#I'm finally starting to figure out digital painting

[cobbssecondbelt]

Reflections

[lushrue]

hockeyteam!141 x figureskater!reader pt 2!

part 2 of this au finally! i'm so glad people like it! comment if you wanna be added to the taglist, already planning pt 3 so there will be more where this came from 💗

part 1 | part 2 | part 3 | part 4 | part 5 | part 6 | part 7 | part 8

your name was announced through the loudspeaker as you skated onto the ice, all covered in sequins and polyester. you’d always thought it was a little bit silly, the conventions around figure skating costumes. that fit that Margot Robbie threw in I, Tonya about the ridiculousness of it? yeah, you’d had a moment like that once or twice. the rough fabric scratched your arms, the glint of the sequins drew focus away from your expressions. but you still felt elegant as you set your mark at center ice, hitting your starting pose in the silence before the music began.

breathe in, breathe out. focus. momentum is everything, remember your character, focus going into your jumps.

in the moment before your routine started, you flicked your eyes up and scanned the crowd. it was something that you’d done ever since your first routine that you took to competition. usually, you were looking for your parents, their smiling faces and the flash of your mom’s digital camera. now, though, it became more curiosity, finding a spot to let your eyes settle when you weren’t looking at the judges’ table. it was then that you saw them. four big, brutish hockey players sat shoulder to shoulder in the stands. the one with the mohawk (soap, you remembered) lifted his hand to wave at you, only for the man beside him (kyle, you guessed from this distance) to swat it down.

the shock must have played out on your face, because you saw price smirk as your music began playing. you let the sound seep into your bones and just like that, it all melted away and you skated.

…

the four of them watched pretty intently for the first few seconds of your routine. price was focused on the placement of your body, how you kept your center of gravity in the middle at all times. he had to admire how precise you were in your movements, like you knew the physics behind all of it. for all he knew, you did. he could tell you were skilled and he liked that about you. talent recognizes talent, or however the saying goes.

kyle was simply admiring your choice of music. Moonlight Sonata, though basic, was like black coffee, he thought. a classic choice that never really got old, but so many things could be added to it to make it new and exciting. and watching you skate to it, he felt like he’d never heard it before. he watched your face more than anything else. you were so expressive, a story playing out in your eyes, and he soaked it all up. it was like reading a novel, and this one was a page-turner.

ghost was watching the lines of your body. it was like you were painting the air as you moved, each flick of the wrist and lift of the leg deliberate and purposeful. it all served to make a pretty picture. every now and again, he’d look at the thin lines your skates left on the ice, the swirls and curves detailing everywhere you’d been. much prettier than the harsh notches he left behind when he stepped out of the rink, he thought. just like you, they were delicate.

soap was far less interested in the artistry or skill of it and more focused on you. the way your hair moved as you spun on the ice, the way your costume clung to your skin. he couldn’t even act as if he wasn’t watching disrespectfully, thinking of what your body might look like under the spandex and sparkles. you lifted your leg and began spinning, and soap thought he might keel over right then and there. ghost nudged him as he adjusted himself on the bench, a silent gesture that told him to behave.

johnny gestured to price behind kyle’s back, getting his attention. “didn’t i tell ya, cap? a right beaut, that one,” he said, earning himself a flick to the head from ghost. price chuckled, turning his attention back to where you were winding up for a jump. two turns in the air and you landed perfectly. he knew you would, you talented thing. “yeah. a beaut,” price responded, a small smile curving his lips.

...

you skated remarkably, in your opinion. it was a relatively simple routine, but with every completed skate, regardless of skill level, came a sense of accomplishment. as you hit your ending pose, you made eye contact with your hockey players in the stands again. ghost’s face was unreadable from this distance, but you caught the pleased expressions of the other three as they clapped for you. soap had a glint in his eyes that spelled mischief and made something in your stomach tighten. kyle was looking at you like the artist you perceived yourself to be, almost how you imagined someone would look at their favorite painting. and price’s face had pride written all over it. you caught an almost imperceptible nod from him, as if to say well done.

you bowed to both sides of the rink and skated off the ice, a performer’s smile on your lips. it wasn’t entirely fake, not like it had been at some competitions. this time, it was born of the idea that four of the men you’d been watching, nay, pining after for a month were finally turning their attentions to you. for the first time in a while, you wondered what someone besides the judges thought of your routine. the worst part was, you needed them to like it. you felt the intense need to please them, keep them coming back for more.

the four of them found you in line for the concessions, grabbing a hot chocolate to soothe your cold bones in between programs. your free skate was coming up next and you knew you’d need a little pick-me-up before then. as you thanked the high schooler who’d poured your drink, you turned to walk away and almost collided with a wall of solid muscle. price, you’d realize as you looked up. “told ya we wanted to see ya, bonnie!” soap’s voice chirped from behind the broad shoulders of the team captain.

you glanced around him, noticing kyle and ghost stood off to the side. kyle was all polite smiles and ghost looked as though he was aware of how much space he was taking up, supremely uncomfortable as people brushed past him. soap was stood off to the other side of price, arms crossed over his chest. then your eyes turned up to the captain himself, feeling a sense of pride radiating off of him. you weren’t sure why; this was a man who barely knew you. but it made your stomach flutter all the same. “good performance you put on out there, love,” he said, the rumble of his baritone voice more compelling when it was directed at you. you’d seen the boys scramble to follow his orders before during a game, but you’d thought it was just his rank on the team. no, you realized, it was definitely the voice.

“thank you,” you replied sheepishly, clutching the warm styrofoam cup in your icy fingers. “i’m glad you all liked it.” kyle spoke up, stepping a bit closer to where you stood. “liked it? i loved it! you’ll have to tell me more about how you choreographed it, the musicality was insane!” “easy, garrick,” ghost’s voice rumbled from where he stood, a bit muffled by the black surgical mask. “don’t wan’ to scare off our pretty bird.” oh, you could get used to that. you spoke up, your eyes flicking between the four of them. “actually, i still have another program to skate.” you hesitated, almost worried you were being too forward. but then you continued. why not live a little, take some risks? “if you all wanted to stay, that is.”

you didn’t have to tell them twice.

taglist: @cadotoast

[baby-yongbok]

Ex

Boyfriend!Hwang Hyunjin x Fem!Reader

⇝ Genre: Angst then Smut then angst again. Dirty Drama.

⇝ Summary: We all have that one toxic person that we can’t let go of.

⇝ Warnings: Cheating , Arguing/Yelling, Dry Humping, Crying, Hyunjin is toxic - the manipulative type. (I think that's all, let me know if I missed anything!)

⇝ Word Count: 2.9k

⇝ A/N: I'm sorry in advance. I live for the drama, I'm so so sorry. My depresso has been prompting me to write angst and this is what I came up with today. It might be intense? I don't know honestly. All I know is that writing angst makes me happy lol + reader is depicted as chubby/plus size and is a POC ♡ I hope that you enjoy! Please don't hate me 💕

✧ Part II ✧ Masterlist ✧

It started with him forgetting coffee dates. The small chunks of time that the two of you carved out of your day to spend with each other quickly turned into bottled Starbucks drinks and ignored texts while you made your way to work. He said that it was because of his schedule and Hyunjin would never lie to you. 

Next were your nightly video calls. The two hours that you’d spend talking about your days and making future plans morphed into double and triple texting him until he replies with a lackluster night time send off and a declaration of love that you have no choice but to imagine leaving his lips. You haven’t heard from him in forever but it’s okay, you can fix this. 

You’re an artist, a digital artist for a living but a painter as a hobby. This trait is one of the many things that you and Hyunjin bonded over so when you proposed that the two of you do Paint and Sip dates on Friday nights he was all in. Everything was fine for a couple of weeks, you’d pick the picture and you’d both get to painting while you listen to your shared Spotify playlist. You’d talk and laugh while sipping whatever wine he brought with him, everything was finally feeling normal again but there was one thing that kept bothering you. 

His phone.

 It kept blowing up, vibrating, dinging and lighting up throughout the night. You’ve always understood that Hyunjin is a busy guy and his friends may need to reach him at odd hours of the night but there was something more to what you saw. He would ignore a message or two from Jeongin or even decline Chan’s calls from time to time but whenever his phone lit up with that damned flower icon he’d drop his brush like his life depended on it. 

You figured that as long as he’s here with you everything is fine. You never liked to micro manage and you're not the jealous type so snooping around wasn’t something that you were very into, until he canceled on you. Again. This is the third week that he’s said that something has come up and that he’ll be over at your place late. When you read his text you were already staring at his laptop wondering if it was really necessary to snoop through his cloud and read his texts. Surely he had a reasonable explanation for this right? Hyunjin would never lie to you. Right? You wanted to be right so badly and when you opened the computer, put in his password and clicked on the cloud you found out that you couldn’t be more wrong.

“What are you still doing up?” Hyunjin asked as he tiptoed into your bedroom. You were sitting at your desk with your phone in your hand, staring at your screen.

“How was your night?” You ask as you swipe on your phone, your eyes never leave the screen but Hyunjin doesn’t seem to notice.

“It was fine, got a lot done.” He turns towards your closet door but stops when he processes the mess around him. “Are these my clothes?”

“Yeah, you’re going to pack all of that along with whatever else you have around here and you’re going to leave.” He stares at you with pinched brows and then he takes in his scattered belongings again.

“What?” 

“You’re going to pack your shit.” You stand from your chair, glaring at him with narrow eyes. “And you’re going to go stay with her.”

You can practically hear him choke on his inhale once your words hit his ear. “Who are you talking about?”

“I can always make time for you just give me the date and the place.” You read from the screenshots illuminating your screen as you stalk towards him. “I hate when you ignore me, you know how much your attention means to me.”

“Stop it.” He turns to face you completely, watching you with worried eyes glazed with guilt.

“It doesn’t matter who I’m seeing, you know that you come first.” You project your voice so that it echoes off of every surface, he doesn’t get to avoid this. “Call me, I need to hear my baby.”

“How did you find those, you -” He sighs as you cut him off, practically yelling the next message.

“You left too many hickies to cover this time, I’ll return the favor on Friday.” 

“Enough of that, enough.” His tone tries to match yours but it fails, falling off into a pitiful whisper at the end. “You went through my computer?” 

He looks over at you with a cocktail of disbelief and disgust smeared over his features but you’re more than sure that the look on your face has got him beat. “ You’re fucking your ex.”

“It’s not like that, it's -” You cut him off, taking a wide step towards him.

“It’s not like that? You’re begging her for her time. You’re texting her every minute of every day. You’re fucking her and then coming here and fucking me, Hyunjin.”

“I know, okay I get that you’re mad, I’m sorry I just can’t let her go yet. It’s like there’s a piece of me that only she has possession of and no matter how much I try to ignore it I just can’t.” He runs his hands through his hair, his eyes taking in the way that your gaze cuts into him. 

“It’s been a year. I’ve been with you for an entire year. When did you have time to start this? How long have you been fucking her?” He shakes his head, turning towards the bedroom door to escape the situation in front of him. You follow hot on his trail, repeating your question. “How long?” You ask over and over until he finally snaps, yelling his answer in the middle of the living room.

“A couple of months, I don’t know five or six? Maybe even seven I don’t fucking know.” You scoff as rage floods through your veins and you pick up the nearest object and chuck it at him with all of the force you can muster. He dodges it easily but he doesn’t have as much luck with the remote that follows the path of the last item. “ Yara, stop it.”

The hiss in his voice turns into a loud gasp once he realizes his mistake. “Excuse me?” He called you by her name. His ex's name. 

“Fuck, I- I didn’t mean to call you that, angel, I swear it’s because we’re talking about her. That’s all. You’re not her, you’re so much better I swear. Let’s just - just talk about this okay?”

“There’s nothing to talk about. I want you out of my house, now. I’m done, Hyunjin. I’ve been begging for your attention for months and you’re off giving it to someone who’s using you for sex and attention. I did so much, I’ve done everything, but clearly you love fucking so much that you fucked me over. Are you proud of that shit? Are you happy?” He takes a couple of slow steps over to you as you stand there, chest heaving and heart heavy with the sadness that has allowed your burning anger to be the star of the show until now. Maybe if he shows you that he wants you, maybe if he says that you two can fix this you’ll consider believing him.

We all have that one toxic person that we can’t let go of. He’s not at fault for being bound to her so tightly, even if he broke your heart in the process. 

“Listen, angel, I love you so much. I want to be with you, I really do, no one else has fought for me and my time like you have. I don’t want to lose that, please let’s just talk about this. I’ll do anything for you, I swear.” Your glare softens, call it wishful thinking or maybe you’re blinded by the desperate burn of love in your chest but you believe him. You believe him just enough to let him splay his long fingers over the curve of your hip and pull you closer to him.

“Why do you need me if you have her?” You stare at the middle of his chest, watching it rise and fall.

“Because you love me in a way that she never could and never will.” He leans down, pressing a kiss to your temple as he brings his other hand to your waist. “She doesn’t see me like you do.”

He kisses over the shell of your ear, making his way down your neck. Your body is pressed against his as his hand kneads at the swell of your ass and he runs his tongue over the sensitive skin of your neck. You exhale heavily, bringing your hands up to rest on his biceps. You want to push him away, you want to get to the bottom of this and talk to him, so why are you pulling him closer? Why are you allowing small moans to leave your lips as he hypnotizes you into forgetting what he’s been doing to you.

“Hyunjin, stop it.” Your voice falters on the last word, giving way to the whimper fighting to escape your throat. 

“Push me away.” He whispers into your ear, his soft lips brushing against the shell of it and setting your nerves on fire. “If you mean it then push me away.” 

He stops everything, he doesn’t kiss you or squeeze you, you can hear the soft sound of his breathing and feel the gentle beating of his heart as his chest is pressed against your own. You can’t do this, you shouldn’t do this, your brain is screaming at you. You know better than to fall for this, push him away, now. Do it. 

“Don’t stop.” Your eyes flutter shut when he squeezes your ass again, pressing your hips into his so that the bulge in his pants pokes your belly button as it twitches in anticipation. 

“Say it again.” He plants a whisper of a kiss over your temple. “Say it again, angel, say my name.”

“Don’t stop, Hyunjin, please.” His kisses get sloppier as he gets closer to your lips, he plants a sloppy kiss to the corner of your mouth before catching your lips with his plump ones. You sigh into him, your hands fisting his shirt as your tongue tangles with his. He moans into your mouth, his hands tracing your hips as he takes some steps back, leading you both to the couch. 

“Tell me that you forgive me, baby.” He sits once the frame of the couch hits the back of his legs, dragging you down with him so that you're straddling his hips. His bulge pressed firmly into your dripping heat and you can’t help but to grind against him. Before you can settle into a steady rhythm Hyunjin grips your hips, holding you still against him. “Tell me.”

“I forgive you.” You mumble, the words sound just fine when they roll off of your tongue. They taste sweet as you lick your lips, staring into your lover's eyes defeatedly. You’re too deep into the brain fog, too desperate to feel the love that you’ve been chasing for months. You’d say anything just to feel Hyunjin touch you. You’d do anything to keep him here. 

“I knew you would.” He smiles up at you, starting to guide your hips against him. You throw your head back, your face contorting into a mask of pleasure. Hyunjin's fingers trace your jawline, sending chills down your spine. You close your eyes, allowing him access to any part of you he desires. “You need me too. Just like I need you, don’t you?”

You nod your head, picking up the rhythm of your hips as he starts to roll into you, matching your pace flawlessly. “I do, oh my god, I missed you.” You babble into the hot air as your hands find purchase on his shoulders. You can feel the night scarf covering your hair slip over the crown of your head and fall to the floor, your unruly hair frames your face and Hyunjin can’t help but to moan at the sight. 

“I missed my pretty baby too.” He grunts, eyebrows pinching together as he watches where your clothed cores press into each other. “Oh, fuck, I missed you so much.”

His hands are all over you as you move against him like he’s trying to memorize the pattern of your skin. He’s reintroducing himself with every pulse point that he can reach, lighting every inch of your skin aflame with desire. “Tell me your mine. Tell me you love me, please, please say it.”

“I’m all yours, angel. All fucking yours.” His hips buck up into you as your movements become more sloppy, your climax is dangling right in front of your face. It’s burning in the pit of your stomach, a strangled moan drags from your lips as you get closer to it.

“Again p-please, please, so close ‘s so close Jinnie, again.” Your nails dig into his shoulder, whimpers following your fucked out sentence as your eyes watch Hyunjin. You watch how he bites the tip of his tongue as he gets lost in this bubble of pleasure with you. Your own perfect shield of hot desire. 

“I love you.” He moans, throwing his head back against the couch, his grip on your hip tightens. The strength of his grasp is brushing yet delicious. “I’m yours. I’m all -” 

The melodic sound of Hyunjin’s phone ringing cut him off before he could finish his sentence. His head snaps up as his eyes widen and he stops moving against you. “Get off.”

You whimper, confused eyes staring down at him through your fucked out fog. “Angel, move.” He pushes you to the side much rougher than he intended and you watch him as he stands quickly, pulling his phone out of his back pocket and swiping the green button immediately. 

“Hey.” He clears his throat trying his best to not sound like he was seconds away from coming in his pants. “Yeah I can do that, just give me like twenty minutes, okay?” 

You listen, coming out of your haze just enough to process the situation. That ringtone sounded familiar, it’s the one that he always answers… It's her.

“Hyunjin.” You reach forward, grabbing his wrist but he pulls away, glancing back at you for just a second before turning his attention back to the phone call. 

“Nothing, that’s no one, I’m on my way.” You scoff, watching as he ends the call and starts to frantically fix his clothes. “I have to go something um - something came up.”

“You’re fucking kidding me.” Hyunjin ignores you, making his way over to your bedroom with you following close behind, a mirror image of what happened minutes ago. “You’re going to her? 

“She said that she needs me and I don’t -” 

“You just told me that you were mine. You just said that, Hyunjin.” You grab his wrist, prompting him to turn to you. He stares down at you with furrowed brows and glassy eyes like he’s in a fog, like he’s been hypnotized to follow a specific instruction. 

“And you said that you forgive me.” He reaches up to cup your cheek and your body melts into his touch before you can even fully process it. “I’ll be back tomorrow, angel. I’ll be yours tomorrow.”

His touch is gone just as fast as it came, leaving you with an empty ache in your chest as you watch him grab his bag and jacket. You stay rooted in place, feeling like your heart has been ripped out of your chest. “Hyunjin.” 

There’s a tremble in your voice as you say his name but he doesn’t seem to mind, it’s like he didn’t even hear you. “I love you.” He leans in to kiss your temple but misses completely, planting a half hearted peck against your hair as he rushes towards the door. You watch as he leaves, quiet and stunned. There are a million thoughts going through your head but you still feel unable to process what had just happened. The sound of the front door closing is what draws you out of your thoughts. 

The silence surrounding you allows room for the reality of the situation to echo around you, bouncing off of the walls and drowning you in this painfully unfamiliar feeling in your chest. You take a sharp inhale as tears start to prick at the back of your eyes. What was supposed to be a stable step towards your bed leaves sinking against its frame. You find yourself grasping one of Hyunjin’s shirts on the floor beneath you, your eyes trail from that garment to the next frantically. He’s everywhere. You can smell him, the soft cotton of the shirt makes you feel like you can feel the beating of his heart beneath it. Tears blur your vision as you sob into the fabric, clutching onto it like it’s all that you have left of him. Maybe it is. You gasp, a choked sob struggling past your lips as the true weight of the moment finally settles on your shoulders.

We all have that one toxic person that we can’t let go of.

[artfromsaturn]

Collection of Free Art Tutorials

I don't usually make text post on this blog, but a nice artist I know was asking for tutorials a while back and I forgot to send some to them while in school. So here's a post on it since it's easiest to grab and go this way. :)

This list focuses on the basics. I'm focusing on the foundations of art, so medium is generally irrelevant and you can use physical or digital with these. You'll have to google more specific tutorials on things like character design and such.

One of the biggest pieces of advice I can give to you is strangely, introduce things to yourself one at a time. In art class, we took whole topics week by week. For high school, we did a few exercises then spent a week drawing/painting and doing your piece(s). For basic art 1 & 2 in college, we did 1-2 exercises and then did 1-2 drawings, followed by HW (which we turned in next week) and sketchbook practice (which she'd check at midpoints). For basic art lessons with a tutor, we did practice then our own art. You can see the pattern here - the point is don't be distressed if you don't get everything at once, or the lesson in 2 weeks, or the lesson in 3 years - we practice and do a lot over time, and you'll pick up on things you need to improve naturally and through help with others. Take time to be proud of your art in mini steps too, even if it's not the best! You tried and attempting to climb an obstacle over and over again before finally leapfrogging it is still progress to it.

Overall tutorials:

DrawABox.com is a site that's dedicated to art exercises and practicing when you can. They talk about the basics of art as well as how practice is important. It can get tough at times and it's ok to stop and do a balance of say those practices and doodles if you choose to try and do all of it's stuff - but you don't have to either. It's just a nice basic education done by some art nerds who like going hard.

Ethering Brothers - these guys are famous for their 40billion tutorials. If you need help on a specific idea, search their gallery and you'll likely find something.

Thundercluck's Art Fundamentals - She did a good huge ass tutorials on how things work, and it's the least overwhelming of the 3 I got in this section, so I suggest it as one of the first to look at for digital stuff.

Art Instructions Blog - Another good & simpler website that goes great into fundamentals. They focus more on traditional art but if you're digital, you can replicate most of the techniques - art fundamentals and subjects cover all mediums. Very important

Drawsh - Particularly notes on Construction: construction is the basics of building an illusion of a 3D image on a page. Figuring out how to build shape gives depth to your work, and learning how to see in 3D lets you be able to draw an item then move it around in your head (sometimes, when you're good enough, don't be afraid to pull out a reference or use live subjects). Construction is how to figure out the foundation of your drawing, and good planning = better picture! This link starts at the back, hit newer post to go forward.

There's a lot on anatomy and other nitty gritty details for when you want to practice those as well.

Griz and Norm's Assorted tips - Long time artist talk about various tips and tricks they use in art and how to avoid certain pitfalls. It's eclectic but great to look through.

James Gurney's Blog - He's got a lot of thoughts, a lot of tips, and a lot of adventures he catalogues. It's the least organized out of these but fortunately he has plenty of tags and most post have something neat going on. He's fantastic!🥰

BEFORE ALL OTHER BASICS….

How to Make Your Art Look Nice: Mindset

There's a lot of artist with different perspectives on how to approach art and your mindset while doing it, but the general consensus is that it's a process and sometimes you have to remind yourself to enjoy art!

Line

How to draw straight lines without a ruler. …but for the love of all that's good do NOT feel bad about using one! This talks about how to hold your pencil and how to do some good freehand stuff, some good practice.

5 grips for holding a Pencil for Drawing - This goes for pencil, pen, tablet, etc.. Get comfortable and figure out what's right for you and your pictures. I'd like to note that paintbrush holding will overlap, but some will differ.

A few line drawing exercises that help with line confidence.

Types of line drawings & what they are.

Contour Line & exercises with Mrs. Cook - Contour lines are one of the first art exercises I do in all the drawing classes I've taken. The good news is that they're surprisingly fun & look neat, even the blind contours!

Good deep thoughts on lines and how to use them.

Line Weight Tutorial

Lineart Weight Tips!

How to show variation in your line art: part 1 & part 2.

Some teacher's Drawing 1 & 2 lessons put online.

Light, Shadow, & Value

An introduction to tonal values.

Why values are important. The main reasons are that they give depth to a piece, and values literally shape our world.

Tonal Values: Everything you need to know

How does light work & the basics on Light

Light & Shadow in Art - much more in depth of the above! Highly recommended if you have time to spare.

Understanding grayscale/monochrome art. Great for shading & planning.

A guide to Cross Hatching (and hatching in general) - As a side note, crosshatching is one of the early things taught as it marries Line + Value into a nice neat package and helps add form with just a pen.

Crosshatching for Comics

Learn more about coloring by working in grayscale

How to Make Your Art Look Nice - Contrast!

Using lighting to make your art look nice.

Some light & shadow classifications.

Edges - notes on how they work in shading.

Color

A side note - color theory doesn't differ much, but color MIXING will change between mediums. If you're doing traditional colored pencil, you're overlapping 2 or more pigments on top of each other. If you're doing traditional paint, you're mixing & creating a solution/emulsion (depends on the pigment and binding) of pigments with the particles reflecting light in different ways. In digital, overlapping colors & blending colors depend on how the program you use calculates it if you're not just putting 2 color side by side. This just means you have to adjust your mixing when you switch between them. :)

Slawek Fedorczuk's Light & Color Tips - also shows how to guide through a scene.

The Color Tutorial Part 1 & 2 by Sashas - A personal favorite.

Color Studies 1-6 by Sheri Doty Amazingly nice breakdown on how color works in simple terms.

Sarah Culture's Tips on Color

The value of underpainting

A few notes on reflective light.

Experimental color techniques with Alai Ganuza: first post, second, & third.

Color zones of the face charts

Composition

Good Tips on Composition

Here's an example of how you can search the Etherington Brothers' stuff and get like 10 tutorials and tips on one subject. Composition & Cover Design, Shadow Composition, Two Line Composition - plus more.

How to make your art look nice: Thumbnailing!

And don't be afraid to make silly thumbnails or sketches.

Composition Examples - charts like these are great when you can't think of something yourself. There's no shame in using them.

Flow and Rhythm

Formulas for landscape composition.

Perspective

Perspective Drawing Tutorial by Julie Duell

Linear & Atmospheric Perspective Guide

One Point Perspective City Tut by Swingerzetta

Niso Explains Perspective - these are great for drawing figures in perspective!

Putting characters into scenes and drawing backgrounds

Backgrounds that make your character stand out!

Using background detail to guide the eye.

Odds and Ends

I shit you not, probably 1/3rd of my color, value, & structure knowledge comes from pixel art since I've done so much of it and it is all about challenging yourself to do the most you can with limitations. Check out lospec's tutorial database for fun and see how it compares to art techniques you're doing - even if you never try a medium, it's always interesting to see how it works. :D

How to Make Your Art Look Nice: Reference Images & Style, Pushing Proportions, and developing style.

Foervraengd talks about how he expanded his comfort zone with concept art & landscape drawing.

Luna Art talks about what they're thinking when doing concept art.

Repeating visual motifs in character design looks cool.

Eric's Thoughts on Drawing Backgrounds and Props.

Show vs. Tell: Why Visual is Not Optional in comics.

The Lost Vocabulary of Visual Story Telling Day 1, Day 2, Day 3, & Day 4.

Traditional Animation's 2 Digital Library books, The Know-How of Cartooning by Ken Hultgren & Advanced Animation by Preston Blair are two books from the golden age of animation they have up on their site for free viewing!

Animation resources dot org has a lot of cool stuff. Here's Nat Falk's How to Make Animated Cartoons (part 1). Their pages on Instruction & Theory are a good start.

Books

Good news: the internet archive has a TON of resources. Make sure to check around and toggle filters, it's a bit weird with organization. For example, a book can be under art or drawing - techniques, depending on who catalogues it.

Andrew Loomis is someone artist tend to die-hard reccomend. His work is collected here & here on the internet archive (one is Andrew Loomis, the other is Loomis, Andrew - thanks). I own Figure Drawing for All It's Worth and I recommend checking all of his stuff out, especially if you're having trouble with bodies and hands.

The Animator's Survival Guide by Richard Williams is mandatory in animation classes for good reason - it's fantastic!

Perspective for Comic Book Artist by David Chelsea is great for any type of artist. So is Extreme Perspective & Perspective in Action.

Scott McCloud's Understanding Comics, Reinventing Comics, & Making Comics. The first one is on the internet archive, the second two are likely avaliable at your library or at a bookstore as they're pretty popular.

Speaking of comics, Drawing Comics the Marvel Way has been a favorite of comic artist for years no matter what comic book companies and artist you like, it's a good introduction.

Anything by or endorsed by James Gurney, Color and Light: A Guide for the Realistic Painter is one of my favorites (this is his official page but you can get them elsewhere for cheaper too).

Art resource blogs with good tagging systems: @artist-refs , @help-me-draw , @helpfulharrie , @art-res , @drawingden , & @how-to-art

Lastly, I suggest if you find something you like online for free, SAVE IT! Whether it is through the Wayback Machine, screenshotting a whole webpage, reblogging/retweeting something, or putting it on pinterest, digital media is fickle and tends to go up in smoke when you least expect it. I have a partially organized Pinterest board that helped me find most of the stuff I wanted to keep. Figure out what works for you and save what you can.

[intimacyequalsdeath]

Bubz's Slasher Fictober Day 9: Chop-Top Sawyer (Pumpkin Spice)

Almost to double digit days! This is also officially day two of the Pumpkin spice week which will make much more sense when I post the final masterlist so stay tuned!

Notes: Minors DNI, Porn with a smidge of plot. No pronouns or descriptions of reader used. NSFW. Not really anything to raunchy but it's also Chop-top so proceed at your own risk lol. Kinda off AU really the other thing I changed for story sake is Nubbins being alive. Short and spicy.

"Bobby your brother could walk in!" You screeched at him.

He gave a laugh that more so resembled a witch's cackle before wrapping his arms around and pulling you further down on his lap, subsequently shoving his cock further into your plush walls.

Cock warming was something you and Bobby did often, especially since he got back from Vietnam. It would help calm him down after particularly rough nightmares about his time in war and helped him to shut up after fighting with Drayton. Though you two never had dared to do it with the door unlocked when Nubbins could easily walk in at any moment.

If you didn't know any better you'd think Bobby lied to you that the door was locked just to get your pants off.

"C'mon mama relax! Nubbins ain't gonna come in here and even if he does I'm sure you'll be good and quiet" He breathed into your ear letting out another signature laugh. He jutted his hips sharply into you and continued to laugh at the squeal that was produced from your throat at the feeling of the tip of his cock brushing up against the sweet spot at the deepest point in side of you.

"Chop I swear I'll never you let you do this again if you don't quit it" You snapped at him, him and you both knowing you didn't actually mean it.

He brought a hand up to your chest and rubbed your nipple through your shit while sucking on the pulse point on the side of your neck. You threw your head back and groaned.

Your eyes widened when you heard the oldest Sawyer brother approach the outside of the bedroom door.

"Bobby! Goddamnit Boy are you in there?!" Drayton yelled.

"Better find a way to get him to git before he opens that door mama" Bobby snickered before reattaching his lips to your neck and giving another few random thrusts.

'Bobby I swear to god if you don't answer me right now you'll sleep out in the barn!" Drayton yelled again.

"He's Busy!" You screamed through a moan as Bobby began steadily thrusting back and forth in and out of you. You heard Drayton grumble something about sex crazed young people before he walked away from the door.

Bobby's hands gripped your hips, no doubt leaving figure shaped bruises, and slammed you continually into his girth. You turned your head pressing your face into the dirty mattress to suppress your moans hoping to save a little dignity with his brothers.

"Bobby on my bed again?!" A voice yelled as the door swung open, But Bobby's thrusts didn't stop on account of his brother.

"Godammit Nubbins get the hell out!" Bobby yelled panting from over exerting himself with his thrusts. You suddenly started loosing yourself, not caring that Nubbins was in the room as you began to push your ass back into Bobby to meet his thrusts.

You were chasing your own climax and didn't give a fuck whether Nubbins was in the room or not.

"Y-you also do it on my b-bed, you g-got your own!" Nubbins yelled again seemingly not caring himself that his brother was nearly splitting you open in front of him on his bed none the less. Bobby didn't answer that time focusing on bringing you to your high. You could feel his cock pulsate inside of you and knew he was close too.

The ecstasy washed over you at once, You could feel your walls clench around him while you came as you milked his cock of the creamy warm ropes that shot out into painting your walls white.

"Oh fuck baby" You moaned, Bobby's lips connected back to your neck and his thrusts became erratic trying to give you every last ounce of his cum.

When the world stopped being spotty and you were brought back to earth panting with a grin that matched Bobby's, You lips met as the two of you started to cool down. Only one thing brought the two of you out of your sexed out state. The click of a camera.

"Nubbins Goddamn you!"

And there went tonight's peace in the Sawyer house.

[evelmiina]

Love your work! I wanted to ask what your process is like when it comes to coming up with a design/composition to a piece? Do you have any specific methods you use or it is more improvised:)? Thanks!

I'd say both - method and improvisation. To me all pictures are basically shapes organized in a pleasing way. Even when I draw lines I think more about overall shapes together and how I feel about them. There's a lot to consider about design and composition, some pretty smart books on the subject are Marcus Mateu-Mestre: Framed Ink and Hans Bacher: Vision - color and composition for film. I'm still learning all the time and I make mistakes but I think method to making composition comes down to: readability and narrative intention, moving from simplicity to complex. But it's also fun and important to play around and see what works, that's why my process is not always the same and I can show some examples. Here are the sketches and final I did for my Magic card illustration:

This is my go-to method when I want to rely on tried and true process and I know I won't get lost once I start drawing/painting because I can rely on my steps. I don't always do things this way, but for paid work I want the client to have as clear idea of my intention as possible. The reasoning why 3 worked the best is because it's more dynamic and dimensional than 2, but more readable than 1. It also best showcases how the tower is supposed to be huge, something that was important for the design.

This on the other hand was personal work and I approached it in more relaxed way just to see where it goes. Still I think what made me want to finish it is I liked the variety of shapes and rhythm of the room, like how the screens lead towards the doorway, lot of rectangles but varied in their size and angle. If it was client work I probably would've been called out in the sketch, because the focal point is this empty wall that makes no sense. I came up with the idea of shadow of a window while making it and in the end it worked, but it was an example how I made a big design problem for myself that I was gambling on to figure out.

This one had very specifically just one photo reference, but I did the sketch to put down the essentials of what I was seeing in the photo. In the end I referenced dog's face and pose more from the photo so it looks more natural, which was also funnier than my own initial interpretation

Sometimes the initial comp just doesn't pan out exactly. I did the sketch for this Unicorn fanart and I even drew the interior at some point, but it just Did Not Work for me, I also discarded the idea of medieval dragon in the statue for same reason. So it sat in my folder for a while until I could look at it again and after taking a break, I still liked the statue and the general idea, but decided to make the surroundings easier to look at so that the statue stands out better.

When I did the sketch for this dragon I wanted it to feel big and heavy, like lifting its head from the ground. But I didn't want to do vertical picture which lead me to painting over digitally and extending the picture, then painting the whole thing traditionally anyway.

[feyspeaker]

Hi! I made an account just so I could follow your work. Your art is brilliant and honestly and inspiration to where I want to be. I’m an older artist who has all the anxiety when it comes to improving my process. I’m trying to get into digital portraits and I have so many ideas in my head, but it’s frustrating because I’m not where I want to be to make this happen. What are some tricks that help you/software do you use? Of course, you don’t have to share anything that makes you uncomfortable. I currently have procreate and an iPad, but I feel a little lost. Wondering if I need a different writing tablet and photoshop. Not sure. I just eventually want to find that 3D, but also artistic look you are able to achieve.

hey there! thank you so much!!

ultimately, I will sound like a broken record but I always recommend you sign up for local figure drawing or painting classes. have people pose for you at home and sketch with charcoal and paper. go to the zoo and sit down in front on an exhibit for an hour and try to draw the animals in front of you as fast as you can and fill a couple of pages, move on to a new exhibit and do it again!

nothing is more powerful of a tool to learn than whatever writing utensil you have in your purse and the back of a napkin when you see something you'd like to capture. I've spent quite frankly my entire rememberable life doing this. I used to spend every single day in middle school/high school/my brief failed stint in community college with a pack of cheap sharpies and a beat up binder full of old worksheets and homework to draw on the backs of.

drawing/painting from life will teach you better than anything.

I use a very outdated version of Photoshop, and only got a "nice" tablet in the past 7 months.

Also, a huge tip to you and anyone else reading this: do NOT get too focused on a "style" that you want. Obsessing over that just ruined me for years and years. I wanted so, so, so badly to be the next Matsuri Hino when I was a kid. I copied her work religiously and it NEVER looked right. Frustrated me to no end. And you know why my stuff never looked like hers? Because I'm not her! You can't force your art to come out any way that isn't natural, and the sooner you can accept the art your hand wants to create, the happier you'll be and the easier art will get for you.

The past couple of years before I started diving into this more realism based work, I was just shoving myself through trying to make what art I envied of others. Very stylized/textured watercolor comic book style stuff. And I just was NOT getting any better at it. I have always been more inclined toward realism work, but I've hated it and yearned for stylized work. Yoshitaka Amano? God, I just drooled over that artstyle and beat myself up for never being able to capture it in studies or otherwise.

I finally essentially restructured my entire career around making the art that makes me happy instead of what I "wanted" it to look like. I was extremely depressed, my life was falling apart, and I still needed to make art to survive but I couldn't "art" if I was depressed and hated doing it, so I just had to step back and stop worrying so much about what I thought I wanted to make, and started making what felt most natural.

there's no easy way, and art can be a soul destroying path at times, truly. your software and hardware should come very last place compared to practicing from life (it doesn't matter if you want to paint cartoony stuff of realistic stuff, always start from life). naturally you will find what makes your heart sing the most.

I get a lot of messages from people telling me similar stuff "oh your art is EXACTLY what I want to do!" but I promise you that kind of thought process is chasing a dragon that is likely to harm or drag your creative process down. art style is such a deeply personal thing, so of COURSE it's important to find inspiration, but the second looking at someone else's artwork stops inspiring you and starts frustrating you, put it away.

There are some artists who I love, that I do not check up on often because their artwork ignites, like, serious bitter jealousy in me. It's the truth. I get so mad at myself for not being more like them, and it's such a poison. I think more artists should be transparent about this feeling because I KNOW the art community has a lot of jealousy and ugliness in it.

A fact of being an artist is that you will never be completely happy with a piece you make. You are always going to see the flaws, and that doesn't change whether you'd been drawing for 2 months or 20 years. Occasionally, you will get one piece that you are like "how did I make that???" and then get frustrated that you can't recreate it lol! It's a tough beast.

It's just really important to step back and work on yourself and where you are at, because at the end of the day, the way your soul wants to express artwork might be WILDLY different from what your brain wants, and it can be really detrimental to let those two go to war.

I hope this helps. I'm very passionate about this, and when I started out I ALWAYS ignored the artists who gave the same exact tips as above. I thought they were so annoying and unhelpful, but now I /get it/.

[venomous-qwille]

How on earth do you do your drawings? Do you start off with a black layer and just erase till you have an amazing piece of art? I'm so in love with your style 💚

Heya I'm glad you like my work! Lemme break down how I like to work at the moment <3 for the style I've been doing lately this is my workflow:

I start with a quick rough comp sketch to figure out the over all shapes of the art! I will then clean it up a bit to make the inking part easier.

Inking is next! (Draw the rest of the owl, lmao) As you can probably tell this is the most time consuming part of this style, everything has to work in black and white or it wont work in colour! I use about three different brushes to get this look: a big rough round speckled brush to block in large areas of black, a very pressure sensitive 'ink-brush'- style brush to get that super traditional almost-dry pen look, and a 'fountain pen' style brush that lets me do accurate opaque fine detail. I always block in the big shapes and areas of shadow first. If I have to erase I do it on a mask layer so my eraser marks can be made with the same heavily textured brushes (this stops it from accidentally looking too digital).

For this style I like to use very bright blocks of colour, so I start with figuring out the main shapes the colour will make and how I want them to accent eachother. After that I get a bit more precise about local colours and the base palette I want to use for the subject of the painting (in this case ruin eclipse). I try to keep my layers clipped so the shapes stay sharp and graphic. Almost all my colouring is done under the line art. Later on in this piece I add some colour to the shadows to reduce the contrast a little. At this point I can play around with light and refine the mood of the piece with lighting layers!

I ended up going for something a little warmer for my final palette because I liked the mood it created! But it's easy to make those final changes if you keep your layers organised throughout! Hope that de-mystifies it a bit ^^

[xxsidneywritesxx]

Hiya! I saw that your requests were open and I was wondering if you could do some headcanons for the upper moons realizing they’ve fallen for a human! If not that’s totally okay, I just enjoy supporting fellow writers!

I'm so sorry this took such a long time to fulfill !!! Please forgive the writer , she's a lil crazy <3 But thank you for the request !! I appreciate it sm

UpperMoons Realizing They've Fallen For A Human !

You meet him before the sunrise countdown or any of that begins .

He gets this stirring feeling for you. . . at first , he takes it in a completely separate direction than love . Like , seeing you as a possible rival ?

Love isn't too big and great in this man's vocabulary .

Takes him a while before he finally comes to the conclusion that he's fallen head over heels for you.

His insecurities about the way he looks tend to get to him now , when he's around you.

He doesn't want to scare you or hurt you . He's waiting for the right time to ask you to become a demon with him .

Even though he's in love with you, he can't see himself disobeying Muzan and allowing you to live without turning you into a demon as well.

If you do say yes, you'll be fighting at his side always .

Douma's a cult leader . High chance that you're a part of his cult , and he doesn't let anyone who follows him know he eats humans .

You get close to him through chatter when you see him around.

You're like his loyal assistant , in a sense , after a while .

When people visit him for assistance and worship purposes , he has you in the room as well, sitting right next to him.

Then, when you make a small comment about wanting a lover, this man realized something.

He fell for you .

Hit him like a freight train.

He'll invite you to go somewhere with him, maybe to look at the stars at night.

He'll then tell you everything. He doesn't seem like the kind to keep it a secret.

It was hard for him to believe his own feelings.

Since Koyuki's passing, he didn't think he could love another.

Oh, but he sure as hell did.

You were a hashira, and faced him in battle with Kyojuro . You didn't die , though .

If you're a female , high chance he just dodged your attacks and ran off as the sun was coming up .

If you're a male or non-binary , he fought with you , leaving you a bit injured .

He did come back to visit you afterward . You were just so pretty / handsome / good-looking that he couldn't not apologize .

This man is so respectful, and after a while of his visits, you get to know each other more .

This HC list goes for ALL of Hantengu's clones . Except the tiny one

Let's start off with Aizetsu ; he's the one who realized he was in love with you first .

He's strong , but a total softie for you.

You make him not sad, and that changed his heart . He loves you for it.

Now for Karaku ; This demon man is a menace .

Playful flirting during a battle was executed at some point .

Uh oh . . . he realized he totally loved you. The playful flirting got even more intense .

And now it's time for Urogi ; He's close to the same as Karaku , but he's less flirtatious .

He can be more serious about his feelings too .

Sekido time!; ComPLETELY in denial about his feelings.

This man takes DAYS to MONTHS figuring out his feelings , and it makes him hateful asf .

He doesn't like that he fell in love , but eventually cools down over it and tells you straight up . The other clones listen in . Sneaky fellas.

I'm not gonna include Zohakuten <3

Never thought I'd be asked to write for this man LMAOO but a request is a request !!

Gyokko loves artists . So you're an artist for sure.

Whether you paint , sketch , do digital art , etc ., he loves it .

He does art himself teehee , , just look at his pot of human bodies !! Glorious right?? (No)

You genuinely think his pot of human bodies is cute??????? Idfk

He likes that you "appreciate true art" .

Boohoo

Only writing for Gyutaro because Daki is mentally 13 <3 Ion feel like writing her anyway .

You work as a samurai in the Entertainment District , and you were supposed to protect his sister from burglars or other "vicious" people in the entirety of the district .

Gyutaro may have been a bit sealed within his sister , but he could still hear your charming giggles , even when you talked to Oiran Daki .

Eventually , Gyutaro comes out one night and tells his sister to spare you instead of absorbing you in her belt .

He doesn't ask , he demands <3

May seem crusty, but you find his personality attractive when the information comes that Daki is a demon and so is her brother !

Y'all fall in love blabla , Gyutaro hides you from Muzan

[xuune]

I'm a pretty young artist and I'm not sure what I need to start off with.

Anatomy or color?

tl;dr there's no correct answer for this.

but you can start off by asking yourself what do i want to draw? what do i want to draw right now? depending on your subject, what style you want to learn/do (painted, linework) then that can determine how you think while you draw.

however, you won't and never will learn one thing into completion and then move onto the next, its a continuous process of learning and relearning.

you can learn either anatomy or color one at a time, or dedicate time split for both. imo, you learn both best together. either way, you learn both continuously for the entire time that you will ever engage with drawing. there's always a lot to learn.

i feel like a lot of beginner artists get wrapped up on thinking that one should be prioritized over the other, so my answer to this question is long:

the usual route people go to for this question is to focus on fundamental studies. in the few semesters of fundamental courses i had, our structure was this:

learn solid forms, shape, lights, grayscale values, perspective AND gesture/figures

continue building on gesture/figures AND start learning color(traditional painting)

continue with gesture/figure + start learning anatomy AND continue learning color (digital painting)

we start off with many other basic building blocks first before getting to anatomy/color, but those basic blocks are essential to building up how you think when practicing both. but where do you put this in practice while drawing for fun? this is time dedicated for studying fundamentals, after all. schooling helps, but a majority of us start out as self taught, especially since there's a multitude of free learning resources online.

if your preference of learning is to do things one step at a time, then maybe dedicating your time to fundamentals is the way to go. there's lots of educational resources out there to help build these fundamentals. at the top of my head, here's a few resources for anatomy: proko, sinix design, glenn vilppu (great for gestures). if there's anything to take away from this regarding anatomy, its to practice perspective, form, gesture, and figure first and foremost. anatomy dives deeply into more complex forms. start simple before you get overwhelmed.

unfortunately, i dont have many resources to give you in terms of learning fundamentals for color. i primarily learned off of experimenting and studying off of other artworks. i've already covered a lot on my thought process behind how i think when painting, so that post might be insightful the moment you get more into using color.

now, im gonna assume that you haven't had formal schooling in art (either not yet, or won't), but you spend your time drawing for fun. and now you want to dedicate a bit more time and practice into anatomy/color. i started off self taught, so i can relate.

earlier, i mentioned this question:

where do you put [fundamentals] in practice while drawing for fun?

when looking at your question again, i think of this: do i want to practice fundamentals as i draw for fun?

there's definitely a difference and spectrum between "going balls to the wall crazy and drawing for fun" and "using my drawing time for studies/practicing fundamentals."

if your answer is yes to that question above, then you're on the right track for seeing how this works in practice the moment you participate in both "drawing for fun" and "practicing fundamentals" for self practice.

in any drawing i do, i want my subjects to be posed as [xyz], but i also want the final illustration to look like [xyz] for color.

i gather references for both posing and color, and while drawing i look to study both at the same time. with posing, im looking at refs to study anatomy as i draw. sometimes i may only use one ref photo, or multiple, but either way im checking for various information like what are the proportions, how might the skin fold, what areas of body have soft/hard edges, what might these limbs look like when foreshortened, etc. with color refs i study them to analyze how another piece of artwork is doing something that i'd like to achieve in my own art. this goes back to things i've mentioned here.

in short, the time drawing for fun is also a time to put fundamental practice in place that helps build your skills as an artist. either way, my advice is to learn as you go and have try to have fun while you practice.

in the end, this is my perspective when i look at this question. others may disagree and have a different opinion, but at the end of the day, everyone has a different process on how they practice and grow as an artist.

this was lengthy, but this is an extremely broad question that goes beyond choosing one or the other, and there's reasons why that is. i hope i explained this well enough and that it answered your question in some way!

[rose-riot-johnson]

News... I have finally decided to write about a particular character from the Dragon Ball series, which is Gohan, obviously😃👍I really figured I'd figure out on what his adulthood would be like, if either he was never with Videl or he was divorced and my motivation with doing so, is that I really wanted to find a way to write a fanfic about him without writing any fanfic ideas that will paint him in a bad light (especially if it's not my intention to do) pertaining with pairing him with the reader🤔💡As for the reader I do think the reader will have the author role or the role of someone who has ever thought of being an author💡📖✍️👩‍💻

👩‍💻📗🟠Since They're Not Going To Publish Your Story I Will Take You To Someone Who Will🟠📗👩‍💻(Gohan x Female Reader)

Genres: Comfort

You've been in a relationship with Gohan for a few years since, (up to the reader's imagination on when your relationship with him started and the situation (good or bad or both or neither) that led to you going out with him in the first place). Aside from your other income (up to reader's imagination pertaining the reader's income), you also have a passion for writing, especially with writing your own book and to find a publisher to publish your own book one day, regardless if it's paperback or digital (and/or online). With your passion for writing a book about (up to reader's imagination on what type of book the reader's working on), Gohan is excited to hear about it, considering that he does enjoy reading, especially comic books.

One day, you came home from a publisher, with tears in your eyes, as if you're worried about having a difficult time talking. Gohan noticed that you were feeling down, as he asked, "Is there something wrong, (female reader name)? And how was talking to the company that's supposed to publish the book you were working on?". You hesitated to talk at first, however you know you're hurting inside as not talking made you feel worse.

You broke down in tears, as you stated, "Today has just turned out to be a horrible day for me... The people who work inside of the company that I was going to have my book published through rejected the book I have written... They said that no one would want to read my garbage story, because they felt I shouldn't be an author due to how I written my story inside the book... They claim that this would be the worst book anyone would had ever read, said other horrible stuff about my book, then claimed no one's going to publish any of my books, claiming I should just give up being an author, while saying I suck at it to the point that I should forget about getting this book of mine or any stories, published! So, I'm just giving up!", as you started to sob. Gohan then went to hug you, with your head on his chest, as he responded, "No need to give up, hun... You just need to gather your thoughts and keep climbing... I get it wasn't a good day for you and you're under alot of stress, darling... I will let you lay down and take a nap... I'm reading your book to see why the people who are supposed to publish your book, refuse to publish your story... I will be back, precious...", before kissing your forehead, to let you lay on the bed you share with him, while he reads your story. He just knew something wasn't adding up about the publishers refusing to publish your story.

After Gohan finished reading the book you worked on, he watched you sleep, considering that he didn't want to wake you up. Once you woke up from your nap, he went on the bed to hold you, as he explained, "I finished reading your story and I wanted to makesure you wake up on your own to tell you this... Some of the things these people were saying are just uncalled for... Seems to me like these publishers are too judgemental and overly critical towards you based on how you have written your story for your book... They're far from constructive... I feel these people who refused to publish your story like to say things that are unsolicited statements... They're belittling you... Your book might need a little work... I just honestly think that your book isn't as bad, as they're making it out to be and your first book would have been an amazing book for reader's to read... I'm sure some people would read it... Tomorrow, I will take you to someone who might publish your story... It's not usually her thing to do... My dad (Goku) has told me this rumor that she might start publishing books...". "Okay, Gohan... I trust you...", you replied, while he's still holding you.

The next day, Gohan took you to Capsule Corporation to see about getting your book published here. "I thought Capsule Corporation isn't about publishing books, Gohan... I thought you were taking me to someone who might publish my story...", you commented, giving Gohan a confused look on your face. He responded, "I am, (female reader name)... This is why I took you to Capsule Corporation... And considering that Bulma is the founder of Capsule Corporation, an engineer, a scientist, and an inventor, she might actually start publishing books, according to my father... This is why I took you there, hun...".

Bulma then cheered, "Hello, Gohan and (female reader name)! What brings the both of you here?". Gohan then explained to Bulma about hearing a rumor pertaining the possibility of her possibly publishing books, as she confirmed that she is before she became curious, if there's any particular reason why he's interested to know. This was when Both you and Gohan explained a very long story about the people rejecting your story and their critical and judgemental reasons why they refused to publish your book. Bulma became mad when both you and Gohan mentioned about the name of publishing company who rejected your book.

Bulma remarked, "Oh I have heard of this publication company that you've mentioned to me about! I actually had a few incidents with those jerks before! And now they rejected your story over this!", before she vowed, "Don't worry, (female reader name)... They will be sorry for rejecting your book like that... I will see it through that your book will get published, since this is for you... I won't publish just for anyone... You're just one if those people I will publish for... I am definitely going to publish right away, since these people in the (publishing company name up to the reader's imagination), did you dirty, especially the evil boss there!", showing her devilish smile. You weren't sure how to take her devilish smile, however you were relieved that you've managed to finally find someone who's willing to publish your very first story. "See, (female reader name)? Everything is going to work out now... I knew there was someone who would publish your story...", Gohan happily said.

In the matter of days and weeks of getting your story published, you managed to get millions of copies of your published book sold. Gohan (and Bulma) celebrate your success of your published story. There are even fans and critics alike who said plenty of good things about your book and there's a critic who even said you have a bright future ahead of you, the way you gave written your story and would want to see you write more stories in the future.

As for the publishing company who rejected your story a while ago, the truth somehow came to many people, including your fans and critics to the point where the publishing company tried pleading to you about publishing the next book you make, as they admitted they were wrong for rejecting your book, considering they know about your success. Your response to the publishing company is, "You shouldn't have rejected my first book in the first place, you jerks... Since I've found someone who's willing to publish my story, you can shove it! It's a blessing in disguise that I never had you as my publisher to begin with! No thanks to you toxic people, however thanks to my boyfriend Gohan, right with my good friend Bulma, who is the founder of Capsule Corporation and also my publisher, I never gave up! You can stay where you are now, while I can keep going up without you! Good bye!". Not too long after that (publishing company name up to reader's imagination) ended up going out of business before they could even decide to file for bankruptcy.

While Bulma is still publishing your first book, while publishing more of your books after that, Gohan has also been praising on how proud he is of you for never giving up on being an author and telling the now former publishing company off. Gohan (and Bulma both) enjoy seeing you succeed in your dreams. He was definitely right to tell you don't need to give up, which was the best advice you had ever followed and listening to Gohan were also the best decisions you had ever made.

🟠👩‍💻The📗End👩‍💻🟠

I hope you enjoyed this fanfic my Tumblr Peeps😁👍Honestly aside from Trunks and Piccolo, Gohan was also 1 of the characters I was thinking about writing about 1st, however I'm very glad I did write about every character from the Dragon Ball series that I have written about and I really had fun writing all of the fanfics pertaining them, especially Gohan😃👍Character wise I honestly admire Gohan and I'm really reliving that part of me, considering that I found him very cool😁👍It really makes me happy to write a fanfic about him and I honestly wouldn't mind writing another fanfic about him, honestly😃👍 I'm just always fond of him, even since when I was a kid🟠🧸😁👍

[adyophene]

Hello ! I just have a little question, how do we start drawing ? I want go draw but idk how to start- any suggestion ? Or, if for starting it's better to do it with tutos, any tutorial to recommend ?

Have a great day !

Oooh, this is a tough question to answer! I suppose one the best pieces of advice I have is to figure out, before anything, what you are hoping to draw. What style, what tones, what media.

I have a feeling this might get long, so I will throw the rest under a readmore.

For me, when I started taking my art a little more seriously (I never went to art school or anything) I just focused on finding both tutorials on the fundamentals, and finding tutorials that focused on the aspects of art that interested me, which were animation and cartooning!

They go hand-in-hand, after all, and you'll find you end up honing in on the tutorials that coincide with your interests! IE- I ended up doing a lot of figure, and expression drawing because they would help me express emotion and movement better! I also spent so, so long just training my hand to be a bit more confident with drawing steady lines just because I loved the look of clean line-work!

So try to identify what your personal draw towards art is! By doing both something you like, as well as focusing the basics, I found that, at least in my personal experience, it put me in a positive feedback loop where I could keep seeing results in exactly the type of art I was interested in! And, once you start to feel confident, that is when you start adding in little bits of study from fields you might struggle with! A 90/10 split on what you're comfortable with and then what is new is usually a good way to go about it! Weirdly enough, though I don't watch him, I saw that the youtuber pewdiepie actually had a really good set of videos where he started from being a complete beginner and improving his art over 100 days. I believe its an absolutely great watch for a new artist, because he really does a great job in showing what a brand new journey into art can look like, and explains what he thinks each day. I think my favorite line was, 'after 24 days, I was finally having fun' because that can really sum up the new artist experience. It will absolutely be a slog at times, and can be really disheartening, but when you start to see progress, becomes so, SO fun.

Here is the link to the first vid, https://www.youtube.com/watch?v=CMLEudGbxQk and his second https://www.youtube.com/watch?v=MJDtQTTAogk

ALSO- this was just the first video that came to mind because I watched it recently. I would recommend finding other videos about people learning to draw, or doing 30-100-365 day challenge videos. As for my personal favorite channels for art tutorials (though keep in mind, I haven't watched them in a few years ;-;, I need to study again);

There were a number of others that I wish I could link as well, but I am struggling to remember them. I hope any of that is helpful. My own art journey has been very long, and non linear, and I have to say, I'm not even satisfied with my own art! Its a endless mountain to climb, but it is so worth it to do! And lastly, I want to say thank you so much for sending this ask, you've made me dig back in to artists I used to study, and made me want to really focus back in on my own improvement!

[lunchtimebedamned1997]

Cosplay WIP and Doodle Dump >:3

Haven't really been working on a bunch of digital art lately bc I've been busy working on cosplays and crying over Stolitz XD

But I thought I'd show you all what I've been working on since I'm really excited about it! <3 (So many updates :D)

Let's start with Helluva doodles!

I finally started drawing Blitzø and Fizzy-Frog! <3 Fizzy looks so much healthier in the newst ep I could CRY ohhh my goddd. And both Fizz and Blitzø look so dapper! Little cuties! Little cuties who are friends again! My heart!

Next up: Cosplay props!

We've got a lot of stuff for the Vees, and then a liiiitle bit of Angel Dust progress to show y'all!

Let's start with Vox since I only have one main thing I've made so far!

I had an old pair of headphones that stopped working, and I'd already worn them to costest Vox (since I'm not going for the TV screen approach) and so I thought I could give them a makeover! I decided to do the symbols from his silly little hat, and paint the microphone tip to resemble the little red bauble at the end of his antenna!

I just sanded the labels off, painted everything in acrylic and then sealed it with clear nail polish, pretty simple stuff, but I'm really pleased with the effect! And I think it will be a nice touch for the costume! <3

Now onto Valentino! I have the most stuff for him so far bc everything that wretched man owns is cool AF and I wanted to make, like, all of it XD

I started with the guns from 1x02 ala: "Which of these makes me look sexier ;3" since I thought they were both pretty iconic and I definitely want to film that little clip once my cosplays are ready to go hehe

(My reference Image ^)

This pink one is definitely my favorite, both in the show and based on how it came out in the end! I've only ever built one propgun before this for Jinx, so it was really fun to get back to it again! Lots of math and measurements, but luckily I'm a little racoon creature who hordes recycling like my life depends on it XD Even though he actually bedazzles another gun in the meeting room in 1x02, I was not about to make a third one in the span of two weeks, so I decided to just put it on one side of the pink, and I really love it tbh!

The gold and grey definitely looks a bit more... cardboard-y, but I'm okay with it tbh, I don't love the design of this one as much, so I probably won't be using it on it's own as often as the pink! But I still think it turned out well overall! Especially bc by the time I got to this one my exacto-blade was crapping out on me hardcore lmao

I also have two hand options ready for Valentino! I noticed that sometimes he has gold claws, and sometimes his hands are fully black, so I thought it would be good to have a couple options!

I went ahead and ordered some pleather gloves which I think work really well for him on their own, but then I also took some fake nails and layered them with gold acrylic paints and clear nail polish to make his 'actual' hands. I figured if I need a particular close-up for a shot it would be really cool to use black facepaint on my skin, and then have these nails stuck on! I just used eyelash glue to test out affixing them last night, and I think it actually worked super well!

Since the nails are pretty, well, claw-like I don't want them on all the time, but I still need them to stay when I'm moving around in costume, and I think the eyelash glue is kind of the perfect things for my at-home cosplay needs! I'd definitely want to do something stronger if I was going to a con in these, but yeah - XD I'm rambling, anyways -

Let's move onto Velvette!

I had an extra set of gold nails I'd made, that I was originally planning on attaching to the gloves (I did not like how that looked lmao) but I didn't want them to go to waste, so I used some of the little gems and do-dads that I had laying around to make them match one of the bra-tops I'm planning to use for Velvette! (Yes that sparkly orange and pink thing on the left is what I tried to match it to!)

I have a plethora of blank fake nails now, so I think it would be really fun to make a pair that matches each of Vel's outfits! I hyper-fixated on nail art for a couple years when I was a kid, so I'm really excited to play with those skillz again lmao - especially because I can use acrylic paint for these instead of nail polish which really cuts down on cost and expands my color ranges exponentially!

The last thing I have to show you for the Vee's specifically is the wigs I ordered for them! (I want to scream, I'm so excited!!!!)

(All of these are from Wig Is Fashion btw, notspon or anything I just have really loved their wigs so far! I really hope these three work well!)

Finally, my gloves for Angel and a couple of my colored lights for filming came in, so I just threw on one of the outfits I have ready for him, the wig I styled, and the gloves to get a feel for how it was coming along :3

I think I want to get different little shorts for this look (maybe pleather?) and figure out a couple other details to add in, because I feel like there is currently too much 'blank' space in the look. I'm sure that will be lessened by the makeup, set, etc. But I want to make sure the extra looks I have for characters still feel 'designed'/styled well, obvi.

Anyways! Lots of work to do, and I still need to buy a new sewing machine so i can make some of the actual outfits from the show, but it's all a process lmao

I'm planning a full-on Angel CMV atm, as well as a ton of other videos, but that's all a ways away lmao, I wanna really put effort into it which means time haha

I did already post some little Cherri, Angel, Vox and Charlie closet-costests to my TT if y'all are interested! I've also made Millie and Blitzø horns, but tbh I just can't be assed to get pictures of all of that rn XD if you look at the most recent (as of rn lmao) 'cosplay updates' vid that's up, you can see the horns, wigs etc that I didn't show in this post!

My main links are all right here if you want 'em: https://lunchtimebedamned.carrd.co/

And with that I'm going to go have brain-off time LMAO I've been working non-stop for weeks on this. I'm also sorry to anyone waiting for the Ch.4 update on The Space Between Us, this chapter is deciding to be very slow-going and difficult. IRL stuff is probably heavily contributing to that, but oh well. Know that I am working on it <3

[mask-of-prime]

TLG: As You Move Forward

So I went a few months thinking about how I'd forgotten to include Makini to my past depictions of Kion's Guard as adults (1, 2), so I decided to celebrate the 4th anniversary (albeit 2 days late :p) of the Journey of Memories episode by finally showing off the adult design I have for her!

Because I'm still salty about TLG's last-minute decision in making Makini the Mjuzi of the Night Pride instead of Kiara's bestie like Season 2 hyped her up to be, I made a compromise by headcanoning that she frequently journeys back-and-forth between the Pridelands and the Tree of Life, especially when she's called over by each land for a ceremony of some kind.

Design Process:

To avoid making her look too much like a clone of her mother Fikiri, I figured that Makini would develop her dad Kitendo's features as she grew older (I think she's about 20-something in this image). It's kind of a thing for TLG to erroneously depict animals without their distinct sexual dimorphism (see: Mbuni the ostrich), but this time, I felt like embracing Makini's unusual bright colors for a female mandrill and make her look a little androgynous. I feel like it would fit her role as a Mjuzi for some reason lol

I figured the Bakora Staff she received at the Tree of Life would be her last new one as she's since learned to keep better track of it. I like to think that it symbolizes not only growth and learning, but it coming from the Tree of Life symbolizing that her true place is there.

In all that time she's owned it, being the crafty artist she is, she's put years of customization and souvenirs from her back-and-forth Pridelands/Tree of Life adventures into her decorating her staff, selecting just about every pretty flower and naturally-occurring bead she saw. I mainly sought out the idea of people bedazzling their canes for reference, she seems like the type to do that, making just about anything she owns pretty lol

Drawing Process:

ngl I got to work on this very much like that episode where Makini procrastinated on getting started on her portrait of Simba's family. I just, like... really struggled with the composition until I was hit with sudden inspiration to just go wherever my hand took me.

I grabbed a thumbnail sketch of my adult Makini design that I was the most happy with and rendered it digitally and was happy that it got me somewhere... then I ran into the background that I didn't put any thought into.

Because of the cropping and composition I already had going on with Makini's standalone model, it was very hard to come up with something she could be surrounded by, until I decided to insert some headcanons about a certain new TLG-related short Disney released. Basically: I headcanon Makini made those Circle of Life paintings that Kion shows to those younger cubs as I think the style they used in those paintings looks WAY different from Rafiki's (I mean the whole video looks different from the whole TLK art style). You can't tell me those purple pigments and cutesy flowers aren't something Makini would draw everywhere lol

Sources of Inspiration:

Sadly not pictured due to the angle and cropping is the headcanon that she paints her nails all the time, and she's always trying different color combos basically every week lol. I adopted that headcanon from iceflowerglow, who depicts Makini with painted nails in their comic "Shining Above Your Head". Other artists I drew inspiration from were Vtoony's "TLG: Kion's Guard" and tango_fizz.le's "Where'd all the time go?" when it came to designing her fully-developed mane.

[julianplum]

thought I'd upload a little process video of my latest piece! I've seen some tags from folks who were saying it looked digital even though they know it's not, so I wanted to show a little process so y'all could see how this painting came together!

also THANK YOU to everyone who reblogs work and leaves tags on it, it is free serotonin for artists to read what y'all think of our work and I love it so much!!!

I'll talk a lil more about my process under the cut, for anyone who's interested.

Step 1 is always research & what I call "get to know you" sketches. For this particular piece, I have a lot of nasturtiums in my garden, so I went and sat outside and sketched with neocolor crayons to get the shapes, colors, and vibes down.

Step 2 is to dive a little deeper into the details. I found references in my own plant & also online, and sketched out some more detailed flower and leaf shapes to understand how this plant works and what makes it feel like a nasturtium. I did my base color study at this point, too.

You can see some of these exact shapes repeated or elaborated on in the final piece! This was a really helpful part of the process.

Once I feel comfy with my subject material, I'll sketch out the final composition. This step REALLY helps me figure out how everything is going to flow and land on the final page. Composition and layout is that secret thing that takes your piece from a study to an illustration. I'm making conscious choices here about which way I want your eye to move in the piece, where my focal points are, where I'm leaving white space (or black space, in this case!) and where I'm putting leaves, flowers, and critters.

As you can see this isn't final, and I made some changes particularly to that middle-top section in the final because it wasn't flowing right on the page, but this is what I worked off of to get:

Some folks use lightboxes and trace their final sketch onto the page to get clean lines. I like to keep the looseness of a sketch by just drawing (and erasing!) onto my final paper. I used Arches Hot Press paper and a light green colored pencil here, and the great thing about nice watercolor paper is that you can erase into it and not hurt the grain. Obviously don't go too hard, but it's pretty forgiving!

Once I have my final sketch down, I'll usually block in my important shapes first, hence why I started with the leaves, then lay down textures and other colors, add final details, and then in this case I added the black background last, which was terrifying. I took a lot of pictures just before blocking in the background in case I messed it up!

Anyway I hope that's interesting to someone, it's probably way too wordy and granular but I love talking about this stuff and it's always really helpful for me to peek into folks' processes, so! If you've made it this far, keep an eye out for this piece to pop into my Etsy shop in a couple weeks 👀

[ibunyang]

hi, I wanted to ask where do you draw? or rather, what program are you using?

Hello ! I decided to give a full run down since i figured that this would be helpful as guide if you're looking to experiment on things, so just in case anyone wanted to know what i use for my process and such, its here !! For starters, I use Clip Studio Paint ! And a 17(?) year old Cintiq that's not in production anymore as my main tablet (Cintiq 12wx) My main brushes are the following

i prefer a textured look to my illustrations which is why these are my main brushes TT SU Cream Pencil - The brush i use most for rendering. SOL - (versatile) The brush i use for sketches/doodles/forms sometimes lineart/shading Caspar Pen - My main line art pen ! The difference between SOL and Caspar Pen can be illustrated here.

SOL - more clean, not as opaque with less pressure it grows fainter. Caspar - Dense, kind of fuzzy. Can be quite faint if you use less pressure with the pen. For texture brushes when rendering, I use quite a few but they should be available at the clip store if you look them up ! I use a lot so here are the main ones?

Whenever I need new material or I feel as if the brush I'm using doesn't work I usually download new ones, but these are the ones I use the most. For my work actual work process I've explained it before on twitter, so ill attach it here and elaborate more.

Sketch line art- the usual final and first pass works for me, and im lazy so I dont like to draw over and over again. Base- Is straight forward, sometimes I add in other shadows and render a little bit if I feel like it. Over Paint and Pray- this is where I do most of the fixing/rendering/ changes to the whole illustration, I find it easier to see how the whole thing looks before making any changes that I see fit. Effects - Gradient Map/ Multiply / Overlay etc. This is how my layers usually look like. To me this is the most important part of the illustration because its where I find out where I fucked up, what I need to change to make it feel more like what I want it to portray. (etc.) So I add more over paint if that happens, add more multiply/overlay if I need it and so forth

The gradient map I use; ( I use the rainbow one the most )

I post my speed paints and process sometimes if I remember to record it, and that's the basic summary of what I usually do. So sorry if this post is long ! TT But I like to share my process in case anyone needs it to start off on drawing digitally, I hope this explains things well anon ! Thank you