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charlieconwayy · 3 years

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D3: The Mighty Ducks (1996) is the best Ducks movie and a flawless coming of age movie

It’s no secret that The Mighty Ducks are a beloved trilogy. The three films spawned a professional NHL team named in their honor, 2021 sequel series, as well as many knockoff films released in the 1990s. But with any movie series, fans tend to rank the films and have passionate opinions on which is the best. For most Ducks fans, the answer is simple: D2. It has the Bash Brothers, Team USA dominating, the iconic “Ducks Fly Together” scene and two Queen songs. What’s not to love? But upon a rewatch of the trilogy, I came to realize that it’s not D2, or even the original, that is the best in the series.

It’s the criminally underrated 1996 D3 that for me, is the most mature and has the most heart. Perhaps it’s that the Ducks are now old enough to carry their own weight on screen. Perhaps it’s that the film takes a look at trauma, specifically trauma in teenagers, and how that manifests itself. Perhaps it’s that the film is maybe ahead of its time, in the way it discusses classism, racism and sexism. There is so much about this overly hated film that makes it the best Ducks movie and a perfect coming of age film.

The movie starts presumably a few years following the Ducks’ win against Iceland. They all look noticeably older - definitely older than the middle schoolers we left behind in 1994 - and all of the male Ducks’ voices have dropped a few octaves. Gordon Bombay, played by Emilio Estevez, is presenting the team (except for unfortunately, Jesse Hall, a leader among the Ducks who would’ve made for a strong presence in this mature film, as well as Portman, but we’ll get to him later) with scholarships to his alma mater, Eden Hall, a preparatory high school in Minnesota. Charlie Conway, played by a young, pre-Dawson’s Creek Joshua Jackson, is the Ducks’ captain and unspoken leader. There’s been much debate over the years over whether or not Charlie is the true captain of the Ducks. Adam Banks, played by Vincent Larusso, is far and away better than practically every Duck combined. Fulton Reed, played by Elden Henson, has shown more maturity and leadership at this point. It’s probably true that the Ducks as a team think that Charlie is Captain because of Bombay’s favoritism towards him (and his mother), but I think that this film makes it abundantly clear why Charlie is the captain.

D3 is Charlie’s story. We see that in the opening scene, when Bombay tells Charlie he will not be following the team to Eden Hall, accepting a job instead in California. We learned in the original Mighty Ducks film, that Charlie and his mother left a bad situation in Charlie’s father when Charlie was very young. We also hear about Charlie’s mother, Casey’s marriage to a new man in the D2, who we can assume from what Jan says, that Charlie doesn’t like. We see in that first film, Charlie’s reaction to Bombay announcing that he is leaving the Ducks after the two of them have formed a bond. It is very clear that Charlie deals with abandonment issues, stemming from trauma in his early childhood. Charlie freaks out when a D3 Bombay announces the same thing, and storms off.

Change is the biggest theme in D3. We see how change affects each of the Ducks, even those who don’t get many lines. Some, like Russ Tyler, played by SNL’s Kenan Thompson, think it’s a good thing. All of the Ducks don’t come from good neighborhoods and we assume that most of them don’t have the best home lives, especially when Charlie tells their new coach, Orion, played by Jeffrey Nordling, that the Ducks are the only good thing that any of them have had. Going to a preparatory school should be a good thing for them. But for most of them, it’s not. The new Ducks (who by the way, three of which are people of color, and one of which, is a woman) are immediately told that “their kind” is not welcome at Eden Hall. The Varsity team claim that they feel this way because the captain’s younger brother was not admitted onto the JV team because of the Ducks’ scholarships, but it’s very clear what they really mean. Russ commented that he’s the only black person on the whole campus earlier, and he, Luis Mendoza (The Sandlot’s Mike Vitar) and Ken Wu (Justin Wong) are the only people of color we see in the film. Change takes a toll on each member of the team. We see it the most in Charlie, but we also hear from Fulton on how the separation from his best friend, Dean Portman (Aaron Lohr), who decided not to enroll at Eden Hall, is taking a toll on him. Connie (Margerite Moreau) and Guy (Garrette Henson) have presumably broken up, as the two small scenes we get of them, they are arguing. It’s a transition period, one that the first year of high school often is. But it’s also a look on how a rich, white privileged world is vastly different than the one that the Ducks are used to.

Coach Orion seems like a hardass, especially when he tells Charlie at their first practice that he will no longer be “Captain Duck” (as coined by D2’s Gunnar Stahl, played by Scott Whyte, who now plays the level-headed Varsity goalie Scooter). This, to the Ducks, is a line in the sand. Ever since Bombay turned District 5 into the Ducks four years previous, Charlie has been their captain. They’re in a whole new environment, where the man who gave them so much happiness and so many friendships isn’t, and their “little Duck tricks” won’t work anymore. Orion thinks Charlie is a showoff, and perhaps he is. This Charlie is vastly different than the sweet, shy Charlie we see in D1 and D2. But this Charlie is older, has just been abandoned by a man he considered a father, and is being harassed on a daily basis for being, as Varsity Captain Reilly puts it, “white trash.” I find it hard to believe sometimes that fans can look at Charlie from the outside, and not see who he is on the inside. All of Charlie’s closest relationships that we see portrayed in this movie, are with women. His mother (who he, as a teenage boy, says “I love you” to in the final scene of the movie), his teammates, Connie and Julie, who he gets a lot more screentime with, and with new love interest, Linda (Margot Finley).

I think now is a great time to talk about the shockingly impressive way all of the female characters are portrayed in this series, particularly this movie, especially for a 90s sports film. Connie has always been a leader on and off the ice. She’s in a relationship with Guy, but it’s not her only character trait. Dubbed “the Velvet Hammer” by Averman (Matt Doherty), she stands up for herself, and for her shy teammates (she literally shoves Peter Mark - a character cut out of D2 and D3 for good reason - in D1 when he insults Charlie) and stands up to the entire Varsity team despite them telling her that they hope they can “fight” with her later. Julie “The Cat” Gaffney (Columbe Jacobsen) is the second best player on the Ducks, despite the little ice time (thanks, Bombay) we see her have. She is the first person to tell of the Varsity, telling Captain Reilly that his little brother “just wasn’t good enough.” She’s a huge facilitator in the fire ant prank and despite the very weird and out of character game she had against the Blake Bears, shows that she deserves the number one goalie slot that Reilly gives her - despite what Goldberg, and the obvious underlying sexism there, have to say. I’ve also always been very impressed with Charlie’s mother, Casey (Heidi Kling). Although she has a romance with Bombay in D1, she makes it clear from the get go that her first priority is Charlie. We know that she took the two of them away from an abusive situation, and she’s a goddamn hero for that. Her scenes in D3 are limited, but they always show her chastising Charlie’s antics and encouraging him to stay in school. It goes unsaid, but it’s clear that she knows that he’s not going to get an education this good in the problematic public school system. But according to Linda, Charlie’s love interest, the private school system is no better. The first time we see Linda, she is protesting the “outdated” Warriors team name. This was in a 1996 kids movie, no less. She holds her own against Charlie, calling him out when he’s wrong. No one aside from Charlie, and maybe Fulton, get much screentime or lines aside from Bombay and Orion, but her presence and the point of her character is clear - not every rich person agrees with the horrible things that wealthy people do.

Back to the plot.

When the Ducks receive their positions, they learn that Banks, as a freshman, has made Varsity. From an outside perspective, they seems obvious. Banks is the best player we see in any of the films, definitely miles better than the losers on Varsity, so it seems obvious that he would be promoted. But Banks is unhappy with this. Adam Banks is a fan favorite character, definitely due to the sweet, understated performance by Larusso, but we don’t see much of him. From what we do see of him though, he underwent a huge character arc from D1 to now. In D1, Banks goes against his father’s protests and joins the Ducks, claiming that he “just wants to play hockey.” Here in D3, we see that Banks is utterly miserable despite playing with some of the best players in the state, purely because he’s not with his friends. At the end of the film, he makes the (questionable) decision to rejoin the Ducks and go against the Varsity. But Varsity seems to feel that Banks fits in with them, for obvious reasons. He’s the only Duck who comes from an affluent background, and he’s definitely the most clean cut. Captain Reilly is visibly angry in the final showdown with the Ducks that they no longer have Banks on their side, as if he’s betrayed “his kind.”

The turning point of the film comes when after Charlie has quit the freshman team (no longer the Ducks), Hans, a father figure to the Ducks and Bombay, suddenly passes away. It’s an insanely dark moment for a Disney film, especially when Bombay returns to the funeral and reminds the Ducks that it was “Hans who taught them to fly” and Charlie storms off, crying. I think Joshua Jackson, in the Ducks films, as well as in Dawson’s Creek, is phenomenally good at portraying teenagers who wouldn’t normally be seen as leading men. Who let their emotions overtake them, who have anger issues, who deal with familial problems. Characters like that in leading roles were almost unheard of in the 90s, and in the upcoming scenes, it reminds us why this side of Charlie that we’ve seen throughout the movie is not the only side of Charlie.

Bombay takes Charlie to the rink to see Orion skating with his disabled daughter, who was injured in a car accident. He reveals to Charlie that Orion quit the NHL to take care of her, and this immediately changes Charlie’s opinion of him, but he’s still unconvinced about rejoining the team. The next scene is without question, the greatest and most important scene of the trilogy. The last two films spent way too much time telling us how great of a person Bombay was, how he was the Minnesota Miracle Man,despite us seeing so little of that onscreen. We see him making mistake after mistake, hurting the team, being an unjustified dick to those around him. But this scene more than makes up for all of that. I’ve put the quote from this scene below.

Bombay: I was like you, Charlie. When I played hockey, I was a total hot shot. I tried to take control of every game. I wound up quitting. So I tried the law. I ruled the courtroom, but inside, I’m a mess. Start drinking. Man, I was going down. But then this great thing happened, maybe the best thing ever - I got arrested and sentenced to community service. And there you were - Charlie and the Ducks. And as hard as I fought it, there you were. You gave me a life, Charlie, and I want to say thank you. I told Orion about all of this when I talked to him about taking over. I told him that you were the heart of the team and that you would learn something from each other. I told him that you were the real Minnesota Miracle Man.

Charlie: You did?

Bombay: I did. So be that man, Charlie. Be that man.

It’s a callback to D2, when Jan tells Bombay “Be that man, Gordon. Be that man.” This scene is flawless. Every good thing that has happened to the Ducks, came because of Charlie’s heart. It came because of that game when Charlie refused to cheat, and made Bombay see his wrongs. It came because of when Bombay first tried to quit the team, and seeing how hurt Charlie was, agreed to stay. It was Charlie who stepped out of the game against Iceland so that Banks could play. It was Charlie who found them Russ. Giving the credit to a young, emotionally unstable teenager, rather than their Emilio Estevez, hotshot Bombay, is the best thing this series ever did.

This movie, in my opinion, is nearly flawless. Every moment has been planned to make the same point - change sucks. Especially when you’re a teenager. Even more so when you’re a teenager with trauma.

#the mighty ducks #gordon bombay #charlie conway #meta #i'm so proud of this pls read gay people!!!

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opheliaintherushes · 3 years

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At the end of the day how do you think Narcisse worked as a character in Boardwalk Empire?

Oh my god, thank you for the opportunity to talk about Narcisse, and Narcisse and Chalky, and Season 4 in general, which I love more than everybody. It's my second favorite season after Season 2 for a lot of great reasons (Meyer stepping up, the Capone brothers, Eddie getting some spotlight, "The Killers" homage in "New York Sour," Margaret and AR teaming up, Daughter, ALL IN) that overshadow some of the less great stuff (Team NY's shrunken presence because Vincent Piazza was off being a Jersey Boy, Willie Thompson), but mostly I love it because of how it all wraps up the themes of home and exile and displacement, and Narcisse is really the linchpin of that.

Okay, but to circle back to the question, did Narcisse work as a character? I’d say certainly:

1) Jeffrey Wright is outstanding. I could listen to him to read the phone book and every other book out there. The mannerisms - fixing the ends of his mustache, wiping his hands after speaking with AR, emphasizing his comments with the pounded fist, mouthing along the words with his actors. He completely captured Narcisse’s hilarious pretensions (the play, THE PLAY), hatefulness (his scenes with Daughter), and undercurrent of sympathy (”the exile cannot choose his Babylon”).

2) Speaking of, he is the one that successfully bridges the themes of Season 4 with the themes of Season 5: the rise and fall of the old wave, and the inability to withstand the onslaught of the new. We see him goad Chalky “a servant pretending to be a king” but in the end he finds himself beneath Hoover’s thumb, then Charlie’s, then Charlie’s again.

3) Which also sets him up to be the perfect foil to Chalky, right at the time Chalky was coming to prominence in Season 4 (and really the cause of it, since Narcisse is definitely the main villain of the season and Chalky’s adversary). He challenges Chalky’s perceptions of being the king in his court while still never able to rise higher because of his place in this country. Chalky has always seen himself as a man of his people and a man of his family, but Narcisse provides the tools to undo that - Dunn and Daughter. And he shows Nucky’s colors for what they really are; for someone who always prided himself on his friendship (or whatever you would call it) with Chalky, how quickly he takes the opportunity to undercut him. Chalky’s arc that season is tremendous and Narcisse is a huge part of it.

#anonymous #who knew I had so much to say about Narcisse #but I mean it's Season 4 there is always so much to say #guys his name is Narcisse like come on #HARLEM BY TORCHLIGHT #'it's symbolism was beyond them'#there's a reason Old Ship of Zion is one my favorite episodes of all #Boardwalk Empire

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simptasia · 4 years

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Asks? I can do asks. What do you think happens to the gang after the LOST finale? Idk if you’ve talked about it before but I’m just wondering what you think happens with Sawyer and Richard and Desmond and Miles and everyone. Also, like, all the babies like Ji Yeon and Aaron and Charlie Hume. Are Kate and Claire co parents? Does Sawyer enter Clementine’s life? Literally what is Richard even doing with his life now? Idk that was long

i HAVE talked about this before and i talk about my post-finale headcanons with much casualness. and i will go into it again and some more <3

kate takes care of claire, helping her recover thru her trauma. they live together and raise aaron together. eventually they become romantic partners (give ‘em about a year). also kate got pregnant from that time kate and jack fucked two in universe weeks before the finale so they also raise another boy named david

richard has money and clothes but he doesn’t have a place to live so miles in a surprising act of kindness, offers to help him out, and they live together in a motel for a bit and then get a better place to live. i give ‘em about 3 months before they fuck/fall in love. also also eventually they’ll live in the lap of luxury cuz miles is gonna sell those diamonds

kate and sawyer are just friends

sawyer, having leveled up in Good Boyness, does contact cassidy and become a part of clementines life (kate being on his side helps)

desmond helps hurley and ben bury jack after they find his body and then ben arranges for desmond to get off the island, wherein he will live happily ever after with penny, bb charlie and eventually their next child, danielle

ji yeon gets raised by her grandmother but i like to imagine kate and claire are a part of her life, being like her aunties. ji yeon and aaron grow up to be besties. charlie hume too. lost the next generation! buncha kids who grow up very chill with the concept of magic. also ji yeon has sun’s eyes and jin’s cheekbones

aaron just looks like claire but a boy. he’s raised to believe charlie is his biological father. he’s into music and has a hero worship “i never met my dad but he was the best” reverence for charlie

kate becomes a photographer and claire becomes a children’s book illustrator. they don’t get married legally because kate decided the concept of making it Official might ruin it. so they’re emotionally married

richard and miles get actual married, like, years later. and even later, have two daughters, izzie and lara. claire is the surrogate

frank exists... he’s happy, i guess. i tend to just go with, he travels a lot

i also have no idea what sawyer is doing with his life. i mean job wise. i don’t tend to think about that kinda thing

oh claire and desmond contact liam and tell him what Really happened to charlie. and claire and liam become friends, liam considers her and aaron family <3

all,, all of the post-finale survivors are close friends and i love it. all the best miles friendships happen off screen, damn it

yeah i’ve mostly thought about kate/claire, miles/richard and the kids. (both the actual kids and the more kids i added to the pile!)

also hurley, ben, walt and vincent island shenanigans. and they will meet up with the rest of the gang from time to time. catching up, not aging, 15 years since they got home reunion (2022), funerals, watching people die... you know, all that fun stuff

#this is about the gist of it #i feel bad about frank and sawyer i never have as much for them #Southern Boys Get No Meta #lost headcanons #sunnibits

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aion-rsa · 4 years

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New British TV Series for 2020: BBC, ITV, Channel 4, Sky Dramas and More

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On top of the returning British dramas expected back in the coming year (His Dark Materials, Marcella and Unforgotten to name just three), below are the many, many, many new UK TV series we’re hoping to see arrive in 2020 and beyond.

You’ll find original drama from Russell T. Davies, a new space-set sci-fi from Sky, true crime series, contemporary thrillers and the usual hefty number of literary adaptations and period dramas coming your way. Here’s the same for all the new British comedy on its way in 2020.

We’ll keep this list updated as new commissions, casting news, broadcast details and release dates arrive. Obviously, with COVID-19 delays having taken at least a three-month chunk out of production on all continuing and new dramas since mid-March, there will now be serious delays, but we’ll keep you posted as news arrives.

All Creatures Great and Small (September)

Filmed in the Yorkshire Dales in autumn 2019 is a new adaptation of the memoirs of rural vet James Herriot (real name: James Alf Wight). Airing on Channel 5 in the UK and on Masterpiece on PBS in the US, this series stars Samuel West, Anna Madeley and Dame Diana Rigg, with newcomer Nicholas Ralph playing young vet James. A six-part series plus a Christmas special has been filmed, timed to mark the 50th anniversary of the first book’s publication. Expect warm-hearted stories of animal frolics and local characters.

Around the World in Eighty Days (TBC)

Filming began in South Africa on this new eight-part adaptation of Jules Verne’s classic novel in February 2020, and was halted in March by COVID-19 with an episode and a half in the ‘can’. In early July, filming was announced by France Televisions to be resuming. The European-funded series stars David Tennant (pictured above in Channel 4 drama Deadwater Fell) as explorer Phileas Fogg. To satisfy a foolhardy wager, Fogg and his valet set off on a globe-circling journey, this time in the company of journalist Abigail Fix, played by The Crown’s Leonie Benesch. It’s been adapted by a team led by Life On Mars’ Ashley Pharoah.

A Suitable Boy (July)

Literary adapter extraordinaire Andrew Davies (Les Miserables, War & Peace, Pride And Prejudice) is back on the BBC with the first screen adaptation of Vikram Seth’s 1993 novel A Suitable Boy. Making her television debut is acclaimed feature director Mira Nair (Monsoon Wedding, Queen Of Katwe). A Suitable Boy is a coming-of-age story about university student Lata (played by Tanya Maniktala), told against the backdrop of newly independent India in 1951. The official BBC press release describes it as “a vast, panoramic tale charting the fortunes of four large families and exploring India and its rich and varied culture at a crucial point in its history.” Here’s our spoiler-free review.

Adult Material (October)

This Channel 4 drama takes on the UK porn industry and the complex relationship between sex, money and power. Written by Skins and The Smoke’s Lucy Kirkwood, the four-part miniseries stars I, Daniel Blake‘s Hayley Squires (in a role previously given to Sheridan Smith, who left the project due to conflicting commitments) as Jolene, an experienced porn actor and mother of three whose on-set friendship with a young woman leads to a complex examination of her own work and home life. With warnings of adult and sexual scenes, here’s the official trailer.

Anne (TBC)

World Productions, the makers of some of the best British drama around (Line Of Duty, Save Me, Jed Mercurio’s drama Bodyguard) are making this four-part drama for ITV. Written by novelist Kevin Sampson, who was present at Hillsborough Stadium on the tragic day ninety-six football fans died, it tells the real-life story of Anne Williams’ decades-long fight for justice for her teenage son and all the victims of the 1989 disaster. Sampson was instrumental in the Hillsborough Campaign for Justice, and conducted interviews with Williams, whose powerful story he tells here with Maxine Peake in the lead role. Bruce Goodison directs.

Baghdad Central (February)

Based on the thriller of the same name by Elliott Colla, Baghdad Central is a six-part Channel 4 commission written by House of Saddam and The Last Kingdom‘s Stephen Butchard. Set in Iraq shortly after the 2003 fall of Saddam Hussein, it’s described as “part noir detective drama, part Le Carre and part Green Zone“. With a cast led by Waleed Zuaiter (Omar, Altered Carbon), it’s the story of a quest for justice in an almost lawless society. Bertie Carvel co-stars, with Doctor Who and Tin Star‘s Alice Troughton as the lead director. All six episodes are currently available to stream on All4.

Before We Die (TBC)

Adapted from the Swedish crime thriller of the same name, Before We Die is the story of a detective who discovers that her son is acting as an undercover informant in a brutal murder investigation. It’s set in Bristol and stars Lesley Sharp, Vincent Regan and Patrick Gibson. It’s coming to Channel 4.

Belgravia (March)

Written by Downton Abbey creator Julian Fellowes and based on his 2016 novel of the same name, Belgravia is a six-part period drama set in 19th century London. Expect toffs and treachery in a story about society secrets on the eve of the Battle of Waterloo. Among the fine looking cast are Tamsin Greig, Harriet Walter, Tara Fitzgerald, Philip Glenister and Alice Eve. It aired in March on Sunday nights on ITV1.

Best Interests (TBC)

Jack Thorne (pictured above), the busiest screenwriter in the UK is returning to BBC One fresh from His Dark Materials with a new original four-part drama partly inspired by the real-life Charlie Gard case. It’s about a young child with a life-threatening condition whose medical team judge it in her best interests that she be allowed to die, a decision her family can’t support, and fight every step of the way. The commission was announced in July 2019 and filming was due to begin this year, but there’s no news at the time of writing as to how COVID-19 has affected the timetable on this one.

Black Narcissus (TBC)

This BBC commission was announced back in 2017 and we finally have some info on it. Adapted by Apple Tree Yard screenwriter Amanda Coe from Rumer Godden’s 1939 novel (which was previously adapted for cinema in 1947), three-part series Black Narcissus stars Gemma Arterton as Sister Clodagh in a Gothic tale of “sexual repression and forbidden love”. Set in the 1930s, it’s the story of a group of nuns who travel to Nepal to set up a branch of their order, and Sister Clodagh’s struggle with her attraction to a land agent, against the backdrop of the tragic history of a Nepalese princess. Diana Rigg, Jim Broadbent, Gina McKee and more join Arterton. Filming began in Nepal and the UK in October 2019, and back in January the BBC included it in the year’s ‘New for 2020‘ trailer.

Bloodlands (TBC)

Filming got underway in February on new BBC One crime drama Bloodlands, which stars The Missing and Cold Feet‘s James Nesbitt and takes place in Northern Ireland. In June, the Belfast Telegraph reported from producer Jed Mercurio that filming had wrapped before the COVID-19 industry shutdown and that an extended post-production period had been agreed with the BBC, so it’s hopeful that we’ll still see this one in 2020. Susan Lynch, Michael Smiley, Ian McElhinney and Lisa Dwan are among the cast. The thriller, from new writer Chris Brandon, will revolve around a cold case that holds personal significance for Nesbitt’s detective, and follows his hunt for an assassin.

It’s a Sin (Early 2021)

This 1980s-set drama (previously titled The Boys) comes from acclaimed screenwriter Russell T. Davies (A Very English Scandal, Doctor Who) and tackles the impact of AIDS on the lives of three young men across a period of ten years. It’s the story of “the epidemic, the pain of rejection and the prejudices that gay men faced throughout the decade.” Filming began on the five-part series in October 2019, with a cast including Olly Alexander, Neil Patrick Harris, Keeley Hawes, Stephen Fry, Tracy Ann Oberman and Shaun Dooley. See the first teaser here.

But When We Dance (TBC)

Directed by Johnny Campbell (of In The Flesh and Dracula fame) and written by Esio Trot‘s Paul Mayhew Archer, this one-off comedy-drama about two people with Parkinson’s disease was announced in late 2019 and coming to BBC One. Described as a touching and hilarious love story, it’s the story of Tony and Emma, a couple who first meet at a dance class for people with Parkinson’s. It promises to be a witty, heart-felt 90 minutes throwing a light on a much-diagnosed condition in the UK.

Cobra (January)

New political thriller Cobra arrived on Sky One and NOW TV in January. From The Tunnel and Strike writer Ben Richards, it stars Robert Carlyle, Victoria Hamilton and David Haig as, respectively, the PM, his chief of staff and the home secretary. It’s a six-parter promising “high stakes politics and high-octane action” about a team of experts and crisis responders attempting to bring society back from the brink of collapse. A second series was ordered by Sky in February 2020.

Come Again (TBC)

Robert Webb’s debut novel Come Again, which was published in April 2020, is going to be adapted for television. It was announced in May that Firebird Pictures Ltd is working on the screen version of the story by the writer-actor. Webb (Peep Show, Back, That Mitchell And Webb Look) published his first book, memoir How Not to be a Boy in 2017, with Come Again as his first work of fiction. It tells the story of Kate, a karate expert, computer genius widow mired in grief who gets an out-of-this-world chance to go back into her past and change the future. It’s part love story, part coming-of-age story, part spy thriller packed with action and 90s nostalgia.

Danny Boy (w/t)

Filming is underway on the provisionally titled Danny Boy, a new BBC Two feature-length drama about real-life soldier Brian Wood, accused of war crimes in Iraq by human rights lawyer Phil Shiner. Ordeal by Innocence’s Anthony Boyle will play Wood, with the magnificent Toby Jones as Shiner, with a screenplay written by Murder and Party Animals’ Robert Jones.

Deadwater Fell (January)

From Humans screenwriter Daisy Coulam, this new four-part Channel 4 drama aired in January this year. Set in a remote Scottish community, it explores the aftermath of a heinous crime – a family is murdered by someone they know and trust, sending ripples through the supposedly idyllic town. David Tennant leads a cast including The Good Fight‘s Cush Jumbo and The Bay‘s Matthew McNulty. It’s an excellent, if difficult watch (read our spoiler-filled reviews here), and is currently available to stream on All4.

Death Comes as the End (2021 TBC)

With Agatha Christie adaptation The Pale Horse completing Sarah Phelps’ quintet of adaptations for the BBC, it’s time for a different voice on a very different kind of Christie novel. That voice? Gwyneth Hughes, Vanity Fair and Five Days screenwriter. And that novel? Death Comes As The End, a murder mystery set not in the early 20th century, but in ancient Egypt. The arrival of a new concubine sends ripples through an Egyptian priest’s family. No casting has yet been announced.

Des (August)

ITV has included this three-part true crime drama in its autumn 2020 schedule, so it looks like there are no delays here. Des stars David Tennant and is inspired by the real story of serial killer Dennis Nilsen, who murdered several boys and men between the years of 1978 and 1983. It’s adapted from Brian Masters’ book Killing For Company, and will be told from the perspective of three men – Nilsen, DCI Peter Jay (played by Daniel Mays), and biographer Brian Masters (played by Jason Watkins) – and explore how Nilsen was able to prey on the young and the vulnerable. See the first trailer here.

Dracula (January)

The Sherlock showrunners Steven Moffat and Mark Gatiss reunited to bring another 19th century fictional icon to life in Dracula, which aired on BBC One over New Year and Netflix. Danish actor Claes Bang played the title role alongside Dolly Wells and John Heffernan in the miniseries which comprises three ninety-minute episodes. Moffat and Gatiss promised to “reintroduce the world to Dracula, the vampire who made evil sexy.” Job done. Read our spoiler-filled reviews here.

Englistan (TBC)

Actor, rapper, activist and now screenwriter Riz Ahmed (pictured above in The Night Of) was announced in 2018 as developing this ambitious nine-part series with BBC Two. It’s a drama about three generations of a British Pakistani family set over the course of four decades of their lives. Early reports promise a complex look at the notion of home, identity, race relations and achieving your dreams, but above all, an examination of what family really means. Updates on progress have been thin on the ground but as soon as there’s news, we’ll include it here.

Flesh and Blood (February)

Filming on new ITV four-part drama Flesh And Blood got underway in June 2019, with an enviable cast led by Imelda Staunton, Stephen Rea and Russell Tovey. It’s a contemporary story of three adult siblings shocked when their recently widowed mother falls for a new man, bringing into question everything they thought they knew about their parents’ 45-year marriage. Staunton plays the family’s neighbour, who harbours an unhealthy obsession with the unfolding drama… Think dark wit and the unearthing of long-buried secrets. It’s available to stream on ITV Hub here and here’s our spoiler-filled episode one review.

Four Lives (TBC)

Previously titled The Barking Murders, Four Lives is a three-part BBC drama based on real-life murderer Stephen Port, and the aftermath of his four kills. Port raped and murdered four men, between 2014 and 2015, using Grindr to attract his victims. Writer Jeff Pope, who previously penned The Moorside and Little Boy Blue, is leading the charge on this one, along with director Neil McKay. It was announced in February 2019 that Sheridan Smith was back working with Pope on the new series, playing Sarah Sak, mother of Anthony Walgate, alongside Jamie Winstone as Donna Taylor, one of the sisters of Jack Taylor, and Stephen Merchant as Port. In this Entertainment Focus interview from April 2020, actor Michael Jibson confirmed the drama was currently postponed due to the ongoing real-life criminal case.

Gangs of London (April)

Filmmaker Gareth Evans came to everybody’s attention with 2011 Indonesian-set action flick The Raid. In April, he made his TV debut with this Sky Atlantic/HBO co-production. Gangs of London takes place in a version of modern London torn apart by international criminal organisations. You can expect assassinations, intrigue, expertly choreographed fight scenes and full-muscled action from this excellent new drama. All nine episodes are available to stream on Sky and NOW TV. Read our reviews and interviews here.

Ginger Snaps (TBC)

It’s 20 years since the release of Ginger Snaps, the first in a trilogy of now-cult horror films, and, according to Sid Gentle Films, high time for a live-action TV adaptation. The darkly comic feminist werewolf movie will be adapted for a TV co-production by Anna Ssemuyaba, who has previous written for Sky’s Guerilla, Channel 4’s Adult Material and ITV’s Unsaid Stories, and from by the co-producers of Killing Eve and Orphan Black.

Harlan Coben’s Stay Close (TBC)

Thriller writer Harlan Coban is currently part of the way into a five-year deal with Netflix to adapt 14 of his novels, and Stay Close is the latest adaptation from writer Danny Brocklehurst and RED Productions, the team that brought us The Stranger. Like The Stranger, Stay Close will star Richard Armitage and move the book setting from the US to the UK. It’s the story of three characters whose dark secrets threaten to destroy their lives. James Nesbitt and Cush Jumbo also star.

Honour (September)

Keeley Hawes’ production company is behind new two-part ITV drama Honour, which filmed in autumn 2019 and is due to air this autumn. Based on the real-life so-called “honour” killing of 20-year-old Londoner Banaz Mahmod, “murdered for falling in love with the wrong man”. It comes written by Vanity Fair‘s Gwyneth Hughes and stars Hawes as DCI Caroline Goode, who investigated Mahmod’s disappearance.

I Hate Suzie (August)

Billie Piper has co-created this original Sky Atlantic comedy-drama with playwright Lucy Prebble, who adapted the Piper-starring series Secret Diary Of A Call Girl in 2007. It’s a story about a celebrity (Piper) whose career is threatened when she’s hacked and a personal photo leaked to the public. The Crown and Lovesick’s Daniel Ings co-stars. Piper is terrific in it and it has plenty to say on fame and the nature of modern celebrity. With adult content, see the first trailer here. It starts on Sky on Sunday the 27th of August, with all episodes available on NOW TV.

I May Destroy You (June)

The latest from acclaimed writer-actor Michaela Coel, creator of Chewing Gum, is a 12-part half-hour series exploring sexual consent, trauma, recovery, friendship and much more. Formerly under the working title of January 22nd, I May Destroy You is a BBC One/HBO co-production set and filmed in London, and stars Coel in the lead role of Arabella, a celebrated young novelist who suffers a sexual assault that causes her to reassess her life. Joining Coel in the cast are Weruche Opia, Paapa Essiedu, Aml Ameen and a host of new and stage talent. It aired in June on BBC One and stunned just about everybody with its frank, poised brilliance. Watch it here on BBC iPlayer.

Industry (November)

Another Bad Wolf production, this one is on its way to BBC Two and HBO in the US. Eight-part drama Industry comes from new writers Konrad Kay and Mickey Down, and is directed by Girls’ Lena Dunham. Taking on work, money, power, greed and loyalty. It’s about a group of graduates competing for places at a top firm in the cut-throat world of international finance. How far will some people go for profit?

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Inside Man (2021 TBC)

The latest drama from former Doctor Who and Sherlock showrunner Steven Moffat is a four-part crime thriller entitled Inside Man. The twisting story is about a death row inmate in the US and a woman who’s trapped in a cellar under an English vicarage, whose lives interlink “in the most unexpected way”, according to the commission announcement. It’s due to start production late this year, so don’t expect to see this on the BBC until later in 2021.

Intergalactic (2021 TBC)

Excellent news for sci-fi fans, this. Coming to Sky One and NOW TV in 2021 is Intergalactic, an original, British space-set drama about a galactic pilot who’s falsely imprisoned, then breaks free with a gang of other high-security female prisoners. It stars The Tunnel‘s Savannah Steyn (pictured) in the lead role, with Parminder Nagra, Eleanor Tomlinson, Sharon Duncan-Brewster, Natasha O’Keeffe, Thomas Turgoose and Craig Parkinson, so lots of great British talent in the cast. Filming took place in Manchester and Spain and we’ll bring you much more closer to release.

Isolation Stories (May)

UK channels responded quickly to the unusual demands of making television during lockdown, with BBC stalwarts Have I Got News for You and The Graham Norton Show continuing but using remote video link-ups. In May, ITV aired the first lockdown drama with anthology series Isolation Stories. The episodes are 15 minutes long and depict the experience of lockdown on a variety of characters played by Sheridan Smith, Angela Griffin, Robert Glenister, David Threlfall and Eddie Marsan. Watch them on ITV Hub here.

Karen Pirie (TBC)

A new detective is on her way to ITV in the form of Karen Pirie, the creation of novelist Val McDermid who’s also the literary source of ITV’s popular Wire In The Blood forensic pathology series. The new crime drama comes adapted from the first in McDermid’s five-book series The Distant Echo by Harlots and Save Me Too‘s Emer Kenny. It’s about a young Scottish detective working in St. Andrews who is tasked with reopening cold cases. The first involves the 25-year-old death of a teenager whose unsolved murder has become the subject of a true crime podcast. It’s being made by Bodyguard and Line of Duty‘s World Productions. Read more about the new commission on ITV here.

Leonardo (2021 TBC)

Not strictly (or at all) a British series, we’ve snuck this Italian production in because of its lead actor – Poldark and Being Human’s Aidan Turner – and its pedigree – from The X-Files and The Man In The High Castle’s Frank Spotnitz. The writer-producer’s latest screen work was on Medici, also made for an Italian production company. This eight-episode series will tell the life of artist Leonardo through the story of his masterpieces. After a break due to COVID-19 restrictions, the drama resumed filming in July 2020 and is expected to land with an unnamed distributor in 2021.

Life (September)

From the writer of Doctor Foster comes a new six-part hour-long drama for BBC One. Life tells four separate story strands about the residents of a large Manchester house divided into flats. The cast includes Alison Steadman and Peter Davison as a married couple rocked by a chance encounter, Adrian Lester and Rachael Stirling are a couple whose marriage is threatened by temptation, while Victoria Hamilton plays a woman whose life is disrupted by the arrival of her teenage niece. Currently filming in Manchester, “LIFE explores love, loss, birth, death, the ordinary, the extraordinary and everything in between”.

Little Birds (August)

An original six-part UK drama coming to Sky Atlantic, Little Birds is creatively adapted from Anais Nin’s collection of erotic short stories of the same name. Set in Tangier in 1955, filming took place in Andalusia and Manchester, with Juno Temple playing the lead role of Lucy Savage, a young women trapped by society who yearns for an unconventional life. It’s an erotic, political exploration of sexuality against the backdrop of colonial rebellion, and all episodes are currently available to stream on NOW TV. Read our spoiler-free review of all six episodes.

Miss Scarlet And The Duke (March)

This six-part co-production written by Trollied’s Rachel New and starring Peaky Blinders’ Kate Phillips aired on Alibi here in the UK. It’s a one-hour series set in the 19th century about London’s first female gumshoe, Eliza Scarlet (Phillips), a woman who takes over her dead father’s detective agency, aided by Stuart Martin’s ‘Duke’. One for fans of Aussie period detective series Miss Fisher’s Murder Mysteries, perhaps?

Noughts + Crosses (March)

Malorie Blackman’s hugely successful series of Young Adult novels have been adapted by Being Human’s Toby Whithouse for BBC One. The six-part series is set in a world where racial divisions are turned on their head, and two young people from different backgrounds battle through separation caused by power, politics and prejudice. All episodes are available to stream now on BBC iPlayer. Read our episode one review here.

Normal People (April)

Filming took place last summer in Dublin, Sligo and Italy for Normal People, adapted by Sally Rooney from her 2018 publishing hit of the same name. It’s a 12-part drama for BBC Three and US streaming service Hulu, starring new(ish)comers Daisy Edgar Jones and Paul Mescal. Directing is Room‘s Lenny Abrahamson and Hettie McDonald, telling an intimate story about a relationship between two young people – Marianne and Connell – stretching through their university years at Trinity College, Dublin. Available now on BBC Three and Hulu, read our spoiler-free review and more.

Penance (March)

Three-part hour-long drama Penance aired on Channel 5 this March. It’s an original scripted drama for the channel, and stars Neil Morrissey, Julie Graham and Nico Mirallegro in a psychological thriller about grief, manipulation and morally murky relationships. The story revolves around the Douglas family, reeling from the death of their son, and a young man they encounter at bereavement counselling with whom they become entangled.

Quiz (March)

Adapted from James Graham’s acclaimed stageplay of the same name, Quiz is the story of the Who Wants To Be A Millionaire? 2001 cheating scandal in which Major Ingram and accomplices were accused of cheating their way to the show’s top prize. Human chameleon Michael Sheen (Frost/Nixon, The Damned United) pictured above, plays quiz host Chris Tarrant, with Ripper Street‘s Matthew Macfadyen playing the accused Major in the three-part ITV/AMC drama. On directing duties is Stephen Frears, who recently directed excellent comedy drama State Of The Union and Russell T. Davies’ A Very English Scandal. Read our reviews here.

Red Rose (TBC)

A contemporary teen horror series is on its way to BBC Three and Netflix, written by Michael and Paul Clarkson (The Haunting Of Hill House, pictured above, See). Red Rose will be an eight-part series about the relationship between teenagers and their online lives. It’s the story of Rochelle, a Bolton teen who downloads a mysterious app that sets in motion a series of terrifying events. Ultimately, say the Clarksons, “it’s the story of friendship told through the prism of a classic horror-thriller.”

Ridley Road (TBC)

Adapted from Jo Bloom’s 2014 novel of the same name, Ridley Road will be a four-part thriller for BBC One. Actor and screenwriter Sarah Solemani (Him & Her, No Offence) has adapted Bloom’s book, which tells the story of the fight against fascism in 1960s London. According to Solemani, the novel reveals “a darker side of Sixties London and the staggering contribution the Jewish community made in the battle against racism.” In this Screen Daily interview from late March 2020, producer Nicola Schindler confirmed the series was being prepped and no cast had been announced, but that Solemani would not be starring.

Roadkill (October)

Veep‘s Hugh Laurie is going back to politics. Acclaimed screenwriter David Hare (The Hours, The Reader) is behind a new four-part political thriller for BBC One. Roadkill is the story of Peter Laurence (Laurie), a conservative minister with his eyes on the top job who attempts to out-manoeuvre the personal secrets threatening to wreck his public standing. Peaky Blinders‘ Helen McCrory is set to play prime minister Dawn Ellison, with Westworld‘s Sidse Babbett Knudsen also appearing. Filming began in London in November 2019 and we’re expecting it to arrive later this year.

The Salisbury Poisonings (June)

An episode in recent UK history – the 2018 Novichok poisonings – is translated to the screen in three-part factual drama The Salisbury Poisonings, which filmed in 2019 in the Wiltshire cathedral city. The BBC Two drama focused on the impact of the chemical attack on ordinary people and public services in the city, and boasted a terrific cast including Anne-Marie Duff, Rafe Spall, Mark Addy, Johnny Harris and MyAnna Buring. It was co-written by BBC Panorama‘s Adam Patterson and Declan Lawn. Read our review here.

SAS: Rogue Heroes (TBC)

A major new drama is on its way to BBC One, from Steven Knight, creator of Peaky Blinders and Taboo. The six-part drama is based on Ben Macintyre’s SAS: Rogue Heroes book, which charts the creation of the famed Special Forces unit. Knight is writing the adaptation, which will tell a tale “celebrating the glory, action and camaraderie at the heart of this story” while delving into the psychology of the officers and men who formed the SAS in WWII. With real-life events given Knight’s visionary treatment, this one promises to be a spectacle with real depth.

Showtrial (TBC)

The Tunnel’s writer Ben Richards has teamed up with World Productions (the folks behind Bodyguard – pictured above – and Line Of Duty) on six-part series Showtrial. Coming to BBC One, it’s a legal drama that questions the role class, money and power play in justice being done. The story treats the disappearance of a young working class student and the subsequent arrest and trial of the accused, “the arrogant daughter of a wealthy entrepreneur.” There’s been no official news on this one since its December 2019 announcement, so stay tuned for more.

Sitting In Limbo (June)

A new feature-length film tackling the shameful political Windrush immigration scandal aired on BBC One in June. Sitting In Limbo is inspired by the true story of Anthony Bryan’s struggle to be accepted as a British citizen, despite having lived in the UK since emigrating to Britain as a child in 1965 with his mother. Written by Bryan’s novelist brother Stephen S. Thompson (Toy Soldiers, No More Heroes), it’s a deeply personal and powerful ninety minute drama about the devastating human toll of the foreign office’s ‘hostile environment’ tactic. Casualty‘s Patrick Robinson and Save Me‘s Nadine Marshall star.

Small Axe (November)

An anthology of six hour-long stories set in 1960s – 1980s London is on its way to the BBC and Amazon Prime Video from Steve McQueen, the director of Twelve Years A Slave, Hunger and Shame. Small Axe started filming in June 2019 and boasts a terrific cast including Black Panther and Black Mirror‘s Letitia Wright, and The Force Awakens and Attack The Block‘s John Boyega, with Malachi Kirby and Rochenda Sandall. The first of the anthology’s five stories, all of which are set in London’s West Indian community, will be told across two episodes. See a teaser for the first, ‘Mangrove’, here. The title is inspired by the Jamaican proverb about marginal protest challenging dominant voices, “If you are the big tree, we are the small axe”. The first three episodes are due to open the New York Film Festival on the 25th of September 2020, though it’s currently unknown how the ongoing pandemic will affect the event.

Sweetpea (TBC)

From Kirstie Swain, the screenwriter of Channel 4’s Pure (pictured above) comes a new eight-part series adapted from C.J. Skuse’s 2017 novel of the same name. It’s the story of a young woman who seems unremarkable on the surface and works as an editorial assistant in a British seaside town. Unfulfilled by her job, she turns to darker pursuits outside of work, because who would ever suspect her? The comedy-drama is coming to Sky Atlantic and no casting has yet been anounced. Read our interview with Kirstie Swain about Pure, mental illness in TV drama and more.

Talking Heads (June)

Nothing to do with the NYC post-punk band of the same name, this remake of Alan Bennett’s acclaimed Talking Heads monologue series featured an all-new cast and two new monologues by Bennett. Originally broadcast in 1988 and 1998 and featuring a host of acting talent including Julie Walters, Maggie Smith and Patricia Routledge, the new Talking Heads starred Jodie Comer, Maxine Peake, Martin Freeman, Lesley Manville, Kristen Scott Thomas, Sarah Lancashire and more. The episodes are available to stream on BBC iPlayer in the UK, and were filmed using the standing EastEnders sets.

Tenacity (TBC)

If you saw His Dark Materials on BBC One, then you know Welsh-based Bad Wolf Productions are capable of great things on a grand scale. Last year, ITV commissioned them to make six-part thriller Tenacity, from a screenplay by Flightplan’s Peter A. Dowling, based on the J.S. Law novel of the same name. It’s about a body discovered on a British nuclear submarine, investigated by military detective Danielle Lewis. Think assassins, high-stakes action and a momentous threat to national security. The cast is TBA.

The Windermere Children (February)

This one-off feature length BBC Two drama delved into a little-explored part of English history – the child survivors and presumed orphans of the Holocaust who were granted the right to come and live in the UK following World War II. The Windermere Children tells the story of one coachful of young refugees brought to Lake Windermere to be rehabilitated through nature. Romola Garai, Tim McInnerny and Iain Glenn star in a screenplay from The Eichmann Show‘s Simon Block and directed by Any Human Heart‘s Michael Samuels.

The Elephant Man (TBC)

The story of Victorian Joseph Merrick was memorably brought to the screen by David Lynch in 1980, and has since been retold on stage (notably starring Bradley Cooper in the lead role). This two-part BBC drama stars Stranger Things’ Charlie Heaton (pictured) and is written by Moorside’s Neil McKay. The biopic will tell the story of Merrick’s life from the start to the end and promises to “explore the man behind the myth”. Filming was due to take place in Wales in late 2018, but there’s been no news about this one since.

The End (February)

This ten-episode series aired on Sky Atlantic and NOW TV. The End is created and written by Samantha Strauss and stars Harriet Walter and Frances O’Connor in the story of three generations of the same family dealing with the thorny issue of dying with dignity. O’Connor plays a palliative care specialist opposed to euthanasia, while Walter plays her mother Edie, who feels strongly that she has a right to die. Complicated family dynamics meet complex moral issues. See the trailer here.

The English Game (March)

Netflix bagged itself a Julian Fellowes-written drama earlier this year, this one about the birth of football. Set in Northern England in the 1850s, The English Game tracks the development of the beautiful game with the help of a cast including Line Of Duty’s Craig Parkinson, The Virtues’ Niamh Walsh, Kingsman’s Edward Holcroft and Game of Thrones’ Charlotte Hope. It arrived on Netflix UK in March and reviews were… not kind.

The Irregulars (TBC)

The modern version. The Robert Downey Jr version. The gnome version. The version where Watson is Lucy Liu. Just when you thought the world had no more Sherlock Holmes to give, along comes The Irregulars on Netflix. Written by My Mad Fat Diary’s Tom Bidwell, this version focuses on the Baker Street gang of teens used as a resource by Sir Arthur Conan Doyle’s Great Detective, and comes with what’s promised to be a horrifying supernatural twist. With Netflix money behind it, this could be a great deal of fun. Filming began in Liverpool in late 2019 but the series is currently on hold due to the COVID-19 pandemic.

The Last Days Of Marilyn Monroe (TBC)

Power, love, loyalty and politics all come to play in Dan Sefton’s (Trust Me) BBC adaptation of Keith Badman’s 2010 book The Final Years Of Marilyn Monroe. Narrowing the time-frame (as the working title suggests) Sefton’s drama will take in the final six months of Monroe’s life until her death in 1962 at the age of 36. Casting, filming, planned release date and all other information is yet to be confirmed.

The Luminaries (June)

Eleanor Catton’s novel The Luminaries won the Man Booker prize in 2013, and this June, arrived on BBC One. The six-part drama, available to stream on BBC iPlayer, boasts a strong cast, with Penny Dreadful‘s Eva Green and Eve Hewson taking lead roles in the 19th century New Zealand-set tale of adventure and mystery during the 1860s Gold Rush. Read our spoiler-free review here.

The North Water (TBC)

Film director Andrew Haigh (Weekend, 45 Years, Lean On Pete) has adapted and directed Ian Maguire’s novel The North Water into a four-part BBC Two drama with an excellent cast. Colin Farrell, Stephen Graham, Tom Courtenay, Peter Mullan and Jack O’Connell are all on board – literally so as the series is set on a whaling ship in the Arctic in the 1850s. It’s the story of a disgraced ex-army surgeon who joins a whaling expedition and finds himself “on an ill-fated journey with a murderous psychopath” and in a struggle to survive. Filming took place on the Norwegian archipelago of Svalbard in late 2019.

The Offenders (TBC)

From co-creator of The Office and writer-director of fab wrestling film Fighting with my Family, Stephen Merchant (pictured above, and soon to be seen playing killer Stephen Port in ITV true crime drama Four Lives) and Mayans M.C.’s Elgin James is a six-part one-hour comedy The Offenders. A BBC One-Amazon Studios co-production, it follows seven strangers forced together to complete a Community Payback sentence in Bristol and is described in the press release as “part crime thriller, character study, and a state-of-the-nation commentary – with humour and heart.”

The Pale Horse (February)

The brilliant Sarah Phelps (And Then There Were None, The ABC Murders, Witness For The Prosecution, Ordeal By Innocence) is back with another Agatha Christie adaptation for BBC One. This time it’s 1961 novel The Pale Horse being adapted for the screen, a story where superstition and witchcraft meet rationalism and murder. In the cast for the two-part mystery thriller are Rufus Sewell (The Man In The High Castle), Kaya Scodelario (Skins, Pirates Of The Caribbean), Bertie Carvel (Doctor Foster, Jonathan Strange & Mr Norrell), Sean Pertwee (Gotham) and more. Read our spoiler-filled episode reviews and more.

The Nest (March)

Line Of Duty‘s Martin Compston joins Sophie Rundle in new five-part BBC One thriller The Nest. Filmed in Glasgow and written by Three Girls‘ Nicole Taylor, it’s the story of a wealthy couple struggling to have a baby who enter into a surrogacy agreement with an 18-year-old girl (Mirren Mack) that spirals into unexpected territory. The series arrived in March, and here’s our episode one review.

The Singapore Grip (August)

A bit of class here coming to ITV with an adaptation of JG Farrell’s World War II novel The Singapore Grip. Playwright Christopher Hampton, whose previous screenplays include Atonement and Dangerous Liaisons, has adapted the story for a six-part series set against the backdrop of 1940s Japan. It stars Luke Treadaway and Elizabeth Tan, with David Morrissey, Charles Dance and Colm Meaney. The series is due to air in Australia this July, and will arrive in the UK in autumn.

The Sister (October)

Neil Cross, the creator of Luther and Hard Sun, has a new drama on the way to ITV. The Sister, formerly titled Because The Night, is a four-part murder story “which exposes the quiet terror of a man trying to escape his past,” and comes inspired by Cross’ 2009 novel Burial. The psychological thriller is about Nathan, whose world is rocked when a face from the past suddenly appears on his doorstep. Russell Tovey and Bertie Carvel star. It’s due to arrive on ITV this autumn.

The Serpent (TBC)

Ripper Street writer Richard Warlow has written this original eight-part BBC drama about “the phenomenal true story of how one of the most elusive criminals of the 20th century was caught and brought to trial.” It’s the tale of Charlies Sobhraj, Interpol’s most wanted man in the 1970s following a series of murders of young Western travellers across India. Tom Shankland (Les Miserables, The City & The City) directs, and A Prophet and The Looming Tower‘s Tahar Rahim will play the lead role of Sobhraj. He’ll be joined by Jenna Coleman, Billie Howell and Ellie Bamber.

The Stranger (January)

Announced in January 2019 and arriving on Netflix a year later, The Stranger is a Harlan Coben thriller made for UK television. Nicola Shindler’s British production company RED (The Five, Safe) have once again turned a Coben novel into a twisting, turning UK series. This one’s about Adam Price (played by Richard Armitage), a man with a seemingly perfect life until a stranger appears to tell him a devastating secret. Things quickly become dark and tangled for Price and everybody around him. Read our spoiler-free series review here.

The Tail Of The Curious Mouse (TBC)

When children’s author Roald Dahl was just six years old, so the story goes, he persuaded his mother to drive him to the Lake District so he could meet his hero, writer-illustrator Beatrix Potter, the creator of Peter Rabbit, Jemima Puddleduck and many more beloved children’s characters. The welcome he received, however, was less than warm. This one-off drama (Roald and Beatrix: The Tail Of The Curious Mouse) stars Dawn French as Potter and is made by the production team behind Sherlock and Dracula. Expect it to arrive this Christmas.

The Three (TBC)

Another BBC drama commission based on a book series, The Three, “an international thriller with a supernatural twist”, was announced in late 2017 but there’s been no news since then. The premise of Sarah Lotz’ trilogy sees four planes crash on the same day in four different countries, leaving three children as the miraculous survivors… Wolf Hall’s Peter Straughan was attached as adapting this eight-part drama but as yet, it’s still to appear on his IMDb credits.

Time (TBC)

Three-part prison drama Time is the latest from legendary British screenwriter Jimmy McGovern, and stars Sean Bean and Stephen Graham. Filming is due to begin in autumn 2020 in Liverpool. It’s being billed as “a visceral and high-stakes portrayal of life in the modern British penal system”, and tells the story of two men – an inmate serving time for having killed an innocent man in an accident, and a prison officer targeted by a dangerous inmate.

Tom Jones (TBC)

Praise for 2018’s Vanity Fair adaptation, scheduled opposite Bodyguard in 2018, was drowned out somewhat by the hit political thriller, but there was plenty of it, and deservingly so. Good news then, that ITV has brought screenwriter Gwyneth Hughes back to tackle another classic novel – Henry Fielding’s 1749 book Tom Jones. Following in the footsteps of the acclaimed Albert Finney-starring 1963 film, and the raucous 1997 version with Max Beasley, expect rollicking fun. The last update we had in November 2019 confirmed that Hughes was mid-writing.

Too Close (TBC)

Chernobyl‘s Emily Watson (pictured above in BBC One’s Apple Tree Yard) stars in this meaty psychological three-part thriller coming to ITV. Based on the novel of the same name written by Natalie Daniels (the pseudonym of actor-writer Clara Salaman, who’s also behind the screenplay), it’s about a forensic psychiatrist treating a patient who’s committed a heinous crime that she says she doesn’t remember. The two women become locked in a dark struggle of influence and manipulation. Watson is so far the only confirmed cast member.

Trigonometry (March)

All eight episodes of this new contemporary drama are available to stream now on BBC iPlayer. Trigonometry comes written by playwright Duncan Macmillan and actor-screenwriter Effie Woods, and provokes some fascinating questions about modern love. It’s the story of Gemma and Kieran, a couple who decide to ease the financial burden of their London flat by taking in a lodger who soon becomes entwined in their relationship. Is life as a ‘throuple’ sustainable? Could it be the way forward?

Us (September)

A four-part adaptation of David Nicholls’ novel Us is on its way to BBC One. Tom Hollander and Saskia Reeves star as Douglas and Connie, a couple whose marriage is on the verge of falling apart when the family take a long-planned holiday touring European cities. London, Amsterdam, Venice, Paris and Barcelona will provide the backdrops to this humorous, poignant relationship drama from the novelist behind One Day, Starter For Ten and Sky Atlantic’s recent adaptation of the Patrick Melrose novels. The Killing‘s Sofie Grabol and Agents Of SHIELD‘s Iain de Caestecker also star.

Vigil (TBC)

With a working title of Vigil, a new six-part thriller filmed in Scotland is on its way from the makers of Bodyguard and Line of Duty. Created by Strike‘s Tom Edge, it’s the story of the mysterious disappearance of a Scottish fishing trawler and a death on board a Trident nuclear submarine that brings the police into conflict with the Navy and British security services. Pictured above, it’s set to star Suranne Jones, Rose Leslie, Shaun Evans, Anjli Mohindra, Martin Compston, Paterson Joseph and more. Filming was forced to halt in March 2020 due to the COVID-19 industry shutdown and as yet, there’s no word on when it will resume.

Viewpoint (TBC)

A five-part thriller is coming to ITV from Rillington Place (pictured) and Manhunt writer Ed Whitmore and Fleabag director Harry Bradbeer. It’s about a police surveillance investigation in Manchester following the disappearance of a primary school teacher. A detective constable sets up a surveillance op in the flat of a local woman and watches the tight-knit community of the missing woman. ITV promises a “contemporary, character-driven murder mystery” mining the same ground as Rear Window and The Lives of Others. Pre-COVID-19, filming was due to begin in spring 2020.

When It Happens To You (TBC)

A new drama based on real-life abortion stories set in Northern Ireland – the only part of the UK where pregnancy termination remains illegal – is coming to BBC One. Written by Vanity Fair‘s Gwyneth Hughes, who travelled to Northern Ireland to meet the families who inspired the drama, When it Happens to You is produced by the makers of hard-hitting Three Girls (pictured) and will explore the experience of families and loved ones whose lives have been affected by the law in Northern Ireland.

White House Farm (January)

This six-part ITV true crime drama tells the tragic story of 1985’s White House Farm murders, the Essex killings of multiple members of the Caffell and Bamber families. Based on research, interviews and published accounts, it’s written by The Slap and Requiem’s Kris Mrksa, and directed by Little Boy Blue and Hatton Garden’s Paul Whittington. Freddie Fox plays the role of Jeremy Bamber, who is currently serving a sentence for the murders, with Stephen Graham, Alexa Davies, Mark Addy, Alfie Allen and more among the cast. Read our spoiler-filled episode reviews here.

You (TBC)

We might expect the working title of this one to change to avoid confusion with the Netflix stalker story of the same name, but as it stands, You will be an eight-part thriller coming to Sky. It’s adapted from the Zoran Drvenkar novel about a woman on the run across Europe after committing a deadly crime, pursued by a dangerous gangster and a serial killer known only as The Traveller, and is written by The Capture screenwriter Ben Chanan.

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by FairFortune

Originally posted on Wattpad (Still Updating)

- Seven years at Hogwarts and beyond, reader finds herself asking for help on the busy platforms at kings cross station one early summer day in 1990, only to meet two boys who would forever change her life, but as you get older and as the three of you grow, will your friendship with one become more?

Words: 7710, Chapters: 6/100, Language: English

Fandoms: Harry Potter - J. K. Rowling, Harry - Fandom

Rating: Mature

Warnings: Graphic Depictions Of Violence, Major Character Death

Categories: F/F, F/M

Characters: Harry Potter, Draco Malfoy, Hermione Granger, Ron Weasley, Severus Snape, Sirius Black, Ginny Weasley, Albus Dumbledore, James Potter, Lucius Malfoy, Luna Lovegood, Minerva McGonagall, Lily Evans Potter, Blaise Zabini, George Weasley, Pansy Parkinson, Narcissa Black Malfoy, Fred Weasley, Molly Weasley, Nymphadora Tonks, Bellatrix Black Lestrange, Charlie Weasley, Arthur Weasley, Bill Weasley, Percy Weasley, Moaning Myrtle, Fleur Delacour, Cedric Diggory, Cho Chang, Neville Longbottom, Regulus Black, Rubeus Hagrid, Lavender Brown, Alice Longbottom, Vincent Crabbe, Dean Thomas, Daphne Greengrass, Peter Pettigrew, Filius Flitwick, Poppy Pomfrey, Frank Longbottom, Marcus Flint, Argus Filch, Astoria Greengrass, Horace Slughorn, Viktor Krum, Kreacher (Harry Potter), Katie Bell, Hufflepuff Quidditch Team, Ravenclaw Quidditch Team, Gryffindor Quidditch Team, Slytherin Quidditch Team, Quirinus Quirrell, Giant Squid (Harry Potter), Xenophilius Lovegood, Beauxbatons Students, Hogwarts Express Trolley Witch, Hogwarts School of Witchcraft and Wizardry, Original Hogwarts Professors, Original Female Character(s), Original Female Character(s) of Color, Original Male Character(s)

Relationships: Fred Weasley/Reader, Harry Potter/Ginny Weasley, Hermione Granger/Ron Weasley, Luna Lovegood/Ginny Weasley, Arthur Weasley/Molly Weasley, Fleur Delacour/Bill Weasley, Cedric Diggory/Reader, Cho Chang/Cedric Diggory, Draco Malfoy/Pansy Parkinson, Blaise Zabini/Reader, Nymphadora Tonks/Charlie Weasley, Sirius Black/Remus Lupin, James Potter/Lily Evans Potter, Severus Snape/Original Female Character(s)

Additional Tags: Alternate Universe - Harry Potter Setting, School, Slow Build, Slow Burn, Childhood Friends, Childhood Trauma, Abuse, Child Abuse, Past Child Abuse, Original Character(s), Angst with a Happy Ending, Sharing a Bed, I Wrote This Instead of Sleeping, I Tried, Friends to Lovers, Love, Falling In Love, Love Confessions, Unrequited Love, Idiots in Love, Love at First Sight, Quidditch, Quidditch World Cup, Slytherins Being Slytherins, Slytherin Ginny Weasley, James Potter & Lily Evans Potter Live, Alternate Universe - No Voldemort, Help, Hammocks, Fluff, Fluff and Angst, Sweet, seven-year buildup, Fred Weasley Lives, Eventual Smut, Minor Original Character(s), Original Character Death(s), Other Additional Tags to Be Added

read it on the AO3 at https://ift.tt/3nVE4GH

#ao3feed #fanfic #Harry Potter #Jily #James Potter #Lily Evans #Lily Potter #Lily Evans Potter

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staticfog · 4 years

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SEND ME “HEADCANON PLEASE?” AND I’LL REPLY WITH A RANDOM HEADCANON FOR MY MUSE! - Accepting

@sublunary-supernatural asked: Headcanon please? Also all of them!

I have ... like thirty-some muses over here haha, so I’m only going to do a few active or semi-active muses if that’s okay! Feel free to specify someone specific if you had a particular muse in mind.

Under the cut for length!

Alastor ~ Alastor is an accomplished chef, and had it not been for his love of radio (as well as his dark joy in reporting on his own murders), he would have gone to culinary school. He learned how to hunt from his father, how to make hand-made tools and crafts from his mother, and how to cook from both parents, so fresh ingredients and high-quality, homemade meals and goods are important to him.

James ~ James never went to college. He started his job as a store clerk straight out of high school, met Mary at a local park, and gave up any chance of going back to school when Mary fell ill, wanting to devote their admittedly meager savings to her care.

Lucy ~ Lucy loves birds, especially cockatiels. She has a pet cockatiel named Cherry; Cherry is very easy-going, likes to wear pieces of lettuce or bok choy as a hat, and can whistle many tunes.

Mathias ~ Mathias’s humanoid guise is not his true form - rather, he purposely adopted that form so as to be a more “comforting” presence to the staff and clientele of the Happy Hotel. In reality, he has a much more monstrous appearance, with multiple wings and eyes.

Moguro ~ Moguro will eat just about anything; he is far from a picky eater. However, his absolute favorite meals tend to be those commonly found in bento boxes, and he prefers to have rice alongside almost any dish he’s consuming.

Murphy ~ Murphy was a mechanic before Charlie died. His career choice stemmed from his childhood, where he worked alongside his father in the family garage (which sadly went out of business after his father’s unexpected passing), built model cars, and read a lot of books and catalogs on cars and other vehicles.

Octavia ~ Octavia doesn’t have a lot of friends. She’s decently close with her parents, and she does spend time with the Magne and von Eldritch families, but she never really prioritized meeting under demons, even when she was in school. As a result, Octavia tends to be possessive over those she is close to, although she’d never admit that she fears losing them.

Vincent ~ Vincent and Claudia used to be close. They drifted apart once Claudia became obsessed with finding Heather and forcing her to birth God - Vincent found this cause of action a time-waster at best and repugnant at worst. All the same, he was genuinely shocked when Claudia killed him, believing she cherished their past friendship, as he quietly did.

Wayne ~ Wayne is a definite dog person, having had at least one pet dog in his home all his life. As a result, he refuses to date anyone who dislikes dogs or won’t be able to own one as a pet - having three of his own right now, Wayne would never give them up. He’s a “Love me, love my dogs” kind of guy.

#sublunary supernatural #listen close and you can hear me shout ( answered asks )#designed and directed by his red right hand ( alastor )#and there's no remedy for memory ( james sunderland )#and you will go to mykonos ( lucy snow )#sparkling angel ; i believed you were my savior ( mathias )#to fill the hole in your soul ( moguro fukuzou )#as free as the wind blows ; as free as the grass grows ( ic ; murphy pendleton )#don't give me love ; don't give me faith ( octavia )#i saw a preacher man in cuffs ( vincent smith )#find absolution with a bullet in your head ( wayne grady )

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luuuna-rambles · 4 years

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Lost Rewatch: 1x01 Pilot, Part 1

Given we’re all stuck inside, what better time to rewatch one of my favourite TV shows?

Lost starts as it means to go on: confusing as all hell

Oh, and with opening eyes, I guess

How is it that Vincent, who was probably in a lower part of the plane that the humans, gets off without a scratch?

So Jack wakes up in the middle of nowhere, gets up, and then... runs? WHERE ARE YOU GOING?

Also he has a pretty bad injury in his side, bear that in mind as you watch him do everything he does over the next few scenes

The shoe he passes belongs to his dad, but they never actually tell you that. It’s strange, given the way the camera holds on it for so long, and we go back to it in the finale

Oh look at that, he managed to arrive at just the place he was needed. Marvellous.

Why is Shannon screaming like that? Like, I get that she’s been through a traumatic event, but would she be more likely to want to curl up into a ball, something like that? (Something we actually see background characters doing)

Jack is knocked around like a goddamn ping pong ball this opening scene - first some random guy who he leaves with Locke, then Claire who he leaves with Hurley, then Rose, then back to Claire, all while running like a maniac - and he doesn’t seemed to be bothered by that serious injury at all. Funny that

Of course, if there’s a pregnant person in the cast, they are guaranteed to have contractions at the worst possible time. Is anyone surprised

LOCKE THAT MAN WOULD HAVE MOVED AWAY FROM THE ENGINE IF YOU HADN’T STARTED YELLING AT HIM

Why is Boone cast as an idiot here? I’ve done some basic first aid training, and one of the first things they teach you is how to open a person’s airwaves. And Boone’s a lifeguard - he should know this!

(They also forget that he’s a lifeguard later on, when they need him to struggle to swim)

Also, Boone’s suggestion with the pen is actually something Jack uses later down the line, so why is it portrayed as a stupid idea here?

And then Jack sends him on a stupid fetch quest instead of keeping him around to, I dunno, check that the woman who’s just been resuscitated is alright when you abandon her seconds later?

Miraculously Claire, who was struggling to walk a scene ago, can now run unaided just as fast as a fairly tall, not-at-all-pregnant, fully grown man

You know what would have been cool? If this was all one shot. I think it would have been fairly easy to do - we’re following one person the whole time. Just a thought

Oh so now the writers Jack remembers that he’s injured

The first time we see Kate, she’s rubbing her wrists - she’s just taken the handcuffs off. I love the way they slip in little details that make reveals seem obvious in hindsight

Oh look it’s Sawyer! What’s he getting up to- oh, he’s just smoking? Smoking and brooding. Wonderful

Show sets up a possible friendship between Sayid and Charlie and never pays it off

I know people have brought this up before, but Kate says she might be sick, and then Jack immediately brings up the most disgusting story you could possibly tell, in gross detail

Every scene between Claire and Hurley is precious, and this one is no exception

WALT IS SUCH A BABY!!!!

Why did Jack bother making a plane out of a leaf? Doesn’t he have more important things to do?

WTF is the MiB trying to achieve by knocking down some trees here?

If it’s against the rules to give passengers alcohol, why are the air hostesses carrying around spirits in their pockets

Thing this show never explains #1: Why did Rose say the black smoke noise sounded familiar?

Sawyer does have a line this episode! It’s this: Sure it's monkeys. It's Monkey Island. Scathing and sarcastic. Well, start as you mean to go on

Why does Kate volunteer to go here? Doesn’t it make much more sence for her to lay low seeing as, you know, she’s a wanted criminal?

WTF IS UP WITH LOCKE AND THAT ORANGE???

Why does Charlie’s singing here sound like nails down a chalkboard? We know he can actually sing

Charlie, what do you mean “I do backing vocals”? We see you right at the front of the stage in a flashback!

Why are we pretending that Jack and Kate really care about each other at this point? They’ve known each other less than a day at this point

First mentions of the numbers: At least 48 (4,8) people survived, it’s been 16 hours since the crash

Okay, start of season 4, Lapidus makes a big deal of the pilot always wearing his wedding ring. But I can’t for the life of me see a ring here

The pilot goes out like a little bitch. Come one, man, you’re letting the profession down. Lapidus would never lean out of an open window like that

And we’re running through the jungle, cause Lost’s gotta Lost, I guess

Charlie trips, because of course he does

Why does Kate scream for Jack here? She’s been on the run for years - she should know how to react in stressful situations alone. And screaming at the top of your lungs is a terrible way to hide from something

And the pilot’s been mauled! Why exactly does the MiB do this? Was he trying to scare them? Cause I think he’s already achieved that

Overall Review:

Introducing about 20 characters and setting and main threat for the season was never gonna leave much room for development or plot, but it did the best it could with what little time it had. A few laughs, a couple of pretty scary moments. Overall, a pretty solid starter

Overall Rating: 5/10

Not the best, but not terrible (and honestly, what was up with that orange?)

Note: the rating might change as I go on

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oswald-privileges · 5 years

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i don't recall who Rollo is so 💗 and 👽 for them, 📓 and 🗺️ for Ginger, 🗣️ and ⚖️ for Vin, and ⚡ and 💍 for Saul?

Rollo Rutherford III is a cultsim oc! Imagine if Bertie Wooster gained some braincells and an interest in the occult. He was quietly put on a shelf for a while bc of some nonsense pertaining to the game, but I am back to hecking around with him and his story.

Relationships? Who are their friends, their family relations, lover(s), foes? What sort of personalities really tick them off and what others do they like? Is there anything that’d ruin a friendship for them?

Rollo is one of the final dying branches of what was once a very wealthy, socially privileged family tree. The only remaining relative he’s in contact with is his much reviled Aunt M. The disdain is mutual.

He tends to get along with pretty much everyone, and doesn’t really dislike a particular type of personality so much as anybody who gets in the way of his aims or comfort (see: aunts, solicitors, policemen). As long as you don’t

He also has a long string of interchangeable lovers of all genders, rarely sticking with one person for more than a few weeks. This is generally conducted covertly, considering the society he lives in.

Describe your OC as if they were an urban legend or myth!

You’ll need a gathering to make this work. Cover the walls in crimson drapery, light red candles of tallow, and leave your doors wide open to invite him in. It helps if your guests are masked, though it’s not necessary. The drumbeat should lead the music, the dancing should be all spinning and stamping. When he takes your hand in the middle of the crowd, don’t ask who he is or try to get his name. You’ll keep up with his pace if you let him lead you. The hunger you feel won’t be yours, but it won’t be his either. It’s all communal. The red wine and rare meat you laid out won’t be enough. Let your teeth satisfy their own itching. Swallow first, question later, or never. Dance. Devour. Be devoured.

Ginger

Write a typical diary/journal page by your OC! (or if you’d rather not, describe their journal. Do they keep one, why?)

Ginger doesn’t keep a journal, because she has never had cause to learn how to write beyond what’s necessary to keep track of a dairy or a granary or a butchers. She can read a little bit, and has tried to learn to write a few times, but never stuck with it. There’s always been a lot more practical things to focus on.

Does your OC like going on adventures? Have they ever discovered something really interesting and significant or are they just too busy getting lost? Where is their favourite place they’ve been? Least favourite?

Ginger thinks she would like to go on an adventure very much!

Ginger turns out to be horribly wrong!!!

Vincent Willoughby

What are the most painful words that can be said to your OC to utterly break them? What are the words that you could tell them to cheer them up? Maybe some advice to give them the boost they need!

Ooooh, that would be very dependent on who is saying them? Being told “I don’t want you” by someone he loves very much would probably do it for the first one. For the second, there isn’t really much in the way of general words that help, since like. he’s very aware of the nature and use of platitudes. Best thing to do with him when he’s miserable is to force him to talk about it. That’s only permissible if you’re @ky-the-squiddy‘s Charlie, though.

What is the biggest crime your OC has committed? Are they a thief, a cheat, a liar? What is the smallest, most petty crime they’ve committed? Or do they not do crime at all?

Thieving, cheating, and lying are all career skills for Vin. Various petty crimes are just his way of living day-to-day, though blunt stuff like straight-up housebreaking or selling shit that fell off the back of a truck is kind of like... something he looks down on, preferring to think of himself as too clever for that.

He once got paid to housesit for a mark who was going abroad, put it about that they were moving out, auctioned the furniture out of the house, sold the house, and then booked it before anyone could look too closely into it. That’s probably the maximum level of complexity/value he’s going to get involved in.

(He got the idea from Dracula. By which I mean, I read about it there and am totally delighted with the concept.)

Saul

What are your OC’s phobias? Is there any reasoning behind these? How do they calm themselves down after getting scared? What are they like when they’re afraid? Is there any chance of them overcoming their fears?

Saul is a very small child, so they tend to be really scared of some things and totally fearless of others. If they get spooked, they tend to go to Ginger to get reassured that everything is all right.

Saul will get over any fears they might have, considering that they’re gonna grow up in a really... unusual way. It’s a species thing.

Does your OC have a specific item that is priceless to them but may (or may not) be completely worthless to someone else? Is there a story behind this item or is it just because they like it so much?

Saul doesn’t have any possessions, because they used to be a bird before being shot down, and only met people right after that. Also they’ve never heard of money.

Ginger is priceless to them.

#gwinverarrouz

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douxreviews · 5 years

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Legends of Tomorrow - ‘Egg MacGuffin’ Review

"I’m sorry that our first date got ruined by Nazis."

The Legends of Tomorrow episode title game is really on point this year.

Forgive me in advance if this is overexplaining, but I'm not entirely sure how well known the terms are and it's going to become relevant in a minute. If you already know the terminology better than I do, and I'm sure many of you do, I beg your indulgence.

A 'MacGuffin' is the term for a plot device that exists solely to provide motivation to the characters in a story. The example that's most often cited at this point is the titular Maltese falcon statue in The Maltese Falcon. This is a subtly different thing than 'phlebotinum,' which we discussed a few episodes back. Generally speaking, phlebotinum is a made up thing that facilitates the character's journey, for example, polyjuice potion. A MacGuffin is a made up thing that motivates the character to make the journey, for example the sorcerer's stone. Or philosopher's stone if you live in a country where the publisher wasn't afraid of accidentally teaching children the word 'philosopher.'

The real takeaway is that Legends of Tomorrow has now given me an excuse to explain both of those terms, and regularly allows me pretentiously discuss semiotics, and is therefore the best thing ever broadcast. But I digress.

The genius of this week's episode title is that the golden egg that Nate and Zari are looking for at the Adventurers Club is unequivocally a MacGuffin with no significance of its own beyond that (at least this week). In fact, part of the plot of that storyline explicitly involves Nate and Zari questioning exactly that point, and they come to the conclusion that it is a MacGuffin that Sara planted just to give them an exciting first date. Which is clever because it isn't a MacGuffin within the story we're watching, but it absolutely is a MacGuffin from the outside perspective, and you know it might actually be possible to be too clever about these things. Whatever your personal tolerance for post-modern narrative gameplaying, I really enjoyed it.

Now, in the past I've complained a bit here and there about the fact that the Legends' reduced number of episodes in a season often makes them condense what could be two or three episodes worth of plot into one. I'm not sure if I've just gotten used to it or if they're getting better at it, but I've really begun to enjoy the fast, breezy clip at which these episodes move. Nate and Zari are really just doing an extended Raiders of the Lost Ark homage, and a nice zippy pace is essential for that kind of romantic adventure fiction. The Ark of the Covenant itself, while we're speaking, is another classic example of a MacGuffin. I'm certain that was not coincidental.

In any case, I think I'm pretty well sold on the Zari and Nate romance, and I think it's down to one particular moment in this episode. When they realize that Sara has set them up on a romantic mission, Zari offers to call it a night and return to the ship, and Nate says, 'Or we could see where this mission takes us.' What he's clearly really saying is, 'Hey, I'm open to exploring whatever this is going on between us if you are, but there's no pressure.' I don't seem to go a week without mentioning how refreshingly adult the characters on this show are.

In fact, part of why the aforementioned fast and breezy pace felt so appropriate this week all around is because the show has romance stories on its mind. We have Sara and Ava, thankfully post-argument, making an effort for one another in the little ways. We have Mick and Charlie at Romanticon, attempting to cash in on Mick's authorial alter ego, Rebecca Silver, without actually having to reveal himself to his fans. Which is so completely on brand for both of them that I loved every second of it. God bless Mick, both for actually caring about his fans and for being willing to admit the fact when pressed.

Then finally we have my current relationship on the show, Ray and Nate. I realize I went on a bit about this last week, but I just can't say enough about how great their friendship is. Thank you, whoever on the writing team made the decision that Ray would give up his soul to Neron in order to save Nate's life, as opposed to Nora's. Neron said he would make Ray kill someone he loved in order to break him, and the show went with Nate as that person. Is it possible to platonically 'ship a couple? Because I am totally team Palmwood.

That was an unfortunate first attempt at a couple name. Please leave alternate suggestions in the comments.

Which leads me to the painful part. There were a number of little clues as to what was coming for Gary, but I really only noticed them in hindsight. When Sara is discussing who the murderer could be in book club, she mentions that it must be the dogwalker because of his pent up frustration and being treated like a doormat. The shot transitions from her to the next scene halfway through the line, which means we're hearing her but looking at Gary. The subplot about Vincent the Adventurer's assistant is basically a mirror of Gary's position. And Gary is clearly crying in the bathroom – a thing that he had just told us he often did – when Ray calls him and he drops everything to go help.

Gary Green, on paper, should not work as a character. He should come across as a caricatured doofus, occasionally good for a comic relief moment. But Adam Tsekhman invests him with something undefinable and real, and he just fundamentally works as a tragic figure despite all the reasons that he shouldn't.

Also, whoever planned out that Gary's nipple returning from Hell would be the final temptation that makes him give in to Neron is a mad genius and should be our leader now.

Everybody remember where we parked:

The Waverider did some proper time travel for the first time in what feels like ages and took most of the team to the Adventurers Club, 1933, in order to retrieve that golden egg. Mick and Charlie, meanwhile, take the jump ship to Romanticon, 2019. Gary uses his time courier to flit between 2019 and the Waverider, and Neron and minion-Gary appear to lift Damien Darhk's old time travel stone from Constantine and use it to leave for destinations unknown.

Remember when time travel seemed like an exclusive and exotic thing?

Quotes:

Sara: "Honestly, with Neron gone, catching fugitives has never been easier. I thought it was gonna take all week."

Zari: "It was that awkward, huh?" Sara: "Even the mummy thought it was awkward."

Nate: "Excuse me, my good man, could you point me to the nearest facilities? I have an urgent need to… uh... relieve my bowel."

Nate: "Wait. Trip wires. This is going to require one of us to squeeze through these trip wires, maneuvering our bodies in unexpected ways." Zari: "Are you asking me to do that?" Nate: "No, I’m asking you to hold my coat."

Ava: "Honestly, I usually just drink rose and let Mona go on and on."

Gary: "I may not be a master of the dark arts, but I am an intern of the dark arts."

Ava: "Were you guys about to hook up?" Zari: "No. no, no, no, no." Nate: "It was definitely on the table."

Bits and Pieces:

-- This show just doesn't do misunderstandings for dramatic effect. Nora immediately told John that Ray was possessed as soon as she woke up. Neron repeatedly goes out of his way to clarify that he's the one doing evil things, not Ray, even when it would really be in Neron's best interest to let the Legends think otherwise, thus driving them apart. That might be the thing I appreciate most about the writing.

-- It seemed odd at first that Mona didn't already know about Mick being Rebecca Silver, but on reflection it makes sense.

-- Loved the Garima cosplay at Romanticon.

-- How many books has Mick had time to write by this point? I mean, I suppose time travel would help with that, but I lost track of how many different titles they mentioned. I particularly liked Raw Hides.

-- Mick's final speech to the con about how all anybody really wants is to feel a connection was a lovely piece of writing, well performed. And a hell of a good underscoring to what was happening to Gary at that moment.

-- I get why they didn't do it, but it would have been smarter for Charlie to have shape shifted into a neutral third party to portray Rebecca. That said, I adored the Rita Skeeter vibe she had going on with her outfit.

-- Outside of the Rita Skeeter vibe, we also had phoenix feathers and a dragon egg. I'm sure there were a few other Harry Potter nods that I missed beside those. Anyone?

-- And speaking of the egg, it's a neat bit of long term plotting that what was just a MacGuffin this week is clearly set up at the end to be relevant to a different plotline later.

-- It's entirely in character for John Constantine to be rude and speak to Gary like that in a moment of stress, but the whole sequence of events felt sadder to me when I thought about the considerate way that he sheltered Gary's feelings last week.

-- I've noticed that they've gotten into the habit lately of consistently leaving someone on the Waverider to 'Quarterback' the mission. That's not only hugely useful for splitting up the characters and facilitating different schedules, it's also a really sound battle tactic.

-- Note added after the writing of this review. Apparently 'Egg MacGuffin' is the official name of this sort of thing as cited on tvtropes, and not an original pun coined by the writers here. Ah, well. Still a clever title for how it was used here.

I loved this episode from beginning to end. How can we only have three more left?

Three and a half out of four, and the only reason it's not higher is I suspect I'm going to need a higher number to go to in the next few episodes.

Feel free to mention your favorite MacGuffin in the comments.

Mikey Heinrich is, among other things, a freelance writer, volunteer firefighter, and roughly 78% water.

#Legends of Tomorrow #Sara Lance #Zari Tomaz #Nate Haywood #John Constantine #Ray Palmer #DC Comics #Arrowverse #Legends of Tomorrow Reviews #Doux Reviews #TV Reviews

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