#I will try some other stuff in this art style maybe

[sundial-bee-scribbles]

trying to psych myself up to finally do oc refs by doing fandom-related refs instead: volume 1

wanted to update my yuma from whatever tf this au is so he was a bit more unique... takes inspo from a lot of different things while also trying to be its own sorta thing? which is fitting given the au ;)

bonus chibi now that i'm also figuring out how tf to do chibis lol:

[mistykaru]

it’s not full ham 90s anime style i was mostly having fun with filters and different decoration brushes lol

[mapsofnonexistentplaces]

losing the plot by expanding upon it....

[lanatusnebula]

I wanna draw backgrounds but I am too lazy and inexperienced and my patience is low.

But there seems to be a lot of trends with the backgrounds I'm looking at in detailed works that appeal to me. I don't think I would able to replicate the things others draw since it seems they're taking shortcuts (compensating for simplicity by compacting details into the pieces, using 3d models, using environment brushes like buildings, etc), ones that would end with my art looking really hilarious.

I know it's too late in my life to start thinking about job opportunities and I need to start acting now. But if i could get an art job, I think I'd feel more fulfilled. At the moment that obviously isn't an option. (15 more days I am losing my mind) I keep wanting to make a professional looking portfolio but my art simply is too much leaning towards hobbyist. :/

This looks very mediocre. I know though I could have added some trees but I still struggle with composition.

There are characters sitting on the "bench" but I didn't use a reference so it looks... hm.

This one was really fun an relaxing to do, but the mediocre aspect of it is present here as well. Obviously some shit doesn't make sense because I removed the character layer (that's why there are random shadows), but there's surely gotta be some sort of way for me to improve.

Compositions like this make me feel at peace, but the forefront character's color clashed terribly with it. I need to not be afraid to adjust things in photoshop I think?

These are the only examples I have on hand, which is also a really huge red flag; if I don't have many examples, that means I'm not practicing enough. I could do warmups to draw backgrounds quickly, but the struggle is more in composition and color theory. I don't know how to do those things, despite the large collection of resources and tutorials. It just doesn't click. I don't know what I'm supposed to do. > <;;

I will inevitably have to figure it out. I heard that drawing other peoples' images that are closer to what I want is the ticket, and if i do it enough times it'll come naturally. The process isn't too difficult to grasp but feels morally wrong to start my day like that. But I'm building up a collection of art I admire for composition (withbackgrounds) as a starting point at least.

None of it will be posted obviously but... I hope to have something to show for in a few months.

Big things comin.

[klutzytomb]

its so weird looking at some of the older art ive posted here. like, when i started taking ibvs requests for the first time i was still really new to digital art and coming out of an abnormally long stretch of art block. it doesnt look right with my progression of art throughout the years

[22degreehalo]

The world is full of so many beautiful things both natural and manmade and I just want to contribute to them SO MYCH graaagagGHHHHHH

[phantomarine]

Clam's Quick Tips for Starting Your Very First Webcomic

Howdy! Here are the three bits of advice I tend to give people who ask me about getting into webcomic-making. Maybe they can help you jump into the fray with a little less fear.

1) Make Your First Chapter a Pilot Episode

You will be told by webcomic veterans to start with a short, simple comic idea first - which is wise - but if all you can think about is your big magnum opus, then you might as well hop in, right? Otherwise you'll just be glancing back at the other cooler project forever.

But if you can't start with a small simple story, start on a small, simple part of that larger story. Your first chapter should be a snapshot of the main conflict - show us a simple scene with few characters, ease us in slowly, keep things clear and focus on emotion/impact/clarity. Get the audience to care by offering something easily digested, but full of promise.

Once you're done with that 'pilot' chapter, and you're feeling more comfortable with the whole comic process, you can open the gates and show us the larger world. At that point, you'll be way more ready.

2) Simplify Your Art Style For Your Own Sanity

Always try to make your webcomic's art style as simple as possible - the standard rule is to use only 75% of your artistic skill for every comic page you make. Otherwise you will burn out quickly and terribly.

But you also need to be PROUD of your art style. If you're really feeling itchy, add a couple bells and whistles to your style so you can look at the finished page and say "Yeah, looks cool." You'll find the right balance the more you draw.

Also, don't be afraid to change your art style as you go along. Ultimate consistency is often impossible in webcomics anyway - so embrace your desire to try new things, streamline your work, whatever you feel needs to happen to be happiest. Sometimes the coolest part of reading a webcomic is noticing that style change - so don't hesitate to embrace it!

3) Resist the Reboot! RESIST!

The curse/blessing of drawing the same things over and over is that you'll inevitably get better at drawing those things. The trouble comes when you look back at old stuff and start thinking "Damn, I could draw that way better now."

You must recognize that this feeling never goes away. Not after a hundred pages. Not after three hundred. Not after a thousand.

I think everyone should be allowed one soft reboot for their first webcomic. Redraw some panels that bother you. Change up some dialogue if it doesn't make sense with your new story ideas. Do maintenance, basically. One of the beauties of webcomics is that they can be easily edited, without reprinting a whole book or remaking a whole game.

But if the ultimate purpose of a webcomic is to tell a story, then constant reboots will just be retelling the same story - slightly better each time, but the same at its core. We've heard it before. Most audiences would rather you save your strength and just keep going, rather than circling back year after year and going "Wait wait wait! I'll do it better this time."

Reboot early, not often, and only when you absolutely must! You're a storyteller, and you're constantly getting better at telling your story. Don't be ashamed of it - look back how much ground you've covered, and keep walking!

---

That's a good start. Happy webcomicking - don't be afraid to jump in, but be prepared to learn a lot very quickly. And if this advice doesn't work for you or adhere to how you did it, that's absolutely fine - webcomics are diverse by nature, and so are their creation processes. Feel out what works best for you, and good luck!

[mellosdrawings]

Hii!! So sorry for going on an absolute spree liking all of your posts ;; your art style is super expressive & I love the way you use crosshatching! As well as all your headcanons (you are so real abt cane user azul, i didnt realize how many cards he's sitting in!!)

I was curious, do you have any headcanons with Ruggie & Jamil? Especially with your N2 squad theories and their canon interactions durin GloMas, I'd love to see what you think of them~

First, never apologize for any liking/reblog/other spree, you have no idea how happy it makes me to have someone like what I do so much that they dig into my previous stuff!

And thank you so much for the compliments I'm ansbsjsbsjsn about them 💕

For Ruggie and Jamil, I have a whole bunch of different headcanons depending on the situations.

First their GloMas interaction gave me life. I found it so perfect, just the two of them finally letting their inner gremlins take over without worrying about their image. It was PERFECT !

I also love that their Signature Spells have the same "manipulation" base, but Ruggie is about the body while Jamil is about the mind. (I usually love adding Jade to the mix with his ability to force the truth out of others. I call the three of them the "Manipulation Gang". I'd love to see the three of them actually gang up some day.)

Jamil and Ruggie also have the same servants-to-spoiled-rich-kids background. I feel like they'd have the most terrible gossip while washing clothes or something. I just can't really imagine them not be friends of sorts. Just pestering about the latest wild nonsense their master has been up to, wondering if they should exchange their burdens (pre chap 6, Jamil would never agree after that) and just generally let the worst of them show to the other coz they don't mind.

In the context of the N2 Squad, Ruggie would definitely be a needed push for Jamil. The kind of "Please just date him, Leona’s mood is only getting worse and I'm tired and if I hear 'im moan about you once more I'm gonna murder you both" or something like that. Ruggie knows the inner workings of Leona, knows the inner workings of Jamil too from their laundry-gossip, and while I can imagine him strive in chaos he would immediately go complain to either Leona or Jamil if their turning around each other made his job harder. After the N2 Squad starts dating though, I can def imagine Ruggie try to profit off being friends with Jamil to get favors from Leona (and maybe Vil too coz why not?)

(Also Ruggie is def Jamil's first fan when it comes to cooking and always tries to have him give him spares from a previous party or whatever.)

[abby-howard]

I'm going to be asking a lot of artists I follow this question, but how did you develop your style? It SEEMS like most people find their style and stick with it forever, just making improvements and iterations. I tend to work in a lot of different styles because I enjoy doing that, though I know there are things I gravitate towards as well. But I wonder what your journey was and how you got feedback and improved while staying true to what you enjoyed?

Hi there!

I definitely wouldn't say that I've found my style and stuck with it forever-- I feel like each of my projects has asked for a certain kind of art, and has presented new challenges that push me in new directions.

Some of that comes from seeing someone else's work and having something click into place that might fix errors/faults in my own, and then I might try to incorporate that, such as bigger outlines on my characters to help distinguish them from the background, or maybe a way someone else simplifies eyes that can help make mine look less weird.

When I first started drawing, I can see where I encountered certain influences because my sketchbooks suddenly switch to incorporating some new stylistic element that I liked from whatever I was reading/watching at the time. But it was never QUITE right, it was never just copying, there was always something ~wrong~ with it. And that wrongness was my style! As much as I hated it, that was what distinguished my art from being just a copy of someone else's. I hate it less now, and understand that other people see something there that maybe I don't, because it's just what happens when I filter other people's work through my head. My soul, if you will.

There are definitely through-lines with my work, driven by what I like drawing and what comes easily to me-- hatching is almost always a major component, and I like making expressive characters. Here's some of my earliest available stuff, from my old webcomic:

Then not long after that, I started The Last Halloween, which pushed me to challenge myself in both layout and style:

And here's the same comic, years later:

And here's a series I did for kids, where I had to use full color and lay off on the hatching, as well as learn how to reconstruct animals that we have no photo references for, which is definitely a place where style comes majorly into play, whether I wanted it to or not:

Then there was the horror book I did, where I tried to push my work to be less cartoony overall, and to work very hard on improving my hatching:

Then I started work on Scarlet Hollow, where I incorporated a limited/muted palette and had to once again push myself to make less-cartoony art, as well as learn more consistency so I could draw sprite sets. This was a big challenge for me, and has helped me grow as an artist so much!

And most recently, I wrapped up work on Slay the Princess, which required that I go back in the cartoony direction, but in a very different way than I was used to. This took a lot of sketching to figure out, and there's still a decent amount of artistic stumbling in Chapter 1 while I settled into it.

She's drawing on anime/Disney influence, but each Princess required a bit of stylistic variability. Some are more anime, while some are more realistic than even the Scarlet Hollow characters.

So I wouldn't worry too much, honestly! A person's style is often something that reveals itself over the course of their career, rather than something they choose and then try to stick to forever.

Even if you don't think you have a style, you do. It might vary a lot piece by piece, especially if you're trying to closely imitate another person's art, but the more work you do, the more you'll figure out your own strengths and interests!

[budgebuttons]

There's a lot of reasonably frustrated but ultimately misdirected psa-style posting about how viewers NEED to start reblogging things rather than just liking them because that is the primary mode of post circulation on this site. The modern manifestation of this sentiment seems to miss the fact that, if you've been here for ~15 years, were here prior to, during, and after the exodus to the bird app, you already know that likes have always been more common than reblogs, that many people simply don't want to put your art on their blog, and that guilting end-users into using a microblogging site A Specific Way absolutely does not work. If it did, the trend would have shifted a decade ago. Because this conversation really is that old. Regardless, the modern discourse of how difficult it is to be Seen specifically on Tumblr isn't productive because I think it ultimately misses the reason being an artist online feels so Bad, now.

The social media era has funneled Looking At Stuff on the Internet into an economy of engagement that encourages end-users to treat everything we/they see as quick, cheap, and disposable. This is just another fun and flirty way that capitalism devalues art. It's nothing new. Trying to force masses of users to behave in a way that is healthier for the circulation of art isn't going to do anything to solve the discontent we all feel when we hurl something into the void and it is ultimately ignored. I swear up and down: A higher notes number won't feel better, either. Popularity is just as demoralizing as radio silence, but it manifests differently. Instead of 4 likes and maybe 1 reblog from Old Faithful Mutual, you get a horde of people who treat you like a content machine. You keep hoping for an impossibly Bigger Number. The notifs on the first Big Number Post haven't even settled, and people are already asking when the follow-up is coming. You get anons, but most of them are trying to passively convince you to give them More Content.

It's really, really hard to make people care about art. If there was a silver bullet for making the average person appreciate the enormity of human effort behind every beautiful thing they encounter, we would have found it centuries ago.

The best thing creatives can do for their lives online is to be friendly, or at least kind, with other creators. "Big" artists don't form in-groups because they're snobs. They find each other because they casually showed each other support, and their mutual appreciation for that Thing that wound them up in the same tag becomes a foundation for connection, and in many cases, the ever-illusive Bigger Audience as they introduce themselves to each others' circles. We get more eyes on our work by building community with each other.

Where does that leave people who are just here to look at things, not post them? I think the answer is almost identical: COMMENT!! Please, comment! The first step to engaging with art on a more meaningful level is to point out something you particularly enjoy about a given work. It can go in the replies, it can go in the tags, doesn't matter!! If you notice some symbolism or make some connection, there is all likelihood that OP put it there because they desperately wanted somebody to notice it. Let them know why you like it!

Reaching for the nebulous, impossible goal of better post circulation isn't going to make being a creator online in 2023 suck less. Meaningfully connecting with each other can, will, and does. You can make someone's day just by passingly letting them know that their effort is worth more than a number.

[jadenvargen]

If I want to study someone's art or style, how do I do that? Like where do you even start when looking at an illustration that they made 😭thank you!!!

Here’s stuff i think about. i don’t do that many style studies, so idunno how helpful it is! pls sound in tha comments if anyone has tips:) 

Pinpoint what stuff you like, and focus on that. Focus on technique rather than exact replication, for example ( just first thing comes to mind) if you like rostov’s disco elysium cover art and want to study it, don’t just repaint the image, find what’s key in the style. looseness, maybe? then, instead of copying the image with your technique, try to apply the same looseness. (feat. shitty 5 min sketch plz dont judge example of how i normally approax paintings, versus a study. ALSO not to say u CANT do this it's just how i would study, myself. )

That being said, don’t force yourself to make art decisions that feel unnatural to you. a lot of the time artists make decisions based on their weaknesses as well as strengths. I do very shaky, hatchy lineart because my hands are very shaky. I focus on painting what I* feel is important and fun. 

Instead of copying a style from a picture, look at a variety of pictures and find technique. For example a lot of people redrawing a screenshot in “sailor moon style” or “ghibli style” will draw… let’s say, an old man, looking like a usagi because that’s the screenshot they looked at, instead of watching what stylistic choices for example takeuchi made when stylizing an old man. So the “studies” end up homogenous. I personally find it unproductive to replicate a painting for purposes of study, but like focusing on individual elements. say you like egon schiele, replicating whole paintings at a time IMO isn't gonna do much, but maybe you can set out on a series where you sketch copy his hands or feet from different paintings, and then try stylizing your own hands the same way? Or maybe your fave artist draws moonlight like a blue stream, or a red one? Try applying only that light to your paintings.

You could also color pick or look at the colors they make and paint whatever you want with those same colors, to understand how they work together and what can be done with them.

Also, if you can, look at their influences! Everyone learns art by seeing others art. Chances are they saw art they liked and picked from there what elements they enjoyed. Looking at the inspiration can help make some of the techniques more obvious.

Basically focus less on copying(not that copying is bad- but not always helpful for studying), and more on what you like. If you find what you like, you can work from there and try to think about your own art from the same perspective.

IDK if this helps as i said, feel free to add onto^_^

[lazycats-stuff]

Artist toddler batbro! Can't help but draw/ paint at least once a day and at the end of the day batfam is anticipating who will be the lucky family member that'll receive which ever art piece their youngest has created that day (sometimes the art piece is on the walls or floor of the mansion but no one has the heart to be angry when little batbro is just proudly presenting his art)

Toddler batbro *leaves a paint covered tiny handprint on the wall*

Bruce: alfred, frame that

Oh my, that's cute. Oh my God... Aww. Also, I know it's short, but this is all my inspiration is willing to give at this moment. Next time, I'll try to write more.

Summary: (Y/N) is an artist.

Warnings: None, really fluffy

Every child has a talent. Whether that be in sports or arts, every child has a hidden talent for something. Even if some kids are average, there is nothing wrong with it. Bruce, amongst his four older sons, had a toddler. Yes, a toddler.

How did it happen?

A one night stand. The mom couldn't take care of (Y/N) and Bruce took him in and the other 4 accepted (Y/N) as if he was their blood brother and Bruce was grateful that they did it. Of course, they had to change their schedules to accommodate to make sure that (Y/N) was a priority. Of course, no one minded to do that.

And speak of talents? While his four older sons had their own specialties. Damian had his knowledge of blades and martial arts, Tim for his hacking and detective skills, Jason for his accuracy with guns and other firearms and Dick with his acrobatic skills.

(Y/N) was an artistic child. He didn't show it at first, but as he got more comfortable, he started asking for paper and crayons. Crayons slowly evolved into something more and (Y/N) would draw daily. It could be anything. It could be a couch or even Titus. Maybe it would be one of the boys too.

And, at the moment, there was a big honor in the house. What that honor may be? (Y/N) handing you his own artwork. It became a tradition and sort of a competition between everyone. Everyone wanted to see what (Y/N) has created that day.

It was considered the biggest honor in the manor, to get a piece of paper, created by (Y/N). It makes everyone's day when they get an artwork. Dick nearly cried. Damian was close to crying too. Alfred and Bruce got one too and the two grown men, who have seen stuff... Safe to say, they nearly broke down into tears and shambles.

Nearly.

But there was a one problem in this entire story. (Y/N) wouldn't limit himself to drawing on paper. Oh no. Many parents would punish the child if the child drew on the walls or floor. Right? Well... Not if you are (Y/N) Wayne who is clearly artistically talented.

(Y/N) would often draw whenever he could, even if that meant on the wall or the floor. And whoever saw (Y/N) drawing on the floor or the wall, didn't have a heart to even yell or be remotely angry, especially since (Y/N) had that shine in his eyes when he was showing them their art.

Bruce wasn't supposed allow (Y/N) to paint over the walls or the floor. That's what Bruce was supposed to correct. A correct thing to do... Right? Well, Bruce didn't know. Parenting doesn't have a book and a set of rules, but Bruce wished he had some sort of rules so he could solve this.

He can keep on dreaming when it comes to universal rules for a perfect parenting style.

But he has actually decided what he was going to do, without a doubt. (Y/N) was allowed to doddle and draw wherever he wanted. That was something that was relayed to all the other members, whoever, they put certain restrictions.

No drawing in their rooms without supervision. Bruce's study was also off limits if there is no supervision. And only at home is doodling and drawing allowed.

Because Bruce is just ready to frame it all. Alfred already has frames ready to go.

It was always fun.

As of now, (Y/N) was doodling on the wall, just sitting on the floor, without a care in the world. Bruce and Alfred were walking by, stopping when they saw (Y/N) drawing. This time, it was just a simple handprint.

Bruce was smiling and instructed (Y/N) to go wash his hands and then eat. Bruce and Alfred looked at the handprint on the wall.

" Alfred, frame that. " Bruce said and Alfred did just that. Took out a frame and made sure that handprint was framed. And it looked adorable.

" He is growing up too quickly, Master Bruce. " Alfred said said as he looked at the little handprint.

" I agree Alfred. " Bruce said sadly.

[pasteilian]

Do you have a recommendation when designing a black character? Or tips, or maybe pages you visit for references?

Suck at explaining stuff but I’ll try

‼️ Ethnic Features ‼️

So, the art world is in a very weird place when it comes to ethnic features. The conversation was about how using POC ethnic features as an insult in media was damaging and needed to stop, and that somehow morphed into people being scared about drawing people with those features.

Black people have big ears, big noses, and big lips. That's not the problem. The problem was that media was using it to make us look like giant ape, monkey, monster creatures. It's okay to give them these defining features.

Also, remember that brown people have lighter pigment under their feet, hands, and bottom lips. 🌸 (didn’t really know where to put this but drawing mix people is basically a spin the wheel we come in all different shapes and sizes and features. There’s really no wrong way to draw a mixed POC.)

‼️ It's Just My Style ‼️

I'm so goddamn tired of hearing this goddamn excuse. A style does not mean you can't properly represent POC. I would even go on to say that if your style is stunting you so grossly that you can't draw a proper black person, you have a bad art style. Sorry—not really.

Media has shown us that style does not stop representation. The only thing stopping that is your ignorance and refusal to improve. Great examples of ranging styles still being able to represent different POC are "Adventure Time," "Disney's Soul," "Proud Family," "Afro Samurai," etc. I'm just saying this because I've seen this excuse be more prevalent in the art world, and it's just better to nip that in the bud.

‼️ Whitewashing + I Don't Know How to Use the Color Brown ‼️

I've seen people make the excuse that the skin color is lighter because they use a pastel style, but they never bring up the fact that the only color in the art that's lighter is the skin tone. 💀

Also, the whole thing about people saying they don't know how to shade and color brown palettes is just completely bullshit. I would even say that trying to shade pale colors is harder than shading darker colors. Additionally, there are multiple artists and tutorials showing you exactly how it's done. You have no excuses other than you just don't want to.

YouTuber Sinix has a great video on painting skin tones!

‼️ Black Hairstyles ‼️

I love dreads. Dreads are a very pretty hairstyle. However, we have more hairstyles other than dreads. If you're going to draw black characters, I would encourage you to branch out and explore beyond dread heads. There are so many unique black hairstyles out there. We need to move on from just focusing on dreads.

YouTuber Ari has two wonderful videos on black hairstyles in video games. I would recommend checking them out.

‼️ References ‼️

I love referencing old black media such as "The Fresh Prince of Bel-Air," "The Proud Family," and "Little Bill" (before all the Bill Cosby stuff came out). I also appreciate how "House of the Dragon" implemented black people into the lore. Other references include "BOTW/TOTK Rottmnt," etc.

Some artists I reference all the time are Mohammed Agbadi, who doesn't do many art tutorials anymore but often discusses black characters in media, and his art is still amazing. Ethan Becker has a very interesting video on the racist triangle that I recommend checking out.

On Instagram, I love the art of Jojo.Dreamie, Chibichanga12 (holy shit, love their art), Bruniosktch, and Caw.Chan. I also just reference my family a lot. 💀

This is a lot of rambling, but what I’m gonna say is don’t stunt yourself by tricking yourself into believing that your art can’t include POC 🌸🌸‼️💌💖💌💌🎀💕💘‼️🧁

[yncoreee]

YOU’RE PRETTY. Danielle X reader

Synopsis— Danielle is happy that you’re finally getting comfortable with her and talking more

Warnings .ᐟ Grumpy x sunshine, Plot twist lol, Jealousy, Advice you to read pt.1, Dani Avoiding y/n, School au, Female reader, FLUFF

꩜ — ⵌWord count 1575

The last time both Danielle and Y/n had conversed was since After the submission of the art project.

Y/n never bothered to talk to Danielle or even interact with her since they’re done with the “business”.

Meanwhile Danielle on the other kept on thinking of ways to get to talk to her and maybe even be friends.

“Hey y/n!” She smiled at her.

Y/n looked up to her and looked back down at her book. “Oh hey” she mumbled.

“You seems so concentrated on that book, what’s it called?” She asked tilting her head to the side. Although y/n didn’t want to admit it, she found it queit cute.

“Uhh umm it’s just a book I found in the library” y/n said closing the book to see the name.

“Cool. So you’re into books right?” She asked with a small smile.

“Yeah”

“You’re into stuffs like art, I’ve noticed” she blurted out. “You’ve noticed?” Y/n asked furrowing her eyebrows as she squinted her eyes a bit.

Danielle’s eyes widened slightly as she realized what she said. “I- uhh I-I didn’t mean l-like…. I wasn’t observing you okay” she spoke placing her face in her palms, her face looking all flustered.

Y/n chuckled At her. “It’s good you’re observing me, you’ll get to know what I like without asking me” Y/n smiled a bit.

Danielle could feel her face heat up. She just realized y/n was the absolute sweetest but just doesn’t know how to express it sometimes.

“Oh…..” she said, still red.

She couldn’t help but notice that y/n had some similarities to a cat and a certain someone.

The bell rang for lunch break. Danielle glanced back at y/n and smiled. “I’ll be going out for break…. And I guess you’ll probably be in class right?” She asked, already knowing the answer.

Y/n nodded her head and watched as Danielle left the class.

As Danielle made her way to the usual table her and her group of friends usually sit she noticed that someone was missing. “Hey where’s Haerin?” She asked, looking around the cafeteria.

“Oh she said that she wanted to see someone” Hyein stated.

“Oh…. That’s fine I guess” she mumbled.

After a few minutes Danielle noticed Haerin hadn’t come back. Worry overcame Danielle’s mind so she excused herself and went on a walk around the school in hopes of seeing Haerin.

She also wanted to steal a quick glance at y/n in the classroom.

When she couldn’t find Haerin she decided to give up and just go spy on y/n.

She did her best to be secretive and peeped a little into the classroom. She gasped lightly at the sight.

There she saw y/n sitting on the spot she left her but Haerin sitting next to her with a lunch box. It seemed like Haerin was feeding her or something.

What also surprised her was y/n clinging onto Haerin. She’d never seen y/n cling onto anyone talk- less of Haerin who was almost the same as y/n.

Y/n seemed a lot closer to Haerin. Danielle noticed y/n acting like a big baby towards Haerin. Why wasn’t she acting this way to her. She thought. She couldn’t help but feel a little pang of jealousy.

Danielle let out a sigh. What was she expecting? Y/n obviously hated her presence and cheerful attitude. There’s no way she would act like that in front of her.

She bit her lips as she left, trying to refrain herself from storming into the room and asking them so many questions.

“Omg Haerin you don’t have to feed me like a baby” y/n spoke refusing to let Haerin feed her the baby style.

“Ahhh Haerin-Unnie, and besides you’re my baby sister” she responded lightly, pinching y/n’s cheeks.

“Girl you’re just 5 minutes older, even people that are born the same year don’t call each other Unnie” y/n said chuckling a bit.

“Five minutes seems like 5 years to me” she huffed, raising her palm up. “Now open wide for the airplane” she spoke, making sounds with her mouth.

Y/n couldn’t help but feel a little embarrassed as she watched your own twin sister who was just older BY FIVE FREAKING MINUTES feed her like a baby.

As Haerin finished up her phone lit up meaning she revived a notification. “Oh I’ve got to go, Danielle Unnie is looking for me” she spoke as she packed her things.

Y/n furrowed her eyebrows. “Wait, you know Danielle?” She asked curiously.

“Danielle Unnie” y/n rolled your eyes at the correction. “But yeah, she’s in my friend group” Haerin added, getting up from the seat.

“Oh that’s cool, it must be really nice knowing somebody as nice and sweet as her” y/n spoke nodding her head.

“Yeah, she’s like a ray of sunshine”

“Okay then, I’ll see you after school” y/n bid goodbye to haerin.

Over the past few days, y/n noticed that Danielle had stopped talking to her and whenever she tried to ask about something or say something, she’d always make up excuses to leave.

Anytime she saw her coming in her direction, she’d immediately turn back and go the other way.

“Why are you being all sulky?” Haerin asked, setting down the food.

“You know Dani Unnie? As in your friend, she keeps avoiding me” y/n huffed crossing her arms over her chest with a slight pout on your face.

“Really? It’s really rare for her to avoid someone, in fact I’ve never seen her avoid anyone but here you are now telling me she’s avoiding you” Haerin said with a shocked expression.

“Wow, that’s….. but don’t worry I’ll confront her about it” Haerin added, patting your head.

“Lover girl” she mumbled but it was audible enough for you to head.

“Hey! I’m not a lover girl!!” You immediately said.

“Yeah yeah whatever, I don’t believe you” she rolled her eyes taking a bite out of your food.

When she was done. She packed up and left the classroom to go to the cafeteria where her friend group usually sat.

“Hey guys!” She greeted them taking a seat next to hyein.

“Oh hey Haerin, where have you been?” Hanni asked, tilting her head to the side.

“Ohhh uhh I was just meeting up with someone” she replied taking a quick look at Danielle.

She could see Danielle had slightly reacted with a scoff. Was she jealous or was she just scoffing because Haerin didn’t give full details.

Haerin couldn’t tell but can you blame her? The world is too slow for her.

Curiosity got the best of her and Haerin Finally decided to speak up. “Hey umm Dani Unnie, you know Y/n right?”.

Danielle’s heart skipped a beat at the mention of your name. “Yeah, why’d you ask?” She asked a little bit confused as to why she suddenly brought y/n up.

“Well, she noticed that you’ve been avoiding her lately….. is there a reason why?” Haerin asked hesitantly.

The others glances at Danielle with shocked expressions listening to the conversation.

Danielle let out another scoff. Of course y/n would’ve told Haerin, she’s probably her girlfriend and they’d share things with each other.

Danielle hesitated before sighing and speaking up. “It’s because she has a girlfriend and I don’t want to be in the way of their relationship” she said, making eye contact with the ground.

Haerin furrowed her eyebrows at Danielle. “Girlfriend y/n has a girlfriend???” She asked.

Danielle face palmed herself. “She does. Haerin and I know it’s you, wait I’m sorry for saying your relationship out like that” Danielle bit her bottom lips.

The others now looked at Haerin with widened eyes.

“Oh my God!” Hyein exclaimed.

Meanwhile Haerin gave Danielle a ‘wtf’ face. “I’m not dating y/n, how can I date her, she’s my sister” haerin suddenly said followed by a silence for 5 secs.

“SISTER?!!” They all exclaimed, including Danielle.

“Yes. She’s my twin sister”

“TWIN SISTER?!!!” They exclaimed again.

“HAHSHSBDBSH HYEIN.exe had stopped working” hyein spoke shutting down. Causing Haerin to giggle.

“Haerin why didn’t you tell us??” Minji asked

“You never asked”

“Why didn’t you introduce her to us???” Hanni asked.

“And introduce my sister to a bunch of losers, no way”

“Anyways, y/n has been sulky because you’re avoiding her, so are you gonna make it up to her or smth?” Haerin asked, raising an eyebrow at Danielle.

Danielle came out from her train of thoughts. “Yeah, I’ll make it up to her. Right now” she spoke getting up.

“You got this Dani!” Hanni said with a cheerful smile giving Danielle a thumbs up.

Danielle couldn't help but feel guilty. It was like she set you up. She started talking to you and acting friendly then all of a sudden she stopped talking and avoiding you.

She felt like a fake friend.

She mentally cursed herself for thinking you and Haerin were dating. No wonder you both looked alike.

As she made her way to the front door of the class she saw you sitting by the window staring outside with your headphones on.

She clutched onto the door knob. Oh how fast her heart was racing. She felt like it was going to explode out of her chest.

“Dani Unnie?”

Part 3, ↳ More grumpy x sunshine here

[gynandromorph]

another NofNA style emulation comic, flashback style. this comic takes place 1 or 2 seasons after this comic. this one was to show Legend's first experience fighting and why she eventually came to start taking classes. she is a very stubborn character and i imagine without anyone telling her to do something else, she would have continued pursuing markscraftsmanship indefinitely. it was supposed to show a little bit of how she thinks in fights, but i think i could have done that part better.

you can see that she's walking home with a classmate who isn't a rodent. based on her dialogue, it seems like she was carrying supplies home herself instead of walking home with a rodent classmate until she befriended BY.

BY is a chacma baboon. he has a few unpleasant qualities, like cowardice and a lack of sensitivity toward Legend's insecurities, but from his perspective, he's just encouraging a friend who isn't confident in her talents and believes she's stuck trying to be a markscraft. there is a reason that he is studying to be a markscraft instead of going into fighting or a more important occupation like law or medicine; he wants a peaceful occupation where he supports other people who have to deal with the stressful stuff. they are sort of just past acquaintanceship -- they don't know each other very well. BY lives within escarpment south, like MK.

Legend lives in the same burrow, but the paperbark thorn is currently a smaller sapling, and there's less grass. the tree the leopard jumps from is a mountain hard pear (olinia emarginata). the shrub that BY hides under is a cancer bush (lessertia frutescens).

it bothered me as a kid (annoyed is maybe a better word) when predators who would chase the protagonists in shows and movies were sort of mindless killing machines, once i learned that they are somewhat selective and often risk-averse, because injury can be a death sentence for them, moreso than herbivores. a herbivore may be able to hide from predators until it heals; a predator can't hide from its need for food. i tried to give the leopard a richer... inner life than that. as Legend mentioned, she is deep past the wild-society border that's patrolled to keep wild predators like her at bay. she is aware of this. the expansion that BY mentioned is an expansion made primarily for an additional educational facility. i mentioned in the linked comic that i think markscraft classes are probably VERY populated, overflowing with students that faculty can't keep up with. the newer facility aimed to help ease the burden of educating a necessary labor force en masse. consequently, the area that the leopard is camping in is a footpath that connects the new writing college campus to a residential traffic junction which is used almost entirely by people who have no training in martial arts -- markscrafts. because the border is newer, there is probably more focus on patrolling the literal border around the campus than the paths connected to it. she is also aware of these things. in my head, she has observed many areas of their society for long periods of time (some more than others; no need to hang around an embassy to be noticed by the juiced guys with kill magic going in and out). she's absolutely picked people off here or there without the path, but she is rather desperate to be predating on largely rodents under half a pound when the consequences could be dire. when she sees two larger citizens on the path without the scent of rationale she has no hesitation. she jumped on the ratel instead of the baboon because the baboon had things stacked on his neck, and she wasn't sure how stiff they were or if she could bite through them right away. i don't know if she's ever hunted a ratel before, or if she simply knows their reputation secondhand, and thought it probably wouldn't be a problem with one coddled by society. i think she's under the belief that, unlike a smaller predator like a ratel, she is not diminutive enough to be welcome in society. it makes sense up front -- who wants to embrace the guy who ate grandma's face or dragged their baby off into the night? there is some powerful insecurity about feeling weaker than a collective group against her, and about the suggestion that there is something wrong with her way of living. i think she probably avoided them until food outside of the border became more scarce. i think wilds are shown as... "not knowing better"; in the addendum of secretary, it's put as "not thinking about the options they might have" -- but we are shown many wilds who know about society. they all seem to at least KNOW about it. they know that there is technically a way to enter it. so they DO know it's an option. it's just an option that's less palatable than killing people. and i wanted to write this leopard like that. i didn't really want her to be a hapless ignorant animal looking for food. food is absolutely part of it, but leopards in particular are very adaptable. she could just as well hunt other predators or pets and livestock near human society, but she has beef (not pun intended). i mentioned that Legend's parents raised her to be sympathetic to wilds, so here she is under the belief that this leopard would not eat people if she simply had Enough Information. who's to say? but she certainly doesn't lack ALL information about it. wilds seem to have a belief that being eaten by an opponent stronger than oneself allows you to become part of the stronger force. NOT eating someone is a grave insult (to predators, anyway, idk how prey species feel about that), and i think sparing her altogether is probably just rubbing salt in the wound about her insecurities wrt society being "better than her."

[hoodedjelly]

Nicktoons unite main 4 in their respected styles ( minus jimmy neutron i'll explain more below)

i feel very mixed about these but it was still fun either way studying all of these cartoons respected styles. the final does make me happy, seeing all of them together ^__^ 💞

below i will explain my thought process working with each style so get ready for a wall of text:

first before anything you may be asking: why no jimmy neutron style!? it's because i tried and gave up! i was starting the rendering process for timmy and i hated it so i just didn't continue! no point of making myself miserable for something thats harmless fun style studies. but have these as a little treat:

Fairly Oddparents style: the easiest style to work on and research for, fop style is not that complex. i should also add i didn't draw each style in one sitting i drew each character together and then edited them all, so that might be the reason why some look better then others, i just got good. but i'm saying that because the character i started with was spongebob! specifically because i was tired of ppl thinking dp style and fop style are the same and how spongebob would look the same in both styles, just a flat square. which is wrong! fop style is very different! i would prob describe it as a flat paper style. has sharp and rounded thick lines. the main source of research i used for it was the designer for fop was Ernie Gilbert. he has designed a lot of iconic characters for the show and i highly would check out his work, this is his website

Danny phantom style: now this one was tricky, prob the hardest one to figure out and i honestly don't think i really DID figure it out. the possible reason is i am still trying to go through the show atm myself, but i'd doubt it. they all just look off to me, just a little. which no need for me to work myself in a circle trying to make it "perfect". im no professional character designer! especially not Stephen Silver.

Spongebob Squarepants style: this one was tricky but in the opposite way to dp style, where i didn't know what to reference! to start off the show is mainly nonhuman characters, so finding character refs were hard. the refs i did use were the mermaids and the superheros, so i used that for timmy. but in the middle of working on jimmys i was watching a video of someone ranking every single spongebob ep and TURNS OUT in the later seasons, i think season 13, there were human designs! (technically elfs but whatever).

and weirder thing is how they draw patchy but im not going to get into that. i am assuming that style is for characters that are supposed to be real life humans up on land in that universe (but why not just use real life humans? idk, maybe tom kenny is getting to old for the role). BUT ANYWAY, i used the elfs for a main source for jimmy and danny, they turned out a lot better then the timmy in my eyes. i wanted at least one of them to have the black eyes but they all have bright blue eyes and the show usually always colors blue eyes. i get ahead of myself cause there was a lot more factors i still had to figure out. like the line art. the show doesn't have a clear line style like dp or fop, its just relatively consistent medium lines. so i just went with more recent show stuff then older stuff since it's HD.

ok but thats basically it, i can prob go on more but i'd feel no one gaf. i made these for fun and it was fun making them! i love all of these shows a ton so it was nice looking up the designers and artist for these shows. support the artists!!! fuck bitch fartman!!!!!