#I'm just trying to point out that Athena

[littlerosetrove]

Ngl I'm thinking of--gosh I think in season 3? When May wrote some essay about cops and how the system is flawed or something? And Athena was offended, but I think understood May and certainly expressed, "you can feel however you want to feel, May." It's been awhile since I watched that episode.

Then fast forward to episode 7.1 where Athena, however funny the scene was delivered, said she didn't trust Lola because "she's a felon" and saying how she thinks 60 days in jail wasn't enough punishment or something?

Miss Athena ma'am, we are all once again begging you to retire. That attitude right there is part of the problem with cops. It's giving the strong impression that Athena doesn't trust anyone who has served time? Idk, it's also kinda saying Athena may be hard pressed to give people, "felons", second chances??????

Things to think about.

[chronicowboy]

Maddie humbles him pretty severely in their conversation. Look, he knows it's stupid, knows it's selfish really, knows it's just plain crappy of him. But. But he hurt Christopher. And there wasn't some big uncontrollable variable like a tsunami that Eddie can explain it away with.

Sure, it was an accident, but it still happened. Sure, it was only a few scrapes that he'd cleaned up almost immediately with the little first aid kit tucked into the glove compartment of his Jeep - and, well, maybe part of the guilt is the way Christopher had grimaced at the added sting of the antiseptic wipes. But he'd done it. He'd made Christopher cry. And he'd ran as soon as Eddie swept in to take care of him. He'd ran before either of them could tell him to get out.

Christopher is injured, and Buck hasn't been to see him once. Christopher is injured because of Buck, and he's only checked in through a much too knowing Eddie. Because he's a coward, especially when it comes to Christopher. Jesus, nothing in the world scares him more than Christopher. Everything's so big and inconceivable with him. Buck feels it all, feels it all so strongly. The things he'd do for that kid... Well, that scares him too. Almost as much as Christopher's anger does, but he can't run from it forever. He can't stay away forever, so he shoots Eddie a quick text as he leaves Maddie's.

Can I come see Chris at some point?

He's just buckling himself into the driver's seat when his phone buzzes with a reply.

Get over here

Another buzz.

Now

His already knotted stomach twists into an even more complex shape as he turns the key in the ignition, but he has to face the music some time or another. May as well be now.

It takes him an inordinately long and nauseating time to get to the Diaz door, an even longer time to actually knock and then a terrifyingly short amount of time for Eddie to be appearing before him with those big, understanding eyes he can never seem to escape.

"Hi," he mumbles, suddenly struck with what image he must make out there on the porch. A naughty dog with a guiltily hung head and a tail between his legs just waiting to be patted on the head and told he's forgiven.

"Buck, come in." Eddie rolls his eyes and practically drags him inside. Buck had been about ninety-nine per cent sure (okay, maybe more like eighty) that Eddie's texts had been fond exasperation and not actual anger, but it's not until he hears Eddie's voice that he knows for sure. He was never a bad dog in Eddie's mind. Buck's tail wags just a little as Eddie leans back against the hallway wall with his arms folded over his chest. "He's in his room and he misses his Buck."

"Even after I almost killed him?" he mutters petulantly.

"Buck, you tripped over his crutches. The both of you went down and, honestly, you walked away worse than he did." Buck opens his mouth to argue, but Eddie ploughs on. "Don't lie to me. I saw those bruises on your ribs last shift. I know how weaponised those elbows can become."

"I'm fine."

"So is he," Eddie says seriously. "You know how many times I've tripped over his crutches?"

"Did you feel guilty about it afterwards?" Buck pries, eyes trained on his shoes where they kick lightly, sheepishly at the carpet.

"Of course, I did. I always do. Hell, I accidentally got some salt in his eyes when we were cooking the other day and I almost took myself down to Athena's station." Eddie shakes his head, unimpressed. "I'm his dad, I'd send him outside in a bubble wrap suit if I could. But I've been informed that isn't 'cool'," Buck snorts, "so I'm trying my best to make peace with the fact that that he's going to get hurt and I'm not always going to be stop it. But." Eddie steps closer, drops a hand to Buck's shoulder, ducks his hand to catch his eye. And Buck feels the echo of a wave and three ragged scratches across his face. "But I can always be there after it happens, to pick him back up and tend to his wounds, yeah?"

"Yeah," Buck whispers, nodding against the whirring of his brain.

"He's already mostly healed up. Go and see for yourself." Eddie leaves with a pointed look at Christopher's door, and Buck stays staring down the hallway like he can will it into something that feels a little less like a walk on the plank.

As he takes his first step, for just a moment, he wishes he was back in the endless labyrinthine hallways of his coma dream just to postpone his fate a little longer.

See, what he hadn't told Maddie was that he had actually tried texting Christopher a few days after their tumble. A sorry and an I hope you're okay and a jokey maybe we should leave basketball to the pros which had only gleaned a thumbs up emoji in response. So, he's not feeling very optimistic when he knocks on Christopher's door.

"Who is it?"

"It's Buck, buddy." Silence. A sigh maybe, if he strains. "C-can I come in?"

Another pause.

"Fine."

Buck pushes into the room with his heart in his throat. Christopher doesn't look up from his textbook where he's propped up against his headboard, just carries on reading. Buck approaches carefully, hovering at the end of the bed where he'd normally just sit.

"How are you doing?" he asks uselessly.

"Fine."

"Yeah?" Christopher only shrugs, and Buck sighs in defeat. "I'm really sorry, bud. I didn't mean to do it, you have to know that. I'd never ever do anything to hurt you-"

"Wait." Chris finally looks up from his book with his frown. "Do you think I'm mad because you tripped me up?"

"I-I, well, yeah." Buck blinks. "So, you are mad?"

"Yeah, I'm mad, but not about that." Chris groans and slams his book shut. "Why'd you disappear?"

"B-because I thought you'd be mad at me for, you know, hurting you," Buck says dumbly. Christopher rolls his eyes so similarly to Eddie's earlier expression that Buck aches with it.

"You didn't hurt me. Gravity hurt us."

"But you're mad at me."

"Because you disappeared!" Chris bursts. Buck's mouth snaps shut with a click. "Everything's changing. You and me and dad barely ever hang out anymore. And I know I'm getting older, so I shouldn't want to, but I do. But you're both dating, so it's always just the one of you. Or the three of us and a stranger. And I hate it. And the last time this happened, you promised you weren't going anywhere, but you did! And I want you both to be happy, and I really don't want dad to feel so lonely now I'm growing up, but I wish..." Christopher ducks his head as if suddenly realising he'd revealed too much.

"You wish?" Buck asks on the exhale of a breath he'd been holding since Christopher's little outburst, something fierce and jagged latching itself to his sternum.

"I wish you both could be happy with..." He shrinks into himself a little, and Buck wraps his hand around the footboard like a lifeline - like whatever Christopher is about to say will turn the world upside down. "I wish this was enough. I wish the three of us could make you both as happy as-as it makes me." He flushes and cracks his textbook open. "It sounds dumb when I say it."

"No, no," Buck croaks, something big and unwieldy expanding against the inside of his ribs, something that could choke him if he let it. "It doesn't sound dumb at all."

[annamaryllis]

Richard wrote misogynistic portrayals for most pjo women into his books, then went off and repeated it onscreen but worse

literally. girlbossified and fucked up sally's character, athena is unnecessarily villainous (while poseidon is sanitized...coincidence I think not!), frederick's actions are blamed on his new wife (and they literally didn't address that whole annabeth having regrets thing but I have a feeling it was about annabeth not reaching out to her dad...it's not the child's responsibility to reach out and try to mend the relationship...like richard's handling of their relationship was already bad enough in the books), thalia adding onto annabeth's trauma and "making her work for it" like wtf was that, annabeth getting stripped of her personality and turned into the stoic child soldier smart girl who struggles with emotions because how dare she act like a 12-year-old girl, percy "saving" her from her incorrect worldview and Showing Her The Way and how to act like a human (BOOOO annabeth is literally his mortal point, what reminds him of his humanity! she is the idealist! she's the one to not give up on luke, not him! like no the point is not that he's always been Not Like Everyone Else; percy spends the whole pjo series building up his worldview which is the accumulation of all of the lessons he's learned from all of the other characters and his experiences throughout the series. but ofc in the show he just shows up with it. I'm sure he'll be talk no jutsuing everyone soon enough ughhh), no goddess appearances, etc etc. and to think they thought they ate with that medusa redemption...athena is criticized for her actions and yet poseidon is never really scrutinized for assaulting her and is redeemed to be a loving caring father...

[wlntrsldler]

ode to a conversation stuck in your throat | luke castellan

based on this post in luke's pov.

warnings: loser!luke a little bit, percabeth crumbs and teasing from them, swear words, luke being jealous

i. i used to call you my best friend, way back before you were my everything.

"beth, you need to drop it," luke groaned, toying with the armor on his body. the young girl had been stuck on this conversation for hours now. ever since luke showed up to the athena cabin to talk strategy (there was no strategy talk, it was a ploy to get luke alone so she could knock some sense into him), annabeth had been going on and on about you and luke and your relationship.

"i'm just saying, you need to make a move."

"you have been saying that," luke checked the watch around his wrist. he tapped on the glass, "for about an hour and seventeen minutes."

"i'm sorry, but we're tired of watching you guys give googly eyes to each other and not do a thing about it," she replied, trying to keep up with luke as he walked towards the woods. luke was using his height and long legs to his advantage, hoping that she'd finally give up. (he should've known better; annabeth never actually gave up on anything.) "even percy asked me what was going on between you guys and he just got here like ten minutes ago."

"we do not give each other the googly eyes," annabeth shot him a pointed look. luke paused, pursing his lips, "fine, i give her googly eyes but she doesn't reciprocate."

"i knew you were dumb, but i didn't think you were a fucking idiot."

"hey, language," he tutted, crossing his arms over his chest. he can see the crowds of campers gearing up for capture the flag. "who taught you that word?"

she rolled her eyes, "sorry, but 'freaking' didn't have the same oomph."

"we're done with this conversation, 'kay?" luke walked away, shaking his head. under his breath, he mumbled, "fucking kids, man."

from behind him, he heard annabeth call out to him, "and you wonder where i learned the word!"

luke chuckled, twirling his sword expertly as he approached the group. he spotted you a few feet back talking to percy. the kid looked scared out of his mind, but after you reassured him that he probably wouldn't sustain any life-altering injuries, his demeanor relaxed.

luke walked over to you, immediately placing an arm around your waist. you knew that it was luke before you even got a look at him. you nudged yourself closer to him as you ended your conversation with percy.

"you'll be alright kid," you said, offering him a genuine smile. "i know clar has been giving you a hard time, but she's just like that. she'll warm up to you."

luke could tell that percy didn't really believe you based on the look on his face, but he also saw percy's eyes flicker to the lack of space between you and luke and knew that it was his time to go.

percy rubbed the back of his neck and cleared his throat, "alright, thanks, y/n. i appreciate it."

"no problem, percy. i'm sure beth wouldn't let anything happen to you anyway."

as percy walked away to find annabeth, you twisted your body to face luke. you beamed at him in a way that luke could only describe as cute. whenever you talked to him, the crinkles by your eyes appeared and your cheeks pushed up on your face, a slight tint of pink dusted over them.

"hi, luke," you greeted, "ready to win?"

"yes, ma'am," he mirrored your smile. he adjusted the strap on your armor, lightly grazing his fingers over your exposed collarbone. "you gonna show off the skills i taught you?"

"of course," you paused, "i might even be better than you now. maybe i can teach you some things."

he softly pinched your hip, making you squeal. he laughed at your reaction. "don't get cocky, dove."

"i'm just saying," you slowly peeled yourself away from him, but held his hands in yours as you moved backward. "one day the student becomes the teacher, castellan."

"that day is not today, but i'm loving this confidence."

you sent him a wink before joining your siblings. luke felt his knees buckle at the simple gesture. his heart was hammering in his chest and he was half-sure that the people around him could hear his heart thumping against the armor, like a drumbeat. he was glad that his helmet was hiding his face because annabeth and percy were now looking at him, both of their hands in a "thumbs up" gesture in the air.

ii. and it may not mean much but your plates are in his sink and your sweater's on his bed.

your team won (of course you did), but the victory came second to the claiming of percy. percy didn't make it to dinner, no doubt stuck talking to chiron and mr. d about what it all meant, but he was back in time for the celebratory bonfire.

percy found annabeth and luke grabbing some cookies on the snack table when he finally gave up trying to understand the prophecy for the night. luke threw an arm over his shoulder, "forbidden child, how you holding up?"

"i don't really want to talk about it. i honestly don't even know how i feel right now."

"that's fair," annabeth said, outstretching her hand to reveal a handful of oreo cookies. "want some?"

"thanks," percy took a cookie, his eyes scanning the bonfire for any other familiar (and kind) faces. his eyes landed on you. "i do want to talk about that, though."

luke and annabeth's eyes followed percy's to find you talking to an ares kid. you were sitting far from the fire (luke knew you hated how the smell of smoke lingered on your clothes.) luke's eyes narrowed, head tilting in question because he'd never really paid attention to the kid before. james? jackson? j-something? he was racking his brain trying to remember the kid's name.

"they look cozy," annabeth stated through a mouthful of oreos. "he's cute."

"no he's not," luke argued, looking at his sister in disbelief. "he's like okay looking, i guess, but he's nothing like special. i don't know. do you think he's cute percy?"

"dude, you have issues."

whether luke chose to ignore percy's comment or genuinely didn't hear him, didn't matter, because luke was already riled up. he shouldn't go over there, right? you were just talking to the kid. gods, he really should know his name. "plus, he's an ares kid. he's like the enemy. y/n wouldn't do that."

the two kids shared a look, trying to hold in their laughter. luke was too preoccupied with looking at you to notice them anyway. his eyes were on you like a hawk. he watched as you moved over on the log you were sitting on to make room for him. luke's eyes widened when you locked eyes with him. you smiled at him, offering a little wave, before returning to your conversation.

"did she really just do that?"

"let someone sit next to her...?" annabeth asked, dusting her hands on her pants to rid of the crumbs. "yeah, it is allowed."

luke chewed on his bottom lip, "i don't like the look of this."

percy rolled his eyes, voiced laced with sarcasm. "really? what a surprise."

iii. my baby, spare me all the rest. please just tell me that nobody else touches you like i do.

luke was going crazy. he could count on one hand the amount of interactions he's had with you over the last two weeks. at first, he tried to tell himself that you were just busy. you had a lot of things to do, but then he started noticing that you didn't seem busy when jake asked to hang out. (luke scoffed when he found out the boy's name. of course, his name was jake. typical.)

it felt like luke was getting stabbed in the heart every time he saw you walking around with jake, his arm thrown over your shoulder while you laughed at his (probably unfunny) jokes. you called off your training sessions with him to go practice your archery with jake (he wasn't even that good) his usual seat next to you during meals were suddenly occupied by the ares boy. he even saw him walk you back to your cabin one night and he wrapped his arms around you in a hug like he wasn't going to see you the next day.

luke had grown grumpy and everyone noticed it, but nobody was willing to ask him why you and him stopped being attached to the hip all of a sudden. nobody was brave enough to.

the final nail to the coffin was when he wandered into the dining hall, making his way over to chris (because that's where he sat now) and he saw you in an unfamiliar hoodie. plastered over your chest was the insignia for the ares cabin.

enough was enough.

luke stood outside your cabin while everyone else was giving their offerings to the gods. he was trying to figure out what to say to you but his brain was going a million miles an hour. all the words blurred together into a gigantic mess. he was never good with words or explaining himself when it came to you. he never really had to tell you anything before, you always just knew.

sighing, luke mustered up the courage to knock on your door with his head hanging low. when you opened the door, luke could've died in embarrassment because he just started talking, like all of the lines he prepared just spilled out of his mouth.

"please dump him," luke pushed past you to pace around the floor of your cabin. "i don't know how serious your relationship is with him but i am begging you to dump him. you belong with me. i miss you and i haven't seen you really in weeks and it's killing me, dove. i don't know what to do because you keep canceling our plans to hang out with him and i feel like i'm losing you. and-and you're wearing his clothes now? if you were cold or something, you know you could always wear mine! i literally have a drawer under my bed of things that are reserved for you. i sprayed my cologne on them and everything because i know you like it, but you went to him? i just-"

luke stopped pacing and finally looked at you. you were hiding your giggles behind your fist. luke furrowed his eyebrows in confusion before his eyes trailed down your body. oh.

you were wearing his shirt. you walked over to him, reaching up to grab his face, "are you done?"

he was calmer now, "please dump him."

"i can't do that, luke."

"why not?"

you laughed at his whiny voice, "i can't dump him because i'm not dating him."

luke blinked, "you're not?"

"no," your rubbed his face with the pad of your thumb, "we're just friends. he's actually been helping me get over my crush on you."

luke's head was spinning. he definitely read the situation so wrong. "your what?"

"oh, castellan, please," you were blushing now. "it started out with jake wanting to ask me out but i told him about my crush on you and how i felt like nothing would ever happen between me and you. he suggested that maybe i should distance myself from you, at least until my crush went away, but the longer i was away from you, the clearer it became. i'm not getting over you any time soon."

"please don't ever get over me."

"you're a dork," you teased, but you smiled at him again. that special smile you reserved for him. "i can't believe you never noticed i liked you."

"i can't believe you didn't notice i liked you."

"will you shut up and kiss me, please?"

you didn't need to tell him twice. "yes, ma'am."

[triptuckers]

wild flowers - percy jackson

Request: yes! "Can I request a platonic Percy Jackson x Child of Demeter!Reader based off the new Disney series? Where Child of Demeter!Reader is significantly older than Percy (17/18 maybe?) and is the one to welcome him to camp instead of Luke. Reader is more gentle and understanding to Percy's questions and is in general sort of a parent figure in the camp?" Pairing:  percy jackson x demeter!reader (platonic) Summary:  you welcome the newest kid at camp half-blood Warnings:  none (omg??) Word count:  1.1K A/N: was excited when I saw the new episode will be out on Tuesday but then I looked at the time zone and it's 3 am for me so I'll still watch it on wednesday :') thanks for your request, enjoy!

you try not to look away as percy, the newest addition to camp half-blood, nearly shoots another camper. he falls to the ground due to the force of the bow.

'alright.' you say, walking over to see if percy's okay. 'so not archery.'

'I didn't mean to!' says percy, looking at the kids who had flattened themselves to the ground to avoid being shot.

'of course you didn't, they know that. can I have the bow?' you say.

percy quickly shoves the bow in your hands as well as the quiver of arrows. you hand them back to the apollo kid who was teaching him with a thanks and an apologetic smile.

'see, I suck at this.' says percy. 'I'm not good at anything.'

'hey, that's not true.' you say. 'everyone is good at something. c'mon, I'll take you to my favorite spot at camp.'

that gets his attention. 'your favorite spot?'

'yep. right this way.'

you lead him away from the archery field. you can tell he's curious. you take him to the strawberry field, where some of the satyrs and your siblings are tending to the plants.

you walk past the strawberries to a field of grass where wild flowers grow.

'it's pointless.' says percy as the two of you sit down.

you frown. 'what is?'

he gestures around. 'all of this. I'm not one of you. it's clear there's something wrong with me. none of this matters because my dad won't reveal himself, he doesn't care. my mom is gone. I suck at archery. and I can't work in the forge. I can't do anything.'

you look at him. most kids are tough on themselves when they arrive. percy isn't any different.

'at least you didn't suck as much at archery than I did.' you say. 'contrary to you, I actually did hit someone when trying out archery '

percy's eyes widen. 'you did?'

you nod. 'apollo kids had to patch them up. luckily it wasn't that bad. but still I haven't touched a bow since. and I'm also not good at sword fighting. I only carry one because it's the weapon I suck the least with.'

'what if you suck at everything?' asks percy softly.

you smile at him. 'this is all normal. we all felt like this when we came here, regardless if we could already fight or not. and look at me, I still can't fight that well. I'm a joke compared to luke and clarisse if it comes to fighting. gods, even annabeth is better than me and she's your age.'

you point ahead to the strawberry fields. 'my cabin doesn't bring forth the best fighters. and that's okay. we're good at other things.' you say.

percy looks at your siblings, sure enough, not a lot of them carry weapons. maybe you do because you're head counsellor of your cabin.

'when did you find out who your mom was?' asks percy.

you sense he's not just curious about your godly heritage. he wants to know how long it would take before his father claims him. and he already knows there are unclaimed kids.

'for me it was pretty clear. I've always loved plants. I've got an impressive garden back at home.' you say. 'demeter claimed me my second day at camp.'

'so pretty fast...'

'for some kids it's fast. for some it's slow. some kids are very certain about who their godly parent is and sometimes they're right and sometimes they're not. you can't predict it with 100% accuracy.'

'did someone guess it correctly?'

'most of the times it's the athena kids who are right about their hunches. but they're athena kids of course, very smart. also a lot of ares kids are right. and for others it's a 50/50 chance. for instance, milo. everyone was convinced he was a hephaestus kid because he really liked to blow stuff up. turns out he's an athena kid. he's just really smart about blowing stuff up.'

'I bet I'm a kid of the god or failure or something. I'm just a regular kid, I'm not special. I don't have any impressive powers. not like you.'

'you think my powers are impressive?' you chuckle. 'I'm good with plants percy. over the years I've learned how to master those. but at first all I did was accidentally make flower patches.'

percy looks at you, frowning. 'you what?'

you laugh, then point to your shoes. they look like you've worn them every day for the past five years. which you have, somehow they won't wear down.

'these were a gift from my mom. if I don't wear them, flowers grow where I walk.'

'really?'

you nod and take them off. you get up and walk a circle around percy. and indeed, flowers grow where you put your feet down on the grass. you pick one and give it to percy, then put your shoes back on.

'it's the only thing I still can't master. maybe it's not something to be mastered. I'd ask my mom but the only time I saw her was when I was out fighting for my life. wasn't really the time to ask about flowers. she didn't even give me my shoes in person, just sent them here.'

you and percy are silent as you look out over the valley. you remember your first days at camp, how scared you were. you didn't know anyone, you were told your mom was a goddess, and you could never have a moment alone because there would always be someone who could find you based on the flowers you left behind.

'everyone here has been through what you're going through now.' you say. 'maybe they didn't experience it in the same way. I mean, you did kill the minotaur. but all of them have been confused, wondered about wether they belong, if there's something wrong with them. we all found our way in the end.'

'did you feel like you didn't belong?'

'sure. but then chiron explained to me it's all because of the gods. we've got dyslexia because our brain is wired in greek. the adhd is from our need to fight. it's all in our dna. just give it time, you'll belong. any other questions?'

'what do you do when you're not at camp?'

you smile. 'try not to run into any monsters and wait for the time to go to camp again. you'll find your family here, percy, trust me. now let's see if the aphrodite can teach you anything.'

you get up and offer your hand to percy. after pulling him to his feet, you start to walk toward the aphrodite cabin.

'you know, regardless of what cabin you belong to, you can always come to me if you have any questions.' you say.

percy smiles at you. 'thanks.'

A/N: If you want to request something, make sure to read my house rulesHere’s the list of characters I write for. Everything that I have written can be found on my masterlist. Please don’t repost my work, as I spend much time and effort on it!! Thank you for reading! Much love, Marit/Max

[rayaverra]

Jealousy Unleashed // Luke Castellan

pairing: luke castellan x fem!reader

genre: angst

request: Hi, could you do Luke castellan x fem reader where the reader makes Luke jealous? Thank you!

summary: you and Luke had an argument, and now you try to break his silent treatment by making him jealous.

warnings: probably language

wc: 1k

notes: I had many ideas of how to approach this, but I decided to make it a bit angst. hope you like it :)

english is not my first language, so there may be mistakes.

・❥・༶•┈┈୨♡୧┈┈•༶・❥・

You and Luke were a beautiful couple, but just like all couples, there was problem in paradise. You didn't argue a lot, but when you did, oh boy! You were both too stubborn and, above all, too proud to admit your wrongs. This time was no different. After a stupid argument (that neither of you remember the cause of because it probably was something stupid), Luke was giving you the silent treatment. He had done this before, but he never lasted longer than a few hours because neither of you could go very long without talking to the other. But this one had been going on for almost two days, and you wouldn't let it pass.

You were at the bonfire sing-along with the Apollo cabin, blatantly talking and laughing with anyone who wasn't Luke. When he attempted to get your attention from across the bonfire, you glanced at him, then turned back around to continue your conversation with Charles.

Luke crossed his arms, gritting his teeth. "Stay calm," he thought to himself. "She's just talking to Beckendorf. He's like four years younger than her."

Just when he started to cool off, you stood up from your seat. He watched as you walked your way to Nick, a boy from the Athena cabin, closer to your age. His blood started to heat up.

In all honesty, you were just talking to him to piss Luke off. It was an awful thing to do—you recognized that—but maybe he needed to suffer a little before you forgave him. Plus, maybe this would make him break his silence and actually talk to you instead of glaring like a little kid from across the room. If Luke wanted to hold a grudge, you would too, and you knew he wouldn't apologize unless you took action.

And of course, you refused to be the one to apologize first.

The Stolls walked over to Luke, picking up immediately on their brother's increasing anger. Connor poked Luke's arm and almost jumped back when Luke gave him a look of murderous rage. "What do you want?" Luke snapped, looking over Travis' shoulder as you leaned toward Nick a bit more. "I'm a little busy, as you can see."

"Totally!" said Travis, rolling his eyes.

"Maybe you should just apologize to her instead of glaring at the back of her head while she talks to Nick." Connor said, glancing over his shoulder at you.

"Who isn't exactly ugly, by the way." Added Travis, reminding Luke how most of the girls at camp consider him attractive.

"You don't know her like I do, so you wouldn't understand. Now go do... whatever you were doing, I told you I'm busy." Luke waved them away with his hands and returned to his previous activity of glaring at his girlfriend, arms crossed, and a childish pout on his lips.

"Yeah, busy pretending you don't care about your girlfriend while pretty boy over there is making openly flirtatious comments towards her." Connor nudged him.

"If I were you, I would apologize now, before she and Nick get even cozier over there," Travis pointed towards you and Nick, who were sitting incredibly close. He had one hand twirling a stand of your hair, the other resting close to your knee.

Luke was furious; in a cartoon world, he would've turned red, and steam would've come out of his ears. He quickly made his way over there before you could even blink, forcing himself in between you both and sitting down right there. He leaned into you, wrapping an arm around your waist, before turning his head toward Nick and raising his eyebrows.

"That looked like a nice conversation, mind if I join you?"

"I don't think it would make much of a difference if I said no," Nick said. The smile he had on his face while he was talking to you had vanished.

Luke smirked, shaking his head. "Nope," he replied, taking your hand in his. You didn't protest; you knew this was his way of saying he was sorry and that the real apology would actually come out soon enough, that is, when Nick stood up and left. Except, Nick stayed in his seat, narrowing his eyes.

"You're not a very good boyfriend, are you, Castellan?" Nick fired, and, oh gods, you could almost see a vein flickering in Luke's forehead. "Since when do you control who your girlfriend talks to?"

Luke pulled away from you, clenching his jaw. His fists tightened, and his eyes narrowed with fury. "Watch your words, Anderson. You're treading on thin ice." He warned, his voice low and dangerous.

You leaned forward, placing one hand on his shoulder and using your other one to relax his tight fist. "Hey, cool it down," you said softly. "This isn't the time for a clash."

Luke visibly relaxed, his shoulders slumping as he gave you a small smile, grabbing your hand tightly.

Nick stood up, a smirk on his face. "Well, that's adorable. A girlfriend having to calm her boyfriend down from murderous fits of rage. How cute."

You held Luke's hand tighter, and his previous anger was replaced with a smirk of his own. "Think whatever you want, Nick, but at the end of the day, there's one thing I get to do, and you don't," he said in a triumphant voice.

"And what's that?" Nick asked with the minimum interest.

"Kiss my incredibly beautiful girlfriend." Luke said, tangling his hands in your hair and pulling you towards him, pressing his soft lips to yours. His inner self did a victory dance when you deepened the kiss, your own hands moving to his cheeks.

"You're such an asshole sometimes," you told him when you pulled away. It wasn't a lie; even Luke himself knew it. But he didn't really care, and neither did you.

He had gotten Nick to walk away and had gotten you to forgive him, all in one shot. Plus, he made out with you, which was always a bonus.

[lixzey]

sincerely yours

luke castellan x athena!reader

word count: 3.7k

warnings: none, i guess? just some good old fashioned capture the flag shit

a/n: i'm so sorry this took so long! yeah, i know i promised i'd post this yesterday, but my daughter is sick. we just got back from the ER a little over an hour ago bcs she was vomiting like crazy. so, i do hope y'all understand that i have a child to tend to, even though i already finished school.

anyway, this shall be my official early apology for lovelorn part two, which is titled “you're losing me,”

i'm gonna try my best to get that out as soon as i can, but please, do not rush me! thank you!

special thanks to my girl @jennapancake my wonderful bestie @lilmaymayy

ONE TWO THREE FOUR FIVE

“There was something 'bout you that now I can't remember, it's the same damn thing that made my heart surrender,”

Dear Luke, 

I bumped into you today. Gods, you looked so majestic from my point of view. I got lost in your eyes, again. Pretty sure if I stared just a little bit longer in your beautiful eyes, all the molecules in my body would combust.

There was something 'bout you that now I can't remember, it’s the same damn thing that made my heart surrender.

“For the love of Ares, write your damn letter after we get the flag!” Clarisse groaned, her electric spear sparking slightly, snapping you out of your lovesick daze.

“Why not? It’s not like the other team’s here,” You shrugged, crossing your legs over the  other. “I have plenty of time to write.”

“It’s not like the other team’s here,” Clarisse mimicked the tone of your voice, rolling her dark eyes. “We are at battle, Y/n! Write the damn letter after we win!”

“Let the girl write, Clarisse,” Silena chuckled, sitting beside you with a soft smile. “She’s just so in love with pretty boy, Luke.”

“Silena!” You shushed, craning your neck to glance around if someone was nearby. “Someone could’ve heard you! He could’ve heard you!”

“Relax, lover girl,” Silena smirked, flicking her long dark hair over her shoulder. “No one’s here, no one would dare to approach this side as long as Clar is here.”

Clarissed bobbed her head to the side. “What she said.”

“Shut up,” You grumbled, folding the paper and stuffing inside the back pocket of your shorts along with your pen. “Someone from our team still could’ve passed by.” you huffed, folding your arms over your chest.

“Yeah, so shut up about your pretty boy.” Clarisse rolled her eyes. “Not everyone wants to hear how beautiful his eyes are.”

“Can’t blame her, though,” Silena shrugged her tan shoulders. “He’s so pretty, a sight for sore eyes.”

“He’s a sight for my sore eyes,” You sighed dreamily, resting your chin on your hands.

“Ugh,” Clarisse scrunched her nose. “Are you sure you’re not a daughter of Aphrodite wrongly claimed by Athena? Or at least a legacy of the love goddess?”

“If she was a daughter of love, I would know.” Silena answered, picking up a pebble and throwing it gracefully into the creek right in front of the three of you. “She's definitely not a legacy either. Just an Athena kid in love with a son of Hermes, stupidly in love with said son of Hermes.”

“Hey! I am not stupidly in love-” 

“You aren’t?” Clarisse raised a brow. “You were literally just babbling about bumping into him ten minutes ago.”

“Yeah, but-”

“And, you were blushing when you found us.” Silena added, smirking. “Oh, Sil, Clar, I bumped into Lukey! He smells so good, oh gods I love him so bad!”

A blush crept onto your cheeks, the shade of strawberries down at the patch invading your face despite trying against it.

“Aw, you look like a strawberry,” Silena giggled, pinching one of your cheeks.

Before you could utter a word, you heard the sound of rustling leaves and branches snapping to your left.

Clarisse’s head whipped to the side, most likely hearing the intruding sounds. “Get ready,” she muttered, lifting her spear in fight mode.

You nodded, quickly rising up to your feet, grabbing your shield that was sitting unused on the forest floor as well as your celestial bronze sword at the ready. Silena stood beside you, red and pink armor shining in the sun as she held her sword in one hand and shield in the other. She looked so effortlessly beautiful, making you slightly jealous.

Silena was your best friend, and has been since you first arrived at camp. But you couldn’t help but wish you were as pretty as her. She had long gorgeous hair, striking eyes, and angelic features, the look you wish you had. Maybe, if you were as pretty as her, Luke would give you his full attention like how boys did with Silena or any daughter of Aphrodite.

“Oh, hey guys,” A voice you knew oh so well brought you back to reality. Your eyes snapped upward, meeting the eyes of Luke Castellan.

Shit.

You look at Silena and she’s already grinning at you. Clarisse, matching Silena’s with crossed arms. 

“Hi, Luke,” Silena greets him with a smile, a slight teasing tone in her voice directed at you.

“What’cha girls up to?” Luke asks, leaning against a tree. Even when he’s sweaty, gods, he’s handsome.

“Nothing!” You quickly answer, averting your gaze away from him, the blush you had earlier still not leaving.

“Where’s the flag?” Clarisse asked, peeking behind the counselor of cabin eleven.

“It’s with Annabeth, don’t worry,” Luke assured with a chuckle. “She isn’t letting the flag out of her sight, won’t even let me touch it.”

“The other team’s flag?” Clarisse raised a brow expectantly. 

“The Stolls are on it, Chris too.” Luke answers, running a hand over his chocolate curls, making you gulp. Fuck, he’s too damn hot.

Silena cleared her throat, noticing how nervous you are. “Hey, Clar? Let’s help the boys.” 

Clarisse looks at her incredulously, but Silena raises a brow at her. “Okay, fine. Let’s go.”

Your eyes widened. “Wait, what?”

“Luke, you okay with keeping Y/n company for a bit?” Silena asks with a smirk, fixing up her armor.

“Yeah, sure, no problem.” Luke smiles, oblivious to the fact that you are blushing like a ripe red fruit in season.

Shit, shit, shit. You thought, watching the teasing looks of your friends as you stood there obviously frazzled. “No, no, I’m uh, coming with you!” You stammered, nearly stumbling forward. “I’m gonna help!” your voice sounded a little squeaky, making you visibly cringe.

Clarisse snorted, slamming the end of her spear onto the forest floor, the tip sparking like fireworks on the fourth of July. “You stay here, smartass,” she says with a teasing grin. “He's got you covered, right Castellan?”

Luke nodded, a lopsided grin on his handsome face. “I got ‘er, don’t worry,” he chuckles, walking towards you, slinging his muscular arm around your shoulders, pulling you slightly closer to his armored chest. “Wouldn’t want to get maimed by three cabin heads.”

“You’ve got Annabeth, Clarisse, and me to deal with if she gets hurt.” Silena says, pink glossed lips curling into a smirk.

You scowl, folding your arms over your chest. “I can fend for myself, thank you very much.”

“You wouldn’t mind if Lukey here protects you?” Silena chuckled, flicking her long hair over her shoulder, her eyes changing to the shade of Luke’s—chocolate brown, amber in the sunlight.

You crossed your arms over your chest, glaring at your best friends. “I’m perfectly fine without a man,” you grumbled, trying your best to sound nonchalant.

“Uh huh,” Clarisse smirks at you. “Say, Luke, you wouldn’t mind saving our smart ass friend, would you?”

“Not at all,” Luke replies, his lips mirroring Clarisse’s. “What’dya say pretty girl? Y’ mind if I save you?” he continues, nudging you slightly with the arm along your shoulders.

Silena and Clarisse snort at Luke Castellan calling you pretty girl. You were a hundred percent sure that Silena would be teasing you relentlessly after the match because of it. 

You narrow your eyes at your ridiculously annoying friends, before slowly averting your gaze towards Luke. Good lord, does this light do him good. “N-No, I don’t mind…” You trail off, your face becoming a little too hot as Luke's perfectly handsome face just inches away.

You feel your heart beating loudly in your chest, making you wonder if the decibels of said beating were audible enough for the boy who’s causing your heart to beat so rapidly.

“That settles it!” Silena clapped her hands together, snapping you back to reality. You quickly push Luke’s arm off of your shoulder, taking a step back away from him as if he had some sort of deadly disease.

I can’t risk him knowing I have a crush on him!

“See you later, pretty girl!” Silena chuckles before grabbing Clarisse’s arm, pulling the daughter of Ares along with her.

As soon as your friends faded from your view, you immediately scramble towards the log you had been sitting on a while ago. You were desperate to hide the fact that you had feelings for the boy standing just meters away. You had to act all tough and calculating, just like your little sister.

“You know,” Luke started, walking in your direction, sheathing his sword in its holster. “From this angle, you look like Annabeth.”

You look up at him, raising a brow, hoping you looked at least intimidating. “How so?”

Luke hummed, taking a seat beside you, placing his shield down on the forest floor. “You had your lower lip out in a pout, just like Annabeth when she’s in deep thought.”

“Who says I’m in deep thought?”

Luke smiles, shaking his head with a chuckle. “I just assumed, since Annabeth is my sister-” he cuts himself off momentarily, looking at you like he had offended you. “I mean, she’s your sister, not mine, you know? Godly parent wise.”

“It’s fine, Luke,” You laugh, giving him an assuring smile. “You have been Annabeth’s family since she was seven. We all know that no one, and I mean no one, can ever replace you as Annie’s big brother.”

Luke sighed a breath of relief. “For a minute there I thought you were going to get mad at me.”

“I mean, there is nothing to be mad about.” You smile, before suddenly remembering the unfinished letter you had sitting in your back pocket. 

Shit.

You quickly whipped your head around to see if the letter had fallen out of your pocket, before reaching in your back pocket to check. Thank gods, it’s still here. You push it down deeper in your pocket, if that was still even possible. It's better to be safe rather than sorry.

“You know, you and Annabeth have a lot in common.” Luke says, leaning slightly to the side, looking you up and down, causing you to feel a little shy.

“Yeah?” You squeak out, your eyes visibly widening like stormy gray drachmas before quickly clearing your throat like nothing happened despite the pink tint on your cheeks. “What makes Annabeth and I so similar?”

“Well, for starters, you’re both smart and wise. I mean, yeah, it’s already given because your mom is Athena.”

You playfully raise a brow at him. “What else?” you ask, the corner of your lips twitching into a small smile.

If you were being honest, you were liking this. Just you and Luke, alone—well, not technically—in the woods just chatting about the similarities between you and your younger sister. Personally, you’d prefer something else as a topic. Although, Luke pointing out the similarities between you and Annabeth would mean that he looks at you like you do with him.

It wouldn’t be wrong to assume, would it? Since he had just implied that you and Annabeth had a lot in common. Perhaps even in ways you don’t even notice.

Does this make you delusional? Maybe. But there’s no wrong with that, right?

“You both zone out,” Luke chuckles, wiping off the sweat on his forehead with the back of his hand. “Usually, during mornings. Annabeth, she says that it’s because of lack of sleep from reading all night.”

You stifle a laugh, fully knowing that Annabeth spends a lot of time reading during the night. She says that it’s the only time she has during her day, since she prefers getting all of her chores done before getting into leisure activities. You often wonder how on earth does she manage to function with only three to five hours of sleep, when a child her age is supposed to have more than eight hours of rest.

“Well, that’s an acceptable reason to zone out.” You chuckle, pushing back strands of your hair behind your ear, simultaneously wiping off sweat on your brow bone. “I stay up most of the time too, but I don’t overdo it like our little sister. Quite frankly, I do get cranky if I get little to no sleep.”

“I’ve noticed,” Luke snorts, giving you a teasing smile. “You won’t talk to anyone until you’ve gotten your morning tea. A cup of hot peppermint tea with two slices of lemon, a drizzle of honey, and sometimes you add sprigs of mint you ask Katie to grow for you.”

“You know how I take my tea?” You ask, confusion in your features. “I mean, why do you know how I take my tea?”

“It’s kinda hard not to memorize your tea preference when I hear it every time I pick up Annabeth for training.” Luke answers, causing heat to rise up to your cheeks which you hoped that Luke would not notice.

“Oh,” you mumble, realization kicking in. “That makes a lot of sense, actually.”

“Also, you don’t drink it right away. You wait at least two to three minutes—at least from what I see from my table—before taking a sip.”

You suddenly feel butterflies inside your stomach, your cheeks felt like they were getting hotter by the second. You hoped so badly that Luke wouldn’t notice how you were blushing profusely like a teenager in love—which you are, obviously, unless Luke was utterly oblivious to see right through your facade.

Before you could answer, you hear leaves rustling along with heavy footsteps heading towards you and Luke. You quickly rise to your feet, grabbing your sword at shield in defense.

“Enemy team, nine o’clock,” You simply say, the gears in your head moving around to come up with proper battle strategies. 

Luke laughs at you as he stands up. He had his sword still in its holster. “Let me guess,” he chuckles, placing his hands on his waist. Gods, he is so fucking slutty. “Calculating ways to beat their asses?”

You roll your eyes at him. “Obviously.” Luke Castellan was the love of your life, but you were not going to lose a game of capture the flag because of him. “Why aren’t you in position?”

“Relax, pretty girl,” Luke waves a hand dismissively as he smirks at you. “I won’t let anything happen to you.”

You glare at him, a scowl on your lips. “I can protect myself, thank you very much.”

“Eh, humor me,” Luke nudges your shoulder, a lopsided grin on stupidly handsome face. “It’ll be fun.”

“If you weren’t-” you tried to retort, only to be cut off by Lee Fletcher’s voice. 

“Where’s the flag, Castellan?” Lee demands, moving closer towards you and Luke, his siblings following closely behind, ready for a fight.

You wanted to laugh so badly. It was like they were still new to the game. It made you wonder whether they were purposely forgetting the fact that Luke Castellan is the best swordsman camp has seen in the past three hundred years or they’ve never learned their lessons.

“You’re not getting it, Lee. You’d have to get through me first. If you happen to get through me, which I highly doubt, then you’d have to get through Luke—which I can guarantee will not be good.” You taunted, sword at the ready. You then turned to Luke, who was smiling at you. “What?”

“Didn’t know you think so highly of me,” Luke grinned, pulling his sword out of its holster. “Careful, that might get to my head.”

“Whatever,” You roll your eyes at him, trying your hardest not to blush and fall in love with him even more—if that was even possible at this point. You then turn your attention back to the enemy team. “Let’s get this done and over with.”

“Done flirting?” Michael Yew teases from behind Lee, a smirk plastered on his lips.

You scowled, heat rising to your cheeks for the nth time this day. “We weren’t flirting.”

“Eh, looks like it,” Lee snorts, causing his siblings to erupt in laughter. 

You glared at Lee, but before you could say anything, Luke charged at Lee—instantly disarming him without even breaking a sweat, the tip of his sword just below the son of Apollo’s chin and his sword in Luke’s hand.

“What she said,” Luke growled, glaring at him as he pushed his sword forward, grazing Lee’s neck.

Lee whimpered at Luke’s mercy, his eyes closed shut as his siblings stood behind him like scared little kids—well, most of them were. 

“Luke, stop,” You gently placed your hand on his shoulder, feeling a thousand sparks coursing through your veins. When he didn’t budge, you sighed. “Come on, Luke, he’s not worth it.”

It took a minute, but Luke moved his sword away from Lee, though he was still glaring at the son of Apollo. “Get out of my face before I-”

“Luke,” You sighed, grabbing his arm and pulling him to the side before casting a glance at the son of Apollo. “Go, if you know what’s good for you—all of you—go.”

You then turned your full attention back to Luke, his eyes meeting yours with just a few inches separating your faces from another. You felt his breath hot on your skin, sending shivers down your spine. Oh gods, help me.

“No can do,” Lee mutters under his breath, pulling his sword out from its holster. “Attack!” he yelled, charging towards you and Luke.

Acting on your instincts, you immediately grabbed your sword, blocking Lee’s attack, maneuvering your sword, putting your whole weight into a downward thrust. Lee’s sword rattled against the stones, the tip of your sword poking his armor. You then pushed him back with the flat of your blade, causing him to stumble back over a rock, falling on his ass.

You whipped your head around to find Luke disarming Michael Yew with ease, he then grabbed the son of Apollo’s arm, twisting it before shoving him to the side. “You should’ve used arrows.” he taunted the younger boy, a smirk on his lips.

To the side, you saw another child of Apollo—Dawn, you think her name was—sneaking up on Luke, aiming her sword just above his jugular vein.

You quickly ran towards Luke, sliding under his legs, causing Dawn to trip and land face first in a pile of leaves—well, you hoped it was more than just leaves.

“Wrong move,” you laughed deviously, blowing strands of your hair away from your face. 

“Thanks,” Luke chuckled, helping you back on your feet. He then rolled his eyes, letting out an exasperated sigh, before jerking his head behind you, only to find Lee charging towards you.

Luke immediately passed you a shield, which you quickly slid on the ground in Lee’s way, causing him to trip and his sword to fly out his hand and fall just below your feet.

You quickly knelt down, picking the sword up and passing it to Luke with a grin. “Nice save, Luke.”

“You flatter me too much.” Luke chuckled, tilting his head to the side. “I should be flattering you! By the gods, you looked like a warrior princess!”

“I did not,” You laugh nervously, feeling your cheeks heat up again. “I simply did what I was trained to do.”

“Yeah, well- stay down!” Luke pointed his sword at Lee, causing the boy to sigh heavily. 

“Fine, we surrender!”

Luke turned his attention back to you, giving you a lopsided grin. “Where was I?”

Before you could utter a reply, loud cheers and laughter rang out from the distance, making its way closer to where you and Luke were standing. You see the Stoll brothers along with Chris Rodriguez waving the enemy team’s flag in the air as Clarisse waved your team’s flag in victory. 

“We won!” Clarisse laughed heartily, smiling victoriously as she slung her arm around Chris’ shoulders. “Wave it in their faces, Rodriguez!”

“We won!” You squealed, looking at Luke, your hair bouncing in the air as you jumped up and down. “We won! We actually won!”

All of a sudden, Luke picked you up by the waist, twirling you around like a princess in those movies you watched as a child.

“We won!” Luke laughed as he spun you around like you didn’t weigh anything, causing you to erupt in a fit of giggles. “I knew we’d win this!”

“Victory!” You laughed as Luke stopped twirling you, your stormy eyes meeting his chocolate ones as you felt the world pause around you, their cheers fading as Luke smiled at you—that annoyingly handsome smile you’ve come to love—as you felt your heart beat like a bass drum.

You sighed contentedly, yours and Luke’s faces just a few inches away from each other.  “We won,”

“Yeah, pretty girl, we did,” Luke grinned, you could’ve sworn you felt his hold on you tighten as if he was bringing you in closer, but you didn’t want to be delusional so you just laughed it off.

“You guys done flirting?” Clarisse’s voice snapped you and Luke out of your little world. Your eyes widened drastically, your cheeks reddening like a tomato as Luke placed you back down on your feet. You then quickly scrambled towards Silena, Annabeth, and Clarisse, looking embarrassed as ever.

“We..we weren’t flirting!” You quickly told your friends and younger sister, as you reached into your back pockets for some extra hair ties you kept to tie your hair up.

“Uh huh,” Silena teased, smirking at the way your cheeks reddened up. “Whatever you say, pretty girl,”

“Shut up,” You grumbled, tying your hair up when the realization settled in.

The letter was gone.

Oh fuck. 

“Oh shit, fuck, god damnit!” You immediately started looking around for the crumpled paper hoping no one had noticed it yet, unfortunately there were still a lot of campers around, and one must have seen it already.

“What is it?” Annabeth asked, raising a brow at you as she slipped her dagger in its holster. “You okay?”

“Yeah, fuckin’ fantastic!” You say frantically, still scanning the area for any sign of your unfinished letter. You mentally pleaded to your mother to help you find the letter, desperate measures require desperate solutions. Hell, you even started praying to the goddess Aphrodite for help.

Mom, come on, if you love me, help me find my love letter!

Aphrodite, oh goddess, help me in the name of love!

“Oh fuck, you have got to be fucking kidding me.” You say, finally spotting the letter.

In Luke Castellan’s hands.

“Motherfu-”

taglist: @ma1dita @m00ng4z3r @woodlandwrites @sflame15-blog @the-sylver-dragon @ceruleansx @evsolostheuniverse @patitotodd @emryb @onecojg @caramelandvenus @yourfavoritereader @fennecswife @lynbubble @scarletsapphic @lvrgirl6999 @harrysnovia @nyxikae @mxtokko @sc4rl3ttdafoxx

[kneazle]

A snippet of the Tommy & 118 fam fic I been trying to write

Tommy yawned as he walked into the kitchen at Bobby and Athena's from outside, part of him yearning for his bed when the tired, heavy feeling returned. He grabbed a beer from the fridge but leaned against the counter instead of heading back out there. Tommy yawned again and took a sip. While everyone outside was off shift today, he himself had just come off one, but there was no way he was missing one of the 118 get-togethers no matter how much he longed for sleep. 

"Hey Tommy." He blinked his eyes open, not realizing he'd even shut them.

He rubbed his eyes and smiled, "Hey May."

"You know, no one would fault you for going home," She reached into the fridge for an iced tea. "You look like you could use a good night's rest." 

Tommy chuckled, "Are you saying I look terrible?" He knew he could go and everyone would understand, but he hated to miss out– and Tommy knew a good sleep wouldn't happen without Evan there. They didn't sleep together all the time as their work schedules didn't always line up, but Tommy slept better when Evan was there.

"No!" May rolled her eyes with a soft laugh, "Just tired, and I heard Buck tell the others you got off a long call right before the end of your shift."

"I'm alright I promise. Now, why are you here talking to me instead of out there?" 

May bit her lip and fiddled with the label on her drink, "I wanted to ask a favor."

"Sure, you name it."

"Will you teach me how to fight? Or defend myself..anything really– if not it's okay it was a silly idea–" 

"May!" Tommy interrupted raising an eyebrow, "Of course I can, it might be a bit difficult with our schedules but we can make it work."

May breathed out a sigh of relief before sending him a beaming smile, "Thank you Tommy! Seriously." 

"Is there a reason why you suddenly want to learn?"

"I–" She sighed, "Don't tell mom, but there's been a string of attacks on campus, nothing real bad but enough to have us all a bit rattled."

"May–"

"It's okay really!" She gave him a reassuring smile, "I'd like to be prepared for more than just throwing a punch if needed, that's all."

Tommy tilted his head, squinting his eyes slightly at her before sighing, "Fine, but you know she probably will find out at some point– it's Athena."

"If it comes to that then I'll deal with it."

"Any particular reason why you're asking me though?" He gestured out to the yard, "You have other options like Eddie for example, you might be more comfortable with someone you're familiar with."

May wrinkled her nose at him in confusion, "I asked you, didn't I?"

"You–" Tommy gaped for a second, "What?"

"We don't see each other much, but Buck talks about you so often that it doesn't even matter," May smiled, "I know I can trust you not to say anything and besides, Buck is kind of like an older brother to me which means you'll be one too when you get married!"

Tommy's eyes went wide, his jaw dropped as he sputtered. May grinned and backed away before taking off for the backyard, her gleeful laugh ringing out in the room leaving him behind stunned.

[stagefoureddiediaz]

Costume Meta 7x04

How we all doing?? have we managed to find some semblance of equilibrium in this new world where we have canon bi buck?? I’m not sure I’ll ever know how to exist in this world but that’s fine with me! I’m still here writing my silly costume metas and having a blast in this bright new world!

No Hen this week as we never see her out of uniform!

The rest is below the cut because you would all hate me if i clogged your feeds with this beast (shes 7k)- you have been warned!!

Actually going to start this week with a uniform out of work section!

Because three times in this episode, we had one of the firefam wearing an element of their uniform out of work and its actually pretty key!

We have Bobby in his LAFD polo when he informs Athena that Harry is wanted for assault and he fled the state.

Then we have Chim at the basketball game in his LAFD hoodie

And finally Buck at the airfield on his tour with Tommy.

All three are playing into the idea of protecting ones self by being in an official capacity in some way. Firefighters (like all first responders) are of course there to 'protect and serve' the community.

Bobby delivers the news to Athena about Harry - he's in uniform because he can inhabit a small aspect of his captain mentality - makes it easier to deliver the news and also gives him the distance to play the 'don't shoot the messenger' card if necessary.

Chimney has to step into paramedic mode at the end of the scene. The LAFD hoodie separates him from everyone else at the court and foreshadows that he will have to 'go to work' its also about chimney being there as the colleague not the almost brother in-law of Buck. An important distinction - it protects Chim from being seen to favour anyone (specifically from Buck. (Buck is angry and not being rational so Chimney has protection from Bucks potential anger for helping Eddie - Buck is already feeling awful by that point so the protection isn't needed but it provides cover if it were) and allows him to go into first responder mode. (this is so badly worded but I'm sure you get what I mean!!)

Buck is at the airfield under the guise of wanting to find out more about becoming an air support firefighter - its the cover under which he is operating to try and befriend Tommy. The jacket also provides him protection from Eddie when he shows up and finds out Buck is not coming to Vegas with him and Tommy.

Bobby

Just the one costume for Bobby this week - a maroon tee that her's wearing to sleep in. we see him in this colour a lot - its a bit of a staple colour for him and I've spoken a lot about maroon tees and shirts representing parental roles in relation to the various children of the 118. Its no different here -we can see from Bobbys face he isn't buying what Harry is saying and the parental concern we see evidenced here plays out with him calling Michael and finding out what is really going on.

Athena

Athena wears a lot of black this week, which is fairly typical from her, although we are in a much more overall muted palette than usual and its missing the jewel tones we're used to seeing her increasingly wear. its a bit of a signal of returning to normality now they're back from the cruise disaster.

She starts off in black and pink pyjamas but I'm going to talk about those at the end in the pink section so we're skipping ahead to this ruffle smocked cream blouse and her gorgons head necklace is back. the ruffling is an nod to her feathers being ruffled when Bobby tells her about Harry and his arrest warrant, and the white with the black trousers is about things being black and white - for Athena as a cop things do tend to be black and white when it comes to the law - of course Athena has always been one to work within the law to bend the rules but in this moment things are black and white.

Then we have her all in black with a red longline cardigan which has a open weave that give the appearance of mesh or a cage. The show has been using Red since day one which makes sense as it is a first responder show and you literally cannot escape it when the fire trucks are red! But they have always been pretty careful about when they use bright red in the costuming meaning its appearance with such regularity this season so far is pretty telling. Its an advance warning of incoming danger/trouble/strife, but it is rarely worn by the one who is directly in danger - they will be involved, but not the centre of it. The best example of this is Bucks bright red broadcloth shirt when Christopher calls him because Eddie is smashing up his bedroom.

Here we have it on Athena in the scene when things are about to properly kick into action with Harrys story. Athena is literally a red net about to ensnare Harry. its the one time in this episode we see Athena in a bold bright colour - something that generally is attached to her being happy or having fun, but not here.

The denim sleeveless shirt/jacket when Athena goes to the hospital to visit the lady who shot her son (does she have a name - I cant remember!) and later to talk to Harry about the reality of his altercation, is quite bulky and blocky. It's far less fitted, structured or flowy that we are used to seeing on Athena. To me this is about playing into her struggles to tread the line between mother and cop - that neither role fits right. That denim is also a fabric associated with labour, it suggests Athena is working hard to figure it out.

Then we get this all black outfit when she takes Harry to the station - it is such a simple yet effective bit of costuming, especially with the silver zips and buckles- it blends her in with the police officers in the station so she can hover the line between mom and cop - and makes it look like an arresting officer bringing in a suspect.

Harry

New Harry comes with a new style!!

I actually can't wait to see how they dress him over the rest of the season because there was a definite colour theme at play here this week with all the beiges, greens and redish browns which is very not how younger Harry dressed (he was much more bright colours).

Not going to lie - my hatred for the copaganda and the fact I've been in Bi Buck land since the episode aired has made it hard to focus on Harrys outfits in greater detail, but I do have a few thoughts!

This first shirt is a map print, maps denote journey's andHarry is on a literal and metophorical journey - the literal being the one he made form Florida to LA. The metaphorical one is all about his journey to become a man, and learning to take responsibility for his actions, so this shirt is essentially setting out his arc for the season - Makes me feel like the storylines with harry we're going to see are going to be about the community service he has to undertake and him figuring things out and growing up a bit in relation to that.

Then next up we have this cream hoodie with an brownish beige pocket. the thing I found interesting about this choice was the fact that Harry played himself off as innocent. lawyers usually instruct their clients to wear white shirts to court, and to avoid loud patterns. The white is because i suggests purity or innocence, and the loud patterns should be avoided because it suggests you're trying to employ subterfuge (that you're lying). So Harry wearing a block of cream is a play on this idea. We see him in the map shirt before - when he is employing subterfuge about his reasons for visiting, and now this cream is him trying to suggest his innocence to his mother - the use of cream rather than white is telling us that he isn't as innocent as he is making out!

Finally we have check theory (my most beloved) in play. harry returns to wearing patterns - this one check and in greens and browns. there is an element of military to the green shades, its a coloour we've seen used on Eddie to show his military background, but it is also a colour frequently worn by Athena - usually when she is fighting for her family in some way. Here it feels like a refelction of that, with the added aspect of green being a colour of growth. Harry shows contrition and is willing to take his punishement, showing his growth, but also showing his understanding of fighting for his family - and Athenas willingness to do the same. its showing us tht he is his mothers son. And of course the check is the pointer towards the fact he is in trouble - that his earlier protestations of innocence were false!

Then we move on the he Buckley-Hans

Chimney

Only the one for Chimney this week, it's a very short scene where he is completely oblivious to the tone of the conversation. He's dressed completely in greys and is by all accounts neutrally costumed. this is intentional - he's not the focus of this scene and when we think that so much of this episode is shown from Bucks pov, the use of neutral grey makes sense - Buck is projecting on to chimney in this scene. Buck himself is speaking his jealousy and fear, while what Chimney says is actually the little voice inside his head that isn't in fact jealous of Tommy, but is impressed by him

Maddie

Again only two costumes for Maddie this week and one of them is her dispatch outfit, but I'm including it because of its place with a mini colour theme for this episode, which both of her outfits play into.

I spoke about the use of red in Athenas section and its representing danger, and it is in play for both of Maddie's outfits, the wearer changes though. In the first scene, Maddie is in blue - dark blue. a tee with 'The Great School' and bobcat logo on the front. I love this, the bobcat is a symbol of inner strength and resilience in the face of adversity, while Maddie is a great source of learning for Buck - he essentially raised him and has been a sounding board for him since she returned to his life. Maddie is the next level wise older sister, her point of view is important to Buck and is grounding for him. She had got him to back down from his spiral over Eddie and Chris, until Chimney came in (and like I said above, that was Bucks inner voice, not really Chimney)

Then we have her dispatch uniform and its red. This is a clever play actually, it allows the costume team to put Maddie into red, a colour we don't really see on her outside of work (a deliberate choice as it helps distinguish work from non work to the audience). Just like Buck was the angry one in the other Buckley siblings scene, her Maddie is the one who is angry (with good reason) and we again get Buck recieving education at he hands of Maddie - in her place of work where she is a lifeline to people and where she holds authority. Buck needed her in a lifeline capacity in this moment and he got it, despite her anger. She gave him the advice and help he needed.

Eddie

Eddie my man looking suave and confident - this Eddie is Bucks version of Eddie so of course he looks cool, well dressed and in a green and black combo. In nearly every scene where Eddie nad Buck have a deep meaningful conversation - one that gets through to Buck on a higher level - that works on Bucks abandonment complex, Eddie is dressed in a black shirt and khaki green trousers (the only exception is the will reveal when he's in navy blue but that is to play in the yellow blue colour theming and its a close to black as they could have a blue!), this outfit is an inverse though, which is actually really clever. Eddie (Bucks version) here is playing into Bucks fear of abandonment - Bucks version of Eddie has spent so long building him up and chipping away at that fear that to invert that colour theme and have green on top and black trousers is a fun way of inverting that chipping away at Bucks fear - this is putting another brick in that abandonment wall

The black tank top!! Its back and everybody cheered! Ok so I wrote this meta about when the show puts Eddie into a black tank top and how it means he's in an emotionally vulnerable place and once more, the theory plays out. Obviously Eddie gets physically injured, but his face when he looks at Buck after he's gone down shows him emotionally vulnerable. Yes there is a little bit of anger and a lot of pain in the look he gives him, but there is also understanding and a little guilt too.

It's the moment Eddie realises that he has unintentionally sidelined his best friend, and the effect that has had on Buck and his abandonment issues. This is Eddie showing his truly deep understanding of Buck and how Buck ticks (and because this is also from Bucks pov, its also showing us Buck understanding that Eddie understands how Buck ticks) we get all of this proven when Tommy comes over to Bucks later and clearly states that Eddie is feeling bad about the whole situation.

It is also worth noting that When Buck has seen Eddie at the gym or being sporty in some way Eddie has either been in uniform or in a black singlet and that he always looks super competent (even if he is working through things when he is in the black singlet). From my perspective, this is an interesting choice to play into because it suggests Buck recognises Eddies emotional maturity over him, even when he's not in a great place (we can discount fight club Eddie becasue Buck didn't actually see him there), its clearly something Buck admires and places as central to how he sees Eddie.

Tommy

Tommys costuming is chefs kiss perfection to me. The wardrobe department have literally dressed him as Eddie and I am living for it.

Its a way to emphasise that Tommy and Eddie are super similar. this serves two purposes - it builds a visual connection for the audience - we don't need to be shown Tommy in the army or fighting/ training in Muay Thai etc, we can mentally make a connection to the ones we've seen of Eddies in the past and accept the information as fact. obviously not all people who join the army or undertake MMA are going to dress the same, but this is television where visual information is valuable real estate, so playing into tropes and stereotypes is a key piece of arsenal.

The other thing about it is the specific Eddies its calling back to - fight club Eddie and to a lesser extent, post breakdown Eddie when he's back in therapy and unrepressing himself.

Tommys basketball outfit is really about making him stand out from everyone else - it makes him seem to appear more because the blue shorts and the light coloured top will catch your eye, even if he's not the focus of the camera at that moment. This is all about the fact that this is Bucks perspective on things - he is seeing Tommy everywhere and feeling like he's taking over/ taking away Eddie and so we the audience feel that same thing in a visual way. The thing the blue shorts do is visually connect Tommy to buck in the next scene we see Buck in - when he is talking to Maddie at dispatch - the blues are similar enough for us to subconsciously connect back to that scene and link Buck and Tommy together rather than Buck to Eddie - who Buck is dressed more similarly too in the basketball scene.

It doesn't hurt that the blue shorts also play into yellow blue theory - especially against the sunsets yellow hues in a scene that is playing homage to a famously queer coded scene from Top gun.

Then there is this outfit from Bucks loft. again is very similar to an Eddie outfit - its the same style of shirt we often see Eddie wearing especially in seasons 4 and 5.

Tommys jeans have always been reminiscent of Eddies Jeans (I mean I know they are jeans, but I promise the significance will become clear when I get to Buck!)

Even Tommys watch is similar to Eddies Christopher watch (every other watch in the show worn by the men is all black - black strap black face and mount only the Christopher watch is different) in that it has a different coloured strap to the watch face and its mount.

The other thing I want to mention quick, is the progression of Tommys costumes in relation to them being similar to Eddies. By this I mean the first non uniform costume we see Tommy in is very stage 2 Eddie, while the one below is very much more stage 3 Eddie.

I also really like the use of a purple/red/black shot tee for this scene as well. If you watch the scene through, the way its lit changes its colour as different sections of the scene unfold. The red tones are there early on, during the apology and conversation around Eddie being allowed to have more than one friend and Christophers adoration of Buck. it gives it that air of danger lurking, because Tommy isn't sure how things are going to play out. and plays into the red/blue theme we saw with Buck and Maddie in this episode - just on a much lower level.

Then it turns this purplish shade as we move into the initial stages of flirting - from the moment Buck moves around the counter to put himself in the same space as Tommy. It gives things an air of mystery, but purple can also be a colour of enlightenment - both elements are in play here and I love they were able to do this with this shirt.

The shirt turns black at the moment Tommy says 'my attention' - the moment he essentially hold all the cards on making a move - he is the one with the power here (as the already queer person in the room) and black is a power colour, so its the perfect choice for the moment he makes his move.

Buck

Buck my beloved bi disaster. His costumes were doing some pretty impressive storytelling this episode!

We start off at the air field - I spoke at the start about this LAFD jacket and the theme of protection, but I also have other things to say about it and the rest of the costume. We don't generally see Buck out of work wearing uniform (we actually don't see many of the firefam in uniform out of work tbh) so when we do its going to have meaning. T

he thing with the bomber jacket being the choice (they could've made it a hoodie which we've seen him wear out of work more!) is that on one level plays into its name and the fact that its being worn at an airfield, while on another level it low key plays into the Buck cheating arc. which is actually fun - the idea that he's 'cheating' on the 118 by claiming he's thinking about his career options and also cheating on Eddie by trying to befriend Tommy (because at this point that is all it is its only once Eddie appears that things change).

The trousers are also important. I know I've said before about how trousers are less important than tops because they are less likely to get screen time. We not here - here they are really important, but only with the context of the rest of the episode.

These are the short in the leg dark trousers we've come to know and love on Buck - he's been solidly wearing them since season 2 and what we have seen him wearing so far in season 7 so no surprises to see them here. But this is the last time we see them and its super important and telling.

We also have Bucks white trainers - the ones that he wears when he moves forward on his journey - we see him in them the entire time this episode.

Buck and Maddie this episode have a red v blue thing going on in their scenes together. In this one Buck is in red and Maddie in blue. I spoke about the red for danger theme they seem to be using this season for the red clothes above in Athenas section and it applies here - Buck in red is foreshadowing the danger/strife that the basketball game presents as that is what he is talking about and what he is most upset about over Tommy and Eddies friendship.

It's a slightly burnt out red in comparison to Bobbys red shirt from the cruise, Athenas red cardigan, or even the red he wore when Eddie had his breakdown. Its not a full high alert colour, its a more muted and restrained colour - suggesting the danger is going to be less of a big thing, that it's just a part of it rather than the main big thing

We can also see that Buck is now wearing more traditional stonewash jeans - this is the first time we're seeing them on him since Eddies arrival at the fire house. I'll explain them in more detail in Bucks last outfit of the episode, but I needed to point their presence out here.

Basketball Buck in his white shirt and dark blue marl cut off tee - its very Buck posturing at the firehouse gym and its meant to be. Its a direct reference to the last time Buck showed any jealousy towards Eddie. The shorts are different this time in that they're white/light grey rather than black, but I think this is done for two reasons - it creates a pairing with Eddie - they are dressed similarly with dark tops and lighter grey shorts, but on opposite teams/sides.

It also makes him stand out from everyone else at the game - excepting Tommy (and a random guy in a red top with white shorts that I'm living for. When Red = foreshadowing as I've talked about above, this guys actions on the court are precursors of what is about to happen - we see him bump into Tommy - a couple of moments later and Buck does the same thing, then just before Eddie gets taken out by Buck, he gets breezed past by Eddie stumbles and starts limping. Its fun and clever and not something many people will pick up on - its a bit like the role of the bullet in Hamilton!)

Bucks bright blue chunky corduroy shirt with white tee underneath. I already spoke about the visual connection between Tommy from the basketball game and this shirt. It also fits into the red and blue theme I spoke about above - this time Buck is the one in blue and with the combination of Buck in his danger incoming white shirt and Maddie being in red it signals exactly what this scene is going to be about.

The danger, in my opinion, is Maddies wrath at Buck getting physical with Eddie. Its a perfectly valid and important response from her and plays into the growth we get from Buck in this episode that is not connected to his bi awakening - the recognition and acceptance of his bad behaviour in a far more mature way than we saw from s3 Buck.

The chunky corduroy give the shirt vertical stripes and we all know how I feel about Buck and vertical stripes at this point - I wrote about them a lot in my seasons 5 and 6 metas and the blue and white nature of bucks outfit plays into the theming that was at play in early season 6 - where Buck was free from Taylor and resisting buying a couch because he was looking for the right couch etc. (and playing house husband to Eddie nad feeding them!!!)

Here in this episode we kind of have Buck going through a similar process - free from the shackles of death and trying to figure things out - who he is and what he wants, he's still on that hamster wheel in many ways at this point in the episode but he is about to jump off it.

This is the key to happiness and Lev's advice and the year of yes scene 2.0 - the same shade of blue are at play here. Lev figuring it out ('I get it now') just as he's dying and Buck then trying to figure out what Lev had figured out and essentially failing before he died only to now get it and free himself is a blue thread we've been following through season 6 up to bucks death, then the use of this shade of blue in Bucks costumes tailed off - we saw it reappear a couple of times after the lightening strike - specifically around Natalia and his continues flirtation with death - almost like his hovering around death was him trying to grasp what Lev had figured out.

Then the blue had been gone again only for it to reappear here in this episode in a scene that precedes Bucks bi awakening and his comments about being free and 'yeah that works' with their double meanings that play in the same way as lev's 'I think i get it now' just without death coming immediately after. It's a scene when he starts to get an inkling on what his jealousy is actually about. (The fact we know he's going to be back in this bright blue in the next episode in a scene with Eddie - that is very likely a coming out scene also plays into this idea.)

And the stone wash jeans are once more there for all to see!

Then we get this dark navy blue shirt with silvery white dots and yet again those stone wash jeans.

Ok lets talk about the jeans! The fact that we haven't seen Buck wearing stone wash jeans, which if you watch the opening couple of seconds of the dispatch scene, you will see are proper normal length on him and not ankle swingers like we've got used to seeing him in for the last few seasons!

The thing with him suddenly wearing these stonewash jeans is all about imitation - imitation of Tommy (and by extension, imitation of Eddie even though we don't see Eddie in stonewash denim in this episode) because you know that old adage of dressing like the person you want to be , or the idea that you subconsciously start dressing like the person you have a crush one?? Well yeah - Buck has all these new feelings that he doesn't know what to do with, but Tommy is cool and Tommy dresses like Eddie and Eddie seems to like Tommy better than Buck now so maybe if Buck starts dressing a bit like Tommy he'lI get Eddies attention back. So he's pulled out the stone wash jeans so that he's dressed a bit more like Tommy, but he's also dressing a bit like his crush that he doesn't yet realise is a crush.

The other small thing that I think is a nice nod - So Like I said earlier, the last time we see the jeans is in 2x01 - Eddies introduction to the firehouse. This is the moment (on screen at least for us as viewers) that Buck ceases to be the probie - that baton is passed to Eddie, so its almost like a symbol of him graduating and maturing in some way. then we get the jeans back for Bucks bi awakening - we see them the entire time he's navigating all these new feelings he has - he's never been with a man, so he's like a probie again.

The thing is, that the jeans appear to be gone for his date with Tommy (makes sense - he's on a date so he's got to look good for his man!) , and from what I can tell from the (super dark even when brightened) stills from the Buck Eddie loft scene, it would appear they are gone for that scene too. We've had bts of Oliver in the jeans again, so I don't think they're gone completely, but that makes sense, he's still a baby queer after all, still navigating his way through things.

On to the shirt! I wrote a whole meta about this shirt (and the jeans actually!) when we first got this still - you can read it here and I'm still a little awestruck at how close to the mark I got!

What I want to add to what I said, now I have context is that the two previous times we've seen blue shirts with dots are played upon in this scene - the lawsuit is the obvious one and the parallel is showing Bucks growth - he got jealous and worried about being replaced and ended up lashing out and suing everyone, now he got jealous and thought he was being replaced, but as soon as he lashes out, he realises he is in the wrong and verbally acknowledges it.

The diner with Maddie scene is a bit more tricky to parse out, but for me, it ties to Doug - Maddie is quick to call Buck out when he confesses to Eddies injury not being an accident, because of her experiences at the hands of Doug. In the diner scene she is determined to go back to her apartment and her life in the aftermath of killing him - she wants life to go back to normal. In the loft scene Buck is trying to achieve that end too - he's in a new world where Tommy exists as part of his life now (as Eddies friend initially) and he wants to clear the air and move forward - so he's still a part of Eddies life.

I also want to talk about the contrast between this scene and the one where Taylor turns up at his door after the shooting and the difference between being chased and doing the chasing. Its spots v stripes!

Buck is in a similar shirt - short sleeved button up in a dark shade (black) - this one with vertical stripes for the Taylor scene and he thinks he's being chased for the first (ish) time (Abby sort of chased him but he is the one who pushed for it to be a relationship when I think she just wanted a bit of fun and a hook up! so I'm not sure if it actually counts or not). Thing is Taylor only chases him after they've already kissed and when he's then made it clear thats what needs to happen. (as an aside - Natalia does pursue Buck - not romantically, but because he has died - and she is the one wearing vertical stripes

While in this scene he doesn't have to say anything, yes he flirts, but he isn't explicit about what hewants - Tommy is the one who makes the decision to go for it, and so when he genuinely gets pursued, he is wearing dots

Chased verse's doing the chasing - dots v stripes

Then we have the Pink.

Pink is back in full force in 7x04 with it popping up regularly throughout the episode.

I didn't include Athenas pink dressing gown or Bucks pink shorts in their sections because I actually wanted to talk about them here. The context the scenes they were in gave me the information I needed to figure out what I think the purpose of all the pink we've been seeing is.

Lets start with a quick recap of all the pink from the 3 previous episodes then we'll look at the pink from this episode as well as the fact I've already spotted some for 7x05 from the trailer

7x01

Athena's pale pink top in therapy with Frank

Sue at dispatch in a pink cardigan

Christophers pencil is pink when he's sat at his desk - when he reads the letter from Shannon

Marisol in her bright pink strappy top

Lola's Manzanillo outfit is bright pink and white

Norman has pink flowers on his Hawaiian shirt and he later wears a bright pink polo shirt when he's pretending Lola is still with him.

7x02

the woman who is teaching her daughter to drive

the pink roses on Hen's jacket (which I know I said play into the theme of family bonds etc but the pink has a second meaning)

7x03

The cruise ship family nearly all wear pink at various points (grandma and mom are the exceptions)

and now 7x04

We have Ashley C in hot pink at the Bachelor mansion

Athena in her dusty pink ddressing gown (and pyjama pants

The woman who shot her son is in pink

And then there are Bucks pink shorts!

All of these scenes with the pink are scenes about either naivety and or innocence

The pink on Athena is about her being naive about her relationship with Bobby - not recognising that she is nothing to fear about them spending time together.

Sues pink cardigan. Sue's line is about the civilians at risk from the fighter jet - she is representing their innocence

Christophers pink pencil - in that scene his behaviour might be naive (he's a child so of course it is) but it comes from a place of complicated feelings as he does begin to mature - he was the innocent party in the loss of Shannon and he is the one left to suffer.

Lola is naive on the ship about having an affair and thinking she could get away with it and that it wouldn't hurt Norman. She’s also innocent in the plot regarding the bitcoin (or whatever it was)

Norman is also both naive and innocent - not recognising the fact his wife is cheating, for selling up their entire life and he is innocent in the bitcoin plot.

The mother and daughter were innocent in the car crash.

the pink flowers on Hens jacket hint at her being innocent of any wrong doing (from a departmental perspective) at the car accident.

The cruise family are innocent - just in the wrong place at rhetorical wrong time and they are a representation of all the innocent people on the boat who end up in danger on that ship.

I think the Marisol top is an interesting one - it plays into Chris being naïve thinking he can date multiple girls without them finding out. But I also think it’s foreshadowing her naivety in general - I think we might either see her immaturity in some way (perhaps on a date with Eddie) which will prove terminal for her relationship with Eddie. Now we know about this date scene coming up this is possible but it could also end up being about the fact that she is likely going to be an innocent party caught in the crossfire of Eddie unrepressing himself (much in the same way Ana was back in s4/5.

Ashely C's pink dress is a representation of the innocence of trying to find love.

Athena's pink dressing gown is about her innocently and blindly/ naively being excited about Harrys return home to her.

The lady who shot her son is innocent in that her actions were brought about by something out of her control and so she can't truly be held responsible for them.

Then Bucks pink shorts are about his queer innocence and naivety about his feelings the fact that we see them in a scene where Tommy isn’t present, a scene that is meant to inform the audience that his behaviours is all about Eddie and not Tommy - that he’s naively not grasping that part of this internal confusion that he's experiencing.

To add to all of this, we have Marisol carrying a pink bag in the teaser for next week, to me if pink theory is correct then this is playing into the idea that Marisol is naively dating Eddie and that she's going to be an innocent caught up in whatever goes down in that scene (part of this arc) the use of lighter pink here specifically on a handbag is giving me babyish vibes as well (its screaming little girl playing at dress up!). As a quick aside - I am very amused that shes been dressed in a basic black top - she looks like wait staff!

And of course there is Eddies pink ensemble that is connected to either Chims bachelor party or the Madney Wedding. I have no idea what is going to happen in this scene(s) but whatever does go down - place your bets on Eddie being innocent (and or naive!) in whatever goes on - itll be fun to see if I'm right! 🤓

Right 7k later and that is me done for this meta!!! I am handing out the tea, coffee, cake and biscuits (all dietary requirements catered for!)🫖☕️🧁🍩🍪- you've earnt them if you've made it to the end of this monster! Hope you enjoyed reading. i'm off to revel in Bi Buck some more - I can't believe its happened I'm overcome!!! 🩷💜💙

Tagged peeps as always are below!

@theladyyavilee @mistmarauder @xxfiction-is-my-realityxx @bewilderedbuckley @spotsandsocks @bewitchedbewilderedbisexual @rogerzsteven @wanderingwomanwondering @oneawkwardcookie @leothill @copyninjabuckley @shammers86 @crazyfangirlallert @missmagooglie @katyobsesses @radiation-run @gayandbifiremenofmine @bi-moonlight @crazyaboutotps @princesschez75 @alliaskisthepossibilityoflove @sherlocking-out-loud @tommykinarddd @satashiiwrites @lover-of-mine

(if the tags don't work its because people have changed their url (very valid of you!) and I didn't know, so let me know if you want tagging in future in the comments so I can catch the new urls!

[kamaluhkhan]

hi there! i have a request for loser!luke where reader shows him where to put his hands on her and he's really eager to learn x

i completely understand if you don't write this since i'm sure there are many more requests, also could i be anon please!!

pairing: luke castellan x aphrodite!reader (afab) a/n: sorry this took forever but please enjoy !!  also - this request came in before i started participating in fics for gaza; please click here to find out more about this initiative and how to participate/contribute word count: 795

MDNI !

“ugh, i told drew to clean up her shit,” you scoff, tossing away your half-sister’s used makeup wipes. “looks like the athena cabin is winning this time. 8.5/10?” 

you look at luke for his input, but it’s no use. all luke has been good for this afternoon is whining, instead of helping you with this round of cabin inspections. 

“katie loves roses.” luke stops to smell the bouquet that one of your siblings had next to their bunk. 

“everyone loves roses,” you reply as you scribble down a score on your clipboard. 

“but roses were her favorite.” luke pouts. he drops down onto your perfectly made bed, rumpling the sheets underneath him. “i hear what everyone is saying around camp, you know: about how katie gardener realized she was too good for me so she finally dumped me.” 

you bite back a wince. you might have contributed to the gossip surrounding their breakup.

you sigh and take a seat next to luke, deciding it’s time to try and make him feel better. 

“okay, castellan — enough moping. tell me what happened.”

“no.”

“luke. stop being a baby, i’m here to help.”

“it’s embarrassing.”

“well, you’re kinda embarrassing yourself already, with the whole love sick puppy act,” you point out, poking his thigh. luke swats your hand away. 

“it’s really embarrassing, though.”

“oh, please; i’ve heard it all. you’d be surprised how many people confess to the head counselor of the aphrodite cabin; i mean, i am my mother’s favorite, but still —”

“katie broke up with me because i couldn’t get her off,” luke suddenly blurts. 

there’s a moment of silence, and then you can’t help it — you burst out laughing. 

“hey!” luke exclaims. “you said you were here to help. i knew it was embarrassing!” 

“sorry, sorry.” you swallow your smile. “it’s just — did you not realize that she was faking it?” 

“obviously not!” luke groans, his cheeks a vibrant red. “she was very convincing.”

you almost admire katie — knowing that she’s worth more than a guy she has to fake orgasms for — but you remind yourself that you’re here to comfort luke. 

luke falls back onto the bed, hands covering his face. 

“i wouldn’t be too hard on yourself — it’s actually really common for women to fake orgasms. mostly because men have no idea what to do.”

“because sex is impossible,” luke groans.

“it’s not, actually. think of it this way — how’d you get to be the best swordsman at camp?”

“...through training and lots of practice.”

you nod once. “exactly. sex is the same: you need to learn what your partner wants and what makes them feel good.”

“then i’ll be the best?”

you roll your eyes. “then you’ll be the best, and katie gardner will be sorry that she ever dumped you.” 

luke doesn’t say anything, so you figure it’s time to get back to your senior counselor duties. you collect your clipboard and start getting up.

“wait.” luke grabs your wrist before you can move any further. “would you be open to….training with me?”

you hesitate, but you can’t deny that you’re intrigued by the offer. “look, castellan, you’re fragile now from the breakup and clearly not in your right mind —”

“i want to learn,” luke insists. 

and that’s how you find yourself, legs spread wide with your back pressed against luke’s bare chest. you suck on two of his fingers as you guide his other hand to your breast, prompting him to pinch your nipple. 

his chin is hooked over your shoulder, watching intently as you now bring his spit-soaked fingers down and plunge them into your pussy.

“this is a good start,” you praise. your own fingers scrape through his curls as you encourage him to go faster, harder. “now, if you really wanna make someone cum....”

you move his thumb to your clit.

“like this?” luke asks, his voice low. you throw your head back in pleasure when he presses down and starts rubbing in tight circles. luke becomes more confident after that. he curls his fingers inside you, and brushes the spot that always makes you unravel. 

per your instructions, luke keeps plunging his fingers into you as you ride out your high. once you come down, he pulls out and sucks off your juices off.

“tastes real,” he hums; you nudge his side. “what! am i wrong?”

you shake your head, and luke responds with a triumphant grin. 

“i’d say that was a good first lesson.”

“you’re already my star student,” you praise. you turn around so you can straddle him properly, kiss him and lick up any remnants of you on his lips. he moans underneath you when you rub yourself on his hardened length. “but, you still have a lot to learn.”

[tevanbuckley]

not me desperately trying to figure out a timeline for these finale stills

because it's very clearly dark out during the bucktommy date

whereas all the stills from eddie's house and the hospital look like the daytime

tommy's date outfit also seems to be the same one from that hospital bts pic. however there's also a snap of ryan clearly in his own clothes so it could be ppl were just hanging out there at some point.

and from these shots it looks like buck is with eddie when they get the call about bobby (which seems improbable bc the fire happened at night and you'd assume the firefighters who brought bobby & athena in would call them sooner but w/e)

there's also shots of buck and eddie (+ chris and eddie's parents) in different outfits that are also all in the daytime? so are presumably a different day as well.

i guess these could be from earlier scenes, like chris calls his grandparents and goes to stay with them and then the other shots are them going back to get chris' clothes or something.

but eddie also looks way more frantic in the other shots so idk, it would also mean there's somehow either at least two days between the fire and the 118 finding out or they're really stretching the timeline. (and i mean last episode they couldn't decide if buck joined the 118 five or seven years ago so it's not impossible)

we also got images of athena up and about whereas in the trailer she's still wearing a hospital gown when she goes to see bobby

i'm wondering if we actually find out that bobby is going to be okay pretty early on, just because i can't see bucktommy having a cute date night whilst bobby is on the brink of death ya know?

there's also some very cheery madney + hen shots in different outfits

(wondering if that one spec about madney fostering mara whilst henren get everything straightened out was onto something)

[pinkyqil]

player: Esmee Brugts

Esmee comforts reader after the game because reader got into a confrontation with an opponent on the pitch during el clasico

Conflict // Esmee brugts

You were never the type to starts arguing with the ref or player's. Yes you've had your moments here and there which would be rare.

but today of all day anthea decided that you would be her target.

you knew it was apart of the job but at some point she kept pushing and fouling you around like some ragdoll and you've had enough and weren't going to be pushed around any longer than enough.

It was like your teammates could read your mind. around half time alexia lucy and Irene came up to you.

after esmee had told them something you couldn't hear sometimes you loved your girlfriend but when she does stuff you don't know about it really gets to you.

"Whatever plan is going on in your little head don't do it just ignore athena it not worth running el classico for yourself". alexia told you which the other's agreed.

"Fine".was all you could get out.

"Don't let her get to you kid you got a brick heart so let's keeping playing like that". Lucy added.

"Thanks guys I'll try". You told them.

After the little chit chat the game had resume and it seemed liked the real madrid coach had told athena something. cause right now all she's been doing was bitching around and talking smack whenever she got close to you.

You ignored her for half the time and tried focusing on the game that would be before. Right now you had the ball as ona passed it to you with a clean pass.

which you got has you were about to kick it in the goal you spotted athena coming your way you quickly dribbled the ball around her. and as you we're kicking it into the goal it got to athena who also seemed to be flying in with the ball and obviously into net along with your goal.

You didn't know to celebrate or just stand there trying to think about how on earth you mange to pull that.

You wanted to get her ass but definitely not like that. before you knew it athena was marching past you and started yelling at you.

you both got into a very heated argument which lead to both teams having to pull there player.

The ref was thankful on your side after giving seeing the bull shit athena has been pulling.she got subbed off and you we're finally being able to enjoy the final moments of el classico.

Once the team had finished celebrating on the pitch everyone made there way to the dressing room.

"Ay amiga the trick you pulled on athena was badass". patri told you

"I wasn't even planning on doing that".

"as if we all know how bad you wanted to get a go at her".

"Yeah but not like that".

"Patri just drop it she's clearly not in the mood". esmee called putting an end to patri teasing she wasn't the type to always speak out as she had a very shy persona.

"lo siento, amiga". She apologized.

"No worries you told her". es you ready to go,you called out to her.

"Yeah let's go". she said grabbing you're hand.

"Bye guys". you both told your teammates before leaving.

"Thanks for your help out there and in the changing room". You told her as you both arrived at your destination.

"No worries there isn't anything I would do for my favorite girl and what patri was right earlier theway you knocked her into the net was badass babe". She told with a bright smile on her face.

"If you say so now let's forget about it and enjoy our dinner at the restaurant".

The rest of the night was filled with a lot of love from esme she made sure to give you extra massages and kisses which made you feel better.

A/n: hope the fic reached your standards,I'm always opened to you guys sending in a player prompt and location or any type of request in general and as always feedbacks and comments are appreciated enjoy reading and hope you have a spectacular day ! 🫶🏾

[pangurbanthewhite]

Hey guess what it's time to talk more about Stray Gods.

Specifically about the concept of "reactive narrative" in video games and how I think Stray Gods executes it as gracefully as you can possibly execute on the concept.

I think a lot of people balk at how choice-based games do and can only change in a limited way based on your choices. Which is a shame, because only being able to change in limited ways is a hard rule of both hardware and the concept of a story.

I think the games that handle it best are the games that lean into that fact. They should flesh out those limited choices as much as possible rather than try to stretch them to their breaking point. They should accept the reality that there WILL be fixed points in the narrative and build around them.

Example - Pan will always turn up in your apartment early on in the game and lead you into the "tutorial" song that is "I Can Teach You". But, based on your choices, the song can sound entirely different.

And that's if you stick to one color exclusively over another. You can weave the choices in and out to create dozens of unique instances.

The choices you make do not fundamentally change anything beyond the song, excluding the last choice. But those choices set the tone for what kind of story you are going to tell. Is it a story of how Grace, even when granted the powers of a god, still values her humanity and cherishes her human bonds? Or is it a story of how Grace, who begins by feeling adrift and out of place, immediately chases down any chance she has at belonging somewhere, at having a purpose? Is Pan a mentor or a source of suspicion? How big of a part does Freddie play?

Your thought processes behind making a choice, your reasons for choosing red over blue, do make a story unique as much as your choice to let Aphrodite "live" or "die". I think you have to accept that if you really want to get a lot out of these kinds of games.

Some scenes WILL always happen, and that's okay! That's good, even! Because differences in the journey matter just as much as differences in the destination! You might always wind up in the same place, but you will have told a different story in getting there. You'll be in a different headspace, you'll bring different baggage, you'll have had some different conversations which drive you to feel differently about characters along the way.

Freddie does always die, yes, but if you've spent the entire game flirting with her, expressing affection and admiration for her, traveling to find her in the Underworld leans so heavily into the Orpheus and Eurydice parallels. Orpheus becomes a dark mirror of Grace as much as Persephone.

Do you retrieve a Freddie that you love from the Underworld because of that love, or do you retrieve a friend as much out of spite, as if to prove that you can succeed where Orpheus failed? Is godhood worth her friendship? Is godhood worth her love? Are you making a sacrifice at all, or are you glad to be rid of these powers that you never asked for? Freddie returns either way, but your motivations have changed the story.

I'm getting a bit lost in the weeds here, but hopefully people get what I'm going for. The fact that, ultimately, Grace is going to wind up on trial against Athena, with the primary differences being whether or not Freddie is there driving the song, or whether it's Aphrodite in one body standing there vs. another, doesn't invalidate the choices and the uniqueness of the journey to get there.

And I cannot stress enough that the potential variation in any given song is so impressive. I'm genuinely kind of bummed that there's no way to listen to some of the versions I made, that I feel like really added to the story I was trying to tell.

And, most importantly, I think Stray Gods understood that this kind of variances gets infinitely more complicated and precarious the longer a game goes. 6 to 8 hours is almost certainly your upper limit possible. Anything much beyond that, and the variations you have to account for spin out into something approaching infinity. And, yes, they do and can get much less meaningful as a result.

IDK! I like this game a lot. I think it did some really cool and inspired things in really cool and inspired ways. And I think its understanding of how to use player choice within the narrative and hardware constraints of a video game is one of those things.

[momowoah]

Okay but I really think that the worst part is that this is season seven. Unless they're planning to turn 9-1-1 into the new Grey's Anatomy the chances of us being already in the final half of the show are huge. I'm not saying that there shouldn't be any drama, but the characters should've started to go forward, and yet nearly all of them feel stuck in the same place they have been for several seasons. Or should I say 2-3 seasons?

tldr: all/most S7 storylines were either useless in the long run or recycles. The only characters who had storylines on the good side of the scale (as in, they helped the characters develop and move to a new place in their lives) were Maddie and Chimney (and maybe Buck but he's on thin ice). All the characters are back to the same place they were in s4/s5. It's probably TM's fault. This shouldn't be happening in a 7th season.

(really long post under the cut but worth it imo)

Bobby and Athena had a whole seven episodes for their storylines and yet it didn't significantly change anything about them or their relationship. The doubts of how they are when they're at peace that were brought up in ep1 ended up not being addressed at all. We started the season with what was supposed to be this huge thing in their relationship and it was just never brought up again! Instead they put bathena through distress again just for the sake of being dramatic. And while I'm extremely glad we got Amir and think there were several high points in his storyline, what difference did it make in the long run? Yes, it brought up interesting things to Bobby's storyline, such as more insight into his childhood and the chance for him to explore another side of the fire he caused, but is it going to change anything? No! Bobby will be reinstated in S8 bc that's just how these things go, and I doubt they'll put any effort to continue the survivors storyline. I'd bet it'll just be ignored in the next seasons.

Hen and Karen have been trying for YEARS AND YEARS to adopt a child and they just can't let them! As a wlw, do you know how awful that is to watch? Seeing them fail time and time again and have their family broken up once again just because??? It was one thing with Nia, she got a happy ending, but that wasn't the case with Mara. The best thing for everyone involved would be for her to stay with Hen and Karen, but they blew it up. I know she's with Madney, but it's not the fucking same. Why do they have to go through this again? Why can't they finally get the family they've spent years fighting for? Why can't the drama be about anything else, why does it have to be about failed adoptions? I've seen this enough times before. Why not let them be able to adopt???? Why? I'm genuinely upset abt this btw, probably more than about anything else that went down.

Buck got to finally come out and it was great but instead of taking it as an opportunity to let him grow into himself they just threw him right back into the hamster wheel of dating people who are either not fully into him or who he's not fully into. (if you like bt probably skip the rest of this paragraph but I'd also be upset about how they're handling them if I liked the ship bc I liked the previous bt and they did something similar to them lol) Tommy's behavior could be explained away at first, but I feel like time and time again the show goes the extra mile to make him uninterested in Buck or just straight up an asshole to him? Instead of taking the small opportunities of portraying them as a healthy happy couple they just consistently screw up their relationship? They're not the couple I support but even then I wanted them to be good together bc I want Buck to be happy, and yet all we get is this?

I don't even have words about Eddie, especially considering what rg has said about him destroying his life and possibly reverting back to military no emotions mode next season. WHY CAN'T HE BE HAPPY? We already saw him break down, WE'VE ALREADY HAD A STORYLINE ABOUT HIM REBUILDING HIS LIFE, but happiness is boring so now he has to ruin his relationship with his son too right? It just pisses me off how they go about his character sometimes. I liked that they were bringing back the Shannon storyline because he was supposed to be able to finally move on, but this wasn't about that. No, it was about retraumatizing Eddie and Chris and splitting them up at a time when they should be leaning on each other and healing, because Chris has also been suffering with the Shannon stuff. We saw it in fucking ep 1. Don't even get me started on the Marisol stuff because idek why she was there at all. Literally don't get it. We had an off-screen breakup anyways. She wasn't relevant at all to anything that happened. Why was she even there? I'm genuinely asking. The only Eddie arc that has some positive potential for next season is him dealing with his relationship with religion (especially if they tie it to the military and the way he lives his life for others' expectations), but tbh I don't trust them not to fuck it up.

Finally, I don't have complaints about madney, except for why tf was Maddie so absent this season? The wedding episode was all about Chimney (who was also maybe kinda missing tbh), and although I love him and his backstory and the opportunity to see Kevin again, I really wanted it to be about their relationship, since it was their wedding, yk. Dispatch was also severely under utilized. We did get the 7x07 Maddie plotline and it might've been bc it was a shortened season but yeah, I'm still not that satisfied.

So, we have all the characters stuck in places they've been before. More specifically, in the place they were in season 4/5. Bathena relationship problems followed by a life threatening situation? Check. Henren struggling with adoption? Check. Buck getting into what was supposed to be a good relationship only for it to end up going really bad? Check. Eddie struggling with relationships and his mental health going to hell? Check. Madney in a good place with a new child and about to have an awful fucking time? Hopefully just check for the first part. And you know which question this makes me ask? It's whether Tim Minear is just reverting everyone to their s4 state out of spite for the seasons he was away. And even if it is a genuine attempt at getting the show back on the track he wanted out of good intentions, it still sucks, because it doesn't change the fact that it is just a repeat of old storylines. I actually complained at this before the show even aired, but (iirc) I ended up deleting my post because I thought that I was just overreacting. Guess what? I fucking wasn't, bc that's EXACTLY what they did.

Now, going back to the start of this post, the reason why all these storylines suck so much is not that they are bad. It's not even that they aren't original. No, it's the fact that we're doing storylines that belong in the fourth or fifth season of a show in its seventh season. Even the Gerrard plotline, which is new to 9-1-1, feels like it came too late, because the split up crew/villain captain storyline tends to happen much sooner in procedurals, and for a reason. Besides the fact that this was never really a big bad type of show and I don't get why they are making it one all of a sudden, and ignoring the fact that Gerrard being brought back as captain, especially to the 118 of all places, makes no fucking sense, that kind of plotline is one that it's obviously always temporary. No one believes he'll still be the captain by the end of 8A, much less by the end of the season. He'll hardly survive the first 3-5 episodes. That's ultimately a filler storyline. It helps the show go on for longer, it might even help in the development of a couple characters, but at the end of the day it doesn't change anything, which appears to be a recurring theme when it comes to 9-1-1 storylines.

The reason I have a problem with this is that we don't need a filler storyline, because no one knows whether the show has the luxury of taking its sweet time. Yeah, it has a huge audience and it is doing good numbers, but it is still a fucking money pit that was already cancelled once and it's unsustainable on the long run. It might not end that soon, but is it honestly going to reach season 14? Does anyone truly think that we've only seen half of it (or less) so far? Because I don't. Not many shows make it that far, and there's a reason for that. We have three huge names who are extremely important to the show. What happens if they get tired? What happens if someone gets a better offer? What happens if we're still revisiting old storylines when that happens? Do we get an incomplete story or a rushed one?

The show should be moving forward, even if there are no plans for it to end soon. We have the drama of the huge disasters 9-1-1 loves. We have the drama of the cases. We have a myriad of new possible dramatic storylines for the characters that show development without being too final. Athena could have so many different job related storylines (from moving up in her career to abandoning it), and her and Bobby's storyline from the beginning of the season about being boring together can be played in a good and dramatic line. Henren and Madney have a whole world of parenting issues that they could go through. Buck and Eddie both still need either an endgame love interest (whether it's each other or not) or to get to the point where they are fine not having one, and we have all of the relationship trouble that comes with that. This show can give us new things, storylines that are good for the characters, without losing the dramatic factor (which, if I'm being honest, would not be a deal breaker for me). Yet, it refuses to, and probably not for a good reason, because it comes down to either Tim wanting to rewrite history or just trying to drag this show for as long as possible (which apparently he only knows how to do by refusing to make the characters happy). And you know what? I'm fucking mad about it, and I think you should be too.

Btw, this is not to say the whole season sucked. We got Madney and Henren together multiple times which was great. We finally got Bi Buck. There were several amazing acting moments for both the main and recurring actors. As a standalone season, it was good. It just doesn't work when you look at the bigger picture.

[buddiebeginz]

These are the kinds of comments I've been seeing all over social media lately. These ones in particular are on the ABC YT. If you love Buddie you need to get out there and start posting about it. This season is still being written and they will take audience reaction into consideration at least to some extent with storylines this risky and a move to a new network.

Buck's bi storyline all on it's own is important I'm thankful the show is doing it and no Buddie doesn't have to happen for this storyline to happen. But as I said in a previous post 1. Buddie happening will be just as important for queer rep as Buck 2. Buck as a character deserves an epic love story. I don't get people who argue against this. Look at characters like Athena and Bobby and Chim and Maddie they all found their soulmates and got years of the show to build their romance. That is what Buck deserves.

Do NOT tell me you care about Buck if after only a few episodes of him even knowing Tommy you're like f*ck Buddie Tommy is endgame. Have you even been watching the show? Buck and Eddie have literally put their lives on the line for each other multiple times. Have been there for one another at their best and worst moments.

After all that Buck has gone through especially with relationships and after all his parents have put him through I want to see him realize he has real love with Eddie right in front him. I want to see him realize he has his own little family right there with Eddie and Chris. Realize that for all the years he spent trying to be enough for his parents he's always been enough to Eddie and Chris. I want to see him get married at some point and see like a montage of his and Eddie's moments all through the show. I see the importance of Tommy in Buck's bi journey right now but he's not Buck's person. I don't get how people aren't seeing that.

[cbartonscoffee]

So I just watched 9-1-1 1x01 again, and...

This is Bobby and Athena the first time they're seen together on screen.

Athena is pissed because Buck refuses to let a kid on the same ambulance as her newborn because she threw him down the toilet. And Bobby is upset because he sent Buck ahead so he could get the newborn to the ambulance quicker and he comes down and finds out they're still there. So basically, the first time we see them, Athena is trying to save someone and Bobby is worried because that baby needs a hospital and the ambulance is just sitting there.

So he takes it into his own hands. He ignores Athena and Buck screaming at each other and just picks the girl up and carries her into the ambulance.

And then this happens:

FIRST TIME we see them on screen. Literally the first time they partake on the same scene. And don't forget, tensions are running high. Like, up until this point? They've only heard each other shout. Not a each other, but still.

Like, it's such a tiny detail, not many people are going to pick up on it, but I find it so cool and endearing. Here you have a character that we know it's closed off to people and who probably has something heavy in his past being supported by a character who (by what we've seen up to now) is assertive and empowering.

I'm not going to say foreshadowing or anything, because anything is possible. But what an acting choice. Kudos to Angela Bassett.