#I'm happy with who I am becoming

[kaladinkholins]

Thinking about the crazy love triangle situation in Blue Eye Samurai and debating heavily with myself on how I'd like to see it conclude. And yeah this discussion can be thought of purely as shipping, headcanons, and fandom fun. But when analysing the show and engaging with it in a more in-depth, almost-literary level, it's impossible to dismiss who Mizu's potential love interests are and how different endgame romances would affect her character arc and the overall story and themes.

So in this post I'd like to look at the love triangle a bit more closely, and speculate on where the story will take this.

DISCLAIMER: It is my personal interpretation of the text that Mizu is non-binary—I use this as an umbrella term denoting any gender that does not adhere to the binary restrictions, norms, and expectations of what it means to be either a man or woman in a particular society; it's not just an androgynous "third gender" that exclusively uses they/them pronouns. Thus, while I personally believe Mizu is not strictly a cis woman, she does still identify with womanhood, despite definitely feeling a level of detachment from it due to living as a man for so long. With that being said, I will be using she/her pronouns for Mizu in this post, but please note that this is purely personal preference. Everyone is free to interpret the text the way they like. That's the fun of fiction. Now, without further ado, let's proceed.

Okay so, thinking about the pairings on a purely surface level, and even before i got into the show, I was pinning my hopes on some lesbianism going on between Mizu and Akemi, and the show does hint at this; in Ep1, during their first encounter in Kyoto, there is the famous slow-mo shot of their eyes meeting, Mizu's lips slightly parted as she is unable to tear her gaze away from Akemi, while sweet string music plays in the background. This is clear romantic framing, and a marker of attraction. If Mizu was a cishet man, there would be no question that this is a potential love interest.

But then, in the same episode, we meet Taigen, who is introduced to us firstly from hearing Akemi's father describe him as "a fierce and undefeated young samurai", the "best swordsman in the best school" and "a fisherman's son from Kohama [...] whose rise reminds [him] of [his] own."

In the next scene, we meet him in person as Akemi's fiance, and he seems sweet enough. He even gives her sweets! In exchange, Akemi gives him gold, and he feels a bit ashamed that he doesn't have anything better to offer her. But Akemi accepts him and his gift wholeheartedly and flirts with him a little, which makes him smile kinda shyly.

When Akemi confirms their engagement, Taigen is in disbelief because he has no status or noble background, but Akemi reassures him.

So from these first few scenes, we're introduced to Taigen as an honourable and strong samurai, but also as a man who is sweet and gentle with the woman he is about to marry, as well as aware of his own inferiority when compared to Akemi's high station.

Our view of him then changes as his true self is revealed: he is an arrogant and smug bastard among his peers, but more importantly, he is the terrible bully from Mizu's childhood.

And it is this side of Taigen--pompous jerk and unrepentant xenophobic bully--that we continue to see as the show goes on, and it's safe to say that this is his real self, sans any pretense of humility and modesty. Around anyone who isn't an outright superior in terms of class and power (ie. Akemi's father, the shogun), Taigen never hesitates to assert his own authority and "greatness."

But as the show goes on, he gets caught by Heiji Shindo's men, and then tortured. And that's when we see, okay, turns out he's not that bad. He's honourable; "honour" is not just meaningless and superficial pedantry for him, but an internalised, guiding principle.

He was a cruel asshat throughout Mizu's childhood, but in a prejudiced and xenophobic society, he was just playing by the rules. As a child, he knew he was at the bottom of society, but when met with someone even lower ranked than him (Mizu), he can project all those prejudices and insecurities onto someone else. This way of thinking--"if you can't beat 'em, join em"--is what allowed him to climb up the ranks despite being some dirt poor kid from an abusive household*.

*Well, that combined with his cismale privilege of course, because this would not be an option for a woman in similar circumstances.

Thus, his upholding of honour also exemplifies how Taigen embodies the ideals and rules of his society. His insistence on duelling Mizu is another more blatant example of this. He doesn't want revenge like Mizu does. He wants to be accepted by society, within the bounds that society has placed, and that means that his only two options following his defeat at the Shindo dojo were to either chase Mizu down and get his damn duel, or kill himself for his humiliating defeat.

Now! Moving on from Taigen, let's go back to the other end of this little love triangle: Akemi.

Mizu and Akemi only properly meet in Ep4. During their first meeting, when Akemi tries to poison Mizu in Madame Kaji's brothel, she compliments Mizu's eyes, calling them "beautiful."

This seems to genuinely take mizu off-guard for a second before she coolly plays along. We know that Mizu recognises Akemi from the get-go, and thus sees through Akemi's ploy from a mile away. It's also safe to assume she'd expected false flattery, because Mizu understands full well that this tactic is how women get what they want: by using their 'feminine wiles' and playing up their naivety and innocence. But even so, it's interesting that Mizu actually seems surprised by Akemi's compliment.

Then, after Mizu subtly taunts Akemi by lying about Taigen's death, she and Akemi have a bit of a scuffle, and then we get to Mizu saying this:

"Women in our world don't have a single good option. Except you, like some magical forest creature. You could have anything you want, but then you beg to eat trash."

(no screenshot because it's quite a long line but you get it)

Here we see Mizu's opinions on the marginalisation of (mostly poor and under-privileged) women stated outright, and underlying her words is also resentment. Because even though she and Akemi have shared experiences of female oppression, Mizu, unlike Akemi, was also poor, from a rural village, and is a racial minority. Mizu is triply oppressed, while Akemi only faces one primary form of oppression, and to someone as embittered by the world as Mizu is, to see Akemi "beg to eat trash" is a slap in the face, practically tone-deaf to the other injustices around her--injustices which Akemi has not shown much, or any, acknowledgement for at this point.

Then, after this scene, Mizu kills Kinuyo, and this unsettles her to a degree we've never seen from her before. She is visibly distraught, and the entire sequence hammers the theme of this episode (and arguably, a large portion of the show) into our heads: women in this world suffer. And even though Mizu is well aware of this fact, to commit this act is so visceral that is shakes her to her core, and it's what ultimately leads to the ambush of the Thousand Fangs.

But before the ambush, Mizu and Akemi talk a little again, and during this time Akemi taunts Mizu some more.

Right now, Mizu is exhausted to the point where (I believe) she even downs some sake, despite not usually drinking. Thus, worn down, she cuts Akemi's ropes and tells her, "Just go." Akemi recovers from her initial fear of Mizu's blade and taunts her some more, accurately seeing through Mizu's facade of coldness, recognising the raw anger there, and says this:

"I thought you had to be something special. Your face isn't even so scary. You're just... angry."

At this, Mizu is amused and compares Akemi to Taigen ("I see why he likes you. You're just like Taigen when we were children. A fucking brat.")

The reveal that Mizu and Taigen knew each other in childhood surprises Akemi, but before either of them can say more, everything goes to shit.

That's when we get to Ep5. This episode focuses primarily on Mizu, the central piece of this love triangle, and does the most out of all the episodes to shed some light on her character and goals, fleshing her out to be more than just the vengeful, highly proficient samurai we've seen thus far (symbolised by The Ronin), but also a person who is capable of love, domesticity and gentleness (symbolised by The Bride). But in the end, Mizu rejects both these ideals, instead becoming an Onryo, who is neither guided by pride/honour, nor love.

By 'reincarnating' into an Onryo, Mizu is able to win the day and save the women in the brothel. However, as she has now fully embraced her status as an Onryo, and is exhausted physically, mentally, and emotionally, she lets the Tokunobu clansmen take Akemi away while Akemi's screams echo in her ear.

Mizu says this choice is for Akemi's own good, that Akemi's better off; because Mizu is jaded and weary, and cannot afford the luxury of idealism, and thus must always be strictly practical and realistic. So of course that's why, in her view, yes, Akemi should not be wasting her time in a brothel where women are exploited and abused, nor should Akemi be so naive to think that her marriage with Taigen is even still possible. However, regardless of Mizu's views, it is not for her to decide, because though Akemi is privileged in some sense, she is still trapped and voiceless, and deserves the right to choose her own destiny.

But as it happens, in the end, though Akemi did not choose who she gets to marry, she DOES get to choose her next move when Edo burns down.

"I want to be great."

This one line is the key to her entire arc, which is only just beginning. We see she quickly has acquired the affection and good graces of the shogun's son after their wedding night and consummation, and with Madame Kaji and the girls now serving her, Akemi will only grow to become a prominent political player.

NOW, only after analysing the characters as they are within this season, only can we speculate how their arcs will continue as the show progresses.

First and foremost, I will reassert the popular opinion that Mizu and Akemi are foils. The climax (pun intended) of Ep7 illustrates this as it parallels the turning points in both Mizu's and Akemi's arcs:

Mizu melts the steel of all her loves and shames, the people she's collected: the broken blade wielded by both Chiaki and Taigen, Akemi's knife, Ringo's bell, Master Eiji's tongs - this symbolises her beginning to accept herself, and in doing so, also accepting the help of others;

Akemi consummates her marriage with Takayoshi Itoh, gains his affection, and cements her position as a woman in the shogun's palace - this symbolises her taking charge of her situation, no longer playing the damsel, but using her position to her advantage, empowering both herself and the underprivileged women around her.

These are thus two directly contrasting, diverging journeys:

Mizu's arc moves inward (yin). It is an internal path of self-love and self-discovery, focused on finding peace and tranquility inside herself, and this involves allowing herself to let others into her life, opening herself up to friendship and empathy once more.

Akemi's arc moves outward (yang), it is an external path of growth, transforming from a naive, caged princess to a powerful woman and a force to be reckoned with.

Akemi is always dressed in red, even her eyes are a bit of a reddish-brown rather than brown-black like most other characters, and in her penultimate scene she stands against a backdrop of flames. She is fire: quick-tempered, passionate, full of energy. Red is powerful, authoritative, and in eastern cultures, it is associated with prosperity.

Mizu is blue: her eyes, her sword, her clothes. She is also named after water; it's where she goes to recover, reflect and meditate. Water is fluid like a brook weaving around a stone in its path, always changing and adapting, it is graceful, it is beautiful and ruthless, tranquil yet swift.

Thus, in the future, I expect we will see plenty of political manoeuvring and intrigue in Akemi's plotline, where she fully embraces control of her life, and begins to take action to help others as well, realising that her own oppression is just one piece in a much larger picture. Her main conflict is with society.

In direct contrast, Mizu's main conflict is with herself. She must realise that her desire for vengeance is a projection of her own deep-rooted self-hatred. Her arc must move towards unpacking her feelings and trauma so she can be at peace with herself and allow space for love in her heart. Because as we saw in Ep5, Mizu had come extremely close to achieving peace and joy, as she had not only loved Mikio, but also had briefly believed that Mikio had loved her (and accepted her for who she is) as well.

Thus, assuming the story is not planned as a tragedy, Mizu will likely end up getting her vengeance, but it will not satisfy her, because it is not what she needs. What she needs is to let go of the Onryo within her and to reconcile both The Ronin and The Bride within herself, as she is both a fighter and a lover, but not a monster.

(Edit: I recommend checking out this post by @stylographic-blue-rhapsody for a much clearer analysis about Mizu'a symbolism as Ronin, Bride and Onryo!)

And now that we've mostly covered each of the characters individually, we can finally get to the main point of this post: the love triangle.

--

Let's talk about Option A: Akemi.

As I covered extensively earlier, Mizu and Akemi are foils, a yin-yang pair. But while they play off each other very well in a thematic sense, I personally believe that a serious romance between them will be more complicated if they become endgame. This is because Akemi's natural resolution is to embrace a position of power and influence, where she has both freedom and control over herself and to make much-needed changes in a prejudiced society. Meanwhile, Mizu's natural resolution is the opposite; her happy ending would to find a peaceful life where she is safe and free from prying eyes, and able to be her true self.

Thus, it would make very little sense for Akemi to forfeit power and run away with Mizu and start a humble life together. Akemi wants to be great, and that is absolutely what she deserves. On the other end of the spectrum, it would also make little sense for Mizu to dedicate her life in service of Akemi, such as acting as a bodyguard or something similar, because a life in a palace full of court intrigue and conspiracies is far from what Mizu needs to be happy.

With that being said, if Mizu/Akemi is endgame, and assuming their overarching character arcs do not shift directions, their love story would likely be either tragic, doomed, or bittersweet. I do absolutely love this type of story because personally I'm a sucker for catharsis, so it would be very interesting if the writers do decide to take this route.

Also, as a note, please do not take this as me dunking on this pairing. This is just my personal opinion and analysis and I completely understand if you disagree!

--

Then, of course, we have Option B: Taigen.

Between Akemi and Mizu, Taigen is a bit of a free-floater here, because Season 1 leaves off at a point where his arc is very ambiguous as to where it's headed. While Akemi climbs for greatness and Mizu goes on a journey across the ocean to (presumably) discover more about her heritage, we have little clues about where Taigen is headed. And if I'm being honest, I'm sure he has no idea either! He still hasn't reclaimed his honour, so he would be unable to rejoin the Shindo Dojo; he's been rejected by Akemi; and while he showed loyalty to the shogun, the shogun is now dead, and all the shogun's men who had witnessed his "humiliating" death were left to die by Lady Itoh, who is now pulling the strings within the palace.

Therefore, Taigen has very few options here.

And when considering his role in the story is as Mizu's begrudging ally, his arc will undoubtedly be focused on unlearning his xenophobia and misogyny, the latter of which we have not seen yet, but is surely present. Now, whether he will do this in Mizu's presence or absence will be unknown until we see Season 2. Following the Season 1 finale, he might return to Kohama and wait for Mizu there as he learns humility and remorse over his past cruelty; or maybe he will follow Mizu to London, and the two of them will continue to butt heads until he finally admits to himself that he cares for Mizu more than he would like to admit. There is no room for doubt that his growing feelings for Mizu are more-than-platonic, because we all saw him get turned on by sparring with her in Ep7 lol. Thus, regardless of the exact choice he makes, I am sure that his overall arc will be focused on redeeming his character.

Now, when it comes go redeeming him, I know there are many who simply don't want him redeemed because he was such a jerk to Mizu, and while yes I agree he was awful, I do believe there is also nuance to his character.

Previously I've discussed in great detail the colour and elemental symbolism with Mizu and Akemi, but have yet to touch on how they relate to Taigen. So, let's talk about that for a second.

While Akemi is red and Mizu is blue, Taigen is green.

Green is a complementary colour to Akemi's red. Complementary colours are directly opposite each other in the colour wheel; when mixed, they neutralise each other, but when put side-by-side, they form a pleasing and impactful contrast that boosts the brightness and prominence of both colours. This mirrors Taigen and Akemi's relationship. They are an "ideal" pair because they complement each other very well, and bring out each other's most prominent traits. Mizu's comment about their similar "brattiness" comes to mind here.

Green is also an analogous colour with Mizu's blue. These colours are sitting right next to each other on the colour wheel; their natural similarity makes it easy for them to form a cohesive overall appearance, but using both in equal amounts will make a design overwhelming and too busy. Thus, the best way to use analogous colours is to make one the dominant colour, while the other will serve as an accent. I feel this also speaks to the dynamic in Taigen and Mizu's relationship. They came from the space place, both from nothing; they're both strong fighters who love the sport, and work well together when fighting side-by-side; however, they butt heads too easily, mirroring how analogous colours can be too overwhelming when used in equal amounts. Thus, to work together in harmony, one has to be the dominant colour, while the other serves as the accent. In this case, the dominant force would be Mizu, as she is the protagonist of the story, while the accent would be Taigen.

By fulfilling this role as an "accent" to Mizu, Taigen's character would easily be slotted in as a the love interest. This is in contrast with a Mizu/Akemi relationship, whereby Akemi is Mizu's foil before she is Mizu's love interest. This is because, by being a love interest, a character usually takes a backseat in the story, serving the plot and the themes by playing a purely supportive role, and this is not possible in Akemi's case because her character exists to parallel and contrast Mizu (red and blue), and not to support her.

It is possible to serve as a supporting love interest in Taigen's case however. And this is because he, unlike the other characters, does not currently have a definitive place within the story. He initially served the plot as an antagonistic force, but now as he is slowly unlearning his prejudices and becoming a better person, he can no longer serve the story by acting purely as a rival.

Instead, he will serve the story by literally supporting Mizu. And this relates to Taigen being earth, which is steady, firm and reliable, unwavering in loyalty and principles, hardworking and rooted in stability, which is seen in Taigen's staunch and inflexible obedience to the traditions and rules of society. These traits are what make him a perfect samurai, but not a good man. However, unlike most people in their world, Taigen is still capable of change and redemption, which is why Mizu says that he has the potential to be great. Not great by way of power or glory, but great in character. Already, he is honourable to a fault, and does not betray Mizu even after she technically robbed him of everything he was striving towards. And when he was shot by an arrow in the chasm, he did not hesitate a second to tell Mizu to use him as a human shield and save herself.

The trigger for his redemption is Mizu. If she had never beat him in that duel, Taigen would live on to become a man like Akemi's father. Cruel, power-hungry, controlling, conservative. But through Mizu, Taigen's sharp edges are ground down, much like water that wears down the stones in a river.

Where Mizu and Akemi's possible love story would be a clash of wills, full of passion and even heartbreak, a possible love story between Mizu and Taigen would be the wearing down of souls. Mizu would make Taigen a better person, and in turn Taigen would dedicate his full respect and support to Mizu as his equal, thus getting her to slowly open up and love herself. Already, Taigen has grown enough to admit (begrudgingly, and in his own Taigen way) that Mizu is better than him; though, clearly, he still has a long way to go, as he still calls Mizu a demon shortly after that.

But basically, Taigen is a very simple man (his main goal now is "to be happy"), and Mizu has great depths that he cannot yet fathom. For this love story to work, it has to begin with Taigen changing for the better. If he succeeds in that, and is able to accept Mizu for all her complexities, I believe that they will make a formidable pair. And though he'd likely still throw a jab or snarky remark at Mizu every now and then, I think he'd come tl wholeheartedly admire Mizu as a brilliant swordsman and a kind soul. Thus, should things work out and this be endgame, Taigen would be able to provide Mizu with what Mikio could not: an idyllic life that is not built on a lie, but mutual trust, respect, admiration, and equality.

Or hey, maybe they could both make their own dojo together! I don't know.

(Edit: This post by @rinandsketches does a great job at delving into Taigen's character and a potential Mizu/Taigen relationship if you'd like to read more about this angle!)

--

Now, as I move on from Taigen, there are a couple more options on how to resolve this love triangle and that includes Option C: Ringo.

In this option, Mizu does not have an endgame romance with either Akemi or Taigen. In this route, she finds peace and love through friendship, solidarity, and a found family between herself, Ringo and Master Eiji—a bunch of outcasts in society who make a strong trifecta of sword-makers.

Also, as an aside while I'm talking about Ringo, I'd like to point out that I believe his element is air and his colour is a neutral grey; he is talkative, easy-going, wise, curious, light on his feet (stealthy) and free-spirited, which are all traits linked to air, and traits that complement Mizu nicely, as he is capable of getting Mizu to open up and trust others again, while Mizu helps him reach his true potential for greatness.

--

And finally, there's Option D: Polyamory.

This is basically an "all of the above" option, in which everyone wins and it's a super duper happy ending. It would also be awesome to get some polyamorous representation, and seeing the dynamic between Akemi/Mizu/Taigen play out would be very entertaining and refreshing. So, you never know, this just might be the true endgame!

--

AAAAND with that, I close my extremely long analysis of what is essentially Mizu's love life. Whatever the final outcome of this love triangle though, I just hope it will be well-written and satisfying to all the characters' respective arcs. (Also I just want Mizu to be HAPPY goddamn it because she deserves the world and her coochie eaten out)

Now, I highly doubt anyone will read any of this (especially not until the end!) but that's fine. I just have so many thoughts and feelings about this show and I just needed to get this out of my system lol! But if by some miracle you did read this far, I wholeheartedly welcome any sharing of thoughts and ideas because man am I obsessed with this show! But of course, if we have an opposing opinions, please be respectful when letting me know; I am very open to friendly discussions.

[front-facing-pokemon]

[5qui99l3draws]

one fairysona with a pigeon friend for @pfandghoul!

commission info here

bonus thumbnails because they're cute:

[yujeong]

At the end of the day, this is what's most important to me.

[singsweetmelodies]

we need a piarles accidental baby acquisition fic

[spaceratprodigy]

🎉 [ Art from 2022-2023 ] 🎉

Happy Birthday to my most favorite person in the world, the love of my life 🖤

I still can't believe this'll make our 10th year of being best friends and even more I can't believe we get to celebrate our 8th anniversary this summer 💖💕

Commission Info | Ko-Fi | My Links

[outismm]

OUTIS send help, Doctor Who is the gift that keeps on giving 😭😭😭 i thought the Toymaker would be the end of it but folks in my Toymaker server made a few jokes about Six. and i had -no idea- about what kind of character Six is. holy FUCK i am in LOVE with this pompous, arrogant asshole 😖💖💖💖💖 he's so cute!!!!! so abrasive!!!! so......PASSIONATE!!!!!! i didn't know he was such a freak!!!! yes yes yes please do rewatch his era because i'm doing it for the first time and having a blast 😂💖

yes,,,, YYYYEEESSSSS. This is perhaps the best development that could have happened. I need you to know how quickly I scrambled downstairs like some sort of Ghoul to try and find the old boxsets and AUGHE!!!!

I FORGOT WHAT AN ABSOLUTE CHARACTER HE IS!!!

He's got such an incredible amount of drama and charisma and wild-eyed charm inside of him, I can't believe how this man has slipped to the back of my mind for so long. Even outside of his borderline regeneration-induced-mania during his first storyline, he's just. such a delight. Colin Baker is having the time of his life delivering every line, and you can TELL

Look at him - what's not to love?

Also, this isn't directly related to our dear multicoloured man, but - thank you for giving me an excuse to Stare Affectionately at Classic Who! There are so many of those delightful quirks and silly set-pieces you can only really find in early 70s-80s sci-fi, sprinkled all throughout, I just,,, ah <3333 it has been so long

OKIE IM RAMBLING BUT >:) EHEHE I cannot wait to see you slip further and further into Doctor Who Fevers. Come yell with/at me anytime, I love seeing ppl experience Classic Who and all the wonderfully wild things it has to offer

[mel-loly]

-“Just a flower, in the middle of the field at night, a light is turned on and reveals.. A day arriving with confident hope and silent happiness!”🌹🐝

[rainbowvamp]

oh fuck. wait. hold on. do we have a pacific rim dreamling au yet?? do we? because. fuck. fuck. we need one. listen, it's a fandom right of passage. we need a pacific rim au that we're all obsessed with. we deserve it.

[jackredfieldwasmyjacob]

BENIDORM FEST 2024 - PARTICIPANTS

Yesterday (november 11) all 16 participants of Benidorm Fest 2024 were revealed - the songs will be revealed on december 14th. I wanted to make this post talking about all the possible representants of Spain in ESC 2024, as a little intro to them and how their songs might sound like. As always, everything will be below the cut :)

ALMÁCOR

Arturo Almarcha Corella, better known as Almácor (Villena, 26) is an urban artist that started his career in 2019. He has released an EP since then, and has collabed with artists like Henry Mendez or Chimbabala. This year he was nominated in the Best New Urban Artist in the Los 40 Music Awards. His most popular song is DE TO', and his last released song is Pop Tech.

ANGY FERNÁNDEZ

Angy Fernández (Palma, 33) is a LEGEND and our very own emo princess, she's an icon. Her leap to fame was being the runner up in the first edition of Spanish X Factor, in 2007, but she became a phenomenon when she starred in iconic teen drama Física o Química (2008-2011) as Paula Blasco. She also released various albums and songs, like the hit and iconic emo bop Sola en el silencio. After the show she has appeared in various TV programs like Tu Cara Me Suena, and has continued making music as well as acting in theatre, cinema and TV shows. Her last released song is Dualidad.

DELLACRUZ

Jorge de la Cruz Correa, better known as Dellacruz (Santa Cruz de Tenerife) is a Canarian urban pop singer that started his own singing career in 2019 after ample experience as a songwriter; he has written songs for artists such as Sergio Dalma, Xuso Jones, or Dvicio, among many others. His most known song is La Trama, whereas his last released song is Tocamos Cielo.

JORGE GONZÁLEZ

Jorge González González (Madrid, 35) first rose to fame after competing in OT 2006, and he since has been in two Spanish preselections for ESC 2009 and 2014. He has also participated in The Voice and in Tu Cara Me Suena, where he won in the 2020 edition. His most famous song is Por Besarte, and his last released song is Agüita.

LÉRICA

Lérica is a duo composed of Tony Mateo (San Fernando, 29) and Juan Carlos Arauzo formed in 2015 that sings pop infused flamenco and urban music, and have collabed with very big artists like Belinda, Gente de Zona, Abraham Mateo (brother of Tony Mateo), Cali y el Dandee or Juan Magán. They have 14 platinum albums and 9 golden ones, and are right now the most listened to Spanish duo in terms of streams. Their most famous song is Flamenkito, and their latest released song is Un Rato pa Siempre.

MANTRA

Mantra is a pop band made out of Carlos Marco (Alacant, 31), Paula Pérez and Charly Weinberg (Madrid, 25), born in 2020 when the three friends decided to start a project together. All three have been in the music industry for a long time; Carlos Marcos is the most-known of them, as he was part of the boyband Auryn (alongside Spain's representant in ESC 2021, Blas Cantó), who participated in the ESC 2011 preselection. They have an up-beat and positive attitude in their songs, and have released their first album in 2023. Their most popular song is No Te Esperaba, and their latest single is ¿Te Acuerdas o No?.

MARÍA PELÁE

María Peláe (Málaga, 33) is an icon and a flamenco singer known for her witty and ironic lyrics, with a modern spin on traditional sounds. She started her career in 2016 after studying Anthropology and Social Work in university, and so her songs usually have a social message. In fact, in 2023 she was awarded the Rainbow Award by the Ministry of Equality for her work in the LGBTQ+ scene. A song I really recommend of hers regarding this is La Niña, a very fun song about wlws (also the music video is soooo). She has released two albums - the second of which won an Odeón to Best Flamenco Album, and has participated in various TV shows like Tu Cara Me Suena. Her most popular song is Por si te vas, and her latest single is Letra Menúa.

MARLENA

MARLENA is an indie pop duo composed by Ana Legazpi (voice) and Carolina Moyano (guitar) that formed a band in 2017 when they decided to participate in X Factor Italy. They became friends with Damiano and Victoria from Maneskin, and decided to name themselves after one of their songs, Torna a Casa, where the name Marlena appears. They even sing some of Maneskin's song in their concerts. In 2021 they were nominated for Best New Artist or Group in the Los 40 Music Awards, and have collabed with Nil Moliner, La Pegatina or Despistados. I listen to their song bailamorena at least once a week (i wish i was joking), tho their most popular song is Me Sabe Mal. Their latest released song is Red Flags.

MISS CAFFEINA

Miss Caffeina, formed by Alberto Jiménez (voice), Sergio Sastre (guitar and keyboard) and Antonio Poza (bass) is definitely the biggest name this edition. They are a staple in the indie rock scene since their inception in 2006, and are especially staples in music festivals all over the country and abroad. They have realeased three albums and an EP, and their most known song is the modern classic Mira Cómo Vuelo, with over 13 m views on youtube. Their last released single is Para toda la vida.

NEBULOSSA

Nebulossa is an electropop band formed by María Bas (voice) and Mark Dasousa (producer, synths). They debuted in 2021, and define their formula as MPYMS (A lot of Pop and a lot of Synths), basing their music on the sounds an rhythms of the 80s. Their most popular song is GLAM, and their latest song is 1N84.

NOAN

Noan (Zarautz, 25) is a pop-rock indie artist that debuted in 2020. He has collabed with zzoilo or El Sueño de Morfeo, and I personally really enjoy his collab with Paula Koops, Odio que te Quiero. His most popular song is ME MATA(S), and his latest song is Zero (which is a cover btw).

QUIQUE NIZA

Quique Niza (Madrid, 20) is a musical theatre actor who has been performing all of his life; some of his notable roles are Kurt von Trapp in The Sound of Music, and Danny Zuko in Grease (I saw him live here, and he's incredible!). He has also appeared in some TV shows, like UPA Next and Días Mejores. He has only released one song so far, Ardo.

ROGER PADRÓS

Roger Padrós (Polinyà, 26) is a Catalan singer and piano player that first rose to fame as a participant in The Voice. He has since released an EP and an album, with songs both in Spanish and Catalan (he has confirmed his song for Benidorm Fest will be in Catalan). He is also the resident musician of Casa Batlló, in Barcelona. His most popular song is Digue'm, and his latest song is El Buit.

SOFIA COLL

Sofia Coll i Benito (Barcelona, 24) is a singer, actress, and dancer who rose to fame as a participant of The Voice Kids when she was 14, although she didn't release music until 2019, with songs that mixed Spanish and English. She was one of the protagonist of the TV show Bany Compartit (I watched the first episode while writing this, it's really fun and I really recommend it! Episodes are around 10 minutes long, and you can find all of them in RTVE Play and Youtube; they're in catalan, but there's Spanish subs available), and she was one of the dancers in Rosalía's mv for Fucking Money Man. Finally, she participated in the Catalan music contest Eufòria this year, ending up 4th. Her most popular song is Tú Mente y Yo Corazón, and her latest song is Génesis: Alive.

ST. PEDRO

Pedro Hernández, better known as st. Pedro (Santa Cruz de Tenerife) is an urban artist, rising to fame due to The Voice, where he participated in 2017. Through the program he met Juanes, his musical godfather. He has know collabed with Alizzz in Miami, where he lives now. His most known song is Cerca del Sol, and his latest song is No es lo que toca.

YOLY SAA

Yoly Saa (Pontevedra) is a Galician singer-songwriter singing in Spanish that has been making music since 2020, although she has also composed for other artists such as Luz Casal o Malú. She has released an EP and a full album, and participated in Dúos Increíbles in 2022. Her most popular song is Todo contigo, and her latest song is Mal de altura.

[helianskies]

ugly maths.

i hate maths, right. i don't usually like numbers, and if i do like numbers it's gotta be an 8 or a 48 and nothing else.

thing is, i've recently caught myself doing maths again. ugly maths. the kind of maths that, really, i've been trying to avoid as much as possible because, well, it's ugly!

you... wanna see?

okay, fine... but don't say i didn't warn you!

ugly, see? look at all those numbers! not a 48 in sight!

huh? what's that? you don't see what i'm on about? oh... oh! hang on, lemme just—

better? yes? no? no? okay, what if i—

mmh, yes. ugly numbers. see it now? can you see why they're ugly?

here, i can make it worse.

these numbers are ugly. the maths they make me do is ugly.

now i'll level with you: the worst ones by far are the yellow numbers. the maths they make me do it the ugliest.

why ugly?

because it makes me ugly.

those numbers turn me into not only a suddenly number-obsessed fool, but a fool who also cannot understand these numbers and what they mean and why i feel like they reflect on me and my ability.

87, 75.

the thoughts are as follows:

• the orange numbers are big, so why are you being ugly about the yellow ones? you should be happy with what you have. so many nice big numbers! not everyone receives that.

• is it that there are two different audiences for these two different fics? perhaps. they are quite different works, with different appeals, and different themes. maybe you are reading too much into it.

• why are you obsessing over numbers anyway? you don't like maths! you left maths behind when you were 16, put it down!

okay, okay, fine! i'll put the maths down. right here, in fact!:

that 87 was an 83 at the start of the year. the 6161 it is attached to was a 5453.

4, 708.

ugly maths.

the 75 is a nice number. in fact, compared to 87, it is beautiful, radiant, enchanting. at the start of the year, 75 was 48. wow. now that is one sexy number!

27.

mmmm.

6161, 1061.

5100.

87, 75.

12.

mmmm.

you know, my most favourite comment left recently on a fic of mine was 2 characters long: :(

it made me :)

well, actually, it made me >:) because it was left in response, presumably, to one of the key scenes in a new chapter which left the exact impression on someone that i hoped it would.

they must be the only one who reacted like that, though.

1.

have i mentioned that that 87 and 75 include author responses?

i won't try to do more maths, there. it might not end well for me. the maths is making me tired enough as it is, and i have an early start tomorrow.

oh! but, that being said, i have another set of ugly numbers to show you, so keep 87 and 75 in mind.

ready?

838, 245.

(want a hint? the green numbers!)

838, 87. 245, 75.

9.6, 3.3.

ugly maths. it's ugly again, see? i don't like it. i'm seeing numbers within numbers within numbers, and i can't seem to stop!

the numbers make me ask new questions:

• why is it not good enough?

• people seem to engage more with one fic over the other, so shouldn't you prioritise?

• is all this maths this really good for you?

no, it isn't.

i want to avoid ugly maths. ugly maths makes me want to tear my hair out. it makes me want to start from scratch. it makes me want to grab someone and scream. it makes me want to cry and press a button that has tempted me many times before when the numbers become too ugly to bear.

ugly maths turn me into an ugly person.

ugly maths make me obsessive, paranoid, anxious, regretful, vindictive, spiteful, alone.

i hate maths. i hate numbers, just like, it feels, the numbers hate me.

[kakusu-shipping]

Here I was mentally steeling myself to be rabid over Mauga on main finally

[bosooka]

THANK YOU for the post about sabine and her ships. this fandom has gotten so annoying in such a short amount of time…nobody cares for the characters themselves, only the ships. it’s literally 2014 all over again.

scrolling the sabine tag at this point basically just ducking teenagers and young adults being completely detached from reality as they argue across the aisle over whether or not their ship with 0% chance of becoming canon is going to trump the other, ✨ problematic ✨ ship. i cannot stress this enough:

1) get off my lawn

2) you being delusional is not what a queerbaiting is

3) you being delusional is also not what coding is

it's hard out here nonny. be strong 🫡

[cinna-bunnie]

i had a fun day 2 day ૮˶• ﻌ •˶ა everyone has been so nicey 2 me all day from the minute i left my house earlier ૮ ᴖﻌᴖა ♡⁠

i went to a Retreat for the first time for work earlier 0: and I did SO good for being up since 2am it didn't even feel like it 💀

it was so chill i drove like an hour away but Away from the city so there wasn't rly traffic and the mountains r so pretty 2 drive thru (❁´◡`❁) got some rain n v low clouds and since it's autumn there's all these pretty colors. i took an edible on the way n was just jammin out n enjoying the scenery among the many safe opportunities 2 look

and then at the thing we got 2 do different ice breakers n go on decently long breaks; i got 2 hang in different groups n actually Talk w a bunch of ppl which i never have time for omg. it's nice working at a legal nonprofit, i would NOT want to do this with corporate mfs !! 😹

went around n said hii to the enbies and i ran up a hill that looked a lot smaller than it was, i made it like 80% of the way before my legs were immediately like no girl we're done !! but my brain was like but it's Right There, and i struggled 2 finish the climb but I Did !! ૮ ᴖﻌᴖა and i was so so tired i do not remember ever being that winded before 💀 getting down was so much slower n worse bc my legs were Done and when i finally made it to the bottom i laid flat on my back for like 15m, and when when i made it back to sit n chill i still need like 10 more minutes akskska. i do not b exercising !! i just wanted 2 play it looked fun and i got excited (⁠｡⁠ﾉ⁠ω⁠＼⁠｡⁠)

in between things i was working on my sister's choker n kept winding up w a group of ppl around me 2 talk to about it and just talk 2 in general n the company was rly nice (❁´◡`❁) ♡ had a lot of different kinda talks 2day!! everyone is a sweetie!! some ppl r so funny n chill and i rly hope 2 get 2 talk more casually w people perhaps As Friends when i go in 👉👈

there's one girl in particular who is rly cute n sweet and i want 2 see her again ૮˶• ﻌ •˶ა when I got home finally i had 2 hop on my work laptop real quick 2 look up her name again 2 make sure i didn't forget ☝️😌 we do not work at the same office but hii i am visiting next week 🐇

yippee!!!! ૮ ᴖﻌᴖა !!!

[themagical1sa]

"i like you and i blame you for making me feel this way" he said

i still think about it

[nostalgia-tblr]

I had another fic idea and the brain was like "no, that's too fluffy and romantic and YOU ARE NOT ALLOWED TO WRITE NICE THINGS, PEOPLE WOULD JUDGE YOU" but then I went "but what if it was kind of... comedy fluff?" and brain went "...yeah, okay, if you really must." Which I fucking HATE! Why can't I write nice things, brain?! Everyone else is allowed to! FFS, it's fanfiction, it doesn't have to be ~deep~ or any of that shit!

This has actually been a bit of an issue when I'm trying to write The WIP because while I told myself yeah sure go ahead and write the massively self-indulgent epically long (by my own odd standards) fic but still sometimes I get stuck because I'm not "allowed" to write something that appeals to me and my own sometimes niche interests??

Like angst I can do because that's "proper" somehow? WTF is that about? It's not proper! It's still daft! And comedy I'm allowed because I dunno apparently if it will make someone laugh that means it has "value"? It's very annoying, I don't like it.

Do other people have this? How do you deal with it? You'd think after all this time I'd be okay with writing any old shit that I want to. If anything it might be worse now. I remember years ago I could tell myself "Look, if you've spelled most of it correctly then it's already in like the better half of all the fanfic on the internet" which isn't really TRUE but I could go along with that and let myself write whatever-the-fuck I wanted to.

You know how many of us go "I'll write this fucked up thing... but I'll post it as Anon"? I get that with fluffy fic ideas as well. Or with things that are "too shippy" (WTF?) It's just such a stupid and weird form of self-criticism and it bothers me a lot.