#I post about it so little there’s no context for most of this!

[blackkatdraws2]

This little NPC is lost. The Narrator [Black] has come to guide her back to where she needs to be.

I imagine Black would be a lot more tolerant toward his NPCs since they're basically just the Dungeons spawns, and by extension, his own creations.

[If you're familiar with manhwas / manhuas that features the dungeon / system genre, you'd be able to understand this AU a lot easier. The majority of my inspiration for worldbuilding came from those specific genres.]

[NOTE: 'Dungeon' is just another term for the Parable. Technically, Black owns a Dungeon and the Parable is just a small part of it. The Dungeon itself is much, much larger.]

For context, the comic below references this post about the Dungeon's children/guard dogs.

[They're more like the immune system since all they do is make sure the (body) is safe.]

[The reason the Narrator [Black] considers them his children is that the Dungeon is feeding off his energy and in turn shares the 'nutrients' to the monsters it produces, which transforms them into an image that resembles his power.]

And the old man below is Joseph!

Joseph is NOT AN NPC! He is a person who exists outside of the Dungeon!

[There are two separate 'worlds' for this AU. Inside the Dungeon (where most of the game-like stuff is happening) and the world outside (pretty much their normal world.)] [There is a secret third world, and that's our world. Our reality.]

These characters are not actually important or anything, I just made them to make the AU feel more lively. To make a world that exists, you know?

When the Narrator [Black] first established himself in their world, he found a growing problem with homelessness. Not understanding human norms or why this has become a problem in the first place, he offers (tricks) them into working for him as janitors for the Dungeon and they accept for the money.

Most of them left after they got paid, but Joseph was one of the people who stayed. He doesn't have anywhere else to go and has no ambitions in life. He just wishes to live a peaceful life with food and a roof over his head.

Joseph defaults to referring to the Narrator [Black] with feminine terms due to his appearance despite his voice. The Narrator [Black] is not the type to care for such terms anyway so he doesn't care how other people refer to him as long as there's respect.

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This post focuses more on the worldbuilding and background aspects of the AU! There are a lot more in store for the Blank Scripts AU, and I want to explore more on how the characters might interact with their surroundings and how this would work to make a world that makes sense.

It would be so cool if people made self-inserts or OCs for my AU actually. I'd love to see how you guys would work with my stuff. Play around with it like a barbie world for your little barbie dolls. Be canon compliant, be canon divergent, who cares, have fun.

[emporiannee]

a xianxia au idea

buncha ideas n explanations under the cut

okay so it all started with this post i saw recently about the concept of yin eyes. it was kinda hard to look into. even if i use the chinese name, most results refer to them as yin/yang eyes and talk about them from a more modern context i think? so i'm just using it more as loose inpiration and will be referring to them as yin eyes for ease.

In this au, they'd be something one is born with and grants someone the ability to see ghosts and deities and see the presence of magic. Because it's more common for ghosts to be seen near people than deities, the general population considers the eyes to be cursed. However, they're seen more neutrally as a tool to people who are familiar with cultivation bc of it's ability to see through magic or identify ghosts in hiding.

Izuna

born with yin eyes. they're not hereditary like the sharingan tho. I think the uchiha in this au would be a clan known for having many great generals, heroes, ascended immortals, etc in their history and madara and izuna are expected to follow in those footsteps. I think it'd be fun to play around with how important auspiciousness/divination can be in xianxia and maybe madara was believed to be blessed since birth but izuna gets more mixed reactions, esp with his eyes.

izuna escapes from that environment by leaving for his cultivation but really he just doesn't want to be there and has complicated feelings about ascending in the first place.

his base robes should probably be a little ostentatious and gilded. His traveling robes and hat are more homely but gold embroidery and accessories are still visible and basically anyone can still tell he's some young lord from a rich family lol

Tobirama

his design was hard. I just ended up changing his hair bc his canon hairstyle was too uncanny when i tried to imagine him in a xianxia setting....

he's the second prince from the east sea palace. So he's a dragon. I think the water association and the treasury mentioned in Journey to the West suit tobirama well while the east being associated with the wood element suits hashirama/the senju well.

he goes out into the world to learn more about the humans and dresses himelf as a taoist with simpler robes and horsetail whisk.

i thought this might be funny bc according to cursory research, taoists monks would use the whisk to shoo away evil thoughts or the temptation to return to secular life. Tobirama would do this to people who annoyed him.

This is also purely self-indulgent and bc i've been reading tgcf but i think he should be able to transform not just from dragon -> somewhat draconic state -> human but also between genders for disguises. There is very little difference tho.

i have some ideas for madara too and i think hikaku n mito would fit well into this au as diviners/astrologists or smth. will prob stew on it for a while ^^

[pinkgy]

Belphegor Theory

Ok, so I might and might have not spent about two hours doing some research about Belphegor because that "Halo" of his has me questioning a lot of things, and this is what I came up with, but extremely summarized.

I'm most definitely no expert on the topics I'm about to talk about, I just dug a bit too deep into the internet and got some interesting things, I would like to know if I'm wrong and I would love to read opinions about this.

I got the information from looooots of sources, and credit to all of them.

So, we know that What in Hell is Bad is heavily inspired by biblical concepts, the Seven Deadly Sins are from Christianity, the Seraphims are mentioned in Christian, Islamic, and Jewish Literature, and pretty much all of the nobles are from the Ars Goetia, and many of them are associated with Christian Demonology.

The game also has many references to other religions and beliefs, but if I were to make a list of all those references, I'd be here writing for days.

Let's dig a bit into who is Belphegor outside the game.

Belphegor is referenced in both Jewish and Christian traditions, he originates from the Moabites, a very ancient tribe that habited the region of Moab, an ancient Levantine kingdom. Belphegor is originally the Moabite god Baal-Peor, who was associated with fertility, sexual power, and orgies, then he was absorbed into Hebrew mythology and later into Christian demonology.

In Christian Demonology, Belphegor is one of the seven princes of hell, and he represents the deadly sin of Sloth. He is also associated with laziness, apathy, and negligence and his name means "Lord of the Opening"

Belphegor is physically described in many ways, a very interesting fact is that in the Dictionnaire Infernal, a book written by Jacques Auguste Simon Collin de Plancy that summed up, is an illustrated version of the demonology, he is described as always having his mouth open, and the hand placement he has in the banner that Prettybusy recently released could be making a reference to that.

(Another interesting fact is that he's said to be hard to conjure because his sacrificial offering is excrement, but I prefer to ignore that)

Belphegor is also referenced in the Kabbalah, which is like a philosophy, or to be more precise, an esoteric method, discipline, and school of thought in Jewish mysticism that deals with the essence of God and the universe (I just copy&pasted this, it's a bit hard to explain, srry)

In the Kabbalah, guess what Belphegor is.

A fallen angel.

To be more precise, he was an angel in the order of the principalities.

Belphegor is known to be an enemy to the sixth sephiroth and the archdemon (or the leader) of the Togarini, they are the demonic counterparts to the angels that rule over the 10 Sephirot of the Tree of Life.

For context, the Sephirot are the ten emanations or attributes of God in Kabbalah.

I also read that some demons under the Togarini are Lilith, Samael, and Thaumiel, but there's very little information about that so I'm not going to use this as a fact.

The reason why he fell from grace is not explicitly mentioned, but it's somewhat implied that it was related to his association with the sixth Sephirah "Beauty" and the fact that he is depicted as a demon who tempts individuals with ingenious inventions, wealth, and discoveries (I also copy&pasted this)

It's also said that he rules over seduction, promiscuous men, and MISOGYNY.

I'm not sure if there are references from the Kabbalah in What in Hell is Bad, but if there were, it would be super interesting, as I said in the beginning, the game has a lot of references from various religions and beliefs, I would love to make a separate post about that just because I may have way too much free time to investigate that.

Or maybe I just spent 2 whole hours writing almost 700 words about a ton shit of things I barely know anything about and creating a theory just because of a black circle above a fictional character's head that it's probably just a horn just like @thrones-of-buer said on a post.

(I still have some doubts about that because it seems like in the new illustration that pb released of him today he has a unicorn horn just like Beelzebub, but I could be wrong)

This is just a theory tho, I'm most likely wrong, but I thought it would be interesting to share this with y'all :D

Sorry if there are any typos, I'm reaaally sleepy right now.

[oathkeeper-of-tarth]

@buckysleftarm replied to your post:

After reading this, I happened across this video: https://youtube.com/shorts/-X5l5GFeg1k?si=H2lrsmx0pv60wn1h They're not in our camp anymore and I wouldn't know how to view the non companions anyway on PS5, but it feels like she definitely is taking some time off from Selune without breaking her oath full?

I sure did use this reply as an excuse to mash out a giant post! Hope you don't mind.

I do actually love that you've brought this up, because I keep seeing variants of it around and have been wanting to comment on it, if for nothing else than to make me feel better. The gist of it goes something like this: after killing Lorroakan, Aylin's "Child of the Moonmaiden" ability no longer shows up when you examine her character sheet, meaning her immortality has been taken away, she is being punished by her mother, has broken her paladin oath, or is feuding with her in some other way. Now... people in the comments of that video sure have takes on Selûne and on Aylin and on paladin oaths and aasimar abilities in general that make giant question marks spawn above my head. 

Personally? I dislike it immensely and think it makes zero sense for a variety of reasons, both in-universe and out! To be fair, as with most headcanons and theories, I'd genuinely love to see someone get creative and do something interesting with it. But I have this knee-jerk reaction to it because so far I've only seen it in the context of people parroting it completely uncritically, just regurgitating it on endless reddit or forum or discord threads and what have you, and actually shutting down or completely derailing Aylin-related discussion. Which frustrates me, obviously, because I want cool, detailed, thought-out takes on my fave, always, and - to be really petty for a moment - since my fave isn't the fandom darling, I only get crumbs to start with! It grinds my gears because so very often I'll want to read this potentially interesting thread about a character I love, but nope, instead here's a dozen comments how "nah man she broke her oath and there's special oathbreaker paladin dialogue with her about it" - no there isn't. That's a very easily verifiable fact, my guy. You made that up, my dude. How dare you just go and make things up on the internet. 

A ton of BG3 discussion has been flooded with a weird wave of statements that are just put there as well-known fact but in reality read like "I heard from a friend whose uncle works at the Nintendo Larian department and he told him Halsin went on a special mission and killed Isobel a century ago because he wanted to emotionally compromise Ketheric but then playtesters reacted badly to it and Wizards made them take it out but it's still hinted in the game, and also if you use an Elixir of Hill Giant Strength and do an unarmed attack on the cart at the entrance of the Emerald Grove you can get Mew" and I find it so grating. And then people waste time debunking this and arguing in the same circles and nobody ever moves on to more interesting stuff. I say this, as if I haven't been an active participant of internet fandom for decades and have literally anyone but myself to blame here, hah.

For instance, the way you phrased it here, as Aylin herself taking a break or trying to step away instead of the "being abandoned and punished by her mother" angle from the video and the comments? That's something I think has potential and something I want to rotate in my mind - would she do it? Could she do it? What would this entail and what would it mean for her? What would actually be enough to prompt her to even try? And it's cool that a little gameplay mechanic thingy prompted that! However - and I'm keeping it kinda vague because I don't want to spoil you on things that happen after the point you seem to be at - if we're talking purely established canon things and not brainstorming an AU or a post-game trajectory for this character, there is nothing actually in the game to indicate Aylin is taking a break from Selûne or her duties, especially not to the extent of having any of her abilities suspended. Quite the contrary, in fact. Everything we get from her and Isobel after the Lorroakan situation is handled shows she is, for better or worse, very much resolved to be her old self and very righteously angry and smiting evil in her mother's name as the Sword of Selûne and actively engaged in protecting Selûnites Realms-wide, and she has her full set of powers and blessings while doing so.

In this essay I will In the rest of this post I will try to be less cranky and I'm going to get a bit technical to try to actually explain what is going on with the "Child of the Moonmaiden" ability.

TL;DR: the buff is disabled as soon as Aylin enters the wizard tower, before any fight or backbreaking or feelings of loss and sadness, likely for the purpose of you being able to win or lose the fight no matter if you side with Aylin or betray her. It is a purely mechanical contrivance and has no narrative meaning, nor is its presence or absence mentioned or reflected in the narrative at all.

Here's Aylin in camp just before being told about the wizard:

Here she is at the start of the fight, when she is sided with:

And here she is, when you side against her:

The above is an oversimplification, however, because the actual implementation of Aylin's immortality is a bit of a mess.

There are two implementations of her resurrection active in the game, and both are implemented as a Status: "GLO_NIGHTSONGRESURRECTION" and "GLO_NIGHTSONG_RESURRECTION". Now, I don't know what was going on there and I'm certainly not a Larian dev, but that underscore situation there is... weird. I also don't know enough about BG3-specific scripting yet to come up with an explanation on why there would be two variants of it at all - if anyone does, please let me know! I'm very curious. However, these two implementations of her resurrection ability work very differently, and you can see the effects of both of them in-game. 

The first one, GLO_NIGHTSONGRESURRECTION, is named "Moonmaiden's Reconstitution" and is tied to the "Child of the Moonmaiden" Passive (itself called SHA_NightsongResurrection, side note: GLO is the "global" prefix and SHA is a prefix that signifies the Gauntlet of Shar area in Act 2). This ability makes Aylin auto-stabilise when downed instead of rolling death saves, go into the kneeling stabilised animation where she can be helped up or healed just like your party members - you know the one, with the little asterisk hovering above them. Then on the start of her next turn she heals for exactly 1HP (unless she's under a healing-disabling effect, such as Bone Chill, which is why people have trouble with her in the Myrkul fight) and she has only her Bonus Action, the same as any other previously downed character.

Mechanically, it applies the "GLO_NIGHTSONGRESURRECTION_DOWNED" Status to her which modifies what happens when she is Downed to implement the above non-standard behaviour, and also does stuff like turn off her Moonbeam if she had it active.

The "Moonmaiden's Reconstitution" Status itself is completely invisible in-game: it has properties such as "DisableOverhead;DisableCombatlog;DisablePortraitIndicator" aka doesn't show up as that little text popup above the character, doesn't show up in the combat log, and doesn't have a visible indicator icon anywhere.

The description for "Child of the Moonmaiden" is:

"Blessed with the favour of a goddess, Nightsong cannot be permanently killed. When unconscious, [at] the start of her turn she recovers 1 hit point."

The second one, GLO_NIGHTSONG_RESURRECTION with the extra underscore, is a Status called "Nightsong Soars Eternal", and that one doesn't have any other Statuses or Passives tied to it, it simply resurrects her immediately when she dies, and at full health. When it triggers, you can actually see her portrait drop out of the initiative tracker at the top of the screen as if she completely died, and then she gets put in again. This one is active even when the first one isn't, so you can see it in places like camp after she comes back from Lorroakan, and after she comes back for the finale all the way until the end of the game - and by "see it" I mean since it doesn't have any Passive ability connected to it, you have to actually get Aylin killed to see it trigger (I'm so sorry Aylin, it was important for the post, I swear).

The description for "Nightsong Soars Eternal" is:

"Nightsong will be resurrected by the powers of Selûne whenever she dies."

In Lorroakan's tower, BOTH of these are disabled, and if downed, Aylin will just lie there as if she died for real with the little red skull and the "Dead" status until she gets rezzed for a cutscene after the fight or, if betrayed, you go to long rest and then come back to see Lorroakan's progress, at which point she will be up and in the cage with a total of 1HP and that "Soul Caged" status instead. 

Note again that she visibly has "Child of the Moonmaiden" disabled as soon as she enters the wizard tower area, betrayed or not, before she does anything to anyone. It's a way of making sure the Lorroakan fight is actually winnable/loseable/concludable without her getting stuck in that revive with 1HP at the start of her turn loop. "Nightsong Soars Eternal" also obviously doesn't trigger. Instead she says her "I will rise again!" line and stays down. She has every other ability and buff active normally, even ones that explicitly mention coming from Selûne, like her iconic following Moonbeam, for example, or her fancy unique Smite.

Again, significantly: she does not have her immortality buffs if you fight against her, either, betraying her and causing Selûne's wrath and desire to protect her daughter to manifest physically in the room, including empowering Aylin herself with buffs that are called things like "Moonmother's Embrace". See what I'm getting at?

Interestingly, she also doesn't have it when you first meet her:

What does this all mean? Well, I'd say that if we took every gameplay/implementation thing about this game as in-universe gospel, Aylin herself would look a lot different and be far more scaly, for one.

(Makes me chuckle every time.)

In all seriousness, though, if something as big as this happened to a side but still fairly prominent character, the game would tell us about it. Or at least make a bigger deal of it than the deactivation of a passive ability visible on the Examine screen that many people sadly don't really tend to look at and read.

And here's the best thing: nobody has to take my word for any of this, you can see for yourself, without actually knowing how to unpack game files or having my frankly ridiculous amount of hard saves! I think this is super helpful in general, especially for people playing on console:

Here's a link to a truly amazing and consistently updated resource - every bit of dialogue in the game, nicely parsed and laid out and super readable (as well as some additional tools to play around with). 

Here's a website where you can search inside BG3 scripts and other files and take a look at a lot of the nitty-gritty implementation stuff in a convenient way.

I recognise that I go way too deep into things and overstuff my brain with minutiae, but that's just how I work. I take forever to post anything anywhere on the internet because I just physically cannot click a post button without triple-checking everything and quoting and screenshotting things, even if it's the same thing for the twentieth time, and that's certainly a me problem. I very much don't expect people to do things my way, but I also find the games of telephone these things so rapidly become really frustrating, you know?

But my biggest problem with this particular Aylin thing - beyond the annoying preponderance of it, as I've already whined - is that in-universe it just makes no sense and I, an aasimar paladin enjoyer, personally dislike it.

Oath of Vengeance paladins abide by the following tenets: Fight the Greater Evil. Exerting your wisdom, identify the higher morality in any given instance, and fight for it. No Mercy for the Wicked. Chasten those who dole out their villainy by wiping their blight from the world forever.

Putting the rest of this post under a cut because it's long and ranty and you didn't actually ask for it.

My first problem: the common argument that Aylin is in the wrong for killing Lorroakan like she did because he has "done nothing to her yet", and that she breaks her Oath of Vengeance because she attacked him preemptively.

The man put a price on her head and sent violent mercs to beat her up and kidnap her. He tries to (temporarily) kill her and imprison her as soon as she refuses to cooperate by… demurely waltzing into the prison and putting the chains on herself? He knows exactly who she is, what has been done to her, and he wants to do it again - no, doesn't want to, he is actively doing it again. The fact that (if you side with Aylin) he fails mid-attempt doesn't make him innocent of it. He refuses to stop and, if denied, gets violent and murderous. 

Player: Have it your way. I'll bring her here. Lorroakan: Good. I was growing scared for you. The last person who disappointed me is suffering for it still. Do not return without my prize. Do you hear me? Good day.

Player: I'll think about it. Lorroakan: You aren't the only one who knows what's on offer for the Nightsong's retrieval. Consider carefully whether you'd like to see your fortune in someone else's hands. Someone who might slip into your camp at any moment, or harry you through street and inn until you're run ragged and surrender. The choice is yours: fortune or imminent death. I know you'll choose wisely.

Mark my words: the Nightsong is mine. With or without your help, she will ascend to her grand fate here, in this tower.

Player: You heard me. The answer is no. Lorroakan: Pity. Then again, perhaps word of your agonising death will draw your little friend to me. Myrmidons - imperatum!

He is fully equipped for it and has set up a whole magical trap and is just waiting for her to show up to trigger it, or for someone to drag her there against her will. He says she will go into the cage "kicking and screaming" and really, this is who she is wrong for "picking a fight with" and "attacking preemptively"? Surely nobody actually thinks that Aylin is at fault here or that she actually overreacted by killing him? I don't really want to go into some people's really, really shitty attitudes towards Aylin for sadly entirely predictable reasons but… man. She went over there and threatened him with violence, demanding an explanation after he sent cronies to attack her in her sleep? Wow, what a weird thing to do. Also, he literally is the one to attack first! She is there threatening and goading him, doing her little "face me charlatan" bit, but he is the one who sics the myrmidons on her (or the player) and actually starts the fight, every time. To be clear, I don't think this is very relevant at all, but people do seem to love bringing it up.

Is Aylin brash and reckless and clearly struggling after her captivity, dealing with rapidly flaring up anger and outbursts of violence - only ever, may I emphasise, towards actually horrid people, and she is really rather shockingly forgiving and tolerant of the player character messing with her? Yes! Does she seem to have that classical aspect of "she might go too far one day" or "she might lose herself in the anger and vengeance if she focuses on it exclusively"? Absolutely! Do I think she could have been, say, a Devotion paladin before her imprisonment and it might have been the betrayal and century in the Shadowfell that made her change to Vengeance instead? I love that idea! I also think it's likely she has just always been a very zealous, very smitey and offence-oriented Vengeance paladin, called Selûne's sword for a very good reason, fulfilling a very important role in the ongoing struggle against Shar.

And the whole problem is… Lorroakan will, as we've seen, not stop trying, and people like him will always be around and never stop coming after her especially now that the cat's apparently out of the bag after Balthazar, and Aylin needs to live with this, forever. That is why she is so messed up about this one rando wizard she's never met before. That is why this specific incident is so triggering for her. She has just escaped torment on a timescale that's not something the normal human mind can really grasp. "In this moment, I want for nothing." ended up lasting, indeed, barely a moment! Her mum is a powerful god and right now it seems that what Aylin actually gets from it is having a target painted on her back and, to quote Isobel, she can be hurt just like anyone else, she just gets to suffer longer! She keeps being dealt these shit hands and, yeah, it'd make anyone go… why? Seems unfair, right? What exactly is the point of this? 

The various dialogue options you have while warning her about Lorroakan's intentions and which include trying to convince her to just leave him be include her being so, so frustrated, and so understandably, it makes me feel horrible for her. 

She always ultimately goes to confront him, because she has no other real choice. He will keep coming after her, he will keep sending people after her, and she will never, ever get a bit of rest, and she's, what, supposed to go live in hiding somewhere if you convince him she's dead? Until the jig is inevitably up or this guy dies by someone else's hand? And there's also the element Aylin herself will point out if you keep her in the dark about the plot and Aradin and his cronies come to attack your camp: how long until someone hurts Isobel during one of these attempts or actively goes after her as a bargaining chip?

I guess I just genuinely do not understand the arguments about this guy who has been deliberately constructed to be a horrible, hateful piece of shit with exactly zero redeeming qualities, to an almost comical extent. He beats his apprentice and uses his assistant for target practice! He's a sick, sick asshole! His life's dream rests on kidnapping and enslavement! The guy is conspiring and trying to ally with Ketheric and Balthazar of all people: 

Lorroakan,

I have responded out of respect to my counsellor, Balthazar, who advises me that you may prove a loyal ally in the coming fight. I understand you wish to know about the soul cage which binds the Nightsong to me. Details, I cannot and will not provide. But the magic itself is necromantic in nature, designed by my aforementioned counsellor. I hope your curiosity is satisfied.

General Ketheric Thorm

This is who people think a vengeance pally will break her oath over? Over what, a technicality of who struck first? "Desecrating a corpse"? No, it was Ketheric she did that to, and nothing happened. She just finished this guy off in a violent and dramatic fashion. 

While you can play a paladin yourself and kill so many people in so many ways without anything happening, this is more of a consideration if you play Oath of Devotion or Ancients. It's also one that makes parts of the game harder - comically evil cultists torturing and executing prisoners cannot simply be attacked out of nowhere, and instead you need to announce your challenge first. You need to walk up to them and start talking, establish their villainy, and then fight "fairly". This is also partially an issue arising from the implementation of hostility flags and game logic, by the way. However, Oath of Vengeance gives precious few fucks about this and is a really hard oath to break. In fact, in a very similar situation to the wizard tower, in the House of Grief, you break the Oath of Vengeance if you spare Viconia - at that point lying on the floor soundly defeated and bleeding out much the same way Lorroakan was. Viconia who, may I note, never "did anything to you" but did harm a friend of yours.

Also, and this is a whole separate discussion, but... it's a FR DnD game. You kill bad guys in it. You kill vaguely morally grey, or even good guys in it. You and your friends kill so many people before this point. Multi-act quest arcs conclude with "go to place and kill someone". You mete out "justice" personally, repeatedly, and can harp on that fact, especially if you're playing a paladin. You don't exactly call the guards on people instead, even in the middle of the city. Ludo-narrative dissonance or no, why would this one wizard suddenly be different, and why would this one woman be singled out for a thus far completely typical approach and set of actions? 

My second problem: a great big "Selûne wouldn't do that". I understand Forgotten Realms "lore" is a giant unwieldy self-contradicting mess of a beast and I'm not saying people should be scholars of it to participate in the discussion, far from it, but I would like them to engage with what is presented in the game itself at least.

For the most succinct possible example, look at what Selûne does when Aylin is betrayed. She buffs her in order to enable her to violently and zealously win that fight. Literally empowers Aylin to smack her enemies around more and with greater strength and also burn them alive in holy fire. Not after she's imprisoned and well and truly "wronged", but during this fabulously absolving "mere attempt" on Lorroakan's part.

Also, may I point out the sweet little shielding- and healing-focused cleric of the same goddess is actively disappointed that you and Aylin won't let her come with to hit the guy a few times herself! This goes for the entire party of assorted weirdos, goody-good or otherwise, who firmly believe Aylin should just obliterate that guy. Like, c'mon, my man Wyll! (Super sad and touching exception: Karlach, if you've killed Gortash already. When she begs you not to tell Aylin about any of it at all and go deal with the wizard yourselves, just so Aylin can have a bit more peace and keep her sword sheathed for just a little while longer. Ow, my heart.)

In summary, basically, my twofold beef:

"Selûne punishing and abandoning her daughter for over-zealously defending herself" - nonsensical and uninteresting. Stops people from actually delving into and discussing the complexities of that relationship.

"OoV paladin broke her oath by killing an evil wizard who is actively trying to do horrible things to her and attacks her" - nonsensical and uninteresting. Let's instead actually engage with the material and discuss Aylin's trauma and how she might deal or not deal with it in good or bad ways. What would recovery even look like, for her. How does the way she intrinsically ties her entire being into being a smite-happy moon-magic knight play into it. Let's actually consider the weight and role of duty in her life and the wombo-combo of being an aasimar paladin, an existence with a very "purpose-made" aspect to it. You know, the good ol' Being A Sword thing, including being born into it. Combined with being rather suddenly rather intensely humanised by a loving relationship with a mortal woman, with all sorts of ticking clocks, unique challenges, and both past and pending tragedy there.

Or let's talk about the dissonance present in Aylin's cool and badass scenes of smiting deserving evil. Scenes that go into very violent and very over the top territory, that make you both cheer and cringe, that make a point of showing the other characters reacting in shock. Because I genuinely feel so bad for her and deeply worried for her, all while my silly little brain goes fuck yeah smite him shiny lady! Ooooh look, a flashy Aylin scene, ripping a deserving villain to pieces! But at what cost to herself? Feels so good to have someone deliver some justice! But if I think about it for 5 seconds I don't actually want her to - no, no, I do. I don't want her to have to, is the thing. (It's kind of like that one Gundam meme.)

I will conclude this mess by doing a salty little yeah. It's fine, this is fine, this is sadly pretty much part of the standard experience of liking a female character in fandom. God forbid women do anything indeed. Outside of a few select, narrow and highly dedicated circles, half the (scarce) posts about her are something that's either flat-out wrong, or just assumes the absolute worst of her and reduces her to two and a half shitty stereotypes, and half the fics tagged with her are actually about fandom's favourite two dudes and barely feature her at all.

And on that note, I'm off to actually be a positive force and poke at my own fic some more.

[sixtysixproblems]

disaster ramble about my headcanons for how the batch got their names & etc*

*this is related to a fic of mine (fluorescent mistakes/mistakesverse), tho having read it is 100% unnecessary to understand the post, and I'll likely use some of these for other fics as well.

the only HCs you (sort of) "need" to know is cody, fox, and wolffe are "triplets", and i say fuck canon and Rex is 3 years (1.5 years) younger than CC batch. bits in italics/blue are less applicable outside of the fic itself, but still make sense without the context or i give the context.

Cody (Kote) - got the name Kote pretty young, changed it to Cody tho around 16-17ish?

>Jango gave it to him, when he was 10ish..? Possibly even a little younger. Jango intended as more of a nickname for just him to use, but obv it didn’t stay that way. Was very proud of "earning it" for a long time. >Changed it to Cody later in a not-so-subtle rebellion against Jango/the Kaminoans, and partially in an attempt to choose something for himself/have a part of his identity outside of his skill as a commander. >Still uses Kote on very rare occasions with the batch and other old friends from kamino ONLY (only exceptions to use it more being Fox who gets to call him Kot'ika, Rex who get a free pass for anything/everything) >his name backstory is probably most plot relevant cause his arc deals a LOT with identity issues & such. Might even have a flashback to him snapping at Jango that "it's cody now" > The final nail in the hammer for changing it was probably Ponds getting reconditioned**, and him partially blaming Jango for it :(

Fox - before rex was around (so pre 13)

>Got called a “fox” due to him being a sneaky clever bastard, but it wasn’t a nickname until he made it one >chose it not long after cody,  probably? >this was a pretty big deal since it wasn't a) widely used by trainers, mostly other vode, and b) he made it clear it was his name. not a nickname, not a title, his name, as opposed to his designation number >I'm considering backstory that him & colt worked together to come up with the idea to bulshit the kaminoans with "it's actually more tactically useful in battle to have recognizable nicknames for the clones", which is true, but also to limit consequences for getting caught using names. >in addition to joint guilt in the creation of Ponds's name, he's also responsible for Thorn's name by repeatedly calling him a "prick" and "thorn in my ass" on kamino (tho that's it's own post lmao).

Wolffe - before rex was around (so pre 13)

>inspired by fox, but also spells it that way to spite fox (cody gave him the idea for it lol) >cody was annoyed that wolffe clearly chose it to match fox (bitey twins, lol) since they're supposed to be triplets. wolffe enjoys pissing him off but didn't want him to feel actually left out...so cody got to help with the god awful spelling. >confused some people into thinking it was pronounced "wolf-y". this is brought to you by my friend reading fluorescent before any other piece of star wars media and assuming that. >i love the potential meaning u can take from it of him being family/"pack" oriented and how that translates over to him being very loyal, protective, etc. Aka on the surface level he's this scary grumpy guy, but deep down is just a bit of a softie/just wants to keep his family safe. >but on a less serious note, i also love all the jokes i can make cough cough omegaverse

Rex - age 10-11ish

>encouraged to pick a name out by cody to help cope with being newly reconditioned/placed with the CCs as i imagine there’d be some identity issues after that :(  >perhaps nicknamed king or little prince or smth and that's where he got the rex idea. tho tbh i have no idea >abridged fluorescent lore is that he was a particularly talented/borderline defective CT, tho albiet from a "troublesome" batch. consequently he was reconditioned pretty heavily around 9-10ish, and Jango came up with the great (sarcasm) idea to use him sort of as a "test" of what CTs were actually capable of, and had him mixed into CC training. >this is how he met the batch, after not remembering his own/many details of his life pre-recon. they were supposed to train him once or twice, but predictably adopted him.

Bly - after rex arrived (and rex got his name) but not long after, so 13?

>litterally just chose a name they liked the sound of and thought fit them like a sane person. literally the only one to pick a normal name a normal way out of the whole batch. we stan >i like the hc being short for smth (like butterfly, etc) but i dont think it works for fluorescent :/ maybe in another fic. >possible them & rex worked together to find names that fit them bc i think that'd be sweet. i dont focus on their relationship much at all so maybe a little bonding, albiet in backstory only, is in order. >she's very likely gonna be trans (mtf) in fluorescent (tho it wasn't always the plan + she is not out yet (to herself or others) in the fic itself) so I'm considering implying Bly is traditionally a female/gender-neutral name in whatever star wars culture it's "from" (aka i make shit up) >considering a joke where someone asks her if she's picking a new one after she comes out and she's like "absolutely not, it was so hard the first time i refuse to do it again".

Ponds - last to get one, 14-15ish?

>went by “four” or 54 before he got his name. >Bly sometimes jokingly called him “squared”/ ”square”/ ”cubed”/etc when they were tweens cause of the two fours in his designation number + 64 is a perfect square in math. the vode assumed he'd pick one or one would eventually catch on permanently. >...and then he shoved three separate trainers in a pond, on three separate trips no less, during off-planet training (and since I'm guessing off-planet training was very rare, wtf buddy) >and the triplets went “you know what would be funny” and just. Picked it for him, and wouldn't stop calling him that, and eventually it caught on. And there was nothing he could do about it <3 >**yes, he was reconditioned at 16-17ish. Yay....Not much of a spoiler hopefully? this may somehow be related to why he was the last to "choose" (read: accept defeat) a name, despite being a outspoknen/protective ori'vod nightmare for the Kaminoans. >dw it's not too angsty. they didn't fuck with his memories much, and were trying to change his behavior to be "less inclined to rebelliousness/contempt for authority". And if you've read his arc in fluorescent, you know they failed spectacularly at making him less likely to break the rules. >tbh I think its fitting for (how I write) his character that his name was chosen by his siblings. i think he was and is "salty" about it, but not-so-secretely touched and/or proud about it.

this whole thing was very ramble-y and i'll be surprised if more than 2 people read it, lmao, but i couldn't stop myself. a lot of this is sort of "background" and may not be actually referenced in the fic itself...but who knows.

[squishious]

ok i'd apologize to you & everyone else for only blogging about myself and my friends tonight but actually that would be un-sincere because i love my friends so so so much and all of life is about love. anyway here's a long summary of css :

-1. the context: luna @hanjoonhwi got to know mika through me and @ramonapest and so she'd discover old stuff progressively and one day she found css and made it her whole personality (read: blog) because she did that often (for a while she was tomorrowlive because she loved live performances of tomorrow, etc etc etc) and so she saved the url cokestudiostardust or i did. and then we had the fantastic idea of both changing our urls to something super similar to each other for a little while just to confuse the 12 mika blogs here (a small group of which are commonly referred to as "the rodents" due to the existance of an almost-dead discord server that i would like to bring back alive and that you could probably be added to, where we discuss mika) ANYWAY sorry for the slight detour. so yes that was the plan. and then we were like wait we need to include rory (because we had a tiny groupchat called "mouaylor tshirts" <- more lore there but basically luna wanted a mika x taylor x louis collab and rory made a fake poster that i put on redbubble models and so we made a groupchat to discuss business and then ended up being besties). so yes back to the main story. we text rory and we're like hey do you wanna join us in this wild scheme? she was like what scheme? we said say yes or no because we cant tell you unless you're joining. she said yes and we told her everything and also she was moving that same weekend... so it was insane of her to contribute. but yes that's the end of this part

0. the prep: so we saved css url, and 2 typo css urls. picked an icon header and background colour for the blog (#facade pink) and then the point was to confuse people so we didn't want them to be able to scroll adn figure out easily which one is rory vs luna vs me. so what we did is we made rory (?) i think (?) post a link to the css yt video. then we each reblogged it privately to our blogs about 100 times in preparation and then didn't blog until the day of. the day of we unprivated all the posts, so basically if you wanted to see any posts before you'd need to scroll for so long. and we changed our urls (i dont remember who was which url) and icons and headers and colours and made our blogs only available on phone so you couldnt go to archive to figure out who was who. also we had the same blog titles (coke studio stardust) and bios.

1. phase 1: we basically went around blogging normally as if nothing happened, but also sending asks to common mutuals and each others mutuals (ex: "hiii squish!! how are you???") and all of us sending them, to create confusion. did that for about 24 hours. but the thing is we sent the exact same asks and reblogged all the same posts with the same tags. luna and i even managed to confuse rory's sibling and like long-time friend on here. a mika blog @grayskelly we didnt know at the time (but v knows) just joined us (same blog appearance etc) and became our immediate bestie, hence creating the famous and iconic @h-isforhome "big day in mika fandom" post (the first one in the image post you reblogged). also we followed any mutuals that we mutuals with 2 but not 3 of us (pretending we accidentally unfollowed) in prep for phase 2

2. phase 2: (my favourite phase) we "apologized" etc for our behaviour and said we are switching back. BUT we lied (celebrity apology video style), and what we did is switch to each other's!! blogs. so i was luna and luna was rory and rory was me. and it actually fooled people due to all the followings in phase 1 and it being practically impossible to go to posts pre may 15. this phase particularly drove people insane (luna and i were competing over who would lose the most followers, rory somehow was gaining followers). but yes basically we blogged exactly lik each other, tagging systems etc, spoke like each other (hashtag true bestiehood), and sent even more asks. the middle 2 pics are examples of such interactions after we finally switched back to the real us, making all the posts hilariously funny. one common mutual thought that was was going on was that we had logged into each other's accounts. another was like ahh i got you. x is pretending to be y and y is [etc etc], getting it all wrong and we were like ah yes! you got us! so true!. i think @thirteens-earring still hates us for may 16.... we were sending each other messages being like hi v this is rory! etc and v eventually figured out who was who but the whole time was sending us murderous threats + at one point luna was like hi rory this is v! to v, which was funny. anyway i think lizzie @dionysuswearsanorangetracksuit was the first one to catch on what was going on (like super early that day) and texted me and h about it but i made them promise they wouldn't explain to everyone what was going on.

everyone was like ah hahah ha hilarious right. you guys are done right. no really. you are done right. please please say you're done. and so, this is what we did after:

3. phase 3 prep: rory and luna collected the best posts through screenshots, i opened photoshop with a normal canvas size and started adding them and making the canvas bigger and bigger, ending up with a photoshop file of 16359x22200 pixels, it took me and rory 2 computers, 3 photoshop versions, and about 1 hour to export that as 4 pngs.

4. phase 3: on may 17 we changed all our blog titles to "phase 3", posted that image, and everyone was like hey guys. whats phase 3 whats going on pls explain. and to this day no one knows what phase 3 is <3 we will not say unless someone guesses

anyway if you've read all this thank you so much in indulging me and listening to me talk nonsense about friendship shenanigans (<- idk how to spell in english but i might have gotten it right). it was truly a wild time where rory was normal and luna and i were unhinged and drove rory into our unhingeness. i miss it incredibly and i wanna do more of that with you and them and all my little computer friends. or maybe we could jsut have a sleepover. idk but all i know is that if i knew you all in real life we would have the best laughs and the best times of our lifes and we'd just have so much fun. like if all of you bring this much joy in my life just by resharing the same posts as each other and replying to each other, imagine what it would feel like if we could all have a picnic or a roadtrip or just a day out at the mall even.... anyway this is getting sappy and i need to go to bed. ty for reading or sorry!!!!! now that we're friends i'll invite you next time we plan an international cyber-prank

HELLO OKAY !!!! apologies 2 my followers in advance but i need to immortalise this bc truly. this is the pinnacle of careful throughtful tomfoolery i'm very impressed

first off i'm all for the resuscitation of mika discord there really are sooo few of us on here !! mouaylor collab would be incredible and i need to see this shirts if they exist lmfao. also doing this while moving u are SO STRONG thats incredible !!!

anyways again the amount of thought that went into this.....the reblogged posts the turning off web view the following each others mutuals.....i would trust u to pull of a heist i think. sounds like a wild day and yesss would love to participate in international cyber pranks or sleepovers (or both simultaneously) w u all !!! truly i think that we'd have the most wonderful time if we knew each other irl the shenanigans and vibes would be unmatched <3 (i am living in constant fear of phase 3 now. its gonna haunt my every click on this site)

[victory-cookies]

me: wow I’m so stressed with work and school, time to recede into my long-running escapist daydream where my self-insert juggles a job and an education

[icewindandboringhorror]

Just curious what the average level of personal investment in these sorts of things is. Like, how much do people usually get into silly stuff like this their friends ask of them? etc. etc. Which I know, only surveying a small sample on a very specific website means I'm not getting an exact average idea lol, but.. curious nonetheless .. Maybe reblog for bigger sample size but also this is not very serious at all/not worth a call to action gbhjbhjb

[cloudysfluffs]

if you’re taking requests can i request more sam and max art? your last art of them started up the sam and max brainrot for me again and now i spend my time watching clips from the games on youtube lol

MAN ive been replaying the games myself..........im just so glad that theres someone else who likes them!!!!! OFC you can have more art <33333

(ns//fw and/or fetish blogs please dni🙏🙏)

[non-plutonian-druid]

hear me out; delores as one of those carousel horses.

hmm. i'm not mad at it

[ID: a drawing of Delores as a carousel horse (or rather, carousel centaur) instead of a mannequin. Her hair is broken off, as well as her arm and one of her legs. Her horse part is red and she has a curly yellow tail. Her saddle and top (which resembles the bodice of a fancy dress, without the dress) are both molded on, and are made up of matching pink, blue, green, gold, and cloudy white. The shading and highlight colors are very bright and chaotic, and the line art has been drawn over by the colors in places. End ID]

It was interesting to draw not just a simplified horse, but someone else's simplification of a horse. Those are different shapes than I do! Also, a note on Delores' hair: she's bald in the show because of course she is, it's pretty common for mannequins to be bald, but why would a carousel statue lady be bald? They're not gonna put a wig on those, the hair would be molded on. So I drew her as having had hair at some point, but broken off by now

[ranvwoop]

please look at these guys. they even had a little teaparty.

w/ @adhdo5's clockworklocusts :)

[trainingdummyrabbit]

Woe. Extended Cocoa Monologue Be Upon Ye.

So. Her name is Cocoa. Theoretically. She's been around for a pretty long time, if not the longest when going by current employee terms. She's the one who works with Nothing There because shes the only one who. Can. A bit odd, she's almost entirely mute aside from a handful of phrases and words, and occasionally mimicking things said to her recently. She's considered to be a bit airheaded, not really paying attention to her surroundings and more often than not just kind of... cycling around the facility when not on the job.

She does a lot of things that would Seem normal on first glance, but are just.. kinda strange, when you actually pay attention to her. Like background actors pretending to be passerby, but when they get a lil silly with it and start like. Putting whipped cream on a carrot and eating it raw. Y'know. Girl Things. Most folks don't give her much mind aside from common pleasantries-- mostly because she just doesn't answer anything else. She just kinda stares blankly, no thoughts head empty, as if she doesn't understand. She's just silly that way though, so nobody minds.

When shes given a task, though, she's just. Entirely Different. Shes very methodical, cutting straight to the point-- oftentimes literally. It's where her experience with the whole Being A Lobcorp Employee really makes itself obvious. She can take a Lot of shit and just... Wont Die. She just gets back up! Easypeasy. It's almost mechanical-- and she barely seems affected at all by any of the Horrors(tm) that come with the whole... y'know. When it comes down to it, shes a little scary.

Nobody really Knows this necessarily, but before she was an agent, she was actually a clerk ! :] She just kind of... did her job. Was polite and enthusiastic, all that good stuff, model employee or whatever. but then, evidently, there was a pretty bad abno breach at some point, and she completely managed to hold her own, going so far as to be Almost Helpful! Astounding ! So they moved her around to being a fully functional agent! Something that has absolutely no consequences whatsoever !

. So, the horrors, right? Stepping out of exposition speak, Cocoa is an exploration on the split between human, monster, and object-- and what it means to define yourself within those terms. (It's honestly a common theme between the group as a whole, but they all tackle it differently.) Cocoa-- previously known as Holly-- was pretty much always a Highly Volatile person. Not that she ever showed it. A lot of her hinges on her desperate desire to be seen as Worthwhile, to be worthy of being kept around. Truthfully? She was always terrified of death.

She knew how the world worked. Either you made yourself useful and did what you were supposed to, or you were thrown out to the cruel whims of what the world does to people like her. She was, functionally, a Nobody. And she knew this. So she did her best to fit into the vision of somebody Useful. Polite, easy to herd around, noncombative-- all that stuff. It was grating, sure, but anything to keep her out of the bad books of people who could so easily crumble her already fragile life without a second thought. It was just what she needed to do.

So um. Unfortunately, pinning your entire identity on the whims of a conglomerated image of "other people" was never really sustainable. Not even remotely. Especially not for somewhere like the city. These sorts of things contradicted themselves, looped around, formed uncrossable chasms of expectation that she could never live up to even if she tried. And god, did she try. Constantly putting up a front was exhausting, but rewriting yourself completely every time you moved somewhere new? god can you even imagine.

She was just about Always tiptoeing a thin line between roles, teetering delicately between the gazes of those above her. Any action or expression or emotion contradicting from that image had to be immediately smothered, every step out of line earned a warning shot from herself that nobody else could really see. So like, no pressure!

So, going into Lobcorp, she was a model employee, secretly harboring the unstable energy of a dying star. Easypeasy. The abno escape was, as the kids say, "the last fucking straw in her miserable life," and she kind of just. blacked out, woke up, and it was over. She helped about as much as a clerk Could, but the fact that she was alive was an anomaly. Again, she is very very good at just... Staying Alive, when she shouldn't. So that was a pretty good vouch for her skill, even if she didnt present that at first. She, obviously, was pretty nervous about the whole thing, but if this is what she was being told to do, then so be it! Easypeasy! No big deal ! I'm sure Lobotomy Corporation is just an office comedy! She is very normal.

So, again, the thing about Holly is just that she. Doesn't Die. But the people around her sure do!! What happens around here is a bit of a blur, both to me and to her, but the long and short of it is pretty much this. Through the course of her acting as a full-title Agent, it did, shockingly in fact, Make A Lot Of Her Issues Worse ! Now not only did her Own life rest in her hands, but also a bunch of other people's! Crazy how that works.

She seems perfectly fine, mostly just because her immediate instinct in stress is to just. shut off. Panic, fear, anger-- none of that has any place in the role of a Useful Employee. She can't have doubts, cant have regrets, she just has to Move. So she just lets her body do what needs to be done, and tunes back in when everything is over again. It's not Easy getting to know people in a situation like that, but somehow she Did actually manage to make a friend! Though, I suppose, not that difficult, because "being friendly" is a very good Employee Trait to have, so obviously she has it. But, well, it Was nice! Was. Lobotomy Corporation Is A Tragedy ! Whoops.

So obviously, having a small bit of solace taken away from you is, to put it lightly, Not A Great Experience. But well, it wasn't exactly just that necessarily. To her, that person was everything that any model person Should be. Effortlessly. Intrinsically. They simply Were, and through the plain act of Being A Person, Unapologetically, was... well, it was refreshing! Silently, it was everything Holly Wished that she could be, but just couldn't gain the courage to reach. It wasn't even any huge event that killed them, it was just... some stupid mistake. The core of it simply came down to... well, if they couldn't do it, how could she? Her, hoping to be better than someone like that? Was that even possible? And this is about where things start . going sideways.

So. Her whole deal with Nothing There. It wasn't anything big. Not really, in the grand scheme of things. In all honesty, it was more of a Resignation. At this point, she'd already been kind of spacey and distant-- even for her own standards-- so of course, nobody would really notice much of anything. (Again, another good trait of a Useful Employee.) Working with NT for the first time was. odd. Nobody really knew what to make of it at the time, but Holly hadn't died Yet, so she was as good a choice as any. And seeing the damn thing, well. yeah, it was disgusting, but it wasn't what affected her the most. Rather, it was when it tried to start Speaking.

Calling it Horror isn't exactly correct, but it wasn't exactly... incorrect, either. All she could really do was watch it try to form words over and over, messy and stilted, inherently flawed. A crude imitation of something she should understand. Disgusting, sure, but not for the right reasons. Because all she could really see was a microcosm of herself. A horrible little excuse for a creature trying to pretend to be human, pulling itself together by the seams and stumbling over and over, painfully close yet uncomfortably alien to those it was trying to imitate. And she could only watch, as emotions she'd done her best to suppress slowly clawed their way back up.

It was then she had a choice. To confront what exactly it was that she'd been desperately locking away, that raging sensation of emotion, of desire, of anything-- or to resign herself into disappearing completely, letting herself drop all of the baggage of that flawed facade of "humanity" and allowing it to be replaced with... for lack of a better term, a Variable. an Anything Else. But... she was never very good at confronting herself, was she? So she sat down, and began correcting the entity's speech, forming both It and Her back into the shape that they "should" be. And at the same time, letting go of a "self" that could no longer exist anymore.

The thing about her, simply, is that-- again-- she doesn't die. Not the way that people do, not the way that people Should. But then again, "Holly" hasn't existed for a long time, by the start of everything. Anyone who Knew who she was never really had the chance to, with the way she was-- not that any of them were alive to be able to tell. She never answers anyone asking what her name is. or what her job is, or... well, much of anything. So people just call her Cocoa, because that's the only thing she seems to like :) And well, people say it confidently enough that others just Believe them, and Cocoa doesn't care enough to correct them, so like. whatever. Cocoa is here to do her job. Nothing more, nothing less. And nobody is going to stop her, because she's damn good at it. Nobody knows there was even a problem to begin with. Silently, wordlessly, the "person" she used to be simply... disappeared. And nobody was there to hear it. Which makes things... difficult.

Because she doesn't remember any of that. None of her peers do, either. She feels "fine," simply enacting whatever it is she needs to do. And because of that, people simply just Believe Her. It was as if "she" had never really existed at all. And at the end of it all... she was entirely indifferent. There was work to do, you know? No use worrying over some kid who couldn't handle the pressure. Happens all the time, right? And so the world moves on, without a second thought.

Not a second thought at all.

[holocene-sims]

a sneak peek for an upcoming (timeline tbd) update 😊

[herearedragons]

The Warden's New Clothes

As the glow of the healing spell subsides and Wynne removes her hands from the injury, Kyana dares to glance at her side once again. What was a miserable sight mere moments ago is now a perfectly healthy patch of skin, no trace of the burns left on her torso or left arm.

It’s not the first time she wishes Wynne had been there when they climbed the tower of Ishal.

There is, however, a problem remaining. Where skin can be fixed, fabric not so much; the remains of her sleeve are hanging in sorry tatters and the state of the left side of her robe is definitely indecent. Adding insult to injury, the enchantment has evaporated from the garment, the fabric hanging heavier and colder than usual.

“Blast it,” Kyana murmurs - and startles, suddenly remembering that Wynne is still there. Have her manners spoiled so much that she curses at a senior enchanter without a second thought?

To her relief and wonder, Wynne does not express any disapproval, simply nodding:

“We should get you changed. Boys - “ the enchanter steps out of the corner they had retired to so that she could heal Kyana with some privacy - “One of you should go back to the mages’ quarters, see if there are any clothes intact in the wardrobes. We need a new set of robes, as close to Kyana’s size as you can get.”

It’s a strange experience, hearing Wynne give out orders to… yes, to her team; Kyana has to admit to herself that she has come to view them as such. Even Zevran, new as he is to the group. He had sworn his loyalty to her, personally; surely that counts for something?

Speaking of the assassin - it’s his voice that she hears answering Wynne.

“What about this one? There’s barely any blood on it - “

“Maker, ew. Really?”

The second voice is Alistair. At that point, Kyana decides to see what the fuss is about and joins the rest, holding the left side of her robe together with her hand.

The scene which appears before her is self-explanatory. Zevran is pointing at a corpse on the ground. Wynne and Alistair are looking upon it disapprovingly.

The body belongs to the blood mage they just fought. Her clothes are… unusual, definitely not of the Circle, and yet familiar. It takes Kyana a moment to place the image, but then she remembers: the vault. There was definitely a robe of a similar design in there, hanging in a glass case. Was it the same one, or just a similar item? Either way, if she’s right, it’s old, it’s from Tevinter, and it probably bears a powerful enchantment.

Kyana reaches for her magic, just slightly, but enough to confirm one half of her theory: the dead woman’s robe is very enchanted.

She definitely wants it now.

“Zevran is right,” she says. “We don’t have time to search the rooms. This will do.”

With that, she begins to direct her magic further. The force of telekinesis lifts the body up from the ground; Kyana lets it rotate mid-air for a few moments, getting a feel for the object she’s about to manipulate. Then, the same telekinetic force begins undoing buttons, buckles and clips, pulling elements of clothing off of the corpse. 

Part of her is glad that Wynne is watching; she’s been honing her precision telekinesis for a while. Nobody in the camp, not even Morrigan, seemed to appreciate it much - but, surely, the senior enchanter understands the work that has gone into this.

Another part of her wonders whether she’s supposed to be more hesitant to undress a dead body, but it’s not a very useful thought, and she lets it go fairly quickly.

If Kyana had to guess, she would say that the whole process takes less than two minutes; definitely less time than it would require to search the living quarters again.  

The new robe fits tighter than the Circle one, mostly due to panels of some stiff material sewn into it in several places. It's definitely more restricting, though Kyana finds that she doesn't mind that much; it feels almost like wearing armor, or, at least, what she imagines wearing armor feels like.

It is strange, though. She somehow feels more dressed than she ever was before; the Circle robes were so familiar that they were almost a part of her, but this... this is alien, a tangible barrier between her and the rest of the world.

“Well… You know, it is quite pretty,” Alistair says. “It’d be even prettier if I could unsee you taking it off of a corpse.”

“Shall I remind you where your armor came from?” Kyana asks dryly.

“That’s different! The armor’s not touching my skin. Also, I cleaned it before putting it on.”

“I also cleaned it! Who do you think I am?”

Alistair raises an eyebrow.

“Cleaned how?”

“Magic.”

“Well, I hope those spells were effective, because otherwise - that’s pretty gross.”

“If I may, Warden,” Zevran pipes up, “Please do not take this the wrong way, but… may I have your old clothes?”

Alistair gives him a look.

“Is there a right way to take this?”

There seems to be some kind of lewd joke implied - she’s been getting better at noticing those kinds of things - but presently, Kyana doesn’t have time to unpack the exact meaning of it. If Zevran wants the rags, he can have them. 

She uses a small burst of telekinetic force to pick up the robes and toss them to the assassin.

“Many thanks,” he says.

The sound of tearing fabric follows immediately after. It takes her a moment to understand what he’s doing, but when Zevran tears a narrow strip of fabric from the robe and starts wrapping it around his right hand, Kyana finally notices:

“Your gloves are ruined.”

They’re in a similar state to her old robe; the top part is almost entirely burned away. Was he the one to finish off the Rage demon? Likely so, considering the singe marks on his arms and the rest of his armor.

“Unfortunately, yes,” Zevran says. “If you see nice leather gloves on someone here, do let me know.”

He finishes securing the remains of his right glove to his hand and prepares to tear off another strip of fabric.

“…Wait.”

Kyana opens one of the pouches on her belt. There, nestled alongside a few healing potions, is a rolled-up pair of leather gloves.

“Here.” She holds them out. “I bought these a while ago, but didn’t end up wearing them that much. They’re warm, but not that good for spellcasting.”

Zevran stops mid-tear.

“You’re… giving me gloves?”

“Well, I don’t use them. Do you not want them?”

“No, no - I did not mean to sound ungrateful. I’ll take them.”

As he approaches to collect the gloves, something about them seems to catch his attention; Zevran lingers for a moment before finally taking them from her hand.

“These are Dalish, are they not?” he asks.

“Yes. I bought them from a Dalish craftsman.”

Zevran turns the gloves in his hands, runs his thumb along one of the stitches - appreciating the craftsmanship, maybe?

“No one has simply… given me a gift before,” he says finally. “I shall treasure these. Thank you.”

It didn’t occur to her to think of it as a gift, but technically, he’s correct.

It’s just as well. If they’re of a better use to Zevran than to her, he should have them.

“It’s nothing,” Kyana says. “I hope they fit.”

[rqg179]

if you're producing a show that has a specific subject or theme that might involve a lot of specific vocab, such as a sci fi or fantasy (or, say, dnd, which is what i'm annoyed about specifically), whoever is writing your captions needs to know that vocabulary! your captions need to be accurate even if, or perhaps especially if, the language is a little more complex or specific! this is basic accessibility!

[revvethasmythh]

Actually thinking very hard about what, exactly, is compelling about Relvin. imo, there is an inherent mundanity to him as a character--that's really the core of what he is, Just Some Dude, caught in the crosshairs of something much bigger than him that he can't understand let alone fight. A guy who tries, but it struck so deeply by decades of grief that even the trying can be hard. A man who loves his daughter but doesn't know how to help her and maybe can't stand how much she looks like her mother. Very mundane. Very human. Very relatable, both the good parts of him and the ugly ones. I know that I personally find a lot of interest and texture in what the mundane looks like, especially in contrast to the wild escapades of adventurers or powered people. It's why, perhaps, Relvin is a character that feels more relatable and approachable and miles more understandable than someone like Liliana, who's motives are opaque, who's goals are unclear, and who's intentions are currently unknown/incoherent. We can sit here and ask ourselves "what does she want?" until kingdom come, but even Imogen doesn't know and she is also sick of the not knowing. Liliana wants to free Imogen--but who knows how. She wants Imogen to run, but doesn't tell her why. She left Imogen to find answers, but we have no idea if she really accomplished that goal despite repeated conversations with her (all of which essentially repeat the same info shared in the previous convo).

At least we know what Relvin wants. Wanted. To build a family. For the two halves to become a better whole. That's approachable, that's human, that's tragic in the face of everything that's happened, and, yes, that's mundane. But god is there texture to that mundanity where there isn't all that much even in the comparatively extraordinary life of Liliana.