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#I'm not saying it would make a lot of narrative sense but I would enjoy it
Note
you seem to have a wide taste in books !! what are some books that you would recommend ??
Hmmm I wonder. I have the feeling I just read the same couple of books over and over, and at times only different iterations of the same story, like in that line by Borges ("the various intonations of a few metaphors").
I find recommending books without knowing anything at all about the person asking rather difficult. What I'd suggest to one may differ greatly from what I'd recommend to someone else. I'll give a list of some of my favourite books that I think are enjoyable in general:
— Thoughts by Pascal
— Cain: a mystery by Lord Byron
— The Iliad by Homer
— Crime and Punishment by Dostoievsky
— Othello by Shakespeare
— Pedro Páramo by Juan Rulfo
— Cyrano de Bergerac by Edmond Rostand
— The fragments of the Presocratics
— La Regenta by Leopoldo Alas, Clarín
— Tractatus Logico-philosophicus by Wittgenstein
— East of Eden by John Steinbeck
— Vita nova by Dante
— Contributions to the Founding of the Theory of Transfinite Numbers by Georg Cantor
— Caligula by Albert Camus
— North and South by Elizabeth Gaskell
— Peter Pan by J. M. Barrie
— Some essays by Russell. I personally love Mysticism and Logic
— Metamorphoses by Ovid
Poetry is perhaps harder to recommend because at times it translates horribly, but in general I love Baudelaire, Rimbaud, Lorca, Juan Ramón Jiménez, Rilke, Byron, Quevedo, Góngora, Lope de Vega, Horace, Catullus, Ovid, Tennyson, Maiakovsky, Garcilaso de la Vega, Oliverio Girondo, Vicente Huidobro, Emily Brontë, T. S. Eliot, Luis Cernuda and Edgar Allan Poe, to name a few.
#I talk too much#I wanted to say The tragic sense of life by Unamuno and Philosophy and Poetry by María Zambrano#but I thought maybe they'd be hard to find in translation. They're both approachable texts of philosophy beautifully written though#Unamuno's essay Vida de Don Quijote y Sancho (translated as Our Lord Don Quixote in English according to Wikipedia?) is also beautiful#I adore Schopenhauer and Nietzsche but I'm not sure I'd recommend them to anyone. Probably you can't go wrong with Kierkegaard though#I know what some of these books look like (like Wittgenstein's Tractatus or Cantor's Foundations)#but I swear they're approachable without specific academic background. The last line of Wittgenstein's Tractatus is one of my favourite#lines ever in the history of anything‚ philosophy or literature‚ but to be as hitting as it is you need to reach it at the end of the book#I think despite what it looks like both Cantor and especially Wittgenstein have an aesthetic intent in their writing#Wittgenstein in particular reminds me of Kierkegaard and Rilke and also of Unamuno and Zambrano. And of course Schopenhauer et al.#The Tractatus is very similar in my opinion to Huidobro's Altazor which is just amazing but I don't know how it would translate#These books I like in form and not just in content (although form is content like I think happens in Wittgenstein's Tractatus)#so when possible I'd read them in their original languages.I myself can't read German and know but very little of Russian and Ancient Greek#and a bit of Latin so I must be missing a lot of those. Nonetheless they're great in what I can get through translation#Perhaps you'd have the chance of enjoying them in full#If you can't read Russian I am actually quite specific with the translation of Crime and Punishment haha There's a concept#Razumikhin develops through the book at several points and often translators aren't consister with the word which makes the readers lose#the view of this development. And I happen to think the development works alongside the narrative of Svidrigailov#and also with what happens towards the end with Porfiry and Raskolnikov so I think it's important#In English there are several translations that maintain the coherence such as the one by Pevear and Volokhonsky#(the only one I can remember right now but I could check the rest). Garnett's translation is everywhere but that one doesn't do it#Hmmm Pedro Páramo in English takes some liberties and La Regenta isn't as funny which is what happens with Wuthering Heights#and The three musketeers in translation even when the translations are more accurate#I haven't recommended Wuthering Heights because I take you've read it but that's my favourite book#And I haven't recommended Pandora Hearts because that's a manga and you asked for books but it does some very interesting things#that I think are in line with many of the books listed here (as I said‚ I basically like the same few things retold over and over haha)#There are many books I am itching to recommend but that I can't do freely without some knowledge of the person asking#Like Steinbeck's arthurian novel or idk Gone with the wind#I hope this list is enjoyable enough. I'm not sure if I've been able to avoid being too partial#I suppose one has to bear the conditions of their existence and can't ever entirely get rid of themselves haha
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siena-sevenwits · 1 year
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Disclaimer: These thoughts are more emotionally than logically expressed, and reflect my own experience and preference.
#I have some beef with Lockwood and I say this as someone who really enjoys both the show and the books.#I've been doing a rewatch to introduce it to my dad (who loves it!) but we just hit Episode 5 and - is it just me but does this episode#plunge rather deeper into the darkness than we see in the previous episodes? It makes sense narratively of course#Complete Fiction has the task of structuring it such that there's a proper midpoint shift in the series and in my own works I increase#the stakes around this point and really let the protagonists struggle. So it's not so much that I have an issue with things getting#more focused dangerous and difficult. I don't know that I have a logical reason for the unease I feel with Episode 5 - there's just somethi#vaguely disturbing to me about it. It may be my own personal sensitivities. The interrogation scene at Winkman's has absolutely nothing#graphic about it and I appreciate the discretion - but it's just so intense - the threats to draw on Lockwood's face with the heated#instrument - the whole electric shocks sequence - I have been told I have a particularly vivid and empathetic imagination so I may just#be filling in too many gaps and feeling the scene more intensely than some would but it genuinely bothered me. More so on rewatch#though I didn't like it the first time either. I wonder too if it's because on rewatch I can compare it to the scene in the book#Gosh - the book scene is *comedic!* 'Let's disguise ourselves as ditzy tourists and while you check the backroom I'll let my coins#fall all over the place and crawl around under the tables loaded with antiques and freak the owners out! And when they get caught#Winkman just lifts them off the ground menacingly and chucks them in the street. The fact that we had to turn this into a midnight#torture scene for TV - I don't know - I don't like it. And just the atmosphere isn't as balanced as in the other episodes. So many flashbac#to grotesque corpse faces which are somehow a lot more disturbing than the CGI ghosts which feel much more Halloweenish#Not much love and light carved out in the darkness. There's some for sure! And even in the torture scene that bugs me I appreciate how it#shows Lockwood's heart and allows us to explore some meaningful territory that the ditzy tourist scene doesn't#I'm just griping and mainly hoping that the rest of the series is more how I remember it from first watch. The warmth of the Portland#Row gang means a lot to me. Stacking this dark feel on top of the discomfort I have with the harsh language rubs me the wrong way#(Thankfully I have online filters so the language isn't an issue for me but it does make me more reluctant to recommend to friends.
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odds that they gave Sidon a fiance because we all got too publicly horny about Link riding his massive shark cocks and no other reason.
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babisawyer · 9 months
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I don't know why the exorcist 2 pissed people off so badly that was your average italian horror film.
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Danny should absolutely rip on the Flashes
Realistically, Danny meeting the flashes and having any of them deny the existence of magic/saying "magic is just science we don't understand yet" should be met with ENDLESS mockery. Like come on The flashfam WORKS with gods, magic users, some of the JL/JLD are literally demons and ghosts. Diana/WW was MADE FROM CLAY in some canons!
Scepticism on that level should ABSOLUTELY be met with "I didn't know the Justice League worked with flat earthers" Type scorn. The burns should be third degree. The fatalities wide spread. No one who lives in a world with that much evidence of magic should be allowed to carry "magic isn't real" as an opinion and not be derided for having their head in the sand. As I understand it the scepticism comes out of the flash comics from like, the 60-80's which fair but the other heroes stories had to accommodate for each other when the crossovers started happening so I feel it's only fair to have men of logic like the flashes (so many of them are scientists of some type right?) deduce that yeah magic has to be real ESPECIALLY - When any of the magic users, ANY OF THEM - Could respond with a very simple: "Magic is science you don't understand." "What?" "I understand exactly what I'm doing. I understand exactly what I need to do to get repeat results, and I understand what not to mix not to get undesirable results. What about that implies a lack of understanding? Magic isn't something WE don't understand, magic is something you don't understand."
I enjoy the idea of the flashes being sceptics, I actually enjoy it a lot. Sceptics are very necessary to any narrative, but honestly the magic users deserve a chance to call them out because really having someone call your life's work and very real craft 'not real' 'hoaxes' and essentially parade it around as something they could come to understand better than you if they just looked into it but have made no effort to would be enough to make anyone break their teeth from clenching their jaw so hard.
Essentially early days flashes as sceptics makes total sense. The flashes continuing to have "magic isn't real" as an opinion for too long into the story gives them Flat Earther Level Intellect.
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odessa-2 · 4 months
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Titbits and analysis 🖖
As promised, some more titbits from the Con yesterday in Melbourne as well as my interpretations. Prior to attending yesterday, I told myself to keep an open mind and attempt to leave any biases behind (even after having seen the funeral pics). Clean slate. To try and view Sam, the event, questions, and subsequent behaviours objectively.
I'm the sort of person who feels energy and is affected by it and in some ways governed by it. The energy of people, both individually and collectively. The energy of a group. I tend to couple this with objective analysis, which forms the basis of my conclusions about people and situations.
I applied this method yesterday in attempting to understand and view Sam, the OL money 💰 machine and everything else. I also just wanted to go there and bask in the audience and enjoy myself....and....I did like it Jamie.
So first thing I noticed off the cuff was how experienced Sam was in handling questions, and the women, and tailoring his behaviour to suit their desires. He was charming, charismatic, approachable, a skilled professional. I saw the veneer. I felt the veneer. I also saw and felt that he is a pretty decent bloke under that veneer. A man with a solid work ethic, who is mild mannered and working with purpose in his life.
I observed that his handler or Convention agent or whatever he is, Steve, was in full control. He managed Sam's performance in a sense. He asked the questions and even set the directions for some answers. Sam is controlled. I didn't like Steve. I didn't get the best vibe off him. Infact, I got a bad vibe off him. I observed that everything was a performance. Scripted to a large degree. The Single Sam narrative was pushed by Steve. Hard. It was a performance. That much was clear to me.
So Sam chose to mention that he was in Austria skiing 2 weeks ago....blah blah...something about singing a Ronan Keating song. So the script tells everyone nice and early that he is NOT with Caitriona ✅️
Later on in the panel, he mentioned that he "was at the theatre in London the week earlier" watching a play. Huh? Getting his timeline confused? Interesting titbit, I thought. Who would he go to the theatre with whilst in London? Who else likes to go to the theatre? Who have we seen him go to the theatre with before? Ding ding ding!!
One of the first things he spoke about (umprompted) and imo was part of his speaking program, was that Caitriona is back home in Scotland doing prep work and will be directing this season. He said that he spoke to her recently and that she is cold and miserable back home. No one seemed to give a shit. The women were there for their Jamie. Sam read the crowd. He understood.
Sam tried to bring Cait into the conversation again saying something like "Where's Claire?....Caitriona isn't here". Again crickets from the audience.
He said that he auditioned with a lot of Claire's, but they couldn't find the right fit and that nobody was as brilliant as Caitriona.
It sounded like he genuinely missed her.
He spoke of his audition with Cait, saying they were very physical and were almost wrestling each other. He said he was sweating all over her and that his sweat was on her. The crowd still only wanted to hear about their Jamie. I think Sam relished in being cheeky in saying that she wore his sweat that day.
Someone asked about "how do you kiss and make out with a costar and then just carry-on. Isn't it awkward"? Sam responded generally initially, saying that there's lots of checking in with the person and apologising afterwards (in a joking fashion). Then that prompted him to start talking about Cait saying that he has also "snotted" all over Cait and exchanged many body fluids with her (in an acting context presumably)and that there's nothing really left to do together that they haven't already done. I was like "whoooaa wtf Sam?". Shooketh that he said that really. The silence from the crowd was palpable. They really didn't want to hear about Cait and Sam and their shared bodily fluids whilst 'acting'. He is THEIR fantasy man. Not Caitriona's. Silence from the audience. Sam already knew that the crowd were Sam onlies but he loved telling this story. Relished in it imo. He loved the double entendre. It was an unrehearsed, unscripted conversation as it resulted from an audience question. I concluded it was an act of defiance on his behalf. That's what it felt like to me.
Steve the convention agent guy, was always bringing it back to Single Sam. "I worry how are you going to get a date" said Steve. With Sam understanding the prompt ...."I worry too" says Sam. Bachelor narrative secured ✅️
Steve spruked the Bachelor narrative again to Sam's thirsty and adoring fans....."Sam you remind me of that old show where everyone has to guess which bachelor is going to come out of the mystery door". And that's when I knew with 100 percent certainty that the bachelor talk was a ruse. It was so contrived and performative. I smiled to myself. The women in the crowd were eating it up.
Another thing that stood out to me was when Sam was searching for the right terminology when talking about Cait. "My......co star" huge pause.
"I love you Claire" is the line he randomly chose to say when explaining his acting.
When asked how he has time to foster friendships and spend time with his family he talked around it. Avoided the question and kept it about his friendships saying that they are strong friendships that endure. He diverged and started talking about how he still has his core friendships that he had when he was bunking and sharing an apartment/house with them in London when he was younger. The veneer was up. Inpenetrable.
At another point in the panel Sam asked "How many Sheila's are there here"? LOL. I found that amusing.
Now this next part captured my attention the most. It had a weird feeling (energy) around it . Sam gave off a weird energy. Almost hostile. Again that's just what I felt.
Someome from the audience named Toni with an "I" was selected to ask a question. I can't remember what the question was but Sam made a really big deal about her being named Toni. "There's always a Tony have you noticed"? Why is there always a Tony"? He said. He didn't want to drop it. He placed a little too much emphasis on it. I was laughing silently but Sam's double entendre didn't go unnoticed by me. Everyone else was clueless or at least that's how it appeared to me. Was that an Easter egg dropped by Sammy?
Asked about what does he do for self care, he seemed to struggle answering that too. He talked in circles about his way points hike and how he's learning how to live in the moment. There's that wall again.
There were many other things discussed of course but I thought I'd focus on the things that shed light on his situation and that resonated with me.
So my closing Analysis? Sam is controlled. He peforms. He caters. He's intelligent and in tune with people and aims to please but is private. Sunday just reaffirmed and solidified my beliefs. Caitriona snatched up that hard working gem of a man quick smart!
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prismatoxic · 3 months
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okay, shipping brainrot from my last post aside, i'm still thinking about the shapeshifter arc. the other sites i use don't have inline posting or do but it's clunky, so i guess i'm theorizing here. some of this may seem obvious; bear with me, i'm not trying to be patronizing, just working through things. this will probably be long.
(edit: i've since learned there's canon explanations for all of this. regrettably i don't like them. enjoy my ideas of what would be better maybe? but keep in mind i wrote this before i knew it had been explained anywhere else.)
(edit again: i've done a 180 and come fully around on the canon explanations! i have a lot of thoughts about them but this isn't the post for that. anyway i'm disabling reblogs, sorry. you can still look at this if you want)
laios reveals what he knows of shapeshifters, and that they function on memory:
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no one ever really suggests in chapters 39 or 40 who thought of which fake except in the case of which ones laios must have thought of, but i want to posit who i think each one came from, and what it means narratively if i'm right. so, mostly a thought experiment/character study that i could be wrong about or that was never meant to be clearly defined in the first place. but maybe fun to think about? (i'm sure other people have done this before too, but i think it'll be fun to write up.)
from the outset, i think it's worth mentioning that chilchuck knows all three laios fakes are, in fact, fakes. two chilchucks say this, but the one on the right is the real one. senshi and marcille immediately corroborate this, though we can't tell which of them it is except that it's not any of the really obvious fakes.
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what i think this suggests is that, brought to the surface, the warped perceptions of the rest of the party that chilchuck, senshi, and marcille have can be easily discerned when compared with the real thing. each of these laioses is from one of them, but they immediately figure out none of them are right with the real laios right there in the room. this is important.
as for who's who...
i think it's fair to assume that giant laios is from chilchuck. laios is the tallest member of their party, at six feet; while chilchuck sees marcille and senshi as their correct heights, laios is a giant to him, and his bulky armor doesn't help. that's why, even if this is his perception, it's glaringly obvious that it's wrong as soon as it's made physical. it's the only big one, and easily falls into the camp of "doesn't seem to know much about monsters" that the others also do.
stupid laios is, i think, from marcille. because the giant one is so likely chilchuck's and i don't think senshi sees laios as someone who stupidly wants to eat everything (even if senshi's opinion of him isn't stellar right now, "i have to eat it" wouldn't be paired with being an idiot to senshi), it tracks that marcille would be the one to remember him this way. to someone who doesn't appreciate their monster eating and otherwise thinks he's an idiot just as much as the others do, dumbly muttering about eating things seems like a reasonable portrayal of laios.
feminine laios, then, is from senshi. i think his physical perception of the other party members is the most off-base; this is likely because he's known them for the least amount of time, and his idea of what they look like is based more on their races than anything else. i think the resemblance to falin might not be intentional--someone suggested to me the other day that the dwarf perception of tall-men is probably more feminine in contrast to how Macho dwarfs are. i think that makes sense (if it ever comes up canonically, i haven't seen it yet). laios and falin do just... look like gender-swapped versions of each other, also. so if senshi sees laios as a feminine person, well... that just winds up looking like falin.
so this leaves us with only the real laios. confronted with their perceptions of him, his friends can immediately tell all three are incorrect.
moving on, we eliminate the three most obvious fakes from the rest of the party, starting with marcille:
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if we take into account what i just said about senshi, i think this is his. racial stereotypes about elves being what they are, him not knowing the party as well as the other members do... she stands out, and that's why.
now this is where things start to get interesting.
the next two fakes to be eliminated aren't so blatantly incorrect that they can be struck right out at a glance, but it's not hard to notice the flaws when you look closer, and chilchucks A and B are the ones to point it out. chilchuck is naturally observant; most of his fakes seem to emulate this. (the one who addresses the fakes is A, the real one, but B is proving himself able to pick up on the things A notices. this is important.)
notably, chilchuck and senshi assume these must be laios's versions of them.
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we can assume this is correct, if we want to. we can take the framing of this as being an intentional reflection of the truth.
or... or... we can look a little deeper. we can wonder if, perhaps, this isn't a reflection of laios, but a reflection of his friends and what they think of him. laios may not immediately notice the problems, but i don't think it's because he doesn't remember these details. i don't think laios sees much of anything in vague terms; he's observant in his own right, but in ways he doesn't really recognize, nor does anyone else. i think he was so focused on their faces and mannerisms that he didn't notice the bigger picture, glossing over something because so many other factors are at play.
senshi and chilchuck think laios doesn't take notice of things, but the vast majority of the shapeshifter arc is about them and marcille not trusting laios's judgement as it is, given how things went recently. is it possible there's more to their assumptions here than what the text explicitly says? i think so!
so then who do these two belong to? marcille, i think.
if we assume dumb laios is hers, then we can also assume her perceptions of the others are kind of broad and vague. she doesn't think poorly of them, necessarily (at least not in as obvious a way as she does with laios, who, i'll remind you, she's currently upset with), but she doesn't commit unimportant details to memory, like chilchuck's neck band or the damage to senshi's helmet.
we've got three more "obvious" fakes to get through, and laios offers another lore tidbit on how the shapeshifters work:
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anyway, the first of the next round is marcille again, setting the stage for how these three next fakes are eliminated.
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marcille changes her hairstyle all the time, so this isn't a surprise. the last one pictured here winds up being our next fake, as indicated by her grimoire:
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so the fake marcille in this section is the one with the most visibly different hair texture (who even draws attention to this), and the spellbook that's woefully incompetent. i think she's from chilchuck.
he's observant, as i said before; even if he didn't commit her hair to memory, he did remember the stuff she's said about how important hair is to magic. maybe that's why the texture is so striking. more importantly, chilchuck isn't wary of magic quite the way senshi is, but he also doesn't understand it. the general tone of the low-quality grimoire also just... sounds like the way he'd frame something like that. (plus, the "how to turn back time" bit is a thing he specifically called her on when she suggested it a few chapters ago.)
so the next fake chilchuck and senshi are revealed via their tools:
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i think the chubby-cheeked chilchuck with the simple lockpicks is from senshi, and i think the ordinary-looking senshi with the simple cookware is from chilchuck. the former speaks for itself--senshi sees chilchuck as a child, and knows absolutely nothing about picking locks. as for the fake senshi, chilchuck has a decent mental image of him but knows nothing about cookware.
so now we're down to the final three fakes, and there's only one person left who they could be from: laios. nobody thinks this, not even laios himself, but i want to explore the concept because i think it has extreme merit. the three remaining fakes have some key similarities between them, namely in that they're all close enough interpretations that making a distinction is difficult. they look a tiny bit different, but both the real people and their fakes make plausible cases for why they're the actual person. i want to talk about why i think laios is the one who made that so, and what that means about him.
chapter 39 ends with all his companions--real and fake--doubting his skills. seeing a pattern?
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chapter 40 opens with laios determined to regain his friends' trust in him...
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...while his friends (and their fakes) talk about how he's liable to like the fakes more, because they're monsters.
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this is a needlessly cruel interpretation of laios, but after how things went post-falin-rescue, it's not a surprise. they see him as reckless and single-minded, more interested in the things he's weird about than in the people around him.
laios is really bad at talking about what he's thinking--not because he's hiding it, but because it doesn't occur to him that it's important. meeting the lunatic magician in the paintings is a prime example of this, but he does it a lot. they likely have no idea why he told toshiro about falin and the black magic; to them, laios was being flippant with sensitive information, not worrying about their safety. to laios? he was trying to get help. he trusted toshiro, and his perception of their friendship made him think the information would help them gain an ally who cared about falin as much as they do. he wasn't trying to put falin or marcille in danger--far from it, in fact. but he didn't tell his friends about his thought process. he didn't think it was important to share.
(he's autistic but we all know this. moving on)
so, we have laios's plan: the pairs cook together, while he watches for behavioral differences to discern who's who. it doesn't occur to him, or anyone else, that the people he's watching for mistakes are his own perceptions of his friends. and now we get into the meat of why i wanted to write this post.
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assuming i'm correct... let's talk about laios's view of his friends, and how he challenges those perceptions.
starting with my favorite, chilchuck:
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chilchuck A, of course, is in fact the real one. this is a pretty significant character moment for him too, in my opinion; we know he has difficulty expressing his emotions, and that a lot of his conflicts so far have stemmed from that. the fact that "chilchuck B asked for help with a menial task" is a gotcha moment to him is... telling. not only because it's so obvious to him, but because it's not obvious to any of his companions. he thinks they know this about him, but he's never openly expressed anything to make them think this is an issue he'd have, in addition to having sought help in the past.
his "convictions and pride and all that" seems to them like someone trying to convince them of something, not someone reminding them of facts he assumes they know.
anyway, back to laios. if we accept that chilchuck B is made from his memories, this suggests several things. first of all, chilchuck B is, despite his softer eyes and willingness to ask for help, still a fairly accurate portrayal of chilchuck. he's easily annoyed and he's observant, two traits chilchuck is known for. i think the reason chilchuck B has the kinder eyes and the more gentle disposition is because to laios, those things are indicative of someone being a good person, and he very much thinks chilchuck is a good person.
we know laios isn't especially good at reading people in general. thus, his idea of who his friends are is skewed in broad strokes, but not in the ways they think. he knows who chilchuck is, but he also associates chilchuck with his own ideas of what makes someone "good", which results in a chilchuck who's less rough around the edges. confronted with this--the real chilchuck asking him if he can tell--laios compares the two and thinks, reasonably speaking, the nicer one who trusts him has to be the friend he respects so much.
senshi and marcille also want to accept this chilchuck, likely for similar reasons. they also respect and care for him; they've seen him go through a lot. laios's ideal of him is just that, ideal. in a roundabout way, it's only their deep fondness for who chilchuck really is that makes them want to see him this way.
next up, we have marcille.
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the fake, marcille A, is a radical departure from what makes chilchuck B a fake. laios notes that the real marcille is exactly the same as she always is. the reason, then, that marcille A confuses him--and the others--is that after everything they've been through, their perception of her has changed radically.
if we look back to senshi and chilchuck's marcilles, it's readily apparent when they're eliminated that both interpretations hinge on the knowledge that she performs black magic. senshi's tries to use it to prove herself; chilchuck's has a grimoire loudly proclaiming it's what she does. contrast this to marcille A: she doesn't mention black magic at all, and her grimoire looks strikingly similar to the real one.
that's because laios doesn't think her performing black magic changes anything about who she is. her doing so proved her to be just as dedicated to falin as he himself is, and the knowledge that her goals involve it doesn't faze him. (additionally, marcille has been teaching him magic, and falin had tried in the past. though his image of a grimoire is flawed to someone experienced, to anyone else it looks fine.) thus, marcille A isn't a flagrant black magic wielder; she's someone who's been fundamentally changed by what they--and falin--went through.
let's go back to chapter 27:
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chilchuck and senshi are appalled, and will continue to be. while they ultimately don't prevent marcille from doing this, and care enough about both her and laios (and in chilchuck's case, falin as well) to be in tentative support, this changes their view of her in a negative way. she's dangerous now, in a way she wasn't before, but she's still marcille--goofy and a little reckless. thus, their views of her, and the illusions that result.
laios's opinion of her changes for the better.
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she is, all at once, both competent and loyally dedicated. she will stop at nothing to help falin. whatever goofiness she exhibited before now is gone, replaced by the cold demeanor of someone who is doing something extremely dangerous for reasons that are inherently selfish, but ultimately too important to reject.
thus, we return to marcille A: cold, sharp, dedicated. not reckless or goofy, but methodical and haunted. she may have returned to "normal" since they left the castle town, but laios's opinion of her, and understanding of her love for falin, has been forever changed.
so faced with the real marcille--still silly, still whining, still frequently annoyed with him--he's confused, because that's deeply familiar, but it doesn't line up with what he knows about her now.
the truth, of course, is nuanced--these things are true about marcille, but only under duress; it's similar to how laios becomes a competent leader when the going gets tough. she has this within her, but it's not her default state of being. still, the shapeshifter picks up on the strongest memories laios has of her, this new interpretation of someone he thought he knew.
now then--onto senshi, the punchline of this particular joke about the differences between the copies. i still think it says a lot.
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i think this one speaks for itself, though i find chilchuck's agreement interesting. senshi is the newest member of the team; little is known about him. laios happily notes that senshi "always looks cool" while chilchuck says he looks normal (and chilchuck B insults the real one). laios sees senshi this way because he thinks senshi is cool as hell, and this manifests in an idealized version of a face he's not as familiar with as he is with chilchuck and marcille.
this is clearly comedy, but it also speaks to the same desire to see the best in the rest of the party. marcille is the only one who notices likely because her opinion of senshi isn't so romanticized. chilchuck's senshi, of note, wasn't a perfect replica: we don't see much of him after the obvious fakes are hauled off, but he's a little squashed (he's the top one):
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which indicates that chilchuck's visual memory of senshi is already flawed. if we compare this to giant laios and the marcille with the unique hair texture, it tells us chilchuck's attention to detail is more specific than the others'; he can remember the hole in the helmet, the importance of hair, but he doesn't quite see the bigger picture. giant laios is also surprisingly... rugged? which i imagine has to do with chilchuck's perception of him as a tall-man. (or maybe how he clearly has trouble seeing laios's face half the time, lmao...)
anyway. laios thinks senshi is super cool and chilchuck has an imperfect idea of what senshi look like as it is. (i wonder if chilchuck is some degree of faceblind? not enough to not recognize someone at all, but can't pinpoint specifics.)
and so, we arrive at the moment of truth.
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so let's go over what i'm theorizing here... all the remaining fakes are illusions based on how laios sees his friends. the illusions manage to make mistakes that reveal the truth to him, but i think the reason for that harkens back to what laios said earlier... the illusions are being updated over time.
laios isn't considering any of the things that give the fakes away until this moment. if it had taken a little longer to resolve things, maybe they'd have started course-correcting, but they aren't given the chance. laios makes sure they aren't--he acts very quickly. even as he presents the three pairs with his findings, he's aware that everything will fall apart as soon as he does... and he's banking on that. while the shapeshifter illusions defend themselves from being killed, he gets right to the heart of the matter in the only way he knows how: confronting the actual monster involved.
when all's said and done, laios reveals how he figured it out:
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potentially of note, all of these details happened before the red dragon fight. chilchuck fighting a mimic and revealing his history with them, senshi gushing about the dungeon's ecosystem, and marcille being attacked by the undine weren't super recent memories. when laios brought them forth in his mind, he had a delay before the shapeshifter updated its illusions.
well... except with marcille. marcille A actually didn't show her hand so easily; it was the real marcille's carelessness that proved her identity.
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but what this suggests is that, when confronted with the realities of marcille versus his idealized version of her, laios had to make a choice: did it make more sense for her to have been radically changed by the revival and subsequent loss of falin, or was the presence of a marcille he knew so well proof of an illusion? she was the one who was the most different, and as such, the contrast was the same one that eliminated all three laioses at the start: with the real thing in the room, the fake became apparent.
so, to reach a conclusion: one again, laios has proven he's not as scatterbrained as his companions think, but this time he did so on a more personal level than usual. to them, he reveals that he knows their quirks enough to define them by such when they're otherwise faced with convincing copies. to us, the readers, if we accept what i've suggested here... he's revealed a lot more. he respects, admires, and idolizes his friends, all out of fondness: he wants to see them in an ideal way, whatever that means for each of them as individuals.
anyway thanks for coming to my TED talk
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deerspherestudios · 1 year
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Hi! I played your game and really, really like it, I am a huge fan of slow burn - combined with Yandere too? That's kinda rare nowadays, haha. Thanks for making it and creating Mychael, I love his design. Two questions: How many days are planned to be playable in the full release?
And
Since in just one day Mychael feels very friendly towards us (according to a post you made with where his feelings are based on a meter) does that mean he's very clingy??? Like, in just one day he feels like our friend. What little effort and words will it take for him to go from crush, to love, to whatever yandere thing he might be??? Like, is he okay??? Should I be worried???
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This guy? Clingy? Nahhh. Nothing to worry about, anon :-) 🍄❤️
As for the game, long (!!!) answer below cut: might be spoiler-y might be not.
For context, here's the post mentioned above.
I'm still not sure how many days it will be, but it's definitely ranging between 4-5 days. Granted it'll be a while before the game is finished finished but I think progress will pick up as I complete assets that will be reused. I'm writing Days 2, 3 and 4 simultaneously (anyone who writes can probably relate to wanting a specific thing to happen in the story but dread writing up to it, so I skip around in order to keep my motivation and interest up)
As for relationship progression, slow burn usually means a long time passes before anything develops. But this is a VN and I'm a solo part-time dev so the scope still has to be small 😔 That said!
Mychael, as a person, is quite solitary in nature; he likes being alone and you'll find out why. He does however desire company and he's only realized just how pleasant having someone around can be (hence his reaction for the Bad Endings in Day 1 if you wish to leave/run away)
Although I'm not a fan of the 'you do one (1) nice thing any decent person would do and yandere is already head-over-heels for you' trope, I do have to make use of it but, drip-feed style? You grow closer to Mychael as you hang out with him and do little things that he appreciates. (Honestly I just realized I'm describing the typical visual novel experience just without the yandere beginning-- go! figure!!! /lh)
Example: the first thing that boosts you to immediate friend status is your willingness to accept his physical looks, something that's never happened to him before. (I know my artstyle makes him a yassified pretty boy but imagine genuinely meeting a sentient creature in real life with patchy green skin, a dextrous tail and four blinking pitch black eyes, I think I'd freak too haha) Little things like that mean a lot to him and motivates him to prolong your stay.
In a way, the MC is written to be more kinder and open-minded (at least outside of Bad Ends) than the sweet/sour personalities that come in a VN, so (for narrative AND coding purposes) I can't really diversify it much. I hope that's okay ¯\_(; v ; )_/¯ If Mychael met a more grouchy/mean MC on Day 1 he'd probably not be as attached. He'd just save you, feed you and send you home when you ask hahaha. Of course this will change as he gets to know you better, at that stage he'll be willing to overlook your flaws like any upstanding yandere
Phew this was a lot to dump in an ask but I did wanna explain my vision for the game! I enjoy yandere VNs as an escape fantasy, but it's common they start out with the yan already being invested in you or fall for you too fast!!! if that makes sense. I'm interested in yanderes in the aspect of how love (romantic or otherwise) starts from innocent affection and spirals into dark obsession!!! It's also compelling as to why a character is so devoted to someone, in this situation the MC, and I wanna write the kind of person Mychael would fall for. And personally 'love-at-first-sight' as a reason just doesn't do it for me 💔
(Disclaimer!!! I'm not saying my game is any more original or better than the other wonderful yan VNs in the works, but hopefully with Mychael as a character I can deliver that 'slow-burn-and-yearn' storyline I'd like it to be. As my itchio profile says: I make games I thirst for in secret but are sadly lacking around the internet 💔 )
Thank you for the ask!! :-D
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littlemonday · 2 months
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The Emperor, The Ending, and that IGN Article
Note: This analysis was originally written and posted on the Larian forums for Baldur's Gate 3. You can find the original forum post here. This analysis includes a number of outside links to other posts I made on the Larian forums as well as the IGN article I'm referencing through out. If you choose to read the original forum post, I have a number of responses through out the thread. You'll recognize which responses are mine because I use the same name on the forums as I do here - LittleMonday.
This analysis first looks at the ending choices in the game, then transitions into a character analysis of The Emperor. Approximately 3,800 words. Lots of spoilers.
Let me first start out by saying that I love this game. It would be entirely unfair to say that this game is anything less than a triumph. The level of skill that goes into a collaborative process such as the making of a video game with a rich story, compelling characters, complex morality, beautiful animation, and an immersive environment is something that should not be hand-waved away. I’ve enjoyed hundreds of hours playing this game. Having said all of that, here’s (yet another) post of “we need to talk about the ending.”
If you’re unfamiliar with the recent-ish IGN interview with game director Swen Vincke and lead writers Adam Smith and Chrystal Ding, you can find it here. I’ll be focusing on their section of the interview concerning The Emperor and the end game choices.
LOTS AND LOTS OF SPOILERS AHEAD.
Let’s talk about the critical decision of siding with Orpheus or The Emperor.
I know a lot of people have pointed out that The Emperor joining the Netherbrain in the end if you side with Orpheus makes no sense, and I think it both does and doesn’t. He has always wanted freedom, and it’s almost certain that the moment he leaves the astral prism without Orpheus’ protection, he’ll be enthralled whether he’s willing or not. The explanation given in the article by Swen and Adam, as well as The Emperor in game, as “survival” feels like a 180 when his ultimate goal has been freedom. Why they chose not to focus on the fact that it’s game over for him as far as his autonomy under this circumstance is puzzling. Which brings me to my next point.
One of my biggest problems with the ending is how contrived the choices are. Along with The Emperor’s 180 mentioned above, Swen and Adam (Chrystal doesn’t say much) seem to have rigidly held on to this plot contrivance of choosing to become a monster, and in doing so, forces a binary ending whether it works within the narrative and gameplay or not.
Swen - “One of the basic questions of the game was whether you would become a monster if it would save the world. So that’s where you get that in that moment. And then the interesting bit was, well, if you’re not going to do it, are you going to ask someone else to do it, or [are] you just going to say, ‘F*ck everybody?’ That’s essentially what that moment was.”
Adam - “There was no way to save the city, save the world without giving up your own identity.”
The thing about a binary choice is that it only works if there truly are no other options available, however, the player has a lot more power and leverage in this situation than the game is willing to let them have. The Emperor wants his freedom and will be enthralled voluntarily or otherwise if he leaves the astral prism and cedes power to Orpheus. It’s also worth mentioning that when you help him defeat the Honour Guard, there’s an option to ask him about assimilating Orpheus, to which he answers that it may not work. So, assimilating is a big risk, and should it fail, he’s back to being a thrall.
Then there’s Orpheus. He cannot leave the astral prism without the players freeing him with the Orphic Hammer and cannot take on the Netherbrain unless he or someone else turns into an illithid. The player has leverage against The Emperor to persuade and/or intimidate him to join with Orpheus, and they also have leverage against Orpheus for the same thing. The whole speech Orpheus gives about how the player should have let his Honour Guard kill them and they would have taken on the Elder Brain before it evolved and became a Netherbrain is either a lie or delusion. You don’t even need to metagame to know this, yet the player has zero dialogue available to call Orpheus on this claim. He and his Honour Guard have been imprisoned in the astral prism for millennia with no means of escape, and no way of impacting the outside world. They weren’t going to stop anything, and yet, through the dialogue choices, the game treats this as though it were a given and that The Emperor held all the cards and kept this from you. He didn’t. He truly is the reason you’re alive to face the Netherbrain. Given the gravity of being on the cusp of The Grand Design, calling Orpheus on the impotence of him and his Honour Guard, and also potentially being under threat of having his brain consumed if he does not cooperate, there is plenty to leverage against Orpheus to get him to at least temporarily ally with the player and The Emperor. If you’ve struck a deal with Voss, you have even more leverage.
Beyond the other options that I believe should be available, I don’t think becoming a monster or “f*ck everybody” comes through in the ending at all. It seems like they expect players to side with Orpheus when there are plenty of role play reasons to side with The Emperor, and then no one has to become a monster, and you still save the city. The Githyanki aren’t even doomed under this ending just like they’re not doomed if Orpheus transforms and dies in the end so he doesn’t live as a mind flayer. If anything, the theme of freedom, autonomy, and alliances, I thought, came through more strongly, both with defeating the Netherbrain and with the companion quests. Under this theme, an option to persuade/intimidate Orpheus and The Emperor to work together actually makes more sense because they have to put aside their hatred for one another to accomplish the same goal of defeating the Netherbrain and obtaining their freedom. The intention seems to have been for the player to make a significant personal sacrifice to save the world, but I just don’t think that it was executed particularly well.
I think this is a good time to say that authorial intent should never be the end of one’s analysis of a text. If an author/director/writer/artist/creator tells you what their intention was, it doesn’t mean the text supports that. We don’t always execute something we create the way we intended to.
And that brings me to the next thing I want to discuss.
Let’s talk about The Emperor as a character.
I want to start out by saying that The Emperor is my favorite character. I enjoy a compelling and nuanced monster that subverts our expectations, and I think The Emperor provides a lot of that while also not living up to his full potential. I’ve already written a post on this forum regarding why I think we need to have a fully fleshed-out romance for The Emperor that you can read here. I’ll be focusing on his writing for this. I wrote at length about what I enjoy about the character in another thread on this forum, that you can find here, but I’ll include a quote:
“What’s unique about The Emperor is how he subverts our expectations. Yes, he’s manipulative, but he never mind controls you. He’s this supposedly asexual creature, yet he’s sexually interested in the player character and is heavily coded as a romantic male lead. He’s also supposed to be this heartless and soulless creature, but expresses care for the player character, and if you romance him, he’s sweet, vulnerable, and sincere. He’s supposed to be part of this hive mind, yet he wants his freedom and actively encourages the player character to form alliances to defeat the Netherbrain. He needs to feed off the brains of others, but avoids the innocent. He may want the player character to change into an illithid, but he leaves that choice entirely to you. He’s alien, yet very human and desires allies and companionship.”
I was under the impression from this interview that Swen largely sees The Emperor as a plot device, while the writers saw him as a character, even if he has a specific purpose in the narrative. There’s even a very awkward part of the interview in which Adam refers to The Emperor as “he,” quickly corrects himself to refer to him as “they,” only for Swen to insist that The Emperor is an “it,” even saying that “we often had this fight” when referring to his pronouns. I personally think that’s a bit revealing, though you may disagree.
For additional context, Swen, Adam, and Chrystal all agree that The Emperor is manipulative and self-serving, but that he never lies to you. Swen will later reiterate this very point when talking about Raphael:
Swen - “Raphael… a lot of what he says you can’t trust, but he is honest. And at one point, if you push him on it, he says, ‘All you are to The Emperor is a pack animal that’s carrying him to where he needs to be.’”
There’s another awkward exchange in which Adam speaks to The Emperor being terrified of going back to the Elder Brain. Swen then remarks:
Swen - “he’s not really terrified he doesn’t have that level of emotion.”
Adam - “Well, yeah, but I think that there’s a level of horror in being… Going back to what he escaped from.”
Now with all of that context laid out, I think his manipulative nature is pretty uncontroversial in the game’s text. He is self-serving - he doesn’t really hide that from you - he speaks in partial truths, and you are a means to an end. At least at first. And, this is where I think he becomes a more complex character whether Swen realizes it or not.
As a side note on how he manipulates the player: there’s this strange bit of dialogue with The Emperor in which you can call him on the fact that he’s hidden information from you throughout your entire alliance, and he responds by acknowledging that, saying that he purposefully lead you to believe that the githyanki Honour Guard were evil beings. I don’t recall this at all. He tells you that they would have killed you because to them you are already illithid, which is all true. It’s a strange bit of dialogue in the end that doesn’t follow what’s been established in the game.
That aside, I’ve heard many people hand-wave away all of his behavior as insincere and solely for the purpose of manipulating the player, however, I think that’s, at best, a shallow reading of the text. He may be manipulating the player character, but that’s hardly the only thing going on, where a character like Raphael is truly only manipulating the player character. In the interview, Swen, Chrystal, and Adam all say that he doesn’t lie, however, I think a more precise way of saying that based on what we see in the game, is that he doesn’t fabricate lies. He doesn’t make up a lie out of whole cloth, but rather omits information that he doesn’t think is relevant, or that doesn’t serve his purpose. Perhaps the most infamous example of this is his relationship with Belynne. As long as you remain on good terms with The Emperor, he frames their relationship as two allies working towards a common goal in The Knights of The Shield. However, if you become hostile, provoke, and dehumanize him, he reveals that Belynne was his unwilling thrall.
I’m hardly the first to point out that this cutscene is a bit suspicious. The timing of such a reveal and The Emperor framing it as “why hide” or “will this make you feel better” is an obvious threat to someone who seems likely to betray you the moment they can. The cutscene also has The Emperor casually revealing his identity to someone other than Belynne, much to this unnamed person’s horror. That is already out of line with how he conducts himself. After her death, we can have this interesting conversation with The Emperor in which he further discusses his relationship with her. With hindsight, it’s obvious that when he says their relationship “was not love” it was “deeper,” and that it was “unique,” he is referring to when she was his thrall. But, he also reveals in some dialogue options that she understood his needs, his desire for freedom, and that she didn’t trust a mind flayer at first, suggesting that she wasn’t initially his thrall. He even describes himself as being “haunted” by memories of her. We don’t know exactly what memories are haunting him, but we do know that the dialogue option with the thrall cutscene, he says to the pc “aren’t you glad I finessed my methods?” Even when he calls you his puppet, at no point in the game will he enthrall you or your party members.
It’s worth mentioning that it is well within DnD lore that mind flayers grow attached to their thralls and mourn their passing, but we later find documents in the game, one from a physician, that when The Emperor came to visit Belynne as her condition progressed, that it eased her “body and mind.” We also find a document suggesting that he was impersonating her through magic as one eye witness account described a floating blue figure, but that it turned out to just be Belynne smiling. I bring all this up because what I believe we’re seeing here is an incomplete portrait of their relationship. I think it suggests that they were once genuine allies before he enthralled her, and that he’s mourning more than just her passing, but also the deterioration of their relationship. I think this also helps to explain why he never enthralls the pc, even if it would mean preventing them from taking some very dangerous paths that jeopardize their mission. The Emperor is an unreliable narrator who speaks in partial truths, so I don’t believe that either version of their relationship you get from him is the whole truth, but is not entirely false either. This game very often takes a more-than-meets-the-eye approach to characters and storylines, so this is well within what we have come to expect from this game. She may have been a means to an end on some level, but she was hardly only a means to an end.
As far as that strange comment from Swen that The Emperor “does not have that level of emotion,” we actually feel his fear regarding the Elder Brain as it’s breaking free from the crown’s control. If the pc romances him, we literally feel that he cares for the pc, and in some interactions of this scene he’ll tell the pc that he enjoys their mind, and refers to their relationship as a bond of love. Before the final battle, one of the NPCs invokes Balduran’s name right before battle, and if you’ve allied with The Emperor, you feel his amusement that they have no idea who he once was. There’s even that scene with the Guardian at the beginning of Act 2 in which a successful insight check reveals that he is hiding the depth of his pain. I know there’s that note that The Emperor left for Ansur about no longer feeling his feelings, but he clearly does feel. He even describes the grief he feels over Belynne as “not entirely unwelcome.” The Emperor is an arrogant and prideful character, and he doesn’t seem to be entirely self aware as to his own humanity because he sees himself, as a mind flayer, to be superior.
For most endings, The Emperor will just depart after defeating the Netherbrain, much like the other companions who also go their separate ways. So, I don’t think this is necessarily an indication that the pc was merely a means to an end. However, (big spoilers here) there are two endings in which he does reveal his feelings for the pc. In a solo ending in which the pc doesn’t transform, he’ll tell them “you have become… important to me. And should our paths cross again, I will be glad to see you.” There’s also an ending where, if the pc transforms into an illithid, he will ask to stay together to rebuild the Knights of the Shield. There’s an option to tell him to think bigger, at which point he’ll say to them “Have I ever told you how much I enjoy you? Lead the way…”
I also want to note that right before the above mentioned exchange with The Emperor, the Narrator has a line that in being a mind flayer, all your companions become tools or food, but then contrasts that with:
“Perhaps you are unique among illithid-kind. Perhaps you will retain enough of who you are to resist your nature. A rogue mind flayer. Like The Emperor.”
This is a pretty straightforward acknowledgement that The Emperor does have the capacity for relationships beyond mere tools for his use.
All this is to say that there seems to be some genuine relationship building with The Emperor, which makes it, in some ways, more strange that he’s so quick to abandon the player and join the Netherbrain should you choose to free Orpheus. Many players have noted that trust is one way with The Emperor, and if that’s the angle Swen and the writers were going with him, then why have The Emperor demonstrate trust in the pc’s leadership? Yes, there are moments in the game in which he admonishes the pc, disagrees with them, attempts to persuade them away from a decision, hell even probes their mind if they lie to him about the meeting with Raphael, but he’s actually very reasonable when it comes to the pc’s autonomy and decision making. If you save the Grove, he’ll even compliment you on your leadership. He’s so hands off in so many ways, but when he does interject about certain quests like the Crèche, Ansur, or The House of Hope, those are extraordinarily dangerous quests that risk everything. They risk you, him, and anyone left behind to be subjected to the Grand Design, but he never stops you. He actually does demonstrate a lot of trust in the pc even if they’re not the most reliable at times.
I said earlier that I think the intended ending was to have the player join with Orpheus, then the pc, or one of the companions turns into an illithid. This requires a sacrifice and sets up this dramatic encounter with The Emperor in which he rides in on a red dragon and summons your dream guardians to fight you. This could have been a powerful moment, however, I think it largely falls flat when you have this forced binary decision with a character, who may be unlikable, but is actually pretty reasonable throughout. If you’ve romanced The Emperor, or are at least on friendly terms, this binary ignores the prior relationship development of the pc being more than a means to an end by not at least allowing for some kind of exchange and option for striking an alliance.
But, let’s just say you have romanced The Emperor, but the twist is that you are merely a means to an end. Well, that’s not clearly laid out either. There’s no moment to confront him, and the only acknowledgment of an intimate relationship comes when he castigates the pc and reminds them that they didn’t “reject” him, but “enjoyed” him. (If anything, that implies you used him). He just leaves and that's that. Along with everything I laid out earlier, it’s not so much a twist, as it’s incomplete writing. This isn’t even the only example of incomplete writing. Remember how your companions were able to witness your night with The Emperor but no one said anything the next morning? The so-called fix was to have The Emperor wipe their memories without any regard for the implications. The pc doesn’t have a dialogue option regarding such an action, and the only vague textual clue that this is something he does is that he may have done some memory manipulation with Belynne’s doctor. However, the doctor can still recall a lot of details of The Emperor’s visits, she just has trouble recalling his appearance. He either doesn’t or can’t completely erase her memory of his visits, even though she finds him suspicious and erasing her memory entirely might be safer for him to do. Other than that, it’s just the one line he speaks that was thrown into the game a couple of patches in. Even then the companions still don’t react to the “enjoyed me” line, or the “fornicated with a mind flayer” line if you side with Orpheus. We love hearing our companions react, so why not have that in there? It would certainly be more entertaining at the very least.
Whether these inconsistencies come down to creative differences between Swen and the two lead writers is speculation. No one was in the writing room with any of them, but this interview was, nonetheless, enlightening in some respects. I do hope that at some point The Emperor can be a fully realized character, and one that’s in line with the depth he is given in the game. And I would hope that would go along with additional ending choices that better reflect the narrative that comes before that crucial decision. A binary choice like the one we currently have doesn’t work for many playthroughs, even if it may work for some. I would like to see that someday reflected in our final choices.
Lastly, while I’ve laid out a fair amount of criticism in this post, my intention was not to cynically nitpick every inconsistency. I even deleted some things I originally planned on including here, because I realized that not all plot contrivances actually weaken the story. I want to repeat that I still love this game, and when I say it’s a triumph, I do sincerely mean that. I know all too often fans may request changes to the game or characters as a sort of wish fulfillment, but those changes would ultimately end up undermining the narrative or themes. I’ve tried my best to avoid that here, and I hope I have.
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bananasfosterparent · 1 month
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The difference in AA is his soul being irreversibly gone. That is the point and this is what Larians writers have been hinting at and this is what irks people about AA. The oversexualisation and erasure of his trauma, effectively erasing him as a person. I know we're talking about a fictional character, but if we're gonna go off on the topic, saying something "doesn't matter" is just a cop-out. Astarion didn't need to be "fixed" to the point of emotional lobotomy.
I don't think it's wrong to like or prefer him, but I think it's valid to have opinion on the matter, much like you have yours.
I started to apologize for the length of this, but honestly, since you sent the message, I'm going to respond to every part of it. I'm not sorry for the rambling lol
"The difference in AA is his soul being irreversibly gone."
Okay, show me the quote/scene/dialog in-game where this canonly is said and confirmed? Where does it say the ritual will ever touch his soul or any part of the game talks about his literal soul?
And if by soul you mean the "lose who you are inside" as a metaphor, that's still a matter of opinion and not actually canonly what happens. Astarion is still himself. The "changes" in his personality are shifts to simply adjust to the company he is around. He's essentially code switching.
That is the point and this is what Larians writers have been hinting at and this is what irks people about AA.
Got it. So the point of Astarion's romance is for Larian to write a singular story that has one ending you're "supposed" to enjoy with a "morally good" conclusion, and one ending that's fun and sexy, but "supposed" to be a cautionary warning of how things "shouldn't go". Because that makes sense for a "choose your own adventure" game and that's why the romance stops with AA as soon as you ascend him, and he enslaves and compels your character and you can't continue the romance with him--OH WAIT.
The oversexualisation and erasure of his trauma, effectively erasing him as a person
"The oversexualization".... So you know my Tav's personal motivations and why she chose to ascend him? And you're confident you know I made the roleplay decisions I made because you know it centers entirely and solely around it being to sexualize him?
Interesting.
Because that couldn't be further from the truth. My Tav has an entire story for why she chose to ascend him and it has nothing to do with how sexy it makes him. And it was a story I came up with well before I knew about any of this "sexualization" concept. And as a player, I didn't ascend him because I wanted a sexy vampire. I went into his romance blind and had no idea what would happen when I did it. I ascended him because it narratively made sense for my character and their relationship. But even then, if I wanted a sexy vampire, why is that a bad thing? He's not real.
And I find it so ironic that a lot of spawn fans who are anti-AA only enjoy AA for the sexual parts of that ending. Yet, we're the ones "oversexualizing" him lol
As for "erasure of his trauma"... where do I even start? What does that even mean? lol I'm not gonna lie. You sound young or unaware, but believe it or not, in real life there is more than one way to deal with trauma. And dealing with it in a way you don't agree with doesn't erase the trauma or mean the person is pretending it never happened. Ascended Astarion very much addresses his trauma and exercises a different form of healing.
In a fantasy world, you can actually explore those other options and have the outcome work FOR you, even if it wouldn't in real life. Accepting your fate and trying to align yourself with "morally good" choices is certainly not a bad thing and one way to go. In real life, that's what I agree with, as a Christian and believer in Christ. But Faerun doesn't have a Jesus. They don't have the same real world ideas of morals. They have their own gods, their own history, their own moral perspective outside of our world. Bringing in (your perspective of) our real world morals is a valid way to roleplay, but it's not the "only correct" way to roleplay.
There is the route of overthrowing what was meant to control and destroy you, and taking control of it yourself. Taking what was meant to be against you and making it work for you instead. For me, that's what Astarion's ascension means.
A smaller example of this is if you give Astarion Gandrel's crossbrow to use.
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This weapon was designed to work against vampire spawn. It allows for its user to possibly inflict Turn Undead on enemies and gives them advantage in a fight against monster types. And yet, Astarion can wield it and use it effectively. He can take what was created to hurt and destroy him and use it to work for him.
Ascension can be the exact same thing. It's not a matter of which opinion of ascension is morally right. It's a matter of which decision on ascension is right for your Tav and their story with Astarion.
...saying something "doesn't matter" is just a cop-out.
Can you show me where I said "something" "doesn't matter"? Cause it wasn't in any of my recent posts. Are you referring to one of my older ones?
Not only do I not know what part of what post you're referring to, BUT I also don't know what I was talking about, if I even said "something" doesn't matter. I don't know what that "something" is.
Astarion didn't need to be "fixed" to the point of emotional lobotomy.
I'm glad we agree on something. I've seen people claim ascension is "fixing" him (because it eliminates the negative traits of vampirism) and therefore it's weird to call anti-AA spawn fans "fixers". But the difference is trying to change(fix) his morals and view of the world to reflect a "good" worldview (the spawn ending) VS trying to change (fix) his circumstances and lack of control (helping his ascend).
AA fans do not want to change his personality or his mental/emotional state. We want to change his circumstances so that he has a place to be able to make those decisions on his own. And for most of us, Ascension provides that perspective.
Spawn fans want the same thing. But the approach is more to convince him from the inside out that he can make those decisions without ascension. And that's also true. But not more valid or the only way.
But his personality does not change in either ending. In one (spawn ending), he is able to find freedom in just being free of Cazedor and exist the way he always has with a newfound confidence and peace.
In another, he is able to find freedom in taking the helm himself, and holding all the cards to be the one on top. He finds confidence in having the power and being able to wield it, without fear of anything he's had to fear with the negatives of vampirism.
But in both, he is still the same person. He still gets joy out of the same things (killing people, having/causing/observing bloodshed, and causing some chaos), he still has the same personality. The difference is in his circumstances and how he presents himself.
I don't think it's wrong to like or prefer him, but I think it's valid to have opinion on the matter, much like you have yours.
You don't mean that. Because if you did, you wouldn't have a reason to send this anon message in the first place. You wouldn't care enough. It wouldn't matter. You wouldn't have this opinion. You would be able to see value in both endings and respect the positive perspective of ascension even if you don't understand it, without arguing headcanon points like "his soul is irreversibly gone".
Your entire message is literally you trying to tell me it's wrong to like him and that the opinion I have of him is invalid and wrong. I already respect your opinion on both sides of him. Because it's your right to how you roleplay and see him. If you respect mine, you're doing a really awful job at showing it.
Regardless, if that is your intention or not. That's what sending this message says. If you really want to say you respect AA fans for enjoying AA, then stop sending AA fans messages like this and either completely avoid AA and the fans or refrain from trying to argue against it. We can discuss it and not agree while also respecting each other's roleplay choices.
This is not a wrong vs right conversation. It's a "what's your preference?" conversation. Spawn vs Ascended should be like "what's your favorite Pokemon type?"
The sooner that is realized, the better off this fandom will be.
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antianakin · 1 month
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So, for people who don't have basic reading skills, when I say Ahsoka is entirely irrelevant to Anakin's story, this does not mean that I think Ahsoka is a bad character, that I think Ahsoka should never have existed, that Ahsoka is uninteresting, or that I don't think Ahsoka can be important to fans who enjoyed her. When I say Ahsoka is irrelevant to Anakin's story, it really does truly mean JUST THAT.
Anakin's motivations for everything that he does already existed prior to Ahsoka. They're built into his story long before she ever even existed. The message of his story existed before Ahsoka was even a glimmer in Filoni's eye. So nothing about Anakin's story truly changes in any meaningful way because of Ahsoka's inclusion in it. He still falls because of his attachments, because of his fear, because he cannot live without Padme and is traumatized by the loss of his mother. He chooses to come back because of his selfless love for his son, because he'd rather die than allow Luke to be killed. None of the most important choices in Anakin's story have anything at all to do with Ahsoka and, quite honestly, I feel like it takes away from the whole theme of his story to try to shoehorn Ahsoka into those choices.
The story existed before Ahsoka and it has not, does not, and never will need her in order to make sense or be compelling.
NONE OF WHICH means Ahsoka cannot be significant IN HER OWN RIGHT. Ahsoka was the first female character to truly be the main character of a high canon Star Wars story (if we consider her the main character of TCW, which you can make a solid argument for). Ahsoka was the first female Jedi character to even be allowed to speak in a high canon Star Wars story let alone be the main character of that story. And that's significant, obviously. It was a major milestone in Star Wars and it meant a lot to a lot of fans growing up, especially young girls.
I have never and will never dispute what Ahsoka meant to the franchise and to the fandom.
She's still totally irrelevant to Anakin's story. The two things are not mutually exclusive. They can both be true at once.
And honestly, I think Ahsoka would be doing a lot BETTER as a character if people were able to recognize that more. Ahsoka IS NOT RELEVANT to Anakin's story. Anakin is relevant to HER story, but she truly is not that relevant to his in return. Ahsoka cannot remain anchored to Anakin forever, it's quite literally dragging her down. Trying to make her more significant to the Skywalker Saga is making it impossible for Ahsoka to be significant in her own right, separate from her relationship to Anakin.
So I'm going to keep saying that Ahsoka is irrelevant to the Skywalker Saga, to Anakin's story, because it's true and I find it a really important part of any discussion about Ahsoka as a character and her place within the narrative and the franchise.
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onlyseokmins · 2 months
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$$60 billion (part 2) • l.s.m.
How did a legendary bounty promised for turning in the wasteland's most infamous outlaw transform into a sick, little inside betting joke amongst your traveling companions? Though you have no idea why they're doing it… you sure as hell don't want that very same gunslinger comrade worth sixty billion double dollars to know anything about it either — but oops — looks like he already does! Damn you and your temper, some unhelpful lip-loosening alcohol, and one no-good, sorry excuse of a preacher you sometimes think of as a friend.
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Pairing: outlaw!lee seokmin x fem!reader Genres: smut (minors dni!), trigun!au, action!au, apocalyptic/post-apocalyptic!au, space western!au, slight enemies to comrades to ??? !au, angst, fluff, they're dumbasses your honor 🙏 Warnings: swearing, blood, guns, injuries, medical tingz, destruction, mentions of knives, violence, unsettling space western things, slight body horror and hints at altered dna, weird religious cults, mentions of eating/food, alcohol, threats, bets among friends, tame-ish alien/monster/plant sex (????? listen it'll make sense - think of him like howl's bird form on steroids idk), mating, possessiveness!, marking, bruising, jealousy, smelling/scent kink???, wet messy sex uwu, wing kink (??? listen i was gonna explore it more but decided not to ok??), BITING (bc it's me), mechanical/robotic fingering???, gagging, bulge kink, oral sex (explicit male receiving and brief fem. receiving), seokmin's dick is like SLOPPY TOPPY LORGE w/ a mind of it's own, lowkey forgot how to write smut sorry </3 WC: 13.2k of 32.7k | Part 1 | Read on AO3 A/N: this is for the Now that's 90's - A Seventeen collab and loosely based off/inspired by the Trigun anime/manga! You do not need to know it as I manipulated a whole lot of elements for my own narrative but beware of various spoilers if you do go ahead and check out the series after reading!! I hope everyone enjoys the conclusion and please check out the other writers in this amazing collab ❤️PS, I know nothing abt chess lmaooooo but let me know your thoughts and feel free to ask any questions regarding this au's intricacies!! This part might get a little confusing because of a flashback!! (starts right after the italicized paragraph and ends with "...in this moment...")
The silence is palpable.
"Does it hurt more to get stabbed in the back or shot?"
Only the continual rustling sound answers your philosophical question. Not that you actually care because you weren't really expecting a reply.
So, you keep talking.
"I think it would be more painful to get stabbed… but it would take longer to heal from a gunshot wound."
There's a brief pause in the motions behind you. But the quiet resumes, though the practiced skill of a needle threading through your skin quickens. While the local anesthetics Tonim's doctor supplied is doing its job for the most part, you swear you can still feel the tug of flesh being sewn together.
Or maybe you're just thinking too hard.
"Look. I'm… I'm sorry."
If tension could personify itself right at this moment, it would do so with ease, given how heavy its presence currently sits in the room. A low voice finally speaks up, gravely and roughened after such a long period of silence and the hairs on your neck rise.
"Are you really?"
"… Yes."
A heavy sigh — one burdened with all the worries of the world — follows. You wince and then tremble, wishing you could turn around. It's easy to guess what he's thinking but god, do you wish you could see his face to confirm. The fear of the unknown paralyzes you.
"I seriously am."
"Doubtful. I know you only asked me that question to subtly say you'll be okay and heal just fine but it's not that simple."
The callousness in his tone and the sharp way he says your first name makes you want to shrink down, shrivel up, and quite frankly die on the spot. Gritting your teeth, you succumb to the apparent silent treatment until the snip of scissors signifies your surgeon has finished treating you.
You think twice about your options upon hearing the click-clack of medical supplies being put back into the first aid kit. Then you think, "fuck it!", and use your good arm to keep the fabric of a spare t-shirt pressed against your chest and shift so you can face the man who just rather aggressively threw a handful of unused alcohol prep pads back into their designated slot.
"I'm super duper, utterly, and truly apologetic, Seok."
The gunslinger heaves another grand exhale of irritation. He doesn't even so much as glance at you, frowning sourly down at the roll of gauze in his hands instead. The temptation to reach out and touch him — soothe him — is strong but you decide against that (for various reasons) and resort to huffily pouting instead. Amazingly it seems to work, because he notices right away and folds way too easily without much of your sway, finally facing you with a reluctant but serious expression.
"Then what did you learn?"
Your gaze lowers, eyelashes fluttering while you drown in your feelings of shame and wrack your brain. The urge to toy with the silver chain around your neck is strong though you resist the tick and hesitantly answer instead.
"Um, that I need to fortify my mental block better?"
"Try again."
"Uh…"
"How about the way you're not supposed to play the hero?"
The tin of the trauma kit rattles as Seokmin slams his left hand down on the bed, leaning menacingly toward you. Though narrowed, his eyes seem to glow. You can't help but whimper at the intense ire dancing in those irises paired with his sharp tone. Like the desert's suns, it simmers and radiates off of him with rays of heat that you can easily feel given how close he is.
"I'm, I'm sorry!"
"No, you're not," he states sharply though the rigidness in his body relaxes after your squeak of another apology. "You almost died!"
You'd defiantly cross your arms if you could. "Between the two of us, you were most at risk of dying."
"Was not! And we both know my chances of injury are much, much lower than yours."
"You can't lecture me and flex your stupid powers this time! It's different 'cause Jihooon was fuckin' with my mind."
The harsh bitterness is more so directed at yourself and the damned Crimsonnail than Seokmin. But as usual, you vent all your frustrated emotions out on him, especially whenever he brings up the fragility of your mortality. You both stare stubbornly into each other's eyes, thinking back to what happened and what could've happened.
Lina's protected. The Tonim residents were all immobilized. Seungcheol, Seungkwan, and Mingyu are in good spirits. You are safe.
A burst of air rushes into Seokmin's lungs, relief filling him as he idly scans your figure for injuries. Casually reloading his revolver just in case, he beams as you approach. The mirrored expression of victory on your face accompanied by a hand reaching out causes his whole body to shudder in pleasure. There's nothing he'd like more than to intertwine his fingers with yours.
Instead, he settles for returning your enthusiastic fist bump. Nudging his shoulder against yours, Seokmin chirps out, "Good job, partner!"
"Partner?"
"Yeah, partners."
You shake your head like you can't believe him, amusement tilting up the corners of your lips. He wants to tell you everything, all of it. But his ears catch the faint click of a contraption behind him and he looks over his shoulder just in time to see Jihoon's crossbow assemble.
Joshua looks mightily displeased but makes no effort to put a stop to the Crimsonnail's actions. Seokmin can only thank his lucky stars that Soonyoung remains in a catatonic state. Dealing with a ginormous worm so soon after being in its stomach a couple days ago was not appealing in the slightest.
The fingers of his prosthesis splay out, cybernetic arm lowered and extended outwards in front of you as you turn around as well. He knows you hate unwarranted protection but you'll have to forgive his instincts this time. Nevertheless, he trusts you. And as Jihoon opens fire, Seokmin leaps into action, expecting you to do the same — only to do a double-take when you don't move despite a flurry of nails breaching the air.
Your eyes remain unfocused. Glazed over and cloudy, posture tense but still. He sneaks observatory looks your way from afar while firing Geranium. Round after round, breaking nail after nail to prevent any harm befalling you. A maniacal laughter rings out and Seokmin freezes, putting two and two together.
Then he snarls.
Jihoon must've sicced his killing intent — a nasty ability to project and create illusions of destruction in someone and break their will — on you. Cursing, he starts making his way closer to you, inwardly reaching out to you and begging that you'll break free of the blonde-haired man's clutch on your psyche.
You're obviously more than capable. He knows this. But your movements are sluggish, slowly releasing Sirocco from your grasp. The empty pistol lands on the sand with a muffled thud and Seokmin's pretty sure his heart mimics it. A look of terror and horror spreads across your facial features, surely subject to something awful within the confines of your own mind.
And while you're experiencing visions of things you fear coming true, he's stuck in the vivid reality where they do.
You spin around with a wild look in your eyes — full of rage and anguish. He stumbles back as you teeter one foot at a time toward him and in the distraction, a nail pierces right below your shoulder blade.
Someone wails behind him.
You scream.
Seokmin rushes forward. But he's tackled suddenly to the ground and ends up flat on his back. Completely winded and left with his vision smarting, blinking in confusion at the blurry double halos that definitely shouldn't be around the duo of suns in the sky.
Then your face comes into focus. And god, forget the suns — in all your glory and in all your fierceness, you shine brighter than them all combined — hallucinations be damned.
It takes a bit of wrangling around, given how you try to wrestle and pin the man down. The clunky gun you're waving around goes off several times, harmlessly lodging bullet holes into the sand cushioning around Seokmin's head.
"Stop it, you're gonna hurt yourself!"
Moving and lashing out like a wild animal before it's fully sedated, his words don't come through the hellish haze Jihoon's trapped you in. You pull the trigger with no regard for the injury to your shooting arm.
Bang!
Bang!
Bang!
Bang!
Bang!
Bang!
He dutifully counts each round fired, multitasking between that and the effort it takes to contain your struggling movements. Once again, thanks to the overpowered strength of his prosthetic, the man's finally able to sit up with you secured in his arms to cease any further movement.
"Lovely, lovely mayfly," he murmurs. The stable cybernetic hand gently feels around the impaled shoulder while a trembling thumb rubs your abnormally chilled cheek. "C'mon and snap out of it, pretty."
Not a spot of recognition in your blank glare. His eyebrows furrow as cold metal presses in between them. Seungcheol is cursing, Mingyu and Seungkwan are shouting loudly. Jihoon gloats.
But none of that matters. Seokmin drowns all of it out by diving in the pooling depths of your empty irises. Searching, calling, begging. Biting his lip, he delivers a quick slap and pleads, "Come back to me, love."
And like a mist that rises after dawn, you return to him. Your stunned grip on the gun falters, the final bullet rattling in its chambers. The pained expression on your face slices open his own heart but its shredded form takes flight in utter relief.
You're back. You're going to be okay — he'll make sure of it. And even if you don't know it, you're his and he's yours.
"Y-you're dead," you choke out and all he can do is smile despite feeling like he's on the verge of crying. Elation, anger, guilt, hope, longing, worry, joy — all of it turns and tosses within him like a rustling flurry of winged creatures struggling to break free.
So, he smiles at you and grasps the barrel of the old pistol aimed at his forehead. "I know, mayfly."
Jihoon howls in fury. Joshua finally steps forward, striking a military pose with his hands behind his back. Composed as ever, his voice remains its deceptively sweet self compared to the harsh jerking movements he's subjected upon the gray-eyed man via telepathy.
"You've crossed the line, lost number thirteen."
"Don't call me that!"
It's no surprise that the pecking order in Dokyeom's henchmen sowed seeds of dissent. Though Joshua was simply a right-hand man, he remained the only unnumbered member, proving the lack of disposability DK saw in him versus the others.
"Know your place."
"Which has always been at the top! But because of you — !"
" — The top of those already at the bottom, perhaps. Respect your superiors and your orders, Crimsonnail. You were not to lay a hand upon Master Dokyeom's brother. Ever."
"I didn't!"
"Or a member of his little group." His indifferent gaze swept over Seokmin protectively cradling your body. "This voids our involvement and nullifies any further implementations of the game."
Joshua would thank his lucky stars that the humanoid typhoon is letting them leave scotch-free if he was a decent man. Unfortunately, he's not — already considering what punishment to enact upon Jihoon per his master's orders. The Crimsonnail feels a shiver down his spine, further enhanced by Joshua's frosty, disdainful look of disapproval as he telepathically drags Jihoon to the car.
Still, it's a good thing Seokmin's a pacifist by nature, that he's more preoccupied by your well being than anything else. Your brow begins to bead with sweat, the pain of your wound finally sinking in past the adrenaline rush wearing off. Black circles dance in your blurring vision, the gun falling from your grasp as you droop forward and rely on the unerring sureness of his support and the safety within in it.
Seokmin knows he needs to get you medical help right away, and it's the only thing he can focus on. There's no time for exchanging a blow with a blow nor the faintest idea of revenge.
Not yet. Not now. Maybe never if it means putting you in harm's way.
Was he really going to give up following the bloody trail to hold his brother accountable for the unspeakable crimes he's committed? Throw away the blank ticket Rem spoke about? All for one person?
The questions all swirl around in his head like a nebulous mass. And like a newborn star — one that's been long in the making — the answer is crystal clear and shining bright as you sit in front of him now looking devastatingly beautiful to him despite all that's happened. Most importantly, you're safe.
But all he can say in this moment aloud is, "I'm sorry."
For a multitude of reasons. So many of them. You seem to spot something in his eyes, frowning ever so slightly.
"You don't have to apologize for anything. I'm fine."
"I almost lost you."
"But you didn't."
"…I know. And I'm so fuckin' glad."
Seokmin runs his fingers in a distressed manner through dusty, matted strands of reddish-brown strands. Immediately drawing attention to the dirt, grime, and dried blood coating and dulling the cybernetic's buzzing glow.
"That's gonna be a pain in the ass to clean."
He appreciates the subject change, shooting you a lopsided grin. "Yeah, tell me 'bout it."
"Let me help."
You get up before he can protest. A tactical way to coerce him into worrying about helping you rather than arguing. The coy part of yourself is applauding the method, especially when the calloused flesh of his palm splays against the bare skin of your lower back in the name of support as you both walk to the bathroom.
That same part whispers naughty temptations to drop the t-shirt covering your chest, press up against him, and see his reaction. But your reasonable, reserved side is too held up on various other matters to give in.
Sadly, you find out you can't offer as much assistance as you would've liked. But Seokmin seems heartened by just seeing you up and about and close to him. Plus, you make use of your idleness while he washes in the sink by reaching for the few stocked amenities you can reach with your good shoulder above it when he asks for them. And you receive a heartfelt smile in return.
"I probably should've just showered."
You shrug. "You still could."
"Nah, it's fine, I can do it later. What about you, though? You're going to need help with those stitches."
"What a roundabout way to say you want to bathe together, Seok. You could've just asked."
Maybe you expected him to splutter nervously or protest fiercely at the tease. You certainly don't expect him to just shake his head — silver earring flashing in the vanity's dull lighting — and chuckle.
"I'm being serious, goof. Besides, it's not the first time I've seen you in the tub."
"What?" you squawk and his grin doesn't falter. In fact, it turns into a smirk.
"I'll go get Sherry. Lina's gonna want to see you too, she wouldn't stop crying about her pretty savior getting hurt."
You frown. Was he still going to dodge The Talk™? And did he think you were really just going to him out of your clutches that quickly?
"We still need to chat. You promised."
His eyes flash. "… And you don't like promises."
Yes, that was exactly why. He knew your history. Still, you refused to back down.
"No, I don't. But I like you… and, and most of all, I trust you. I just want the truth, Seok. Even if you think it'll hurt me, at least be honest. Trust me back. I promise it'll make it less painful if you tell me why you thought I wasn't serious. So, please…"
Don't let me down.
It's unspoken, but he can clearly hear it in your tone. A battle-worn sigh escapes so you try to lead him and finish with a question where he can give a more straightforward answer.
"… How long have you known? About the bet, I mean."
Despite wavering between semi-alertness and bordering the edge of losing consciousness, you're aware of Sheryl's presence as she bustles around with Seungkwan and Mingyu to clear out an empty room above the saloon temporarily used for patients. Seungcheol waits outside the door with you two, a cigarette loosely dangling from his lips.
When Sheryl leaves, she sneaks a peek at the way your face buries into Seokmin's neck, how the man carefully assesses the rest of your body for injuries. His touch is gentle, the cybernetic arm coated in blood as it holds the nail in you steady. He'd been adamant about being the one — the best one — to treat you. Smiling, she hands Seungcheol a couple of double dollars and the pastor raises an inquiring eyebrow.
"For that little game of yours," the woman whispers knowingly and gestures to the two who just exited the room and Seokmin hurriedly heads inside. "They told me all about it."
You lift your head to glare at Seungcheol and then your other comrades as you pass, wondering if this was some sick form of revenge for pulling one on him and if Sheryl was so keen to set you up with someone in the same way pompously done for her. But your shoulder feels like it's on fire so rather than reprimand your stupid, back-stabbing friends and slump back wearily against Seokmin.
He's a simple man who certainly can't hide a silly smile at the unconventional snuggling. Lifting his chin, he then tilts his head questioningly to the money in Seungcheol's hands. "You're still doing that bet?"
"Haf'ta win the lasses 'n hopeless romantics over 'n have 'em rootin' fer ya."
"Y-you know about the bet?"
Seokmin hushes you with a low murmur, words muffled by the press of his lips to the crown of your head. You can't make out what he says, but the timbre is soothing enough that your eyes close.
"Gotta make that sixty billion somehow if we're not turnin' ya ass in."
"Fair enough!" The wanted man laughs and closes the door with his foot.
His cheerful demeanor then dropped to focus on the proper procedures to treat your wound and that's when the silence settles in, soon followed by the weighing air of unresolved tension between you. And now, you're continuing the determined path to fully speed-run ahead and break it, though he shrugs nonchalantly at the question.
"Known for a while, to be honest."
"Seriously? I thought it was a secret!"
"C'mon, you know how bad Cheol is at keeping them."
"Yeah, right," you roll your eyes. "That man takes things to the grave — literally!"
"You're too hard on him." Seokmin leans toward you, bracing himself with an arm supported by the sink and brown eyes sparkling with humor. "Think about how much you've learned about him."
"Against my will, too much…"
"Which means I'm right."
"… I guess you do make a fair point."
"Of course. He's a completely open book once you peel back that damn protective hardcover of his."
Still, you sniff disdainfully and frown. "I swear, you're the only one who sees him like that."
"Like what?"
"Like…. unafraid, unconcerned, unbothered by all that he is, all that he's done, et cetera."
"Why not? He's done the same for me. Besides, I've said it before but he has those eyes, you know. Kind."
Ah, and that's what gets you to resign with a small grin. It's just like Seokmin to see only the good in people.
"And you're not all that different," he continues with a broad, knowing smile. Immediately you bristle and he clarifies, "from me." Some part of you momentarily wonders if you spoke your thoughts aloud or if he just simply knows them that well. "As loath as you are to admit it, you care for him. Most importantly, you trust him."
Though your face sours at the thought, you don't retort right away. Sure, Seungcheol is a trusted ally. And maybe the motivation to free Jeonghan from the control of the Eye of Joshua wasn't solely because it was simply the right thing to do. But also because it might brighten the dull spark and leave one less bloodstain on the hand of a man who bore the burdensome weight of all sins like a cross on his shoulders.
Then you wave away those thoughts for now. "So, is that why you thought I wasn't serious on how I feel about you. 'Cause of the bet?"
"No, because I never knew the full extent of it. But… if you're saying it had to do with your feelings, then I would have to say yes — though I find it hard to believe any bet's worth my bounty."
"Oh." Your cheeks heat at unwittingly giving it away.
Seokmin smirks when you avoid his gaze, and he moves in even closer. "No one has sixty billion double dollars just lying around, mayfly."
"You're just saying that so no one turns you over to July."
"Well, you won't do it, will you?"
"You don't know that," you fire back, intending to heighten your defenses that only weakly falter because you're still not looking at him.
"But I do."
"Yeah? Prove it!"
Ooh, a challenge.
And one more step closer.
"Because you care too much about the man you like to put him behind bars."
Your eyes dart back to meet his, ready to squint reproachfully only to widen at how the gunslinger's face is only a breadth away from yours. Breath hitching, you desperately want to whine out in irritation but it comes out in a low whimper. Seokmin's canines flash in the bathroom's dim lighting.
"That's not, that's not fair." The wall pressing into your bare back keeps you from retreating and the hand keeping the t-shirt covering your chest feels how your heartbeat speeds up. Your skin is on fire, only the cool temperature of your locket and its chain preventing you from utterly exploding after the plaintive admission of, "You already know everything. But…"
"But…?"
The unconscious action of biting into your lower lip only gets realized by the way it keenly draws Seokmin's eyes. Electric blue flashes against brown irises yet they darken to almost black with the sudden thrill of desire that rises to the surface. He's so close, you can feel his breath caress your face, and you swear you hear it deepen into a low grunt before he raises a brow for you to continue.
"But… b-but I don't know…a single… thing."
Seokmin has forever believed Rem's take regarding the ticket to the future always being blank. For him, it's always been an unknown path forward that he's let lead him wherever and to whatever destination.
He holds himself back, just enough to utter the (practically what should be unneeded) words of reassurance, "It could only ever be you — and it's always been only you — that I could be in love with so much, mayfly," and then he's eliminating the meager distance between the two of you. For the first time, he stamps that blank ticket with an assuredness of the future and outcome he's never had before — with a kiss.
Cradling the back of your head with his cybernetic prosthesis, the other cups your cheek and then trails down to your collarbones — but no further than appropriate. His mouth, though, disregards the very notion. A teasing tongue repeatedly runs across your bottom lip to smooth out the indents caused earlier by your teeth then naughtily pokes and prods its way between, eliciting a sweet gasp from you he absolutely devours.
Your whole body shudders with happiness, eagerly surrendering to the man's wild, possessive fervor as he passionately steals the breath out of your lungs and stakes his claim on you by leaving behind shiny kiss-bitten lips. Seokmin only draws away, panting, to admire his handiwork, light-headed and dizzy with delight.
"I love you," he reconfirms with his forehead resting against yours and nose tickling your own, "… partner."
Breathlessly, you joke back after placing a soft kiss on the corner of his mouth. "Love you too, partner."
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And that was that.
With your shoulder injury on the mend and the other members of your little ragtag group nursing their own bumps and bruises, you all decided to spend one more night in Tonim — much to Lina's delight. While she merrily bounced from one 'hero' to the next, you playfully reminded Wonwoo that he still owed you some free drinks. You were eager to take advantage of the fact and he was more than willing to accommodate.
The tavern that originally held a subdued, slightly hostile air to it when you first arrived was now filled with an unfettered joyous harmony. You're so easily swept up in the ambiance of such high spirits and jubilant townsfolk as mug ales filled to the brim get passed around and clinked together, you fail to notice Seokmin's sudden withdrawn nature.
Not until the next morning do you first realize something's off.
"You're sure about this?"
"Oh, no. Not you too, Seok."
You'd already flipped off and shoved away a complaining, terribly hungover Seungcheol and finally got rid of the watchful, fretting gazes of Seungkwan and Mingyu. The duo had been hovering around you with concern ever since you downed a full glass of alcohol last night. While you generally just let them be and were quite thankful not to wake up with a pounding headache, you certainly weren't above crushing all of Mingyu's pudding cups if he meekly asked one more time if you were okay or needed help.
Seokmin leans against the open door frame as you pack. The pulsating glow of lost technology flickers in your peripheral and keeps you aware of his quiet presence. Part of you had always wondered if the ever-running currents of lighting synced with the flow of blood through the rest of his body.
The gunslinger doesn't speak, and you wonder why. And though you'd like to flatter yourself and entertain the notion that he's watching you — while other times that may be true — you don't feel the weight of his eyes trained on your motions. It wasn't like there was much to stuff in your bag, the satchel's leather cracked, faded, and well-worn after all these years of use through the desert and everything you truly value remains strapped some way to your body. So once you're finished, you inquisitively peek over in his direction.
Brown eyes are trained on the clunky gun on the mattress — the same one you'd pressed against his head. It's also the exact same pistol Chan had spent his adolescence restoring and repairing. Left unnamed unlike the honorary grave Seokmin had helped you prep before leaving the ruins of Ivywood behind. Meanwhile, his gaze darts to linger in contemplation on the chain around your neck before his eyebrows furrow, emphasizing the drawn out features and dark circles beneath his eyes.
"You look tired, you doing okay?"
"Yeah, just haven't been… sleeping well."
Frowning, you step toward him. Although he doesn't back away, his entire posture stiffens. "Will you be able to make the journey?"
He snorts, gesturing to your shoulder you're trying not to move too much. "Isn't that what I'm supposed to be asking you?"
"I'll feel better at the border."
Seokmin nods understandingly. "The weather will align well."
Within the sandstorms that relentlessly swirl near the Melca Border Sea of Sand, hides the only SEEDS floating ship that survived the Great Fall and you have to get the timing just right to reach it. It's home to a large community of humans, and most importantly, it's what you would consider a true home to you and Seokmin. Already, your energy restores — excited at the prospect of getting to relax in a place you trust and people you truly enjoy being around.
"Jun can take a look at my shoulder."
"That's true, it would be good for him to do."
"And I'm sure Hao's going to want to check your arm, maybe fashion some fabric that's not only bulletproof but also nail-proof."
"He's gonna give us both a scolding."
"Wouldn't be the first time."
You share a look of fond chagrin. Even though Seokmin's well over a century older than Juhui and Minghao, they were direct Earth descendants aboard a ship full of lost technology and geniuses in their own right. Those facts alone gave them all the confidence and utter audacity to more often than not, act like fretting toma mothers over the two of you.
Nonetheless, you appreciated them with all that's remaining of your heart.
The trip to the Melca Border wasn't a straight shot from Tonim but it wasn't as far as you thought. A bittersweet farewell to Wonwoo, Lina, Sherry, and the rest of the townsfolk was to be expected. Though their sorrow weighed you down, the knowledge that you were parting from them with good memories and the expectations to visit again kept your steps light-footed.
Seokmin remains zoned out the entire time. You bulk it up to his normal reaction whenever something emotional was on the horizon. Returning to Melca held a grand spread of wonderful, warm memories with a scattering of dreadfully sad ones too. Though the floating ship's defenses have been bolstered to the max over the years, the terrible events weren't easy to forget.
But they were incidents in the past and it's thanks to the intellect of the two who greet you at the entrance of the ship that their defenses continue to improve. Luida proudly stands behind them, accompanied by Brad and his wife.
"Greetings, weary travelers."
"We're no strangers, Luida," Seokmin protests against her formality.
The elderly leader's playful grin smooths out the wrinkles lining her wise face. "Welcome home, children."
It's a simple phrase but one that fills you with inexplicable warmth. Hansol might be the son born of her own body, but no one is immune from her maternal instinct. She beckons for everyone to come inside where the main quarters lie and the growing crew population will certainly be enthusiastic upon hearing about your return.
Seungcheol, Mingyu, and Seungkwan trail after without fuss, also elated to be aboard the familiar floating ship. You smile with genuine delight and step forward to follow while Minghao takes one look over his wire-rimmed glasses to survey Seokmin's dusty figure and elegantly tilts his head knowingly in the hallway leading to the technology laboratory. Glittery, colorful beads woven through the long strands of his two-toned hair clink in time with the movement.
It's hard to hide the snicker that escapes as you watch Seokmin trudge after Minghao like a scolded puppy. Your glee at someone else's suffering doesn't last long when a gentle hand clasps your shoulder. Wincing at the pain, you meet Junhui's puzzled look before his eyes narrow.
"You're hurt," he says, disappointed but not surprised, and leads you away to the med bay. It's exactly what you expected, in fact, the main reason behind why you're here — and yet, you sulk and whine petulantly just because you can.
"Not my fault that the only way to get here is by timing everything right to jump into a sandstorm and then onto a flying platform."
After instructing you to lie down on the medical bed and cutting the fabric of your shirt without fanfare, Junhui clicks his tongue. "You only come to visit when you're hurt."
"Not true!"
He concentrates on disinfecting and resewing the torn stitches in the tender flesh around the parts of your wound that are still healing. His tone borders on slight resentment but the concern weighing in it smoothes it all over.
"And yet most of our time spent together is only when you visit so I can patch you up."
"It's not like that."
"I know… but I would've met you elsewhere."
"Boring."
"Can't you courteously pretend to care about yourself out of consideration for those who worry?"
"You'll go gray at such a very young age if you stress all the time, Jun."
He shakes away silver bangs that threaten to impede his vision, unamused. "And you'll end up buried under the sand next time."
"Sounds cozy."
"I swear —"
You wave his growing ire away. "Seok takes care of me just fine."
"Yes," Junhui's cat-like smile causes your metaphorical hackles to raise. "He does care deeply about you."
"I'll punt you into the fifth moon and give it a second crater with your body."
"Now, now… violence is never the answer."
"Violence is the only reason you have a job!"
If you weren't as close as you were, perhaps he'd be offended by your claim. Instead, he kicks you out (after ensuring you're indeed in relatively good health), leaving you to laugh victoriously. Then, you set off to the technology lab in good spirits, hoping to catch Seokmin and commiserate with him.
Instead, you find a lone Minghao sitting refinedly amongst all the tech with grace and poise. He was in his element. Fiddling with and poking at a well-worn, familiar cybernetic tech with a thin silver instrument, he simply raises an eyebrow to acknowledge your presence.
"Did you fit Seok with a new arm?"
"But of course," the man sighs wearily, "despite my best efforts, my darlings always return home to their father with quite a beating."
"… Then you'll hate what I'm about to tell you."
"No, I cannot fashion you a pierce-proof trench coat. However, I will acquire some stronger material… but there better not be a next time."
You purse your lips and pout. It often seemed like Minghao worried more about his inventions than the people using them, though you knew that to ultimately not be true.
"So, he already told you what happened."
"Oh, yes… he told me everything." Heterochromatic eyes suddenly meet yours, sharp with a spark of amusement. "See, I almost didn't want to give him the latest modification but…"
"But…" You repeat warily.
Junhui was always mischievous, though most of it only ended with harmless pranks. On the other hand, Minghao's sarcasm-filled humor rarely made an appearance, and when it did, it usually delighted in the sickest of satisfactions.
Yet, he simply shrugs, evasive as always. "I think you'll like its improvements."
There's something foreboding about that statement, but he ushers you away under the pretense that he needs to concentrate. And shortly, you find yourself stopped by curious passersby or familiar faces in the hallways to the main quarters. Since your last visit, a multitude of passengers have a lot to share and update you on. By the time you reach your own pod, you're socially exhausted.
Sleep came easy but finding Seokmin did not. The SEEDS ship was already big in the first place and additional construction enlarged it further. An itchy, achy feeling pooled inside your gut on the second evening you'd been unable to catch sight of him. Finally, you acknowledged the bitter truth — he was avoiding you.
You had to come to terms with how delusional it was to think that once everything was out in the open, the scattered puzzle pieces would magically fall together in their rightful places. It should be easy, right? It's what happened in those cheap novels Junhui dug out of an abandoned pod in Melca back in the day. He'd given them to you as a birthday joke — Minghao sighing and handing over your real present (the first bullet-proof trench coat) — but you'd actually read through all the cheesy, steamy piles of romantic drivel.
Seungkwan, ever the cynic, and Seungcheol — who's naturally a heathen — quickly destroyed the slim spark of hope of ever hoping to feel those flutters in your gut. Meanwhile, Mingyu was someone precious and wholesome with a romantic outlook on life underneath the great muscular physique he'd gained from carrying that heavy concussion gun around.
You often wondered why they never tormented him like they did to you. But despite his indomitable stature, the emotionally soft man's tears were the most powerful weapon in his arsenal. Even if he didn't quite realize it, his comrades certainly were aware.
And Seokmin… well, if you knew how Seokmin felt about romance, you wouldn't be stuck in the position of wondering why the fuck he was avoiding you.
Again.
"Where is he?"
"Good morning," Mingyu greets the following morning, cheerful as ever. "If you're still hunting Seokmin for sport, he said he's feelin' a little sick!"
"Sure."
"No, he really is." Seungkwan refutes your aggressive eye roll with a gentle shake of his head. "Loverboy hasn't come out of his room for days and when I almost knocked the door in earlier, he finally responded only to sound like a dying toma."
Your face contorts into a morbid combination of concern and irritation, shifting between the two expressions. "Probably 'cause he stayed out all last night!"
And with a dramatic huff, you glower at the pastor seated in the cramped corner of the floating ship's kitchen area. Seungcheol deemed it was cooler, darker, and the farthest spot in the enclosed space from any of your misplaced wrath. He smiles, the white stick between whiter teeth jollily flicking up and down at you, taunting.
He reveled in the knowledge of being safe since he'd been the only one able to provide any information on the humanoid typhoon's whereabouts. The pastor — who still enjoyed a late-night smoke to cure some of his insomnia — considered it his saving grace to catch sight of the fellow gunslinger slinking through the shadows in the halls. Apparently, Seokmin had been sneaking outside the past few nights and remained resolutely ever-elusive during the day.
"Should go see 'im. Yer all antsy and 'm bettin' he's missin' his… mayfly."
"Oh, go fuck yourself," you snarl and storm out, missing the man's bark of laughter before he continues contemplating the best way to siphon money during a confessional.
The unfaltering stomp of your combat boots is the background beat on your walk to Seokmin's pod. His halls aren't far from the kitchen area and yet each footfall feels like a step into the unknown, the lights above seeming to grow dimmer the closer you get.
Why was he acting like this?
Did he regret everything that happened between you?
Was something wrong?
Would he shut himself away from you?
Worry and anger swirl together, mirroring the vortex of sand you had to pass through to get here. Seokmin's never shut you completely out before but you're familiar with his reclusive acts when things get too much. Too close. Too emotional. And you're afraid to be the catalyst to another spiral.
So, you knock. Harsh, loud, and ultimately unforgiving if ignored.
"Seokmin, open up! I know you're alive!"
A mutter of "Barely," carries through the door before he clearly answers with a curt, "I'm not feeling well but I'll be fine."
"Open the door."
Silence.
"Please."
The silence continues — and your temper flares. "Don't make me go get my bag and grab my lock-picking set!"
You can hear sounds of cursing and some rustling around before the door slowly and reluctantly opens, Seokmin hiding in the shadow it casts.
"As you can see, I'm quite fi —"
Both a coughing jag and the firm push of your shoe interrupts his confident statement. "Sure hope you weren't about to say you're fine!"
A faint smoky scent permeates the pod. You cough and pause to let your vision adjust to the darkness. The first hint toward Seokmin's unusual behavior because he thrived in the sunlight, no matter how weak the sunrays that reached the floating ship were. Then second, you blink in wonderment at the black heaps littering the bed and floor.
Feathers. Everywhere.
Reminiscent of the time you'd broken Seungcheol's ridiculously expensive pillow against Mingyu's bulky bicep during a good-natured fight with Seungkwan's assistance. But instead of an explosion of brown and aqua toma plumage causing you all to sneeze, these were inky dark like the night sky and resembled piles of soot against the pod's stark white backdrop.
You whirl around to find Seokmin retreating to the corner of the room, hands slamming on top of the dresser for support. His back is to you with two thin wings jutting out from it. Feathers rustle as he pants, shoulders coinciding up and down with the motion of the wings.
"Seok, how did… how did this happen?"
It's not fear that causes your voice to tremble but worry. The appearance of his natural Plant form is no longer shocking. In fact, the more you see it, the more you find it eerily beautiful. Probably similar to those who believe them to be messengers of a higher power. But he's only ever transformed in dire situations — either due to stress or the rare exhaustion of his superhuman abilities against stronger foes.
He doesn't reply so you take a cautious step forward. An animalistic growl erupts from his throat, followed by a pained groan. You gasp as he shakes, protrusions rupturing from the lower parts of his shoulder blades. Two more wings burst out and unfurl below the trembling ones already quivering on his back.
So that's how they hide and reappear.
"Is it 'cause you're sick? Choi said you've been staying out all night. You could've caught a cold or something's in the air. Never know what's floating around here." You babble as you frantically search for signs in the mirror above the dresser for any hints to what's caused this.
Seokmin's bent over and you note what should be brunette roots of hair are now pitch-black too. Closer and closer you creep until you can make out each bead of perspiration trickling down his neck and how they coat every bare part of his body in a sheen of sweat.
Then his head snaps up. An eye — unshielded by the black fringe of his red-brown tipped bangs — narrows to glare into your widened ones. A tempest of electric blue rages within it. Like the hottest type of fire, it burns more than you could ever expect in a vortex of one prominent emotion.
Desire.
An involuntary shudder overtakes your whole body, and you unconsciously bite your lip. Seokmin slumps back down, granting respite from that ardent azure glow.
"Sick," he snarls and laughs, strained. "Sick in the head, that's for sure."
"How… how can I help? What can I do for you?"
"Get out."
"Seok —"
"I'm serious, mayfly. For your own good. Leave."
"My own good?"
"I'll, hah, I'll explain… explain it later."
Your arms cross. "Oh, really? Or will you avoid me again? Like you have been for the past several days?"
"I haven't —"
"Don't you dare feign indifference! I'm not stupid — we talk about our feelings and then you retreat. Just be honest with me… please."
You promised.
He sucks in a very deep inhale through clenched teeth, seeming to regret it instantly because his grip on the edge of the dresser is hard enough to crack the strong material. Glowering at your reflection again — not daring to acknowledge your very real and extremely close presence in the room — Seokmin bares his sharpened and widened incisors in a snarl.
"We will talk, mayfly, please believe me. Now's… hah… just not great timing with… with what's happening."
Irritation easily gives way back to worry. "At least tell me what I can do for you. Should I get Jun?"
"He can't do anything. Gotta just… work it out of my system."
"Work what?" You frown, knowing how rare it is for the medical specialist to be stumped.
"It's not for certain…" Four different wings flutter in agitation at various speeds. "Not a lot's known about Plant physiology," his mouth turns downward, "even I don't have a thorough understanding."
"Is it a disease?"
"Wish it was that simple."
"You're talking in riddles and running verbal circles, Seok."
"… Dokyeom and I are independent Plants. Likely the only ones, well, you know — still functioning. Alive. When Rem found us, research was obviously done."
You know the story very well and nod. "And had been conducted before."
"'Course thanks to Rem, it wasn't as invasive but there were, hah, occasional talks. Theories. And then, of course, before us twins, there was…"
"… Tesla."
A Plant with a lifespan of only two-hundred and thirty days.
Seokmin swallows. "Tesla. Yes. I recall bits and pieces. Hypothesized with Luida and company… Outside of Dokyeom following the unethical methods humans sometimes conduct for experimentation," he snorts at the irony, "it's thought that Plants… can copulate… with a mate… of their, hah, choosing."
"Really?" Your eyebrows raise, intrigued. "That's a brilliant discovery!" Then they furrow. "Wait, are you saying that this," you wave your hand to gesture at his current form, "is because… you're, er, ready to… mate?"
He holds his head. "… Yes."
"Oh, okay. So, you need like… relief? A mate? Should I…?"
Your questions hang uncertainly in the air, unfinished because you're really not sure what you're supposed to even offer. A sarcastic smirk graces Seokmin's lips, condescending in the sort of way that's aimed more at himself.
"What kind of man do you think I am, mayfly?"
"A very, uh, Planty one for sure."
"Better than leafy, I suppose."
"Though you are quite… feathery."
Finally, he turns toward you, a wry and defeated smile on his weary face. His wings stretch outward and curl back in, elegantly waving toward you as if drawn in your direction. You can't help but smile at the object hanging from a cord around his neck.
"You still keep that old thing around?"
He looks at the golden cartridge and chuckles. "It's special."
"Me holding a gun to your head was special?""Meeting you will always remain a treasured memory, no matter the manner of how it happened." Seokmin falls quiet, lost in thought before hesitantly asking, "Did I not mention Plants mate for life? Well, at the very least, I know I do."
"Oh." Your astonishment reveals itself in a breathless gasp. There's no escaping that all-consuming, fiery cerulean gaze. "So is this the first time you've been… ready to, uh, mate?"
"No, I'm used to the way these cycles come and go. But this for sure is the worst bout yet."
"… Why?"
You hold your breath. He takes a step forward. Then another.
He's so close, if you leaned the slightest bit forward you'd press up against each other. Somehow, with an overwhelming sense of shyness guessing the underlying thoughts and what his answer will be, your eyes roam his bare upper chest and torso.
If you could caress him you would. All the shiny black feathers adorning his wings and the occasional ones sprouting along his forearms pointing to his Plant abilities. Each scar along with every bit of metal or his body's naturally grown wood that replaces chunks of lost flesh. He's kept them as reminders of when he's failed humans, though you've seen them only as when they've failed him. He shivers, like he can feel it, as if he knows what you're thinking and you questioningly re-meet his burning stare as he shoots you a wane smile.
Sheepishly, he rubs where the cybernetic arm attaches to his shoulder. Many have turned away in disgust or mock pity at the disfigurements. Yet despite the true abomination he looks like right now, there's only ever been pure empathy and acceptance he doesn't deserve — all from you.
"Conscious consent and reciprocation."
Your lips turn upward, joy causing your soul to unwittingly sing. "Does that mean… I'm your mate?"
"No."
It's like Gunsmoke completely collapses, and you're left twirling without footing in space. Seokmin matches your fallen expression with one of his own.
"What? Wh-why?"
"Don't get me wrong, it's —"
"I swear if you say 'It's me, not you'…"
He rather adorably tilts his head. "How did you know?"
"It's a typical cliche," you roll your eyes, "just give it to me straight, Seokmin. Is it 'cause I'm human?"
"… It's not that simple, and this isn't something trivial. It's — hah — it's a huge commitment." The use of your given name indicates his seriousness. "A lifetime one. For me, it's only ever been you… and it will always be you for as long as I live, which could be your whole lifespan! And I don't, hah, I don't know — hell, it's taking everything I can not to tear a dead man apart, let alone what I'd do if you'd change your mind, want something — someone else."
"You're doing it again, projecting and underestimating my feelings for you."
"It could be the effect of my pheromones, mayfly. We don't know every —"
"That's right! We don't know! So we have to trust each other and see."
"It's —"
"Let's not subject ourselves to the hypothetical. And what do you mean by dead man?"
Seokmin's jaw tenses, fingernails digging into numb skin. His wings waver, like they're considering cocooning around him for protection. But their tips simply flutter as if soothed by an unseen force, preventing them from enclosing completely.
Teasingly, you lean toward him and squint. "What else aren't you telling me, Seok? You pick a side hustle up that involves the deceased like Choi?"
He snorts at the audacity and doesn't take the bait. Instead, unfamiliar but still achingly familiar irises dart to your neck, tracing the silver chain laying against your skin. A dull sort of sadness fizzles out those blue fires and you clasp the shape of the locket beneath your shirt in realization.
"He was a boy, Seok. A boy I grew up with for a short period, one that felt like a brother to me."
"… You said you loved him."
"When?"
"… To Cheol. After you first met him."
"That would've been so long ago? How do you even remember that?"
He sighs, heavily. "It's not easy to forget. Your voice was so warm, so gentle, so in love when you admitted it."
"Love can mean different things! And I assure you, my feelings for you differ greatly from how I felt about him. And… he's… he's long gone, Seok."
Guilt burns in his eyes. "I know. Which makes me all the worse."
"No, it doesn't." You shake your head, a resigned smile resting on your lips, and hold your arms out. "'Cause I understand and forgive you. And most importantly, I love you."
It's uncertain if those words break or restore him, but the hard rigidness in his body melts away, sagging in a semblance of relief. Then he rushes forward into your waiting embrace, wings helping to propel him forward until they wrap around and press you to him tight, tickling areas where his arms aren't squeezing around you.
"And I adore you, my lovely mayfly."
You groan. "When will you stop calling me that?"
"Never," he snickers and you feel the curve of his lips as he comfortably nuzzles into the crook of your neck. "For as long as you're mine."
"Yours?"
"Mine."
"Sucker."
A chaste kiss brushes the lower tip of your ear. So ticklish and unexpected, you pull back with a giggle and playfully swat his shoulder. And just as he's about to dive forward and prove your little comment correct in retaliation, you burst into full-on laughter that leaves Seokmin to settle his hands on your waist with confusion crinkling his brow.
"What?"
"So that's why you were always having a deathly staring match between my childhood memorabilia?"
"… Was not."
"You — the most sentimental loser ever — definitely were!"
He pouts momentarily, the cute jut out of his lower lip quickly transforming to a devious smirk. "You'd bet on it?"
"Totally." You place your arms around his neck, bringing your bodies closer again and matching the charge of electricity with a clever tilt of your lips. "I'd win, too."
"And what's on the table?"
"Sixty billion double dollars, of course."
"That so?"
"Mhm, and it seems like someone's bounty matches that worth."
Seokmin quirks a brow. "Seems like you want me on the table."
"Winner takes all?"
"Mayfly, I've always been yours."
"Sap," you laugh again.
A bright grin certainly declares your delight in victory, though your partner in crime uses the distraction as an advantage for his earlier loss and wastes no time. Diving in, a sharpened canine grazes your pulse point, automatically causing your head to tilt to offer easier access. Two left wings sweetly swoop down for support, feathered tips tenderly brushing your forehead.
The heat of his tongue placates the dragging scratch of his fangs. Though it sears you alive, heating your entire body from the tips of your toes, swirling in your core, and concentrating beneath Seokmin's lips on your skin.
When reaching that cold, familiar necklace you treasure so much and he can't help but loathe, it's seized between his teeth before he registers the action. Tugging it away from your neck like a dog, you wonder if he'll even shake it like one. His eyes follow the length of the chain, focusing on where the locket pops out above your chest.
You raise a questioning brow. "You gonna just play with my jewelry or take my clothes off?"
"Oh," Seokmin whispers, jaw dropping, and suddenly stands stiffly at attention.
You watch, entranced by the bob of his Adam's apple as he visibly gulps. Large, calloused hands — so practiced in undressing you for baths and patching up wounds — falter as they skim along your sides in a fleeting touch. Smiling encouragingly, you intertwine your fingers with those of his prosthetic while leading the other one beneath your shirt, the rough flesh of his palm blisteringly hot against your stomach.
"Is this okay? Can it help calm your Plant powers?"
"Yes… but that means… giving yourself to me… forever."
"Can't think of anything I'd enjoy more."
Confident, you trail kisses up his jaw to his cheek, stopping near his ear. Playfully tugging at the earring hoop as you pull away. Then you break away and bend over, shimmying off your shorts in one smooth motion. Stepping out of them, next goes your top. As each fabric hits the floor, Seokmin's eyes become more lidded, heavy with want. Smoldering. Desiring.
Four black wings fan out and stay as rigid as his stance. As if they're waiting with bated breath. And when you finally stand bare before him, he sheepishly drags his gaze to the floor with a flustered smile.
"I'm the one naked and you're embarrassed?" you tease and his posture relaxes.
"Because you're a vision to behold."
"Says the one who looks like an angel."
You back up until your knees hit the side of the bed. Like those morbid tales that depict curious listeners following a luring call to their demise, Seokmin's only a step behind you. He doesn't dare let his eyes stray further from your own, a goofy grin on his face.
"Consider this my fall from grace then, mayfly."
Gingerly, you sit on the edge of the mattress, waiting for his next move. He towers over you in this position. Formidable in appearance yet oh-so-gentle when picking up your left hand to kiss your knuckles and rub his thumb across its faded scar. Another smooch gets placed to your inner wrist and you hold your breath at the passion in those blazing cyan depths that refuse to look away. Then, a cautious touch to your shoulder urges you onto your back. Obediently, you lay down and a bunch of stray loose feathers fly up into the air upon impact.
"Beautiful," he murmurs.
The clothed knee resting between your legs helps his arm support the weight of his body hovering above you. A tentative hand slides down from your shoulder to your hip, leaving goosebumps in its wake. Caressing every scar, memorizing each color and swirl of ink decorating your skin, and erasing any insecurities or blemishes you see in yourself. Cold digits draw whimsical shapes and tickle your abdomen, stopping above your pelvic bone.
"May I?"
"Of course."
Seokmin rejoices in your consent by littering your collarbone with love bites. And his touches move lower, tender despite their mechanical nature. Warmth blossoms and flows under every surface of your skin Seokmin's traced, coiling and settling in a pulsating — almost painful — heat rupturing between your legs.
Only he can be the one to relieve this ache which he precisely aims to do. A simple, single brush across sensitive folds instantly has your breath hitching, shaking beneath him.
"Are you alright?"
"Mhm… yes."
He audibly gulps at your unexpected whimper of ecstasy, reluctantly tearing away from watching amorous bliss overtake your facial expression to the wet heat detected by his pointer finger's sensors. A feral growl rumbles in his chest at the debauched sight of desire beginning to dampen your thighs — the trace of what he's been smelling from you now overloading every single one of his senses as he coaxes more to flow from you. Seokmin's more than thankful for his enhanced vision and the glow of cybernetic technology baring your most intimate parts to him.
Guided by an instinctual impulse, he eases a finger inside. Your back automatically arches off the bed, eliciting a sweet gasp of delight. The cool touch of the digit seized tightly by the pulsating walls of your cunt slowly warms as it adjusts to the welcome intrusion. He soothingly brushes the knuckle of his middle finger across the soft outer flesh of your pussy to relax its grip. Eventually it lets up enough to let him explore further and deeper than your own have ever reached.
"I'm… I'm not sure how best to please you," Seokmin admits, drinking in your every reaction to his curious ministrations. "But there's this urge, this need, to make you feel good. Prep you properly for my… my entry."
By pure accident, he strokes a rough patch of nerves that makes your eyes roll back, hips lifting at the sensation of wanting more of whatever that feeling was, and your quiet noises melt into a loud, needy moan.
"More," you plead, "touch me more, Seok."
He eases his other finger inside without question, grunting at the squeeze that almost prevents him from moving to where you want him the most. But unlike the rest of his quivering body, the prosthesis remains steady, still, and patient. Waiting until it can bully itself and a third finger past your entrance's vice-like clench.
You start pulling on your breasts, trying to alleviate the tingling in them. Seokmin observes with a keen eye and a toothy, fanged grin. After a bit, he leans down to let his tongue trace the underside of one mound, leaving behind a saliva trail shining in the unconventional lighting as he tends to the next. Alternating with playful nips and naughty tugs to your nipples whenever your grip on them falters from the overwhelming pleasure.
So attentive and eager, soon you're writhing beneath him as you hit your peak. One hand grips your hip tightly, surely to leave a bruise with the way it cramps. His other doesn't let up, well-oiled mechanisms continuing to pump in and out of your trembling pussy until you whine from the overstimulation.
His wings fold protectively around both of you like a canopy as you share a tender kiss. Dazed and happy, you tenderly brush back black bangs and play with one of the feathers that's sprouted near the hairline above his ear. He shivers.
"Let me take care of you too."
"Are you sure? What about your shoulder?"
"That's the least of my concerns right now."
"I can still…"
"Later. First, I want to help you."
Suddenly, Seokmin's shy again, flushed cheeks darkening. "I… I think I'm a little different… down there so it's okay if you don't want to… or get scared."
"It's not like I've seen enough dicks to compare whether what you're packing is normal."
The both of you share a goofy laugh that eases the presumed awkwardness. He sits back to unbutton his pants but you stop him.
"May I?"
You might as well have knocked the air out of his lungs. He stares at you wide-eyed and then emphatically nods, finally clearing his throat to squeak out, "Sure."
Ignoring the aftershocks of your earlier orgasm, you sit up and kneel in front of him. Intent on a few minor distractions, your mouth and hands start at his shoulders to work their way down. Imagining you have the power to heal the damage dealt to his body and soul through tender touches.
You see a sad sense of beauty and justice in the patchwork of metal bolts and bark. And as you apply marks of love that bruise and blossom between them, he lets out a content warble. You're quick to undo the button of his pants, both of you gasping at the utterly wet mess seeping through the material when you tug the zipper down with your teeth.
He lifts his hips to help and once he's just as naked as you do you take him in. Anatomy was meagerly touched upon during your days at the convent, so truthfully all you're aware of at the sight of his heavy cock is the need to be filled with it.
And the closest thing to take him is your mouth, jaw already aching before you even open it. Almost reverently, your hands wrap around to stabilize it. Seokmin hisses pleasantly at the contact.
"You don't have to —"
He's cut off by a groan as you inquisitively suckle the tip. The copious amounts of slick smearing from it and down the base taste sweeter than Seungcheol's lollipops and you moan heartily, causing his thighs beneath your elbows to tense at the vibrations.
"Oh, mayfly."
A wing caresses your cheek that bulges as you take more and more of him, Seokmin's hands tearing at the sheets. The tip of another wing tantalizingly drags down your bare back. Your hands begin to explore, finding the puffy edges around the slit from which the thick cock emerges from. His hips jolt upwards at the contact to sensitive tissues, causing you to gag.
"Ah, 'm sorry!"
While he whispers repeated apologies, you're only compelled to take him further. Slowly you get used to the stretch, but no matter how much more you're able to squeeze down your throat there's still enough of his length for both of your hands to play with. It gets easier the more aggressive you get, his cock seeming to respond to your vigor in tandem. Soon you're lost to the haze of whether you're bobbing your head up and down or it's swirling languidly in your mouth on its own accord.
Seokmin's hips stutter but you feel the tremor first pulse against the inner walls of your throat. His cock throbs as you pull off of it, hollowing your cheeks and parting with deliberately powerful suction. A loud pop releases its tip and your hand supports its weighty girth falling forward. You dig the nails of your free hand into the muscle of his quaking thigh, ducking down to teethe at the puffy slit from where his cock must emerge.
Moving on to licking and dragging the point of your tongue along the sizable vein lining the underside causes Seokmin's low groans to turn into a high-pitched trill. Once you reach the swollen, leaking head and nibble on the hard glans, it spasms wildly and finally erupts. From the top slit seeps sweet syrupy fluid that readily overflows into your awaiting, open mouth.
"Thank you, thank you, thank you," he blabbers.
You'd reply that there's no need for gratitude, perhaps you'd thank him, but the viscous release keeps spilling out. Rivulets trickle well past your lips and coat your chest. Although still in a euphoric daze, his eyes flash with sharp satisfaction. Instantly possessive at the sight of your bare body decorated so erotically.
His wings snap open — filled with purpose — and your face is pressed down into the mattress. Surrounded in a smoky musk as the angelic monstrosity it belongs to and destined to be your mate hovers above.
Your voice comes out hoarse as you raise up onto your elbows and spitefully spit out a black feather. "Do those wings of yours prevent you from being topped or something?"
"I'll let you find out another time, partner," Seokmin huffs, laughter evident despite his apparent breathlessness. He steals a tender kiss, pleased grunting at how your lips — shiny and swollen — taste of him. "But for now…"
Like an anchor, the tech material warmed by your shared body heat and passion winds underneath your hips, keeping them raised. A calloused, ticklish touch roams traces your spine. He draws an occasional spiral here and there as he goes, mindful of your wound, until firmly pinning the nape of your neck to the side, creating the perfect arch of your back.
"I think you'll like this," Seokmin says as if he isn't liking the view below him.
But for you, straight ahead lies the dresser's mirror. It reflects the full manifestation of an independent Plant poised to devour a human in the most intimate sense. The fearsome size of his cock lies heavy on top of your ass, leaking droplets of arousal all over your backside.
"Will it fit?"
"Of course, you are mine to claim and take." His hips just forward and you both moan. "I think we're both wet enough to try."
"I trust you."
"Let me know if it hurts in any way and we'll stop right away, mayfly."
Many troupes of desert-traveling dancers have mesmerized you before. Yet even they can't compare to the graceful and smooth motion of Seokmin releasing your neck to align his tip with the entrance of your cunt and slowly bullying his way in.
Tears of pain mixing to unfathomable pleasure blur the vision of your mouth widening to let out whines and moans. "Seokkie…"
"Mhm, mayfly… my love… my mate."
Finally, the front of his thighs are flush against yours. Hips pressed tight against your ass. Fully sheathed inside your tight hole, neither of you have ever felt such intensity before. He surrenders his body weight on top of yours, hands braced outside of yours clenching loose feathers and silk sheets. The outer heaviness matches the intensity of what your pussy struggles to accommodate.
"Mine."
Seokmin's hips swirl at a slow pace. Rather than thrust, he massages the sensitive glands at the base of his cock with the soft flesh of your ass. His length seems to shrink and grow and writhe with a mind of its own, filling and teasing you nonstop. Leaving no surface of your inner walls untouched or untended to for too long.
"Yours."
You shudder in blissed-out delirium and Seokmin lights up — literally.
Fluorescent lines glow in distinct patterns across skin, brightening the more he starts to pant and build up your shared pleasure. Sharp canines prick into the skin of your unmarked shoulder as he wraps his prosthesis under your stomach to raise your hips, the new position driving you faster to that rapidly approaching edge. You cry out with a lurch, blurrily making out his glowing form that shudders above.
Though the view in the mirror gets hidden by black wings stroking your entire body. Teasing the underside of your tits and tenderly brushing away the stings of his teeth marks.
"I-I love you," Seokmin rasps.
"Love…" You manage to enunciate the words, mind emptying and drool wetting the bed as your second peak approaches. "Love you too."
Pain and pleasure draw forth an onslaught of your apparent arousal that lecherously mixes with the frothy mess dribbling from his cock. Claws appear on Seokmin's right hand, another addition to the bestial Plant features emerging in the throes of passion. He's not completely lost to the primal thrall though, able to resist from breaking skin.
Delicately scratching your waist without drawing blood, then using the finely pointed tips to pluck and tease effortlessly at your clit. You cry out, body shaking as waves of euphoria crash against the shoreline of imminent pleasure.
Seokmin helps ride out your peak with a couple of speedy thrusts. The feeling of his hips slamming into you has you seeing more stars than Gunsmoke's galaxy contains. And just as you're overcome with too much stimulation, he lets go with a particularly strong bite into the top of your shoulder.
His cock softens and its heavy weight like a blanket along with the continual pump of his warm, soothing release. The feeling of it leaving none of your inner walls untouched feels as sweet as it tasted on your tongue and helps ease the ache inside your cunt. Still joined together and slick with stickiness, he collapses onto his side and gently assists you with rolling over so you can face him.
"Hey, you."
"Hello there yourself, lovely mayfly."
Your nose wrinkles but gets smoothed out by feather tips playing with the ends of your hair. Seokmin smiles as you snuggle closer into his chest so two of his wings can cocoon around you as the heated fervor from prior activities cools.
"Did that help?"
"… Yes," he says though his tone wavers with hesitance.
You raise your chin and see the electric blue luster hasn't faded yet from his gaze. Sheepishly, the corner of his mouth raises and you shiver, feeling the swell of his cock stretch out your pussy. The bulge it creates brushes against Seokmin's abdomen and he twitches.
"Sorry, it's… I'm gonna be kinda insatiable now that I've had a taste…" He trails off, wings snapping behind him. Slowly, he pulls his hips away and you both hiss as his cock is dragged out.
"What are you —"
You're cut off by the animalistic glimmer in his gaze, catching the feral smirk that he attempts to hide by licking his palm. Quick as lightning, Seokmin fleetingly swipes the outer lips of your cunt and brings his fingers, tonguing at them. Body set aflame again, neither of your break eye contact as he moans headily.
"But not of this," he rasps.
Before you know it, you're staring up at the glow-in-the-dark stickers on his ceiling with your mate between your legs. His wings trail along your calves, their flexible ends curling near your inner thighs, encouraging them to spread and stay open, pinning them in place.
"Oh, aren't you a beauty?"
He moans shamelessly at the sight of your messy, glistening pussy. You squirm at the ticklish sensation of his feathers and that smoldering, ravenous look. If only he knew what it was like to see him devour you with his mouth.
Delicious.
Just like the feeling of his tongue working its way inside and licking up the shared essence of your releases.
Your fingers weave between strands of hair as black as night, tugging lightly and accidentally snagging one of his ear feathers. He moans eagerly, and the vibration has you shuddering, already quickly nearing another mind-shattering orgasm. But you don't let him carry you there too fast, smooth brain muscles trying to form a question.
"How… long… how long do these cycles last?"
Seokmin presses a loving kiss to your twitching clit and blows, entranced by how you clench around nothing. Then he smirks, elongated teeth shining in the darkness like a predatory warning though you have nothing to fear.
"As much as you can handle but… we're really only just getting started, mayfly."
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The motion light kicks on as Seungcheol shifts his boots in the direction of the unlit kitchen area. Junhui and Minghao's entrance awaken the rest of the lights and they frown at the makeshift bunker set up.
"What are you three doing in here?"
Seungkwan sleepily mumbles a curse word and next to him, Mingyu blearily rubs his eyes. A scattering of empty pudding cups and bottles lie around them as well as a disorganized array of poker cards.
"We're afraid to venture out of here."
Junhui shares a secretive look with his closest friend at Seungkwan's cryptic words. "Ah, so that's happened. Or happening."
"'Bout time y'all came 'round. Time for ya to pay up!"
"Pay up for what?"
"Compensation. 'M the one who got the closest to bein' right knowin' they'd fuck after confessin'."
"If anyone needs compensation, it's me for the mental damage of having to make one of my lovelies into an enhanced sex toy."
Seungcheol guffaws. "Ya didn't! Ya lil cheatin', schemin' scientist!"
Meanwhile, Mingyu looks mighty concerned. "Does that mean Seokmin has a dildo for an arm?!"
Minghao crosses his arms with a steely glare. "No."
"Oh good. I don't think I could look at him the same."
"I don't think any of us will ever look at him the same again."
Junhui eagerly rocks back and forth on his heels, hands stuffed in the deep pockets of his lab coat. "Do you think they discovered all the functions and benefits of it yet?"
"Should be our next bettin' round."
"No more bets. I don't care if it's half a double dollar to go in, I refuse to go through this again."
Mingyu elbows his raven-haired companion. "C'mon, your heart's warmed by this!"
"Warmed and consumed by the rage and fury of hellfire, yes."
Giggling, the tall man smiles widely and holds his hand out. "Alright, I win then!"
"Win what? Thought you didn't remember your bet."
Mingyu purses his lips. "Only because none of you took me seriously and joked with a bunch of gross innuendos when I said they'd find their home in one another!" He then sighs dreamily. "But if I'm right, we'll know by tomorrow morning."
"Who says it'll be tomorrow mornin'. Might take weeks. Months even, I reckon'."
"I'll kick you all out before it comes to that," Minghao threatens and runs a hand through the few strands of hair without a bead. He tosses a wad of money in front of Mingyu. "Never involve me in this again."
Despite all the grumbling, everyone has a sense of lightness in their hearts at the thought of their dear friends finally getting together. And the happiest of them all is Mingyu, who cheerily gathers his prized double dollars, dreaming of all the pudding he can buy.
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A lone figure stands on the edge of the valley of the Melca Border. The Sea of Sand, aptly named, can change tide and turn vicious at any second. Their cloak billows in the sandy winds that whip around them, though even the steadfast hood can't hide the satisfied smile on their face.
"You did well," they commend and the name that falls from their lips is one some might consider lost to the sands of time.
"Saintess." Another figure materializes out of the sand gusts in response to the praise. "It is to be done as you said."
"Very well. Shall we go now?"
Whether it's the mysterious sands that swirl around and whisk them away or the lost technology cube that transports them, no one will ever know for no one ever saw them. Like ghosts, they disappear and find themselves outside the real ghost town — where it all began.
A toma croaks in the distance. Brave travelers dare cross the ruined wasteland and the saintess meditating atop one of the largest rocks hidden in the shadows opens her gray eyes tinted by lilac in the glow of the moons to observe. Despite all of her traveling, the white robes wrapped around her body remain in pristine condition.
She turns behind to look at the man standing over a scattering of stones, staring intently at one of them. With poise and purpose, she dusts off her clothes and strides over to him.
"Chan."
Brown eyes tear away from his own name carved into the headstone in front of him to look at the one who's said it aloud.
"Yes, Saintess?"
"Do you regret it?"
"No. Never."
"Good," she states, satisfied with his response. With a grand sweep of her hood to cover short, dark hair, she gestures to the east. "We will set up camp one more night before returning to the Saint in the morning before he speaks with our Master."
Chan mutely nods, following the saintess back into the desert where she confidently leads him to a cave that will shield them from the unpredictable nature of Gunsmoke's wastelands. He thinks of you, the girl he must keep safe and two brothers. One with wings as pure white despite his continual revelry with hate-filled darkness, the other bearing ones the complete opposite color of his twin — a wild card.
He reminisces over the Blessed and Holy Sisterhood of Little Ivywood, the convent and all the orphans that lived there. Pondering Sister Meryl's role, who stands before him now as the revered Saintess, leader for the Eye of Joshua and second only to the Bishop of the cult named after himself. She moves curious little statues back and forth across the surface of a large flat rock and the young man can't help but ask her a question in the unnerving silence.
"Do you think this will work?"
Meryl smiles elusively, as always. She picks up the smallest one with a deliberate flourish, placing it on a blackened space close to the last row of alternating squares carved into the stone's surface.
"Have you ever played chess before?"
"No, what is it?"
"An Earthern board game. It is quite complicated." Gesturing to the piece she just moved, she continues. "This is a pawn, the weakest of all chess pieces."
Chan bristles. "But strength comes in numbers, no? There are eight of each color, surely the right side can find a way to win."
Unfazed by his agitation, the saintess nods placatingly. "With the right strategy, even a pawn may become a queen — the most powerful. Unpredictable." She points to a white figurine with a cross on top of it. "Enough to checkmate a king."
Entranced, Chan watches as she rearranges and repositions various pieces across the faux chessboard. Soon, the pawn that took on the mantle of a Black Queen captures the White King. His eyes roam what's left on the battlefield at the end of the match, pointing to one that looks like a tower.
"What's that one?"
"A rook. It best supports an allied pawn towards promotion from behind the scenes." Her eyes sparkle mischievously. "It's most powerful during the end of the game, as you can see."
Chan gulps, holding his breath for a moment, and clears his throat. "Then I'm ready."
"Wonderful," Meryl nods, "we'll depart for Master Dokyeom's stronghold in the morning. I'm sure Joshua, our dear Saint, will be… pleased upon our return."
"To the glory of the Black King's rise."
"And to the glory of our so-called queen."
Keep him safe, Chan thinks to himself as he settles on the ground. And yourself. One day we'll reunite in the most joyous of occasions…
He pulls out a faded wanted poster with the infamous outlaw worth sixty billion double dollars, donning a wishful smile before closing his eyes and murmuring, "I'd even bet this impossible amount on it."
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onlyseokmins: April 2024 ©
110 notes · View notes
dcxdpdabbles · 5 months
Note
Hi, I am currently slowly writing a story about Danny Fenton being a mall Grinch in gotham and later fighting a Batman rouge (think mall Santa only the Grinch instead). I got a few chapters up and some art.
Do you got any advice on writing? I would love to hear it.
Also I really enjoy seeing you on Tumblr all the time,it has made my day happier many a time.
I hope you have a good year despite your haters.
DANNY AS THE GRINCH!? That's honestly so perfect. Please send me the link I love to see Danny just decking people with all his "I hate Christmas" energy.
Thank you for reading all my random dabbles. I really enjoy seeing people react to them. And no worries, I'm used to people hating. My HP and HP blog fics have been getting a lot of messages. Some people just have a lot of free time.
As for advice,
I always pick a character and write their POVS because I like exploring a character's narrative compared to what the audience knows.
You must know the character's mindset to write how they react to things. Know their backgrounds, likes, dislikes, habits, pet peeves, and favorite foods.
Knowing what the character would "see" first is also important. Like when describing settings. Most people (not all I know) do not spend three hours counting the grass stands or how many buildings are on the street, but they will usually spot one thing first - maybe the sunset looks really nice? A group of kids is playing, and screaming to the side? maybe they smell something good?- and their mind launches on to that before noticing other details.
Sprinkle into how they interact with the world makes them see real and more three-dimensional. Show not tell is one of my favorite methods to get that across.
For Example Tim,
He grew up wealthy but neglected. He is externally book smart and even has a good grasp of street smart, but emotionally intelligent, he's not the best.
To tell would be something like:
"Tim is a great CEO. Despite being young he can run a business great, can keep up with the Batman and can even find the time to date."
To show would be something like:
"Tim prides himself in organizing his schedule for a well balance work and private life. His duties as CEO were easier to manage due to his training as Drake Heir. He knew how to smile, charm, and persuade the upper crust of Gotham long before he was running on roofs with Bruce."
Both work well for any situation but showing lets people know why the character is the way they are without making it sound like a list of facts.
I hope this makes sense.
Oh also here are some really reference I like to go back to
Words to say instead of said
body languages phrases
How to build romantic relationships
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captainmera · 10 months
Note
What are some other hairstyles you imaging the group in? Any fun ones that Hunter tried (or was forced into by Willow, Amity, etc) as his hair got longer?
THIS IS A LONG ONE (with art) SO I'M PUTTING IT UNDER A READ MORE! :)
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first of all I think GUS would be the one with the most hairstyles, hats and drip in general - he loves the human world's culture and their way of using fashion to express themselves uniquely - including hair. I mean, he also has curly hair. So he would have durag styles, various protection styles, twists and braids. And, because his hair curls, he could vary between long and shorter styles.
I also think Gus would have styles that are more typically "feminine" too, as he is very gender-non-conforming in the crew's art of him.
Though, I will say, it works for Gus in-canon that he only keeps one style at first (narratively speaking, not realistic haircare - I think?) because then that would emphasise his time in the human realm later on to be an important developing arc for him (assuming they would actually give him various styles, as indicative of the bits we got of him in episode 1.)
I think, had season 3 happened, we would have gotten a more vibrant Gus. He wants to be an ambassador, he loves the human realm, whom else than GUS to be the one to have an arc where he explores and embodies the full-on SELFEXPRESSION!
Fashion and hair is a way to express the uniqueness of yourself. If Luz' wish as the main character is to be understood, then the (positive) characters around her will (one way or another) embody different lessons for that theme. Gus: Self-expression. (Fashion, style, hair, charisma) Hunter: Identity. (Confidence, self-love, self-respect) Willow: Inner self. (Vulnerability, self-care, self-acceptance) Amity: Outer self. (Presentation of your truth, pride of oneself.) Vee: Voice. (Standing up for yourself, perseverance) Camila: Support. (Union of group, accepting and giving love)
And I think their fashions/hair aka - character designs would reflect these various things!
On a more fun note I think the only reason Hunter could pull off his own unique style is because Gus helps him combine them properly.
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Hunter really said dollhouse fairycore and Gus ran with it.
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AMITY: Basic styles, probably thinking of her siblings to feel closer to them. Especially Emira's hairstyles. :) I think, because her mom was so controlling of how her hair presented, I think Amity moves away from doing too much with it and rather let it be adventurous and free.
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WILLOW: Lots of braids and pigtails. I think she likes to have practical hairstyles as well as more "gentle" ones. The practical ones to reflect her jock-side, and the lose ones to reflect her more gentile and sensitive side! :)
<3
HUNTER: I think just keeps his in a ponytail or (as in the canon) just loose and shaggy without much care. Showing his early stages of being a blank slate. Just let things have it's course to see what "grows" from it, y'know? And then he gets his iconic haircut scene and literally "starts over" with a new arc. :)
<3
I think LUZ just keeps her iconic style that she's had through the show, with the additional tiny low-pinned ponytail that makes her look like a rouge adventurer! Kinda like Amity. I also think Luz hair grows a bit more wavy the longer it gets! :)
<3
VEE is also someone who goes through the most changes, but in her body and face rather than fashion. I think her style would be of the alternative side, perhaps a bit of a concert-kid vibe and basic comfy stuff. She's visually been shown to have the opposite expressions of Luz, quite literally being from opposite realms and having opposite personalities. Where Luz felt hopeful Vee was quick to give up. Our basilisk girl also seem to fit in more with the human realm, enjoying being a normie - after all, her life wasn't normal up till that point. So it makes sense for her to seek it and even find her safety in her own baseline.
BUT YEAH!
I THINK THAT'S IT????
ENJOY MY THOUGHTS.
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the-power-of-stuff · 4 months
Text
The Live-Action Sukka Manifesto that I Just Couldn't Keep in My Head
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So I've been marinating in my live-action Sukka thoughts for the past three days, and when someone sent me an anon asking if I had any thoughts about the changes, at first I went, "DO I EVER?!" and proceeded to dump my entire brain on the page.
But then I worried maybe the anon wouldn't want to see my entire brain and figured I'd make my own post with my Many, Many Thoughts, and reel it in a bit when I answer the ask. And then link here if they're interested in the dissertation.
I'll put all the excessive details and spoilery stuff under a cut, but I'll start by saying, I didn't hate it! And I was afraid that I would.
There were things that I was bummed or had mixed feelings about, but there was also a lot that I genuinely enjoyed. All the Sukka interactions were cute and still had some decent character development, and I had fun with the episode overall (I've watched it thrice mind you, and definitely have not given the rest of the series that kind of attention). And I didn't necessarily dislike the differences from the original; I think I've just taken more of a "that was an interesting interpretation" approach.
But I better start that cut now, because I'm about to go on and on about this. I'd love to know what others think, though!! Even if the opinions aren't the same as mine! Please feel free to comment, reblog, shoot me an ask. If nothing else, I'm excited that the LA has gotten people talking about ATLA again.
So, I want to start with Suki’s characterization, which overall I found to be delightful, even if it was a bit of a watered-down version of her animated self.
In the original show, Suki is confident, sassy, and doesn’t take shit from anybody. She’s proud to the point of almost being arrogant, and even a little mean. What we get in the LA is someone who’s still confident in terms of her status and her skills, and still proud of her heritage and her role in her community, but with significantly less sass. And while LA Suki still seems like someone who wouldn’t take anyone’s shit, we don’t actually see LA Suki deal with that much shit from anyone (because Sokka isn’t really giving her any). 
There is one moment in the show where her interaction with Sokka is a little contentious, which is when he tries to relate to her as a fellow guardian of his people. I think Suki’s question to Sokka about how is he protecting his village if he’s not there is meant to be a challenge to his swagger. However, the line is delivered with a softness that makes it seem as though Suki is, at least in part, genuinely curious. (This curiosity makes even more sense when we consider the fact that Suki’s eventually going to leave Kyoshi Island so she and her Warriors can take part in the war effort, and that she will have to contend with the question of “how do you do that without abandoning your people?” when coming to that decision. The LA lays a lot more of this groundwork than the animated show did: Suki outwardly expressing her desire to see the world, her mother’s secretive looks every time Suki gazes longingly at Sokka the possibilities…)
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Compare these two moments, for example. These are both scenes where Suki expresses disbelief at Sokka's claims about his warrior-hood. But in the LA, Suki speaks rather quietly and mildly, in contrast to the brash sarcasm of her animated counterpart. LA Suki is also tilting her head down and away, looking at Sokka indirectly. OG Suki is leaning in close, getting in his face, smirking derisively with her hands on her hips.  
I think there’s something to be said about the LA in general smoothing away certain personality traits that could be seen as negatives but that are actually strengths that are so narratively well-developed they occasionally show up as flaws (for instance, Katara’s fury, or lack thereof). Animated Suki is prideful and stubborn; she berates Sokka until he gives her sad puppy-dog eyes and has zero hesitation about making an example of him in front of her whole class. It’s a little ruthless, but these traits are also 1) what gets through Sokka’s thick skull (he, too, is prideful and stubborn), and 2) what makes her such a dedicated ambassador of Kyoshi and such a strong leader of the island’s Warriors at such a young age. I feel like the LA writers were afraid of making any of the protagonists seem too abrasive—everyone in the LA has had their edges sanded down, including Zuko, including Aang—and in general this tends to lead to less realistic representations of humanity and conflict, less satisfying character development arcs, and fewer opportunities for reflection and learning. 
That being said! I went into watching the LA with negative expectations about what we would see in terms of character development, and thus was pleasantly surprised. 
The LA removed the need for Suki to be as ruthlessly stubborn as she is in the animated show because LA Sokka’s skull is not so thick (and I'll get into that a bit more later). So what we get instead is a sheltered Suki with a helicopter mom who is so hilariously awkward that she has no idea how to interact with other humans. And, to be honest, I enjoyed this version of her so much that I even thought to myself, “I wish I’d thought of that!”
Suki is a straight-up weirdo in the LA and I love that for her. The way she puts Sokka in a chokehold and then looks at him after she sets him free like, “That was good flirting, yes? Would you like to be my boyfriend now?” And then her disappointment when Sokka walks away as if she’s thinking, “Why didn’t that go well, I thought boys loved getting put in chokeholds?” She is so precious, I just want to put her in my pocket. And this characterization might even be more broadly relatable than a super-confident Suki brimming with sass. Who among us hasn’t made a complete fool of ourselves in front of a crush by coming on way too strong and having no idea how to flirt? I mean…real. 
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And because Sokka is also mostly just making a fool of himself trying to impress a pretty and talented peer (instead of covering up his insecurities by wrapping himself in misogyny) this leaves room for the two of them to be attracted to each other right off the bat and for their interactions to be more overtly romantic throughout the entire episode. Which, avid shipper that I am, I have to admit I have been gobbling up for the past three days straight. This episode was an IV drip of romantic tropes hooked straight to every Sukka shipper’s veins. 
Shy glances from across the room? Check.
Walking in on the other person half-naked? Check. (Y’all, Suki looks Sokka up and down for a FULL TWENTY SECONDS yes I timed it from the moment she appears in the background, yes you should count it to see how long that really is. Talk about awkward.) 
Tripping so they end up falling into each other’s arms? Check.
Wide-eyed shock that turns into surprise thirst after being pinned to the ground? Check.
Shooting each other satisfied smirks as they kick ass side-by-side? Check.
Jumping in front of literal fire for each other? Check and check!
Like, I could live off this for the rest of the year. 
But look, there’s a lot that I love about the way Sokka and Suki’s relationship is portrayed in this episode besides those romantically indulgent tension-creating moments, and it has to do with Suki’s admiration and validation of Sokka. 
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Suki really looked at this boy with his mouth stuffed half-full of steamed bun and went, “Must have.”
With the removal of overt sexism from this episode (for better or worse), the story focused much more heavily on Sokka’s development as a leader. He still has that sort of posturing display of self-confidence that comes from inexperience and trying too hard to prove oneself (“Ferociously…deadly tiger whales…”), and while at first Suki seems put off by this and his attempts to liken himself to her (“I’m not just a warrior, I’m a Kyoshi warrior”) it doesn’t take her long to decide (*cough*after seeing him shirtless*cough*) that she doesn’t actually mind this behavior (and in fact maybe she kind of likes it because maybe it means he likes her and maybe it means she can show him how much she likes him by slicing the tops off all those melons with her fan). She seems genuinely interested in his boomerang and impressed that he hunts, and then later, she immediately takes interest in training him in the Kyoshi Warrior style. 
After they spar, she casually refers back to the fact that he’s his village’s protector, and this time, she does it without the disbelief and defensiveness. Because he’s finally stopped posturing. He opened himself up and gave himself over to Suki’s expertise, and in that way he proved that he has the will and desire—the heart—of a warrior. And Suki tells him so while touching him gently and gazing at him longingly in the soft golden glow of the late-afternoon sun. And as a die-hard Sokka stan, I love seeing him loved and appreciated like this. Adamantly. Ardently. The Sokka cheerleader in my head is going wild. “YEESSSS!! Our boy deserves this!!” Because we know that, in the animated show, he goes through a lot more struggle and self-doubt before he receives this kind of external validation. And while we also know that this makes for an incredibly satisfying growth arc, I gotta admit that it’s a fun bit of indulgence to watch Suki talk Sokka up directly to his face and then want to kiss him really bad. Y’know. As a treat.
That said, I'm very attached to and appreciative of the way their relationship is framed in the animated series. I love that their respect and affection for each other grows even after the disaster that is their first few interactions. In the LA, they are drawn to each other immediately, and the only barrier seems to be a bit of awkward stepping-in-it-ness. In the original, they have legitimate conflict, and they both have to give a little—Sokka becomes more humble, Suki becomes more tender—before they get to that point of potential romantic interest. And I think it says a lot about Sokka’s character and his desire to learn and grow that he is willing to humble himself in front of someone who, as far as he’s seen, has very little regard for him (slash has a good deal of animosity towards him). Giving himself over to Suki’s expertise costs him more in the animated show. But once he does, he and Suki learn and grow together. He shows Suki who he really is, shows her how dedicated and determined (and fun and a quick learner) he is, to the point that, by the end of the episode, she can allow herself to be vulnerable with him. And she does validate him in the original Kyoshi Warriors episode, just less directly than the LA. Her kiss on his cheek and “...but I’m a girl, too” is about forgiveness and acceptance and acknowledgement and respect, as much as or even more than it is about affection. There’s a little bit of romance, too, but it’s just little baby seeds of it, and it feels very natural to let those seeds germinate over time until we see Suki again later in the series. 
Which brings me to the live-action kiss. 
I’ll be honest, I was a little on the fence about the kiss. I want Sokka and Suki to kiss as much as possible in every conceivable universe. So there’s a part of me that was banging on the table and whistling with obscene joy. But the other part of me thought it was too much too soon. However, my hesitance pre-supposes some things about the second season (not least of which that there will be one), namely that it will handle the reunion with Suki and crossing the Serpent’s Pass anything like how it was done in the original. (Of course, one thing we now know for certain can't happen in a hypothetical LA season 2 is Suki pranking Sokka at the ferry station because he doesn't recognize her without her makeup. Do I love the expression on LA Sokka's face the first time he sees Suki's? Yes. Am I sad that this completely ruins their whole "You don't remember me? Maybe you'll remember this!" game? Also yes. But truthfully, I don't know if LA Suki would've been up to the prank, anyway. Not sassy enough. ;))
The Serpent’s Pass is one of my favorite episodes of all time, and that moment on the bluffs when Sokka and Suki are talking around Sokka’s loss, with the moon shining down on them all the while, and they almost kiss with the moon hanging between them in the background, and then Sokka pulls away without any other explanation besides, “I can’t”? That scene is so absurdly powerful and beautiful and an amazing moment of character development for them both, and I feel like it loses a lot of impact if they’ve already made out once. The fact that they kiss for the first time after that moonlit moment, when Sokka realizes that Suki doesn’t need protecting the way he thought she did, and in fact she was there to protect him, and he can finally just let go of this burden that he’s been carrying with him since Suki first mentioned she was joining them (slash since his dad put him in charge of an entire village at 13), and then and only then can he open his heart to what he feels for Suki, and in fact opens it so wide that he just cannot help but jam his mouth onto hers before she’s even finished talking…? I mean. C’mon. That’s poetry. But, again…loses impact if they’ve already had a first kiss.
But who knows what, if anything, they’ll actually do with that storyline. So for now, I’ll just enjoy my live-action Sukka kiss because, honestly, dream come true.    
Or almost a dream come true. Because there's a huge camelephant in the room that I haven't addressed yet, isn't there? The lack of Sokka in the Kyoshi Warrior uniform...
And I don’t think we can talk about the omission of Sokka’s Kyoshi Warrior uniform without talking about the omission of Sokka’s sexism. Because if Sokka isn’t sexist, then why do you have to put him in the dress and makeup of traditionally female warriors to make a point about how women are strong and capable, too? So here’s what I’ll say about that (and I know there’s a lot that people have said already, so I’ll try not to belabor the point.) I don’t think leaving out Sokka’s sexism was necessarily a detriment to his character arc. I do think, however, that leaving out Sokka’s sexism was a detriment to the message the show was trying to convey about sexism. 
Now, in the Northern Water Tribe episodes, the LA still gives us a message about fighting against the kind of systemic, institutionalized sexism that you might not be surprised to encounter within a very old-fashioned society or from a very old-fashioned gray-haired man. But what about the off-the-cuff, everyday kind of sexism that you might experience from an otherwise good person who is close to you? A person who loves you and would do anything for you but who gets carried away teasing you about “girly” things because of intrinsically-held biases that they’re not even that conscious of having? 
I think it’s important and meaningful for male and female audiences alike, and everyone in between, to see these different forms of sexism and misogyny—to see them, to recognize those behaviors in others and in ourselves, to be able to name them, and to have examples of fighting against them. We see the former kind—institutionalized, systemic—in Pakku. And we did see the latter kind—familiar, personal—in Sokka. And now that’s lost.
Not only that, but there’s the form of sexism that says boys aren’t allowed to do feminine things lest they relinquish their maleness. And in the animated show, we got to see Sokka combating this form of sexism, too. Not only does Suki show him that girls can be fierce warriors as well as boys, but he learns that wearing makeup and a dress does not make him any less of a young man.  
So, yes, I think the lack of Sokka in Kyoshi Warrior garb was a missed opportunity. And not just because Sokka looked really good in uniform and we all should have had the chance to see that, including and especially Suki. 
Alright, this is more than long enough, so I'll leave off with a moment from the LA that gave me great pleasure.
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I needed this moment, y'all. And I was so afraid it wouldn't happen. I needed Sokka being protective, I needed him using his newfound Kyoshi Warrior skills to fight, and I needed him jumping in front of fire for the girl who'd taught him. If we couldn't have Sokka in the Kyoshi Warrior uniform, at least we had this.
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leggalese · 4 months
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how do you imagine Edgeworth and Phoenix parenting Trucy?
Thing is... I usually don't imagine them parenting anyone really... I mostly focus on humor and tension between the two. Closest thing would probably be Maya and Pearl but I see them more as surrogate family members akin to siblings and nieces or some third option. I guess you could say it would be two guys and their dog? As far as I am concerned two men and a dog are a family.
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Reason for that being is that Trucy didn't "grasp" me as much character wise so it's a bit difficult to flesh and figure her out...aaand I'm not actually that fond of Apollo Justice (the game that is), atleast narrative wise, I just really really prefer the goofier tone of the OG trilogy and its characters. That is to say there are characters i legitimately enjoy in AJ, Klavier is flamboyant and fun, Ema Skye is wonderfully re-imagined as grumpy and a little bitter (which brings more personality to her than she had in Ashes), Kristoph is a wonderfully unhinged Regina George-esque prissbitch and Apollo is a high strung little chicken nugget. Not really a fan of the disbarment either, and while "Beanix" is an interesting idea and I certainly understand why people enjoy him it's just ehh.... it sorta makes sense for his personality to change but I personally didn't like that it changed that much. Then again I generally don't like change and am very stubborn about certain things. This to say Anon I'd hate to see you sad and empty handed so i give you this:
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My best guess would be that Wright would be good at consoling, telling stories, being creative and imaginative and such, also surprisingly, house cleaning. Edgeworth would be good with homework, general organizing of things such as paperwork, finanical organizing maybe? I think he would also give great advice and nuggets of wisdom. As far as I am concerned they can both cook, just different things.
Anon and future anons please don't let my opinions discourage you from asking further questions or drawings connected to AJ. There are things I do like about it, I love having conversations about it and seeing other people's perspectives just because they are so different from mine. But most importantly I like making people laugh and feel good so don't hold back, yea? I apologize for the rant, a lot of things are interconnected and i wanted to give a good explanation on how and why I see things.
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