#I want more character exploration

[astearisms]

catalysts, protectors

[bottombaron]

oh ok so its the usual no-homo bullshit you always hear, good to know.

[boopshoops]

"I can be a bitch, I can be a diva 🎶💕"

Warningthesongssuggestivelol

Heres some art for ya while i continue working on sprites and finals 💪 i wanted to mess around with fem and masc vibes... bc fuck it we ball <3

Separate versions under the cut!!

Tag list! @justm3di0cr3 @cecilebutcher @lowcallyfruity @distant-velleity @thehollowwriter

@kitwasnothere @skriblee-ksk

[bibuck-saved-me]

it’s a selfish thought and arthur knows it because merlin has spent so much time hiding a vital part of his existence, his very being, all because of arthur. so he presses it down into the deepest recesses of himself and focuses on doing everything he can to support merlin, to give merlin the world he deserves. a world where he is free.

but sometimes, when he’s alone in his room surrounded by his endless responsibilities, he will think to himself, i am nothing.

merlin and the old religion hold him as this once and future king, but no matter what they say, he can’t understand why they think any of this is about him. it was never him. everything he’d done, every accomplishment and fight he’d won had never been his to claim. he was a fraud. he was a lonely king with nothing to his name beyond the blood on his hands, the blood staining his every crevice.

he isn’t the once and future king. he doesn’t deserve any of the praise. he is the moon, a piece of rock in the sky that shines only because of the sun. without the sun, the moon is worthless. without the sun, no one would have ever looked at the moon twice.

arthur had never been proud of his mistakes and his inaction when it came to his father’s slaughter, but he had been proud of the things he had done to keep his kingdom and his people safe and healthy and happy. he has fought and fought and fought only to discover he had never even landed a punch. every knockout, every victory he had held up to hide the ugly nothingness of his true, empty self was never his to hold. with the discovery of merlin’s magic, any worthiness he thought he’d earned had slipped through his fingers like sand through a sieve.

merlin is beautiful and powerful. merlin is a god amongst men, a gift given to this world, given to arthur, and for what?

this prophecy for arthur was always about merlin. he carried the weight, he fought and fought and fought and he won, merlin was the one who had carried this kingdom on his back until they reached the safety of the golden era of the current day.

it’s a selfish thought, to be thinking of himself in relation to merlin’s magic when merlin has suffered every single day because of arthur. and yet, in those moments, he can’t help but wonder why he was born at all, why he was named savior of a group of people who would’ve never died if only he had stayed unmade, a whisper of nothingness in his mother’s womb.

his first breath caused a massacre, a genocide, and yet he was given an angel and a title and a prophecy of greatness he could never actually fulfill.

he would never tell merlin about these thoughts he had. merlin would end up feeling guilty somehow, would carry the weight of arthur’s worthlessness even more by taking on the deserved revulsion arthur had for himself.

no, he couldn’t tell merlin about this. merlin would tell him he was wrong, would try to talk him up and fix it. would use that endless kindness to tell arthur endless stories about his own importance. merlin would shine his sunshine on arthur until arthur forgot he was just a lump of rock. he wouldn’t rest until arthur loved himself, until arthur took all the credit for merlin’s own accomplishments again.

no, he would keep this to himself. he would give merlin the attention and love he deserves. this story isn’t actually about arthur pendragon. it never was.

[woah-uhuh-uhuh-uhuh]

rich dump

[stardustdiiving]

Me explaining in terms of strictly how I read canon I think Nahida not severely punishing the Sages is just meant to convey that Nahida, even when wronged, is not a very vengeful or harsh person and makes the choice to be kind instead, but in my mind I have this idea of a Nahida interpretation which elaborates on that where her self punishing tendencies extend to her being someone who internally downplays her own experiences constantly, and as a result has a hard time feeling she’s allowed or justified in placing a lot of blame on the Sages for what they did to her So while she is following her own philosophies regarding teaching lessons/wisdom/etc in how to handle the Sages and genuinely doesn’t want to be really angry or punishing because of who she is as a person, her decision is also influenced by the fact she’s basically blocked herself out of grappling with how to handle people who hurt her by blaming herself for said hurt instead as a coping mechanism. And like this is all just me being insane about Nahida Trauma and not something explicitly implied in canon but also I really do think this isn’t a far stretch from her canon characterization especially when my vision isn’t to conclude that Nahida needs to be angry and vengeful but she should extend the kindness she shows others to herself and also every day I get tormented thinking about she was the mental equivalent of an average human child when the Sages found her and how they basically specifically discarded her for being a child and the idea of how Nahida would pick up on + internalize that and eventually need time to unlearn it

[nuka]

I think what makes Our Flag Means Death so remarkable in terms of representation is not just the broadness of it, but the depth.

We have an indigenous lead character, but he's not only that. He's also queer. He's a romantic interest. He's middle-aged. His arc portrays surviving trauma and abuse. It also portrays mental illness. And it portrays breaking free from toxic masculinity. And it never tries to put him in a box when he explores his masculinity and femininity.

We have a non-binary character, played by a Puerto Rican NB actor, but their arc is not about their gender identity and their coming out is simply a case of "Just keep calling me Jim". They have a romantic/sexual relationship with a black character, and never is this relationship or either of their sexual orientations or Olu's sex appeal as a fat person or "who even is the man in this relationship hahaha" questioned. When they get into a poly relationship, it's just accepted, instead of questioned or even defined.

These are just a couple of examples. It's not that Our Flag Means Death is the only or the first show with queer/BIPOC/disabled representation, because it's not. What makes the show remarkable is the unique combination of queerness, ethnicity, age, disabilities, life experiences, etc. that each character carries within themselves, yet none of these characters exist solely to appear as representation of any minority on screen. Their identities are not glued onto them, they're ingrained, but in the end, they're just people. Just like in real life. Identities do not work as plot points. Being queer is not a plot point. Being non-binary is not a plot point. It's just a small part of the whole complex experience of life.

OFMD is a perfect example of telling a queer story that doesn't focus on telling a story directly about the queerness itself. Because we have stories about queerness already. We have so many of them that it just feels like tokenism at this point to see yet another story about coming out or forbidden love or anything like that, even if it's well made.

This show took me by surprise with every new way of representation it offered, because each time it did the total opposite of what I expected. It took all the tired tropes and said, "Yeah, see these? We're not gonna do any of that." It delivered something I never thought I'd see on screen.

It never explains the characters' identities to the audience. It simply shows them exactly the way they are and lets you decide whether you see yourself in them, and I think that also allows the audience to question their own identities, to explore gender and sexuality freely without immediately putting labels on things.

People who never thought they might be trans or non-binary or queer in any way discovered their identities through the show. People who struggle with mental illness or trauma saw someone like themselves portrayed with kindness and respect on screen and were finally able to extend the same kindness to themselves. People who are always left out of romantic stories because of their age or body shape or the color of their skin finally saw themselves portrayed as desirable and worthy of love and romance.

That is why so many of us feel that, in the words of Ruibo Qian: "OFMD woke me up."

[corioheinous]

Maybe it’s just the fact that I watched Saltburn (2023) the other day and wow freakishly unhealthy expressions of desire are oh so fascinating to me all of a sudden but I find Luka Alien Stage to be a super compelling morally-dubious character. Hear me out.

The meat and potatoes of Luka’s character isn’t exactly spoon-fed to us through either the Round 5 MV nor Hyuna’s MV (which I appreciate because conjecture is fun) BUT. Given the information that we do have. We know that Luka A) feels desire toward Hyuna B) killed her brother with his bare hands and C) took some sort of sadistic pleasure in doing so. I’m thinking that the reason Luka killed Hyuna’s brother in the first place could have been out of a misplaced jealousy he felt toward him; in this frame we can clearly see that the three of them are close, but Luka appears more removed due to the innate bond between the siblings.

Having been born into a dystopian society colonized by aliens, Luka probably doesn’t have a solid understanding of how human connection works and how their bonds are forged. All he recognizes is his own desire for Hyuna’s attention, and how that desire is directly impeded by Hyuna giving most of her love and attention away to her brother. Luka, unable to grasp that this is a normal sibling attachment, becomes intensely upset by this. Which is then spurred on by the fact that Hyuna doesn’t seem to reciprocate his feelings. Conflict ensues. Brothers are murdered.

This unhinged expression on Luka’s face here is what really clued me in on him having zero concept of the realistic consequences of his actions. He eliminated what he perceived to be his “competition” (something he will soon become very good at) so naturally Hyuna should devote her once divided attention solely onto him, right? Yeah no that kind of psychotic behavior would never produce his desired outcome, so now his playground crush is not only repulsed by his actions but forever traumatized by his person.

However he did (in an extremely warped sense) achieve one of his goals. He certainly has Hyuna’s attention now, but it’s not exactly the positive attention he once longed for. By becoming a sort of celebrity on the Alien Stage, he’s constantly on her radar as someone working to dismantle it. His image exists everywhere that Hyuna operates: broadcasted on television screens and reflected in her sunglasses as she moves through life and past her childhood trauma.

Luka finally has her attention now and she can’t seem to escape it. He’s successfully haunting her.

[beanbagstab]

Merry Christmas 🎁

Sonamy for the final day of Shipmas!💙🩷🎄

In a perpetual state of will they won’t they

[meamiiikiii]

a star being appeared in your apartment, wdyd?

(aka loop getting reverse isekaied into the modern office au)

also there are some scattered mumblings on loop in this AU under the cut if anyone's interested (spoilers for all of ISAT, including 2hats!)

vvv

TLDR - The Universe keeps fucking with Loop and they are not really happy about it, regardless of timing.

While I haven't decided anything 100% concrete for Loop, the idea of a reverse isekaied Loop in general is interesting to me, so I'll be exploring that a bit here. Especially in terms of timing on when Loop gets taken out of their timeline. At least in terms of immediate outlook within this AU. So, for now, have a couple of those thoughts! 

---

The two main points in time I am currently considering are the following:

1. From when they gave up their original wish and made a new one.

In this instance, I feel like their arc would play a bit similar to in game

Seeing this new world as different & peaceful

Since they don’t have to deal with the loops anymore, just watch whatever happens.

Be a lil silly for funsies! The chaos that can ensue with a star being existing within a modern world! 

Even though it hurts to see Siffrin’s team hanging around, they really don’t have anywhere to go at the moment (hard to hide a star being in this type of world)

To a slow realization of how unfair this whole situation is. In comparison to all of the horrors they went through, this Siffrin has it so easy.

This Siffrin gets to live an idyllic life, free from the world calamity of being frozen & the literal time loop.

This Siffrin gets to freely hang around their family team, with no foreseeable "end" to being with them in sight.

This Siffrin had their original wish, the wish Loop wanted granted, handed to them on a silver platter. 

This Siffrin, nor anyone in this world, would ever be able to come close to understanding what Loop went through; Loop would never truly be seen in this world, not fully anyway.

What does The Universe have against them, to put them into this world and make them witness all of this?

It should have been them, with this carefree type of life, given all they went through.

2. AFTER the fight with Siffrin.

This leans a bit more lighthearted than the last, since Loop would have gone through all the development from the game via convos + the talk at the very end with Siffrin, and has a bit more peace about their whole deal.

Perhaps they would still see the same conclusions as above, since healing from the horrors would not happen all at once, if ever, with additional flavor

Underlying bitterness in why the script is still going. 

Why is The Universe asking for them to continue into a new world and role?

Haven’t they had enough, once making them witness another Siffrin’s loops and perfect ending, and now a completely idyllic Siffrin’s life from the get go?

However, there is also a bit of hope in the entire situation. Since if The Universe keeps deciding to fuck with them (as in, sending them to different world lines) there is still, technically, the chance of going backward as well.

To their original timeline and to their family.

Once could have been a one-off, but twice?

Perhaps three world jumps might be the minimum to go back, following standard wishing rituals?

More hope in this one from the get-go, with that thought in mind.

---

Though there are probably other points in time that would be interesting too! 

Another one I was considering was RIGHT BEFORE the fight with Siffrin, perhaps even mid-fight. However, I don't think that makes much sense for this particular AU ASAFASFASDAS. Can you imagine if Loop just spawned into this world, doesn't realize this is a completely different Siffrin, and attacks on sight?????

Honestly the idea of a reverse-isekaied Loop into different AU's in general is neat, would love to see other people's takes on it!!  Especially cuz of the various reactions/conclusions Loop could have/make based on the scenario/circumstances would be interesting, if that makes sense. At least I think there is something in that thought? I dunno!

I feel like I am missing some characterization bits in here, but that was the main gist of it for now since I cannot remember LMAO.

Mumblings over, thanks for reading my silly thoughts if you got this far!!!

[puppyeared]

revamping an oc

[mortemilla]

odo sketches

[panthermouthh]

The death character with the shroud and halo is INCREDIBLE!!! I cannot overstate how much i love their design and how you drew them. Truly beautiful work!! Also, excellent song choice in the caption

Thank you! I may have given myself brain worms about it last night. Here’s a little more art and lore I’ve done today :)

[revenantghost]

Trigun twinswap AUs are just the most absolutely goddamn terrifying thing to me

Like. Vash is ridiculously powerful. Absolutely op. Knives CANNOT overpower him. The only thing that keeps them on even playing grounds is that Knives knows so much more about their plant powers and Vash deeply fears them (and seems to even resent them at times in certain canons). But if Vash weren't holding back? If he let that absolutely world-crushing power unfurl and did whatever the hell he wanted before his last run caught up with him??? If he learned how to manage them so he didn't burn out??????

Fuck, dude

[monkiinart]

breach thingy bc i miss him sometimes

[critai]

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