#Idk I don't like this I guess...

[lazylittledragon]

ok someone please correct me if i'm wrong but am i weird for thinking those 'audiobooks don't count as reading' posts are ableist as fuck????

[beybuniki]

it is not that deep, but sometimes i find the discourse about forgiveness surrounding bakugo interesting because there's a lot of (younger) fans who have zero empathy for bakugo and think deku should beat his ass or that bakugo should face harsher consequences etc., and i'm just thinking that such a radical stance on forgiveness and resentment in general (outside of bnha) is a bit naive. and i'm not surprised that it's a lot of younger fans who hold this sentiment (i say this with no judgement, i think we've all been there as teenagers, you rlly think you're above all of that lol). and this isn't about what deku is "supposed" to do either (plenty of possibilities here), but i personally don't see any merit in bakugo "punishing" himself for his past actions, it's so damaging and unproductive and i feel like that's sth you have to realize as a young adult. so much about this discourse is surrounded around deku's reaction (and male fans expecting an aggressive rejection or whatever) and i can def see less convenient reactions from deku'sside work, but what makes bnha as a whole but bakugo in particular so compelling (imo!!!) is that there's so much kindness poured into the whole situation, i think the epilogue made is pretty clear that bakugo feels ashamed and angry about his negative influence on deku's self-worth and that will forever be his cross to bear, but he also isn't one to wallow in self-pity or self-hatred and that is a good thing. this started with bakugo but i guess my point is that i think his whole arc is a nice outlook on young adulthood, you will make big mistakes that will negatively affect either you or someone else and you rlly won't survive your 20s if you don't learn to find a balance between accountability and forgiveness.

idk i personally love that bakugo becomes a better person out of love for deku and himself and everyone else, that's how you /should/ guide kids like bakugo and that's how you should be led into your 20s when you will make mistakes that might have even graver consequences lol

[barghest-land]

ata tu corazón, mi amor, y arrástralo por la tierra

[auriidae]

an assortment of silly mimic angel grian doodles (ft. some other buttercup lads)

[chalkrub]

strange fellas

[dr1f7w00d]

[silusvesuius]

baby👶 drawings. these are very dear to me rn.. 2nd pic is my Nelavis with @barvin0k's Varonur 🩵 last one is a baby bosmer and snow elf, hairiest of them all. although the bosmer was meant to be my girl Barletta too lols

[teaboot]

if ur a murderbot nerd now do u have any fun opinions abt it yet?

Oh my goddd you have no idea

I really, really, really like Murderbot because it comes at life with this perspective we don't often see that is very real among people who have already been through traumatic experiences, who developed skills and abilities to suvive that were once useful but no longer have context- that search that traumatized people go through to recalibrate and reorient ourselves in a world where we no longer really need those things to survive.

A bit personal here, but my own issues personally involved a lot of psychological abuse that made it difficult to trust my own perceptions of reality, and as a result I found I was very easy to lie to and manipulate.

To handle this, I became obsessive over writing things down, cataloging details and making notes of things as they happened- I'd carry recording devices and make audio recordings and stay up late at night to transcribe what they'd picked up, read those over and over again to reassure myself of things I wasn't certain about.

While doing this, there were others close to me that I felt responsible for, who I had to protect from others and protect myself from at the same time. Life was about two things: Evidence, and defusing threats

Over time, I learned to trust myself as my memories matched what had been recorded where their narrative didn't, but I never really kicked the habit. Like Murderbot, I had added something to my own programming that reassured me I was safe, that I was in control of myself, that I couldn't be mistaken or crazy or broken or used.

I'm only on book two, but already I see myself in Murderbot again. No spoilers here, but when I left home- left that dangerous context- I didn't need to repeat these patterns to survive anymore, but I still did, because I didn't know anything else anymore. It felt safe, comfortable, knowing knowing that the past couldn't repeat itself, because I'd written that flaw- blind trust in myself-  out of my programming and replaced it with something else.

Still, though, I'd become something specially suited to thrive in a very specific environment. Nothing else felt right like followinghigh-risk situations, like witnessing and watching and recording and knowing I had proof of the truth where others might not.

People took notice. I wound up in security by accident, but's an environment that I thrive in due to the same patterns and behaviours I originally developed when I had no other choice. I climbed the ladder pretty quickly, once supervisors caught on that my reports were the most accurate, most objective, most factual, detail-oriented and timely. I keep others and myself safe and prioritize public safety above all else, and I perform well under pressure

Now I'm in a position where I often wonder, do I enjoy this job, or is it just what I'm good at? I have a set of skills now, but do I have the option of choosing not to use them? What would I be, if not this? Could I be anything else? Can Murderbot be anything else?

It has a set of skills that set it apart, make it different, special. It does what it knows best. But is it free? Does it want to be? What does it want? Does it have to do what it was built to do? What if it didn't?

I know what I'm good for. The idea of deliberately leaving what I'm good for for something uncertain, that I might hate, that I might be useless at- the choice to give up what was so important to me for so long and become deliberately obsolete?

Let go of my entire purpose? The only thing I know, that I fit so well into but don't actually know if I enjoy? Now that I can choose? Now that enjoyment is a luxury I can afford to consider?

Yeah, that resonates.

I like the Murderbot series so far because it feels the way I feel: Like the most significant and formative part of my story, the part where I became what I am, has already happened

And now I have to just. Keep going

Into... what?

It feels absurd. Like a microwave giving up on reheating food and deciding to start a life around abstract dance.

So, uh. Yeah. It's really very wild to see this same philosophical-ish dilemma I've been digging over in the back of my mind and in therapy for the last forever laid out so plainly in a genuinely exciting and enjoyable story like this. I feel much less alone, and I... kind of really need to see how it resolves, I think.

So, uh. Yeah. Read Murderbot, I guess

[cheesomancer]

What are you waiting for? I'm totally ready, I tell you.

Full art (with close up!) is here!

[kaiserouo]

Well someone has to give it its driver updates, Gabriel

[valentjin]

i just think it's crazy that there wasn't like. a cutscene or something that showed off raphael's cool magical girl transformation sequence cause his ascended fiend form looks sick as hell

[lilblucat]

Right person, wrong time.

Lifted off one of my fics.

[growling]

the way this website treats disabled people is actually horrendous

[bunnieswithknives]

hey in ur peri animatic: (https://youtu.be/OCqlRuDaXYU?si=K52WDu_vw9rg7chz) that I have been permanently obsessed over since today and have watched about 20 times by now so much that I have drawn & posted stuff based on it what was that partial bug form peri had?

I haven’t watched either of the show btw so if it’s explained in the show please tell me plsssss

OK, SO the bug thing is not technically canon to the series. It's based on my own headcanons for fairy biology, but i do have justifications for it!! Fairies have very strong shape-shifting abilities, so it would make sense that the form they show to humans isn't necessarily their true form(not to mention extreme that mimicry is very common in insects). And you want to know the visible traits almost every fairy has in common? Being very small with Insect-like wings.

The fact that their humanoid form isn't their true form in actually confirmed in the show! Cosmo and Wanda are revealed to look like biblically accurate pseudo-angels in the museum episode. (I say pseudo angels because the Flaming Sword of Eden is only debatably sentient and I don't think is considered an angel. Ophanim are also debatably not angels because they don't have wings (sorry for the angel tangent I like angels))

So wouldn't their true forms be angelic then? Well, yes. But I like bugs so. Also I have more headcanons to justify myself. I like to think that they have both a true-true form (incomprehensible to the human brain, probably exists mostly in a dimension invisible to us, that looks how we imagine biblically accurate angels), and a fairy form (which is visible to humans but is naturally very insect like and tends to scare people). So, in order to interact with humans, they have to learn to shapeshift into a humanoid form but will occasionally slip if they get too relaxed/aren't careful, hence the mandibles coming out when he yawns!

The reason they struggle so much more with human forms than the animals or objects they typically turn into is that, well, they aren't trying to convince those animals or objects. The more human they try to look, the harder it is to keep up convincingly. If you turn into a really uncanny squirrel, only other squirrels will notice. If you turn into a really uncanny human, they form a lynch mob and burn you at the stake.

[ralseinumberonebiggestsupporter]

"kris doesn't like us!!!" speak for yourself they literally made me a cage just for me

[rcarx]

"what did the girl at the bar whisper to bea?" (x)