#I personally make a point to listen to the less listened ones

[siriuslyobsessedwithfiction]

Alina Starkov - the most inconsistent main character. A tragedy of not wanting to have an identity.

The main character in Shadow and Bone trilogy, a prime example of "she deserved better". A.k.a. soldier, Sun Summoner, Sun Saint. In reality, a false saint and a false hero, who has less personality, goals, spine and consistency than her three love interests. How did this happen? Short answer - bad writing. Long answer? Here we go.

Her character at the beginning - a blank slate.

Physically small and weak, sickly, fragile, with a sour face and sourer attitude. Grew up in an orphanage funded by a Duke, who they were taught to basically worship while looking down on religion and beliefs in saints. Children in the orphanage were beaten if they misbehaved or didn't do chores, but were given education and fine food, which means they were faring better than peasants and farmers. Alina had not many, but several options in her life. She could learn a trade that would not require physical labour, like sewing. Or, she could marry and hope her husband was gracious enough to buy a donkey instead of making her carry heavy sacks of salt on her back, as we see a random man do to his wife. But Alina had no hobbies, interests, aspirations or ambitions in her life. Except her childhood friend Mal. Mal gets a mandatory draft in the First Army, and of course Alina follows, and settles for being a mediocre cartographer. Mal thrives in the army, showing off muscles and hooking up with women, while Alina dutifully waits for him saints know why. She doesn't have other genuine friends, she doesn't like people, she doesn't like anything. This is not a bad start in a sense that there is much room for growth and improvement.

Refusing to belong

Alina discovers she's a long awaited sun summoner, who can vanquish the Fold and unite Ravka. She doesn't want to be special, but not for the reasons you might think. Instead of fearing the burden of such an important task or genuinely becoming paranoid of being assassinated (she gets over those in five minutes), she just...doesn't want the responsibility of actually being useful for something. She'd rather not have powers at all, and go back to being in a constantly sickly state. She'd rather be tailing Mal like a mouse. Which doesn't make any sense for following reasons:

Alina's insecurities in SaB:

Not being pretty and talented

2. Not being as pretty and talented as Grisha

3. Being an orphan, being unwanted.

Being a Grisha actually solves all those problems for her. She gets prettier and healthier once she stops repressing her powers, has a unique cool power, and a community that cares for her. Plus, the support from important figures in Ravka. In time, she could have a family.

Instead, she refuses to acknowledge she's one of them, doesn't train properly, preferring to cling to her prejudices and make digs at Grisha. She'd rather complain that they're prettier, confident and pampered than acknowledge they are serfs, nothing but glorified servants with no basic human rights. Instead of her superstitions and prejudices being shattered when she starts living with them and realizing what Grisha have to go through, becoming rightfully enraged that her people are being treated this way, she still doesn't feel any empathy. In fact, she still doesn't see the General as a HUMAN BEING WHO MIGHT HAVE FEELINGS, even though he makes time in his busy schedule of running an army to make sure she's comfortable, jokes along with her, listens to her fears and reassures her, etc. Why would he go through the trouble if he was heartless? He's the General of the Second Army, by the King's law, she's his soldier. She is obligated to obey him regardless.

The narrative supports her delusions.

I get missing her friend, I get struggling to adjust, but it's more than that. Alina is getting dragged along from a plot point to a plot point kicking and screaming, as if she has anything better to do. She doesn't have a life, why is she so against of getting one? Once she finally somewhat adjusts to her life in the Little Palace, it turns out Darkling has had malicious intents towards her powers all along! Aha, you were right to be prejudiced, Alina! Now abandon your people, your country, and run!

“He … he said that Darklings are born without souls. That only something truly evil could have created the Shadow Fold.”

Imagine telling a person who saved your life that he was a soulless abomination, even though you do not know him, and he is still kind to you and reveals as much about him as he can. There is no grooming and manipulation here, it's just called not being a bitch. Darkling tells Alina he's over 120 years old, Alina is an adult, and the damned kiss was consensual. Of course he didn't tell her everything. Even regular people don't reveal their life-long ambitions and deepest childhood trauma to their crush after several conversations. It took Alina months to stop being in denial about being a Grisha, still didn't like being one, you're telling me if Darkling set her down and explained the complex political situation and his plan to overthrow the corrupt monarchy and bring an end to the war, Alina wouldn't jump out of the window?

Alina running away, not confronting the problem, and straight up deciding Darkling was evil incarnate with no evidence snowballed into Darkling deciding she couldn't be trusted and taking more drastic measures. Liberation of his people was on the line and one pesky girl screwed up a carefully planned coup because she couldn't handle her feelings.

False badassery

Throughout the whole three books, every time Alina makes a decision, it's immediately followed by self-doubt, shame and scorn. But no actual objective criticism. We often see variations of "It was foolish, but I didn't care", "I knew it was reckless but I couldn't bring myself to care", but never her actually analyzing why, or deciding not to do something like that again. Her small victories are immediately followed by thoughts on how would others feel about it, even though the person in question isn't even there and couldn't give less of a shit: "Never is it to be said that Ana Kuya didn't teach us manners", "A cheap trick, but a good one. Nikolai would be proud". Ana Kuya was an abusive mother figure, Nikolai was using Alina's status to get the throne. Sure, it's good that Alina is capable of learning useful things from every kinds of people, but she doesn't think "That was smart of me. I learnt that. I'm proud of myself for an accomplishment". She thinks "Is it good? Would they like it? They like things like that, right?". She attaches herself to people that fit her view of "deserving" and helps them, even though it might not be for the best. Extreme lack of self-worth, combined with entitlement.

When Alina hears a rumour Darkling ordered his heartrenders to sew a traitor's mouth shut, she's horrified. Even though that's hardly the worst punishment for a traitor in an army. But when some pilgrims insult Genya, she orders to have their tongues cut out after they're given only one warning. When Alina commits violence at slightest provocation, it's baddass. But when Darkling commits a controlled necessary military act to stop enemies from overrunning the country, it's madness and is falsely labeled genocide. Look up the definition, genocide is what was happening to Grisha.

The Darkling never kidnapped children and put them in the war zone. He only lied to Alina that he did, a clever strategy with no bloodshed. Meanwhile, Alina let her cult fight for her, whose members were brainwashed children, some only twelve years old.

When Alina faces a dilemma or a tense military situation, her go-to strategy is suicide. That is not martyrdom, nor it is badass.

Darkling became a bad person out of good intentions and desperation, Alina is just a bad selfish person.

Desperate people are the ones capable of the worst acts. Darkling didn't go nearly as crazy as he could, and frankly had a right to on behalf of his people.

"Aleksander had marched south with the king’s soldiers, and when they’d faced the Shu in the field, he’d unleashed darkness upon their opponents, blinding them where they stood. Ravka’s forces had won the day. But when Yevgeni had offered Aleksander his reward, he had refused the king’s gold. “There are others like me, Grisha, living in hiding. Give me leave to offer them sanctuary here and I will build you an army the likes of which the world has never seen.”

It doesn't matter how much genocide, prejudice, abuse and dehumanization the Grisha suffered through for centuries all around the world, Alina never bothers to look at the big picture. Her help is only for those who she deems worthy of it.

She attaches herself to people who fit her narrow-minded view of "worthy". She immediately believes Baghra's rather flimsy expose of Darkling, even though the old woman has been nothing but unhelpful to her, only insulting her and beating her. But Alina associates her with her only mother figure, Ana Kuya, another old hag she had a toxic relationship with. And even though Baghra is an immensely powerful Grisha who refuses to help or even lift a finger, or just spit out vital information, Alina coddles her and provides protection. Instead of telling her to fess up the useful information and save her unhelpful comments, Alina looks up to her as a mentor.

When Genya tells her story, Alina feels bad for her, but not bad enough to see things her perspective. She only becomes protective of Genya once she gets mutilated, out of pity. If it was genuine compassion, she would've forgiven and understood her from the start.

Every Grisha has been hunted and shamed for merely existing, almost every Grisha has lost a loved one to war. But Alina pointedly ignores it, because she doesn't personally know and care for those people. Therefore, she doesn't feel empathetic. Because if she feels empathetic, she might start feeling guilty about how she runs away from her responsibilities at every given opportunity. Just look at this passage:

“You know what he plans to do, Ivan.” “He plans to bring us peace.” “At what price?” I asked desperately. “You know this is madness.” “Did you know I had two brothers?” Ivan asked abruptly. The familiar smirk was gone from his handsome face. “Of course not. They weren’t born Grisha. They were soldiers, and they both died fighting the King’s wars. So did my father. So did my uncle.” “I’m sorry.” “Yes, everyone is sorry. The King is sorry. The Queen is sorry. I’m sorry. But only the Darkling will do something about it.”

The Darkling never wanted power for selfish reasons. He didn't want to take over other countries or lift Grisha above regular people. He wanted his kind to have basic human rights. Centuries of diplomacy and servitude only gave him enough power to make a school for Grisha children and save adults from slavery and getting slaughtered by serving nobles. He wanted to use the Fold as a border, to stop enemies from invading whenever they pleased, so he would have the time to save Ravka from collapsing. What has Alina done? Started a civil war, destroyed the Second army and helped put a morally dubious man with no claim on the throne to continue an outdated absolute monarchy tradition.

Alina Starkov was meant to be the sun, but turned out to be a trick of the light.

Every time it felt like Alina was emerging from her cocoon as a beautiful butterfly, embracing her true self, she went back to the toxic situationship and the toxic mindset. The narrative also always struck her down. Every book begins and ends with her being sickly, fragile, missing an essential part of herself. It would be good if it was written differently and showed themes of being disabled or having a chronic illness accurately, but it's not. It started out well. Alina was removed from an abusive environment, found a purpose in life, started loving her newfound powers, outgrew the stupid crush who she was way too dependent on, but it all went downhill from there. And then some. This constant vicious cycle does not fit the theme of growth and improvement, and neither does the ending, where Alina loses her powers and goes back to the orphanage. Once again, she's frail and strange, servants (who she now employs) don't respect her, sneer and make fun of her, while her now husband Mal turns a blind eye. Everything is back to the way it was: Mal thrives, Alina is...there. The ending is supposed to be bittersweet, a couple who survived a war building a new life together, but I don't see the sweet part.

Trick of the light - definition: something appearing different from what actually is as a result of the quality of light.

Darkling wanted her to be a strong Grisha, his equal and balance. Grisha wanted her to be a capable leader, Bataar twins wanted a living saint they could worship, Nikolai wanted a wife interested in Ravka and politics. Alina tried to be all of that, but never really wanted to be any of those, so she half-assed it. Mal wanted the version of Alina who was small and insignificant, because anything more made him insecure, and he got his wish.

Illusion, mirage, spectre.

No matter how much the author tries to tell us that Alina's every problem is Darkling's fault, her thought process and actions paint a different picture. Alina was never mentally healthy and she never addressed or resolved her problems. Growing up in a controlled and abusive environment affected her more than anyone, including herself, wants to admit. I am not a licensed psychiatrist, so I will refrain from officially diagnosing Alina, even though she's a fictional character. I am NOT saying I know for certain that Alina has these, if any, mental problems, but she does have some alarming symptoms. It seems like depersonalization. While her symptoms don't fit into one particular mental disorder, I am reminded of psychiatric infantilism, but it is not a mental illness with symptoms. Psychiatric infantilism doesn't necessarily mean the person acts outwardly childishly. To explain very roughly and simply, it means the psych is not as developed as it should be (even if the person is very smart and clever). It shows in avoiding responsibility or not feeling it at all, problems with social connections, not seeing the big picture and taking it seriously, etc. When Harshaw tells the story of his brother getting brutally murdered by people who hate Grisha, even brash Zoya is appalled and expresses her condolences. While all Alina thinks about is that Harshaw might base his hope of having a better life on her now.

Alina also might have Dependent Personality Disorder, but it's hard to say, since we are never shown her being on her own long enough to see whether or not she can take actually care of herself. But her relationship with Mal, Darkling and Baghra (after she no longer objectively needs them) is weird, to say the least.

She never gains the sense of self or an identity, she refuses to become something, then delivers an inner monologue of accepting her fate and five minutes later goes back on her words. Her willingness to sacrifice her life is never out of thinking of the greater good and future, justice, or patriotism. She just doesn't want to live, especially without Mal, who has been doing nothing but shitting on her. Her titles are slapped on her, and she peels them off. Her personality never really changes. Everything she went through feels like a really bad exchange program she was in for a year, and from which she has learnt nothing.

P.S. I don't hate Alina's character, I just mourn her lost potential.

If you have made it to the end, I salute you, congratulations and thank you. 😊 🙏 ❤️

[alatismeni-theitsa]

In "KAOS" nothing is anything, and everything is wrong

Two disclaimers: I am no stranger to modern art, and I have no issue with queerness in shows, or in my own mythology (I'm Greek). I am also aware that KAOS is a comedy. It's in the gutter of British comedy, but still part of the genre. At least I laughed every time they said "Oh God!". I don't believe this is the same person who wrote the great and amusing "End of the F**king World"! The premise of "The gods in our modern world" appeals to me a lot, so that wasn't my problem either. My general issue with KAOS is its horrible delivery, bad writing, and piss-poor Greek representation.

This is gonna be long and full of stupid gifs, so sit comfortably, grab a coffee or some popcorn and... pame!

The "ILoveGreekMythology" Kid

Art without context is just a pretty thing to look at. Most of the time, this context can be found within the art piece itself, as the artist has taken care to weave it in. KAOS refuses to connect itself to any context besides the names and a few vague powers. It aims to exist outside of those "boring old stories of the Greek myth" and be entirely "fresh and modern". Something impossible when the entire show and the meanings are based on ancient recorded material. In other words, KAOS is so meta that it ends up being nothing. KAOS cannot stand on its own because you need more than the viewers being familiar with the Greek myth basics to pull such a show off.

KAOS tells us "See? I know all the names of the gods, and what they did, and I know all the locations, so I am qualified to tackle this". More or less like any Western kid who takes all their knowledge from PJO and Marvel and proceeds to unironically hate ancient deities and make a girlboss out of Medusa.

Here's a Greek word for you guys, ημιμάθεια, meaning "half-knowledge". Α Greek saying very well declares "Half-knowledge is worse than no knowledge". The confidence of thinking you know enough often leads you to grave mistakes whereas the humility of not knowing prevents you from touching shit that you shouldn't. When you have no idea what the original myth is trying to say and spit on its meaning, knowing a few names and locations is just smoke and mirrors. I don't believe the audience fell for that.

And don't get me started on the "subversions". A good subversion is intriguing and thought-provoking. In KAOS, every twist was hollow - Greek myth related or otherwise.

"What if Euridice doesn't love Orpheus?" I don't know, babe. What if??? What was the point of that? What did you show us? That women's stories are dominated by men and men don't listen to women, perhaps? And you chose to twist... the love story of Orpheus and Euridice to show this?? One of the best and most tragic love stories Greek mythology has to offer?? You just mocked the myth, you didn't make anything profound out of it.

The Greek Stuff (Nothing salvageable)

I was surprised to see they had a Consulting Producer (Georgia Christou) and an Assistant Script Editor (Isabella Yianni) who happen to be Greek. And I stress that because those people probably weren't hired or utilized for being Greek. We are not sure they were involved in cultural decisions because we have no evidence and because shows with no Greek elements can have more Greeks than that on their staff.

Okay, perhaps they took 5 seconds to ask Isabella about a greeting - which they proceeded to say in a wrong intonation 🙄🤌It's where Poseidon says "ya sás" in the Fates, by the way. How he said it sounds more like "for you (pl.)" than "health to you (pl.)".

Surprise! The only Greek actor present (Peter Polycarpou) has less than 5 minutes of screen time and plays the caricature of an immigrant with a thick (and inaccurate Greek) accent. He has a canteen, selling falafel which is not Greek, and Dionysus buys from him an unidentified tortilla wrap (which... is also not Greek, if you haven't caught up).

For the show they brought in actors of Maori, Nigerian and Sierra Leonean, Pakistani, Black American, Latvian-Jewish, Iranian, Egyptian, Indo-Fijian and Malay descent and you tell me it was impossible for them to seek and find an English-speaking, skilled actor of Greek descent in a show regarding Greek heritage. Sometimes I wonder, do y'all hate us so much?

They considered Greeks only to give us a simple (and wrong) greeting and a stereotype. Crumbs, we are supposed to be happy with. By the way, there are over 70.000 Greek immigrants just in the UK, usually in the urban centers, many of them students or fairly young employees in the corporate workforce. Not the largest minority but not hard to spot either.

Another plague of Anglophone shows: Almost everyone's Greek name is shortened. Yes, we know their full names but we are told that we will use the short ones. Greeks and their "long and difficult" names am I right fellas? Because saying "Ariadne" apparently requires 5 years of Greek language training, and no English word ever has more than two syllables.

Coincidentally, short names are cool in Anglophone imaginary universes and the "long" names are not. it's so strange Anglophones never make universes where it's cool for Greek names to be spoken in full hmmm... They don't even want to practice saying a whole Greek name for just 2 minutes in preparation for a show full of Greek names. And don't give me that "Greek is hard" shit when we only talk about a few syllables. If Greek kids can learn English since first grade and people here can sing English songs and spell English names, you have no excuse.

They also said the name "Fotis" means light, which is close enough but... ugh.. It's like saying Sebastian means "respect". I am not sure if they asked anyone or what their research was here. If I had the writers in front of me, I'd be like:

(This character from an all-time favorite Greek show is called Fotis)

They also made the flag of "Krete" an alteration of the Greek flag and the local Cretan flag. Which is the stupidest move, because they had to remove the religious symbol of the cross to make the flag fit the universe. These are flags created based on 1) Christianity 2) the Greek Revolution of 1821.

National Greek flag to the left, local Cretan flag to the right:

Flag of the KAOS' "Krete":

The only time they seriously took into account anything Greek, was the time when they decided to remove the religious symbol of our ethnoreligion AND (from what I could observe) keep the nine stripes?? The nine stripes of our national flag represent the syllables in "Freedom or Death". The colors are from the white foustanela of the mainland attire and the dark blue vraka of the island attire, the clothing of the Revolution fighters. (That's more of a meta explanation but the characteristics of the flag were decided during and nearly after the Revolution.)

I think I don't have to explain it more but it's not a homage to put the nine stripes in an ancient era where they have no meaning, and to replace a cross??? Let's... not replace religious symbols on national flags, okay? Thank you.

Another cultural element they changed was making everyone have a dedicated coin to pay Charon. Orpheus has Euridice's coin, "her coin", and he's meant to put it on her before she got buried. In Greek culture, any coin would do. Sorry that our culture restricts your script, dear writers. I guess you had to bend this too, in order to create a cohesive plot with a semblance of a twist.

Finally, the many "Kerberus" dogs were cute and I can understand the creative decision behind that. However, in a show full of inaccuracies, this made me roll my eyes a little. I think the showrunners know that Kerveros is not a breed of dog, and there can only be one of him because he doesn't have any other "Kerveros" to breed with. On the other hand, as demonstrated from art/writing on the internet, quite a lot of Westerners are not exactly aware of how our monsters work, so forgive my uncertainty 😅

Nothing is Anything

Every element KAOS played with ended up meaningless. In the words of a Lifo article:

“Zeus is a paranoid authoritarian dictator in mid-life crisis who fears losing his power and murders his aides to vent. Hera is a promiscuous goddess who repeatedly betrays Zeus and has mutilated mute priestesses for protection. Dionysos is a spoiled and immature zoomer who, apart from pranks, indulges in orgies with all genders. Poseidon a sadistic god of the sea, who tortures the crew on his ship for fun. Prometheus is gay and killed his lover so he could overthrow Zeus. Orpheus is a famous pop singer and Eurydice does not love him. Theseus is black and gay. The Erinyes are tough-as-nails mechs that look like they stepped out of ‘Sons of Anarchy’. The Fates resemble a three-member jury in a talent show. The Trojans are a terrorist group that acts against the gods. Crete is more reminiscent of California than the Mediterranean.”

The "River Styx" is a sea, the "River Lethe" is a lake, the gods are nothing more than spoiled humans, the Moirai are drag queens, the Cave is a club where you have to take a quiz to enter the underworld, and generally everything is modern, flat, mundane and anticlimactic. The producers aimed to achieve a work so meta that a "river" is now a concept, a metaphor, whatever you have in your heart. And those who want to see a river when we speak of a river are probably uncultured swines and don't understand postmodernism. Never mind that rivers are rivers in Greek mythology for a reason. That's not culturally interesting enough to explore compared to the new, cool approach of not assigning meaning to anything. That totally shows love for the original rich and meaningful material...

And the reason behind all this subversion? Probably the shock factor. They brought the characters to a point where they said "We have to save the world from Zeus" - Zeus! The father of gods, heroes and humans! - just because they could. It gives off a certain type of smugness that I personally don't like. I mean, I would like the smugness and cheekiness of KAOS if it wasn't a vapid and practically meaningless show. As nothing symbolizes anything anymore, we are just led from hollow plot point to hollow plot point.

If you cut it out of any cultural influence and see it as a story then it's... okay, I guess. But when you consider that it's meant to derive from certain material and it fails spectacularly, it's not a good story. It forgets its bases and doesn't play with the ancient elements at all. Disney's Hercules did it better, FFS!

Bad Writing (pt.1)

KAOS is not without recognizable themes but their demonstration is so juvenile and heavy-handed that it fails to influence a viewer of average intelligence. For instance, "Riddy" says to her religious mother "You dedicated your whole life to Hera, what about me?" Okay, KAOS, we get it. At the same time, this theme nulls itself because it turns out that Ridy's mother was right to do what she did, as she had a greater goal in mind. (And this, kiddos, is called Bad Writing, because your themes and scenes contradict each other)

The biggest theme I spotted was a criticism of religion and religious people who say "Do as I say, not as I do" and create exceptions for themselves. Only, it's not a criticism of anything real, in this case. It's a fact that some people in the clergy tend to preach peace and love and then they do harm, but we don't know, for example, that The Goddess of Marriage is a cheater and yet she pressures everyone into strict marriages. By focusing their wrath on divine beings who are not known for their hypocrisy, the creators missed the mark.

I can give KAOS props for how it handled Trojans to reflect real issues regarding how immigrants and war refugees are mistreated and blamed. I'd argue it was the only (nearly) well-done theme in the whole show because it had the least on-the-nose delivery and some genuine/serious scenes. But that's it.

More Bad Writing!

Jeff Goldblum's Zeus is shit. He'd crap his pants in an argument with a stern Greek dad/uncle his age. Is this character supposed to be intimidating? (Laughs in Mediterranean) That's not to say that Goldblum is not a good actor, but this role wasn't for him. The same can be said for the other actors, too. They are competent but they only give off the air of "The Greek gods if they lived in London, from the minds of people who think beards and body hair are an affliction". In addition to being misplaced, the actors cannot show their talent when following a script that resembles a children's book.

Why does THE GOD Dionysus have the maturity of a 15-year-old? I repeat, The God Dionysus. He's a freaking deity, and a very old one at that. He is not a teenager neither in appearance nor in experience. In our culture, he is mystical, mighty, wise. Why did they downgrade him so? Just for the plot? This is not Dionysus just because you named him so.

The dialogue rarely takes itself seriously to the point it has you wondering at times "Do people talk and behave like that?". In a comedy where everything is meant to be already extreme and parodied. Even in comedies, something must occasionally be serious so there is a healthy fluctuation in tone and the funny moments can hit you. In KAOS very few scenes treated their impactful dialogue as it should be treated.

The queerness and diversity (good elements, in general) were worse off for being in KAOS. Like, I want these elements to be there. I'm just sad about the whole situation. It's not enough that the show is shit, now you also give an additional reason for conservatives to shit on diverse and queer characters because they are part of a stupid narrative.

I'm the type of person who doesn't mind the queerness of Astyanax and Theseus being lovers in the context of this specific show but they're still the oddest pairing to me because they're from the most irrelevant myths and eras. Also, Astyanax in my mind is a baby who died tragically, for little reason if we are honest, so to bring him back and make him a love interest is... ekh.

In addition, isn't Astyanax supposed to be crippled after a fall from the city walls when he was a baby? Sorry to change subjects but the show is so convoluted and with so many issues that it's extremely difficult to stay on track with what's wrong.

To the person who thought this show was a good idea:

Whatever. Bye. I'm fucking done.

[stop-breaking-my-heart-dragonage]

Me, when Sebastian joins my party for the first time: Okay, this time I'm not going to forget about you, Sebastian. I'm going to make an effort to use you a lot this playthrough so I can better understand you.

Also me, immediately forgetting about Sebastian while finishing Act 2 and making it halfway through Act 3 before I finally notice his Faith quest: ......................Oh. Right. My bad.

[spitblaze]

todays award for 'man what the fuck' goes to reddit for making me see pr0/-ship discourse in goddamn 2023. thought we were past that but i guess not

[journey-to-the-attic]

friends are currently debating whether 'lost in the citadel' or 'montero (call me by your name)' is the better solphisto song and here are the main points for each side of the argument:

"lost in the citadel works for both perspectives and their tragic yuri romance" (lines 'i need time to get up and get off the floor / i need time to realise that i can't be yours' given as main example) - jo

vs

"montero cos those two definitely want to f-" - james (perhaps better known as captain bhole)

[teruthecreator]

one dumb little thing i wanna touch on that im curious why people do is when they age up the mop kids they always give ritsu like. a serious job. like a lawyer or some shit. and like dont get me wrong i think thats a good job for him, but i just feel like it doesnt embody the kinda revelation he has as a kid and like. the growth he experiences???

like ritsu is one of the smartest kids in the country. he does sports, hes on the student council, hes immensely popular, and girls think hes cute. but he's also miserable. like, objectively unhappy with where he's at because he's constantly reaching for the unattainable goal of having psychic powers (and finally bridging the impossible gap between him and his brother that hes been too scared to touch for all these years). he's seen as the model kid by everyone, but he hates being defined by this. he wants more than this--he wants to rebel.

so he does! he does something he knows is wrong and stupid because, well, he'd like to do something wrong and stupid right now to counteract all the good, normal things he's been doing his whole life. and then, through his compounding guilt at seeing what his rebellion is doing to others, he obtains the unobtainable: he gets psychic powers. his lifes goal is complete! and he's only like...13.

so, the question becomes: what does he want now? or, more accurately, what did he want truly?

he answers that whilst fighting shimazaki. he wanted that devotion to something; he wanted something he could strive for and dedicate himself wholeheartedly to. and now that he's obtained the psychic powers, he's no longer estranged from his brother. they're on equal playing fields (for the most part) and he doesn't have to be afraid anymore. so now? now he just wants to have fun!

so like. as much as i think ritsu continues to maintain his grades, extracurriculars, and whatnot, i doubt that is what he considers to be fun. i think he enjoys partaking in some good-humored mischief with sho and teru, or to just spend a day lounging with his brother. i think he allows himself to be more than just the model kid; he lets himself be himself.

which brings me back to what happens when he gets older.

frankly, i dont think ritsu goes to college.

at least, not right away. i think, for him, the world is still so young and new and bright and he wants to take it for all its worth now. i think he and sho travel the world a bit (sho doesn't go to college for a myriad of reasons, mainly boiling down to "fuck that we ball"), and when they return to japan ritsu just. chills! develops some hobbies. talks to friends. visits mob at his dorm and listens to him talk about his classes (rlly good fic ive read made mob a speech therapist and that works sooooo well so something like that maybe). goes home to see his parents and show them photos of his travels.

i think ritsu, for the first time in his life, lets himself just have fun. and i think he wouldn't be trying to tie himself down to any major work until he's had as much fun just being free.

[ninjagotohell]

I just read a whole wacky thread of people arguing which parent was bad Garmadon or Misako and I’m no longer scared of the Misako defenders

[autism-disco]

i can’t believe for a brief amount of time when i didn’t like requiems holy shit they’re so good??? i mean some movements can be boring but like if you listen to dies irae from mozart and don’t somewhat explode i do not understand you, also verdi’s dies irae it’s really the fucking song ever

[hardtchill]

No, they wouldn't have. I don't like them but transracial adoption is REALLY a HUGE issue. Your white, European self needs to get out of that lane.

Dude, they would have. You need to do some digging if you think Sheabutter are in it to better the world.

[navree]

if james gunn is reintroducing a new dc movie universe with a batman that's had a few robins under his belt and is taking on a new one then this upcoming batman and robin should have been about miss stephanie brown, in this essay i will-

[medicinemane]

I don't know, I get tired of a lot of positivity

Like yes yes, the world's wonderful and I'm so strong or whatever generic thing is being said (because it's always so generalized to the point of meaningless), but you know shit is what it is, and the only way forward is with changes I manage to make... which you're not helping with at all

And as for like... my internal mood, I'm deeply isolated, sorry if hollow platitudes don't sooth the gaping maw inside me

It is what it is, and I probably get my shit together enough to do stuff like teach out of my basement like I'd like, it's just I believe that I'll be alone in a crowd like I've always been

But positivity... I just... I kinda get sick of it. There's this guy on youtube I watch who talks about economics stuff, he's recently started doing positivity and... I just fucking know his personality enough where it's like sorry mate but I'm not interested in hearing you spout Secret light kinds off drivel

...I don't know, I suppose it boils down to this

One, I can barely fucking take in positive things said directly to me, about me. Generalizations don't help even a little... I'm a mess, I'd really like someone to toss me a life preserver instead of always tossing confetti at me while I struggle to stay afloat... doesn't help

Two, the world is a terribly imperfect place, and rather than taking a mentality of "everything will work out", I think it's important to acknowledge that sometimes good people live alone, die alone, and they never got the break they needed and slowly bled out

I think it's worth knowing that if you can't step in and help yourself, then maybe no help'll come at all

...I don't know, I suppose in the end the core of what I'm saying is a lot of positivity seems like self help tier stuff and... I get tired of that, and I see so many good people struggling and... eh... either I can at least come in and say something positive custom fit to them, or I can keep my mouth shut

Just fucking let me rot. Help or let me fester on my own, you know?

I got rid of the trailer, I maybe did something like cleaning though I can't tell... at what point will my pace on trying to make things better be good enough for people, and I'll be able to stop having people tell me to fix my life... as if I hadn't thought of that already

...everyone means well, it's just tiring

[dutybcrne]

Okay, I had more thinkings abt Hidden Strife. And lemme tell you, the timeline of Diluc’s departure of the Knights, his fight with Kae and him leaving Mond is WILD to me cuz it goes like:

On Diluc birthday, he and Crepus face Ursa the Drake and Crepus dies, due to, by Kaeya's thoughts in the manga & Vision Story, having been mercy killed by Luc himself

Luc resigns from the Knights after they try to defame Crepus and deny him the proper recognition of what transpired. According to the manga, this is where Diluc also abandons his Vision. Which MEANS

When Kaeya admits to Diluc that he was left in Mond as an agent of Khaenri’ah and they fight, Diluc’s flames that night were in fact the Delusion’s fire, not Vision based

Implied by a staff member of Winery’s letters (see number 14) Kaeya chose to stay at Knights HQ barracks/elsewhere of the Winery after this. At this time, he writes a private letter abt how he supposes he deserved Diluc’s wrath and that doesn’t blame him for anything.

Soon after, Kaeya writes his first letter to Diluc, telling him he doesn’t have to answer back, but even knowing Diluc wouldn’t want to receive anything from him, he still wants Luc to know Eroch ( guy who covered up the Ursa incident to ‘protect’ the Knights’ reputation, stole credit for slaying Ursa, and angered Luc enough to quit the Knights ) is being investigated by Varka’s inner circle. Which is INSANE, giving away such confidential information to an outsider of the knights, even if it IS Diluc, ESP via letter. No answer back from Diluc ( though for good reason in addition to his emotional turmoil/potential resentment, considering the former thought ).

Diluc decides to leave Mondstadt to pursue leads on the Fatui and the Delusion ( maybe prompted to get to the root of the problem? ).

Kaeya writes a second letter detailing that both he and Jean found out his plans. While Jean wanted to write to him to stay, Kaeya encouraged her to not do so and actively encouraged Luc to leave. No one else knows Diluc is leaving otherwise, because Kaeya tells Luc to leave at night and the soonest he can to avoid having to make anyone else sad over him leaving with goodbyes he’d have make. No answer back.

Diluc heckin leaves

Another letter from Kaeya following up tells Diluc Varka gave Jean the power to investigate AND punish Eroch for what he’s done, but he thinks the matter won’t be so simple even after he’s caught. But tells Diluc to wait for the good news. No answer back.

Varka at this time is, implied by his letter to Diluc, already away from Mond, so he wasn't present for Crepus' death nor Kaeya and Diluc's fight. But he is aware of what’s happened thanks to Jean’s letter, and gives his condolences. He reiterates what Kaeya said abt giving Jean authority over this case ( so no one else knows Kaeya is one-sidedly corresponding to Diluc at this point? 🤔 ) and adds he wants Diluc to stay with the Knights.

Diluc replies he has no intentions to stay with them ( if nothing goes wrong, so he MIGHT rejoin if it is extremely needed? 🤔 ), but thanks Varka for the letter anyway and wishes him well.

Alice gets involved bc Klee remarked to her that it’s been ages since she saw Luc, Alice tells Luc to travel aaaall over Teyvat and that she’s sorry what what happened to Crepus. She also reaffirms she believes Diluc is still kind and gentle, in spite of appearances.

Luc says he planned to travel more and tells her Klee is welcome at the Winery while he’s gone.

Implied to be Elzer states Kaeya just came back to Winery after taking leave for a few days and is currently staying in his old bedroom. It is remarked they Know Diluc would have never turned away Kaeya if he were there, and that Kaeya's presence livened up the place for them ( they missed him ;-; ).

Kaeya sends Diluc a letter saying he’s noticed a particular group of men whose employees seem to hang around Angels Share and dangerous places outside Mond’s main city. Tells Luc he thinks they’re associated with Diluc and claims the notes they dropped written in code were hard to see with a blinded eye.

Diluc’s first recorded reply to one of Kae’s letters. Acknowledges Kaeya’s observations and chides him for bringing up his eyes in his letters bc he’s not actually blinded in That eye ( implying not only are those men Indeed keeping an eye on things for him in Mondstadt, but also many MORE cases where Kaeya’s sent letters to Diluc regarding his eyes? )

Kaeya replies he didn’t intentionally mean for Luc to think so, though it WAS scarred ( Notably, Kaeya remarked previously that he was completely okay with Luc thinking he was left blinded by his attack in his private box/see 4 ). Kaeya closes this letter by saying Eroch was punished, and he's going to celebrate for himself and Diluc, bc he knows Diluc isn't the sort to do such things.

The Return of the King ( Diluc comes back to Mond sometime after reading Kae's letter )

[domesticmail]

let him reap what he's sown

[sweetnans]

Chaotic fem. reader/Best friend Bakugo

"I'm ready to be a mother," you stated out of nothing.

Bakugo was obviously taken back by your comment.

"Did you see something on tiktok that made you think that?" he looked at you while you kept scrolling in your phone. "You need a partner to procreate dumbass,"

"I know I need a man to procreate, but I thought that you could help me on that one," you bit your nails, showing less interest than a rock.

He left his phone aside so he could analyze you properly if you were talking seriously or not.

"I'm not going to introduce you to my side kick, He's like twenty," he tested.

"Twenty??? I'm almost twenty eight, that's still a reasonable age gap, " you gasped because his side kick didn't look like he was twenty. You thought that he would at least be twenty-three.

"No it's not"

After almost ten years of being friends, Bakugo was so used to your shit. The time that you wanted to go surfing? He laughed at your face when you didn't make it to the ocean because you were afraid of sharks. What about the time when you wanted a hamster? He said no, but you got it anyway, so when you lost it, obviously, he gave you shit about it, but after that, he was on all four looking for your little pet in the dorms.

"Fine." That wasn't your main goal, so you let it go. "Actually, I was thinking of you doing a quick hand job in my bathroom and giving me your sperm"

The silence between the two of you couldn't be more unbearable. Bakugo's eyes twisted in your direction while his cheeks were slowly growing a clear shade of rose.

"What? No!"

He was absolutely losing it. The impact of your sayings got him standing from his seat, almost panting. You and him? In his best dreams, but you didn't need to know about his secret intentions.

"Think about it. It's a great idea." You stepped out of your couch and went to his side.

"How are you going to explain that your kid has similar features with your best friend?" he flinched when you approached him. You were so close that your scent invaded him whole.

Bakugo was trying with all his heart and mind to think logically, but you, your body next to him, and your puppy eyes were making it so hard, in both ways.

"I don't know, and I don't care, I'll run away from the country, and you'll never see us again"

You were one of the best students from UA, right after him and Yaoyorozu, but right now, he was doubting if it was just an act.

"That's so clever." he rolled his eyes at you and walked to the kitchen to grab a glass of water, hoping that you would drop the subject and hop onto another like getting a bunny or going sky diving.

"I know, right? Now go in there, do the nasty job, and I'll put it inside of me, I'll even turn my body upside down so it sticks, " you jolted in joy, missing his usual sarcasm.

He almost spilled the water from his mouth to your face.

"Who the fuck told you that?" he spated obnoxiously.

"Kaminari," you shrugged.

"Are you even listening to yourself!?"

When he thought that that couldn't get any worse, you named the only person who could make him go crazy just by opening his mouth.

"I'm desperate. It made sense when he told me"

He could believe anything at this point. He was actually thinking that he was dead because what was happening between you two was a complete nonsense.

"So you are telling me this is something you've had in mind for a while?

You simply nodded, and he stayed quiet, considering everything you said. He wasn't looking for anything serious because of you. He passed for all seven stages of grief when he realized that he was in love with you and your silliness, so he decided long ago that he wouldn't date anyone because he wasn't interested in anyone but you.

"I know that look on your face," you smiled and danced around the kitchen.

You weren't looking for anyone either. Having Bakugo as a male figure in your life left the bar very high for others to match. They didn't meet your expectations anymore like Bakugo did, always by your side, laughing at your bad jokes and giving you his hand when you most needed, buying food and cooking for you, he has even bought you flowers for half a decade on valentine's day, a large bouquet of red roses every year since then.

"I'll do it," he told you, and you jumped excited on him. He grabbed you by your thighs, catching you on the fly. "Two conditions"

"Yeah, just name it," you batted your eyes at him.

"I'll take you on a proper date first, and you won't run away with my kid, got it?"

Bakugo thought that he was only doing you a favor, but he never saw coming that it only took one date to make you fall for him in the way he always wanted.

[bugpill]

If I see any more misinformation about Kamala Harris to dissuade people from voting I will explode.

1. She did a lot of work as a prosecutor to dismantle the system. When she was DA in San Francisco she was labeled as being “soft on crime” which she in turn claimed was “smart on crime”. Harris made a program called Back on Track so that low-level nonviolent drug offenders could enroll in school rather than doing jail time. She has believe and continues to believe that supporting people prevents crime far better than criminalizing people.

Yes, she put people behind bars. I know she called herself the “Top Cop” and I fucking hate that. However, the number of people who served time in jail was significantly reduced due to her program. She’s not a saint, but she tried to reduce harm as much as she could in her position. Since then, she’s called for even more action in terms of legalizing marijuana and I believe recently fully endorsed it publicly.

2. She is not transphobic. Harris backed the state of California when it tried to deny gender-affirmation surgery to a trans prisoner, but as attorney general, she could not deny the state’s Department of Corrections as a client of hers. Essentially, she had no say in the denial of surgery herself, as she had to represent the department’s interests over her own. Once she realized what they were doing, Harris actually worked behind the scenes to get that very policy changed so that any inmate who needs that care could get it. Additionally, she has lead efforts to put an end to gay and transgender “panic” defenses in criminal trials.

3. Kamala Harris is Black. For some reason, people like to say that she isn’t, and that she’s Indian and pretending to be black… for what reason? Depends on who’s telling the lie to begin with. Kamala Harris is Black and South Asian. Her father, Donald Harris, is a Black man who was born in Jamaica. Her mother, Shyamala Gopalan, was born in India. Speculating about her race with so much evidence towards the contrary is so wrong. If anyone tells you shit about this, just send them her whitehouse.gov biography.

4. Harris (reportedly) has different opinions than Biden on Palestine. Whether or not she makes a clear stance against Israel, I don’t know. That hasn’t happened yet, but I’ll remain hopeful until further notice. She reportedly tried to push Biden towards “a policy on Gaza that was both more humane and in alignment with international law” but wasn’t listened to. The only reason why this is one of my points is that I’ve seen a lot of people stating that she is totally behind every decision and stance Biden made as president, which isn’t necessarily true. I don’t want to give her credit for being pro-Palestine if she isn’t, just to be clear. That is not what I’m trying to do here.

I desperately want her to stand for a free Palestine. I cannot make the promise that this will happen. All I can hope for is that her policy will be less harmful than Trump’s- who wants Israel to “finish the job” and promises to “throw (pro-Palestinian protestors) out of the country”.

Conclusion: the fact of the matter is that people make shit up all of the time. Sometimes it’s propaganda they accidentally absorb, sometimes it’s deliberate misinformation. People often take rumors as facts, and we need to be more vigilant about it. What I know is that some people will do anything for you to not vote tor Kamala Harris, when in reality she’s our only hope here.

Is Harris my favorite person ever? Absolutely not. Does she share my exact views and opinions? Nope. Would I rather vote for someone who more aligns with my personal views? Yes.

Is voting for Harris the only way to stop Donald Trump and Project 2025? Yes.

Disclaimer for the blog: To be 100% transparent, this is only my (Fanya’s) opinions. Although this is a shared blog, I cannot claim that my stance and my voice speaks for everybody involved in this blog. Some members are not American. Some may have different takes. All I know is that all of us are anti-Trump. Don’t go after my friends if you have beef with what I’m saying. I’m trying my best here.

[wiitzend]

i wish people would leave me alone fr