Bick? Hick?” “Hickory?” “That’s it. Hickory. Octavia’s had crushes before but she’s got it really bad this time. I caught her looking through wedding catalogues.” Venia pauses mid-buff. “I’m worried for her.” “How come?” Thom is a nice guy. He was a friend of Gale’s who helped with the clean-up of 12 and gave me a ride home in his cart when I was too weak to walk home. That was the day Peeta came back. “Because of . . . you know, of what we did before the war.” I don’t miss Venia’s use of “we”. If Octavia is accused of being a facilitator of the Games, they all are.

“But doesn’t Thom already know? He was in 13 at the same time as you.” All the survivors from District 12 actually. But Venia shakes her head. “Octavia didn’t know Thom then. We didn’t mix very much with the people there. We thought it safer to keep to ourselves. Especially after the bread.” I suppose being shackled to a wall and beaten for simply taking an extra portion of bread wouldn’t exactly endear the populace to you.

I try to reassure them. “You do know that I’d vouch for you if it ever came out? And tell them how you helped prepare me for the rebellion propos and Snow’s execution?” “I know you would. And maybe we’re worrying over nothing. But we risked a lot coming here and 12’s our home now. Flavius has met someone too – he’s from the Capitol, so that’s not a concern but if we had to leave . . . And Lucia is settled in school and has made friends and Cicero has a good job at the medicine factory . . .” And so Venia goes on. Flavius chimes in too. He tells me they’re set to take on two apprentices and once the tailor has moved out, they want to expand the salon –

“What? Arthur’s leaving?” This is the first I’ve heard of it. But maybe that’s not so surprising. I haven’t seen much of Arthur lately. It’s been only been Max, Johanna and me at pub nights. Arthur is obviously spending his Saturday nights elsewhere. “Oh, he’s not going far,” says Venia. “Just to another store on the main street. He says it’s better situated for passing trade and with the dressmaking shop next door it will likely bring more business to them both.” “I don’t think more business is the only thing those two want from each other,” says Flavius with a suggestive wink. “Flavius!” chides Venia, but she can’t conceal a smile. “It’s true, though. We misplaced the stone we use for sharpening scissors and Octavia went to ask Arthur if we could borrow his. But no one was there even though the door was open. So, she went through to the back, thinking that’s where he’d be, and she caught them red-handed, kissing, and his hand was up her skirt. Octavia forgot all about the stone.” The two of them collapse into giggles. “We didn’t think he had it in him,” says Venia, when she’s able to speak. Neither did I. I can’t laugh about it though. Peeta will be devastated when he hears that Lace has moved on. And so soon after their break-up too. But as badly as I feel for Peeta, I also can’t help feeling happy for Arthur. If there was ever a man who deserves reward for long devotion, it’s him. I only hope that Lace proves worthy of it. One thing I do know is that Peeta isn’t going to hear of it from me. I’m done being involved in his love life. It’s brought me nothing but trouble ever since he made that confession to Caesar Flickerman years before. My only objective is to get over him if I can and make sure that he thinks I have. And that makes this dinner tonight so important. It will set the stage for our relationship going forward. We’ll be friends. Not necessarily close friends. But at least friends who can enjoy social occasions together and feel comfortable in each other’s company. Johanna wants us to dress up so I guess that means I’ll have to wear a cocktail dress. I have one already in my closet. It’s the emerald green dress I wore to the party in 8. But it’s long sleeved and in a heavy fabric and that makes it too hot for this time of the year. I’ll have to go down to the basement where most of the Cinna clothes are stored. There’s a whole rack of cocktail dresses to choose from. But what do you wear when you want to show that you’ve made an effort, but don’t want to appear as if you’ve set out attract anyone in particular – and by anyone, I mean Peeta.

I begin by eliminating colours that are evocative of sunsets or flames. That takes care of anything orange, red or yellow. And then anything that Lace might choose. If Lace is Peeta’s idea of feminine allure then I should make sure to do the opposite. Therefore, no pastels, ruffles and especially any kind of lace. No. No. No, I think as I reject one dress after another. And then I find it. The perfect dress. And so different from the girlish or jeweled frocks that Cinna usually dressed me in that it’s almost as if he knew that one day, I might have a need for a dress such as this. It’s in unrelieved black. Simple and unadorned in slinky silk jersey. I really like it, but Peeta, who loves colour, probably won’t and it’s sure to send a message that I didn’t dress to please him. I accessorize it with black high-heeled sandals and silver and jet earrings. The dress comes to just above the knee with a deep halter neck. It’s impossible to wear a bra without it showing, so I leave it off. I turn around to check how it looks in the mirror from the rear. The clinging fabric does set off my best asset, but since it’s a dinner and I’ll be sitting on it, no one will see it. The burn scars, although much improved from the skin treatments, are still noticeable on my back. I decide to draw attention to it by putting my hair up in a kind of messy bun. This will contrast with Lace’s unblemished skin and immaculate hair and will surely show Peeta that I don’t care at all about being attractive to him. I arrive at Peeta’s door at the same time as Haymitch. He’s wearing a dinner suit, but his white shirt has already untucked from the waistband and his tie isn’t around his neck but dangling from his breast pocket. His eyebrows rise as he takes in my appearance and his lips curve in a sardonic smile. If I needed any confirmation of how incongruous I look in this get-up, I just got it. Johanna answers the door, elegant in a wine-red fitted dress with matching shoes. She appears to have paid a visit to the salon too, because her hair is now a uniform color and has been restyled to lie flat against her skull and frame her face instead of the usual red-tipped spikes sticking up all over her head. “I like your new look,” I tell her. “Yeah, it’s more conservative than I usually go for but I figure I have to start looking the part of mayor sooner or later. But what about you? What have you done with Katniss Everdeen?” I smile and shrug. I’m unsure if not looking like myself is a compliment or not. Peeta stops short when he sees me, his mouth gaping, but he collects himself quickly. “You look beautiful,” he says.

“Thanks,” I murmur. He sounds sincere but I know how easily Peeta can fake it. “You look good too.” And he does, in a cream suit designed by Portia. We move into the dining room. Johanna’s gone to a lot of trouble. I can almost imagine we’re at one of those fancy restaurants in the Capitol. Fresh flowers, dim lighting, the furniture polished to a high sheen. The table is resplendently laid out with the finest dinnerware and gold cutlery. These came with the house. I have them too but I’ve yet to use them. I wonder if Peeta recognizes the pattern on the plates as the same as those that accompanied our feast in the cave. Johanna and Haymitch take seats at opposite ends of the table. That leaves Peeta and me to sit across from each other.

White wine is poured into cut-crystal glasses and starched linen napkins are laid across laps. I wait for either Johanna or Peeta to start bringing in the food but they stay seated. How are we to eat if the food never leaves the kitchen? I eye the woven gold basket filled with soft rolls in the center of the table. Is that all we get? Just then, Cass enters the room carrying a large silver tray. “Good evening,” he says, as places a bowl of soup in front of each of us. “I hope you brought your appetites with you. Don’t forget to save room for dessert.” And then he’s gone. Presumably back to the kitchen. “What was that?” I say to no one in particular. “Cass is doing all the cooking tonight. He’s a qualified chef. He can cook all sorts of things - not just pastries and desserts,” says Johanna. “Yes, I know that. But what’s he doing here?” Peeta answers. “Johanna thought it would be nice to have a professional do the cooking so we could relax and enjoy ourselves.” Right. I just wish Johanna’s idea of relaxation was drinks at the pub, or a barbeque in the backyard. Any place where I didn’t risk locking eyes with Peeta at any minute. We can scarcely look at each other. Every time his eyes chance to meet mine, they flit away. It’s like being back at school. We’re doing a very poor job of acting at ease with each other so far. I’m a lousy actress at the best of times but I expected better of Peeta. Clearly the knowledge that I’m in love with him freaks him out to the extent that he’s forgotten all his acting skills. The food is a welcome diversion and I tuck in. The soup is creamy pumpkin sprinkled with slivered nuts and little black seeds. Sublime. I recognize it as one of the soups at the Capitol feast. It’s followed by those delicious little roasted birds filled with orange sauce. Then fish swimming in a green sauce flecked with herbs. And then, oh, I don’t believe it! Lamb stew with dried plums! On a bed of wild rice!

That makes me think of our feast in the cave, of course. It’s even served on the same patterned plates. My eyes instinctively search out Peeta’s. Do you remember it? You must, surely. How excited we were when that parachute arrived. How careful we were to eat only small portions so we wouldn’t be sick after so many days of hunger. And then how we whiled away the time until we could eat again – snuggled together in the sleeping bag, my head on your shoulder, your arms wrapped around me, imagining our life together if we survived the Games. You, me and Haymitch, you said. Picnics, birthdays, long winter nights around the fire retelling old Hunger Games tales. You must remember it!

But Peeta doesn’t look my way. His gaze flickers between Johanna and Haymitch without it ever landing on me even though we’re sitting directly across from each other. And he laughs just a little too loudly at Johanna’s poor taste joke about prunes and how we’ll all shit well tomorrow. He remembers our feast in the cave, all right! I’m certain of it. He just doesn’t want me to know that he does. To spare me the humiliation, probably. I want to kick myself. Gawping at him like a love-sick idiot – practically begging him to remember one of our most intimate moments together. At least Peeta has his wits about him, not letting on that the stew holds any particular significance.

I quietly return to my stew. It’s not as good as I remember it and I can only manage a few mouthfuls. Saving room for dessert, I tell Johanna, when she comments. Unfortunately, there’s a long break between this course and the next. I suppose Cass wants our stomachs to have a rest before he brings out the dessert which is sure to be spectacular. But it makes the pressure to appear congenial and unaffected by Peeta’s presence that much harder when I don’t have the food to distract me.

Since I got here, Peeta hadn’t spoken a great deal, and me even less. The conversation has been carried mostly by Johanna and Haymitch. She’s been picking his brain about the challenges of town planning and the provision of services such as garbage collection and road maintenance. Johanna had better get this job for mayor. She already acts as if it’s hers. That’s why it’s a surprise when the focus of attention turns to me. I’d been occupied twisting my crystal glass around by the stem watching the colours change across its facets. Anything to keep my mind off the person sitting opposite me. “You’ll step in, won’t you, Katniss?” Johanna asks. My head jerks up. “Hmm? What – “ “She doesn’t have to,” says Peeta quickly. “Step in for what?” I ask, directing my question to Johanna. “To watch the tapes with Peeta.” says Johanna. Before I can respond Peeta interjects again. “There’s no need to bother Katniss. I’ll be fine with Haymitch.” “You won’t,” says Haymitch. “The tapes labeled ‘to be watched with Katniss’ are all that’s left. It’s probably why the content has become repetitive lately. Aurelius has obviously run out of material I can help you with.” “You need to watch all the tapes,” Johanna adds. “You don’t know what memories are missing until you do.” “Katniss has already done her share. I’ll be fine watching on my own,” says Peeta. Johanna shakes her head. “You know that’s not how it works. You need someone to put it into context. Besides, the tapes were her idea to begin with. She should see it through.” Peeta turns to me for the first time. “There’s really no need.” He’s almost pleading with me. I really want to accept his offer to not watch the tapes with him. I know he’s giving me an escape but if I go along with it, it gives the impression that I’m afraid and that’s not good either. It has to appear as if I have nothing to hide. Which I don’t. Except the part that I’m still in love with him, of course. I can see where he’s coming from. After my slip-up with the stew, he’s worried that if I’m compelled to watch the tapes with him, I’m sure to give myself away. He’s protecting me from myself. I look coolly into the blue eyes of the person who is now my greatest opponent and I promise myself I will defeat his plan. Johanna is right. I should finish what I started. Remember that my primary objective was for Peeta to find himself. And if those tapes hold the final pieces, then I’m determined that he shall have them. I will watch those tapes, no matter how bad they are, and he will never guess from my reaction that I still carry a torch for him. It’s the only way we’ll ever be able to act normally around each other. “I’m happy to help,” I say. “Same time and place?” All eyes are on him. He’s trapped and he knows it. Peeta’s nod is almost imperceptible. What a timely moment for Cass to bring out the dessert. It’s a tower of pastries filled with different flavored custards, welded together with chocolate and studded with raspberries and sugared violets surrounded by an immense web of delicate spun sugar. There’s enough for at least a dozen or more people. But the best thing about it is that its position in the center of the table effectively blocks out my view of Peeta. So, Dr Aurelius has sent tapes that he wants Peeta to specifically watch with me. I wonder if I was ever going to be told about them. Probably not if it had been left up to Peeta. He’s obviously anxious about what’s on them. That makes me think that he has most, if not all, of his memories back. Enough, at least, to guess at how I feel about him. It seems that the tapes have progressed from those which showed me either indifferent or acting a part to when I began to return his feelings. And the irony is that it’s made not a scrap of difference. I’m glad now that Dr Aurelius sent the compromising tapes first. I had never stood a chance with him, even without Lace.

Cass comes out to clear away the dessert plates and the remains of that pastry thing. He frowns at how little impact we made on it. But it really was huge. To make him feel better, I ask if he can wrap it up for me to share around the staff room tomorrow. Max will probably make some joke about chocolate covered balls and phallic symbols. We finish with tea for Peeta and me and coffee for Johanna and Haymitch. Haymitch takes from his pocket a silver flask and pours a generous slug of whatever’s in it into his cup.

The dinner finally comes to an end. I pull Johanna aside before I go, ostensibly to say goodbye to her. I won’t see her tomorrow. The train for 7 leaves very early and Peeta has offered to walk her to the train station.

“The whole night was a setup, wasn’t it? To get me to watch the tapes with Peeta again?”

She doesn’t bother denying it. “Yep. Someone had to give the two of you a nudge in the right direction.” She gives me one of her stern big sister looks. “Don’t waste it.”

“I won’t,” I say. She doesn’t have to know that I have something completely different in mind to her.

I hug her goodbye and wish her luck. I don’t know when we’ll meet again. Not with me stuck in 12 and Johanna busy being mayor but maybe she’ll find time in her schedule to visit at some point.

“Don’t be a stranger,” she calls out as I leave. Where have I heard that expression before? Ah yes, Plutarch. They were the last words he spoke to me before he left the hovercraft that brought me back to 12. Thankfully, even after that scare with Marcus, that’s exactly how it’s stayed.

“Never,” I call back. No one could ever be the little sister that Prim was. But maybe I’ve gained a pretty good substitute for an older one.

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20. "Peeta!" I scream. I shake him harder, even resort to slapping his face, but it's no use. His heart has failed. I am slapping emptiness. "Peeta!" Finnick props Mags against a tree and pushes me out of the way. "Let me." His fingers touch points at Peeta's neck, run over the bones in his ribs and spine. Then he pinches Peeta's nostrils shut. "No!" I yell, hurling myself at Finnick, for surely he intends to make certain that Peeta's dead, to keep any hope of life from returning to him. Finnick's hand comes up and hits me so hard, so squarely in the chest that I go flying back into a nearby tree trunk. I'm stunned for a moment, by the pain, by trying to regain my wind, as I see Finnick close off Peeta's nose again. From where I sit, I pull an arrow, whip the notch into place, and am about to let it fly when I'm stopped by the sight of Finnick kissing Peeta. And it's so bizarre, even for Finnick, that I stay my hand. No, he's not kissing him. He's got Peeta's nose blocked off but his mouth tilted open, and he's blowing air into his lungs. I can see this, I can actually see Peeta's chest rising and falling. Then Finnick unzips the top of Peeta's jumpsuit and begins to pump the spot over his heart with the heels of his hands. Now that I've gotten through my shock, I understand what he's trying to do. Once in a blue moon, I've seen my mother try something similar, but not often. If your heart fails in District 12, it's unlikely your family could get you to my mother in time, anyway. So her usual patients are burned or wounded or ill. Or starving, of course. But Finnick's world is different. Whatever he's doing, he's done it before. There's a very set rhythm and method. And I find the arrow tip sinking to the ground as I lean in to watch, desperately, for some sign of success. Agonizing minutes drag past as my hopes diminish. Around the time that I'm deciding it's too late, that Peeta's dead, moved on, unreachable forever, he gives a small cough and Finnick sits back. I leave my weapons in the dirt as I fling myself at him. "Peeta?" I say softly. I brush the damp blond strands of hair back from his forehead, find the pulse drumming against my fingers at his neck. His lashes flutter open and his eyes meet mine. "Careful," he says weakly. "There's a force field up ahead." I laugh, but there are tears running down my cheeks. "Must be a lot stronger than the one on the Training Center roof," he says. "I'm all right, though. Just a little shaken." "You were dead! Your heart stopped!" I burst out, before really considering if this is a good idea. I clap my hand over my mouth because I'm starting to make those awful choking sounds that happen when I sob. "Well, it seems to be working now," he says. "It's all right, Katniss." I nod my head but the sounds aren't stopping. "Katniss?" Now Peeta's worried about me, which adds to the insanity of it all. "It's okay. It's just her hormones," says Finnick. "From the baby." I look up and see him, sitting back on his knees but still panting a bit from the climb and the heat and the effort of bringing Peeta back from the dead. "No. It's not - " I get out, but I'm cut off by an even more hysterical round of sobbing that seems only to confirm what Finnick said about the baby. He meets my eyes and I glare at him through my tears. It's stupid, I know, that his efforts make me so vexed. All I wanted was to keep Peeta alive, and I couldn't and Finnick could, and I should be nothing but grateful. And I am. But I am also furious because it means that I will never stop owing Finnick Odair. Ever. So how can I kill him in his sleep? I expect to see a smug or sarcastic expression on his face, but his look is strangely quizzical. He glances between Peeta and me, as if trying to figure something out, then gives his head a slight shake as if to clear it. "How are you?" he asks Peeta. "Do you think you can move on?" "No, he has to rest," I say. My nose is running like crazy and I don't even have a shred of fabric to use as a handkerchief. Mags rips off a handful of hanging moss from a tree limb and gives it to me. I'm too much of a mess to even question it. I blow my nose loudly and mop the tears off my face. It's nice, the moss. Absorbent and surprisingly soft. I notice a gleam of gold on Peeta's chest. I reach out and retrieve the disk that hangs from a chain around his neck. My mockingjay has been engraved on it. "Is this your token?" I ask. "Yes. Do you mind that I used your mockingjay? I wanted us to match," he says. "No, of course I don't mind." I force a smile. Peeta showing up in the arena wearing a mockingjay is both a blessing and a curse. On the one hand, it should give a boost to the rebels in the district. On the other, it's hard to imagine President Snow will overlook it, and that makes the job of keeping Peeta alive harder. "So you want to make camp here, then?" Finnick asks. "I don't think that's an option," Peeta answers. "Staying here. With no water. No protection. I feel all right, really. If we could just go slowly." "Slowly would be better than not at all." Finnick helps Peeta to his feet while I pull myself together. Since I got up this morning I've watched Cinna beaten to a pulp, landed in another arena, and seen Peeta die. Still, I'm glad Finnick keeps playing the pregnancy card for me, because from a sponsor's point of view, I'm not handling things all that well. I check over my weapons, which I know are in perfect condition, because it makes me seem more in control. "I'll take the lead," I announce. Peeta starts to object but Finnick cuts him off. "No, let her do it." He frowns at me. "You knew that force field was there, didn't you? Right at the last second? You started to give a warning." I nod. "How did you know?" I hesitate. To reveal that I know Beetee and Wiress's trick of recognizing a force field could be dangerous. I don't know if the Gamemakers made note of that moment during training when the two pointed it out to me or not. One way or the other, I have a very valuable piece of information. And if they know I have it, they might do something to alter the force field so I can't see the aberration anymore. So I lie. "I don't know. It's almost as if I could hear it. Listen." We all become still. There's the sound of insects, birds, the breeze in the foliage. "I don't hear anything," says Peeta. "Yes," I insist, "it's like when the fence around District Twelve is on, only much, much quieter." Everyone listens again intently. I do, too, although there's nothing to hear. "There!" I say. "Can't you hear it? It's coming from right where Peeta got shocked." "I don't hear it, either," says Finnick. "But if you do, by all means, take the lead." I decide to play this for all it's worth. "That's weird," I say. I turn my head from side to side as if puzzled. "I can only hear it out of my left ear." "The one the doctors reconstructed?" asks Peeta. "Yeah," I say, then give a shrug. "Maybe they did a better job than they thought. You know, sometimes I do hear funny things on that side. Things you wouldn't ordinarily think have a sound. Like insect wings. Or snow hitting the ground." Perfect. Now all the attention will turn to the surgeons who fixed my deaf ear after the Games last year, and they'll have to explain why I can hear like a bat. "You," says Mags, nudging me forward, so I take the lead. Since we're to be moving slowly, Mags prefers to walk with the aid of a branch Finnick quickly fashions into a cane for her. He makes a staff for Peeta as well, which is good because, despite his protestations, I think all Peeta really wants to do is lie down. Finnick brings up the rear, so at least someone alert has our backs. I walk with the force field on my left, because that's supposed to be the side with my superhuman ear. But since that's all made up, I cut down a bunch of hard nuts that hang like grapes from a nearby tree and toss them ahead of me as I go. It's good I do, too, because I have a feeling I'm missing the patches that indicate the force field more often than I'm spotting them. Whenever a nut hits the force field, there's a puff of smoke before the nut lands, blackened and with a cracked shell, on the ground at my feet. After a few minutes I become aware of a smacking sound behind me and turn to see Mags peeling the shell off one of the nuts and popping it in her already-full mouth. "Mags!" I cry. "Spit that out. It could be poisonous." She mumbles something and ignores me, licking her lips with apparent relish. I look to Finnick for help but he just laughs. "I guess we'll find out," he says. I go forward, wondering about Finnick, who saved old Mags but will let her eat strange nuts. Who Haymitch has stamped with his seal of approval. Who brought Peeta back from the dead. Why didn't he just let him die? He would have been blameless. I never would have guessed it was in his power to revive him. Why could he possibly have wanted to save Peeta? And why was he so determined to team up with me? Willing to kill me, too, if it comes to that. But leaving the choice of if we fight to me. I keep walking, tossing my nuts, sometimes catching a glimpse of the force field, trying to press to the left to find a spot where we can break through, get away from the Cornucopia, and hopefully find water. But after another hour or so of this I realize it's futile. We're not making any progress to the left. In fact, the force field seems to be herding us along a curved path. I stop and look back at Mags's limping form, the sheen of sweat on Peeta's face. "Let's take a break," I say. "I need to get another look from above." The tree I choose seems to jut higher into the air than the others. I make my way up the twisting boughs, staying as close to the trunk as possible. No telling how easily these rubbery branches will snap. Still I climb beyond good sense because there's something I have to see. As I cling to a stretch of trunk no wider than a sapling, swaying back and forth in the humid breeze, my suspicions are confirmed. There's a reason we can't turn to the left, will never be able to. From this precarious vantage point, I can see the shape of the whole arena for the first time. A perfect circle. With a perfect wheel in the middle. The sky above the circumference of the jungle is tinged a uniform pink. And I think I can make out one or two of those wavy squares, chinks in the armor, Wiress and Beetee called them, because they reveal what was meant to be hidden and are therefore a weakness. Just to make absolutely sure, I shoot an arrow into the empty space above the tree line. There's a spurt of light, a flash of real blue sky, and the arrow's thrown back into the jungle. I climb down to give the others the bad news. "The force field has us trapped in a circle. A dome, really. I don't know how high it goes. There's the Cornucopia, the sea, and then the jungle all around. Very exact. Very symmetrical. And not very large," I say. "Did you see any water?" asks Finnick. "Only the saltwater where we started the Games," I say. "There must be some other source," says Peeta, frowning. "Or we'll all be dead in a matter of days." "Well, the foliage is thick. Maybe there are ponds or springs somewhere," I say doubtfully. I instinctively feel the Capitol might want these unpopular Games over as soon as possible. Plutarch Heavensbee might have already been given orders to knock us off. "At any rate, there's no point in trying to find out what's over the edge of this hill, because the answer is nothing." "There must be drinkable water between the force field and the wheel," Peeta insists. We all know what this means. Heading back down. Heading back to the Careers and the bloodshed. With Mags hardly able to walk and Peeta too weak to fight. We decide to move down the slope a few hundred yards and continue circling. See if maybe there's some water at that level. I stay in the lead, occasionally chucking a nut to my left, but we're well out of range of the force field now. The sun beats down on us, turning the air to steam, playing tricks on our eyes. By midafternoon, it's clear Peeta and Mags can't go on. Finnick chooses a campsite about ten yards below the force field, saying we can use it as a weapon by deflecting our enemies into it if attacked. Then he and Mags pull blades of the sharp grass that grows in five-foot-high tufts and begin to weave them together into mats. Since Mags seems to have no ill effects from the nuts, Peeta collects bunches of them and fries them by bouncing them off the force field. He methodically peels off the shells, piling the meats on a leaf. I stand guard, fidgety and hot and raw with the emotions of the day. Thirsty. I am so thirsty. Finally I can't stand it anymore. "Finnick, why don't you stand guard and I'll hunt around some more for water," I say. No one's thrilled with the idea of me going off alone, but the threat of dehydration hangs over us. "Don't worry, I won't go far," I promise Peeta. "I'll go, too," he says. "No, I'm going to do some hunting if I can," I tell him. I don't add, "And you can't come because you're too loud." But it's implied. He would both scare off prey and endanger me with his heavy tread. "I won't be long." I move stealthily through the trees, happy to find that the ground lends itself to soundless footsteps. I work my way down at a diagonal, but I find nothing except more lush, green plant life. The sound of the cannon brings me to a halt. The initial bloodbath at the Cornucopia must be over. The death toll of the tributes is now available. I count the shots, each representing one dead victor. Eight. Not as many as last year. But it seems like more since I know most of their names. Suddenly weak, I lean against a tree to rest, feeling the heat draw the moisture from my body like a sponge. Already, swallowing is difficult and fatigue is creeping up on me. I try rubbing my hand across my belly, hoping some sympathetic pregnant woman will become my sponsor and Haymitch can send in some water. No luck. I sink to the ground. In my stillness, I begin to notice the animals: strange birds with brilliant plumage, tree lizards with flickering blue tongues, and something that looks like a cross between a rat and a possum clinging on the branches close to the trunk. I shoot one of the latter out of a tree to get a closer look. It's ugly, all right, a big rodent with a fuzz of mottled gray fur and two wicked-looking gnawing teeth protruding over its lower lip. As I'm gutting and skinning it, I notice something else. Its muzzle is wet. Like an animal that's been drinking from a stream. Excited, I start at its home tree and move slowly out in a spiral. It can't be far, the creature's water source. Nothing. I find nothing. Not so much as a dewdrop. Eventually, because I know Peeta will be worried about me, I head back to the camp, hotter and more frustrated than ever. When I arrive, I see the others have transformed the place. Mags and Finnick have created a hut of sorts out of the grass mats, open on one side but with three walls, a floor, and a roof. Mags has also plaited several bowls that Peeta has filled with roasted nuts. Their faces turn to me hopefully, but I give my head a shake. "No. No water. It's out there, though. He knew where it was," I say, hoisting the skinned rodent up for all to see. "He'd been drinking recently when I shot him out of a tree, but I couldn't find his source. I swear, I covered every inch of ground in a thirty-yard radius." "Can we eat him?" Peeta asks. "I don't know for sure. But his meat doesn't look that different from a squirrel's. He ought to be cooked... ." I hesitate as I think of trying to start a fire out here from complete scratch. Even if I succeed, there's the smoke to think about. We're all so close together in this arena, there's no chance of hiding it. Peeta has another idea. He takes a cube of rodent meat, skewers it on the tip of a pointed stick, and lets it fall into the force field. There's a sharp sizzle and the stick flies back. The chunk of meat is blackened on the outside but well cooked inside. We give him a round of applause, then quickly stop, remembering where we are. The white sun sinks in the rosy sky as we gather in the hut. I'm still leery about the nuts, but Finnick says Mags recognized them from another Games. I didn't bother spending time at the edible-plants station in training because it was so effortless for me last year. Now I wish I had. For surely there would have been some of the unfamiliar plants surrounding me. And I might have guessed a bit more about where I was headed. Mags seems fine, though, and she's been eating the nuts for hours. So I pick one up and take a small bite. It has a mild, slightly sweet flavor that reminds me of a chestnut. I decide it's all right. The rodent's strong and gamey but surprisingly juicy. Really, it's not a bad meal for our first night in the arena. If only we had something to wash it down with. Finnick asks a lot of questions about the rodent, which we decide to call a tree rat. How high was it, how long did I watch it before I shot, and what was it doing? I don't remember it doing much of anything. Snuffling around for insects or something. I'm dreading the night. At least the tightly woven grass offers some protection from whatever slinks across the jungle floor after hours. But a short time before the sun slips below the horizon, a pale white moon rises, making things just visible enough. Our conversation trails off because we know what's coming. We position ourselves in a line at the mouth of the hut and Peeta slips his hand into mine. The sky brightens when the seal of the Capitol appears as if floating in space. As I listen to the strains of the anthem I think, It will be harder for Finnick and Mags. But it turns out to be plenty hard for me as well. Seeing the faces of the eight dead victors projected into the sky. The man from District 5, the one Finnick took out with his trident, is the first to appear. That means that all the tributes in 1 through 4 are alive - the four Careers, Beetee and Wiress, and, of course, Mags and Finnick. The man from District 5 is followed by the male morphling from 6, Cecelia and Woof from 8, both from 9, the woman from 10, and Seeder from 11. The Capitol seal is back with a final bit of music and then the sky goes dark except for the moon. No one speaks. I can't pretend I knew any of them well. But I'm thinking of those three kids hanging on to Cecelia when they took her away. Seeder's kindness to me at our meeting. Even the thought of the glazed-eyed morphling painting my cheeks with yellow flowers gives me a pang. All dead. All gone. I don't know how long we might have sat here if it weren't for the arrival of the silver parachute, which glides down through the foliage to land before us. No one reaches for it. "Whose is it, do you think?" I say finally. "No telling," says Finnick. "Why don't we let Peeta claim it, since he died today?" Peeta unties the cord and flattens out the circle of silk. On the parachute sits a small metal object that I can't place. "What is it?" I ask. No one knows. We pass it from hand to hand, taking turns examining it. It's a hollow metal tube, tapered slightly at one end. On the other end a small lip curves downward. It's vaguely familiar. A part that could have fallen off a bicycle, a curtain rod, anything, really. Peeta blows on one end to see if it makes a sound. It doesn't. Finnick slides his pinkie into it, testing it out as a weapon. Useless. "Can you fish with it, Mags?" I ask. Mags, who can fish with almost anything, shakes her head and grunts. I take it and roll it back and forth on my palm. Since we're allies, Haymitch will be working with the District 4 mentors. He had a hand in choosing this gift. That means it's valuable. Lifesaving, even. I think back to last year, when I wanted water so badly, but he wouldn't send it because he knew I could find it if I tried. Haymitch's gifts, or lack thereof, carry weighty messages. I can almost hear him growling at me, Use your brain if you have one. What is it? I wipe the sweat from my eyes and hold the gift out in the moonlight. I move it this way and that, viewing it from different angles, covering portions and then revealing them. Trying to make it divulge its purpose to me. Finally, in frustration, I jam one end into the dirt. "I give up. Maybe if we hook up with Beetee or Wiress they can figure it out. I stretch out, pressing my hot cheek on the grass mat, staring at the thing in aggravation. Peeta rubs a tense spot between my shoulders and I let myself relax a little. I wonder why this place hasn't cooled off at all now that the sun's gone down. I wonder what's going on back home. Prim. My mother. Gale. Madge. I think of them watching me from home. At least I hope they're at home. Not taken into custody by Thread. Being punished as Cinna is. As Darius is. Punished because of me. Everybody. I begin to ache for them, for my district, for my woods. A decent woods with sturdy hardwood trees, plentiful food, game that isn't creepy. Rushing streams. Cool breezes. No, cold winds to blow this stifling heat away. I conjure up such a wind in my mind, letting it freeze my cheeks and numb my fingers, and all at once, the piece of metal half buried in the black earth has a name. "A spile!" I exclaim, sitting bolt upright. "What?" asks Finnick. I wrestle the thing from the ground and brush it clean. Cup my hand around the tapered end, concealing it, and look at the lip. Yes, I've seen one of these before. On a cold, windy day long ago, when I was out in the woods with my father. Inserted snugly into a hole drilled in the side of a maple. A pathway for the sap to follow as it flowed into our bucket. Maple syrup could make even our dull bread a treat. After my father died, I didn't know what happened to the handful of spiles he had. Hidden out in the woods somewhere, probably. Never to be found. "It's a spile. Sort of like a faucet. You put it in a tree and sap comes out." I look at the sinewy green trunks around me. "Well, the right sort of tree." "Sap?" asks Finnick. They don't have the right kind of trees by the sea, either. "To make syrup," says Peeta. "But there must be something else inside these trees." We're all on our feet at once. Our thirst. The lack of springs. The tree rat's sharp front teeth and wet muzzle. There can only be one thing worth having inside these trees. Finnick goes to hammer the spile into the green bark of a massive tree with a rock, but I stop him. "Wait. You might damage it. We need to drill a hole first," I say. There's nothing to drill with, so Mags offers her awl and Peeta drives it straight into the bark, burying the spike two inches deep. He and Finnick take turns opening up the hole with the awl and the knives until it can hold the spile. I wedge it in carefully and we all stand back in anticipation. At first nothing happens. Then a drop of water rolls down the lip and lands in Mags's palm. She licks it off and holds out her hand for more. By wiggling and adjusting the spile, we get a thin stream running out. We take turns holding our mouths under the tap, wetting our parched tongues. Mags brings over a basket, and the grass is so tightly woven it holds water. We fill the basket and pass it around, taking deep gulps and, later, luxuriously, splashing our faces clean. Like everything here, the water's on the warm side, but this is no time to be picky. Without our thirst to distract us, we're all aware of how exhausted we are and make preparations for the night. Last year, I always tried to have my gear ready in case I had to make a speedy retreat in the night. This year, there's no backpack to prepare. Just my weapons, which won't leave my grasp, anyway. Then I think of the spile and wrest it from the tree trunk. I strip a tough vine of its leaves, thread it through the hollow center, and tie the spile securely to my belt. Finnick offers to take the first watch and I let him, knowing it has to be one of the two of us until Peeta's rested up. I lie down beside Peeta on the floor of the hut, telling Finnick to wake me when he's tired. Instead I find myself jarred from sleep a few hours later by what seems to be the tolling of a bell. Bong! Bong! It's not exactly like the one they ring in the Justice Building on New Year's but close enough for me to recognize it. Peeta and Mags sleep through it, but Finnick has the same look of attentiveness I feel. The tolling stops. "I counted twelve," he says. I nod. Twelve. What does that signify? One ring for each district? Maybe. But why? "Mean anything, do you think?" "No idea," he says. We wait for further instructions, maybe a message from Claudius Templesmith. An invitation to a feast. The only thing of note appears in the distance. A dazzling bolt of electricity strikes a towering tree and then a lightning storm begins. I guess it's an indication of rain, of a water source for those who don't have mentors as smart as Haymitch. "Go to sleep, Finnick. It's my turn to watch, anyway," I say. Finnick hesitates, but no one can stay awake forever. He settles down at the mouth of the hut, one hand gripped around a trident, and drifts into a restless sleep. I sit with my bow loaded, watching the jungle, which is ghostly pale and green in the moonlight. After an hour or so, the lightning stops. I can hear the rain coming in, though, pattering on the leaves a few hundred yards away. I keep waiting for it to reach us but it never does. The sound of the cannon startles me, although it makes little impression on my sleeping companions. There's no point in awakening them for this. Another victor dead. I don't even allow myself to wonder who it is. The elusive rain shuts off suddenly, like the storm did last year in the arena. Moments after it stops, I see the fog sliding softly in from the direction of the recent downpour. Just a reaction. Cool rain on the steaming ground, I think. It continues to approach at a steady pace. Tendrils reach forward and then curl like fingers, as if they are pulling the rest behind them. As I watch, I feel the hairs on my neck begin to rise. Something's wrong with this fog. The progression of the front line is too uniform to be natural. And if it's not natural ... A sickeningly sweet odor begins to invade my nostrils and I reach for the others, shouting for them to wake up. In the few seconds it takes to rouse them, I begin to blister.

#CatchingFire

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