#I still want a new series

[shywhumpauthor]

Today is a “tell myself I’m going to write but never actually commit to writing” kinda day

[hayden-christensen]

OBI-WAN KENOBI (2022) Cinematography by Chung-Hoon Chung

@pscentral event 26: minimalism

[poorly-drawn-mdzs]

Wrapping up the season with a redraw (Jan 2024)!

Thank you all for these last 6 months, I have loved making so many people laugh from my silly comics B*)

[girlboss-apologist]

the thing about ncuti gatwa is that he is not only THE doctor but also THAT bitch

[genericpuff]

say sike right now, she's actually going back to The Doctor Pepper Show-

Like, this is just "What if The Doctor Pepper Show and LO had a baby?" Because at this point it's very clear Rachel only knows how to write from inside her own head, which is full of unresolved salt towards her childhood and medical fetish shit. The imagery in the first panel is very LO, and the imagery in the second is literally The Doctor Foxglove Show-

Evidently she's been reskinning the same shit for years-

Listen, I've been, for the most part, keeping my lips sealed on a lot of Rachel's old projects and what I've dug up on her previous works, for a few reasons:

1.) We were all cringe on the Internet at some point in time and a lot of these older works, such as Freak Scene Surgery and The Doctor Pepper Show, would have been from when she was in her late teens / early 20's. I'm not here to judge Rachel's personal preferences or whatever kind of fetishes she's into. It's totally normal, expected even, for a lot of creators to have older works they're trying to bury or disconnect themselves from because it's simply not them anymore.

2.) Ultimately I've been focused on discussion around Lore Olympus and Rachel as she currently operates as a creator, so I don't want to go digging up her old skeletons as any sort of "gotcha" towards LO today. Ultimately a lot of these works don't have anything to really 'do' with LO as it exists today.

That said, the reason I'm bringing it up now is because these new series... are bridging that gap that I've been avoiding for ages now. The gap that's filled with skeletons of Rachel's past that she's trying to both disconnect herself from but now fall back on with LO come and gone. It almost goes to show that her being a one-note pony goes back since far before LO - these are literally the only ideas she's able to come up with at this point, and it's painfully obvious in how both these new "graphic novel pitches" are pretty much the exact same and could apply to the same character, and that character may as well just be Persephone, i.e. Rachel, all over again.

Like, I'm calling it now, Patients in the Dark is just gonna be more "moms are bad" rhetoric, and Eleanor's Deathbed is gonna be Hades and Persephone, but replace Hades with some death god and Persephone with a training mortician, which is basically also still just Foxglove training to be a doctor, and Icy Shaw bragging about fondling corpses.

If anything, now that Webtoons is no longer carrying her around on their shoulders, this is gonna be Rachel's moment of "put up or shut up". She can either actually put in an active effort to write something that's decent, or she can flounder under the weight of her own tired mediocrity that's been knocking at her door for years now. As much as she's using her labels that were bought for her to sell these books which aren't even in real development yet-

-Webtoons isn't gonna be there to buy her Eisners forever. This is entirely on her and the imprint that Webtoons shoved her into. Her process is still the same, she's learned nothing from the experience of making LO, she's just got the money and awards now and is trying to run with it, but all she has are the same tired pitch lines that she's been using for decades now and just so happened to work with LO because LO had both Webtoons and the appeal of it being a Greek myth "retelling" to carry it into fame.

I'm gonna go into a bit of a tangent here, but it's been weighing on my mind since I found out this news and have been discussing it with pals within the ULO circle. Rachel once said in an interview that she wanted to use her platform to raise awareness of issues regarding sexual assault, mental health, and "the patriarchy":

"Who do you know that hasn’t been sexually assaulted? The number is depressingly low, right? Why is that? There is no short answer or an easy fix. I have a platform. I can tell a story that will hopefully educate and help others feel acknowledged and vindicated." - Rachel Smythe, Interview with Gossamer Rainbow

"...obviously I'm very feminist, and that sort of stuff really matters to me, um, the best way to approach this question is… I began, the pilot was written in sort of mid-2017, and I think what I wanted, what I wanted to achieve, and I don't even know… probably in 5 years time I don't know how I'm going to feel about this but I'm taking the risk, I really wanted to write a story where, uh…this female character goes through these things and I think what I wanted to do, what I wanted to achieve, was like a really common, I can't speak for like, men, but I can definitely speak for like, you know, if you're sitting in a group of your female friends and you're like "Hey! Who's been sexually assaulted?" … The response is going to be really depressing… Most female people that you know have probably experienced sexual assault to, on one level or another, and I'm like, for me I'm like "Why is that? Why?" And is it because there is a lack of information, lack of education, like what is it? And I'm lucky enough to have a platform and I'm like, if I could just provide some information in story format, would that help? Is this what I can contribute? So I feel like, especially, when writing sexual assault in media often it's… it's a way for the main male character to be, like, uplifted to hero-ness by, usually like, violence is the way to fix the problem, and that's not the approach that I want to take… um, I think [sighs], oh god, sorry I've lost my train of thought, [sighs], yeah, I think a lot of the time in movies when they, like, show rapists or something it's generally someone who's jumped out from behind the tree at a lady in a park and it's not really how it is like 90% of the time [laughs], so I just wanted to make something realistic where people could at it and be, like, "hey, nagging someone into sex isn't cool" or like removing all of their opportunities to say no isn't cool, or for someone to look at it, and just like feel validation, this is me trying, trying my best to make a difference with the platform that I have, and yeah, this is my roundabout answer for it" - Rachel Smythe, Interview with The Comic Source

And yet not once has Rachel actually used her platform for good outside of herself. She just asks the question, "Sexual assault?" and then writes off the answer "yes, it's bad!" and it especially shows in LO where the resolution to the one plotline she kept around to draw in readers was "assaulters are sent to the timeout corner!" Sure, it works for the readers who are simply seeking validation that their experiences aren't unique to themselves, but is it actually doing any real work to talk about the systems in place that leads to people like Apollo being created? Is it doing anything to address purity culture as it exists and the double standards that exist for women who are navigating sexual relationships? Is it doing anything to take the discussion outside of the narrative and put it into action through support of women's shelters, charities, mental health support for men, etc.? Not really. Like many of Rachel's ideas throughout LO, she simply goes, "Men, amirite?" and the answer is "yeah men suck!" and nothing more. The answer to the entire SA plotline is "rape is bad, don't do it" when anyone who could even relate to that conclusion in the first place already knows that.

Ultimately the activism she claims she's trying to do doesn't actually service the issue at hand - it just services herself and her own insecurities, her own unresolved trauma, her own need for validation through Eisners and merch sales. She asks the question, "Who hasn't been assaulted?" so that when she responds to the women who come forward and relate to Persephone, it's with the intent of getting them to read LO and buy her merchandise. She winds up making herself the center of other people's experiences, even ones that she cannot relate to. At BEST her attempts to "use her platform" as a means of starting discussion around ongoing societal issues like the patriarchy and sexual assault towards women is about as effective as Bell #LetsTalk, it's purely performative, self-profiting, and offers nothing of real tangibility.

If she just wants to write her own self-empowering personal works, that would be fine. Plenty of creators do it. Art is, at its core, self-expression. But it's extremely telling that she's built a platform off her self-expression, and twisted it into what she believes to be "activism" and "feminism", so that she can continue to profit off it in her future works such as this, which, again, are just reskins of her previous projects which were largely centered around the fetishizing of abuse towards women.

I don't want to claim that this is what it is, but... how much of the "feminism" in LO is done purely through the lens of victimizing women? Why is there more effort put into torturing female characters like Hera, and Demeter, and Minthe, and even Persephone to a certain degree, than there is into actually addressing the larger issue that she's claiming she wants to shed light on and resolving her questions with actionable answers?

That is the only question I will leave you all with. I am absolutely 100% not planning on touching these works with a ten foot pole, even if they should come to fruition. With the recent realization that she was into artists like Trevor Brown, alongside the fact that we've known for a long time she's into Lolita and there are very clear parallels to draw between it and LO, I think it's safe to say at this point that Rachel's work is not something I want to continue to support even when it's "hate reading". Again, I'm not going to outright accuse her of anything, but I feel like the writing is clearly on the wall here and I'm taking that writing as my warning to steer clear.

I didn't want to discuss the elephant in the room - her older works as they exist in the distant past of the early 2000's - but she's now riding the elephant.

[hazbinshusk]

blitzø x f!reader.

part two to this fic.

after inviting blitzø to stay the night in your bed, the two of you (and the rest of i.m.p.) deal with the sudden change in the dynamic between the two of you.

features blitzø typical language, pure fluff, and sexual innuendo. the man really has a thing for your boobs, okay? 1.4k

* * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * * *

You wake up before your alarm, eyes opening reluctantly against the red light of a hellish morning. It takes you a moment to remember the events of the night before, but the shifting of the sheets over you as another body in the bed moves brings it all flooding back.

Both you and Blitzø had moved in the night and his hand is no longer wrapped around yours. You vaguely remember falling asleep after him, your hand still enclosed in his as his breathing had slowly evened out into a soothing, steady rhythm. His back is to you now, his body curled in on itself almost protectively. You take a moment to study him, the curve of his horns and the slim line of his back as it peeks out from under the blankets. Eventually you make a move to leave the bed, switching off your alarm and intent on a steaming shower.

You stop as something tightens reflexively around your leg as soon as you try to move, and you lift the sheets with a brow raised in curiosity. Blitzø’s tail is wrapped firmly around your calf, and as you watch, the spade of his tail twitches slowly back in forth against the underside of your knee. It’s oddly soothing, and you press your lips together against the smile that threatens to bloom on your lips. With a soft exhale you let yourself fall back against the mattress, turning your head to look at him again.

“Blitzø?” you say his name softly, almost unwilling to wake him up. You weren’t sure of the last time he’d seemed so… peaceful. You reach out to touch a gentle hand to his shoulder. “B? We’ve gotta go to work.”

The imp groans, rolling onto his back. He squints up at the unfamiliar ceiling, apparently confused. “The fuck…?”

His eyes snap fully open as the night before suddenly comes back to him, and he grimaces, slowly turning his head to meet your eye.

“Christ on a stick, I really spent the fuckin’ night here, didn’t I?”

You nod, amused by the almost bashful glint in his eyes. “You did.”

“Please tell me I at least got to bury my face in those sweet—”

“No, you didn’t.” you say bluntly, rolling your eyes before he can finish. Still, you feel a tingle of warmth through you at the suggestion. “How’d you sleep?”

He shrugs a shoulder, rubbing a hand over his face and groaning. “Fuck, my head hurts.”

“That’s what happens when you drink your weight in booze two nights in a row.”

“Bitch.”

You smirk at the lack of venom in his voice. “You wanna shower first? I don’t know if I’ve got anything you could wear, but I guess you could borrow a shirt or something if you need it…”

Blitzø groans again, more dramatically than before, rolling into your side and burying his face in your neck. You freeze as you feel the warmth of him press up against you, his face almost nuzzling into the curve of your collarbone. The sensation makes that warmth reappear inside you. The softest of cat-like purrs sounds from him for a moment before he stiffens, suddenly aware of the position he’s in.

He jerks away from you, falling off the side of the bed with a loud thump and a string of curses. The move tugs your leg across the bed, and his swearing continues as he realizes he’s effectively tied himself to you in his sleep. “Fuckin’ – ASS!”

His tail detangles itself from your leg as you sit up, and you swear you can see a pinkish hue to the scarred side of his face.

“…You good?”

“Shut up.”

“Nope,” you reply childishly, smirking when he flips you off. “Now, did you want to shower?”

Blitzø tries for seductive, raising an eyebrow at you from where he still sits on the floor. “You joining me? ‘Cause I gotta say the idea of you all soaped up and gag—”

“Blitzø.” you deadpan, climbing out of bed. His eyes drop over your figure as he realizes what you had been wearing in bed with him – just an oversized tee shirt and your underwear – and you swear his pupils dilate. “Are you sober yet?”

He blinks up at you, swallowing heavily before clearing his throat. “Judgin’ by the titty-fuckin’ brass band shovin’ its collective dick up my brain’s unlubed ass right now, I’d say yeah.”

You wrinkle your nose at the metaphor but squat down in front of him, studying his face for a moment. You nod as you make a decision, reaching out to wipe a spot of dried drool away from the corner of his mouth with your thumb. “Okay.”

Ignoring the part of you that reminded you that this was a bad idea, you leaned forward and pressed your lips against his in a chaste kiss, his cheek still cupped in your hand. Blitzø freezes for a moment before kissing you back, his hand finding your knee and sliding up to curl around the bare flesh of your thigh as he leans up into it. You feel his breath catch against your mouth, his tongue touching your bottom lip for a second. The kiss is soft and it’s brief and when you pull away Blitzø still looks surprised.

Giving him a small smile you stand, fingers curling in the hem of your shirt. “I’ve gotta shower. The coffee machine should start brewing in a few minutes if you want some.”

“I… what?!”

***

Loona doesn’t say anything when she climbs up into the van beside you, trapping you between the hellhound and the imp driving, but her raised eyebrow speaks volumes.

“Nothing happened.” you tell her defensively.

“Uh-huh.” Loona replies dryly, already focused on her phone, and you can basically feel Blitzø’s smirk on the other side of you. By the time you were showered and dressed he’d managed to summon up much of his usual bravado, and the fact that he was currently wearing your favorite 666 Wrath Radio tee shirt was serving as basically a spotlight broadcasting the idea that the two of you had fucked.

You suspect that that was the whole reason he picked it.

You jump as you feel Blitzø’s hand slide over your thigh as he reaches between your knees to shift gears. He touches you again as he withdraws, claws grazing along the sensitive skin of your inner thigh. Goosebumps follow after them. You shiver and he snickers, and suddenly you’re regretting the fact that you’d chosen to wear shorts.

Loona eyes you as she notices the touch, and you roll your eyes. “Nothing happened.”

“Sure.”

***

“Is Blitzø wearing your shirt?” Moxxie asked as you entered the I.M.P. office, drawing Millie’s attention too. “Why is he wearing your shirt?”

A smile forms on Millie’s lips, her eyes shining with possibility. “Did you two…?”

“No!” you reply, dropping onto the couch with a sigh. “For Satan’s sake, no!”

Moxxie seems to be still stuck on the obvious. “But he’s wearing your shirt.”

“Aw, come on, Moxx.” Blitzø says, wrapping an arm obnoxiously around the other imp and pulling him unwillingly into his side. He ruffles Moxxie’s hair with his fist, grinning as he tries to shove him away. “You know if we’d fucked Y/N here would need the day off just to get those sexy little legs of hers workin’ again after all the shakin’ they’d been doin’!”

“Shut the fuck up, B,” you tell him as Moxxie finally manages to wrest himself Blitzø’s grasp, and the taller imp grins at you. “Or I’ll tell ‘em what actually happened last night. Okay, boss?”

“Ooh, ‘boss’? Tits, you’re gonna go and make me all tingly.”

You roll your eyes, but his smile widens from teasing to more pleased as he notices you trying not to smile yourself. “Can we just… go kill someone? Please?”

Blitzø claps his hand together, turning on his heel to face Loona. “Now you’re talking! Looney, what have we got on the books for today?”

Millie takes a seat beside you, leaning into your side to speak quietly enough that only you would hear. “What did happen last night?”

You shake your head, avoiding her eye. Blitzø catches your eye again as Loona goes through the day’s agenda in a detached tone of voice. He winks and you feel yourself flush. Millie’s eyebrows shoot up as she notices.

You clear your throat. “I… honestly, I've got no fucking idea.”

[anxioussailorsoldier]

[crispywizardtale]

[moonkhao]

You left me out there, feeling achy alone.

WE ARE | EP5

[multifandom-nerds-blog]

I'm rewatching Trollhunters in the background right now, and the disfunctional mother son relationship between Jim and his mom is making me crazy.

Like, he's taking care of the household and his mother for years as a teenager and before probably. She is sometimes giving half hearted comments about him not having to do so much, but very obviously she's not gonna make him stop do all the cooking and cleaning. Y'know. Both because they've been living like this for years, and because it's obviously also very comfortable to have someone do all the house work.

Then Strickler comes into the picture, and if we ignore the whole Troll and changeling side of the story, Barabara gets very offended cause Jim doesn't want her to meet him privately. Again, ignoring the whole magic and trolls stuff, STRICKLER IS JIMS TEACHER. If Jim hadn't figured out that Strickler was a changeling he probably wouldn't have a problem with it, but the fact that he does, no matter the reason, should be enough for Barbara to put a stop to the relationship. Her child is clearly uncomfortable with her seeing/dating that guy, for whatever reason, and even clearly vocalized it. But she doesn't care about, or rather, she tells Jim that she "wouldn't expect something like that" from him. Obviously not, cause she may see him like her child/teenager he is, BUT DOESN'T TREAT HIM LIKE ONE.

And then Jim, unknowingly to Barbara, becomes the Trollhunter, and his behavior changes. He's suddenly doing reckless stuff, sneaking out, getting bruises, landing in detention and even at the police station, barely avoiding a police report. What does she do? Asking him what's going on? If everything's alright at school? If he has any other problems? Maybe trying to lower his workload around the house, which again, he's doing most of that as a teenager and longer probably.

Nah. She doesn't do anything until he lands in the hospital. Except for again, dismissing him rather negatively at the one topic he's openly expressing any negative opinions about (Strickler). And after he lands in the hospital she now starts not asking questions, but demanding answers. Demanding answers from a teenager in a difficult situation who is also now acting much more like a teenager than he ever did before, from her point of view at least. Except she obviously doesn't know how to deal with a teenager, cause she has never had to raise or live with a teenager. She instead lived with a child pretending to be an adult for years, that was partly much more of an adult than she was, who did way to much work even before Jim became the Trollhunter. So she throws punishments at him and grounds him, but does he listen?

No. Cause why should he? Not only is he dealing with things much more important than being grounded, yknow, saving the world, he's trying to protect her from the sheer knowledge of the supernatural and physically protecting her from getting harmed. And again, for the majority of the time since his dad left he pretended to be an adult. He was and is the main adult in the household, dealing with important things she doesn't even know about.

The only one's treating Jim like a teenager are teachers, other children and Blinky and Aaargh sort of when they're not in the middle of Troll business. Strickler, in the first episodes where Jim doesn't know about his true identity, is much more of a parental figure to Jim (also after his redemption later on tbh) than his mother.

In summary: Barbara is treating her son like an adult, almost like a partner, instead of a child/teenager. And when that isn't possible anymore she doesn't know how to properly treat him. She also doesn't really care that her son is uncomfortable with her being around Strickler, or Strickler in general. And it takes Blinky telling her (when Jim is 16) that Jim might be affected by his father leaving when he was five years old.

Jim meanwhile is treating his mother more like a child/teenager instead of the adult and MOTHER that she is. Seeing her as his responsibility. Cooking for her. Cleaning for her. Telling her to rest and take breaks.

They obviously love each other other. And their relationship might not be toxic, but it's very much disfunctional. In a way that is mostly negative for Jim.

[vaggieslefteye]

CHARLIE MAGNE from HAZBIN HOTEL (2019): Pilot - "That's Entertainment" ↳ "So, I've been thinking: Isn't there a more humane way to hinder overpopulation here in Hell? Perhaps we can create an alternative way to change souls through... redemption?"

[kinokoshoujoart]

oops all rock (springtime edition)

i’ll be able to draw digitally again soon! ;w; in the meantime i’ve been scribbling a lot on paper…

could not wait for Soon, so i resorted to coloring it using the markup tool in default iphone photos app (don’t do that ever again)

[chaos0pikachu]

man some of y'all have never learned the home training of "keep your hate/critique out the main tags and on your own blog or in critical tags" and then wonder why ppl be vagueblogging or reblogging with disagreements like you didn't show up to the crochet lovers group telling everybody how crocheting was actually Not Fun At All and really hard and doesn't make sense to enjoy, or Problematic, actually instead of keeping it in the group chat with the haterella besties

[kismetconstellations]

[misspoetree]

[Main Post: KinnPorsche + Text Posts: Vegas Edition - Part III]

[random-dragon-exe]

Okay hot take, but I wouldn't mind if adult Timmy doesn't appear in FOP A New Wish.

Maybe it's just me, but I think it'd be great to have some ambiguity to his fate.

Think of it like the fate of the Baudelaires in ASOUE, at the end of The End, the audience doesn't know their fate. However, it's up to the person's imagination to create their fate. Sometimes, we won't get all the answers, and it's up to the audience to fill in the gaps.

I honestly think it'd be for the better for the show to continue the stories of a couple of OG characters to further the plot, except for Timmy.

Mainly because I'd like the show to continue on its own merit, not just for the nostalgia of showing the OG characters we've seen.

For example, I like the direction that we've seen so far, allowing a few OG characters to return to have an actual impact on the plot, and it feels natural to their story.

A.J founded the Galaxa Institute

Crocker is a janitor at the Institute still with a fairy obsession

Vicky is a birthday princess who terrorizes kids when the adults aren't looking

Again it's a hot take for a reason. I'm aware that I'm in the minority here.