Breaking Down the Comics: Disguises
Moon Knight, Issue # 19: Assault on Island Strange
We continue the fight!
And he looks a little tattered there in the cover. Which... You learn that the more beat up gets the better the fight. He fights the best when he's just obliterated.
In fact, that's a very familiar pose... Any time they want to tear him up a bit, they always rip up the knee and thigh.
The story opens with an airstrip in Lebanon where terrorist recruits are meeting up.
Moon Knight crashes the party.
He glides in, easily mistaken as a ghost (a common theme in early comics). They shoot at him, terrified.
"This is the closest I've ever come to a kamikaze glide... No doubt about that... But time was running out and I coudn't figure out any other option!" - Moon Knight demonstrating his lack of forethought into his own safety.
He is trying to figure out how to get on the plane that will take the recruits to Nimrod Strange's island so he can infiltrate it.
Now.... He could have EASILY snuck his way in as Marc Spector. A well known Merc in the field with brutal and effective tactics.... But Marc is also not careful about his 'secret' identity as Moon Knight and his name IS starting to make its way through the circles.
But then we wouldn’t have this lovely display of Moon Knight’s sense of humor/wit.
Moon Knight takes care of the last of the guards then runs to the side where he meets up with Frenchie and Marlene.
He instructs them to "give me Spector's Clothes."
Marlene tries to warn him about something but Marc snaps that he has no time and starts to change. He assumes a fake ID (with a Lockle's mustache and some glasses).
He assumes the I.D. of "Yitzak Topol". That's an interesting choice in name....
He, Marlene, and Frenchie are posing as Revolutionaries with "colorful and checkered pasts.
They gather with the other recruits in the back of a truck before the guards return.
One of the guards remarks that he didn't see a 'ghost' but a woman! That's what Marlene was trying to warn him about.
The guards are too concerned about arguing amongst themselves and get in the truck.
They eventually board a plane after having their credentials checked. They have papers given to them from the government agency that they met up with in Jerusalem in the last issue.
Meanwhile, a well armed ship stays just outside the island's patrol range. It's the government people that sent Marc and friends in.
The men wait anxiously and argue. One is upset about sending in civilians, one tries to reassure the others that Marc knows what he's doing.
The first brings up the fact that Marc Spector has worked both sides of the field, both good and bad depending on who paid the best.
The second assures them that Marc was friends with their top man, who was killed by Nimrod's men.
The first is now double worried about Marc going in full of emotions and an eye for revenge.
Back on the island, Nimrod Strange goes to greet the new recruits. He is, as always, flanked by his three lady bodyguards.
He comments again that his blond one is getting too slow and needs to be replaced.
Nimrod looks over the recruits and asks who they are and their past political affiliations.
Marlene gives her cover story and Nimrod notes that she fits the bill to be his new body guard.
He decides to test her and sicks his three ladies against her.
Now this is where respect for Marlene comes from. She's always shown skill in protecting herself. Moon Knight has never had to 'rescue' this damsel. She always ends up saving him.
She was trained with guns when she helped her father on dangerous digs. She learned self defense and then Steven insisted that she learn how to fight. She's parried with Marc countless times and she's also quite smart.
Marlene makes quick work of her attacker and passes the test. She's now a personal bodyguard for Nimrod.
One might imagine that the replaced bodyguard is quite bitter.
She notes Marc and Frenchie talking together and taking interest in Marlene. She's instantly suspicious.
Meanwhile, Nimrod reveals to Marlene that he has a new position for himself too. He has a new outfit full of weapons and the likes and calls himself "Arsenal".
He demonstrates his new killing tools. He has the sniper weapon, the throwing knives, the nunchaks, the firearms, and the garrot that all the former leaders had (see previous issues where Moon Knight kicked ass).
He is now his own slayer elite.
He reveals that in two weeks the new recruits will be ready to strike against Tokyo, Lebanon, Poland, Paris, Madrid, Rome, Buenos Aires, South Africa and Manhattan.
While the recruits are settling in, the angry former bodyguard has gotten her hands on the original recruit list.
She takes count and notes that there are three more than there should be. Not to mention that there is no woman on the list.
Frenchie and Moon Knight slip out at night, Frenchie to check out the planes and Moon Knight in search of the weapons.
Moon Knight sabotages the guns and Frenchie works on all the planes.
Moon Knight goes to check out how Marlene is doing only to find Nimrod with his tongue down her throat, celebrating her initiation.
So he kicks their plan into high gear a little early.
The ex-body guard has her own plan. She raises the alarm about there being two infiltrators and plans to take care of Marlene herself.
Yeah, she can't even win in a training fight against the other two bodyguards, how's she going to beat Marlene?
And yeah, she tries to get the drop on Marlene an Marlene kicks her ass before Nimrod notices anything strange.
Out on the base, Frenchie sets off a detonator and blows up all but one of the airplanes.
They plan to use the last plane to blow up the armory.
There's a lot going on here.
The plane takes off, Moon Knight flying.
This...this is why Moon Knight should not be allowed near anything that flies.
He can't get the plane working right so he decides to just.... crash the plane into the armory.
I'm not going to count this under the tally for 'moon copter/plane crash', but.... Maybe there should be a talley for the number of times Marc/Moon Knight has used a vehicle as a weapon by crashing it into his target.
The resulting explosion signals the government guys to move in on the island.
Meanwhile, Nimrod, now calling himself Arsenal, believes correctly that the island is under attack. He grabs his nearest bodyguard (Marlene) and makes a run for it.
Moon Knight drops in and confronts him.
"You killed my oldest friend--among other things you've done to me and mine. I'm here to avenge those things."
Not very specific there, Marc. Just there for general revenge, huh?
Blinded by revenge, Arsenal uses the opportunity to attack. He lobs a grenade and Moon Knight deflects it but still takes a major hit. He's down for the count.
Marlene is whisked away, attempting to keep up her secret identity, knowing she's the 'only link to Strange's future movements.'
In the remaining rubble, they find a map of Manhattan with major bridges and tunnels marked off, implying they plan to cut off Manhattan island from the rest of New York and hold it hostage.
End of this issue! One more to go in the saga of Nimrod Strange!
This one was action heavy and kinda bland compared to the major themes and imagery in the previous issues.
It served to show and highlight Marlene’s abilities to hold her own and her value. It also showed Marc’s temper a bit and how he can get so caught up in revenge that he loses sight of everything else around him.
It could have touched on that more, but it had a very complicated plot for Marc to carry out.
I also found it interesting that Marc’s chosen disguise had him looking a lot like a young version of his father.
He dons the disguise easily and you have to wonder if this was something he had to do a lot back in the day or something new he’s learned to do. I’d wager it’s new. Marc Spector the Mercenary was not a man of disguises and not well known enough to need disguises.
It wasn’t till Jake put on the mustache that Marc learned the value of changing his face. Now it’s very easy for him.
In fact, he’s the only one that DOES put on a disguise. Frenchie and Marlene go as they are and only change their names. While Nimrod knows about Marc Spector, he has not seen his face. And even if he had done research into him, you’d think he’d know what Frenchie and Marlene looked like too.
So the fact that Marc puts on such a disguise could be his own idea. His own way to feel more comfortable. To remind himself that he’s on a mission and can’t be Marc Spector right now. And when Marc can’t be Jake, Steven, or even Moon Knight, he has to put on a different mask.
Marc once more needed and finding any way to not be himself. To put on a mask and not deal with everything that comes with being Marc Spector.
And while in this issue, Marlene still insists on calling him Steven when she can, it’s almost half hearted. We haven’t seen Steven or Jake since the start of this particular run.
At this point, Marc has to be clinging to front. He strikes me as the type that clings onto control with a death grip. There is no identified gate-keeper in the system at this point. The system is still freshly aware in many cases. So Marc holds on.
And even if he didn’t… Jake is far from his cab and New York comfort. Steven is far too soft for the discomfort of this mission. They have stepped back and Marc is running the show.
But you have to wonder how this is going to affect them all later. Are they going to resent him for running off and resorting to his old methods? Is he causing them harm? Diving into old trauma, bad habits, self harm…
When they get the body back, will they be angry at him? Or will he be angry enough at himself? We know Marc does not like being himself. That he doesn’t like to front when at home in New York. Being front stuck for so long, how hard will Marc crash when this is over?
11 notes
·
View notes
I just read your rant about zukka and it made me think what if zuko’s obsession with sokka has to do with the fact that sokka in some ways encompasses some of the traits that have been forced on Zuko since he was young like the whole killing without mercy or remorse and the need for control and the strategic thinking. But Sokka uses these skills no to try and rule the world but to help aang stop Ozai. I haven’t watched atla in a while but your analyses help me realize a lot of details that I missed about it was he characters
yeah i’ve talked before about how sokka and azula being so similar must be kind of a mindfuck for zuko because sokka has “a killer instinct that’s just so fire nation” but also he’s literally friends with the bald baby pacifist monk avatar who says shit like “do you think we could’ve been friends too?” and so zuko clearly has no idea what to think. like he and azula were both indoctrinated into this world that valued certain traits and dogmas over others (ie, sokka’s over aang’s) and so azula sees sokka as more of a threat.
it’s funny because obviously sokka and zuko’s first encounter is sokka getting his ass handed to him by a guy who doesn’t even care that he’s in his way, but also that scheme is pretty immediately disrupted by sokka’s boomerang. and then the next time they meet, sokka has actually spent time training under someone (instead of fumbling around in the dark by himself) and can now hold his own far better. and every single encounter after that sees sokka not only rising to zuko’s level, but surpassing him, fighting him, foiling his plans, advocating to leave him for dead, ignoring him, dismissing him.
even at the western air temple, sokka is the liaison who welcomes him into the group (the designated “leadership” role comes with more responsibilities than simply assassinating assassins), but he also makes it pretty clear that he doesn’t care for or trust zuko throughout “the firebending masters,” even if his manner of bullying is far less overtly malicious than katara’s. and yet, zuko cannot discount him. zuko saw him kill combustion man. zuko understands his value to the group. zuko recognizes that quality he and azula share. zuko may have had an advantage over him the first time they met, but it sure didn’t last long. if azula and zuko have anything in common, it’s a mutual respect for sokka.
like, sokka is the only member of the gaang’s name azula actually says (aang is “the avatar,” katara is “peasant,” toph is [insert blind joke here], and suki is “my favorite prisoner”) and on the day of black sun, she elects to distract sokka first and foremost knowing that he’s their “leader.” and she does clearly respect him more than most people do because she can see herself in him (at least to some extent, i don’t think either of them are actually insightful enough to realize how deep that connection truly goes) and thus can recognize his worth as someone who is in a similar position, albeit on the opposite side.
zuko does say and aang and katara’s names (and appa’s), but sokka’s name is the first he says, and it’s really the only name he uses as a mode of address. and the matter of naming is clearly important to royal heirs, who are defined by their names and titles. we see that especially when zuko confuses ursa’s “remember who you are” with “remember your ancestry,” declaring who he is not as internal identity, but as title. to afford someone the respect of addressing them by name is to implicitly demonstrate respect for them.
this is further demonstrated by the fact that unlike “you just had to pick up the glowing egg” zuko of just an episode prior, zuko really does follow sokka’s leadership and places his complete faith in his abilities. there’s no complaining or backseat driving or undermining of his intentions, which is genuinely anomalous for zuko, who generally refuses to listen to anyone about anything (unless he’s being actively scared into submission, and even then he’s stood up to ozai multiple times). he’s not outspoken in these episodes, however. he is downright docile. and it’s because he genuinely believes sokka to be his superior. which isn’t to say that sokka isn’t better than he is, but like. aang is too and he doesn’t take his knowledge into account! because aang doesn’t represent the values that zuko strove to embody his entire life.
what’s more, i would imagine there’s something kind of satisfying, if not downright intriguing, about knowing someone who basically is what you aspire to be, who you were told you must be your entire life, and seeing that he is just. absolutely fucking miserable. like azula is also miserable, but zuko doesn’t know that (yet), because she hides it better. but sokka is genuinely suicidal (especially in these episodes). meeting this idealized standard of perfection you have always failed to reach and realizing that whatever standards you once (recently) held yourself to are actually deeply unfulfilling. that sokka isn’t “perfect,” that he actually considers himself a failure. and the fact that when he does fail, he considers it the end of the world because he never built up the resilience one gets from being a normal person who doesn’t always succeed on their first try. and zuko’s like “finally, something i have that he doesn’t: intimate knowledge of what it’s like to constantly fail and underperform and disappoint people!”
zuko is really perfectly equipped to support sokka in this situation, because he idolizes him enough to provide him with the unconditional support sokka feels fundamentally undeserving of, and also understands sokka’s misery enough to give him actually meaningful advice when it matters. what’s interesting about how zuko feels about sokka is that it’s not just about uncritically putting him on a pedestal for being Nice Azula or whatever, it’s also about zuko’s genuine desire to help sokka and protect him.
yue inhabits the martyr role that sokka has always envisioned himself in, suki establishes herself as someone who is equally capable of protecting him and he can her, and zuko risks his life to support sokka on his crazy suicide mission, when sokka was so intent on going it alone because he wasn’t thinking clearly didn’t want anyone else to get hurt. sokka doesn’t need someone who treats him like an irreproachable god. in fact, i think sokka would hate nothing more than having a sycophant. he needs someone who understands that he is fallible and vulnerable and needs help like any human being does, and respects and trusts and admires him anyway.
zuko doesn’t have the capacity to recognize azula’s insecurities and shortcomings, or the desire to help her, but he does for sokka. because he never felt like he was in a position where he had to compete for something against him. he’s not trying to usurp sokka’s role as “leader” (except for whatever was going on in “sozin’s comet,” but that’s for another post) and is happy to simply follow him, in a way that is genuinely uncharacteristic for him.
and you can say that it’s because zuko is gay and stupid (which wouldn’t be wrong, per se), but it’s also because sokka embodies everything zuko ever thought he had to be. and it’s because sokka doesn’t even care. it’s the recognition that one person’s idealized model of behavior is another’s burden. that if zuko had been “perfect” like sokka, he never would’ve gained the wisdom to accept defeat and not let it deter him. perfect like azula, who, like sokka, shatters in the face of failure.
zuko says as much in “the siege of the north,” and again in “the western air temple.” the fact that he isn’t a prodigy, the fact that he “had to struggle and fight” to achieve what little he has, is “what made me who i am.” so he’ll respect sokka, of course, because sokka is who he wished for so long that he could be. but he’ll also support sokka, because he has just enough distance from the situation to recognize that he’s not an island (even if sokka himself is convinced that he must be). so it’s not obsession, per se, nor is it simply uncritical admiration that confuses excellence for infallibility. it’s unconditional support born of understanding, a sort of empathy. it’s devotion.
171 notes
·
View notes
elemental has turned around at the box office and gone from flop to doing well. it seems this is pretty much entirely because of word of mouth. maybe theres other factors im not considering, but thats pretty fucking impressive.
and i think it deserves it tbh. it is far from perfect, but it might be my favorite pixar film of the 20s so far. granted, the bar isn't as high as the 10s or 00s, but hey, the decade is young. its pretty good!
i think what i liked about it was mainly that it was really emotionally sincere. like. its not too snide or self-aware, it just deeply cares about its characters and is totally committed to the world.
so many newer pixar flicks have this "popcorn filler" middle where there's zany antics that barely connect to the emotional journey. this movie doesn't. its all about these two main characters bonding in a way i found organic and compelling. and there's very little cringe humor. that one annoying tree guy is basically just in it for two seconds. idk why disney marketing still (wrongly) believes that kind of eyebrow wiggle humor is popular, because that made the movie look WAY worse.
anyway. its definitely good for a movie that was written off en-masse as cringey and generic and a lazy race metaphor. i don't think its any of these things. i think the main creative voice speaking about their own immigrant experiences does the job in a decent way.
also, that one clip of "fire girl being racist" is ignoring the crucial context that SHES the immigrant whos discriminated against, not some white-coded karen who needs to learn to be less racist. shes aware that shes less privileged and doesnt want to rock the boat.
also-also, i'm not even going reason with the badfaith twitter take that "she doesn't wanna date the tree boy because she's RACIST instead of it being because he's a CHILD?? #groomer alert!1!!"
like. come on. she's clearly not interested in him, she doesn't need to Spell Out that its because he's a child. that's not the point of the movie. thats just the most lazy twitter hot take for the sake of morally justifying that you found a thing cringe. don't be that person.
if you don't wanna see it, hey, don't. its fine. i'm not gonna go to bat like its the most important movie ever or anything... but its nice seeing pixar have more well-rounded, developed girl characters, after decades of being the emotionally sincere boys club. about time.
also, the romance is cute. i totally get why the aroace community in particular relate. like. its a romance where they Literally cannot touch each other, so its a relationship that actually develops because of their personalities rather than anything physical. its nice :)
89 notes
·
View notes