#I think we've been getting foreshadowing

[lloydfrontera]

my love for lloyd's being shown repeatedly to be a kind and surprisingly thoughtful person and boss in the webnovel VS my need to see lloyd and javier being absolute asshole best friends with each other

it's a tough fight i'm not gonna lie

[cherrymangos]

.

[poptartmochi]

finally looked at the lyrics for red birthmark.. I'm so sane 🍻

[firestorm09890]

there's a part of canto vi I've been thinking about since it came out, and it doesn't actually have anything to do with Heathcliff.

this

She is bitter as fuck and as time goes on she's getting worse at keeping it down. Sinclair's the one who started it, by talking about how sad it is that they'd never get to see color, and Rodya starts to get a little irritated over it (yeah, sure, pity the Backstreets folk and their poor miserable little lives, privileged nest boy), but she's obviously trying not to straight up call Sinclair a privileged nest boy because she doesn't want to. But then Yi Sang and Ishmael join in on talking about how sad this place is with no color and she just can't keep her opinion down.

But that makes the atmosphere tense, and she hates a tense atmosphere, so she changes the subject and her tone, not giving a damn about how obvious it is. also, haha, ice and cold references.

And actually, this doesn't really have much evidence to support it, but I wonder if she holds a higher level of resentment for Sinclair in particular.

Canto II had some discussion about how Rodya wishes she was special (and while I think what Sonya said about her killing the tax collector just to feel special is absolute bullshit, I do also think there is some truth to her wanting to feel special), and introduced us to the concept of The Sign in a way that was vague and more like foreshadowing than actually introducing it. Then Canto III was all about The Sign, and how special Sinclair is, and since then we've had people talking about signs and stars and a new birth of the world and it's all stuff Rodya doesn't get to be part of.

I don't think she wants to hold resentment for Sinclair, and she especially never wants him to know, but going back after all this time and rereading this one interaction with him in Canto II felt pretty jarring.

the more important part of this is the way it feels like she's making a joke at Heathcliff's expense, for being poor, like even though she's also from the Backstreets she feels she's "above" it.

She absolutely does not feel this way.

On my way to find the first passage, I reread some other interesting stuff:

Once again, there's the harsh juxtaposition between casual, fun-loving Rodya, and tired, poor man's advocate Rodya. Almost everyone on the team speaks through the lens of a Nest dweller (I have to wonder if learning that Heathcliff was apparently raised in a mansion made her even more bitter), and the way she's so short with her mention of the Sweepers makes me think she's thinking about how painfully obvious it would have been to any other Backstreets dweller. And then, right after, dropping back into her casual voice, and Sinclair revealing that Rodya used the fucked up Backstreets creature to tease him...

Other obvious moments of Rodya being bitter as hell about rich people include this part of S.E.A.

and this part of her observation logs on Spiral of Contempt (actually, nearly everything in that log that isn't about the physical abnormality has to do with how much she hates how rich people look down upon the poor)

Hong Lu's canto comes after Don's, and then after his is Ryōshū's, who, based on her source material, probably served one of the most awful, contemptuous rich people the sinners have access to, and I really hope at some point here Rodya gets to snap in a big way

...hey so I wrote this entire post at 1 in the morning and then saved it to drafts because I didn't want to post something at 1 in the morning. the Timekilling Time trailer came out about two hours later, featuring both Rodya... and the long-awaited return of the Yurodiviye. so now it's past 3 in the morning for me but I'm posting it now anyway because ohohoho seeing the Yurodiviye again has given me SO much energy

I have a feeling all this is going to be very relevant extremely soon

[tamby-teeze]

Okay, so I know a solid 40% of the new Fantasy High was about Tracker "There's still deep attraction here" O'Shaughnessy, but HERE ME OUT

Gertie Bladeshield is the perfect woman for Kristen Applebees.

Cause, like, look, there was a lot of talk in episode 11 about impulsivity and chaos as an aspect of Kristen's character, mainly in how it's mirrored in Princess "Kristen if she had money" Naradriel, but it's also been a general focus this season, especially in how she often uses it to guard her emotions. Think back to "That's what you think", an incredible improv moment, but if you look at the big picture, Kristen's estranged parents make an incredibly inflammatory statement about her religion right after actively bullying her little brother, and instead of honoring any of the actual negative emotions she's being filled with in that moment, she pirouettes away. It's brought up in the adventuring party after this exact episode how Kristen is a cleric, a high-wisdom class that is naturally insightful, but uses these silly deflections to hold other people back from being insightful into her (hence Mac & Donna's lifetime insight disadvantage)

This isn't just limited to small moments, too. To take a broader look at the season so far, Kristen's chaotic, shrimp-jumping, wrangler-wearing, salsa-dipping, middle-school-campaigning, steel-workers-union-supporting bid for class president is often shown explicitly as a distraction from her existentially important job as the only cleric of Cassandra. Even when trying to earnestly apologize to Cassandra and prove to them that she's gonna prioritize her over class presidency, the only way she can articulate it is "You're the meat, mama." Her emotions are always guarded by some amount of chaos and impulsivity.

Now, how does that relate to Gertie "I've had a crush on you for a really long time" Bladeshield?

In both of the two scenes we've gotten of The Best D20 NPC (/j (but I do really like her)), Gertie has shown a pretty similar propensity for making bold, chaotic decisions in the heat of the moment. However, in my observation, these decisions do NOT come from a place of emotional suppression. Quite the opposite, actually.

Think back to her Grand Entrance into the narrative. Gertie, being one of the last people awake at Fabian's party, gifts her longtime-crush a jar of honey, something that connects directly to her passion/special-interest of beekeeping, in a homemade container designed as a pun on Kristen's last name. (in hindsight, the crush was very obvious) Then, in the middle of her infodumping to her about honey, Kristen's rich friend makes an incredibly dismissive remark about her good-natured gift. This obviously pisses her off, but unlike Kristen "That's what you think" Applebees, Gertie "I don't give a shit who's kid you are" Bladeshield lets herself feel those emotions very loudly, immediately starts a duel with possibly one of the most accomplished sword-fighters in the history of Aguefort, and declares him a life-long nemesis. She acts very brashly and impulsively, but in a way that doesn't hide her emotions, instead expressing them.

(I know there's a lot of talk about outbursts of anger being tied to Ankarna, but not only does the scene not really seem like foreshadowing to me, it's more interesting to see it through the lens of being Gertie's actual actions)

This trend continues with the 12th most noteworthy thing to have happened in episode 11 (which incredibly high acclaim), where after being explicitly asked to talk about bees by her crush, and being placed inches away from her face, kisses her on the lips. Now, excusing the albeit upsetting lack of consent, it once again shows Gertie acting very impulsively in a way that exposes her feelings to the people she likes. With these two instances of characterization being literally the only two scenes we get with her, it poses her as a very interesting parallel to Kristen, someone who shares in her willingness to make impulsive decisions, but differs wildly from her in the way she uses them to react to strong emotions.

However, does this really make Gertie the Autism to her ADHD?

(idk if Gertie really shows autistic traits, I just wanted to say that) Well, part of what Tracker a good companion for Kristen was that, as a fellow cleric, she naturally had very high wisdom, meaning she had enough insight to look past the layers of shrimp and salsa and engage with her on a deep level. However, clerics aren't the only class that cast spells with wisdom, so do rangers, including swarm-keeper rangers, which is a subclass that both has a good few abilities focused on spell-casting and was confirmed to be Gertie's subclass in an adventuring party. While her highest stat still could be dex (which, come to think of it, is a hilarious contrast to Kristen), there's no doubt that Gertie has a higher chance than most at being able to look past Kristen's barriers and see the complex hive of sweet, buzzing emotions underneath.

Hell, maybe that's where Gertie's crush comes from in the first place. Maybe, seeing this popular, proudly sapphic cleric be incredibly playful and chaotic on school grounds, she not only saw a bit of herself, but a little more. Perhaps, the type of mind that dedicates itself to allowing small, harmless critters to prosper even when no-one cares to join her club, is also the type of mind able to recognize when someone isn't allowing their truest emotions to prosper, making her wonder if they might have something to gain from sharing some of that chaos, using it not to hide, but to be free.

Or maybe it's just cause her last name has "bees" in it, idk.

[fixyourwritinghabits]

How to Tell If That Post of Advice Is AI Bullshit

Right, I wasn't going to write more on this, but every time I block an obvious AI-driven blog, five more clutter up the tags. So this is my current (April 2024) advice on how to spot AI posts passing themselves off as useful writing advice.

No Personality - Look up a long-running writing blog, you'll notice most people try to make their posts engaging and coming from a personal perspective. We do this because we're writers and, well, we want to convey a sense of ourselves to our readers. A lot of AI posts are straight-forward - no sense of an actual person writing them, no variation in tone or text.

No Examples - No attempts to show how pieces of advice would work in a story, or cite a work where you could see it in action. An AI post might tell you to describe a person by highlighting two or three features, and that's great, but it's hard to figure out how that works without an example.

Short, Unhelpful Definitions - A lot of what I've seen amount to two or three-sentence listicles. 'When you want to write foreshadowing, include a hint of what you want foreshadowed in an earlier chapter.' Cool beans, could've figured that out myself.

SEO/AI Prompt Language Included - I've seen way too many posts start with "this post is about..." or "now we will discuss..." or "in this post we will..." in every single blog. This language is meant to catch a search engine or is ChatGPT reframing the prompt question. It's not a natural way of writing a post for the average tumblr user.

Oddly Clinical Language - Right, I'm calling out that post that tried to give advice on writing gay characters that called us "homosexuals" the entire time. That's a generative machine trying to stay within certain parameters, not an actual person who knows that's not a word you'd use unless you were trying to be insulting or dunking on your own gay ass in the funniest way possible.

Too Perfect - Most generative AI does not make mistakes (this is how many a student gets caught trying to use it to cheat). You can find ways to make it sound more natural and have it make mistakes, but that takes time and effort, and neither of those are really a factor in these posts. They also tend to have really polished graphics and use the same format every time.

Maximized Tags (That Are Pointless) - Anyone who uses more than 10 one-word tags is a cop. Okay, fine, I'm joking, but there's a minimal amount of tags that are actually useful when promoting a post. More tags are not going to get a post noticed by the algorithm, there is no algorithm. Not everyone has to use their tags to make snarky comments, but if your tags look like a spambot, I'm gonna assume you're a spambot.

No Reblogs From The Rest of Writblr - I'm always finding new Writblr folks who have been around for awhile, but every real person I've seen reblogs posts from other people. We've all got other stuff to do, I'm writing this blog to help others and so are they, the whole point of tumblr is to pass along something you think is great.

While you'll probably see some variation in the future - as people get wise to obviously generated text, they'll try to make it look less generated - but overall, there's still going to be tells to when something is fake.

I don't have any real advice for what to do about this (other than block those blogs, which is what I do). Like most AI bullshit, I suspect most of these blogs are just another grift, attempting to build large follower counts to leverage or sell something to in the future. They may progress past these tattletale features, but I'm still going to block them when I see them. I don't see any value in writing advice compiled from the work of better writers who put the effort in when I can just go find those writers myself.

[mimisempai]

Although this post focuses on the argument about Gabriel, I think this little passage just before the comedy of the Crowley/Gabriel encounter is crucial.

It is Crowley who first affirms the "we."

He could have said, "Jim, who's Jim?" but instead he asks, "Do WE know a Jim?"

"If that isn't fierce protectiveness...

And it's normal, Crowley saw with his own eyes what Gabriel was capable of, what he was going to do to Aziraphale, so of course he reacts that way to Aziraphale's blindness.

They're both stubborn, and I'm thinking about what Nina will say in the last episode: 

"You're the hard one who can never trust anyone again, and Mr. Wherever He Is is the soft one who still believes in magic."

That's exactly how it plays out.

Crowley does not trust Gabriel, with good reason, but does not explain all the reasons.

Aziraphale is blinded by his empathy.

They don't really talk.

They don't listen to each other.

The proof:

The "exactly" conversation 

"Gabriel has no friends"

Crowley: Exactly, and that's normal. Considering what he's done (not trusting).

Aziraphale: Exactly, that's why we have to be his friends (believes in magic).

I remember when we saw the sneak peek, we all saw that little gasp before Crowley said "peaceful. 

This existence is more than important to him, it's "precious." That's a very strong word. Something precious has a very high value (emotional, moral); it's something that we are very attached to, that we hold very dear. So of course he sees Gabriel as a threat that could destroy that precious existence.

I've been thinking a lot about the fact that Crowley is speaking in the first person, but I realized that I still hear that "we" when he says "the existence I've carved out for myself here. Crowley means "the existence I carved out for myself here, with you."

And he gets angry when Aziraphale emphasizes the "we" because the angel has already made up his mind to help Gabriel. Aziraphale has decided what to do and expects Crowley to follow.

Aziraphale says "we" but acts as "I" and Crowley says "I" but thinks "we". 

And the more I watch it, the more I see it as a foreshadowing of the last scene of the season.

One more time. 

They're not talking to each other.

They're not listening to each other.

And the rest of the conversation changes nothing. Personally, I find Aziraphale a little manipulative, but it's also his last attempt to get Crowley to join his cause. Which, as we know, will come to nothing. (for now)

“To go?” 

“Oh, right, this is how you wanna do it?”

“No, I would love you to help me. I’m asking you to help me take care of him. But if you won’t, you won’t.” 

“Yeah, I won’t.”

To end on a positive/fun note.

We've seen Crowley throw his glasses around carelessly a few times. 

Now, when I'm angry and I'm looking for something, if it's not in its usual place, I'm going to have trouble finding it.

Crowley is angry right now, but he knows exactly where his glasses are. Because they're in their usual place.  He has a place for his glasses in the bookshop. (Probably my wishful thinking again, but let me dream).

Breakfast's ramblings, it's only my messy thoughts, as always bear with me ^^'

[alexiethymia]

THE FORESHADOWING

[major spoiler up until the latest WN chapter]

I MEAN WOW. I wrote a fic sort-of based on that premise and with the way things were set, it was a likely scenario, but wow I didn't think we were actually going to get it.

Suiren was the current emperor's wet nurse.

In other words, Suiren is Aduo's mother.

WHICH MEANS, Suiren being excessively doting on Jinshi isn't just because she's an excellent caretaker. We've been hammered with all the hints all this time. It's because she's also a doting grandmother, and her being a hard-ass on Maomao wasn't just her evaluating her as a potential consort, but as the future wife of her grandson! A formidable (grand)mother-in-law indeed.

On the fence about whether or not Suiren knows that Jinshi is her grandson. On the one hand, perhaps Aduo and Anshi kept it to themselves. On the other hand, Suiren is shrewd enough and reminds me of Luomen in a lot of respects. Perhaps even without being told, she knows her daughter well enough and with Jinshi could just tell, since Jinshi doesn't just resemble the former emperor in appearance but Aduo as well.

I love KnH as a mystery, but mostly I love how it's just turning into this family comedy.

Poor Maomao, a loner suddenly getting all of these new family members from who knows where (by latest count she now has her dad, a penny-pinching granny, three older sisters, 'papa' (lol), an older brother, another older brother, two possible brothers-in-law (the whole episode of Basen evaluating Lishu as a possible sister-in-law just cracks me up since the person he was actually supposed to be evaluating was right in front of him and he instead ends up falling in love with the supposed sister-in-law he was supposed to be evaluating, seriously poor Basen, with Chuo in the mix, it's likely he'll never get peace from his sisters-in-law), a sister-in-law, a scary mother-in-law, Gaoshun, a mischievous mother-in-law (who actually offers her one last chance to escape! Haha poor Jinshi, even his own mother is sabotaging him, and the fact that Maomao refuses actually signifies how far they've come), and oh of course, let's not forget, her potential father-in-law, who is no less than the Emperor himself, one youthful grandmother-in-law, and as of reveal, quite a strict grandmother-in-law.

Like Maomao must be in shambles to have all of this unloaded on her, but again the fact that despite that it's become a lot more troublesome now and she still chooses not to leave Jinshi when offered the chance shows how deep her feelings have gotten even if she won't admit that much to herself yet.

(Lol, we already had a parody of the meeting of the in-laws with that meeting between Lakan and Aduo that one time, even though she was disguised, part of me feels like Lakan still saw through it)

[oneforthemunny]

FUN GAME MY ROLL IS:

5,E,$

yay!!! your roll is: rockstar!eddie, all fours, and paddle ;)

for those wanting to know where this falls in the lore timeline of nepo baby!reader and rockstar!eddie, i'm thinking newly weds lol. as always, minors dni. dom/sub themes, spanking, nipple clamps, .

"How do you want me?"

"All fours," Eddie looked over his shoulder, standing in front of his 'wall of weapons' as he called it- racks of canes, crops, cuffs, clamps, and everything else he needed to play. It was an upgrade from the torture trunk he used to take with him everywhere, a must have when he built the house and added the sex dungeon.

You slid over the silk sheets, onto the edge of the bed, turning towards the mirrored wall that met the matching ceiling. You knew Eddie would want you facing that way, in the mirror so you could see yourself, see him. He'd blindfold you if he didn't, but he always preferred it this way.

"Mm," Eddie groaned, pulling you from your thoughts. You looked at him through the mirror, his tongue running over his lip hungrily, taking in your bare and exposed backside. "Look at you, baby."

Your body burned with pricking heat, spreading like wildfire down to your core. "What?" You giggled coyly, hooking your chin over your shoulder, lashes batting towards him. "What's wrong?"

Eddie's lips pulled in a grin. "Nothin's wrong. You just look good." His calloused hand smoothed over the soft skin of your thigh, up to grab a firm handful of your ass. "Look so good for me. I've just missed this." He sighed contently, nearly lovingly.

You blinked at him, hips swaying a little. "It's been so long since we've gotten to do this. Been away for so fuckin' long, felt like forever." Eddie muttered, his hand gliding up your spine.

"I know," You hummed. "I've missed you, too." You added with a playful smile that made his own heart swell.

"Good," Eddie hummed, reaching in the back pocket of his jeans. "I picked your favorite." He twirled it around, showing off the flimsy, leather paddle. Black and rounded, he got it in Amsterdam a few years ago. Eddie drug you into this lewd yet snooty sex shop, let you pick it out. An early memory of your relationship, that was just starting to bud and bloom at the time.

"Ooh," You giggled. "Are you going soft on me, Munson? Getting mushy with age?" You teased, biting your bottom lip seductively.

Eddie snorted lightly, lips twitching in amusement, spinning the paddle around. "Yeah? We'll see if you'll think that in a little bit." He smirked, patting your hip a little firmer than he usually would, a foreshadowing of what was to come.

He opted for the softer nipple clamps, adjustable and without the weight, a small chain hooking between each. You writhed in pleasure filled pain when he fastened them on, rolling your nipple between his fingers before hooking the clamp onto the hardened bud, grinning when you whimpered.

"Still feel like I'm going soft?" Eddie asked, gently dragging the leather paddle up your thighs, over your backside, between your legs.

"Well, you didn't use the clamps with the weights on them," You quipped, eyeing him challengingly. "So maybe."

Eddie grinned, softly tapping the paddle to your left cheek. "Oh, I see how you're gonna be." He couldn't even feign disapproval, much to excited for your little bratty demeanor. "Better keep those eyes forward, or I'll get the cane. Understand?"

You nodded, head moving to look at yourself through the mirror. Your pussy throbbed, squeezing around nothing but an aching need to be filled when Eddie softly tapped the paddle to your ass. The room fell silent, the paddle lifting, before cutting through the air with a faint whistle, a loud clap of impact shocking you before the searing pain did.

You gritted, back arching only a little, clamps wiggling and tugging at the impact. You lifted your eyes back forward, watching Eddie lift the paddle again. "Oh!" You grit, the next two strikes of the paddle, one to each cheek making you ache, beginning to build the painful pressure.

Eddie brought the paddle down again and again, building a slow rhythm that began to crescendo, alternating from cheek to cheek, to your sit spots, the top of your thighs. Your nails dug into the silk sheets beneath you, legs wobbling and burning with the straining urge to clamp together. A final spank had you sliding forwards, body shaking with pleasure, glassy eyed and mind numbed with aching need.

Eddie grinned, watching you tremble, falling apart in front of him. Oh, how he'd missed this- how he'd missed you. Sliding his jeans off, he crawled onto the bed, slotting his body between yours, pulling at the chain on your clamps, mouth hot and taking in your own. He pushed your leg up, hooked it over his hip, a wolfish grin spreading over his features when you whimpered, sensitive skin making contact with the sheets. Clawing to him, he pushed into you, head falling into the crook of your neck, a much more loving fucking than what you usually got after playing like this, but one you didn't mind- you'd missed him.

[raven-at-the-writing-desk]

Which dorm arc do you think was the best written? I liked the ignihyde arc the most if I have to be honest

This might be unfair to the other books (since most of them have fewer parts/less time for their stories + book 7 isn't even complete yet for me to judge), but I think the writing in book 6 is the strongest (as in, "most interesting" and "most narratively sound") so far. What gives book 6 a massive leg up over other books is that the conflicts addressed in book 6 were foreshadowed WAY in advance through other content like voice lines, vignettes (I believe Ortho's Precision Gear), and events (like Wish Upon a Star). It was sooo satisfying to see all of the payoff (and Idia breaking down)!!

I don't think the other books are bad by any means except for book 2, sorry not sorry Leona, I just feel that 6 had a lot of space to touch on more characters and their development than only the Ignihyde boys; I loved catching up with characters we've already met and seeing how they've grown or changed, even in little ways. Additionally, I personally prefer stories with "high stakes" and family-oriented drama involved in them, so they biases me quite a bit toward book 6. The high stakes and family drama angle is also true of book 7, but again, it's not out in its entirety yet so I'm going to reserve my judgment until it has.

Something that's unique to book 7 (and that I wish previous books did, even if it elongates them significantly) is actually deepening our understanding of every character within the dorm. I would have been so bored if book 7 focused solely on Malleus. I loved getting to learn more about what makes Lilia tick, and seeing how Sebek and Silver develop from their experiences. I feel like I didn't get a significant enough of a look into many of the other boys during the main story campaign... Instead, we're often told about things that happened without truly witnessing it for ourselves. I know, I know, that's the whole point of a visual novel--expecting a lot of reading. I still would have preferred like... more flashbacks and scenes demonstrating what we're being told rather than the dialogue doing it for us. Show me how Riddle's relationship with Chenya and Trey has changed since their childhood! Show me young Jack being inspired by Leona's play and wanting to be in the same team as him! Etc., etc., etc. I could always look to vignettes and event stories for more lore on each character, but those are always portrayed as "AUs", whereas the main story is what is 'canon" so it's sort of sad to see that we never get to look any closer at most of the supporting cast upon that bigger stage.

It’s exciting that we now get to see more of the boys since we’re now dream hopping for book 7; I’m just going to hold my judgment for now since I found the pacing uneven and a little quick for what we’ve seen of Pomefiore so far, especially when compared to the longer Lilia dream segment. Again, I find book 6 stronger in this regard but that could be because its scale is slightly smaller and it has fewer characters to juggle. I guess we’ll have to wait and see how book 7 wraps up—maybe it’ll completely win me over!

[wekiaam]

2D NEWSIES: What I would change

I just realised I've been making fake concept art for a nonexistent animated Newsies adaptation for four years now. Over time, I've been getting so many ideas for this adaptation if it ever became real, I thought I would share them with you guys! This includes story changes, cut and additional songs and ideas for characters and style. I would love to know your thoughts on these!

When I started making concept art for "2dsies" as I came to be called, I intended for it to be based on the Broadway version and the Broadway version only. However, stories on stage differ a lot from stories told on screen, it just doesn't work the same way. I do still prefer the storyline of Broadway Newsies, but I think the best version would be a combination of the best parts of all different versions, plus some necessary changes. I would want Newsies to be a love letter to every production we've had, to everyone who made happen and every theatre kid who's been geeking out over it since 1992, while also being its own standalone movie that can be enjoyed by anybody. I am in no way an adequate screenwriter, these are just a few suggestions I have for a better story!

Story

Like I said, the story will be based mainly on the Broadway storyline, meaning we still have Artist Jack, Katherine, and most elements from the show that aren't in the movie. It will, however, be quite different from the show and the movie, and maybe add some more of the real events from the newsboy strike. There are still some details and scenes I would like to add and some I would remove completely.

- I like the history lesson opening from the movie, it gives people just enough background information on the real historical events the story is based on. I don't know if it should be Racetrack or Jack narrating, though.

- In Santa Fe (prologue), Crutchie mentions he's afraid the other boys will find out about his bad leg, even though they all literally know him as Crutchie, and it seems to be the first time Jack tells him about his dream of going to Santa Fe, even though they've clearly been best friends for a long time. It feels off, UNLESS they only just met, which is why I love @raggedy-albert 's theory so much. I would have the scene start off with them as kids, and have them grow up throughout the song.

- I want to add a scene in the beginning of Katherine at the New York Sun to establish her character and motivations, and possibly a little foreshadowing. Just an idea for a scene; she goes to the editor to let him read her story covering the trolley strike, but he reminds her of "her place" and that she's lucky enough to be in the position she's in and that she should go review a vaudeville or something. This would not only give her a similar motivation to the newsies, but also, if we're gonna bring the women's rights movement into the story let's do it right!

- Of course I'd also like to add more romantic interactions between Jack and Katherine, to make their relationship more believable. However, I don't think they should be a couple immediately after the finale, I was more thinking of an open ending to their relationship where Jack takes his first step to staying in New York by finally asking her out.

- Maybe add the actual scene where Jack and Davey visit Brooklyn instead of having them tell the other newsies what Spot said right before Seize the Day. Show don't tell, you know?

- A scene where Jack visits Crutchie at the refuge, similar to the one in the movie, but with the sadness Jack describes it with in the show. Again, show, don't tell. Show me how Jack visits the place of his nightmares again only to find his best friend in a worse state than ever and being unable to save him.

- Katherine punches Jack after the rally. Give it to me.

- Additional scene after Jack and Katherine's song after the rally where Jack formally apologizes to the newsies. Because in the show it just cuts from "omg he's a sellout *spits on the floor*" to "yay captain Jack is back" and it just doesn't sit right with me.

Songs

- There should be an entirely new Pulitzer song. The Bottom Line is good but by far the most skippable song on the cast recording, and The News Is Getting Better (the off broadway cut song) is a little Better but not quite the evil capitalist song we need.

- Swap Something to Believe In for When I See You Again. It's such a sweet song and I think it suits Jack and Katherine a lot better. It's much more "Neither of us know what tomorrow brings but when I'm with you I know we can change things for the better, even if it's scary but for now let's be here together and forget the world for a bit" instead of "I love you but I'm still gonna chase my cowboy dreams"

- Cut Letter From The Refuge, since my idea was to have this be a scene instead.

- Some lyric changes!

In Santa Fe: "Crutchie's callin' me, he's fine, just too damn slow"

In Once And For All: add this lyric from the movie, "Better to die than to crawl".

In Seize the Day: "Friends of the friendless seize the day, raise up the torch and light the way", not in the song but in the reprise where all the working children of the city gather before the finale.

Additional: "Still it seems like the dream of a boy, not a man", from The Truth About The Moon, a cut song from the movie that was supposed to be sung by Sarah. I don't know where I would put this lyric, but it could be said or sung by Jack as he realises what he's really looking for is not actually Santa Fe.

Characters:

- I want to add more girls to the background newsies, first of all.

- Sarah still won't do anything for the plot, but Davey and Les could mention that they have a sister. She's still canon to me.

- Speaking of Les, let's make him more likeable and also more helpful.

- Snyder has two scary dogs with him at all times.

- Just and idea, maybe Denton could still be a character if we replace Darcy with him, or maybe combine the two. Have him be Katherine's chaperone and friend formally, but also her reporter bestie. They could be a fun journalist duo!

Style

- The movie will still include the iconic choreography, which means it couldn't be fully 2D, but rather a mix between hand drawn and CGI.

-I would love for the backgrounds in the movie to be similar to impressionist and romantic art styles from the 19th century, to really sell how it's a story told from Jack's perspective. Especially his dream-like imaginations of Santa Fe would be brilliant in this style.

- I want to include a lot of weather foreshadowing. Rain right before Seize The Day and the sun breaking through when Davey starts singing. Mist surrounding Snyder and sudden darkness whenever he's near. A beautiful sunset when Jack and Katherine are alone on the rooftop. And of course, partly cloudy, clear by evening. It's such a cool way of visual storytelling when you have a plot that has no magic involved, like in most Disney movies.

- The real people characters' designs (Pulitzer, Hearst, Roosevelt) can be based on political cartoon caricature versions of themselves.

And lastly, quotes from the movie I liked that could be inspiring for the animated movie:

-"When I created the World..." "🙄" and "Where was I?" "You created the World, chief?"

- "No, we'll be just a bunch of angry kids with no money"

-"What, you couldn't stay away?" "Well I guess I can't be something I ain't." "A scab?" "No, smart."

Many of these ideas are still in development. Some might work, some may not, but I will be basing any future work I'll post on here on these ideas. I would love to see you guys  discuss and add on to these!

[queerfables]

The Rules of the Twist

Given the themes of deception and sleight of hand in Good Omens season 2, I think most of us agree it's at least possible there's some kind of twist waiting to be revealed in season 3. We're bouncing around a lot of theories, but I wanted to take a step back and look at the general shape of what we might expect.

The big twist we've seen before in Good Omens is Crowley and Aziraphale's body swap. (Okay, technically it was an appearance swap. But that just doesn't sound as pithy.) Rather than anticipate an exact repeat of this trick, I'm considering the swap as a sort of model. What does it tell us about the rules Neil plays by when he pulls a twist in this story? What clues can we expect, and what can we not count on? Sure, there's no guarantee that a season 2 twist is going to map exactly onto what we've seen in the past, but I think it's a reasonable place to start. Take these as guidelines and take them with a grain of salt, but if you're sorting through all our fascinating Good Omens theories and trying to decide what you think, you might find them helpful.

So then, what are the rules?

Broadly speaking, Neil plays fair with twists. He foreshadows and includes enough hints for the audience to make a reasonable guess at what's going on, or at least to look back after the reveal and go, "oh, of course". But he still keeps some cards close to the chest.

During the body swap, there are two big gaps in the information we're given:

Key events happen off screen The swap happened between scenes, during a time that it was only suggested, not confirmed, that Crowley and Aziraphale would be together. The transition between these scenes also used film and tv conventions to make that passage of time "invisible" - we see Crowley and Aziraphale get on the bus, and then we see them in the morning going about their days separately, and we're conditioned to think nothing important could have happened in between.

Key tools (eg abilities, items, information) haven't been shown before The swap was not something we'd ever seen Crowley and Aziraphale do, and it wasn't something they'd ever talked about either. It fit comfortably into the established world building but it hadn't been specifically signposted as a possibility.

The other big twist that Good Omens pulled was the romance between Gabriel and Beelzebub as the explanation for Gabriel's disappearance from heaven. Both of these information gaps are involved here too. The offscreen event is obviously the meetings between Gabriel and Beelzebub that lead to them falling in love - up until Gabriel's flashback sequence, the only indication they'd ever met each other was a brief conversation at the airbase during Armageddon. The tool that we haven't seen before is Beelzebub's ability to create a fly vessel for Gabriel's memories (protecting him in much the same way that Crowley and Aziraphale protected each other with their body swap, in fact).

These are pretty big gaps, really. And given that Neil knew there'd be years between seasons 2 and 3, I expect he would have leaned pretty heavily into them if he wanted to hide something. So how do we predict a twist if we can't know where it is and haven't seen what it might involve?

Unanswered questions

This is the big one. Looking at where the furniture isn't, you might say.

What's interesting is that the questions that point to a twist aren't usually subtle or ambiguous. For the body swap, the two converging questions were: what did Agnes' last prophecy mean, and how could Crowley and Aziraphale survive their executions? In season two, some of the unanswered questions signposting Gabriel/Beelzebub were: how did Gabriel lose his memory, why was he carrying a box, what was the significance of the song he kept singing, who was he at the Resurrectionist with...

I think guesses about upcoming twists are most convincing when they seek to tie up loose threads from the show. For this reason, I'm a little skeptical of theories proposing the kiss between Crowley and Aziraphale involved some kind of twist. It isn't impossible, I just don't see any unanswered questions there. (Savvy readers may note that I too have speculated about a twist hidden in the kiss. I do find the possibility fun, but it's not a theory I'm seriously committed to). If I was going to really buy into one of these theories, I'd want it to explain one of my big unanswered questions other than "but how could they get into a fight that hurts me so deep in my soul?" That's definitely a question I have, but not technically a mystery.

It's worth noting that in the case of the body swap, we were initially given a false answer to the question "how did they survive their executions?" The angels and demons watching attribute it to Crowley and Aziraphale having "gone native", believing that their natures had fundamentally changed, making them immune to holy water and hellfire. It might be the case, then, that some of the apparently resolved questions this season warrant further investigation. Is there more to the story of Gabriel's disappearance than we know, for example?

2. Unexplained details

If examining an unanswered question is looking at where the furniture isn't, then this is where we take all the pieces of furniture piled up in storage and see if we've got anything that fits. Everything is fair game here: script, acting, music, props, sets, costumes, editing, camera angles, audio effects, visual effects, everything. If it's on the screen or coming through the speakers, it was put there on purpose by multiple teams of highly skilled and attentive creators all working together to create the final product.

I think you could probably do an entire meta on all the little details pointing towards the season 1 body swap, but here are some of the big ones:

"Crowley" sees the restored Bentley, but takes a taxi instead of driving it

"Aziraphale" circles "Crowley" when they order their ice creams, the way Crowley more typically moves around Aziraphale

"Crowley" says "tickety boo", an extraordinarily Aziraphalean phrase

The collar on "Crowley's" jacket is a beige tartan rather than its usual red

There are general differences in the ways David Tennant and Michael Sheen embody the characters throughout the swap

Similarly, Gabriel and Beelzebub's romance has lots of small details pointing to it. The big one that keeps showing up is the connection between Gabriel and flies. He mentions them and interacts with them repeatedly, and although it isn't obvious at first glance, there's a fly in the box that he carries to the bookshop. This all culminates in the reveal that it's the same fly, Beelzebub's gift to him.

Here's the problem, of course: if everything in the show is intentional and crafted with meticulous attention to detail, how do we know what actually matters? This is why I think it's so important to look at the unanswered questions first. There's a joy in seeking out Easter eggs and connecting all the dots, and sometimes you might strike gold this way, but there's also a lot of noise in the signal. It's helpful to know the general shape of what you're looking for, so you'll know when you've found it.

You can reverse engineer this. Start with details that jump out at you and then look for a puzzle they might explain. This works, but it's a little easier to get lost in the weeds, struggling to sort out what's significant and what's a fun reference to another piece of media or a hint to a question that's already been resolved. Going back to the twists we've already seen on this show, the unanswered questions around them were really big and obvious, so I think it's a good idea to ask: if I hadn't noticed this detail, would I have thought this was a mystery that needed solving?

Okay, but what do we do with this?

Well, maybe nothing. These criteria can't confirm or rule out any theories, after all. I'm laying it out like a rubric but it isn't really, I'm just describing a few storytelling patterns we've seen before and making some rough guesses about how they might show up again. If I were really serious about this I'd probably take a look at other examples of Neil's work and see how well my model holds up there, but the truth is I'm not really familiar with enough of his other works to do this. (Confession time: I was always more of a Pratchett fan).

The main reason that I've laid everything out like this is it informs my thinking when I stress test my own theories, and I figured other people might be interested in it. I'm also hoping it will help me to be able to refer back to this when I write meta in the future. For my own purposes, I find a breakdown like this helpful because it gives me a sense of how a writer approaches their story, where they'll tip their hand and where they'll hold things close. It's no guarantee and it wouldn't be any fun if it was, but in a lot of cases we're not aware of our own patterns, so it can be surprisingly illuminating.

[chefkids]

As much as I love sydcarmy, I really don’t think they’re going to become romantic. Especially after this season. If Storer really only planned for 3 seasons and had to split it into half, it doesn’t make sense. The show doesn’t have enough episodes to really develop them to where both realize their feelings (if they’re really there) and then be in a place to get together in a way that it doesn’t feel rushed

I don't think Storers big plan for this series is to leave Carmy in a miserable lonely place.

This season already set up a few things with Claire. Mainly that she does not seem interested in getting back together with him. She's a pushy person, she was not afraid to push him to be with her once. If she really wanted to she would have pushed again and talked to him to get him to apologize and be with her again just how she forced him to apologize on the phone for giving her a fake number. I think she's hurt he hasn't talked to her at all or apologized, but she does not want to be with him again. She told Tiff he basically said he would blame her if anything went wrong in his life. Which is really not what Carmy meant, and I think that will be part of their fight when he does apologize to her. She also told the Faks "it's done." when they were saying she's the peace and that he loves her and that she should get back with him to "take care of him because no one else does". I don't think she wants to be with him again and has accepted they shouldn't be together, and I think that will be the end of their relationship once he apologizes to her. I do not think Storer plans on making Claire his emotional caretaker. And the same goes for Syd. She's not his babysitter either.

She's running out of time to decide on her partnership offers. Which I think will be address right at the start of the next season and will be the turning point for Carmy to get his shit together.

This story is about family and found family, they have made that very clear and it has always remained true though out all the season. Sydney is stuck because she doesn't want to leave her found family, but Carmy is a toxic family member. Carmy left his family because of his toxic mother, but we've seen how Nat and her were able to rebuild their trust and come back to each other. Jimmy told him his mom wants to speak to him. He knows he's been avoiding her, but he will see her again, even if he doesn't fully forgive her for what has happened between them, I think Donna and Carmy will be on an okay place even if they don't stay close and speaking with each other. Which I think also mirrors Storer's relationship with his own mom that he has talked about.

We already know next half will be all about him rebuilding his broken relationships with everyone by apologizing to Claire and getting closure, fixing things with Richie, and reuniting with his mother. There has been evidence for all of these. And I'm sure finally fixing things with Sydney in the end will also be a part on the next season.

I think she will make moves to leave and tell him about the offer, and I think she will likely develop some sort of relationship with Luca. But we also know that he comes with an expiration date, he's only here for a few months. That was the set up, while Carmy was not paying attention to Sydney, she was getting scooped up professionally and personally. I really don't think her and Luca will work out long term. But I'm still uncertain about Sydney leaving The Bear. We know Jimmy was going to cut them off if they got a bad review, which is apparently what they got, and I think that might actually happen. I could still see The Bear closing next season and everyone going their own ways professionally, but remaining a family at heart.

That conversation about Legacy and family trees Carmy had with Marcus really seemed to me to foreshadow Sydney starting her own place and taking bits of The Bear with her and also Marcus perhaps starting his own place or going somewhere else. Carmy said he wants to leave behind something "panickless and anxiety free" and I do think he will get there in the end, but I think that might involve closing The Bear or at the very least him stepping away from it and handing the reins to Sydney. I think there was a lot of emphasis on his drawings especially from Chef Terry, and I think that will still play a role in his future and him pursuing his passions which might be beyond cooking.

I do not think this is all going to end on a sad and miserable note. If this part's theme was about funerals, Marcus's mom and Ever. The next will be about weddings. We know Tiff and Frank's wedding is coming. A big theme for Richie was the idea of him being alone/lonely. He's also very clearly starting something with Jess and I think that will continue in the next part. I think Syd and Carmy's "partnership", be it professional or romantic, working out will also be a part of these "weddings".

I don't think Storer is as stupid and oblivious as we sometimes think he is. He knows that Syd and Carmy have a crazy transcendental celestial bond that Claire and Carmy don't. He knew the implications of the Season 2 panic attack. As much as Season 3 felt like retcon to justify Claire and Carmy being true loved or something, he still doubled down on Syd and Carmy's invisible string, on her being his muse, and on her being his actual peace in panic attacks despite any lies Carmy tries to tells himself about it being Claire.

I think they will unambiguously break the platonic allegations by the end of the series. Will they have the guts to show us their relationship and partnership outside of the kitchen in the show beyond just them getting together at the last minute? Unsure.

I think he probably intended on ending the series with Syd and Carmy getting together at the last second. Especially if you consider John Hughes' Some Kind of Wonderful, which I do think inspired his Claire/Carmy/Syd dynamic, ended with them getting together and kissing right before the screen turns black. Which would honestly be a lame cop out and really quite offensive to Syd to not show their full partnership in motion after giving so much screen time to Claire/Carmy's romantic life and would only feed the people that will claim it's fanservice to end with sydcarmy.

I think that's what the ambiguity of there being a Season 5 or not is. We know the studios want it, sydcarmy is making them a lot of noise and a huge subset of people would love to actually see it play out on screen for more than 10 minutes at the series finale, but does Storer want to actually make a season about more than Carmy being miserable and show that people can heal and exist in a functioning relationships and a functioning kitchen and still be funny and exciting and entertaining? Who knows.

[luimagines]

Ahahaha… erm- perhaps?

getting caught (kissing/being romantic with) their crush or S/O? By the rest of the chain of course😇

Ily🫶 if not a taken request, than some food for excellent thought 🥰

Yes!!!! You got it Anti! I'm going full menece!!

Masterlist

Part 1 will include Wild, Four and Hyrule.

Content under the cut!

Wild

"Do you think anyone is going to find us here?" You whispered, holding onto the hand of your boyfriend.

He snorted and shook his head. "Not a chance."

He had the kind of confidence that, were you anyone else, would quickly gather that it was foreshadowing. However, since you weren't willing to read between the lines the universe was trying to send you, you happily held onto his hand a little tighter and continued following him where ever he led you.

"So where are we going anyway?" You swung your conjoined hands and rested your head on his shoulder.

"Hmmm.... I don't know!"

"Link!"

"I just wanted to spend time with you... alone. Is that so much to ask?" Wild laughs, poking your forehead gently.

You huff and puff but you can't find it in yourself to be mad. He was such a sweetheart that it was hard to bother with any sort of annoyances. "Do you have a plan?"

"I just wanted to love on you." He laughs, pulling you closer and kissing your cheek. His arms keep you in an iron grip. Even though you try to push yourself away to get in a more comfortable angle, he's adamant in keeping you right where you are.

"Hey!" You laugh back, try to move away. "That's not fair! I wasn't ready!"

"Well I was. Should have been paying more attention." He smirks, trailing his kisses from the innocent spots on your face to a more heated location.

It's starts off chaste. A peck on the lips, a caress of your cheek- gentle repositioning of your hair- then he shifts. You find your back against the wall of the rock beside you. Wild kisses your chin, your jaw, trialing heated kisses to you neck.

"Link-"

"Ahem!"

You jump out of your skin, blood freezing in your veins as your stomach drops to the floor.

Wild gently drops his head to your shoulder, not bother to look up. "So we've been caught."

"No kidding." Sky tries his best to keep his face neutral. A slight blush begins to seep through his defenses, much to everyone's chagrin. "...Um.... We were looking for you."

"What?" Wild looks up finally, disbelief on his face. "Impossible. We haven't even been gone for more than fifteen minutes."

Sky coughs a bit, shuffling on his feet. "Bad timing on your part then. You were asked for the second you left, I guess."

Wild deadpans before turning around, kissing you square on the lips once more. "We'll continue where we left off another time."

You feel breathless and dizzy. You nod. Are you embarrassed or charmed? Horrified or smitten? Sky certainly wants to erase the past ten seconds from his mind.

Wild takes your hand, lookin victorious. "Let's go."

Four

"Follow me. Quickly." Four took your hand and begin dragging you along without any forewarning.

You stumbled after him, trying your hardest to keep up with his faster (and shorter) strides. "Wait, wait, wait, where are we going?"

"Shh!" Four put a finger to his lip, pulling you aside and into a dark alley way. He looked around the corner, as if checking if you were being followed before he relaxed. "Alright. This way."

"Four-!" He started pulling you away again, but at a much slower pace, merely walking to where it was he had in mind. "Link. Can you tell me what this is about? Is there anything I should be made aware of?"

"Nope!" Four grinned, stepping aside and gesturing to a small shop on the corner. "Just wanted to treat my sweet to something."

Your heart flutters and you can't help but smile. "So you had to capture me like a runaway criminal?"

"It was that or have eight other busy bodies with nothing better to do breathing down our necks."

You grin and bend down to kiss his cheek. Four beams and leads you into the shop. You both order something small to eat and warm drink, quickly securing spot by the window where you both could sit in peace.

"How did you find this place anyway? Have you been here before?" You ask Four, putting you hands on the table and lean close to him.

Four snorts and shakes his head. "I passed it while we were gathering information yesterday. I figure it would be nice to get away for a little bit."

"I doubt it would be for long." You grin but reach over to take his hand. "But thank you, I already love it."

Four grins and holds your hand gently, pulling it close to leave a tender kiss on your knuckles. "Let's make the most of it then."

A worker comes around with both of your orders and places them in front of you. Not about to be blocked by food of all things, Four moves from his spot in front of you to sit beside you instead.

You both grin, thanking the lady before going right back to looking at each other. The woman doesn't say much.

Before you both know it, you're both giggling, whispering sweet nothing about each other. Your sharing stories, compliments, kisses, innocent touches. Before you know it your lips are on his and your hands are in his hair.

Someone taps on the glass window next you.

You both jump and look over.

The entire chain is there.

You explode in a blush and look away hiding your face. Four glares at them and makes a rude gesture. You think you hear some of them laughing from the other side.

You can never show your face again. This is it, you're done for.

Four kisses once more for good measure. "Can't have anything in Hyrule."

Hyrule

You had managed to sneak away with Hyrule for a little time alone. It wasn't for anything special.

You both were lying on your backs in the grass next to each other. Between you, your hands were laced together. You rolled over and smiled, looking at your boyfriends features in silence.

His eyes were closed and he looked peaceful. If it weren't for the fact that he smiles softly when you rolled over, you could have sworn he was sleeping.

"Hey." You called out softly.

Hyrule opened his eyes and rolled over to look at you as well. "Yes?"

"I love you." You whispered, unable to keep the smile off of your face. Your impulses are rewards when you see his ears twitch as he flushes softly.

He grins after a beat and reaches over with his free hand, carding it through your hair softly and tucking it away form your face. He brings your hands up and kisses your knuckles, giving your hand a gentle squeeze. "I love you too."

"I know." You whisper again and scoot closer.

Hyrule lets go of your hand and moves his arm to cushion your head as move closer. His arm wraps around your shoulders, tracing lazy nonsensical patterns on your back. His other stay by your face, running his fingertips over your cheek with light butterfly touches.

It's so soft. Your heart feels as if it's about to burst with affection.

You lean up, aiming to kiss him before he can move away. You get close. Your hand entangles itself into his hair as you angle him a little to the side to make it easier on yourself. Your breathes begin to mingle with his. Your lips are only a hairbreadth away from contact.

"Found them!"

You jolt away from each other, faces aflame.

Wind tilts his head, jogging to where you both were. "What are you doing?"

"NothINg!" Your voice cracks and you cough to clear it. "You startled us."

Hyrule ruffles his hair, sitting up with a disgruntled look on his face. "Did they send you to look for us?"

"You snuck off again." Wind pouts.

"Did not!" You fire back. "It hasn't even even thirty minutes!"

Wind rolls his eyes but turns around to leave. Sure enough, you can already hear the footsteps of the rest of the group making their way towards your location, no doubt wondering if there was anything they needed to do. Heal, lecture, defend- ect...

You turn around, kissing Hyrule's cheek before they can get closer. "Another time."

Hyrule smiles boyishly at you, ignoring the questioning looks from the upcoming boys. "I'll be waiting then."

Part 2

[somehow-a-human]

The Bullet Catch and the Final 15

DO NOT ASK NEIL ABOUT FAN THEORY

Okay, this started as a completely different post. I was writing something else and I had to abandon it because I realized I needed to be writing this instead. It was like a lightbulb moment, or rather, a headlight moment (see what I did there?)

"Banana, Fish, Gorilla, Shoelace, with a dash of Nutmeg." Clearly adversarial forces are capable of seeing what Crowley and Aziraphale are talking about within the bookshop from across the street. It's confirmed the zombies have gotten The Marvellous Mr. Fell's strange magic words correct at the end of the 1941 minisode. Is this foreshadowing the clear observation of the final conversation Aziraphale and Crowley share directly in front of the bookshop window, by the Metatron?

"Aim for my mouth, shoot past my ear". Well if this isn't that damn kiss I don't know what is. And the bullet, the bullet hiding in his mouth. Magicians historically have had keys passed to them through their mouths via a kiss. Crowley sure did aim for that mouth...

"You have formed a de-facto partnership with the demon Crowley." It's a threat, plain and simple. It's the same thing as Furfur showing up in the dressing room with a photograph of the two of them. And what does Aziraphale do both times? He pulls the same fearful face, is terrified for Crowley, and immediately figures out something to quash the threat. Aziraphale is so smart and so fearful for Crowley's safety, he will do whatever it takes, above his own interests to keep him safe.

"Trust me". The bullet catch. God, the stress of this trick, this insane show of trust and love. "You said trust me", "and you did". I have watched season two an unknowable number of times now, and this is still difficult to see on screen, but it's there. Aziraphale mouths, "trust me" and Crowley catches it, and more importantly, trusts him.

This angel knows he's being watched, the love of his life has been threatened, he knows he has no options and he needs to perform a massive trick to save Crowley. Good thing, he always gets it right the time it matters.

Honorable mention: I am an "Aziraphale was trying to signal for a time stop/help to Crowley" truther, here, when it looks like maybe he mimes 'timeout' and "help". I think either Crowley was too blinded by his newfound plan to confess his undying love for Aziraphale to pick up on his "something's wrong voice" or clear non-verbal communication, which we've established this season they are very good at (see Aziraphale asking Crowley to freeze Dalrymple in Edinburgh). OR he did catch the signals and he is LISTENING.

If you haven't read this post by @noneorother about the parallels between The Tales of Hoffmann and GO season 2, you need to. But to snag a small quote of theirs to highlight this one specific point:

"Stella [Aziraphale] arrives in the tavern looking for Hoffmann [Crowley], ready to run away, but now accompanied by Lindoff [Metatron] (dressed as an angelic figure) who followed her. She looks to Hoffmann to save her, but he's too blinded by the fact that he doesn't think she loves him back to pick up on the signal. He gives up, and she goes back up the stairs guided by Lindoff." - @noneorother

Okay but seriously make sure you go read that whole post.

If that isn't what happens in the final 15, what is?

Then we have the end of 1941 pt.2, wine in the backroom, and the reveal of the photograph. Crowley realizes Aziraphale saved him, he realizes how much he can trust him, and if my observed light bulb headlight moment is anything, it happened after the final 15 too. He knows. It's still devastating, it's still heartbreaking, and it doesn't invalidate all the feelings and love they couldn't quite come out and communicate right then. They are living under an Orwellian regime, this isn't really a job they can quit or even run away from. They were angels created for a purpose. Sure gabriel and Beelzebub left, but how long until someone tries to hunt them down? Plus, what's the point if Crowley and Aziraphale abandon Earth and just let armageddon part two happen? That's a pretty shit thing of them to do. They want to live on Earth, they want to protect the humans, and they want to do it together.

They didn't eat the apple, the humans did. Maybe at the end of season 3, they'll get their chance.

[livestock-and-bibles]

Things I've Noticed During My Several Rewatches of The Doomstar Requiem

(Lock in, this is gonna be long)

Murderface is the only one out of the group to have a completely obscured face, possession foreshadowing perhaps? Also he lacks the golden streaks on the halo-esque circles behind them. Inch resting... (Not gonna talk too much abt when the scene goes red and the beam behind Murderface is dripping blood because I believe it's already been talked about before by others, and I don't want to include anything in this post that's already been discussed) Also I love how all of their weapons match their instruments

The way Toki doesn't even flinch when he gets alcohol poured on his wound is heartbreaking, likely either because the torture his parents put him through as a kid has given him a wicked pain tolerance or because he's so dissociated, similarly to how he behaves in Dethfam when his parents are around or Dethzazz when he's mentally in the punishment hole (I do believe this sort of catatonic state he's in is what's causing him to seem so much worse off than Abigail—though his untreated diabetes + Magnus targeting him more because of his relation to Dethklok probably also adds to it—he's likely not really eating or taking care of himself)

At first I thought that Magnus was feeding them dog food, but on closer inspection I actually believe it to be human remains. Yeesh. You can see it really looks like muscle fibers, and there's bones, as well as skin that still has hair on it. Magnus Hammersmith they could never make me like you

On the table is the Klokateer from Tracking/Ishnifus and The Challenge!!

I think it's interesting how much Nathan's fantasies look like Toki's! I just think it's neat! They're more similar than they seem :)

This is the most expressive we've ever seen Charles and it makes my heart hurt AUUGHH

The way Nathan licks his lips/teeth after the "How can I be a hero when my dick's as big as a shoe" line. DISGUSTING /affectionate

Does this fan look familiar? He should, because it's Dethklok's son, Fatty Ding Dong!! Good to see he's doing well lol, and his real name is Rick, we can also assume that at LEAST four years have passed since season 1, since in season 1 episode 10, he's said to be 14. Since he has a roommate now, he is likely to be around 18 years old

(Apologies for the low quality screencap I had to nab this from Youtube) I kind of wish that the animators didn't change this original animation for the end of The Fans Are Chatting. I just feel like Nathan pushing away the Klokateers is more symbolically relevant. Nathan is quite literally pushing away the safety and security his avoidance has given him, the hologram disappearing and the fans leaving is a metaphor for the fact that he can no longer keep himself deluded into thinking that everything is fine, he can't hide from the truth anymore

Almost all of the Rock A Roonie Fantasy Camp counsellors came to the Dethklok audition, there's even the depressed blues guy in the background. There's also Sammy Candynose from Snakes 'n Barrels, so I like to think that Pickles told him about the auditions

There's also the guitarist from Get Thee Hence

Toki's shadow!!! The wings!!!

The animals they take the form of match two of the guitars Brendon Small created with Gibson, The Thunderhorse and the Snow Falcon :D

It's super tiny but their smiles :'))!!! Also the way their parts play on different sides when you listen with headphones but then combine at this part makes me so crazy. Not only does Toki challenge Skwisgaar and inspire him to get better, but they're also having fun! Which I can imagine never really happened when he played with Magnus

Probably just an animation error but Skwisgaar is animated as his present day self here. Idk, just thought that was interesting

I think the order of the rest of the band joining in on the background vocals is really interesting, it goes: Skwisgaar, Pickles, Nathan, Murderface. Personally I choose to interpret it as a representation of how long it took each member to warm up to Toki as their rhythm guitarist, Skwisgaar was super fast since he was the one to choose him, Pickles was the one wanting a new guitarist in the first place, Nathan and Magnus seemed to be close, so it would definitely take more time for him to accept Toki as the whole Magnus situation would still feel a little raw, and Murderface is a professional hater so of course it took him the longest

I really love just how soft and content Murderface looks in Toki's fantasy. We all know he has a softer side and I think that either Toki perceives it, or possibly Murderface shows it towards him (Which I can believe because they're often together and they get along pretty well, Toki is probably the person Murderface gets along with the best actually)

I also want to mention that at this part of I Believe, Toki is no longer singing along with the other's background vocals, and is harmonizing with himself, which gets really sad when you realize that it's because this was just Toki remembering this to keep himself sane and he's actually kidnapped, hurt, and alone. Ouch :(

The drunk driver who crashed into the Jomfru brothers is the same guy who crashed into Nathan's second grade class in Dethgov. I guess there's only one drunk driver that exists in the Metalocalypse universe lol

I think we as a fandom need to appreciate Eric Jomfru more. He's such a real one. The way they make you care about him after he's already gone is so evil lol /affectionate

The way the Klokateers join in on this song makes me wonder if perhaps they view each other as brothers, or if there's just like a strong sense of brotherhood between them

The groupie on the left can actually be seen in Fatherklok at the beginning of the episode, as one of the women Skwisgaar has been with, so y'know what? She has valid reasons to be mad honestly

Murderface's pose up top always sends me, sir please calm down, keep it together king

Murderface holding his wrist :(

If you look closely, you can actually see that the Revengeancers are eating Ishnifus. Which is just,, utterly horrifying

In between the shots of the band and the assassin, there's so many inconsistencies in the placement of the characters. For the last two images, I just like to rationalize it as Pickles immediately attempting to run away, then noticing that the rest of the band is still there and being like "Oh shit we're squaring up? Ok I guess". I know it's just so Nathan can be in the center when they use the Dethlights but I just think it's funny

Also in the second to last picture, the way Murderface, typically the most cowardly of the band, isn't looking at the assassin, but instead, is looking worriedly at Toki, makes my heart hurt. I adore their relationship

Murderface is actually sleeping in Nathan's bed here. If you compare different shots of their bedrooms and beds, it's clear that this is Nathan's, you can tell from the striped pillowcase. I'm not gonna talk too much about this, mostly because I want to make a separate post talking about how Murderface is seen more than once sleeping in Nathan's bed when he's hurt/unwell. It's very sweet lol

ANYWAY! Thanks for reading these rambles, I love The Doomstar Requiem so much! I might make a post like this for Army of the Doomstar as well, and also just some analysis posts if I get the confidence lol. Big thanks to @ratskal for watching this a dozen times with me and pointing out things too. (I actually reached the max limit of pictures allowed in a post which is a little funny, I am so normal about this show /lying)