#I'd rather have changes from here and there from the source material and still be faithful spiritually...

[side-lizabeth]

Screaming, crying, throwing up, I'm fucking picking it the very first day it comes out.

I loved every single part of this new trailer!!!!

I can't stop smiling!!!!

I haven't been so happy with a live action since Gintama's live action movies and miniseries.

It looks so good!!!!!!

Can't wait to watch it!!!!

[kaurwreck]

hi! i really want to tell you that i love love love your blog. i feel so much joy when i see you've made a long post with your thoughts. i admire the way you engage with things you enjoy! you've genuinely inspired me to get back into reading. i've been struggling with migraines and after some time i started associating reading with suffering. i stumbled upon your blog because of bsd, and i got so fascinated with the way you communicate with the source material that i had a childlike realization: i want to have that too! and i picked up akutagawa, and i'm enjoying myself so much. i'm never not thinking about the post where you said that the trick to being clever is to stop obsessing over being right. life-changing, really. sending you so so so much love! p.s. as a russian-speaker it's a delight reading your thoughts on dostoevsky, especially seeing you use diminutives, for some reason. in russian slang we sometimes say, "ты так чувствуешь!" ("you are really feeling!") meaning "you really get it on an emotional level!" and that's what i think every time i read your thoughts on dostoevsky.

I hesitated to answer this ask because I wanted to covet it and hoard it and keep it tucked away where I could revisit it to my greedy heart's content without anyone noticing, but I'd rather you know that this ask was so delightful to receive and absolutely melted me in the best way, so I'm publishing it even though that means submitting to the mortifying ordeal of creating a tag so that I can more easily return to your kind words, and perhaps other, similar asks and posts that are emotional balms.

Also, I am so sorry, I'm sleep-deprived and I was so excited and charmed and delighted by your ask that I lost my mind and wrote you a veritable novel in response. Thus, I've added a readmore and headings (because WOW, I went on tangents, sorry!)

Returning to Reading

I'm so sorry you have migraines; I don't get them often, but I do occasionally get them, and it's some of the worst, least tolerable pain I've ever experienced. So, whatever it's worth, you have my sympathy and admiration, especially since returning to reading when you experience frequent migraines implicates some common triggers. (Never mind how annoying I know it is when you're in too much pain to read as a distraction either.) But I'm delighted you're reframing your relationship with reading separate from suffering, and that you're enjoying the process! I'm also returning to reading, and while I don't have the same challenges, I am also engaging in a process of relearning and recontextualizing reading for myself, so I'm always here to chat about it.

I'm especially thrilled that you picked up Akutagawa; Akutagawa is the author who also coaxed me back into reading literature (as opposed to comics or webnovels). He might still be my favorite even now that I've read several, several other modern Japanese authors.

Akutagawa Adoration Hours

[I apologize; I hyperfocused and wrote an entire multi-paragraph essay on how much I love Akutagawa below... I promise I come back to your ask!]

Akutagawa's literary voice is just so vivid, sharp, and intentional. He compels you to cling to the weight of each word with rich, clever language that cuts to the hearts of matters frankly, bluntly, and sometimes scathingly. But even when his authorial voice is ostensibly irreverent or lacquered with detachment, he cradles his most foolish characters, bundling them with naked affection for their sincerity, vulnerability, and childish conviction. They embody his unadulterated faith, and he reserves for them in the implication the same salvation he's convinced he's too sullied by shame, terror, and self-consciousness to deserve. Akutagawa does not squander the gravity of your attention, and even in brief vignettes in which humans become lice or have had their personhood severed from them by the untenable yet escalating demands of their responsibilities to others, there's humanity in his horror and absurdity, and closure in his ambiguity. I rarely feel as if there's certainty in Akutagawa's narratives, but neither do I feel as if nothing that occurred mattered.

Even when nothing has objectively changed for the characters, Akutagawa sources meaning from the subjective perceptions of the characters, the impact of which is rarely diminished by the objective or observable. Thus, the bleakness, horror, and absurdity of the characters' circumstances are sometimes interminable, but they shelter Akutagawa's fondness and latent certainty that existential meaning is inherent to humanity because of, rather than despite, our fragility, foolishness, and callous disregard for measurable truth.

His contemporaries criticized him for the detachment and perceived stagnancy lent by his polish and technical brilliance, but I've never read any of his stories and not felt an earnestness that persists entirely apart from the explicit narrative, as if someone is reading over my shoulder and murmuring "isn't she brave?" whenever a character is so simple in their sincerity that they become vulnerable to humiliation and abuse. And that's not detachment; that's Akutagawa relentlessly writing hope, love, and compassion into the creases of his own grotesque fear, and in doing so, filling spaces we perceive as empty in ourselves with the faith and devotion he was so certain he lacked.

You Said Childlike In Passing But Chapter 55 of the Tao Te Ching Rewired My Brain and I Was Lost In the Akutagawa Sauce So...

And it's childlike how, even when characters like O-Gin are debased and humiliated, Akutagawa yearns for their salvation enough to smudge the ink at the edges of his precisely rendered language so the silly, ignorant little fools might transcend the boundaries of the narrative that otherwise ruthlessly scorned and punished them for their guilelessness. His need for innocence is itself indicative of the keen sense of violation that prompts a toddler to indignation when his jejune reliance on fairness is first exploited and then provided as cause for exploitation.

Akutagawa was wise enough to know childlike conclusions are the most profound and self-actualizing insights we can have, but too certain of the inevitability of his suffering and too overly prescribed barbiturates to nurture and cherish his own salvific childishness. So, your realization was brilliant for its childlike wisdom, and I think it's both wonderful and meaningful that you then nurtured that wisdom by pursuing the relationship you wanted with the source material.

Being Right vs. Playful Engagement

I'm also so glad that the post about being clever =/= obsessing over being right was sticky and impactful! It's, quite frankly, immensely less fun and more pressure if you're hinging your enjoyment on whether you're right when engaging with media where "right" is subjective and layered, and where you're engaging with a foreign cultural context. I get the impression that centering your engagement on making and assessing the accuracy of predictions also lends itself to biases, defensiveness, disappointment, misplaced resentment based on unmet expectations, and incuriosity; at least more so than engaging with the story playfully and sincerely.

I'm also just extremely biased towards bsd and Asagiri's approach to storytelling; I think he's engaging in a challenging and layered approach to storytelling that is wholly unique to him. (At least, based on my own experiences with referential multimedia titles.) I'm so charmed by how Asagiri throws himself into creative challenges and engages in meaningful and remarkably substantive conversations with the source materials, his own portfolio of interlocking narratives, and his audience. I would kill to chat with him about his processes.

Everyone I'd Encountered Who Seemed Parasocially Obsessed With Dostoevsky Was Right

Before I get into this next babble tangent, I want you to know that your kind words and perspective as a Russian-speaker regarding my Dostoevsky thoughts mean SO much to me; I'm very proud if I'm able to do an ounce of justice to the text in my ramblings, and I'm so excited to know the appropriate phrase for what I'm experiencing right now because I am REALLY feeling.

I was admittedly a little nervous about reading his works with only minimal background, and I went into Crime and Punishment without first consulting any published critiques and analyses (which I sometimes do for foreign classics to bridge gaps in context). But, I was eager to start the story, so I decided to just get into it with the understanding I might need to pause for further research if I felt I was missing too much context to engage with the text meaningfully. But, wow, I was immediately consumed. I struggled to put it down for most of it, and I've been staying up too late and sneakily reading at work; things I haven't done since I was in middle school.

While I know I'm missing context, even with the attentive footnotes (and I absolutely will read so many academic papers on it once I finish these last fifty pages), I was pleasantly surprised by how not only engaging his writing and this translation are but also by how familiar with and connected I feel to the characters and circumstances and emotions and dynamics. He has rendered the human experience and specific flavors of People into such compassionate, teasing, sincere, frank, and sobering characters who I feel like I've had entire conversations with.

I love classic lit, but Dostoevsky is sincerely rekindling a joy I haven't felt in years while reading. Also, his frankness and compassion regarding alcoholism and parentified children and trauma and ennui and guilt and the contradictions we grapple with within ourselves and with who we are to different people are giving me a framework for reflecting on swaths of my trauma and childhood that I've struggled to articulate my thoughts and emotions around for years.

I'm so energized and excited about reading his other works, but, wow, I'm going to miss these characters so much.

Accounting For My Crimes Against the Russian Language

I have very little background in Russian, but I'm passingly familiar because in high school (i) I was obsessed with Russian history, particularly related to the USSR and swaths of imperial Russia (I actually taught the lesson on Ivan IV Vasilyevich in my Western Civ class because my teacher was pregnant and exhausted and I knew the material better than she did); and (ii) I studied Russian with a private tutor in my senior year of high school (very lightly; once a week, only for a year, I met with her and two French language teachers from my school who were also interested in Russian for hour-long lessons and to receive homework assignments).

So, while my experience with the language is shallow at best, I've always loved Russian diminutives. I'm obsessed with the sheer amount of information relayed in someone's name. It's incredible. Of the languages I'm familiar with, none have a comparably satisfying gradient range of (i) affection and (ii) disrespect.

That said, I use diminutives for characters I'm particularly fond of, to show affection, and to teasingly disrespect them since I think it's quite overfamiliar for me to take such liberties.

Also, while I try to check after myself to ensure I'm using them correctly, I have only a surface-level understanding of what I'm doing, and some language forum threads are more helpful than others, so I'm very, very sorry if I use any incorrectly, and I encourage you (and any other Russian speakers and learners) to yell at me if you notice I'm misusing someone's name.

So far, my approach has been to check general searches, forums, and Reddit when I've encountered diminutives in Crime and Punishment, and I'll continue to look up every single name variation in the Dostoevsky novels I'm reading, no matter how long it may take me to realize what I've been scouring for isn't a diminutive at all but instead probably (emphasis on "probably," because no one providing English explanations seemed wholly certain) the same name but spoken in the form native to a separate Slavic language than the languages anyone else in the conversation was using, not that it really seemed to matter, since the same characters within the same conversation each used multiple forms of the same, with only one remark on what was most likely the correct form, which everyone ignored/disregarded, including the remarking character. So if you have context on THAT dynamic, I would love to hear about the etiquette and conventions around language forms among the many different languages and dialects in Eastern Europe.

For reference, the diminutives I've been using re: Crime and Punishment and bsd, with more context:

Raskolnikov is "Rodya" unless he's naughty, in which case I call him "Rodka." Unless he's REALLY naughty, then he's Raskolnikov.

Avdotya is Dunya always; I do feel egregious because she commands grace and gravitas, and I respect her SO much. But I love her dearly and am very warm towards her and everything she does, so I call her Dunya as if she were my sister because if she were, I would treat her better than Rodka right now.

Razumikhin is Dima which may be wildly incorrect, both in form and historical context; the only reason I haven't confirmed it yet is because I had an OC named Dmitri in high school that I was very fond of and referred to affectionately as Dima, and I'm similarly fond of Razumikhin, so I've delayed confirming and correcting myself here, although that's very Rodka-naughty of me, I know.

Fedya is always bsd!Fyodor, and only when he has really wide eyes and is being adorable bunny Fedya. He is Fyodor when he is being nasty or squinting. I call the author by either his last or full name, although I'm sure I've carelessly called him Fyodor before too. I try to maintain some consistency in distinguishing who I'm referencing between the characters and their namesakes.

Tl;dr: I love Russian diminutives. The only other time I've come close to feeling the same amount of immense delight over names-as-love-and-violence is when my work mentor, who is Chinese, was providing me with her preferred titles (laoban ["old boss," old meaning "venerable" rather than indicating age], jiejie ["big sister"]), and my other coworker chimed in to say, "Wouldn't you be da-jiejie ["first/eldest big sister"], since you're the oldest?" If looks could kill.

[anewp0tat0]

yea no I lied, I couldn't leave before doing this cause obviously I'm obsessed. obviously.

here's what I could research about the staff highlighted to be working on Black Butler season 4 in the time and patience that I had right now.

Kenjiro Okada: Director

I did some casual gathering on the good ol Wik. I don't recognize a lot or any of the previous works that he has been a part of, but it is a plenty some, so feel free to take a look for yourself. for a better idea, I took a glance at him through IMBD as well. I gotta be honest, not to cause any concern but just to be blunt, it's not the best look. when briefly checking out the works that he's done, a good some of them only make it up to 6 stars. only a few actually make it up to 8. but of course this could be due to a couple different factors, such as the source materials being not well known, or just not that great to begin with. after all he works mainly with adaptation. this could be his big break idk maybe :>

further on that, here's something I borrowed from Wiki.

honestly, this could be a potential concern as well. we all know that an unfortunate part of the fandom, especially over in japan, is into things the rest of us would rather not see in anime. I don't know why else yana would continue to add fan-service time and time again(I'd rather not think of her personal preferences). so if this person is really interested in pandering to the fanbase, it may lead to some scenes being uncomfortable... as usual. but, I shouldn't focus on the negative, all in all this looks like it will be a good thing! all we want from an anime adaptation is for it to be faithful to the manga, and especially after season 1 and 2, I think this assurance is much needed. besides, this could be an indication that he will be working closely with Yana, and projects that do so have succeeded *points to campania*. I'm optimistic, and I sure hope that we're in good hands.

Hiroyuki Yoshino: Head Writer

so unless I'm looking at a different Hiroyuki Yoshino it looks like this guy is a voice actor and singer first... interesting. as far as I can see it, he hasn't voice acted anyone in Black Butler.

oh no yea completely different guy, my bad! very different. the Real Hiroyuki Yoshino(screenwriter) was the screenwriter for Book of the Atlantic! sorry. we're all good here, perfect in fact.

unless he decides to substitute someone else for the double charles :] I still remember that. I don't remember if they're in this arc and personally I wanna keep it that way.

more info.

Yumi Shimizu: Character design

I'm not really jumping out of my seat to research this one, no offense to the designer, but I don't think we'll be seeing much character design other than Yana's. as for the artistic style of the anime, we already saw the teaser, and I think we're happy(I am really trilled that they released the announcement at the same time as the teaser, the announcement alone would not have had the same huge impact. plus it reduces the fear of cancelation ;] not putting that out there).

more info.

Ryo Kawasaki: Music

this is someone I really wanted to look into cause the music will matter a lot to me.

I found it, here's the soundtrack for the upcoming season 4.

with a background of jazz and band(popularizes to fusion genre apparently), this guy doesn't appear to fit with previous Black Butler soundtrack history. but I think that this is an indication that the mood and music of this season may be different of the rest due to it now being a sports show lol. and I think that's good! if done right I think the tone change will be hilarious, or, if everyone hates it, it's easily distinguishable from the rest.

I think this will be fun. here's more. also he looks awesome. impressive guy. man I'm praying for a killer new opening GOD.

I still wonder who the composer for the more classical score that I saw in the teaser is, if not him. it was nice :>

and finally:

CloverWorks

they're doing Spy X Family, did The Promised Neverland, Shadow House, many more that even I know of, we're good!

their page

a lot of y'all are very savvy at research, so if anyone wants to add on or contradict, go ahead! have a very, lovely day, everyone.

[digitaldoeslmk]

I apologize if you're not the right person to ask but I've been wondering this for a while and since you both enjoy (but are critical of) lmk and also enjoy/know a lot about jttw I figure you may be a decent person to ask. And I mean this is as an entirely genuine question.

Jttw has so many different adaptations and parodies and, for lack of a better term, spinoffs, why is it that LMK in particular seems to get so much more criticism? How is it different from any other story that uses jttw as a base?

I was under the impression that while a lot of events and chatacters have been changed or tweaked in some ways (looking at red son in particular, as well as seemingly replacing Buddha with the jade emperor, I could go on) it was still relatively faithful at least in spirit. It has a lot of callbacks and mentions to the book, even if it's more or less an AU of the original story.

So why is it that its adaptation in particular seems so...disliked I suppose? Or at least takes a lot more criticism than other adaptations. I could take a few guesses (fandom (and its lack of knowledge of the source material) being a big one, or otherwise being more western than the story probably should be) but as someone who was introduced to jttw by lmk (reading the book now and having a blast with it) I'm curious and confused as to why it seems to be disliked when there are so many other jttw adaptations that also change fair chunks of the story, and those don't seem to garner the same level of criticism.

And I apologize again if you're maybe the wrong person to ask, but I wasn't sure where else to start, if you know anyone who can maybe answer this better I'd love to hear from any of them as well, I've been so curious about this for a while.

no worries at all, and i appreciate the ask!

i do wanna preface this by saying that i have very little interaction with the LMK fandom, and mostly heard the horror stories through the grapevine or by others telling me their own experience with it. and make no mistake, this sideblog is very much me laser focusing on the few stuff i enjoy of the show and expanding on those and filling in the rest with a lot of plaster and spite ajdhawjhbdh

i will keep most of my vitriol to myself though, and that the opinion i'm giving is my own. there's a lot of good folks who are more than welcome to pitch in with their own criticisms here, for a larger poll of voices.

read more cus this is long xvx

as you have said, JTTW has an overwhelming amount of retelling, rewrites, sequels, prequels, adaptations, what have you. trust me, there is a JTTW adaptation for everyone out there and it's part of the beauty and appeal of it. and equally, everyone has their pros and cons for each of them.

one major point to keep in mind is that LMK has a very online fanbase, and it's an abnormally large one. it also has fans on the west and in china, and the language barrier tends to keep both rather separate, for better or worse. so a larger fanbase means a larger pool of criticism simply by law of averages.

another thing to keep in mind is that, because it is so large, a lot of people are getting into JTTW thanks to it, and it's exactly those changes that make it even more of a hurdle for people to meet JTTW where it's at. and by that i mean, a very different worldview and belief system than known in the west.

i've been in the JTTW fandom properly for, three months now?? three and a half lol and the amount of reading and studying i've been doing to just scratch at the depth of centuries of cultural context is not insignificant. and i'm only just starting! it's a wonderful experience, but not many in the LMK fandom are as eager or willing to learn all that, much less listen when people correct them on things that they believe, that are factually false. and that can be deeply frustrating for those who simply want to share in the joy of learning.

it's incredibly demeaning and patronizing, to have such an old and rich culture reduced to a single adaptation that rly lambasts the roots of its entire premise for existing. no other fans of other adaptations have that kind of attitude that i've come across; those are all understood as AUs and not to be taken as gospel, but some of the fandom treat LMK as the end all be all of JTTW media and it's, infuriating.

beyond the fandom leaving one hell of a bitter taste, there's the fact that LMK is a very westernized view and parody of JTTW. it breaks not only with the lore of it, but with the very fundamentals of Buddhist and Daoist cosmology. those changes you mentioned, like the JE replacing Buddha and then the guy getting killed, the absence of several concepts and deities, and sometimes the very change of them, are incredibly disrespectful on their own. it's very hard to remove JTTW from its religious roots (it can be done but those usually read more as "inspired by" rather than proper adaptations), and to do so by filling the empty space with a Greco-Christian view of cosmology is... A Big Ol Yikes.

while we in the west might be okay turning stuff like Christian, Norse, Greek, etc. mythology upside down for our stories, it comes off as disrespectful to do the same for an overall dismissed and ignored religion in the west like Daoism, and even more so for such a sprawling one as Buddhism. that attitude does not translate well at all, and to be faithful only in spirit is simply not enough. you wouldn't (i hope) say that about people who appropriate Indigenous or closed faith beliefs for their own use; it's 2023 surely we don't need to revive the W-nd-ig- debate again, or the Lilith one. (i can for further context but i'd rather not, but you're than welcome to google it)

at the end of the day, an AU is just an AU until you're using it to sell toys and it has turned into a massive entry window for many western fans into a foundational piece of literature for an entire country that has been and still is routinely degraded and discriminated against.

i hope this hasn't come off as too harsh, but this is smth that rly grinds my gears and i tend to be a bit stern when discussing it. none of it was aimed at you anon, i know you're just trying to understand the situation and i do appreciate the effort you're making!!

[zeroducks-2]

I've just finished Gotham Knights and I get that people aren't happy with the fucked ass haircuts but like, I do believe this is the most progressive and well written Jason Todd we've ever gotten in recent times. Even in recent comics. Like damn, bro goes to therapy, picked up his interests and hobbies again (e.g. the cooking and the reading and the shit talking) from his "Robin makes me Magic" days. Like yeah, he's still edgy, but he was murdered by a fucking Clown, he's allowed to be edgy. We got a Jason Todd that isn't diluted to "the angry black sheep character" archetype. He's healing, working on himself, his relationship with his family, and he's fighting his way (brutal and all strength and tact) to do what he stands for and what he believes is right. And his heart is just so big and full of compassion, but it doesnt blind him and make him wishful or naive. He's so well balanced in Gotham Knights. I hope this version of his character is written in future comics. I'm sick of DC writers making him this angry anti-hero who's only reasoning and purpose in life is to get back at Batman for failing him and so many others. Jason is allowed to be more than his trauma. Thank you Gotham Knights for seeing that.

I'm glad you enjoyed the game anon. I personally am not a fan, not because of Jason but because of the game itself. The dialogues felt stale, more reminiscent of tumblr "incorrect Batfam quotes" than the source material, and the NPCs felt dull compared to how full of life they were in the Arkham series (so much so I would hide in random spots just to hear them talking about the current game events, especially in AK). The most unforgivable bit to me was Tim not having ever fought the rogues because he's "young" - I've never seen anything more insulting and infantilizing for a character which already heavily suffers for being treated as the useless one, never allowed to participate in the game changing dynamics or to have meaningful arcs, and is relegated to being the cute little bisexual twink.

That being said it's a matter of taste, and Gotham Knights is surely a good game for those who prefer a wholesome loving family approach to these characters. Jason working on himself and going to therapy and having a good relationship with his "family" is surely what lots of people (especially in here) want to see. Me, I don't think any amount of therapy would help since therapy is based on shared human experiences and repetition of patterns, and Jason died and dug himself out of his own grave. That's not a trauma any therapist would have the means to help with. They indeed "diluted" the event in the game, changed the fact that Jason dug himself out of his own grave and was functionally braindead and homeless for two years, and made it so UTRH never happened in order for therapy to make any sense, because there is no reconciliation possible with a parent that slit your neck to save the person who broke all your bones with a crowbar and then murdered you.

It's kinda like when Wally went to therapy (canonically) after Barry's death. The therapist was a good one and he tried! But ultimately he didn't manage to make a real difference because Wally is the Flash, a super-powered creature with time bending powers who does things on the scale of absurdity, and who also happens to have had an extremely traumatic childhood and to have just lost the only person who ever loved him unconditionally. His problems have roots in reality but are out of the scope of any therapy method currently known to man.

And Jason is more than his trauma, but pretending his trauma doesn't inform his actions and can be solved with him "working on himself" is not an approach I hope they take in comics. I'd rather they went back to Jason doing things his way and protecting the people of Gotham in the only manner he finds helpful, because he experienced on his own skin (twice!) that Batman's methods don't work. I'd rather they allowed him to stop clashing with Bruce as main theme of his stories, and have his own plotlines in which he's in between a vigilante and a mafia lord (which they were doing with Dick by the way, before chickening out and have Slade bomb Bludhaven) with Bruce only as a cameo sometimes.

We have a high number of morally irrepressible characters who always do the right thing more or less. I'd like Jason to be something different, something darker, because there is a dramatic lack of grey characters and anti-heroes which were sanded down to either 100% bad guys or 100% good guys. I hate that, why can't we have nuanced choices and people struggling with the darkness they carry, why does everyone need to be a perfect "unproblematic" paragon of goodness who would never do anything wrong. We have A LOT of characters like that and I love them, I really do! But if everyone and their families are like that then it's really frickin boring!

Plus, I'd like the characters to actually struggle with their past traumas in a meaningful way, otherwise why even giving them those traumas to begin with. Give me Tim still grappling with how he couldn't save his father, give me Dick haunted by all the times he slipped and let go of the no killing rule in a way or another, give me Jason haunted by the tragedy of being abandoned by every person who was supposed to protect him and working from there to being the protector of everyone else.

That's what I hope DC would pick up and write about. I was never much for fluff and wholesome things unless it's in small amounts, I always preferred strife and complexity. But hey, I'm glad you enjoyed the game, at least one of us did!

[woodchipp]

So, I've read the OMORI manga's first chapter.

All in all, it's already an improvement over the game in my eyes.

SPOILERS BELOW.

Things I Liked

The biggest improvement, of course, is that Sunny isn’t locked in a perpetual resting bitch face anymore. He’s appropriately afraid to open the door, shocked to see Basil, aghast at Aubrey calling him a “loser” and terrified of Aubrey herself. And the mention of Mari actually causes him to freak out! Compared to Game!Sunny, it’s quite refreshing to see he seems to have some semblance of a personality here. Now I’m interested to see how Basil’s bathroom breakdown will be handled 🙂

I appreciate that the manga doesn’t fuck around with its plot and cuts straight to the chase. Headspace is boring as hell anyway, and I'd personally take the manga's breakneck pacing over the game's excruciating length. Starting off the very first chapter with Memory Lane’s very last memory was an interesting choice, and it makes a lot of sense given that the violin is the source of all of Sunny’s woes lol

Likewise, I appreciate that Aubrey is violently confrontational right off the bat. At least she’s proving herself to be as unruly as a real delinquent would be lmao. She even calls Sunny out as the coward he is! Her gang is nowhere to be seen so far, which I see as a huge improvement considering they’re barely characters, and I hope they’re excised from the story so that it could focus on Aubrey more 

Basil briefly changing to his Headspace version to reflect Sunny’s tenuous grasp on reality is a great detail. Where was that kind of detail in the source material?

Sunny zoning out into White Space after attacking Aubrey makes sense. I can see why the shock would cause him to dissociate. It also makes sense that Sunny would dream up a playground if he fell unconcsious at the park. That being said…

Things I Disliked

…the way Headspace is introduced is still rather haphazard. I'm not sure why the chapter ends where Headspace began in the game. Unless the Headspace segments are much shorter here, I'm afraid it'll be just as much of a tumor on the plot as it was in the source material

Again, Kel only calls attention to Sunny’s knife and says nothing about Aubrey’s nail bat. It was stupid in the game and it's stupid here. He also stands by while she holds Sunny at bat-point and monologues about how she'll never forgive him instead of, dunno, trying to tackle her so that she doesn't harm Sunny

The artstyle is. a thing. Everyone’s got haystack limbs, including Kel, who’s supposed to be the physically fittest one in the group. The Same Face Syndrome goes without mention

The implication that Omori stepped in and took control of Sunny to attack Aubrey is the one thing I genuinely hated. Come on, are you really going to shirk responsibility for Sunny’s actions on his Evil Mental Illness again? At least Sunny himself was horrified by the act, but still, that was bullshit. can’t wait for the Epic plot twist that Omori forced Sunny to shove Mari down the stairs 

[muraenide]

This miiiiight be oversharing personal sentiments a little bit but...

Ever since I changed my rules to include an explicit list of what I'm going to write on this blog instead of just a simple, brief statement saying "dark things will be present here" and started actively following people or mutuals of mutuals whose muses or writing I am genuinely interested in/have spiked my interests, I've grown a lot happier about the contents and people I'm seeing on my dash.

I felt like tum.blr rpers have grown incredibly judgemental and incapable of minding their own business. People all around me seem to have shifted their energy onto focusing on offending as few people as possible instead of trying to actually have fun, and the rpc has become a weird circle for activism when it shouldn't have been used as a medium for (false) activism in the first place. Not all of us are here to make a point or to establish a legacy. In fact, most of us are just here to have fun and scratch an itch in the brain or fill in gaps that canon source materials haven't been able to provide. But the idea of this is incomprehensible to some people who are actively ruining the rpc and making everyone fear that they're walking on eggshells while they spiral into a depressing state of existing to not offend anyone instead of existing to have fun.

I've lost count of the number of times people tell me that I'm on a DNI for "writing with pro.ship.pers" or "writing romantic ships with an adult and a minor" (<- said ship is between a 17 y.o. and a 19 y.o.) sometimes it's also ships about fake incest.

(Just as an aside, I've grown so desensitized by being on DNIs that it's no longer something to feel anything about. I'd just go through their rules with a very confused expression if to see what they took issue with. Most of the time I don't even know the mun personally.)

I've gotten more hate directed at me for writing fake in.cest rather than real ones, which is not only baffling but also incredibly ODD bc the fandom "decides" what is good and what is bad, which reeks heavily of manipulation and toxicity in my opinion. Fandoms aren't governed by a single party or a monolithic authority that decides its rules. Fandom rules are made by the community, and in every community, there should be different rules, made to ensure everyone is comfortable and feel inclusive. That is what makes fandoms special and detached from reality. Yes, you're entitled to not want to interact with certain content for reasons no one else is entitled to know unless they have your consent, but you're definitely not entitled to silence/stomp out everyone to cater to your whims or risk getting hate/harassment. Which is why I heavily encourage tagging content as-is instead of denying the nature of said content and praying that no one notices because that is the best way to make it difficult for people with different preferences and tastes to co-exist.

And ever since I changed my rules and actively followed people again, there has been a variety of content on my dash with varying tags. It's honestly very stimulating and uplifting, and if I firmly believe if a mutual were to take offense to anything I write or choose to interact with, it's on them as they clearly did not go through my rules when they followed/followed back. Additionally, I tag all my things.

A few months ago, my dash was exhausting, and boring, everyone (or most of my mutuals) was scared. Now I see posts getting tagged "necrophilia cw". I'm very happy for both my mutuals and their muses for striving for the peaks of how far fiction writing and the imaginative side of the mind can go.

I'd highly recommend anyone who has been in a similar situation to list down your dos and don'ts so your mutuals will know what to take to your tables and what to not. Personally, it felt like my dash had curated itself and it's been very pleasant to be on tum.blr lately even if I still have to vanish for a few more days due to inrl.

I think about my dash very often this week and I love all of you guys for being here and showing me your brainrots/muses! 💗💞💓

[krissiefox]

Sonic The Hedgehog (2020) Movie Review!

While I was sick recently, I was holed up in my room trying not to infect the rest of my family. I'd been reading Sonic fanfics in the meantime, and this gave me the idea to finally watch the DVD I got of the the 2020 Sonic movie, and then of course, I wanted to write a review, because it's fun (and my wife seems to like them)! I'll put a divider here, because this review does contain spoilers for most of the plot points, so this is your warning before you read on!

To get the unfortunate bits out of the way, the movie had a rough start, with the strange first design of Sonic becoming a social media trend of snark and negativity that I remember making me pretty depressed. In response to the backlash, Paramount changed up Sonic's design to something cuter. I've heard mixed claims saying that during this time the artists for the movie were abused with crunch, while others claim this didn't occur, so I'm not sure about whether or not it happened, but I hope not.

A worried Sonic ball, hiding from badniks....

With that unpleasantness out of the way, the movie eventually finished and came out, and at-least on tumblr I saw a lot of folks seemed to really enjoy it. My little brother expressed interest in watching it with me, so eventually while out shopping with my wife I picked up copies of the first two movies.

This movie does commit the act of "Hollywood Video Game Adaptations" by largely changing the source material and basically creating another AU for the Sonicverse, and I know that's a turnoff for some, so this wouldn't be every one's cup of tea as many folks would prefer something rooted in one the already established Sonic worlds. I was able to enjoy the film though, and found it quite cute, sweet and funny. It also gave warm fuzzies to see my favorite childhood video game hero in his first big screen movie adaption.

The Story follows Sonic as he is ousted from his home world by his owl mom to live on Earth, after a tribe of echidnas attacks their house. Sonic is ordered to live in hiding, and is given a bag of magic teleportation rings that he is to use only in an emergency to escape to another place.

As ordered, Sonic lives on Earth in secret, in a town called Green Hills. He spies on the humans and enjoys learning about Earth, but is still very lonely as he isn't allowed to interact with them. Some of his favorite humans are a local couple that he has named "Donut Lord" and "Pretzel Lady". One night, while playing at a baseball field at night, Sonic gets so upset about his isolated life that he causes a massive power surge with his speed, drawing attention to his location.

Dr. Robotnik meets Donut Lord!

The government calls in Dr. Robotnik (and his minion/boyfriend Agent Stone), whom in this universe is an earthling rather than a resident of Mobius. He is played by Jim Carrey as a delightfully fun and strange villain throughout the film. He takes over the search for the source of the power surge, and eventually closes in on the cave Sonic has been living in.

In a panic, Sonic decides he'll need to bail on this world, though he hates the thought of having to do so, being so fond oft it. He sneaks into Donut Lords home to use one of his teleport rings, when Donut (aka Tom) finds him and shoots him with a tranquilizer dart gun. One of Sonic's rings opens up and since Donut's shirt made Sonic think of San Francisco, that's where the portal leads to and Sonic's rings end up there.

After getting to know each-other, Sonic and Donut end up fleeing as vigilantes both from the government and Dr. Robotnik. Eventually they make it to San Francisco, Sonic gets his rings back, and he has a big showdown with Robotnik where he ends up sending Robotnik through a portal to the mushroom world he was originally going to go to. Donut Lord and Pretzel Lady end up adopting Sonic, and the movie wraps up as Sonic sees his new bedroom in a really sweet scene. Mid credits, we also get a teaser showing Tails arriving on Earth!

One of the movie's more badass looking scenes.

Outside of the aforementioned issue that creating an entirely new Sonic AU for the film will alienate some folks, my only other criticism is that I would have liked to learn more Sonic's owl mom, as she seemed pretty cool. Nevertheless, I enjoyed the film quite a bit. It was colorful, pretty, Sonic was adorable, Robotnik was very funny, and Sonic's new friends were quite likeable. Definitely a recommended watch for anyone curious about the film. :) I may end up watching the sequel sometime soon, too!

[ruckis--rookie]

there is a specific art piece of your’s that seems to have vanished off the internets: “Dark Lord Gerakobitz - Bad End AU”. and I know it disappeared recently because I have a cross-post from your DeviantArt from November 2023

https://www. tumblr.com/loveandmad/ 733130379991629824/dark-lord-gerakobitz-bad-end-au- by-ruckis-rookie (remove the spaces) that now goes to a 404 page

Yeahhh about that. A lot of old art of mine of Fawful and the other M&L lineup has up and vanished. Twould be on purpose.

Y'see, after some very personal events I tried distancing myself from the M&L fandom. The game series remains very sentimental to me, but paired with the personal reasons and the poor treatment Nintendo was giving their fans, I took a long (possibly few) year hiatus. One of several reasons for my hiatus was guilt that I had strayed so far from the source material that the cast of characters didn't seem like the og cast of characters, rather OCs made to fit the mold of them. So by the time I came back I had revamped all the designs I had for the M&L lineup were revamped to be featured as an antagonistic group for my nonfandom oc story called "Order of the Stars" that I'm working on.

The one inspired by my old Fawful design, now named "Geragera", is VERY special to me. He was the one I projected onto the most in the past and he was the one I worked the hardest to distance from the source material without changing him so much that what I had built was no longer there. He's basically a second Fursona to me now. Words can't describe what he means to me.

But despite the many reminders that I gave to old fans that I would be moving on and if I were to ever return to M&L I'd be referencing the source material closer, people still kept missing the memo. Even years later some get confused and it really made me realize how much of an influence I had on shaping the fanon Fawful that's remembered today. It was... incredibly disheartening and upsetting given how hard I worked to make Gera his own character. And furthermore it didn't make sense to me HOW comparisons were still being drawn. I had disappeared for a while to let the fire and the hype die down, in what world to people think THIS

Looks like THIS

If anything at this point Gera takes more inspiration from Yoshi in appearance, I'm shocked more comparisons haven't been drawn to the dinosaur because then I might actually be flattered

But given the circumstances I'd been silently deleting a lot of my old works and archiving them on a personal thumbdrive. It initially started with things I'd see pop up in my notifications that people liked. If I deemed a picture too close to my old fanon Fawful I'd save and delete it. But eventually it got so upsetting to me that in an anger fueled moment I went on an art purge to try and erase the impact I left, or at least scrub what I could to let Gera have a proper limelight instead of being stuck in the shadow of the thing that inspired him. People were also confusing Order of the Stars for an AU, which it's very much not.

While normally I wouldn't have minded the exposure, in fact I would have been flattered had it been years prior (even though the same pic was very much up on Tumblr at some point), that picture was a sore reminder of the past I was so desperate to distance myself. One of many, and reminded me I had to scrub more than just Tumblr... and might have possibly been the catalyst to the purge? I dunno, I slept since then.

The closest you'll get to it now is a horror themed bad end AU that I made that follows a very similar concept

And this is very generous considering the hell I've gone through. It got so bad that I haven't felt very compelled to draw Fawful anymore for fear of further confusion, heck, more recently I decided that I was just going to exclusively post any future M&L art I make over here because I got tired of people finding reasons to draw comparisons on other sites too. I even thought about dropping ANY M&L drawings related to Beanish just to get away from it, but decided against it. I've even started putting more emphasis on Gera's snout just to make him seem less Beanish, which sucks because I've had to stray away from what makes my style mine to begin with. I could easily change his colors, but I can't bring myself to. He's been like this for years now and it's a characteristic that I can't easily let go of, nor do I want to. I've very begrudgingly changed my Beanish HC so that they don't have blue tongues and blood anymore (which was initially nspired by a beta Cackletta sprite having a blue tongue). It feels like I'm having to strip any and all hc personality I gave to certain fandom characters just to create more distance, which sucks.

It gets hurtful after a while, especially considering Geragera has more than just one inspiration... but yeah, a lot of my old stuff got purged and personally archived for my own growth. Truly sorry about that, and for the being a lengthy explanation. Truth be told I also needed a reason to get this off of my chest but I was never prompted until now. For future reference though (and this goes for just about anyone) I would greatly appreciate if you asked permission before making a crosspost sharing my work. There's a good chance I probably would have said no on that one. Anything that remains on this site is either too sentimental to get rid of or still close enough to the source material to stick around.

[mayakern]

Adding my two cents here, hope you don't mind... The entire synthetic vs natural fiber argument is really reminding me of the plastic straw debate.... And I feel like the arguments are ignoring the nuance of the situations. Would I love if everything everywhere could be natural and biodegradable etc etc? Sure! Ofc! Except when degrading is what you DON'T want. I need to drink with a straw sometimes due to a bunch of personal health and sensory reasons. You know what sucks? Finding the fancy paper straw the cafe gave you has started to degrade part way through your drink. Or going somewhere that doesn't have straws at all. And personal stainless steel straws are a sensory nightmare!

Regarding clothing, I'd rather have a high quality polyester skirt that I can where over and over for years than a cotton skirt that will, given the material, eventually wear down regardless of how you care for it. I have synthetic blend shirts in my closet that I've had a literal decade and that I still wear! And I've had plenty of natural fiber clothes become sensory hell that I maybe got 3 or 4 wears out of. Polyester and other moisture wicking blends are also the best options for exercising and camping, especially if you have a tendency (like me) to overheat and oversweat. Cotton takes ages to dry out and doesn't breathe nearly as well.

And none of the natural fiber arguments ever seem to take the environmental costs to produce those natural fibers into account. A lot of the time they require a lot of water to grow and maintain on land they're likely not native to, planted in ways that push native plants and animals from their own environments. How is that necessarily better?

There are pros and cons of both fabric types. And ignoring that in favor of purely natural fibers can have negative impacts on people who may not have other choices. Like disabled people. Fat people. Poor people. People running small businesses. I promise, those of us that fall into any or all of those categories who are also environmentally conscious have looked into alternative options. And if we've gone back to synthetics? It's because we don't have one or we've weighed our options and came to the conclusion that actually, synthetic IS the more viable option.

When it comes right down to it, I think it's how we treat the garments and how long we continue wearing them that makes a difference, not what the materials are. Fast fashion is the problem. Not synthetic material itself.

I'm GLAD you provide high quality, durable, ethically sourced synthetic material skirts made in sizes and patterns we can't get anywhere else, all at a relatively affordable price point. Thank you!

And I apologize this is so long I just think, in this instance, the arguments can be a bit ridiculous sometimes. 😅

this is another facet and honestly part of it i just haven't had the energy to address. there's a lot of nuance to a situation that is often treated without nuance. you mentioned straws, which i think is a good comparison, but to me it really reminds me of the big push towards veganism a few years ago that completely overlooked labor concerns and that these "superfood" or alternative grain fads were incredibly destructive to the communities that relied on those foods as staples.

anyway that's a whole other issue with its own host of difficulties that i'm really not equipped to dig into haha

but yeah the quality in the construction of a garment and how it's treated (i.e. if it's worn for years or discarded after one use) bare way more impact on the environment than people realize.

the problem is, it is a lot easier and more profitable to sell people on changing WHAT they consume (natural vs synthetic) rather than HOW they consume.

[inventors-fair]

The Best of the Rest: NPC Winners ~

Our winners this week are @helloijustreadyourpost, @izzet-always-r-versus-u, and @sparkyyoungupstart!

@helloijustreadyourpost — Vicious Headcrab from the Half-Life series

Immediately, this has got to be one of the cleanest transitions from other media to a magic card, full stop. Or, it's the cleanest that I recognize enough to confidently state as such. Still, this is at its core a very simple and intuitive card that does something extremely unusual, which always catches my eye. It's a tricky proposition to have a 1/3 defeat anything in combat without tossing in an extra card, but given how much of an upgrade the token is combined with the occasional upside of exiling a key creature, I'd say that this number of hoops to jump through is perfectly warranted. The necessity of sacrificing the headcrab also helps enforce a sense of fairness, as you can't simply slap deathtouch on it and trade up with something far larger. At this very least, though, this creepy critter preys on tokens all day long.

@izzet-always-r-versus-u — Lycan Blood Hunter from Critical Role

The first thing that immediately interest me about this one is just how distinct it is from every other werewolf we've seen so far. Nowadays more than ever, Magic's werewolves are pretty set in their ways, and barring a thematic shakeup from an as-yet unexplored plane, that's not liable to change. Leave it to Universes Beyond to pick up the slack, and offer glimpses into other fantasy worlds where familiar types appear in unfamiliar places. The "transformation" being tied to being under half your life is a great move, I must say, and the idea of literally bleeding yourself to produce blood tokens is so clever that I was shocked to learn that no such card already existed. Part of me wishes this also lost its Human type when it's "transformed" like fellow D&D-related card Werewolf Pack Leader, but that's a minor blemish on an otherwise sterling card.

@sparkyyoungupstart — Hiss Distorted from Control

I mean this in the best way possible, but: what? Having no knowledge whatsoever of the source material, I can really only guess as to what's going on here, but what I do understand has me absolutely fascinated. The creature type alone is a standout, but that's hardly enough to get it to the winner's circle. No, it's here because of that effect, and oh, what an effect! Reconfiguring foretell into a bizarre mirror-universe version of dash is quite the move, to be sure. Utilizing the inherent turn delay of foretell to justify the absurd power by forcing the card to be foretold even more so. It does somewhat lose the element of surprise that characterizes foretell after the first time, but it hardly needs it (and it wouldn't even be the first. Looking at you, Foretold Soldier). There is one slight concern that I can't rightly ignore, though. I'm not entirely sure if this was your intention or not, but due to the underlying mechanics of foretell, you can foretell it during your end phase after it returns to hand, meaning that every cast of it past the first is every turn rather than every other one. If that's not intentional, it necessitates moving the self-bounce later into the turn cycle, such as during your upkeep. If it is, I would recommend maybe moving it earlier in the turn instead, such as after combat. It wouldn't change the functionality, but it would make the card easier to understand, as that interaction is something a lot of players are liable to miss their first time playing with the card.

~

Runners will be up before too long, with commentary later today. @spooky-bard

[earthbaby-angelboy]

hello all you beautiful people!

a little unknown fact about me: i love reading! i mainly read reference material and nonfiction, but i don't mind the occasional fiction! i have plenty of friends on here who like reading (after all, you're on my page!) and who love elvis, so i figured i'd make a compendium of books that were adapted into elvis' movies.

it will be organized by the movie / the year it came out, and the story / its author. i'll also include a little description of each.

-love me tender (1956) & the story of the reno gang: this movie was not based on a story, but actual historical events! the reno gang were a group of brothers who went around the midwest robbing trains. clinton reno was a real person, the youngest of the five brothers (his nickname was "honest", as he never got involved with any criminal activity pertaining to his brothers.)

-loving you (1957) & a call from mitch miller by mary agnes thompson: the movie was based on a short story by mary agnes thompson that was featured in the june 1956 edition of good housekeeping.

-king creole (1958) & a stone for danny fisher by harold robbins: king creole was the first of el's movies to be based on an entire book! the role was originally meant for james dean, and was set in the backstreets of new york city.

-flaming star (1960) & flaming lance by clair huffaker: this was one of two movies where the original author was involved in creating the screenplay.

-wild in the country (1961) & the lost country by j.r. salamanca: although some creative liberties were taken (el's character went from an artist to a writer and hope lange's character became a psychiatrist rather than a teacher), it still followed the same plot as the original novel. it was also the first to feature elvis on a published paperback.

-follow that dream (1962) & pioneer, go home! by richard p. powell: the novel is based on a family from new jersey (WOOT WOOT), and although technically based on the book, the movie takes many creative liberties to the point of it being almost completely opposite the original source material.

-stay away, joe (1968) & stay away, joe by dan cushman: this is what el considered his first "serious" role. although involving some incredibly racist stereotypes, it is rooted in some truth about elvis' lineage: his great-great-great grandmother was a cherokee woman named morning white dove, and some attribute his high cheekbones and striking features to his distant native ancestry.

-live a little, love a little (1968) & kiss my firm but pliant lips by dan greenburg: the movie, like follow that dream, was so loosely based on the book that it was almost completely opposite the original source material.

-charro! (1969) & charro! by harry whittington: this is the only "officially endorsed" book based on an elvis movie.

-the trouble with girls (1969) & chautauqua by day keene: this is my absolute favorite movie of all time, and ironically, there is no information about the book's plot. based on what i've gathered from other sources, it follows an almost identical plot to the movie. unfortunately, the author died 9 months prior to the movie's release.

-change of habit (1969) & title-not-available by richard morris and john joseph: according to wikipedia, change of habit was based on a story written by richard morris and john joseph. i've scoured the internet under both of those names, and found nothing! oh well.

i hope you all had as much fun reading this as i did writing this, and be sure to shoot me a message if you read any of these!

(...or if you find a reasonably priced copy of chautauqua.)

-all my love, calla xx @kiankiwi @arianatheangel-girl @mooodyblue

[lutiaslayton]

So uh. Hi, I finally made a decision I probably should have made a long while ago thanks to talking a bit on Discord: for the sake of my sanity I will not be keeping up the weekly schedule after all 😔 Layton's Book Club updates WILL be posted exclusively on Saturdays at the decided time, instead of at any random time in the week, and I will likely make a few heads up when we're on a lucky week during which you'll get an update, but I will not force myself to make it happen every single week. Simply because at least right now, it is physically impossible for me to do so. (Chapter 1 Part 1 of Illusory Forest is going to be the end of me, and not just because I am still questioning if the author was under the influence of some Folsense gas while writing it.)

That being said, I believe this should actually be treated as good news, and not just good news for my personal health. Because, sure, the updates will not come out as often as I had originally planned to. But in the long run, I actually believe that since I no longer plan to force myself to only work on one thing (which has progressively been eating at my sanity on top of that because darn it this chapter is stupid and it just doesn't seem to END, + it'd be nice if I could finally get some content out that is my creation rather than somebody else's), it means that I will actually allow myself to post more diverse Layton stuff in the meantime.

Stuff like the Evan Barde post I made a few days ago, or other helpful-for-the-fandom stuff that isn't translation work, or… even maybe stuff like finally allowing myself to write SLS and draw random stuff again? Or even read other people’s fanfics and comics and AUs and stuff? (ok technically that last one would probably not lead to tumblr content but shush it means I would take time to look at YOUR content for a change)

The list of stuff I'd like to post in the future includes but is not limited to:

A tutorial on how I get my translation stuff done despite the fact that I do not actually speak Japanese. Best case scenario, this might even lead to some brave people among you to start helping me with this monumental task that is translating multiple novels and games from scratch while you're not even fluent in the language you're translating, and this would be a MASSIVE weight off my back. (spoiler alert: while I do use DeepL to check stuff and/or get inspiration, my work is NOT limited to simply copy/pasting sentences into it and then copy/pasting whatever it gives me back)

The Playthrough series! You had all forgotten about it, hadn't you? Yeah, me too.

Lore analysis stuff in general. I have a massive, absolutely insane project ongoing which is basically "Want to find some info about X? Just open that one (1) web page, enter a few tags such as a specific character's name or location, clich the Search button, and get a list of every single known fact which is related to all of your tags which is summarised down to the bare minimum fact, along with the exact source and quote directly taken from the source material."

Puzzle theory stuff. I've talked about it a lot, it'd be cool if I could finally get the stuff sorted and actually provide all the evidence supporting, refining or challenging it in one place. Above-mentioned lore analysis stuff should help with that.

More fancy shitpost such as the ones found in the #lutiasdraws tag. Let me join in on the fun pls it's good for my mental health to get some serotonin out of non-boring stuff. Heck, perhaps I might even do fanart/shitpost about some fanfics/AUs/others I find and enjoy.

That being said, I apologise to everyone who was hyped at the idea of Illusory Forest updating weekly, but I hope you'll still enjoy the stuff I'll be posting here. If not, blacklisting tags is a thing! I tag everything diligently so for example if you're tired of seeing me ramble about stuff (I do that a lot lately, sorry for that 😭), you can just block the #lutiastalks tag. Yes I finally decided to make #lutiasreplies exclusive to actually replying to asks or reblogs, and use #lutiastalks for random news stuff. yay to self-care and cleaning up my house, head, and tumblr blog.

[marshmallowgoop]

Excuse me, I want to ask a question. Is it ethical to like the Kill la Kill dub? I noticed some of the changes in dialogue between it and the sub. I ask bc the kill la kill dub is my favorite dub of all time.

Hi there!

This has obviously been sitting in my inbox for a while. I haven't been quite sure how to respond.

Maybe I can start by posing another question: is it ethical to like a movie adaptation of a book that makes changes?

A translation—be it of a book to a movie, or of one language to another—is always going to be different from the original. There's no getting around that. But I in no way believe that this means we shouldn't try to translate books to screen, or that works in one language should only ever remain in that one language. Translation increases accessibility so that more people can enjoy and engage with a text.

Of course, however, I do recognize that accessibility is also a concern for particularly loose translations. For those unable to read, a movie or an English dub of an anime may be the only way they can enjoy a story—and if there are drastic changes, is that really fair?

It's not a question I can definitively answer. But personally: though it's not Kill la Kill related, I eventually want to finish writing my report about Anime NYC's English dub premiere for the 24th Detective Conan film, The Scarlet Bullet, which released last month. And the tl;dr of my thoughts really boils down to how disheartened I was by the movie's script. Unlike the series's English dub from FUNimation, which changed characters' names (and occasionally dramatically altered plots and dialogue), Bang Zoom! Entertainment's dub is very accurate—to the point that I felt it was to its detriment. It sounded like the actors were simply reading subtitles, not speaking like actual humans; I scribbled down several lines during the showing with the thought, "No one would ever talk like that." While I certainly have my concerns with how many creative liberties FUNimation took, I desperately missed it watching the new dub. The script felt so stiff and lifeless.

So, another question: is it unethical to make changes to the source material to better fit the translated medium?

It's again a question I can't definitively answer. But as I've said about Kill la Kill...

. . . the dub script and actors are taking some liberties with the material—while still keeping it in-character, in my opinion—and coming up with stuff that maintains the energy and feel of the original lines but is still new and different. That’s what I like in a dub; it’s faithful, but it isn’t afraid to mix it up a bit.

And Detective Conan:

Loosey-goosey dubs that take lots of creative liberties with the material are my favorites. I think they’re so much fun and add so much flavor. Not to get too "subs versus dubs" here, but as I see it, a dub is an adaptation, much like how an anime can be an adaptation of a manga, and I like it when adaptations put their own spin on the work and breathe a new life into it.

I'd personally much rather a translation be lively and creative and different than try so hard to be as accurate as possible that it loses so much soul.

But that's just my take!

[marzipan-memories]

Alrighty~, in a way this post feels slightly overdue, but-- seeing as i have plans for a few of the blogs listed over on my blog roll, i thought it might be fitting to post a status page of sorts-- at least until i'm able to update some things over on the sorting blog for them. And with that said, please check below the cut for the blog list and their status~♡

{𝒉𝒊𝒈𝒉𝒍𝒚 𝒂𝒄𝒕𝒊𝒗𝒆}

@take-ya-to-the-ghey-bar

{𝒔𝒆𝒎𝒊 𝒂𝒄𝒕𝒊𝒗𝒆}

@rain-filled-garden

{𝒍𝒐𝒘 𝒂𝒄𝒕𝒊𝒗𝒊𝒕𝒚}

@virtualized-vocalists

@marionnettiste-de-la-mort -⋄- Muse has been partly rehomed to rain-filled-garden, and as such the fate of this blog is currently undecided

{𝒉𝒊𝒂𝒕𝒖𝒔}

@muddled-ambiguum -⋄- Currently awaiting the translation/publication of more source material, so as to gain a better understanding of the muse before i endeavor to actually write them

@burlesque-grin -⋄- Blog is currently in the midst of a revamp, with plans to resume at least low amounts of activity once said revamp is complete~

@tenrai-no-ame -⋄- Muse levels are currently below the basement-- however, if i reread the series sometime soon and can boost muse, then hopefully low levels of activity might resume--

@eques-vitreum -⋄- I currently have no muse to write here, but-- given my love for the series, i'd like to perhaps pick up at least a little activity here again at some point

@blank-among-fairytales -⋄- I also currently has no muse to write here, along with low interest in the fandom-- however, given that i do still rather enjoy the muse i've made here-- then i may attempt a slight return someday

{𝒘𝒐𝒓𝒌𝒔 𝒊𝒏 𝒑𝒓𝒐𝒈𝒓𝒆𝒔𝒔}

lykofxs -⋄- Major wip as i still need to brainstorm ideas for my portrayal here, however, which although it's proving to be slow work-- i have no plans to abandon the prospect~

fumei-no-yasoku -⋄- Major wip, however seeing i'm currently revisiting the series-- i have hopes to brainstorm portrayal ideas, and finish constructing the blog at somewhat soon~

saihate-no-l -⋄- Semi-major wip, information is somewhat compete-- but i need to revisit source materials before i can refresh on my portrayal and interpretation ideas before i can resume construction work

re-miau-kable -⋄- Same situation as the blog above, although the information is in need of a share more work-- seeing as i've got less of it completed

{𝒐𝒕𝒉𝒆𝒓}

These blogs have largely all been lost to the ether, thanks to my (not so great) past management of log in info-- and my plans of what to do with them, are shall be detailed below

kumori-no-hakuchuumu -⋄- May attempt future recovery and update of the email address/other log in, and if that fails, i may just remake the blog from scratch-- or i may just skip straight to the latter, if i deem it easier

@hushed-court -⋄- May attempt future recovery and update of the email address/other log in-- but more than likely, i'll just remake the blog as a side blog connected to burlesque-grin

@quietly-blooming -⋄- Side blog which was connected to another blog listed here-- i have little plans to remake it, however, unless a revisit to source material sparks the urge

@utautai-no-neko -⋄- I think i'd like to remake this blog someday, assuming i can't recall/recover the email used for it-- although that idea will be saved for a time after i'm able to fresh on the source material

@graceful-days -⋄- I plan to remake this blog, assuming i'm unable to recover the email, once i've made a revisit to the source material (and played new parts of it i've yet to see)

lunar-zenith -⋄- A work in progress that was halted thanks to email loss, I plan to remake this blog, once i've made a revisit to the source material (and played new parts of it i've yet to see)

wanderer-of-fates -⋄- Same story and plan of action as the above~

enigmatic-ailurophilist -⋄- Same story and plan of action as the above~

@nox-occupat-corvo -⋄- I have little plan to try and recover or remake this blog, which may possibly change in the future-- but for now, i haven't the desire to try and pick this muse up again

@social-null -⋄- Mainly the same story as above, although my desire to try and pick this muse up again may be even lower--

[canichangemyblogname]

The Netflix ATLA adaptation is-- ugh-- not good? At least... it won't be good if you've ever seen the animated ATLA. It's an --eh-- adaptation, yet a decent story. So, it will be entertaining and a lovely family show for those completely unfamiliar with the animated series.

In terms of adaptations, I'd compare it to the Lightning Thief and Sea of Monsters movies. Some strong casting choices and an entertaining story (in a vacuum) with exciting fight sequences and special effects. But the story they tell is more "inspired" by the original than an adaptation of the original into a new medium. You have the same characters, and the characters start their journey for much the same reason (same overarching conflict), and the bad guy is the same, and there are a couple destinations that are the same along the way, but the rest of the plot is completely new, and the reason they've come to certain familiar destinations is also new.

Now, I understand that adaptations need to omit parts, blend parts, change parts, and-- well-- adapt parts for a new medium and in consideration of time constraints and logistical constraints (a good example of this is NATLA removing the end of summer deadline given the logistics and time-frame for filming). I have no issue with that, so do not take this post out of proportion.

I'd actually contrast this adaptation with the recent PJO Disney+ adaptation. While there were parts of the show that were hurried due to time constraints, what was omitted (see: hell hound scene as an example), what was blended (see: DOA recording studios and Crusty's as an example), and what was adapted and added (see: Percy's confrontation with the Luke at the end, the flashbacks, meeting Hermes and laying the foundations of Luke's character and past, and no spiders in the tunnel) do not detract from the story. It tells the same story in a new, creative way for a new medium, and that is what an adaptation is supposed to do. It did so well that the show's only major weakness was its tendency to show rather than tell for the sake of time in a few instances toward the end of the season.

An adaptation can add and omit and be different from the source material, often to help with pacing and to observe new time constraints or logistics concerns, but NATLA made seemingly unnecessary choices that completely change character arcs, and this will have major consequences for how this version's story will end (if Netflix gives it an end). I saw one user on here say that Netflix's ATLA adaptation is as if they took ATLA, stirred it up in a large pot, and then chose certain bits and pieces of that story from there. It's like Lacroix ATLA, a hint of being written next door to a viewing room by people who only kind of remember these character's arcs from their childhood.

EX:

They mashed together the Swamp plotline (kinda) with the Solstice plotline (kinda) with every Spirit World plotline in season 1 of ATLA (yes, Hei Bai, Roku, and Koh) with a bit of the Blue Spirit plotline and June's plotline in two episodes (but omitted the Abbey as they changed the Bato plotline). They also mashed together the Omashu plotline with Jet's plotline with the Northern Air Temple plotline (the mechanist) in about one-and-a-half episodes.

They omitted the Pirate plotline, the Canyon plotline, and the Deserter plotline (Jeong-Jeong erasure). They also kinda skipped over the Bato plotline (rather than a short arc meant to force Aang's character growth and feature Sokka and Katara's choice to fully commit to the hero's journey, it was a flashback to explore Sokka's despair and fear of being a leader), but this change to the ice dodging story was okay. They also kinda skipped over the Storm plotline (we still got Zuko's background and the agni kai with his father, but his relationship with his crew is very different, and we do not get Aang's story about choosing to run away from his future responsibilities), but I liked how they incorporated the 41st Battalion-- the new recruits Zuko was banished for speaking out for-- into members of Zuko's ship crew.

However, all of this means we do not have a story featuring Aang coming to terms with cultural change over 100 years. We also do not have a story about Aang feeling like an outcast (then and now) and coming to terms with his guilt. While he does get a conversation with Gyatso, who tells him that he shouldn't feel guilt, this is very different than personally coming to terms with the culpability he feels for the fate of the world after being frozen for 100 years and running away (show Aang did not run away, but went for a short fly to clear his mind and got stuck in a storm). Aang's tendency to avoid conflict (like running away or hiding things, etc) will be a major part of his struggle with earth bending. However, this Aang does not avoid and evade. Season one explored Aang's struggles with change and flow as he learned to bend the element of change and flow: water. However, this Aang does not seem to have trouble accepting change, going with a new flow, and adapting to new circumstances. We also do not have a story about Aang learning to be a diplomat.

Additionally, we do not have a story featuring Sokka and Katara confronting their grief and coming to terms with their feelings of failure in their respective roles as assigned to them in their parentification (Sokka as the last leader and protector of his cultural heritage in the face of genocide, where he is expected to lay down his life for people with "bigger" destinies than him-- Yue, Katara-- and Katara as the last water bender of the Southern Water Tribe, tasked with surviving and learning to be a bender, possibly at the sacrifice or danger of the people she loves-- her mother and her friends), despite getting one about their despair.

They also omitted events that showcase Aang's carefree nature in season 1, which will make it difficult to contrast who he becomes by the war's end and upon mastering all four elements. This version changes Katara's character, too (as it seems to have done with all the characters), as she's far more level-headed and cautious in this adaptation and is largely missing the anger that made her such a relatable character for many young girls. I also do not know how they'll introduce the white lotus for the Liberation of Ba Sing Se-- if Netflix, notorious for canceling shows, gives this more seasons-- when chunks of the white lotus have been omitted from this version.

I think these changes to the character arcs ultimately detract from the characters and the overall course of this story, making it into a story inspired by the original-- like an AU-- rather than an adaptation.

On the other hand, a change from the original material that I enjoyed is this adaptation's telling of Azula's story, portraying the immense pressure she was always under, as well as the way Ozai manipulated her and encouraged his children to resent each other. I also enjoyed that Ozai wasn't just an archetypal big-bad, but a deeply flawed and cruel man driven by his fanaticism. It was clear he knew what he was doing in his treatment of those around him, and he knew that it hurt them, but he did it anyway because he believed it was morally right and that he had the moral right as the leader of his nation and family.

The NATLA actors had big shoes to fill, and I think they did their characters justice for the story those characters were given. Daniel Dae Kim said his inspiration for Ozai was modern politicians, and he really brought that to the table. George Takei was a great choice for the voice of Koh, and casting a comedian, Danny Pudi, to play the mechanist was also a good choice. Ian Ousley (Sokka) brought the energy of a sardonic, cringe-fail nerd with the potential to become a wicked smart strategist and engineer who is weighed down by grief and impossible responsibilities. Dallas James Liu (Zuko) brought the energy of a resentful and, at times, cruel ball of anger and angst who is tormented by internal moral conflicts and memories of abuse. Gordon Cormier (Aang) and Kiawentiio Tarbell (Katara) both brought the idealism of their characters and the hope for the future they represent in the face of genocide.

Ultimately, I think the show was handicapped by its medium (live-action) and length (eight 40-minute episodes). There were a lot of critical character-development plotlines they had to omit, and many that they had to find a way to sort of shoehorn into just three to four middle episodes. However, to do that, they made critical changes that will affect the story. What makes ATLA such a beloved piece of media is how dynamic the characters are, and I just can't see this adaptation accomplishing this given how the characters and their arcs have been changed.

A good adaptation is hard to achieve.