#I want to be worthy of that trust

[asparkofhopeiswhatimafter]

Heartbreak

When I was small, I always loved those necklaces girls gave each other in movies,

One heart, broken down the middle, half for you and half for me, so we have to be together to see the whole picture. Best friends, forever.

A symbol of something I wanted, that was always just out of reach. A promise made to my younger self, one day there’ll be someone to share the other half with.

Now, I am no longer small. Now, I’ve grown past the age where a chain sealed the unspoken promise, I will be there for you, forever. Now, trust is a rare commodity in the store of my soul, and that heart has fractured a dozen different times only to be set on a shelf to rust. But here’s what I’d tell you, my friends, my sisters; here’s what I’d engrave on the back of that heart dangling from its silver chains: You brought love within reach, and you showed me how to make the picture whole. You are a dozen different reasons to restock trust in my soul’s store. You are the ones for whom I will let my heart be broken, because we have sealed the unspoken promise, that you’re there, holding a fragment of my heart. I know you’ll keep it safe. I will be there for you, forever.

[yuri-is-online]

Been brainrotting lately and now I present to you what I think is an underused story beat for Yuu. What if “Yuu” isn’t even the prefect’s real name?

Considering that Yuu’s first experience in Twisted Wonderland is waking up in a coffin, wandering around an obviously foreign place, and being questioned by a suspicious man in a crow mask surrounded by people in black hooded robes… I just think most people would not give their real name in such a sketchy situation.

Fast forward to when Yuu is more comfortable with the cast and there is both comedy and angst potential here. On one hand, the reactions to the deception could be pretty funny. (Cue a “woe is me” from Crowley. Of course he can’t find a way home for you when he doesn’t have your real name!) On the other, this could be a great way of exploring the prefect having a crisis. Yuu already lost so much in being taken to Twisted Wonderland, and now in a way even the prefect’s name has been taken.

What do you think?

waking up in a coffin, wandering around an obviously foreign place, and being questioned by a suspicious man in a crow mask surrounded by people in black hooded robes…

Annon, annon, annon, when you put it like that it sounds like Yuu woke up in the middle of a cult ritual of some sort. Which I suppose if you were an edgy Night Raven student idia you might argue that the enrollment ceremony totally is as an excuse not to go

But to be more serious, I have seen a few memes about this concept and I like it a lot σ(￣、￣=) It's a fun character concept, it's not everyday you get a chance to re-invent yourself completely.

That being said, just based off of the few dialogue options Yuu has at the start, I think Yuu is implied to believe that they are dreaming:

Which honestly doesn't make this idea any less valid. If you're dreaming about waking up in the middle of some weird necromancer's rite, why not give him a fake name? It's not meant to be serious anyway. Just go with the flow and hope things don't get too weird (and get offended when your dream doesn't give you magic powers) until it's too late and you realize everyone thinks your name really is that bad joke you made.

If you want to get darker, maybe Yuu really did think they died. A black carriage pulling a coffin really only goes to a funeral, and death has been depicted as an unmanned coach with black horses. Maybe Yuu is only just coming to grips with the fact that they really are alive when they see Riddle overblot and he hurts them. Maybe they now are sitting next to two people who have started to think about them as a friend, a really close one. Maybe they think Yuu is really brave because they charged headlong into danger without a second thought, and won, twice now. Maybe Yuu cries themselves to sleep that night because in a way... you died so yuu could live.

As for reactions, Crowley and the other staff members I think would be the most dramatic, followed by Adeuce and Grim. Jack I can see accepting your reasons and not thinking too hard about it, maybe even respecting your survival instincts, while Epel... well he says he's mad but mostly he's just concerned. He knows what it feels like to have two dueling parts of yourself and trying to find the middle ground. Ortho would be excited, you have a secret identity just like a magical girl/super sentai/anime idol/superhero take your pick really. He certainly doesn't mind getting to know you all over again.

Sebek screams at you for being a threat to Wakasama but it's clear to everyone who actually knows him that he's really just worried about the amount of stress you put on yourself. He would hate for you to have the same issues with self loathing he does. And Malleus? Well he lied to you about who he was because he was worried you would be afraid, even though you didn't know he existed. It would be very petty for him to hold a grudge against you for doing the same.

In general I think this would be something the others would have an easier time understanding as opposed to Yuu's sense of alienation or loneliness at not having magic. Identity issues are common themes in fiction, so I could see them actually seeing it as a problem as opposed to an abstract problem like no government papers (since these kids with one obvious exception don't do taxes.) But it would make for a great way to explore the prefect having a crisis just as you say, in a way it's the perfect example for every problem they might have with being in Twisted Wonderland.

[kaeyachi]

my recently cynonari obsessed brain: What if Cyno can safely handle 2 ba fragments of Hermanubis as an adult due to being companions/ having prolonged exposure to Tighnari, and Hermanubis recognized that closeness? (Tighnari being a descendant as well)

Cyno handled the 2nd ba fragment a bit too well for my angst-loving brain...

[whentherewerebicycles]

nothing gives you insight into what parenting styles produce what types of kids like college essay coaching!! I feel like within 30 min of talking to a kid you can tell exactly what their parents chose to value/center in raising them… and you can also tell whether they’re going to have a rocky or reasonably smooth transition to adulthood as a result. if you were wondering the kids who are happiest and most secure in themselves tend to have parents who:

are warmly interested in their kid’s interests and engaged in their lives but give them LOTS of space/autonomy to explore those interests on their own and are in no hurry to rush in to “fix” things for their kid

communicate respect for their child and trust in their child’s ability to make good decisions and handle their own shit responsibly. it’s kinda wild how much pride kids take in their parents trusting them!! maybe you the parent don’t always get to see that (I assume that even teenagers who have good relationships with their parents are still teenagers lol) but as an outside person working with your kid, it is so so obvious that kids know when their parents trust them and derive a lot of self-esteem from being worthy of that trust. it is also painfully obvious when the parent can’t let go or trust their kid, so the kid internalizes a strong sense of “they expect me to fail/fuck up and they are just waiting for it to happen.”

encourage kids to try lots of different things and to derive fulfillment from the experience of doing things instead of external awards

treat and speak about others with empathy and respect. the kindest kids are the most secure kids and the most secure kids are the kindest. let your kids see you consistently interact lovingly and generously with others!! if they hear you constantly critiquing, tearing down, nitpicking, complaining, etc they seem to internalize an uneasy, insecure sense that this is how others must perceive them and they become soooo much more closed-off, guarded, risk-averse, unsure of themselves, and vulnerable to shaming or being shamed

set high standards for their kids in terms of doing well in school and committing to their activities, but make it very clear that these things are not a “means to an end” (get good grades to get into a good college) but are about learning how to work hard, persevere through difficulties, honor the commitments you’ve made to others, and develop a strong, grounded sense of self-esteem. honestly the kindest thing you can do for your teenager is to make it super clear that it does not matter where they go to college because you are so warmly confident in their ability to thrive wherever they end up

model having warm, loving relationships as an adult with friends and extended family. just in general the happiest kids are the kids who are surrounded by people who love them, listen to them, and are invested in their well-being!! the kids who, when you ask them to tell you about their closest relationships, spontaneously talk about people who aren’t just their immediate family but also their aunts and uncles, grandparents, family friends, beloved teachers or coaches, etc

[mobblespsycho100]

the best phrase to describe kabru is "hate the game, not the player" i think. like yeah

[pinacoladamatata]

Hurts hurts hurts me how other companions will be like "yeah you must choose one of us. Choose me though, the obvious choice. I love you."

And Astarion will be genuinely confused and surprised by Tav choosing him every time 🥺 his whole reaction is like "you chose me? But...WHY?"

[mr-stottlemonk]

"can you prove it?" -> i'm here, tell me what you need me to do

"only if you help me" -> you believe in me, you always do.

[baalzebufo]

so I was thinking about majima, as you do, and realized my original monster majima drawings were from 2021 which might as well be a hundred years ago so dang might as well draw up a new reference while im thinking about him

very tldr summary is standard monster au fare where part of the whole torture hole situation was getting cursed. he can hide it but its a very large strain on the body to be disguised all the time. hes kind of a story around kamurocho as sometimes people claim to have seen a weird beast skulking about dark alleys but its written off as a cryptid/urban legend situation.

an excuse to draw the Long Majima in various situations

[jichanxo]

how different is your creative process between writing and drawing (and in which areas)? do you have a different approach in each artform? if you have an idea, you first think how you'd write it or draw it?

This is definitely going to be long so. Cut.

Just to preface, obviously both writing and drawing are a form of art, but I tend to use the word “art” when I mean illustration or drawing, so that’s what I’m going to do here. And of course a disclaimer that I’m only speaking to my subjective experience.

Tbh I don’t think my approach to both is that different from each other, which is odd, because I’m used to thinking of them as very different processes. Probably because the mediums themselves are so different. But like with my writing, I tend to improvise. Feel it out, see how things go, throw ideas at the wall. I would probably say that I’m more willing to experiment with/scrap my art than my writing. Probably because I’m more confident with my art than my writing, so I find it easier to make judgments like that, or because I’ve made so much that throwing stuff away when it isn’t working is very easy. I get a bit more precious about my writing. I always want to keep it or at least try to adapt it into something less bad, lmao. I’m also just not as confident in my ability to judge what writing is worth keeping or worth permanently deleting. I just haven’t polished that skill for writing as much as I have for art.

With regards to planning my art – I definitely do sometimes, because I consider art my Serious Hobby, which means I do like to have a go at more serious projects as opposed to just improvising all the time (a contrast to my writing where my only “serious project” is senseific, and I fell into that by accident). The things I plan out are the idea/s I want to convey, and what imagery would express that. (like this IW art, and the second one in this umineko post) Or sometimes the imagery gets stuck in my head and I work from that. (yagami’s hair clinging to his neck here)

I actually find that planning too much can be detrimental to my art process. That is to say, not in terms of figuring out ideas/themes, but doing too much drafting. I find it very difficult to do things like clean lineart unless I’m having a Weirdly Good Art Moment, so I just don’t. Hence a lot of my art is very sketchy. I’m just not good at capturing the same looseness with “proper” lineart than with my sketches, so I keep them. Not worth fussing over. This is what works for me.

(even in this, and the first image here, you can see a lot of breaks and incomplete looking lines. not to say necessarily that this is a bad thing of course, but you can see that even in what I consider my “polished” work, I won’t use “proper” linework, but instead a high quality/detailed sketch. I imagine some other artists would have their proper linework stage after these sketches, but i choose to stop here)

this probably reads like I’m talking myself down, but that’s not really what I’m meaning to say – my point is that I don’t figure out details even for my bigger pieces, and that with drawn art I have a better time judging where my time is best spent. I don’t think I have a strong understanding of my writing by comparison, so I can’t decide how to play to my strengths or anything like that, I just have to see how i go.

For writing, either it’s “i’m in the mood for it” or “i’m not in the mood for it”. For art, it’s “today is a good day/bad day”, “today’s a painting day”, “today feels like masking”, “today I just want to sketch”, “today I’m too loose for what I want to work on”, “today I’m too stiff”. You can see the difference in my ability to judge, yeah? So a big difference is to do with just my own (relative) inexperience with writing as opposed to drawing.

I think the other major factor is the differences in the mediums themselves. A fanfic is sequential. There’s a change in time. Illustrations are by nature a single moment in time. Big difference there. Of course, there are comics and animatics and other art that’s both drawn and sequential, but since I don’t do a lot of that, just count that as exceptions for now (and in a way, those are kind of like a combination of writing and illustration, aren’t they?) I find there are some ideas that are conveyed easier or better through writing, and others where the better option is art.

So to answer your last question, often ideas come to me pre-packaged as a “writing idea” or an “art idea”, rather than having to decide that separately. In the case that a sequence is better conveyed with a visual element, that’s when it’s comic time. The gorillashipping comic is a great example of this. The punchline is at its best when it’s not explained in words, and the expression of the final panel does all the heavy lifting. I pitched this idea initially in words (as a joke on discord), but the comic version has more punch.

Comics are also great for when you want to avoid explaining context, and for when you want to force the reader to take a specific pace. Here’s the example I’m thinking of.

The visual space dedicated to the fighting forces you to take time to process, and that time is important for the buildup to the punchline. This wouldn’t work as well if we cut this down to, say, the four panels of the last example. So yeah, timing. And then my other point – context – why are these two fighting? I don’t know. Where are they? I don’t know. It’s not necessary for the joke. The same is true of the gorillashipping joke. How did the relationship between kiryu and kaito happen to make this even remotely possible? I don’t know. But I don’t need to explain it in a joke comic. With writing I find that it feels more necessary to make context clear to the reader so they understand what’s happening, but with illustrations, it’s a lot easier to skip over that. Obviously this isn’t impossible in a written format, but that’s just my personal opinion.

Admittedly I think this second example is doable with just pure writing (replace all the panels with descriptions of the fight that take long enough to simulate the time it takes for the reader to digest the build up, then make the punchline a wham line, yknow), but it varies on a case to case basis. Also I would not want to write fighting. Lmao. I’m not… any good at that. So I guess it is also just in part about playing to strengths.

Anyway, enough comic side tangent. I’ve already started talking about it there, but was going to do a comparison between writing and art as mediums. The main thing, I find, is that they have different strengths. More than strengths/weaknesses though, the mediums themselves convey some things with ambiguity, and other things with detail.

Like I first mentioned, time: it’s easier to convey the passage of time with writing than with illustration. And like I said before with comics – conveying context – because an illustration captures a single moment in time, it’s a lot easier to avoid context entirely, while it’s harder to avoid in writing. I’ve drawn kuwagami cuddles before, and there’s no background, nothing discernable as to the lead up or any other detail. And that’s great! I don’t want to have to invent a plausible reason for them to end up hugging. I can just do it, right? But sometimes it’s the context that makes things significant, so you do want it there. A better job for writing. Writing allows you to be detailed with your context, while illustration leaves it ambiguous. Different strengths. You just pick which best fits the situation.

It’s a similar case for a lot of different factors – they're conveyed differently through both mediums, and depending on your idea, some results are more desirable than others. Rather than explaining, it’s probably better to do a direct comparison. (If it makes any difference to your curiosity, I did the drawing first then the writing. You’ve caught me on a good art day, what a nice sketch…)

I’ll try not to talk too much because I think the comparison and table say enough, but you can see how, despite depicting basically the same thing, these two things feel pretty different from each other. The mediums do different things. The mood of both is similar, but not quite the same. It’s these differences that inform the choice of mediums instinctually. (but again. points at disclaimer. as is true with all “rules” about art, none of these are absolute. you can make an illustration that conveys a strong context. you can write fic that favours describing facial expressions and leaves the intended emotion ambiguous. i’m generalising to make a point here.)

I guess the other thing is that it’s pretty easy to do writing in bed on my phone compared to my art setup, lmao. Convenience and timing also play into it probably.

[ccbatman]

actually so evil how much of hal's internal world gets obliterated with the rewriting of his relationships with jessica and martin.

[halfyearsqueen]

has his mama’s withering stare and everything 🙏

[snekdood]

ive been disillusioned with a lot of the left for a while, it's nice to at least see that other ppl see it now, though the reason why kinda fucking sucks.

[whentherewerebicycles]

was kinda nervous about this last meeting with my direct report because I had to pitch a semi-radical rewriting of both of our job descriptions to her and wasn’t sure how she would feel about it or if she would be comfortable saying no if she really hated the idea. but I think I did a good job of setting up for the conversation—just like giving her all the info in advance, asking her to take time to think about it and reflect on which parts of her current role she really didn’t want to give up + what she felt was missing/wanted more of from her work life, and then making clear that 1) this was just one of several possible directions we could go and 2) I’d already made it clear to my boss that we weren’t going to make sweeping role changes without input from everyone involved. I think it went really well… she was really excited to talk about what she wants to do more of in her work slash which of her skills she thinks are being underutilized in the current role, and we ended up drafting a new draft position description together in our meeting that she seemed super excited about. PHEW!!!! I mean I assume that sometimes when you’re managing people you just have to tell them to do things and accept that they may not be thrilled about it, but in this case there actually was room for us to brainstorm together and negotiate the bigger picture stuff and I got the impression that she felt really happy about being included in the process. so I think it was good for building trust between us and securing buy-in on her part as we navigate this big shift and also just making sure she understands the why behind it (and feels like she was part of articulating that why). so yeah that all felt good!!! there are some personality differences between us slash little places where I’m sure we kinda grate on each other but I think on the whole we really work well together and I feel lucky to have her on my team.

[void-tiger]

Trying to keep a lid on it but. Yeah. Literally don’t know what’s it like to NOT be platonically neglected IRL my whole damn life, only that I know this One Person doesn’t deserve to be at the epicenter of it anymore than I deserved to have been at the epicenter of theirs a year ago now.

…why am I like this. Why are we like this.

[paperbaghero]

I'll be deleting any Ask asking for donations

I do NOT want to accidentally spread Scam/Spam messages on this Blog...

It's why a closed down Ask in the first place.