#I'm forgetting a bunch

[captainbee66]

I miss the era of the internet where everyone had an evil alter ego/character that would show up on their channel, just to be silly, that eventually got a lot of lore from the fandom for no reason. It was a simpler time.

[prettykittytanjiro]

Your fav song

-🦀

Oh s h i t

Krab anon you've chosen this

Ok so I tend to have these like.. phases

So like at ek certain time I listen to a very very specific song

Ok so

Night travel: Raat Suhani Mast Chandni, Ghanan Ghanan (I tend to not listen to it any other time)

Contemplating life: Sadaa Sumiran

Travelling in general: Peter Pan was Right, Welcome to Wonderland, 500 miles, Kalaavathi (Lofi)

Painting: Golden hour, pomegranate lips and Soldier, Poet, King- and Teeth

Comfort: Sweater Weather, Ophelia and The Nights

Special mention:

SDN's 'Parkadal Alai Mele'

Seeta Ram and the intro for Kanha: Morpankh Samrat (I dont like the show tho) r also some nice ones

[nenoname]

"Do you always carry that calendar in your pocket?" "...Yes."

[confessedlyfannish]

Writing Prompt #12

Bruce is reading the paper when the pour of Tim's coffee goes abruptly quiet. It would be hard to pinpoint why this is disturbing if it wasn't for the way the soft, tinny sound the vent system in the manor makes cuts out for the first time since being updated in the 90s. The pour, Bruce realizes, has not slowed to a trickle before stopping. It has simply stopped. And there is no overeager clack of a the mug against the marble counter or the uncouth first slurp (nor muttered apology at Alfred's scolding look) immediately following the end of the pour.

Bruce fights the instinct to use all of his senses to investigate, and instead keeps his eyes on the byline of the article detailing the latest set of microearthquakes to hit the midwest in the last week. Microearthquakes aren't an unusual occurrence and aren't noticeable by human standards, which is why this article is regulated to page seven, but from several hundred a day worldwide to several hundred a day solely in the East North Central States, seismologists are baffled.

Bruce had been considering sending Superman to investigate under the guise of a Daily Planet article requested by Bruce Wayne (Wayne Industries does have an offshoot factory in the area) when everything had stopped twenty seconds ago. That is what he assumes has happened (having not moved a muscle to confirm) in the amount of time he assumes has passed. His million dollar Rolex does not quite audibly tick but in the absolute silence it should be heard, which confirms the silence to be exactly that—absolute.

While Bruce can hold his breath with the best of the Olympian swimmers, he has never accounted for a need to remain without blinking without being able to move one's eyes. Rotating the eyeballs will maintain lubrication such that one could go without blinking for up to ten minutes. But staring at the byline fixedly, he estimates another twenty seconds before tears start to form.

These are the thoughts Bruce distracts himself with, because he doesn't dare consider how Tim and Alfred haven't made a (living) sound in the past forty-five seconds. About Damian, packing his bag upstairs for school after a morning walk with Titus that was "just pushing it, Master Damian".

There is a knife to his right, if memory serves (it does). In the next five seconds—

"Your wards and guardian are fine, Mr. Wayne," the deepest voice Bruce has ever heard intones. For a dizzying moment, it is hard to pinpoint the location of the voice, for it comes from everywhere—like the chiming of a clocktower whilst inside the tower, so overpowering he is cocooned in its volume.

But it is not spoken loudly, just calmly, and when he puts the paper down, folds it, and looks to his right, a blue man sits in Dick's chair.

He wears a three piece suit made entirely of hues of violet, tie included. He has a black brooch in the shape of a cogwheel pinned to his chest pocket, a simple chain clipped to his lapel. Black leather gloves delicately thumb Bruce's watch (no longer on his wrist, somewhere between second 45 and 46 it has stopped being on his wrist), admiring it.

"You'll forgive me," the man says with surety. "Clocks are rather my thing, and this is an impressive piece." He turns it over and reveals the 'M. Brando' roughly scratched into the silver back. He frowns.

"What a shame," he says, placing it face side up on the table.

"Most would consider that the watch's most valuable characteristic." Bruce says, voice steady, hands neatly folded before him. Two inches from the knife. To his left, there is an open doorway to the kitchen. If he turns his head, he might be able to get a glance of Tim or Alfred.

He doesn't look away from the man.

"It is the arrogance of man," the man says, raising red eyes (sclera and all) to Bruce, "to think they can make their mark on time."

"...Is that supposed to be considered so literally?" Bruce asks, with a light smile he does not mean.

The man smiles lightly back, eyes crinkling at the corners. He looks to be in his mid thirties, clean-shaven. His skin is a dull blue, his hair a shock of white, and a jagged scar runs through one eye and curving down the side of his cheek, an even darker, rawer shade of blue-purple.

The man turns the watch back over and taps at the engraving. "Let me ask you this," he says. "When we deface a work of art, does it become part of the art? Does it add to its intrinsic meaning?"

Bruce forces his shoulders to shrug. "It's arbitrary," he says. "A teenager inscribes his name on the wall of an Ancient Egyptian temple and his parents are forced to publicly apologize. But runic inscriptions are found on the Hagia Sophia that equate to an errant Viking guard having inscribed 'Halfdan was here' and we consider it an artifact of a time in which the Byzantine Empire had established an alliance with the Norse and converted vikings to Christianity."

"The vikings were as errant as the teenager," the man says, "in my experience." He leans back in his chair. "I suppose you could say the difference is time. When time passes, we start to think of things as artistic, or historical. We find the beauty in even the rubble, or at least we find necessity in the destruction..."

He offers Bruce the watch. After a moment, Bruce takes it.

"The problem, Mr. Wayne, is that time does not pass for me. I see it all as it was, as it is, as it ever will be, at all times. There is no refuge from the horror or comfort in that one day..." he closes his hand, the leather squeaking. And then his face smooths out, the brief severity gone. He regards Bruce calmly.

"You can look left, Mr. Wayne."

Bruce looks left. Framed by the doorway, Tim looks like a photograph caught in time. A stream of coffee escapes the spout of the stainless steel pot he prefers over the Breville in the name of expediency, frozen as it makes its way to the thermos proclaiming BITCH I MIGHTWING. Tim regards his task with a face of mindless concentration, mouth slack, lashes in dark relief against his pale skin as he looks down at the mug. Behind him, Bruce can see Alfred's hand outstretched towards the refrigerator handle, equally and terrifyingly still.

"My name is Clockwork," the man says. "I have other names, ones you undoubtedly know, but this one will be bestowed upon me from the mouth of a child I cherish, and so I favor it above all else. I am the Keeper of Time."

"What do you want from me?" Bruce asks, shedding Wayne for Batman in the time it takes to meet Clockwork's eyes. The man acknowledges the change with a greeting nod.

"In a few days time, you will send Superman to the Midwest to investigate the unusual seismic activity. By then, it will be too late, the activity will be gone. They will have already muzzled him."

"Him."

"There is a boy with the power to rule the realm I come from. Your government has been watching him. The day he turned 18, they took him from his family and hid him away. I want you to retrieve him. I want you to do it today."

"Why me?"

"His parents do not have the resources you do, both as Batman and Bruce Wayne. You will dismantle the organization that is keen on keeping him imprisoned, and you will offer him a scholarship to the local University. You and yours will keep him safe within Gotham until he is able to take his place as my King."

This is a lot of information to take in, even for Bruce. The idea that there could be a boy powerful enough to rule over this (god, his mind whispers) entity and that somehow, he has slipped under all of their radars is as frustrating as it is overwhelming. But although Clockwork has seemed willing to converse, he doesn't know how many more questions he will get.

"You have the power to stop time," he decides on, "why don't you rescue him? Would he not be better suited with you and your people?"

"Within every monarchy, there is a court," Clockwork. "Mine will be unhappy with the choice I have made," he looks at Bruce's watch, head cocked. "In different worlds, they call you the Dark Knight. This will be your chance to serve before a True King."

Bruce bristles. "I bow to no one."

"You'll all serve him, one day," Clockwork says, patiently. "He is the ruler of realms where all souls go, new and old. When you finally take refuge, he will be your sanctuary." He frowns. "But your government rejects the idea of gods. All they know is he is other. Not human. Not meta. A weapon."

"A weapon you want me to bring to my city."

"I believe you call one of your weapons 'Clark', do you not?" Clockwork asks idly. "But you misunderstand me. They seek to weaponize him. He is not restrained for your safety, but for their gain."

"And if I don't take him?" Bruce asks, because a) Clockwork has implied he will be at the very least impeded, at worst destroyed over this, and b) he never did quite learn not to poke the bear. "You won't be around if I decide he's better off with the government."

"You will," Clockwork says, with the same certainty he's wielded this entire conversation. "Not because he is a child, though he is, nor because you are good, though you are, nor even because it is better power be close at hand than afar.

"I have told you my court will be unhappy with me. In truth, there are others who also defend the King. Together we will destroy the access to our world not long after this conversation. The court will be unable to touch him, but neither will we as we face the repercussions for our actions. I am telling you this, because in a timeline where I do not, you think I will be there to protect him. And so when he is in danger, even subconsciously, you choose to save him last, or not at all. And that is the wrong choice.

"So cement it in your head, Bruce Wayne," the man says, "You will go to him because I tell you to. And you will keep him safe until he is ready to return to us. He will find no safety net in me. So you will make the right choice, no matter the cost."

"Or, when our worlds connect again, and they will," his voice now echoes in triplicate with the voices of the many, the young, the old, Tim, Bruce's mother, Barry Allen, Bruce's own voice, "I will not be the only one who comes for you."

"Now," he says, producing a Wayne Industries branded BIC pen. "I will tell you the location the boy is being kept, and then I would like my medallion back, please. In that order."

Bruce glances down and sees a golden talisman, attached to a black ribbon that is draped haphazardly around the neck of his bathrobe, so light (too light, he still should have—) he has not felt its weight until this moment.

Bruce flips the paper over, takes the pen, and jots down the coordinates the being rattles off over the face of a senator. By his calculation, they do correspond with a location in the midwest.

"You will find him on B6. Take a left down the hallway and he will be in the third room down, the one with a reinforced steel door. Take Mr. Kent and Mr. Grayson with you, and when you leave take the staircase at the end of the hallway, not the elevator."

The man gets up, dusts off his impeccably clean pants, and offers him a hand to shake.

"We will not meet again for some time, Mr. Wayne."

Bruce looks at the creature, stands, and shakes his hand. It feels like nothing. The Keeper of Time sighs, although nothing has been said.

"Ask your question, Mr. Wayne."

"I have more than one."

"You do," Clockwork says. "But I have heard them all, and so they are one. Please ask, or I will not be inclined to answer it."

"What does this boy mean for the future, that you are willing to sacrifice yourself for him?"

There is a pause.

"So that is the one," Clockwork says, after a time. "Yes. I see. I should resolve this, I suppose."

"Resolve what?"

"It is not his future I mean to protect," the man says. "It is his present."

"You want to keep him safe now..." Bruce says, but he's not sure what the being is trying to say.

"I am not inclined," Clockwork repeats, stops. His expression turns solemn, red eyes widening. In their reflection, Bruce can see something. A rush of movement too quick to make heads or tails of, like playing fast forward on a videotape. "Superman reports no signs of unusual seismic activity. With nothing further to look into, you let it go in favor of other investigative pursuits. You do not find him, as you are not meant to. He stays there. His family, his friends, they cannot find him. His captors tell him they have moved on. He does not believe them, until he does. He stays there. He stays there until he is strong enough to save himself."

Clockwork speaks stiffly, rattling off the chain of events as if reading a Justice League debrief. "He is King. He will always be King. He is strong, and good, and compassionate, and he is great for my people because yours have betrayed his trust beyond repair. He throws himself into being the best to ever Be, because there is nothing Left for him otherwise. We love him. We love him. We love him. My King. Forevermore."

The red film in his eyes stall out, and Bruce is forced to look away from how bright the image is, barely making out a silhouette before they dull back to their regular red.

"I am not inclined," Clockwork says slowly, "To this future."

"Because of what it means in the present," Bruce finishes for him. "They're not just imprisoning him, are they."

"They will have already muzzled him."

Clockworks is right in front of him faster than he can process, fist gripping the medallion at his neck so tight he now feels the ribbon digging into his skin.

"Unlike you, Mr. Wayne," and for the first time, the god is angry, and the image of it will haunt Bruce for the rest of his life, "I do not believe in building a better future on the back of a broken child."

"Find him," the deity orders, and yanks the necklace so hard the ribbon rips—

Clack!

"sluuuuurp!"

"Master Timothy, honestly!"

"Sorry Alfred!"

[unionizedwizard]

so. many people have already pointed that koana is sort of like an ARR alphinaud remix and while it is not untrue, i think this analysis is only superficially correct. because the salient point of koana's character is that he feels shame and resentment towards his roots & origins and therefore overcompensates with sharlayan weabooism (well-intentioned, but still unsuitable). he comes off as really weird and stuck up, in the beginning especially, where it's like. "what the fuck is this guy's problem" in a way that's rather similar to the average player's reaction to ARR alphinaud.

BUT!

the thing with ARR alphinaud is that he was the Quintessential Sharlayan, both on account of his upbringing and family tree, and of his personal interests and achievements. he was (and still is) secure in his origins and cultural identity. koana's case is different, because he clearly loathes tradition and turali cultural practices in a way that comes across (and fundamentally is) really weird and destructive, which comes to bite him in the ass on many occasions during the rite of succession (and understandably so).

it all starts to make sense when you learn about his backstory though. while we know that wuk lamat doesn't remember anything of her own childhood, having been adopted by gulool ja ja as a toddler, koana was adopted at a much older age. he remembers his early years, and that's what fuels his entire vision for the future of tural. as he tells it, he was born to one of the most traditionalist hhetsarro tribes in tural, and abandoned (accidentally(?) left behind) during one of their yearly migrations, only surviving thanks to a pelupelu merchant who rescued and took him in before employing him in his tuliyollal shop. an obviously incredibly traumatic event that would shape everything about his future mindset: he's closed off and withdrawn to the extreme, highly analytical, values self-sufficiency and independence and technical innovations above all else, because that's how he survived to begin with. because his nomadic, highly traditional, presumably (from what we've seen of the one hhetsarro tribe we've met so far) tight-knit, spiritual and social tribe rejected and abandoned him. it would make sense that he'd rationalize this unfathomable violence by leaning hard into the opposite, and letting his own pain and resentment color his entire vision, turning his own feelings into a more general mindset of shame, resentful inadequacy, and complete rejection of anything "traditional"

i think sharlayan was a good choice for him because it's pretty much, indeed, the opposite atmosphere: in sharlayan culture, family ties are a lot less emphasized, while the kind of ties that colleagues, peers, teachers and students develop are considered as very important (see pretty much every sidequest and margrat's custom deliveries and all). all these relationships based on a common work and aspirations rather than origins would indeed agree with koana's character better, and his analytical skills, vision and intelligence are pretty much the most valued traits to them.

which is why it was actually such a stroke of genius to have thancred and urianger specifically support him. of course, both of them had a character development arc that echoed with koana's issues: learning how to express himself more openly and acknowledge his feelings, all that, meaning they were uniquely able to help him. but when you look more closely, they can also relate to him on a more personal level: thancred was "adopted" by louisoix as an orphaned lominsan street urchin, probably at a similar age as koana when he was adopted by gulool ja ja; and urianger's parents notably "abandoned" him to the point he was mostly tagging along at moenbryda's house and, later, at the leveilleur estate, as louisoix's disciple and honorary uncle to the twins (also worth noting that urianger and koana share the same flavor of autism).

so the rite of succession was a much-needed window into his own biases and (literal) coping mechanisms, and must have been quite difficult to deal with considering pretty much all the feats involved interacting with and strengthening tight-knit smaller communities with strong traditions and family ties. luckily, partly thanks to thancred and urianger (but not only! he did the work himself), he was clear-minded enough to realize his own failings, and well-intentioned enough to step down - because he did not want power for its own sake, unlike zoraal ja; he wanted to protect the turali people from a potential invasion by leaning hard into foreign technological advances, therefore mimicking his own personal journey and adapting his own tried-and-true methods of survival: anticipating the hardships, being as independent and self-sufficient as possible, and choosing isolationism.

and finally i want to point out that the new techniques and technologies he imported from sharlayan are all (safe, fast and reliable) modes of transportation: aetherytes, dirigibles (including the alpaca carriage adaptation), and trains. interesting choice, moreso considering that while aetherytes are the #1 sharlayan specialty, they have neither dirigibles nor trains; which takes on a whole new layer of meaning when you remember that his original tribe was nomadic and that he specifically was left behind, stranded in the desert, during one of their traditional migrations............

in this regard he truly IS green g'raha, considering that g'raha was, similarly, raised in a traditional seeker manner before being sent to sharlayan for his own (and the tribe's) safety; of course the difference is that g'raha embraced his heritage by locking himself in the crystal tower by the end of ARR, since the G tribe was tasked with guarding the remaining allagan ruins and weapons, to make sure their power would not be misused by yet another imperialist military force (he locked himself in the tower to reinforce its defenses and make sure the garlean empire would not access it to conquer eorzea)

thank you for your time 👍

[pianokantzart]

I think one of the many elements that makes Bowser's army so much more of a threat in the movie vs the games is that everyone physically capable of carrying a weapon is actually armed.

Every one of these guys is willing, able, and equipped to stab (or bludgeon if that's their area of expertise.)

[pigeonsandidols]

Seonghwa with flamingos at the Kölner Zoo (Cologne, Germany)

[isabel3710]

*Wanda and Cosmo are standing by a parked car, both panicking.*

Cosmo: *Summons a large mallet* I'm breaking the window!!

Phone speaker: Emergency assistance, this is Trina.

Wanda: *On the phone, voice stammering* Hi, we- help, we lo- we locked our sons in the car and people are judging us!

*Timmy and Poof calmly sitting in the back seat of the car.*

Cosmo: *Running at the car with the mallet* I swear I'm gonna break it!

Wanda: Do not break the window, you'll get glass on them!

Timmy: *Pulls out a DS and starts playing a game.*

Poof: *Watches him.*

Phone Speaker (Trina): Ma'am, please tell your wife to relax, everything is going to be okay.

Wanda: That's a man.

Phone Speaker (Trina): Really?

[ikeprinces-stuff]

[REPOST, cuz I forgot some characters...]

Them having a crush

[solradguy]

Metal Gear Solid is filling in the vacuum of disappointment left behind by GG Dual Rulers and the second half of GGST season 4. Gear hot swapping

[momochimchim]

SOMEONE PLS GET ME OUT OF THIS INFATUATION AAAAA HELP

[lepitorus]

i love seeing other people's fnaf headcanons so much.... it's like a weird little dog show to me. oh your henry's hair is so lustrous what's his grooming routine.

[casey-f1]

today I perfected my instagram algorithm and I am now seeing Lance FANS OUTSIDE OF TUMBLR! THE WORLD MIGHR BE HEALING

[runawaymarbles]

Top 5 books?

Brb I've forgotten every book I've ever read

His Dark Materials by Philip Pullman

The Republic of Pirates by Colin Woodard (you did not specify fiction books)

The Book Thief by Marcus Zusak

Slaughterhouse 5 by Kurt Vonnegut

The Princess Bride by William Goldman

[sideartblog999]

The rest of the (seven!) pages of Complicated Girl are under the cut. (also script is in the alt text)

[shadeswift99]

Oh right I used to post art here. Have my minesona(ish) redesign from a year ago