#I spend too much time in this fandom

[allamericanb-tch]

watching the prince of egypt why was my first thought that moses and rameses are variants of sirius and regulus 😭

[imagine-to-be-a-pike]

I only watched Scooby-Doo with my best friend and..

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[art-from-the-juice-box]

gen loss dump part 2 :]

i have a gen loss playlist so the last two was me hitting randomize and drawing a pic based on the song before it finished. the second one technically isn’t that cause charlie’s inferno isn’t on apple music cause they hate me so it’s way more of the song out of spite because they wouldn’t give it to me.

[dirty-droid]

So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.

First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.

It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.

Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.

Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.

And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.

I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.

This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.

Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.

It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"

"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"

... They don't pass a lot.

It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.

Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.

Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.

Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*

[moonchild-in-blue]

Not forgiving yall for making me believe Price was a proper Tired Old Man™. What do you MEAN he is canonically 38/39 💀

and what do you mean Soap is like? 27? sir you are but wee boy. where are your parents.

[larphis]

Sometimes I think “God, I am just like Ed” and then I start putting him on a pedestal and make big paragraphs to say that he never did anything wrong in his life and how he’s actually just a very soft person that is hurting deep inside and needs a forehead kiss and then I look in the mirror and realize that I am in fact Stede Bonnet.

[literalcoyoteee]

it’s diet coke, in case you were wondering

[silverwhittlingknife]

did nobody ask you for red letter day? absurd! *I* wanna know about red letter day!

hello captain and friend anon!!! I KNOW I HAVEN'T UPDATED THIS IN SIX MILLION YEARS SO THANK YOU FOR THESE ASKS <333

okay SO the first thing is, you have to understand, my list of documents for this fic looks like this:

anyway i do love this fic even though it FIGHTS ME; it's supposed to have both Fights and Mysteries and both are hard to write 😅

anyway hmmm i'm going to cheat by including a Dick POV section that I am probably gonna end up cutting, because i like it but i also worry that it slows down the dialogue?

excerpt below the cut! the only context that you need is that Dick and Tim have been having the "should Tim call if there's danger in Gotham" argument again (Tim's position is "no"), partly because they both have genuine positions on this argument, but also because it enables them to sublimate an emotional conflict into a work conflict and thus avoid talking or thinking about their feelings, which is a shared pathology goal:

Dick would bet Tim never mouthed off to Bruce like this.  One of the many things that suck about being the knock-off Batman is that none of Dick’s orders really stick.  All of the responsibility without the authority to back it up.  At least when Dick was leading the Titans, they did what he freaking told them. …Mostly. …Okay, sometimes. The awful truth is—and he tries not to dwell on it because it’s pointless and doesn’t achieve anything, but—everything with Tim, sometimes it reminds him of the worst times with the Titans.  The same uneasy feeling of dread, like he’s grabbing for someone who’s slipping through his fingers.  Roy’s crossed arms.  The clock creeping toward midnight, staring at the champagne, knowing in his heart that Kory wasn’t coming.  After Tartarus: watching Roy walk out of the room, watching Donna follow him, staring at Vic’s back, Kory’s back, all of them walking out, and no one left but the newcomers.  When the personal is so fucked up that all you can do is double-down on the professional, and even that doesn’t help, and then— (Get a grip, Grayson.) And anyway, this isn’t like the Titans, is it?  Dick was out-of-line, there, in retrospect. He’s never been good at losing people gracefully.  Pushing Kory for marriage when she was already pulling away, trying to cling to her instead of letting her go.  Giving ultimatums after Tartarus, when he knew the team already resented his orders.  Making decisions behind Vic’s back, trying to force him to stay.  It’s an ugly bad habit, picked up from Bruce: things are slipping, and your people are mad at you, so you get scared, and then you get authoritative and controlling so you can hang onto them, except you can’t control them, so then they get even angrier and you lose them anyway.   It’s easy to see in Bruce, hard to see in himself, but he knows it’s there.  He barely managed to catch himself in time, with the Titans.   Is he doing the same thing to Tim?  Does he need to back off? But Gotham is risky.  Tim’s always been capable, obviously, but…it’s okay to be a bit authoritative, isn’t it?  Tim should call if there’s someone who looks unusually dangerous.  That’s just common sense.  Dick’s not asking for miracles, here.

[faerynova]

ok its taking too long to scroll my dash i HAVE to purge who im following

[shadowtoons]

Had the weirdest dream yet was funny as hell 😂

Only part I remember in it.

Me: If you can't say something nice, don't say anything at all.

Barnaby: ...

Dutch: ...

Fantoccio: ...

Barnaby: ... Unless you are rude enough, I would "knifely" ask you to leave.

Me: I hate it here-

[9x07]

how many times do we need to learn as people that irony and hyperbole can be harmful because 'jokes' aren't easily distinguished from genuine thoughts and feelings until we stop rewarding people for speaking or posting about violence

like even if you're joking/don't actually believe that/think whoever you are insulting is bad/immoral/fictional therefore deserves it - ad hominem attacks always do more harm to the people who share those characteristic then the individual you intend to cause harm to or discredit

[whoblewboobear]

Staring down that weird feeling of feeling like too much or out of place or annoying if I say too much or say things too loud or too off-putting to be like- WANTED in any given social situation. To try so hard to socialize just to- idk. I’d very much like to stop defaulting to that scared kid that was pushed away or talked over until I got old enough and desperate enough to say any and every rapid fire thought that comes to mind. Like filling space when there’s dead air then wondering if maybe I did the Too Much™️ thing again and A. Scared everyone away or B. Pushed everyone away so it would hurt less when they leave BC of A.

Of feeling like I need to be useful or smart or talented or pretty or SOMETHING worthwhile so people want me around. I can just be but then it’s like just being has never been enough for anyone to like- stay. Or care. Running is always a mistake bc it’s like riiiight.. no one noticed you ran, babe. You’re not even at the top of their list people to want around. And just feel so low about it that I talk myself into feeling miserable again.

I’m happy, ive been so much happier lately and i dont take it for granted bc it’s so rare that things go okay or that there’s a sense of peace for a moment. I’m creating again and im less hard on myself about it. I have hobbies again, I’m making friends. And still I’m like seeing the other foot start to drop in real time bc it’s like. You’re in, but are you? That constant nagging voice that sounds so much like my own going “lonely again? Good you deserve it”

[13eyond13]

Can't stress enough how much I appreciate that many fans of this series are fine with pointing out and acknowledging the flaws in their faves and seeing those flaws as part of the essential flavoring rather than something to erase or constantly get offended about people noticing

[wizardo-yo]

Recreated one of @crownlesswizard's mini student dorms in 3d

[rawbones]

ANYWAY as far as my personal life goes i booked a tattoo session for the end of the month (it will be my first) and my blood pressure is down to the high end of normal so i should be able to reschedule my top surgery soon