#I love her and I love him and I love them and this scene was so powerful

[darkbluekies]

Cannot take what was never meant to leave

Yandere!king OC x fem!fairy!reader

Summary: Edmund walks out in the forest and finds something he never seen before: a tree fairy. Upon learning that he can't take her as long as her tree is there, he does the only thing he can think of.

Warnings: Edmund is a bit more insane than usual, reader is in a lot of pain, kidnapping, basically killing, use of an ax

Word count: 2.5k

A/N: this is HEAVILY inspired by Erutan's song "The Willow Maid"!! I have absolutely loved that song for ages, and after seeing PurestarMedia's music video of it on YouTube, I had to write something!! Edmund felt like the perfect fit for it!!

Summer is almost over. He can tell by a slight shift in the winds that colder times are approaching, even though barely any of the trees show any signs of autumn. He can't wait until he can bring out his thicker coat. He likes the colors of it much more.

Ten men he brought with him on his hunt for rabbits. They've decided to go into another part of the forest in hopes of finding anything.

Suddenly. A sound.

“Shh!” Edmund hushes and holds up a hand, signaling the others to stop.

He listens closely. It sounds like humming. It's a tune he has never heard before, but one that feels weirdly familiar — as if he has heard it in a dream or past life.

Quietly, they follow the sound until they reach a field full of small, white flowers. In the middle of the white field stands a tree with dark leaves. A scene taken straight out of one of the paintings hanging on the castle walls. Edmund notices someone sitting by the foot of the tree, resting among the roots. A woman?

The group of men creep closer. The woman is lying on the tree roots, leaning her head against the tree trunk, having a root under her knees for support. She's dressed in a long, white gown reminding Edmund of the small flowers. On her head rests a flower crown made of the very flowers. Her eyes are shut. Her mouth hums. 

A fairy.

One of Edmund’s men steps onto a branch on the floor, which snaps in half and pulls the fairy out of her thoughts. Her eyes snap open, revealing them to be deep and dark — and full of fear. She shoots up from her root and stumbles backwards, hiding behind her tree.

“Who are you?” she asks quickly. “What do you want?”

“You are a fairy”, Edmund says, still in disbelief.

“Yes … what do you want?”

“Have you seen any rabbits around here?”

She peeks out from behind the tree.

“What do you want them?” she asks and seems to notice the rifles hanging over their shoulders. “I'm not assisting you in killing harmless creatures.”

Edmund meets her dark eyes. They're hypnotic.

“You humans are despicable sometimes”, she says. “Killing innocent creatures who haven't done anything to you.”

“If I wouldn't, someone else would — man or animal.”

“I want you to leave.”

“Yeah, we should move on. We have rabbits to hunt.”

He can feel her eyes burn through his back as he walks back over the field of white flowers. He hopes that she will watch him until he disappears into the forest.

“Did you have a good hunt, your majesty?” his secretary asks as Edmund and his ten men come back to the castle.

“Caught a few rabbits”, he answers and smiles, thinking of the memory. “We encountered a fairy.”

They start to walk inside. 

“A fairy?” the secretary asks and holds the door into the castle open for the young king.

“What do you know about fairies?” Edmund asks. 

They walk down the large hall.

“I know that, like humans, there are different types of fairies”, the secretary says. “You found her in the woods, you said?”

Edmund nods. 

“She’s probably a tree fairy”, the secretary continues. 

“Yeah, she was sitting by a tree … almost like it was holding her”, Edmund says, furrowing his dark brows as he thinks about it. 

He holds out his arms as if he was carrying a woman, imagining her knees bending over his right arm and her back supported by his left … her head resting on his shoulder — like she had done to the tree bark. 

They walk into Edmund’s office, closing the door behind them. 

“What do you know about tree fairies?” Edmund asks and throws himself in his chair. 

“I know that they live in the woods and that they are connected to a particular tree. They feed off of sap from the tree and flower nectar — and if their tree bears fruit they eat that too.”

“What happens if they eat something else? Like meat? Or potatoes?”

“I don’t know, your majesty.”

“Would it kill them, do you think?”

“Perhaps. What I do know kills a tree fairy is killing their tree.”

Edmund looks up at him. “What?” 

“Their life source is connected to their tree. They live as long as their tree does.”

“So you’re saying that a fairy can become hundreds of years? Thousands even?”

“Could be.”

“Interesting.” He sighs and throws his head back. “You should have seen that thing. Before she noticed us she looked so … peaceful. She was resting and humming a tune. When she realized that we were there she flew up and hid behind her tree. All of that seemed so young and naive. Her tree wasn’t that large either. I think I’ve found myself a young fairy.”

“The fairy seems to interest you.”

“I’ve always wanted to meet a fairy. I didn’t believe that they actually existed. But now, I’ve found one. I think that I’m going to make her my wife.”

The next day, he returns with his ten men and his secretary, dressed in his autumn coat. On the way to the glade, Edmund picks a few flowers with the biggest nectars he can find, hoping that they will be a good enough gift. He is going to ask her to marry him. 

She is walking around the white flowers, picking up a few and putting them in her flower crown. She looks up as they come. This time she doesn’t look as startled, but there’s something wary in her eyes. 

She’s beautiful and delicate, there’s no denying. Edmund needs her. Every fiber of his body needs her. She needs to be his wife, to be the mother to his children. He refuses to leave without her. 

“What brings you back?” she asks as Edmund gets close enough, but doesn’t sound like she wants to know. 

He can tell that she wants to get back to her tree. She gives it quick glimpses and takes small steps back towards it. 

Edmund holds out the flowers towards her. She hesitates before taking them out of his hand. Her fingertips barely graces his skin. Her touch is humanlike, kind and delicate. 

“Thank you”, she says and smells them softly. 

He smiles. He wants nothing more than to hug her, to hold what belongs to him in his arms, but he has to ask the question first.

“I want you to marry me”, Edmund says. 

The fairy drops the flowers in shock. They disappear underneath the small, white ones. Edmund furrows his brows.

“Marry you?” the fairy repeats, shocked. “How could I possibly-? No, no, I shall not.”

Edmund stares at her, eyes darkening, unable to understand how anyone could turn down his proposal. Women would travel far and wide to hear those words come from his mouth, and this fairy — who does she think she is — doesn’t even think twice before rejecting him. It should crush him, but instead it has the opposite effect. He will not leave without his fairy. 

He looks over his shoulder, at his ten men. “Seize her.”

Just as the ten men are about to grab the fleeing girl, his secretary grabs his shoulder. 

“Your majesty, don’t”, he says quickly. “That won’t be possible. She can’t leave the glade.”

“What do you mean?” Edmund scoffs.

“She’s connected to that tree.” He nods towards the tree in the middle of the field. “She can’t leave it.”

Edmund glares at the tree. That damn tree. The woman runs through the flowers towards her tree, hugging it tightly. Edmund finds it humorous how she thinks a simple tree could protect her. He could do it a hundred times better, will do it a hundred times better. 

He sees how she sinks down by the tree, huddled up by the tree bark, crying. Soon, she will search for comfort in him, not a damn tree. 

“We can’t take her”, the secretary says. “I don’t know what would happen if we tried, but as long as that tree is there, we can’t remove her.”

Edmund doesn’t answer as he walks back into the forest. The ten men follow him. His secretary keeps a distance. Edmund feels like he could explode with anger. He had pictured himself leaving the forest with his new fiance hand in hand. But he will not give up. He will get his fairy. 

He returns a third time the next day. This time he’s by himself … and this time, he’s brought an ax. Determined to take her with him. She will be his wife. This time, he’s not taking ‘no’ for an answer. He will not walk away empty handed. The thought consumes him as he marches through the forest, towards the glade. 

He can see her lying in the same spot he had seen her the first time. This time, she’s not humming. She opens her eyes as he gets nearer and jumps to her feet as her eyes fall on the sharp edge of the ax. 

“No!” she screams in pure panic. “No, what are you doing?! Don’t!”

Edmund lifts his hands and lands a blow on the bark, cutting away a piece. To his right, the fairy screams in agonizing pain and clutches her heart. He continues to hit the tree. The woman continues to scream. She cries in pain. 

It takes longer than he expects. He takes his eyes off the deep cut in the tree and turns them towards her. She’s lying between the roots, curled up with her hands pressed against her heart, crying and screaming. 

“Please stop!” she screams and sobs so that her entire body trembles. “Y-You’ll kill me! Please s-stop, please! I’m begging y-you!”

If he continues to hit the tree, she will die. 

Edmund will have to bring a piece of the tree with him and replant it in his castle’s garden so that it doesn’t die — so that she doesn’t die. He continues to chop. She continues to scream, cry and plead for him to stop. 

A loud creaking echoes through the air. He watches as the tree bends in half and falls. The fairy stumbles upon weak legs and hugs her fallen tree, sobbing. 

With the ax, Edmund manages to dig up root systems of the tree. He holds it in his left hand and grabs the fairy’s wrist tightly with his right. He yanks her up on her feet. 

“You belong to me now”, he says. 

She only sobs for an answer. She tries reaching out for her tree, but Edmund pulls her with him. She stumbles. He drags her into the forest. 

“Please …”, she sobs. “Please …”

He doesn’t know what she begs for. The tree is fallen, he can’t undo what he has done. 

“Please, I’m in so much pain”, she pants. 

He doesn’t listen, doesn’t have time for it. He has to get her to the castle, where he can lock her in, so that she can’t escape out to the forest again. 

He can feel her collapse. Edmund gasps and watches her lie lifeless on the ground. He shoves the tree roots in his pocket and hurries to check her pulse. She’s still living, for now. Edmund stresses to pick her up. Her limp body rests in his arms as he runs out of the forest, towards the castle. 

He runs into the castle yard, into the hallways and out to the garden. He lays the fairy down on the grass and hurried to dig a hole with his hands. Oh, how he hates the feeling of dirt under his nails. He can’t think about that now. 

He places the root in the hole and covers it with the soil. Edmund runs over to the fountain, cups his hands and fills it with water. He runs back and forth until enough water has been poured over it. He feels for a pulse on the fairy’s neck. There’s still a faint pulsation underneath his fingers. He removes his coat and places it on the ground beside the tree root before lifting the fairy onto it. He caresses her face. 

“You actually got her.”

He looks over his shoulder at his secretary. He stands there, looking at them in disbelief and horror. 

“Is she dead?” he asks. 

“No, not yet”, Edmund replies  breathlessly. “I brought a piece of the tree here and I have replanted it. She should survive. But we need flowers — lots of flowers. And anything else a fairy might eat. We need to nurture her back to life.”

“I’ll prepare some honey water, I think that should be drinkable.”

Edmund sits by the fairy, waiting patiently. 

Hours go by. She doesn’t move. Barely breathing. Edmund wonders if he she has fallen into some kind of limbo, where the tree is barely alive, and so is she. If the tree doesn’t survive, neither will she. He has to nurture both. 

He feeds the tree water and nutrient dense soil and tries to pour droplets of honey water into the fairy’s mouth. Sometimes she responds by swallowing softly, and sometimes let it drip out of her mouth. 

Hours turn to days. Days to weeks. As the tree slowly grows roots in Edmund’s soil and become stronger, so does the fairy. Edmund doubts that she will ever become as strong as she was before. The tree will never be in its full glory again, and neither will she. She can’t walk, her body is too weak to move more than a few minutes. He lets her rest by her short stub. When he can’t stay with her, he watches from afar, from one of the windows. She’s always curled up, hugging her stomach as if she’s got cramps. The poor thing never smiles anymore. 

He holds a glass of warm honey water in his hands as he walks out to the petty excuse of a tree. It'll take years to become as big as it originally was, but it will never be the original tree.

“Hi”, Edmund says softly and sits down beside the fairy, holding the cup to her dry lips.

She doesn't seem to care what she gets fed anymore. Maybe she hopes that it will kill her.

In a sense, Edmund has killed the fairy.

She drinks slowly.

“I don't know what to feed you when winter comes”, he says. “I have harvested a lot of nectar and sap, but I don't know how long that will be good for.”

A tear runs down her cheek. Edmund wipes it carefully.

“My fairy, don't worry”, he whispers reassuringly. “I will figure it out.”

He wishes that she could respond, but he hasn't heard her voice since that day she screams in pain — when he killed her.

He stands up, gives her forehead one last kiss before walking back inside. In the beginning, he used to have guards watch over the garden to make sure that she wouldn't run off, but he realized that as long as that tree is there, she isn't going anywhere.

[tender-rosiey]

hello, love! i hope you're doing great! i love reading your works and thank you so much for writing such beautiful pieces 🫶🏻

soooo... i was thinking of making a request! i'm not sure if you've written about this or not and please feel free to ignore it if you're uncomfortable with writing it or if you've already written it but here's the request:

satoru with newborn twin daughters 🥹

i noticed that there are almost no twin dad gojo fics and we already know that he's a girl dad. plus, i love your writing style. hence this thought. again, thank you so much for your hard work, rose! stay hydrated and have a great day! byeeee!

twin girls (and gojo ig) — gojo satoru x f!reader

a/n: i cant believe it took me like 7 months to finally post this; i am so sorry 🙏 BUT i am so so happy that you like my works and srsly thank you for your sweet words. they mean the world 🥹 hope that you like this as well! have a wonderful day!! 🫶🫶

the only thing worse than having one girl you can’t say no to is having two.

add to that the fact that satoru is already a softie when it comes to his daughters, and it’s a recipe for disaster—if you’re not there to intervene.

"papa, I want a dress!" one of your twins looks up at satoru with wide, sparkling eyes, her hands tugging at the hem of his shirt.

her sister quickly chimes in, her voice a little shyer but just as determined. "I-I want a dress too, papa!"

satoru crouches down to their level, hands on his knees as he looks between his two little girls, his white hair falling messily into his eyes.

“two dresses, huh?” his voice takes on a faux-serious tone. “what kind of dresses are we talking about?”

“sparkly!”

“twirly!”

“pink!”

“blue!”

their voices rise with excitement, and satoru’s grin only grows wider as he listens, nodding as though their demands are being carefully cataloged in his mind.

you can’t help but smile from the doorway, watching the scene unfold. his enthusiasm when it comes to them is both endearing and ridiculous.

"satoru," you call out, interrupting his train of thought. your arms are crossed, and a teasing smile plays on your lips. "we agreed they only need one dress each, remember?"

he turns toward you with a playful pout, the twins following his gaze.

“they’re my princesses, wifey! how can I deny them a little extra sparkle?” he says, completely unbothered by the parental negotiations you both agreed on just yesterday.

you raise an eyebrow, taking a few steps closer and placing a hand on his arm. “you’ll be sleeping on the couch if they come home with more than one each.”

satoru's expression shifts immediately, an exaggerated look of surrender plastered on his face as he straightens up, holding up his hands. "alright, alright. one dress each. promise."

later that evening, when you return home, your twin girls are twirling around in front of you in two dresses each—one sparkly, one twirly, naturally.

your gaze falls on satoru, who stands casually leaning against the wall, hands in his pockets, whistling as if he’d done nothing wrong.

“satoru,” you pout, “I thought we had an agreement.”

he gives you a cheeky grin and a shrug, completely unbothered. “they were on sale,” he says as if that justifies everything.

the girls, oblivious to your exasperation, giggle and show off their new outfits, spinning around in excitement.

"mama, look! don't we look pretty?"

"yeah, mama! we look pretty, right?"

you press your lips into a thin line, but the fondness in your eyes betrays you. you sigh and ruffle their hair, "yes, very pretty, both of you."

the girls squeal in happiness and run around the house in their excitement. your husband nudges your arm gently with a teasing smile. you quirk an eyebrow before pushing him away with a chuckle.

you can never deny that you love seeing them so happy, even if it means satoru has bent the rules—again.

of course, life with your husband and your twin girls is a whirlwind. even bedtime is an adventure (read: a battle).

one night, the girls are bouncing off the walls in their matching pajamas, their giggles filling the room as they run circles around satoru, who’s sitting at the edge of the bed, utterly failing to get them under control.

"alright, time to settle down," he says, his tone light but lacking any real authority. the girls shake their heads as their dad is simply not cut out to be the strict parent in their eyes.

however, when he opens his arms, one of the girls takes the chance to climb his lap. his hand ruffles her hair, and she hums happily .

"papa, can we have three stories tonight?" the twin on his lap asks, looking up at him with pleading eyes.

her sister, not wanting to miss out, rushes over and clings to his other arm. "no! I want four stories!"

satoru sighs dramatically, glancing over at you for backup. you are sitting like the boss you are on the loveseat in the room. you look up when you feel your husband's eyes on you.

“they only get one story,” you remind him, trying not to laugh at his predicament.

satoru looks between the two girls, their wide eyes fixed on him. “alright, alright,” he finally concedes, holding up two fingers. “two stories. that’s my final offer.”

he hears you groan, and his heart breaks at disappointing you, but he can’t just say no to them. the twins cheer as if they’ve won a war, grabbing their favorite books from the bedside table.

it takes you a few moments before you smile helplessly as you watch him negotiate with them like it’s a high-stakes sorcery mission. it's not long before your daughters fall asleep. satoru's voice has always been comfort incarnate for them.

"you’re too soft," you tease as you walk over to him, pinching his nose—he yelps as quietly as he can, so you plant a soft kiss on his temple.

he leans into your touch for a moment, closing his eyes. "can’t help it," he mutters, "they’ve got your charm.”

afternoons are no less chaotic, especially at the park, where the twins drag satoru toward the swings, their little hands gripping his fingers as they bounce excitedly.

"papa, push me higher!" one demands, already settling onto the swing.

"me too! higher!" her sister echoes, scrambling onto the swing beside her.

satoru stands behind them, cracking his knuckles.

“higher, huh? I think I can manage that.” he gives the first swing a firm push, sending one of the twins soaring up, her laughter filling the air.

you sit on the third swing, smiling at the scene.

satoru looks over at you, his grin softening as his eyes meet yours. the way their laughter fills the atmosphere fills your heart, and you can tell that satoru feels the same.

at least, until he decides to push you and make you take full 360s on the swing.

“wow, mama is swinging!”

“in a circle!”

“satoru, I will kill you!!”

"waiting for that, wifey!"

dinner, as always, is an ongoing fight. tonight, the twins are in full protest mode against their vegetables.

"I don’t like broccoli," one twin pouts, pushing her plate away.

"me neither," her sister adds, crossing her arms as if this decision has been made final.

satoru, ever their ally in mischief, leans back in his chair, his expression far too relaxed. "well, I guess no one’s eating broccoli tonight," he says, clearly enjoying this little act of rebellion.

while you're proud of your girls backing each other up, you rather it not be right now. you shoot satoru a warning glance, shaking your head with a sigh. "they need to eat their veggies, satoru."

he shrugs, smirking lazily as he glances at the twins. “they’re gojo kids. I think they’ll survive without a little broccoli.”

the twins giggle, clearly siding with him. but you know how to play this game too; otherwise, you would have never been able to handle the man child beside you. “okay, fine,” you say with a sly smile. “no dessert if they don’t eat their veggies.”

the girls’ eyes go wide in horror, and they quickly turn to their father, their last hope. “papa, no! we want dessert!”

caught between you and the twins, satoru sighs dramatically, like he’s being asked to sacrifice everything.

“alright, alright, princesses,” he concedes, hands raised in defeat. “but you’ve gotta eat the broccoli if you want dessert. we gotta listen to mama.”

the twins reluctantly pick at their plates, eyeing the broccoli with disdain, but determined to make it to dessert.

you exchange a triumphant smile with satoru, who just rolls his eyes playfully.

and in the quieter moments, when the twins are asleep, and it’s just the two of you, he wraps his arms around you, pressing his lips to your forehead. “I don’t know how you do it,” he murmurs softly. “keeping us all in line.”

you smile, leaning into his touch, “someone’s gotta make sure we don’t end up with a house full of sparkly dresses.”

satoru laughs quietly, pulling you closer. “what can I say? I’m weak when it comes to you three.”

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[sergeantbarnessdoll]

Shy Girl Gone Dirty » Tyler Owens

Pairings: Boyfriend!Tyler Owens x Girlfriend/Shy!Reader

Summary: Tyler’s shy girl goes dirty.

Warnings: Smut (18+), language, dirty talk, kissing, hickeys, fingering, female receiving, praise kink, pet names

A/N: I watched Hit Man the other day and the scene in the gif below inspired this.

Written on my phone. My apologies for any mistakes.

Header made by @buckys-wintersoldier

GIF IS NOT MINE! Credit goes to the creator.

MINORS DO NOT INTERACT!!🔞

“You’re home!” You say softly, hugging your boyfriend.

“I’m home, darlin’.” Tyler confirms, hugging you tightly.

After a moment, he pulls back from the hug to kiss you passionately. It was a much needed kiss. He just got home from two days of tornado chasing.

“What’d you do while I was gone?” He asks, pulling away from your lips.

“Watched movies.” You answered. “One of the movies I watched, this guy is a hit man. He met this woman and ate her out on the kitchen counter.” You described it, feeling your cheeks heat up.

“So that’s what you do when I’m not home. You watch dirty movies.” He smirks down at you.

“N-No! I mean yes- not all the time!” You couldn’t answer properly due to yourself feeling embarrassed about it.

“I’m teasing you, baby.” He chuckles, patting your hip.

You want to recreate that sex scene with Tyler, but you weren’t sure how to ask him.

“I umm…” You felt your cheeks heat up before you could ask him. “I want to recreate it.” You say, fiddling with his shirt.

“You want me to eat you out on the kitchen counter?” Tyler asks, making sure he heard you right.

You nodded your head yes. Tyler bit his lip at the thought of it. He grabbed your hand, leading you to the kitchen.

“Take your shorts and panties off.” He demands.

You obeyed him and took both of them off in on go, letting them pool at your feet. You stepped out of them and kicked them to the side. Tyler then picked you up and placed you on the kitchen counter, pulling you to the edge of it so your ass was close to the edge.

“Are you sure this is what you want, sweetheart?” He asks, kissing your lips softly.

“Yes.” You muttered softly against his lips.

Once you confirmed it for him, his lips moved down to your neck, marking you up. He spread your legs so he can stand in between them. One of his hands found its way to your pussy, feeling how wet you are. His fingers smeared your slick around.

“So wet for me.” Tyler says against your neck.

You gasped lightly at his dirty words. His fingers rubbed your clit for a moment before he sunk down on his knees. His face was at the same level as your pussy. You instinctively put your legs over his shoulders. You shivered when you felt his breath fanning against your pussy.

You gasped loudly when Tyler’s tongue licked your folds. The tip of his tongue circled your clit, making you moan out in pleasure. Tyler smirks to himself, knowing how much you love it when he does that. His tongue circled your clit a few more times before he started eating you out like a starved man.

“Tyler!” You moaned, tilting your head back.

You moaning his name urged him on. You bucked your hips against his mouth when he unexpectedly gave your clit a harsh suck, which you quite enjoyed. His fingers found their way to your pussy. His fingertips teased your entrance, making you whine in frustration.

“Ty, don’t do that!” You whined.

“Don’t do what, sugar?” Tyler asks, being a tease.

“That!” You whined again when his fingertips teased your entrance again.

“Oh, you mean that.” He chuckles lightly.

You whined and nodded your head. Tyler slid two fingers in your pussy making your mouth fall open. He moved them at the same pace as his tongue flicking at your clit. Pleasure took over your body quickly. It felt like you were on cloud nine right now.

Usually, you’re very shy, but you managed to come out of your shell a little bit when you met Tyler. Tyler sure as hell knows this about you… you certainly aren’t shy when it comes to sex, but this right here, you asking him if you and him can recreate a sex scene from a movie is new for the both of you. He’s all for it. This is a whole new side of you that Tyler is now obsessed with. As of right now, all of the shyness left your body. Sluttiness took over you.

“F-Faster!” You stuttered through a moan.

Tyler moved his fingers faster in and out of your pussy. He continues the flicking motion with his tongue on your clit. His eyes flickered up at you, watching your chest rise and fall as you breathed heavily. He caught sight of your nipples poking through your -his- shirt. His free hand found its way when your -his- shirt, sliding his hand up your stomach to your breasts. He gave one of your nipples a pinch, causing you to gasp out loud. He then cupped one of your breasts, leaving it there just to hold onto it.

Your back arched in pleasure when his fingers hit your sweet spot when he curled them right into it. You pussy clenched around his fingers. His name fell from your lips in a loud moan. The sound of his name coming from your lips went straight to his cock, making it uncomfortably hard in his jeans. He didn’t seem to care about it in the moment. He wanted to take care of your needs first. Tyler always takes your pleasure seriously. He also likes it when you cum first.

“Yes, fuck!” You moaned. “Please don’t stop, Ty!” You moaned again.

“I’m not going to, sweetheart.” Tyler says against your pussy.

The more his tongue flicked at your clit and his fingers fucked you made your legs began to shake. Your orgasm was coming faster than you’d like. You brought a hand down to his head, your fingers tugging on his hair. Tyler moaned against your pussy. He loves it when you tug on his hair when he eats you out.

“Ty, I’m- fuck! I’m gonna cum!” You moaned.

“Cum for me, sweetheart. Give me everything you got.” He says huskily.

Your eyes rolled to the back of your head and your mouth fell open. A pornographic moan left your lips as you came harder than ever before.

“That’s it. That’s a good girl.” Tyler praises.

Tyler’s fingers fucked you through your orgasm before coming to a slow stop. His tongue gave your clit a few more flicks before stopping. Your legs were shaking a little bit at this point. Tyler stood up straight. You felt your cheeks heat up when you seen that you soaked his face.

“Don’t get all shy on me now, darlin’.” Tyler chuckles. “The way I see it you have a slutty side of you.” He smirks.

“Not slutty.” You mumbled.

“Oh yea?” He chuckles again. “You asking me to recreate a sex scene from a movie isn’t slutty?” He asks.

You looked down, avoiding eye contact with him. He’s right and you know it. Tyler tilted your head up and he kissed you hungrily. You moaned against his lips.

“Looks like my shy girl has gone dirty.” Tyler says, pulling away from your lips to look at you.

You whined in response.

“I wanna see what else you have in that slutty little brain of yours.” He says, unbuckling his belt.

🌪️🌪️🌪️🌪️🌪️🌪️🌪️🌪️🌪️🌪️🌪️🌪️🌪️🌪️🌪️🌪️🌪️

Glen Powell Characters Tags: @cevansbaby-dove @djs8891

-Bucky’s Doll

[gods-perfect-idiots]

Okay bear with me folks, I have some ~thoughts~ about the Vanessa/Wade relationship (or frankly lack thereof) in Deadpool & Wolverine. I should start by saying that I am analyzing this with the (likely erroneous) assumption that everything on screen is 100% intentional and mindfully written to deepen the characters and inform their arcs. For the record, I don't necessarily believe that's true - there is certainly room for mistakes, lazy writing, confusing plot elements, or in this case, sidelining a potentially strong and important character for nebulous reasons (I'm guessing scheduling conflicts + run time concerns + actor's strike complications but idk for sure). (Also thanks to @gossippool and @kendyroy for encouraging me to post my thoughts instead of just rambling in the tags in the first place, y'all are the realest)

Long rambly post below the cut fyi

Now, granted, it has been a while since I watched the original Deadpool so I am not as well-versed in their early relationship as I am in the handful of scenes Morena Baccarin has in dp3, but I do think it is pretty canon that Wade generally struggles to express his deeper worries and feelings (without filtering it heavily through crude humor, sex, and pop culture references of course), especially after the events of dp1 and the physical and mental damage he sustains, and Vanessa is frankly no exception despite how much he cares for her. The entire first movie hinges on the fact that he doesn't really believe she could love him in his post-Francis mangled state, which is pretty contrived imo given that the film has established already how bonded they are, and she doesn't strike me as being written to be so shallow as to reject him based on a physical deformity. I mean iirc she wanted to stick around through chemo despite him being literally riddled with inoperable cancer, so she clearly is in it for the long haul (at least in dp1), messiness and all.

Now, in dp2, obviously she is shot and killed early in the film, and Wade spends much of the rest of the film wallowing in his very profound grief, trauma, and guilt over losing her due directly to his violent lifestyle. He goes to prison, he basically gives up on life and seems very resigned to dying once he has the power suppressant collar on, even excited to do so so he can be reunited with her. She is mostly sidelined as a Fuzzy Dead Wife trope basically, but the important thing here is that he spends weeks if not months in the throes of despair over losing the love of his life just as they were trying to start a family, and trying to reach across the boundaries of death to be with her.

Now, my first couple times watching dp3 I was frustrated by the trite narrative presented in the interview scene towards the beginning - specifically Wade's whole "my girl is getting tired of my shtick and I need to show her I matter". It felt contrived and disingenuous, and I just brushed it off as iffy writing, a means to an end, but the more I reflect upon it the more I think it is based in an emotional reality that is just handled with a very light touch by the film in favor of fanservice and Poolverine content (NOT that I'm complaining in the slightest - I think this movie is a masterpiece in many ways, albeit a flawed one but that's beside the point here), which for the record I am not against because I think it lends it an air of realism. This is Wade's story after all, Vanessa is a part of it but it is ultimately about him and his journey.

Basically, I think the combination of what happened to him in dp1 (the brain damage, the trauma, the awareness of the fourth wall, etc) followed by the events of dp2 (Vanessa's death, his grief and the associated guilt and trauma of being the direct cause of her death) led to an unbridgeable emotional gap between the two of them that ultimately leads to their breakup.

It's important to note that I don't think Vanessa has any recollection of her own death, given that Wade goes back and saves her before she can take the bullet, and so of course she can never fully fathom what Wade went through grieving her and their life together and their potential family, for however long he spent between her death and bringing her back with Cable's device. She can try (and she clearly does in the one scene I'll talk about next) but I fear she accepts, maybe even in that scene, that she can never succeed. He is beyond her reach by this point, and vice versa, his experiences having fundamentally changed him.

The one scene we really see from their relationship between dp2 and dp3 is the one where Cassandra mind-gropes Wade in the Void and we see Vanessa struggling to reach Wade across this aforementioned gap - she wants him to open up, she wants him to share what he's going through, she wants him to be the person she initially fell in love with (not even selfishly - to her nothing has changed really, because to her no time has passed). But not only does he not understand what she's really asking for but he responds in such a way that makes me think he has unprocessed issues that are only tangentially related to what she's saying - ie the stuff about mattering, about asking her if she even wants to be with him, etc. And he's not the Wade Wilson she met back in dp1 anymore. He watched her die and grieved her and brought her back, believing it would make everything go back to normal and they could resume their life together as if nothing had changed, but he has been fundamentally changed in a way that she can't grasp, even if he WAS good at externally processing his trauma openly without the artifice of wry jokes. She didn't "come back wrong" - instead, she came back exactly the same as before, but HE'S different now. Not wrong, per se. But changed.

It's an interesting scene because it's obviously a memory, and a crucial one at that, but you can see how Wade is misunderstanding what she's saying, viewing it through the prism of his own lack of self-worth and his own hopelessness - he takes away that she thinks he doesn't matter (even though like he says she didn't actually say that, but I don't think Cassandra invented that wholecloth - I think she pulled it out of his psyche because that's what he believes deep down, hence why his fixation on mattering even though she never said those words exactly), he takes away that she doesn't want to be with him, that she thinks he's nothing. Which would be frustrating as an audience member to witness as a pretty simple misunderstanding which could potentially be solved with one conversation, but it feels believable to me that these two people who have shared a great love would be fundamentally separated by unimaginable, cosmic trauma, and the on conversation they would need to have to rectify the misunderstanding is one that is impossible for Wade to verbalize and equally impossible for Vanessa to conceive of. It was one thing when they had shared trauma like violence and SA in dp1, but what Wade has gone through in dp1 and dp2, humor aside, is unfathomably traumatic, brain-breakingly so even, and that's not even factoring in the possible mental illnesses he now struggles with (I've seen folks suggest schizophrenia, DID, depression, etc. but I won't get into armchair diagnosing a fictional character here - suffice it to say he is canonically unwell as a result of what has happened to him, and yes it manifests as quirky fourth wall breaks and cheeky one-liners, but within the universe of the movies he is undeniably profoundly mentally ill, and that includes this humorous alter ego he created to cope with his trauma).

I think off-screen Vanessa probably really tried to reach him, maybe for years (the six year gap implies to me that they didn't break up immediately, that they tried for a while to stay together), trying to get her Wade back, but that Wade is gone. He struggled to express that to her until eventually he started to feel rejected because he couldn't express his trauma or how much he has changed, because even he can't fully conceive of the gulf that has formed between them. The truth is, he WANTS to be that Wade again, for her and for himself, but that Wade died when she died. Or maybe he had already started dying when Francis got a hold of him in dp1.

Anyway, all this is to say, I think Morena Baccarin WAS criminally underutilized in dp2 and dp3, but I think there is a strong argument to be made for the believability of their breakup regardless. I think even relationships built on enormous love can crumble due to trauma, and what Wade suffers over these movies is mind-bogglingly enormous trauma. It's especially heartbreaking that he blames himself for their relationship ending, talks like she just got tired of him, thought he didn't matter, whatever. But it is a credit to him that he never seems to feel anger towards her about it. He doesn't seem to feel entitled to her, though he longs for her and what they had and what she represented (hope, love, a future, a family), but ultimately she becomes more of a symbol of what he lost when he gained his powers, because let's be super fr right now - even if they had succeeded in having a baby, not only would they have lived in fear of her or the kid getting killed, but ultimately Wade would likely outlive both of them even if they managed to die natural deaths. The moment he gained his powers he was already destined to lose her, which is heartbreaking because she was the only reason he opted for the treatment in the first place - so he could stay with her.

I think a big part of Deadpool & Wolverine is watching Wade continue to process his own motivations (vis-a-vis Vanessa but also his other friends) and how he does eventually let go of the idea of "mattering" in favor of just saving the people he cares about (*cough* and being saved right back *cough* by Wolvie, as the final line and shot implies). And in the process he finds someone new who cares about him, who thinks he matters, who tries to sacrifice himself for him and his friends after mere days of knowing him, who comes home with him at the end of the story, who breaks his own centuries-old patterns, who has also experienced unimaginable grief and trauma, who has struggled with wanting to die and being unable to, who not only matches his crazy but matches his FREAK and also not only won't die on him but CAN'T die on him - and more importantly cannot be randomly killed by a stray bullet.

Idk if any of this makes much sense but I do think if you read between the lines and consider the potency of trauma and grief, guilt and emotional damage at play here, Vanessa and Wade's off-screen breakup is actually pretty realistic, and really heart-breaking to boot.

You can tell she still cares about him in so many ways - she shows up for his birthday party, she shows up to his welcome home party at the end, she finds excuses for physical contact multiple times, her eyes get soft when she looks at him, but there is a distance there that Morena Baccarin does an incredible job of portraying. She cares about him deeply, she has mourned the loss of their potential life together, she has let him go and accepted that the Wade she fell in love with is gone, but she wants him in her life even though she's moving on because she realizes he's gone somewhere she can't follow (literally and figuratively). And she wants him to be happy which is why I fully believe she would immediately clock the Poolverine of it all and not-so-subtly encourage them to make it official.

Anyway. Poolverine forever. Nothing against Vanessa at all - I think she delivers a nuanced and beautiful performance, I think their relationship is sweet and heart-wrenching in large part due to her acting chops, especially given how little she is given to work with - but I think their relationship was sadly doomed from almost the very start, because Wade becomes this traumatized superhuman and Vanessa would always be at risk in his orbit, but also would always on the outside of his multiverse superhero experiences. I think it's weirdly beautiful, even if I am filling in a lot of gaps and giving the writers maybe undue credit.

Anyway... thoughts? Please DM me or write in the tags, I am feral about this movie and just want to talk about it with anyone haha. If you have further insight into these characters too I'd love to hear it - I am by no means an expert in these movies or characters!

[ohnoitstbskyen]

Could you talk more about sephiroth and clouds dynamic/relationship? Especially about sephiroths feelings towards cloud since I personally haven’t seen many people talk about that aspect.

Well, it sort of depends which version of the Final Fantasy VII story you're talking about, because certainly in the original game, Sephiroth actually doesn't care very much about Cloud at all.

During the events in Nibelheim, Sephiroth has a relationship with Zack as a friendly coworker (arguably an actual friend), but Cloud is just some Shinra goon nobody whose name and face Sephiroth doesn't even know. It's not until Cloud confronts him in the Mako reactor and successfully kills him that Sephiroth even sees his face for the first time. Sephiroth doesn't even know Cloud's name in the last few moments of his life, he just sees this enraged kid suddenly find the strength to overpower him and throw him into the reactor core out of nowhere.

After Cloud kills him, well... I would make the argument that Sephiroth never actually comes back. He dies in the throes of a psychotic break where the Jenova cells inside of him are using his emotional anguish to manipulate him towards her own ends, promising him all the love and family and fulfilment and sense of identity that Shinra violently abused out of him. And when he dies, whatever parts of Sephiroth's mind that were left are fully replaced with Jenova's single-minded superobjective to consume the planet and move on to parasitize again.

And so the version of Sephiroth that haunts Cloud for most of the narrative isn't actually Sephiroth the man. Almost every part of that person is long gone. Just like how Jenova used the psychological hook of Sephiroth's mother to control him, "Sephiroth" is mostly the Jenova cells using the hook of Sephiroth's influence over Cloud to try and control him.

And that's why Sephiroth seems so fixated on Cloud - not because Sephiroth the Person actually cares about him, but because the Jenova cells that are spread out across a thousand organisms are calling for Reunion, and they will use whatever psychological hook or crook that can manipulate their hosts to make it happen. The other Jenova victims presumably saw visions just as vivid and personal, urging them on towards the Northern Crater.

Sephiroth seems obsessed with Cloud because Cloud is obsessed with Sephiroth. Sephiroth is this avatar of his trauma, his self-hate, and his deep internal identity crisis, the representation of his every doubt and insecurity. Hence Sephiroth's gleeful constant accusation that Cloud is merely a puppet, Cloud has no personality, Cloud isn't real - these are Cloud's own fears being verbalized against him by the Jenova cells. And it's deeply ironic because the only puppet here is Sephiroth, being piloted by Jenova like an ant by cordyceps.

Hence the very final battle with Sephiroth which takes place not in the depths of the Northern Crater with the party confronting Safer Sephiroth, but in a black and undifferentiated void-space at the end of a psychedelic mind-trip, that Cloud undertakes alone to confront the ghost of Sephiroth in his mind and banish his influence forever. Like, that final moment really is the most This Is Only Happening In Cloud's Mind-ass final boss confrontation imaginable.

But that's the original Final Fantasy VII. The extended FF7 universe pivots hard off of the popularity of Sephiroth as an Iconic Villain and goes about building out him as the central antagonist of the entire universe, and centering him almost obsessively in the extended narrative of Final Fantasy VII.

Advent Children basically retcons the end of Final Fantasy VII, where it turns out oops Cloud didn't actually fully reject Sephiroth's influence over him, here's some Geostigma to represent the haunting malice of this singular villain and here's a 1-to-1 recreation of the final scene from FF7 where Cloud destroys Sephiroth with Omnislash extended out to a gratuitous anime fight scene that ends with an even more awesome ultra-final ultimate Super Omnislash... but then even THAT isn't enough as Sephiroth promises ominously to "never become a mere memory" and he's going to haunt Cloud forever and ooooh maybe he'll be coming back for another seven sequels or something, because the franchise is never ever ever going to let Cloud move on, heal or get better, not so long as Sephiroth is this popular.

Same deal with Kingdom Hearts, which represents Cloud's character as basically revolving entirely around Sephiroth, and Sephiroth as almost romantically obsessed with Cloud, while games like Crisis Core get into the Star Wars Extended Universe business of attaching portentous mythological weight to originally inconsequential objects like the Buster Sword, and building out a grand conspiracy of gene manipulated One Winged Angel People all chasing the coat-tails of Sephiroth's popularity.

All of this comes together in the Final Fantasy VII Remake games, which try to reconcile the extended post-FF7 narrative with the original Final Fantasy VII story, adopting the idea of Sephiroth as the singular operatic puppet master villain of the story, rather than Shinra or Jenova who were the original game's thematic central villains as representations of parasitic and extractive capitalism.

So in these games, Sephiroth is obsessed with Cloud, and seems to see Cloud as his own best chance of salvation from his fate, and there's deep homoerotic tension between the two as Cloud struggles between wanting to kill Sephiroth, and wanting to be with or become him.

Oh, and to be clear, I do love the extended FF7 universe and all the post-original fluff that gets attached to it, I do love Sephiroth and Cloud as this pair of Doomed By The Narrative romantic lover-enemies fated to Toxic Yaoi each other to death forever, and I'm very fond of my good boy Zack, who deserves all the love the games have shown him. I cackled like an absolute hyena when I realized just how far the Final Fantasy VII Remake was going to go in rewriting the story.

It's just also hard not to see Square's treatment of Final Fantasy VII after it became The Iconic JRPG™ as anything other that corporate self-mythologizing and Star Wars style brand management, obsessively building more a marketable facade around the original game focused on its most popular surface-level features, at the cost of obscuring a lot of the subtler themes and ideas of the original game.

Sephiroth is not the main villain of Final Fantasy VII. Extractive capitalism is, and it is embodied by Shinra in the first half, and Jenova in the second half, and both of those antagonistic forces use Sephiroth as a puppet to do their bidding, and a veil to hide the primitive brutality of their consumption. But nobody would ever think that seeing how Sephiroth has been elevated as King Bad Guy of Villain Mountain in the aftermath.

I'm sorry I think this went kind of off the rails from the question you actually asked lol

[mikeslawyer]

mike completely missed the fact that will’s painting had been from him since the beginning, despite el having said in one of her letters that will is always painting, I think for someone he likes.

that’s because mike never really paid attention to el’s letters, and has always paid attention to will’s art. there are multiple scenes of mike crumpling the letters and throwing them away carelessly and there are many scenes of mike cherishing the art, looking through the binder.

mike’s actual girlfriend indirectly told mike that will is in love with him but mike broke his own heart thinking otherwise, just because he wasn’t paying attention to his own girlfriend in the first place.

quite the irony, huh?

[minminbunny]

Stalker X Stalker AU - Posessive Coworker! Yang Jeongin/Naive Gender Neutral! Reader

*smut part - AFAB/AMAB

💕Drabble Masterlist

❤️Ultimate Masterlist

"Innie!" you giggled, wrapping your arms around him. Jeongin gave you a nonchalant pat on the back, even though his heart was racing within his chest. You beamed, "Guess what? I made candy over the weekend, would you like some?" you asked, biting your bottom lip. Jeongin nodded, "Sure," he said, internally waiting until you got to him when he saw you give out candy bags to the others. 

"Yay, here!" you said, giving him a full bag than the tiny packets you were giving out. Jeongin didn't realise the difference when he took it, the packaging was the same, sure it was a bit full but the others must have gotten the same. You gave him a big squeeze, "I'll head back to work. See you later," you beamed, skipping away from him with a contagious smile. 

Jeongin sighed, holding his chest, "Fuck, what am I going to do with them," he grumbled, hiding his face within his cubicle. You swayed your feet, drawing pretty hearts around his picture. You looked to your cubicle neighbor, "Hey, do you think Innie will ever like me?" you asked, hoping for support. "Well, he's the type to hate everyone. You might need to try a different approach," they said, ruffling your hair. 

You sulked, nodding your head, "You're right I'll think of something," you said, drawing out a little plan. Jeongin felt his eyes twitch when the coworker ruffled your hair, the pen broke in his hand as he tried not to lash out. He sighed, rubbing the bridge of his nose, 'One day, I'll secure a damn collar around your neck' he thought, imagining his name etched on your pendent before he walked away. 

You gulped, standing in front of a old tarot shop, "Hello?" you asked, walking in. An old lady sat with her crystal ball, "Hello, deary. I heard you're looking for a love potion," she said, rubbing the crystal ball. You gasped, "How did you know?" you asked, naive enough to believe in such fabbles. 

The old lady chuckled, "I see and know all, darling. Now, this is the potion you seek. You must be the first one he sees after drinking it. Don't use more than half, or else he might turn into a feral beast," she warned, knowing the viagra content in the vial is quite high. You nodded your head, "No more than half, understood," you said, waiting for the price. 

The old lady smirked, "A vial like this is priceless, I'll charge you a discounted price," she said, giving you the number. You sulked when it was half your paycheck but for Jeongin you'd do anything, "Thank you," you said, leaving the shop. Jeongin stood behind the old lady, "Quite the scam you've built here," he said, twirling his knife. The old lady froze, "Wouldn't you like you future read, young man?" she asked, trying to avoid her fate.

Jeongin pursed his lips, "No, I can't let people like you take advantage of my little doll," he said, holding the knife across the old lady's throat. "Wait, wouldn't you like to know what they purchased?" she asked, hoping that would stall him. Jeongin tilted his head, "I could care less. They can buy whatever they want. I'm a gentleman to their purchase privacy," he said, slitting the old lady's throat before she could defend herself. 

Jeongin took your money and reported the crime anonymously to the police, he burned his clothes and vacuumed the floor. He then burned the contents of the vacuum and fled the scene. Jeongin sighed and slid your paycheck into your mailbox, "Seriously, a leash is needed," he grumbled, glaring at your room window.

You wore your prettiest outfit, and held your basket of cookies. After making all the normal cookies, you began to bake Jeongin's batch, you did as told pouring half when you suddenly flinched at a loud crackle of thunder. "Shit," you whispered, seeing the empty vial in your hand. You looked outside and saw no rain, "Stupid thunder," you whined, staring at the pink glittery liquid in the middle of your dry ingredients. 

You sighed before smirking, "I wouldn't mind seeing Innie as a feral beast. Maybe he'd turn into a werewolf and a have a big girthy cock," you giggled, stirring the ingredients together. You bit your bottom lip, hiding the special stash within your pocket while you looked for him. Jeongin sat by his cubicle, hoping that the money he placed in your mailbox didn't get stolen. 

You beamed when you saw him, "Innie, Innie. I made cookies, want some?" you asked, handing him his special batch. Jeongin gave you a subtle smile, and opened the bag, "Thank you," he said, taking a bite. The cookies were soft with a crunchy edge. Jeongin tasted a hint of chemicals but brushed it aside, thinking it's probably the glitter you used, "It's really good," he praised, biting into another cookie. 

You smiled, your eyes turned into crescents from smiling so hard, "Thank you, Innie," you said, waiting for the potion to kick in. You gulped, needing to be the first one that Jeongin sees. Jeongin furrowed his eyebrows, feeling his control slipping, "What?" he whispered, looking into your eyes for answers. "Is the love potion working?" you asked, seeing Jeongin hold his chest. 

Jeongin panted, feeling his cock throb under his slack, "Love potion?" he asked, groaning from the sheer sensitivity his body was in. You gulped, looking at him with a guilt and scared expression. Jeongin clenched his jaw, "Don't look at me like that; like you're afraid of me," he growled, gripping your wrist. You sniffled, tears ruining your mascara, "Are you mad?" you asked, hiccuping under his feral gaze. 

Jeongin buried his face into your tummy, "Everyone else left for lunch right?" he asked, his voice deep and husky. You nodded your head, guilt filling you up, "Today's the one hour break," you sniffled,  lips wobbling at the thought of upsetting Jeongin. "Good, good. One hour should be enough," he groaned, lifting you up.

NSFW BELOW CUT

AFAB

"Too fast!" You sobbed, clawing the desk for any form of leverage. Jeongin groaned, pounding your little cunt with a brutal pace. His hands bruising your precious skin as he fucked you in the meeting room. Your body laid pliant, taking as much as his rough thrusts as possible. He already came twice and he was still hot and throbbing within your cunt. "Hah, hah, hhgh," you hiccuped, covering your mouth to muffle your moans. 

Jeongin clenched his jaw and held your throat, "Let me hear you cry, darling. I wanted to take it slow with you but just had to be So. Fucking. Naive," he growled, thrusting harder with every word he grits. You sobbed under his thrusts, you cunt spasming from the constant pleasure buzzing through your body. Jeongin pushed his hair back and rolled his hips, "Look at you, doll. So messy, so dirty with cum," he chuckled, eyeing your makeup stained face and semen stained outfit. 

You sniffled, clenching around his cock, "I'm sorry, I'm sorry," you whimpered, wiping your tears. Jeongin kissed your palm, "You just couldn't help yourself, doll. You're so easy to influence," he grunted, thrusting his hips. You stared at him through your tears brimmed eyes, "Just wanted Innie to love me," you sobbed, heart squeezing at the confession. 

Jeongin held you close, his hips keeping their relentless pace, "Darling, I loved you from the beginning. Never once have I not love you," he rasped, nipping your ear. You sniffled, "Really?" you asked, pushing back with his thrusts. Jeongin chuckled, nosing your cheek, "Really, really," he said, kissing you softly. Your mind melted, his kisses contradicting his desperate thrusts. 

You arched your back, chest pressing against his as you creamed around his shaft. Jeongin hissed at the searing warmth coating his cock and came deep within your body. You gave him a few soft pecks, "Hehe," you giggled, nuzzling his shoulder. Jeongin raised an eyebrow, "What are you giggling for?" he asked, kissing your forehead. You hugged him close, "I'm just happy you're mine," you whispered, catching your breath. Jeongin chuckled, "Me too, doll. Now let's clean up as fast as we can before they come back from break, hm?" he said, kissing your nose.

AMAB

"Too fast!" You sobbed, clawing the desk for any form of leverage. Jeongin groaned, pounding your little rim with a brutal pace. His hands bruising your precious skin as he fucked you in the meeting room. Your body laid pliant, taking as much as his rough thrusts as possible. He already came twice and he was still hot and throbbing within your hole. "Hah, hah, hhgh," you hiccuped, covering your mouth to muffle your moans. 

Jeongin clenched his jaw and held your throat, "Let me hear you cry, darling. I wanted to take it slow with you but just had to be So. Fucking. Naive," he growled, thrusting harder with every word he grits. You sobbed under his thrusts, you hole spasming from the constant pleasure buzzing through your body. Jeongin pushed his hair back and rolled his hips, "Look at you, doll. So messy, so dirty with cum," he chuckled, eyeing your makeup stained face and semen stained outfit. 

You sniffled, clenching around his cock, "I'm sorry, I'm sorry," you whimpered, wiping your tears. Jeongin kissed your palm, "You just couldn't help yourself, doll. You're so easy to influence," he grunted, thrusting his hips. You stared at him through your tears brimmed eyes, "Just wanted Innie to love me," you sobbed, heart squeezing at the confession. 

Jeongin held you close, his hips keeping their relentless pace, "Darling, I loved you from the beginning. Never once have I not love you," he rasped, nipping your ear. You sniffled, "Really?" you asked, pushing back with his thrusts. Jeongin chuckled, nosing your cheek, "Really, really," he said, kissing you softly. Your mind melted, his kisses contradicting his desperate thrusts. 

You arched your back, chest pressing against his as you creamed between your torsos’. Jeongin hissed at the searing grip engulfing his cock and came deep within your body. You gave him a few soft pecks, "Hehe," you giggled, nuzzling his shoulder. Jeongin raised an eyebrow, "What are you giggling for?" he asked, kissing your forehead. You hugged him close, "I'm just happy you're mine," you whispered, catching your breath. Jeongin chuckled, "Me too, doll. Now let's clean up as fast as we can before they come back from break, hm?" he said, kissing your nose.

[yazthebookish]

Maybe I'll spoil you guys and talk about Gwynriel and ACOTAR5 and anything related to it overall. I recently finished my HOFAS reread and have some fresh thoughts. I'll let my thoughts guide me and some of these points I've already addressed in my insta stories yesterday. I just rather share a lengthy post here since I'll only tag under #gwynriel.

I often see arguments about how Gwyn and Azriel can't move the plot forward because the series is centered on the Archeron sisters.

First, that's not true because Sarah is following what she called "a traditional romance route". She's following the same patterns of Nalini Singh, Kresley Cole, and Lisa Kleypas where they publish multiple books in the same series following different couples.

This is fitting for a series like ACOTAR because it's romance-centered. And Sarah have already said that each couple is getting one book and there will likely be more books beyond ACOTAR6.

Saying that doesn't dismiss the importance of the sisters to the story, Feyre already has a trilogy centered on her. The spin-off just follows different characters including the sisters.

I won't try hard to convince people on this because I've already posted almost everything Sarah said about the spin-off series and what's it's about. So if the next book is not centered on an Archeron sister, that's for Sarah to bamboozle the fandom with.

One thing that stuck out to me is when I compared the ending of ACOSF with the scene of Bryce giving Nesta Gwydion and seeming like she left Nesta with a new quest.

First, this is what the text says, and this is Chapter 80, the very last chapter in ACOSF:

Succeeding in the Blood Rite didn't mean the training stopped. No, after she and her friends told Cassian and Azriel most of the details of their ordeal, the two commanders had compiled a long list of mistakes that the three of them had made that needed to be corrected, and the others wanted to learn from them, too. So they would keep training, until they were all well and truly Valkyries. Gwyn, despite the Rite, had returned to living in the library.

1. The Valkyries are not yet a unit.

2. SJM only and specifically highlighted that Gwyn, despite the Rite, returned to living in the library. It was like "hey, remember all the talk Gwyn did about wanting to leave the library after two years? Yeah that's on hold a bit but keep that in mind". She didnt even add Emerie or the other priestesses to that sentence.

With Nesta being left with Gwydion to find out why the 8-pointed star was tattooed on her, I don't think the next book will start with "hey Elain take this sword and deal with it". Who are Nesta's main companions now? Gwyn and Emerie.

I'll be back to the Valkyries but let's just talk about Azriel for a bit.

It is so painfully obvious to me that Azriel is being handed the Illyrian plot on a golden platter. How big or small of a plot it is depends on SJM, but it's important based on the fact that she fleshed out the Illyrian's origins and tied them to the crossover AND making Truth-teller the knife of Enalius.

That is a big deal for an Illyrian like Azriel.

And I quote my friend Lacie on this, it is very poetic for Azriel to be the owner of the knife that originally belonged to the person who freed his own people from the Daglan's clutches, perhaps because he saw his people are more than just slaves to the Daglan—how powerful would it be for Azriel, who loathes his own people, to parallel Enalius.

And for years some people were against Azriel dealing with this plot because he shouldn't make peace with his "abusers", its true his own family and some Illyrians failed him but he is condemning an entire population. Good people like Emerie and Balthazar. Even Rhys's mother, who had valid reasons to hate her people especially as a female, still made sure to make Rhysand connect with his Illyrian heritage and he even goes on to say that his mother didn't forget what they did to her but still loved her people.

If both Cassian and Rhysand (and by extension the author) continue to flag Azriel's hatred of the Illyrians as an issue—then it is a damn big issue for it to be addressed repeatedly.

Okay so to address my final point about Gwyn and Azriel and how they can move the plot forward.

Now I didn't detail out much about what the next book will deal with because that's another post (and I already have a post on that).

All of our theories and predictions are based on information that is available to us. Saying Azriel and Gwyn cannot move the plot forward does not make any sense because the central plot is tied to multiple characters, Archeron or not.

If SJM wants to make a character move the next book's plot forward, she can do it because she's in control of the story. She's in control of the narrative. She's in control of the characters.

The characters are puppets and this is an unfinished story. If some characters would add more value and make for a more interesting story before the others, she can decide on that. If she wants to make Eris the protagonist of the next book, she can easily do that whether the fandom wants it or not.

Let me give you an example of minor characters that pushed the plot forward and became main characters: Yrene Towers and the Hind. These kind of arguments could've been used for them in HOEAB or HOSAB and Pre-TOD. Before HOSAB/HOFAS and TOD, could we have predicted that they would have played a crucial role before those books? Not likely because they had minimal appearances and were not part of the main cast. This is what I'm talking about.

You can't know how a character will contribute to a story until you see how it all unfolds. We can make guesses on the information we have which is why I believe three characters are likely to join the main cast: Gwyn, Emerie, and Eris.

Why is it so easy to accept that Emerie might be sharing a book with an original character like Mor but it's hard to comprehend the fact that Gwyn could also share a book with Azriel? Because Emerie showed up in ACOFAS? To me that's not really a strong argument based on Sarah's writing and what we have in the books, she doesn't really pick based on who showed up the earliest. Here's a good example: Hypaxia, who showed up earlier, didn't even get her own chapters but the Hind did.

And there's one argument I recall about how I need to rely on Nesta to have a plot focused on Gwyn or the Valkyries in the next book. Nesta's arc is clearly not over based on HOFAS, but does that mean she's getting a POV? Not necessarily. I don't think she is. Gwyn is the perfect candidate for us to see what's going on with Nesta post-HOFAS and how they all deal with the Valkyries and whatever Sarah will set up with them.

There is this whole Valkyrie/Illyrian conflict that could be triggered as a result of the Blood Rite, with Ramiel definitely being an important location to explore in the next book, we also have the Pegasi and the Prison and the implications of the crossover. It makes sense to have an Illyrian and a Valkyrie POV to deal with some plots in the next book.

"Gwyn contributes to nothing" we can't know until the book is out. How sure are we that maybe SJM won't connect her to the crossover by making her mysterious father a Worldwalker? Or Prince of Hel? Or an Asteri? Maybe I'm right maybe I'm wrong.

"But Koschei! And the Human Queens!" Koschei will always be a background player pulling on the strings until the final book as it's obvious he is the big bad in the series, unless someone even worse is revealed. But no one is dismissing Koschei or the Human Queens messing around.

Literally what's the point of the story or the fun elements of surprises or plot twists if you need Sarah to list down everything that the next books will deal with. That's not how a story develops to me. I don't need to know everything in advance to just know how it will go. That's like knowing spoilers early on and checking off with each book what happened and what didn't happen. I feel like it's close to how a lot of readers were disappointed with not having enough ACOTAR in HOFAS, because Sarah implied half of the book would be set in Prythian. So by the time the book came out and it wasn't that, people were vocal about it.

In my opinion, SJM set a good foundation for Gwyn's arc to build up on in ACOSF and her arc is not over. We won't get mentions of her still carrying the guilt of her sister's death or not leaving the library after she said she's sick of being there for two years without us seeing resolution for that. She wouldn't be in Azriel's bonus chapter if she is not involved with him.

To conclude, my reread still affirms to me that the next book with an Azriel/Gwyn book. Azriel is clearly being set in the forefront.

[mezzo-morte]

Being a Mulder/Scully shipper (aka everyone except Chris Carter) is such a profoundly confusing experience.

You get gaslit by the showrunner himself because for the first 6(?) seasons the characters are platonic. You get six years of them glancing at the other's lips, standing and walking so closely they're always touching, you get tender touches and warm embraces, you get forehead kisses, you get displays of jealousy and one of them even admitting to being territorial. You get this as soon as the damn pilot.

You get Mulder speaking into Scully's hair, you get Scully cradling and singing to him, you get Mulder making a scene threatening to fight anyone in sight when Scully is returned to the hospital, you get Scully wanting to have his child of all people.

You get that the connection is so profound they only trust the other and would (and have) gone to hell and back for their partner.

You have all of these feelings culminating in the intense way in which they gaze at each other, both directly and when the other isn't looking.

Then you have the actors, who were so horned up and fed up with the tension they went off script and made out like that, the same actors who did photoshoots in bed and kissed at award shows and interviews despite never being together, despite the characters never being canonically a couple. You get David, who when asked if he played it like he wanted Scully, he said he simply played it like he cares about her input and you get Gillian, who kissed David in the mouth before turning to kiss her husband when she won an emmy in 1997.

It's clearly love and although the absence of romance and sex don't make a connection any less legitimate or meaningful, I just don't buy it that there was never supposed to be an attraction from the beginning. That they remained friends for that long.

And still you're left questioning if it isn't all just projection because the two actors are so insanely attractive you can't help but want to see them in a sexual setting. If it's all just two good friends having so much chemistry that it makes it easy to come off as romantic. You're left to wonder if you have just been so blind in your own personal life that you have never so much as seen that kind of connection in marriages, let alone with coworkers. That perhaps you've just never had the fortune of having such a special connection with your platonic friend that you make out just for fun. You're made to believe that what you're seeing isn't desire but a deep understanding and care for the other's well being and happiness.

What is the truth. It's out there and at this point I have to believe it's all a ploy from the shadow government and Old Smokey himself to cover up what everyone already knows. The evidence is right in front of us and they keep trying to veer towards a specific answer and call bias if you don't agree.

[gguk-n]

Hi could please write one where the reader is bengali and celebrates Durga Puja with Lando in india ( ollie or kimi works too but I'm not sure if you write for them)?

I did a ‘spin the wheel’ and got Ollie.

Puja Vibes

Ollie was as white as white gets and his girlfriend was the embodiment of the Bengali culture prancing around. She had helped Oliver expand his horizon; taught him new experiences and delicious food. She will argue, that there’s no dessert like Bengali dessert.

So, when it was time for Y/N to return home for Durga Puja, Ollie would be joining her too since he had no races or prior commitments.

They hadn’t dated for long but Ollie had showered her with gifts on Christmas and taught her all his family traditions. Y/N just wanted to do the same for him.

At the airport, they landed together with Ollie in tow who was enamoured by the hustle and bustle of the city. He saw cows crossing the road like it was another Tuesday and no one batted an eye. Y/N pointed out all the building explaining the significance and the reason behind their construction during the colonial era on the way to her home.

At home, preparations for Durga Puja were in full swing. Y/N’s uncle and aunt had decorated their house ornately. Oliver greeted everyone.

The festivities would start the next day. Everyone was up bright and early for the invocation (bodhon) Oliver was mesmerised by the shining lights and the bright colours and the beautiful way Goddess Durga was dressed.

The main event was Maha Ashtami which Y/N’s father had great pleasure in explaining to Oliver. Oliver was like a kid in a candy store; eyes wide open and mesmerised by the events unfolding in front of him.

You would find the poor boy following Y/N around like a lost puppy. It was adorable watching him hold onto her saree palo as she walked in front of him. “Lemme hold your hand” Ollie whined. “Everyone is here for the festival. What will the elder’s think?” Y/N reasoned. In Indian culture, blatant show of affection was frowned upon especially in the older generations, the younger ones couldn’t care less. That’s why Ollie was walking around holding her palo.

They were stood next to each other while Y/N’s mother made the preparations for Maha Ashtami. “Your dress looks so beautiful. Red truly is your colour” Ollie said. “Thank you babe” she said. “How did you do this?” He asked playing with the folds. “My mum helped. I’m still pretty bad at tying a saree” she said. “Is that what it’s called? A saree” he said enunciating each word. “Yup, it’s an Indian traditional wear but everyone wraps the cloth around them differently, depending on the region of the country” she explained. His mouth formed an O in understanding.

They finished up the celebration with all the rituals being done and Oliver asking way too many questions each step of the way.

On the last day after Vijaya Dashami, after the immersion in the water everyone returned back home, exhausted by the events of the past days when Y/N’s cousin showed her a video; actually a few.

One video, had Ollie following her around like a lost puppy. The other one was of him holding her palo so as to not get lost. And the last one was straight out of a Shah Rukh Khan movie where Ollie’s watch had gotten stuck in her palo and he tried to free himself while actively trying to follow her and not let her know that he might fray her outfit. Eventually, he did free himself but his eyes never left her as he walked behind her.

She showed the video to Ollie and the Shah Rukh Khan scene from Om Shanti Om. Ollie was seen laughing, “didn’t know I would be getting my Bollywood moment this year during Puja” she said. “I’m happy I could be of service, m’lady” he said tipping his imaginary hat. “I would still have loved if it was Shah Rukh Khan” she teased. “Wow! I can’t believe this.” He acted hurt with his hand on his chest. “You are unbelievable.” She muttered pressing her lips on his cheeks. “Don’t try to bribe me with kisses” he huffed. “I’m not. I love you my cute little bear” she cooed. “I’m not cute” he huffed again. “Sure, my rasgulla” she laughed pinching his cheeks. “I like that dessert. Can I have some more?” He replied lost in thought. “I’m sure my mother will find great pleasure in feeding you” she said laughing. “Let’s go” she said pulling him along. “I love you Y/N.” Ollie called out while being dragged along. “I love you too” she replied turning to look at him.

Y/N’s family cooed at them, young love

Hope you liked it! I tried my best

[mermaidsirennikita]

I gotta say this is also very unsuprising casting when you think about it. Like as soon as the shock had worn off I was like...yeah of course she cast them.

Oh yeah, it does make sense because Emerald isn't about what's good for the project, Emerald is about what makes Emerald happy. Which is why I fundamentally can't get into her creatively.

Because of course, any creative has their aesthetic, their sensibility, their work. And I respect that, as a creative.

But you also have to kill your darlings. And we think of that in the writing sense most often—cut that sentence, that scene, that chapter if it doesn't truly serve the work. Scrap the whole thing and start over if it's truly not what it should be.

I'm a STRONG believer in that, to be fair. Brutal. Maybe too much so? Lol. Or I'd have a book out by now.

But anyway, it applies to every type of creative work, imo. You don't cast someone because YOU like them, particularly in an adaptation of a work as iconic as Wuthering Heights. You cast them because they are right for the role.

Heathcliff and Cathy, especially Heathcliff, are two of the most groundbreaking and influential characters in literature of the past 3 centuries. Heathcliff's lack of proximity (for his era) to whiteness is particularly central to the role, and I don't know anyone who seriously takes this work apart and isn't like... actively racist... who interprets Heathcliff as white. It's so crucial to his character that he is "other" in his society.

It's just TRULY a shame to me that she not only cast someone as subpar as Elordi, but someone so, so white. Like, I wouldn't want a white actor I love to play Heathcliff. And this is a fabulous role for a man of color, too.

The last adaptation did cast a man of color, but it was frankly not a very high profile project and not well done.

(I also think it would be compelling to cast a man of Roma descent OR a man of Asian, specifically South Asian descent because the text literally uses a contemporary term for Indian men to describe him... Though Nelly also speculates that he has Chinese heritage, and there are definitely some implications that he could be descended from presumably African enslaved people. The latter I could definitely see being an interpretation when you factor in the speculation that he's Mr. Earnshaw's illegitimate child. I think there's always this idea that "catch-all" terms were probably being used to describe Heathcliff's appearance, but I've thought for a while that I would personally most love to see a Roma actor or a South Asian actor play him.

But like. Literally any other than a white guy.)

This will be much more high profile, with way more attention, and it just really sucks that Emerald decided to use it to push one of her faves. It tells me that she has very little respect for the text. On what planet would anyone, even in the 1800s, look at Jacob Elordi and think that he was anything other than a white guy.

And again, I think Margot is way too old to play Cathy, and honestly doesn't read in any way as Cathy to me. I say that as someone who, again, considers her a very strong actress when she's in her element. I just. Ugh.

[casually-eat-my-soul]

I keep thinking about jealous pining desperate Stiles and Derek

But like specifically Stiles Seeing Derek kiss someone else.

Stiles goes to visit Derek at his loft and he walks into a scene from a hallmark movie. Derek is kissing some random women under fairy lights to the back drop of a sunset. Stiles feels like someone plunged their hand through his heart and infected with body with ice. He genuinely feels sick to his stomach.

Derek looks down at said person with a soft smile, thinking that this time he can be safe. Before turning and seeing Stiles. They lock eyes and stiles is so visibly distraught. Like in the “where’s my dad scene”. One tear sliding down his face, hands clenched, grasping at his chest as if to rip his heart out.

And Derek knows he fucked up, but he doesn’t know how. All he sees is Stiles in distress and he needs to fix it. Stiles base scent has changed in a split second, now deeply intertwined with misery. He immediately moves from his love interest towards Stiles. But Stiles won’t let Derek comfort him. When Derek grasps his wrists, He tries to pull away.

Stiles is inconsolable at this point, choking on his sobs, barely able to breathe, barely able to see. This only makes Derek more desperate, he’s trying to pull stiles into a hug but Stiles keeps fighting him. Derek’s mind is racing with an explain on why stiles is falling apart in front of him. He thinks of Scott and the sheriff, praying that they are both still alive. He’s now genuinely begging stiles to let him help, to tell him what’s wrong, but stiles keeps pushing Derek away.

Derek’s love interest moves to help but stiles screams when she touches him. In his shock Derek stumbles away from Stiles, but not before ripping her arm off of Stiles.

The room freezes as the both of them are just staring at each other, stiles still sobbing, Derek shaking with adrenaline or fear he doesn’t know. Before Stiles turns and runs out of his loft.

And then nothing is like it used to be. Not like the summer they spent together, not even like the days of when they first met. Stiles is so different with him. Derek can’t remember the last time he saw stiles smile, or his eyes. All he can see is the eyebags that match his own and bitten bloody lips. He barely speaks to Derek and when he does is tone is soft and flat. They no longer banter back and forth with each other exchanging friendly insults. He is a ghost of the stiles that Derek knew.

Stiles doesn’t reach out and touch him anymore, not in camaraderie or comfort. Derek’s skin is devoid of stiles scent. His scent hasn’t changed from that night, now overcome with depression, pain, and tears. But even so Derek would still prefer to carry it with him. Derek feels like he is watching stiles die.

And Derek is ripping his hair out of his skull. He going insane. He has tried to talk to stiles but at meetings Stiles wouldn’t even look at him, and the Stilinski house has been lined with wolfsbane.

He goes to Scott and Lydia for advice, or understanding, fuck at this point he’d even take a stupid riddle. But scott just twists his lips in disappointment while Lydia glares at him with more hatred than she does Peter. Which is really saying something.

Derek is getting more frantic as days pass and nothing changes. It’s starting to affect the pack. The betas are more snappy and uncomfortable. Derek, himself is having a had time keeping his shift under control. Anger isn’t helping, if only it’s making it worse, more feral.

This costs Derek.

One night when the pack is fighting the next big bad. Derek’s sleepless nights and being distracted nearly gets him killed. He only wishes he could go back to that day, he would spend it, from sunrise to sunset with Stiles. Just making him laugh and smile.

The last thing he sees before he collapses is Stiles eyes in the moonlight, glistening with tears, same as that night. Beautiful all the same. But still Derek smiles. He is at peace knowing that this will be the last thing he sees.

But he wakes up, and all he has of stiles is traces of his scent on his skin. Derek roars in anguish. He can feel his betas trying to hold him down, he can hear them screaming but it all fades to white noise. He understands nothing at this current moment but loss. His wolf won’t stop howling.

He doesn’t fight the pull of the wolf, as he falls under his instincts. At the back of his head he knows that the people he is fighting are his pack mate, his own betas. The smell of blood affronts his senses. But nothing can be felt but violent grief.

The wolves in his den are wary and hesitant to fight him, as they should be. He can hear more wolves coming, and the deafening heartbeat of prey. He snarls at the prey that moves closer to him, fulling intending the go for the kill. As he pounces on the prey pressing him to the ground, teeth reaching to sink into his neck, he feels Stiles hands on his chest and he stops. The scent of Stiles is all around him, and Derek presses his face to his neck. Keeping Stiles pinned to the ground.

Thus way stiles cannot escape, cannot leave Derek grappling with the thought of losing him. Another wolf tries to get closer, reaching for stiles but Derek snarls at him. Stiles talks to the wolf, —

“Don’t worry about it Scotty, I got it from here”

“You sure dude?”

“Yeah, take the wonder trio and get out of here. We’re good.”

— as Derek pulls him into his lap, face still pressed into the junction between neck and shoulder. Not even willing to miss even the vibrations of Stiles voice. The wolves leave and Derek can finally relax and enjoy the presence of Stiles.

Derek feels overwhelmed, after weeks of not interacting with Stiles he is now surrounded by him. His hands run through Derek’s hair, his voice floats in the air, his scent finally intermingling with his own. This idea of losing the heat of stiles body pressed against his, makes Derek pull stiles even closer.

He doesn’t know how long they sit together but when he comes out of the fog. Derek breaks. A complete reversal of the night he lost stiles. Derek is crying in ernest, pleading and apologizing over and over again. Stiles is hesitant when he places his hands on Derek cheek. But when Derek leans into it Stiles begins to wipe the tears from his face.

They both face each other with open expressions. Stiles struggles to finds words to explain to Derek but all he can get out is a broken repeat of Derek’s own apology.

Derek felt as if his heart couldn’t know anymore pain, but as Stiles choked out an apology he could feel another piece break. Derek was just relived that stiles was finally letting him comfort him. Derek pressed their foreheads together and took a deep breath. Waiting for stiles to following along with his breathing. When they both calmed down stiles Slumped exhausted into his chest. With a heavy limbs Derek picked him up and carried him to the bed. Derek’s bed.

Neither of them need to speak durning this time. Derek was reluctant to set Stiles down, to let go for even a second. Instead he settled for watching Stiles as they both undressed and fell into the bed. Finally after weeks of sleepless nights, unrest and nightmares, they both full asleep wrapped in each others arms.

Derek refuse to open his eyes when he awakes. Afraid that when he does, Stiles will be gone and this would be a cruel dream. So he keeps them closed even when he hear Stiles breathe hitch. Even as he hears his heartbeat pick up. Even as stiles trails his fingers over Derek’s face. But he does open them as stiles presses a kiss to his lips.

Derek kisses him back just as fiercely. And this leads to teary confessions — “Don’t fucking lie to me Derek please, I can’t take it, don’t fucking kiss me out of pity.”

“Never out of pity, Mi Vida, I never wish to part from you even again, I love you, Mieczyslaw, truly. I can finally breathe again.” — They spend the day in bed, only leaving to eat. Even then they are always touching the other in some way.

After this Scott and Lydia pull Derek aside and threaten him with extreme violence. Peter joyfully welcomes stiles to the family.

(Honestly this was a whole train wreck. I also had another idea/version where this was happening during the nogistune. Where Stiles goes over to Derek’s loft as the darkness around his heart fills heavier that day and he sees Derek kiss someone else. The this is what finally pushes stiles over and allows the nogistune to fully take over. And Derek is forced to listen to the fox gleefully tell him that this action nearly broke Stiles. That while turning feral Derek has to learn that his actions cost him another person he loves. That because of this stiles and Derek are turning into twisted version of themselves. But honestly a fox should have never underestimated how far a wolf would go for their mate)

My bad for the long post but if you made it to the end, welcome to the trenches and suffering in the misery with me.

[whatudowhennooneseesyou]

MTL 18+

Who in atz do you think could be a mean dom? Full on mocking and teasing maybe maybe even some degradation (doesn’t have to include degradation)

In my opinion↓

I think woo, hwa, yeo, joong would be towards the top. gi imo would definitely be last he’s a big softy. Im not so confident about yun, gho, or san but id like to say they’re more towards the bottom.

•More•

Woo (what can I say🤷)

Hwa (he’ll be so sweet while ‘bullying’ you. prepping soft kisses while being so so mean ☹️)

Joong (again what can I say😗)

Yeo (ik ik he’s a sweetheart but hear me out. he thinks of himself as a doberman instead of a maltese is all I’m saying. think he has a lot more bite than he lets on)

Yun (I feel neutral about him idk.)

San (possibly can switch spots with gho)

Gho (possibly can switch spots with san)

Gi (I don’t think he’d enjoy degrading his s/o in any way shape or form. even without degradation I don’t think he’d be mean possibly afraid of hurting them or himself lol. meanest I could picture him being is him teasing you. calling you mean dirty things, mocking you etc nahhh I don’t see it tbh 🤷😗)

•Least•

How would you place them instead ?

This is the next ask to answer and omg what a doozy, what an absolute fkn (horny) doozy.

It's taken me weeks to complete this post because I keep thinking and changing my answers lol.

Disclaimer: This is all speculation and not to be taken for reality.

Who in Ateez Could Be a Mean Dom?

Most!

Jeong Yunho No 1!!!

Of course I'm going to put Yunho as the meanest dom in Ateez because firstly, he's the ONLY member of Ateez that's a 100% 'suit-wearing, lamorghini driving dilfy-ass' DOM!- all the rest of the members are switches.

Whilst he doesn't have the biggest degrading kink, he's still a mean dom in my mind because he'd be the type to love to mock, edge, tease and humiliate yourself in front of him.

His natal chart also indicates he could be a downright sadist and enjoy objectifying whoever his submissive partner, like downright depersonalising you and treating you like property.

Yunho's dominant presence reminds me of James Spader's character from the movie 'Secretary' and in the movie, he has a bdsm relationship with his secretary (duhh) and he's a mean/hard dom.

In the movie, they're roleplaying a scene where he tells the secretary to place her hands on the table and she cannot move her hands until he comes back to her and he's gone for HOURS and he doesn't come back until she's fallen asleep (and peed herself).

Then he comes back and completes the scene and there's a beautiful aftercare segment where it shows him giving her water, he picks her up and carries her to the bathtub where he cleans her and washes her hair. The bathing scene then cuts to him gently placing her on his bed where he proceeds to absolutely worship her and treat her like a princess.

And yeah- that's how I imagine Yunho as a dom.

Also, Secretary is a great film in general that shows how a dominant should take care of their submissive PROPERLY and it also highlights how he enhances the life of the secretary/submissive for the better.

In another scene, there's a moment where they are having a conversation and he encourages her to be more independent and tells her to go take a walk because it's sunny and it'll be good for her mental health.

And Maggie Gyllenhaal is sexy in it and James Spader is SEXY in it!

James Spader is a Capricorn Venus and Mars so he was perfect for the role honestly and I know he's unconventionally attractive for the girlies who get it- you get it.

Park Seonghwa!!

He's the second because he's not a dom, he's a switch with a heavy dominant preference...probably 90% dominant to 10% submissive but as a dom- he'd be a mean one indeed.

His Aries Mars indicates he doesn't have the best stamina and *finishes* quickly so think 10-15 minute rounds but A LOT of them.

He's a mean dom because this Mars sign have the type to be a bit selfish, so for example, you have 4 rounds with Seonghwa and he'll expect you to prioritise his needs in the first two and then he'll satisfy you in the last two.

Would be the type to almost bring you to orgasm and make you wander around frustrated from a ruined orgasm for hours before giving you the euphoria you desire.

Jung Wooyoung!!!

Wooyoung is one of the three true switches of the group and I'm including him under Wooyoung because he would be a mean dom but also a bratty dom and enjoy mocking you in social settings.

He's got a bit of voyeurism kink most likely and so I can imagine him being mean to you by allowing you to go out the girls at the club but he'll leave a huge bite mark on your neck and expect you to leave it uncovered for everyone to see.

Definitely an edger, like I can imagine him running his fingers up your thighs while you're chatting with someone at the dinner table, going so close to where you need it but just never close enough so you're all red-faced and antsy whilst talking to others.

Kim Hongjoong!!!

Hongjoong is smack in the middle because I always mention how he's the most flexible with his kinks and interests.

He's one of the more switchiest members of the group and it doesn't matter if you're a brat or obedient, he'll tailor his personal interests to what you like and enjoy.

In terms of meanness, he is a Sagittarius Mercury so he could enjoy a little bit of degradation but I think he'd be more 'mean' in his love for edging, overstimulation, teasing etc.

He's also more into the psychological aspect of being mean so instead of calling you degrading words, he might be mean by making you crawl on your hands or knees etc.

Choi Jongho!!!

I'm placing Jongho here for the same reason as Hongjoong even though I think he's more dominant than Hongjoong, I don't think he'd be as into degradation as Hongjoong.

I feel he'd more show his mean/hard dom energy by restraining you with his size or with shoving your underwear in your mouth so you struggle with the audacity of teasing Jongho as he edges or overstimulates you.

Choi San!!!

Choi San is one of the true 'switchy' members of the group and could easily adapt to your desires and preferences so whilst I think he could be into being mean- I'm not sure he would pursue that unless you initiate.

He's a Leo Venus and they're extremely words of affirmation oriented and his fancalls consistently highlight his love of praise and being complimented- so I'm just not feeling it with him.

He'd love to spank your arse and manhandle you in multiple positions before degrading you verbally.

Kang Yeosang!!!

It's not that he could be a hard dom I just reckon he'd be bad at it and you couldn't take him seriously if he stuttered.

'are you being a b-bad girl for me?'

Let's be real, most would laugh if his voice broke during dirty talk.

Least

Mingi is least because (imo) he is the subbiest member of Ateez and I legit think he would actually feel bad if he was degrading towards you.

I think he would try if you asked him but I think he'd feel guilty about it or he would overthink about it and worry if you thought he'd actually meant those things?

I feel it would cause more harm to his health emotionally being the giver than if he would the receiver.

Not that I think Mingi would enjoy receiving the degradation but I think he could handle receiving it more knowing you'll praise him afterwards.

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[wenclairfamily]

My Review of the OFFICIAL Wednesday Novelization

Recently, MGM released an official novelization that re-tells the events of Wednesday Season 1. What makes this novelization most notable is that it is told in the FIRST PERSON from Wednesday's perspective. Thus, you are getting the chance to relive the entire first season inside of Wednesday's mind this time.

On one hand, this provides great insights into Wednesday's character, and provides some explanation for certain moments in the show that I originally thought didn't need to be explained. For example, the piranhas Wednesday unleashed early in the first episode... we now know she was able to get them from a pet shop owner after black mailing him with information she had about him and his secret mistress. It makes an already dark moment in the show even more dark, and I love it!

However on the other hand, I sort of enjoyed how in the show: we had to guess what Wednesday was thinking just by looking at Jenna Ortega's face. I think it was way more fun at times to imagine what was going through Wednesday's mind, versus knowing with certainty what she was thinking. Additional criticisms I also have include how the book uses very little of Wednesday's actual narration from the show, and the bizarre choice of skipping certain scenes of the series, while over explaining in details other scenes (including a few short moments Wednesday wasn't even present at).

However all these flaws are made up for with the fascinating insights into how Wednesday views Enid. To be clear, this book does NOT say Wednesday has a romantic interest in Enid. However... Wednesday's first person narration does have Wednesday slowly admit to herself that she does view Enid as her best friend... although Wednesday also admits that is by default, because she also considers Enid her only friend (with characters such as Eugene, Bianca, and Xavier only being described as allies). Throughout the later half of the book, Wednesday also describes herself as missing Enid whenever she's not around, even talking about how she misses the bright colors she wears.

Also, while the book for the most part does not contradict what happened in the show... there is one small retcon the book throws in. As Wednesday wishes to grow closer to Enid, she wishes to find some way she can better relate to Enid, and give them both something in common they can talk about. Since Enid now has a boyfriend, Wednesday (according to her first person narration) decides to try a romantic relationship with Tyler (so that she and Enid can grow closer due to both having boyfriends now). So according to the book... in her own weird way... Wednesday kissed Tyler as a way to get closer to Enid... which I think is a BRILLIANT RETCON!

So while the book is a bit uneven at times (and likely could have used one more rewrite), and does eliminate much of the unspoken subtext that occurred during scenes in the show... it still is a fascinating novel. The insights into how Wednesday's brain thinks is very entertaining and imaginative at times; including fun new dark jokes Charles Addams himself would be proud of. I would not recommend casual fans or people that have never seen show read this book... but for hardcore fans (and fanfiction writers that need some new inspiration on how to write Wednesday): this is definitely worth your time.

[kanmom51]

I didn't know this

*p.s. - She was his gf then and his wife now, why the need to say "his first girlfriend"? First gf we knew about more like it.

OK, so here's the thing... those are JK's eyes, sue me. And the timing of that billboard falling and the keep going..

I have a draft way back from July, me talking about JM's Who MV shoot sketch. I started writing it and found that I couldn't complete it. And now with this - I didn't know this little ever so important piece of information - maybe I can talk about it a little more (bring up some of the things I was thinking about back then).

Basically a few things stood out to me while watching the BTB.

JM being JM as usual. Beautiful, talented, shrewd.

It's quite obvious that JM is involved in the direction of the MV (we were saying...), and this is one thing that stood out to me:

3 things stood out to me. First was his use of the word people. "...people walk past me...". The second was "for now", as in the MV's "for now". And third was "that's what I'm trying to show". So yes, this was part of JM's vision. The song's meaning chasing that muse, but also the song's MV, which is more about finding that "someone", that "who" in a more understandable language to us, being romantic love.

Song is about the intangible, MV is about corporeal, if you wish.

Watching this had me also go back to the MV itself and notice a few more things I didn't notice first times around, and with that new piece of information about Taeyung and his then girlfriend now wife, and knowing just how huge ENL was back in the day and JM's close friendship now days with Taeyung, well, it just fits so so well.

Just bringing this back for a sec before moving on:

Back to Who MV and me trying to connect some of the dots.

The scene JM is talking about, with the people, men and women, passing him by and none of them are the person he is looking for, it comes right after this:

NO QUESTION MARK ON THERE!!!

I also noticed that before this screen falls JM's interactions, the 'people' passing him by are only women, where as after the screen falls and tells him to keep going, well, then it's not only women passing him by. Now he's not limiting himself only to finding "her"? Maybe now he's looking for "him" too? Maybe "him" is the "who" he's looking for and not "her"?

But we know that the billboard has a specific "him" on it. And even though the hers and hims are crossing his path, at this point he isn't interacting with them, they aren't the who he's looking for.

Another interesting thing I found was that when it comes to those one on one's they are only with women. We have them before the screen falling, and after it fell and he is walking down the street people walking him by, even then, the only ones he interacts with are women. But as he is doing that, this appears on the screen as well:

This is also right after the huge screen falls from the sky. Is this again someone or something telling him to go back, rewind, that the screen he just walked away from has the answer he's looking for?

That he missed something, or someone...

And we know NOTHING is a coincidence when it comes to these two, especially in their artistic decisions.

This either:

We weren't sure at the time what it all meant.

What was JM hinting to?

What were the editors of AYS hinting to?

I know not everything about their art is about them as a couple. I've said that multiple times. Not every song is about one or the other or them and their love for each other. Not at all.

But...

That doesn't mean we should ALWAYS dismiss the possibility that it may just be about them. That some of their lyrics do have to do with each other, that some of their songs (even if they did not write the lyrics themselves) do have representation of their relationship in them, that some of their artistic decisions are about them showing their true selves and their love for each other.

We have seen songs that we just KNOW are written for the other, about the other, about their love for each other, about a moment they shared with one another, about what the other means to them. And sometimes when the song isn't there are things surrounding them that are. It can be photoshoot concepts or hints within their artistry that pay homage to the other, or that they are agreed upon hints to what they mean to each other. We have seen this with both of them during their solo journey as well.

And now with this new piece of information, which I was not aware of, coming to light I'm thinking that this isn't about a collab or a song (although I would love for there to be a Jikook song). I'm thinking that our first knee jerk reaction to this could have been the right one. That this was all about the Who. That the eyes on that screen, the one JM doesn't get to see in the MV, those are the eyes of his "Who". In the MV, but more so, you know, in real life.

*Another p.s. - I know I've been silent since the last AYS episode has dropped. It's been a hectic week, but more so it's been hard for me to even try and put into words how I felt coming out (pun most definitley intended) on the other side of this episode. I am working on my post at the moment. The words are not coming easy, I can tell you that much. But it will come. Eventually.💜💜

[fiddleyoumust]

I loved episode 12 of Love Next Door. One of the aspects of friends to lovers that I wish more media explored is the transition from one kind of relationship to another. Often, we see couples just fall into the romantic relationship without showing the adjustments needed to make that happen.

One of the things that takes up the early days of dating someone is getting to know them. You fill your time together asking questions and revealing your past and yourself to the other person. But what happens when you start dating someone you've been close friends with for almost 30 years? What do you talk about when you already know everything about each other?

I like Seok Ryu asking about Seung Hyo's relationship with Tae Hui, not just because it shows us that she's no longer looking at Seung Hyo as a friend, but also because it's one of the few things she doesn't know about Seung Hyo.

They'd spent the entire episode being awkward and shy with each other because neither of them knew how to facilitate the change in their relationship. Seok Ryu's jealousy and her desire to gain access to this unkown part of Seung Hyo's life was the spark they needed to get the conversation going about their changed status.

I loved Seung Hyo drawing a boundary. He let's Seok Ryu have so much of him, but him being firm about her crossing a line with her questions about Tae Hui was really great.

I also liked the little detail about it being weird to call Seung Hyo "boyfriend". They've been one thing to each other for THIRTY years. It's going to take some time for them to get used to this new layer of their relationship.

The scene in Seok Ryu's room was perfect. They apologize. They acknowledge and talk out the awkwardness of going from friends to lovers, but most importantly, they both reaffirm with words and actions that they are changed. They acknowledge their desire for each other and give explicit and enthusiastic consent to act on those desires. It was beautiful and I can't wait to see what happens next weekend.