#Is this the start of a longer story where Mickey has to learn how to live now that he’s free?

[nuttersincorporated]

No Strings Attached

As midnight struck, Mickey felt his strings snap and he immediately crumpled to the ground. He tried to get up but only made it as far as his knees before he collapsed again.

Lying on his back, staring up at the stary night sky above, Mickey became aware of a strange whimpering sound. It took him a few moments to realise he was the one making those noises. Tears rolled down his cheeks.

He distantly wondered if he could lie there forever; just stay there until the ground claimed his bones. It seemed so much easier than the alternative. He was so, so tired.

“Mickey!” the voice sounded far away but he recognised it instantly. “Mickey!”

No, he wouldn’t give up. He couldn’t. He wasn’t the only one who’d had his strings cut.

Angry with himself, Mickey scrubbed the tears away. Then he balled his hands into fists and with a great effort of will, pushed himself into a sitting position.

“Mickey, where are you?”

“Min…” he started to answer but that was all he managed before he started coughing. He tried to stop but it only seemed to get worse.

“Mickey!”

She must have heard him because he could hear her running towards him. A moment later and she was there, flower in her hair and worry on her face.

“Oh Mickey!” She dropped to her knees beside him and threw her arms around him, hugging him tightly. He continued to cough and she rubbed circles on his back until, at last, his body relaxed and he could breathe properly.

“It’s okay,” she reassured him, still holding him. “It’s going to be okay.”

Mickey hugged her back. He realised he was crying again and made an effort to stop. He opened his mouth and tried to speak for the second time. This time he managed it.

“Minnie.” Mickey stopped. He didn’t recognise his own voice. It was horse from all the coughing but it was more than that.

His eyes widened is shock as realised it was the first word he’d ever spoken. Oh, words had come out of his mouth before but he’d never been the one making the decision to say them.

“Minnie,” he said again. “We’re free.”

[arrowflier]

Lovely Arrow, a random plot bunny appeared and I just know you could do it justice: what if Franny has some friends over at Mickey and Ian's place when she's older and one of them is new to the group and wants to learn a little more about her uncles? And Franny starts waxing poetic about how they're made for each other and complement each other so well and both Ian and Mickey overhear and it makes them tear up a little. Just a thought 😋🥰

Evie, thank you! I've decided that Franny's friends love her uncles almost as much as she does, so that's kind of where this went.

---

“Why are we here again?” Tiffany asks as they crowd onto the stoop of the little southside worker’s cottage. Franny doesn’t bother to answer as she knocks on the door, but one of the other girls takes pity.

“It’s her Uncle’s house,” Susan says. “Jesus, Tiff, pay attention.”

Well, not too much pity. There was a reason she’d never been invited before, after all.

“Yikes, Suze,” Tiffany mutters with a frown. “I just meant why weren’t we at her actual house.”

“Because my actual house is loud as shit,” Franny finally chimes in, not even looking back. “My mom gets lonely so we live with like three other families, it’s a nightmare for schoolwork.”

“You’d have known that if you paid any attention,” Susan adds, and they all ignore Tiffany’s pout.

It doesn’t last long anyway, because the door creaks open not a moment later.

“Hey Fran,” Ian says from the other side. His hair is longer than usual right now, and looks windswept—or like someone had been carding hands through it all morning. His shirt was tight-fitting and a little too short, like it didn’t belong to him, and the socks on his feet didn’t match.

“Hey Uncle Ian,” Franny greets, then gestures to her friends. “It still cool if we take over the living room for a bit? This group paper is a beast.”

“Of course,” Ian agrees with a wide smile. “Anything to help my favorite niece.” He opens the door wider to let them in.

“Nice to see you all again,” he says as they start to file inside. “John, Rachel,” he greets them individually. “Susan, that new haircut is fantastic, I told you it would be.”

“Thanks, Mr. Gallagher,” Susan says with a grin, tucking a loose curl behind her ear.

Ian grimaces at her, playfully.

"Ian, please," he begs. "I've never met a Mr. Gallagher I didn't want to punch."

Susan giggles, and moves inside.

“I don’t think I’ve met you,” Ian says with a thoughtful frown when it's Tiffany's turn, and Franny jumps in with an introduction.

“Uncle Ian, this is Tiff,” she says. “She got put with us for the project.”

“Nice to meet you,” Ian says, and holds out a hand.

Tiffany takes it, and when Ian lets go, her hand just hovers there.

“Make yourselves at home,” Ian says as he closes the door behind them. “I’ll be in the other room if you need anything, but—

“Try not to need anything,” they all chorus, with the exception of Tiffany.

“Good kids,” Ian laughs, and then he’s gone, disappearing through the archway that leads through to the rest of the house.

They settle quickly. John and Rachel take the love seat, as they’re always wont to do, sitting just a little too close. Rachel giggles as their knees brush, and Franny rolls her eyes at John’s blush.

She takes her own usual spot next to Susan on the floor, notebooks spread out across the ottoman, and startles when Tiffany suddenly appears on her other side.

“Dude,” Tiffany hisses, poking Franny in the shoulder. “Your uncle is so hot.”

Franny frowns, staring down at the wrinkle Tiffany left on her sleeve.

“Yeah,” she says idly as she smooths it. “So I’ve heard.”

“I mean I mean I always thought red hair looked weird--no offence," she tacks on hastily, "but it really works for him."

Franny focuses on arranging her things to avoid smacking Tiffany in the face.

"Does he have a girlfriend?” Tiffany asks, biting her lip. She toys with the ends of her over-crimped hair, bright nail polish flashing between blonde strands.

“No,” Franny answers, and doesn’t give Tiffany any time to think about that before adding, “he has a husband.”

Tiffany pouts, shimmery pink lips sticking out comically. Franny exchanges a look with Susan, who mimics the expression in a way that has Franny trying to swallow her laughter.

“So not fair,” Tiffany whines beside them, crossing her arms. “Why are all the cute ones taken?”

“Hey!” John protests from across the room, but they all ignore him except for Rachel, who hits him with her three-ring binder.

“Mickey would probably kill you for looking at him,” Susan chimes in, “so you should probably keep your eyes to yourself anyway.”

“Yeah,” Rachel agrees, even as she rubs John’s arm in apology. “He’s been to jail, you know.”

“Ew,” Tiffany says, wrinkling her nose. “There’s no way he deserves someone like Ian, then.”

Franny grips her pencil too tightly. Susan sends her a warning look, but she ignores it.

“Actually,” she says casually, hiding her irritation, “they’re perfect for each other.”

Tiffany‘s brow wrinkles.

“No way,” she disagrees. “You Uncle seems so sweet, he deserves someone nice at least.”

Franny’s pencil snaps.

“Shit, she’s done it now,” John mutters.

“Uncle Mickey is nice,” Franny grits out between clenched teeth. “He’s a hell of a lot nicer than you, actually.”

“Franny—” Rachel tries to interrupt, but Susan cuts in over her.

“She’s not wrong,” Susan says. “You’re in the man’s home, Tiff, have a little tact.”

“Besides,” John speaks up, “Mickey is great. He helped me with my math homework last week.”

“Come on!” Tiffany cries. “There’s no way some ex-con should be married to that hunk out there.”

“Ian’s an ex-con too, though,” Susan says. “Right, Fran?”

Franny smiles.

“That’s right,” she confirms gleefully. “They were in jail together, actually.”

Tiffany pales.

“No way,” she mumbles, but they aren’t done.

“Yeah, it’s the most romantic story!” Rachel all but squeals. “Mickey wasn’t even in the country, but he heard Ian needed him and he came right back!”

“They’d been together for like, years already,” John contributes. “High school sweethearts or something like that.”

Rachel latches onto him at that, and he flushes again.

“And they take such good care of each other,” Susan adds. “Last time I was here Ian wasn’t feeling too good, and Mickey made us all be quiet so he could sleep. Then I helped him make some soup, ‘cause he isn’t good at that stuff.”

Tiffany is biting her lip again, staring at them each in turn.

“But Ian seems so—”

“In love with his husband?” Franny cuts her off dryly. “Sounds right to me.”

The others all agree, but Franny isn’t done.

“My Uncles have the best relationship I’ve ever seen,” Franny continues, “and I was a little kid for most of it. So if you think they’re gonna care what some random kid their niece hangs out with thinks about their marriage…” she trails off.

Tiffany’s eyes are downcast.

“Didn’t mean anything by it,” she mutters, then looks up through her eyelashes. “Sorry.”

Silence, broken by Franny’s tired sigh.

“It’s okay, I guess,” she says. Then she hands Tiffany her notebook. “Here, you can write the introduction.”

——-

Behind a half-closed door down the hall, Mickey stands quietly, eyes wide. He startles when the door creaks open an extra inch, Ian slipping inside.

Ian’s eyes are soft when they fall on his face, and Mickey blinks hurriedly to hide the wetness in his own.

“You heard all that, I take it?” Ian whispers, and Mickey nods.

“Yeah,” he says hoarsely. “Kind of hard not to, those kids are fucking banshees.”

Ian laughs, soft and quiet.

“Banshees that love you,” he says, stepping closer. “As they should,” he adds when Mickey lets him wrap strong arms around him.

“Sounds like one of ‘em loves you more,” Mickey mumbles into Ian’s chest, and it shakes as Ian huffs.

“She’ll learn,” he says, holding Mickey tighter. “They all do eventually.”

“That I’m the better husband?” Mickey jokes, even as he rubs his face into the fabric of his own shirt over Ian’s broad chest.

“That we’re best together,” Ian corrects, and Mickey smiles.

“Yeah,” he breathes out, pressing a kiss to Ian’s sternum.

“Yeah, we really are.”

[dramaticviolincrescendo]

(How to Break the) Alibi Armistice

So, @gallavictorious and I were talking about the logistic problems with Mickey and Terry (a) wanting to brutally murder one other and (b) frequenting the same places. (Read: The Alibi Room.) Could be sorted by Terry just going the hell away, of course, but where's the fun in that? (Okay, sure, there's some fun in Mickey murdering the shit out of Terry, but that's such a simplistic solution and we're sophisticated women. Also, you can only kill him once, but you can make his life miserable forever.)

Anyway. We're thinking it might go down a little like this:

The first time they see Terry after the wedding is at the Alibi. He isn’t alone, but he’s the only one that matters considering the whole burning-down-their-venue debacle. And yeah, they could probably have played it cool, ignored him —  not like he’d do something with a whole bar full of witnesses, right? But Ian still suggests they go home or come back later, which Mickey is not having.

“I’ve been drinking here since I was fourteen. I’m not fucking leaving. He tries to start shit, I will sink his teeth so deep into that bar that he’ll be shitting splinters for weeks.” 

So that’s that. 

Mickey heads to the bar, but before he can order, Terry does indeed step in to start shit. Mickey doesn’t really pay attention to what he says — something about not serving pansies here or whatever the fuck. He’s too busy cataloguing the various ways he can get Terry alone for a few minutes in the alley before Ian wises up. Then he realizes that oh, they’re already in each other’s faces and oh, they’ve got each other by the collar. The fuck did that happen?

Things would have turned bloody then – which would have suited Mickey just fine – had Kev not stepped in and calmly declared that if either of them started whaling on the other, they'd both be banned from the bar. Forever. 

That actually gives them pause. The Alibi's a shit hole, but it's their shit hole and has been for a long time.

Terry's blood-shot eyes turn from Mickey to Kev; the malevolence remains. “You try to stop me from coming here, I'll come back with a goddamn flame-thrower.”

If Kev is unnerved, he doesn't show it. “I don't wanna stop anybody from coming here. But if you do, you have to play nice. No murdering each other. No violence.”

And of course, Mickey is far from amused because, “You came to our fucking wedding, but you won't take sides when the asshole who tried to murder us picks a fight?” Deep down, though, he gets it. The Alibi Room has always been neutral ground. Besides, it's not like Terry's fucking joking about burning the thing down, so. It is what it is.

And maybe no one likes it, maybe no one is totally happy in the end, but they both reluctantly agree, to everyone else's great relief. Kev doesn't try anything as stupid as making them shake hands; he just waits until Terry has retreated to the pool table before pouring Mickey a beer and a shot and asking Ian how's work. 

That’s how the truce is born.

It even lasts for a while, to the utter bafflement of everyone on the South Side, from the transplanted gentrifying assholes to the lifers. Truth be told, it’s mostly due to neither party having much opportunity, or reason, to break the rules. When Ian and Mickey are at the Alibi, Terry generally isn’t; they assume that he visits during their longer stints drinking at home when the money is tighter and Kev less free with the booze. 

Sometimes, Ian will see him there when he stops in on his own, and they ignore each other like they always have whenever Terry isn’t suspecting Ian of sleeping with one of his kids—or catching him at it. Other times, Mickey’s the one who spots him, but Terry doesn’t seem very interested in forcing a confrontation when Mickey’s husband isn’t standing beside him like the tallest, orangest fucking pride flag in Chicago. Doesn’t mean Mickey isn’t occasionally tempted to stick his foot up the bastard’s ass, but Kev always manages to shoot him a glance in silent reminder and he grudgingly downs his glass before hightailing it out every time.

It works. They drink, and nobody leaves in a body bag. All in all, the ceasefire is a success: Kev gets to run his business in peace, and while nobody really wins, nobody really loses either. 

At least not until peace gets boring as hell. 

It happens on a Thursday, and the evening starts off just like any other night they've managed to ditch their responsibilities at the house: they meet up at the Alibi after work for drinks and a chance to be just Ian and Mickey rather than uncles/brothers/responsible adults. Like any other night, they're talking and laughing and Ian has one beer, Mickey three.

It's not very exciting, maybe, but it's theirs and it's nice – until Terry steps through the door with Uncle Ronnie in tow. It takes the evil fucker all of two seconds to spot Mickey, then spot his husband too, seated in one of the booths at the far side of the room. For a moment, father and son simply stare at each other, and had anyone else dared to look for more than the briefest of moments, they'd have seen the cold rage slowly give way to cunning malevolence on Terry's face. He doesn't say anything; he orders a beer and heads straight for the pool table and tells Uncle Ronnie to rack up. 

And then Terry starts talking. Keeping his eyes on the game, on Uncle Ronnie, on anything that isn't Ian and Mickey—he talks, loudly and at length, of what he did to this queer and that, in prison and outside. 

These...are not nice stories. Not very detailed, true, but...yeah. They're not nice.

There's a hush growing in the bar, as patron after patron falls silent, and their eyes dart between the foulmouthed man by the pool table and his son, still and stone-faced at a table nearby. Behind the counter, Kev stands frozen in the process of wiping down a foggy glass, watching and waiting to see if he should grab the broom now or later. 

“He's just trying to provoke you,” Ian says urgently, and his voice is almost steady in spite of it taking damn near everything he has not to get up and run Terry through with the damn cue stick. “He wants you to go for him. Break the truce, get barred.” 

His eyes are on Mickey's face, intent and ready to jump into action the second Mickey makes his move. 

“Yeah, I know.” 

And here's the thing: Mickey sounds calm. This doesn't reassure Ian, because Mickey calm sometimes just means him taking a second to savor the fact that he's about to unleash absolute hell, but then Mickey shifts his gaze from his utter asshole of a father and to Ian. There's a small smile on his lips; it's a sharp thing, true, but a smile all the same. “He wants fucking queer? We'll give him fucking queer.” And he reaches out for Ian and pulls him into a long, hard kiss.

It takes a second for Ian’s brain to reboot enough to break away, hissing, “In front of your dad?!”

“The fuck’s it look like?”

“He’s gonna kill you. Then I’ll be a widower for three seconds until he kills me.”

Mickey’s eyebrows don’t slam into his hairline, but it’s a near miss. “What, are you scared, Gallagher?”

Ian…isn’t. He used to be scared of Terry back when they were kids and he was this dark, shadowy figure who could make Mickey do whatever he wanted simply by virtue of being his father. But they are past that. Terry, like Frank, is old. Terry, like Frank, doesn’t have any power over his kids now. Terry is a blot on their past, but he has no bearing on their future. 

Which is exactly what Mickey’s getting at. 

So Ian shrugs and Mickey nods like he did at the docks, not having to say uh huh, that’s what I thought.

And he leans back in because hey, if Terry does kill them, at least they’ll make it worth the trouble. 

It’s a little awkward, what with the table between them, but they have long been pros at not being kept apart. Leaning over the table, Ian cradles the back of Mickey’s head; Mickey’s hand is on Ian’s neck and the other on his upper arm, clutching at the fabric of his jacket. There's nothing chaste about this, nothing sweet. It's desire and defiance, lips and tongues and teeth, Mickey's fingers digging into Ian's arm, Ian's twisting in Mickey's hair as he pulls him closer, closer, closer. 

(It's another thing Ian blames and hates Terry for. Mickey loves to kiss, loves being kissed, and yet he wouldn't allow it, not for their first year and not for much of their second. No matter how often they stop for a playful peck or something more serious and passionate now, they'll never make up for those lost years and all the kisses they should have shared then.

They sure as hell can try, though.)

It goes on and on. The initial frustration shifts into something softer and more real as any thought of Terry – or anyone – fades and becomes a faraway thing. There is Mickey and there is Ian, and the taste and the smell and feel of the other, and they've done this a thousands times and yet – 

And yet.

And yet it takes a distant vibration and the sound of glass on wood before they hear Kev clear his throat. “Uh, he’s gone. Been gone for ten minutes.” 

Mickey pulls back first and leans over to see past Ian’s shoulder that yeah, Terry’s gone. Nobody appears to be talking about him or them either, so Kev probably isn’t exaggerating about how long they’ve obliviously been at it, especially considering he’s got that dumb smirk on and won’t meet their gazes as he turns back towards the bar. 

And speaking of dumb, Ian is still staring at him like he did after their first kiss, all gooey and gross as if they haven’t done this so often that none of the Gallaghers even complain anymore. Jesus. Leave it to Ian not to have learned how to play shit cool after all these years. 

But what can a guy do when Mickey’s husband is watching him like he farts rainbows, and like he doesn’t give a shit about why they’d attacked each other’s faces in the first place? Mickey doesn’t blame him; he’s having a hard time remembering too right now.

He dives back in, because why not? Their ceasefire says no violence, so (almost) any and all displays of affection are well within the rules. He puts his hand on the side of Ian’s neck where it’s always fit best and reels Ian in, despite how much easier it would’ve been to get on his side of the booth this time. 

“Thought this was about your dad,” Ian mutters into his lips because of course he can’t shut his mouth to save his life.

Mickey shrugs - “Fuck ‘im” - and gives him something better to do with that mouth.

[tardisbadwolfrose]

For the character thing, please do Rose Tyler

Ooo thats fun. I was not expecting a doctor who character. Ok. Lets go.

Why I like them: part of it is just because she was my first companion. I fell in love with Doctor Who through her. But also, theres something to be said for a perfectly normal, ordinary person with flaws and who probably doesnt think much of themselves, who is young and naive and loving, who ends up doing extraordinary things without some preternatural destiny guiding them. The only other companion who really hit on that was Bill. Donna had a bit, but there were elements of s4 that implied that it was all some sort of prophecy coming together. The DoctorDonna and all that. Rose really was so ordinary. Even Bad Wolf was born of something so ordinary, so human, this intense love and desire to protect. Rose was, in so many ways, such a perfect first companion, because from the beginning shes such an every girl. And she has so much compassion for so many. Everytime she interacts with people, especially people who work for other people, she treats them like people and like equals. Theres the mechanic in "the end of the world," gwenyth, etc. I just... Ugh. I love her. Bills still my fave, but rose is a VERY close second.

Why I don't like them: her selfishness. I dont know if its really that I dont like her because of it, because I like that she has a real, human flaw, and its a real reason that people might dislike them. It means shes well written, and feels real and human. But it still bugs me. Especially in s1, but even in parts of s2. She treats Mickey and her mother with this dissmissiveness, which is very immature. Like she thinks they only exist when shes around. She gets called on it though, and pretty early on. She never fixes it fully, especially where Jackie is concerned, but she makes an effort. But you can especially see it in school reunion, with her jealousy of sarah jane. She has a problem with the people she loves fully having lives outside of her, especially when those lives seem like a threat to the one shes creating.

Favorite Episode: the Parting of ways, fear her, turn left, or stolen earth/journeys end. Aka, im a simple girl with simple pleasures, and those pleasures are rose being a badass/saving the day. Special mention for the idiot lantern bc i must have watched it 20 times and they give me LIFE the doctor and rose in that episode.

Favorite season: 2. Shes starting to get more confident and sure of herself, but shes still human and flawed.

Favorite Line: whatever the hell she says during the christmas invasion, when shes trying to get the sycorax to leave. Its utter bull, makes zero sense, and its beautiful.

OTP: Doctor/Rose. Any doctor. Im a little desperate to see rose/thirteen. Also Rose/doctor/river. If ianto didnt exist, id say rose/jack/doctor, but alas, he does.

Favorite outfit: oh god. Either the one in the unquiet dead, the idiot lantern, the long game, or the doctor dances. There are so many more though. Her costuming was brilliant.

BroTP: rose and jack.

Headcanon: you mean besides time lord/immortal Rose? Ok here it goes.

So when Rose dropped out of high school for Jimmy Stone, she ran away. Went off on tour with Stone and his band. While on tour, she got.very close to the other band members, including the lead singer/lyricist, a very cute 20 yr old Welshman going through his rebellious phase named Ianto Jones, who helped her figure out she needed to go home and, in the process realized he needed to stop rebelling and start acting like a mature adult, leading to him eventually signing on with Torchwood. Meanwhile, Rose is stranded all the way in Paris because she won't stay on that tour bus with Jimmy, and she's terrified to call her mum, who had told her she'd never forgive her if she ran off and wasted her life on Jimmy. Penniless and desperate, walking alone in the rain, Rose thinks she's never going to make it back to London when she almost gets run over by a car after forgetting to watch where she's going and wandering into the street. The driver swerves and just barely miss her, and after pulling over, a man hops out of the car and starts admonishing her, when Rose bursts into tears. Feeling badly, the man insists on taking her home. She tells him home is in London, too far away for her to accept, but the man refuses to listen, telling her he was heading to London anyway, and here, why don't you borrow my cell phone and call your mum, I'm sure she wants you home. He's right of course, and Jackie cries from relief at hearing from her and is thrilled she's coming home. The man's name was Rory, she learned on the drive, and he was married to a wonderful woman who he loved named Amy, and they lived in Leeds but he was travelling around from work and he was heading from Paris to London because of it. It took six hours to gt back to London, and once they got there, her mum treated Rory to breakfast and he went on his way and rose never saw him again.

Yes, it was that Rory. He was with Amy and the Doctor and he got stranded in Paris in the early 2000's and he wasn't heading into London at all but he felt very bad about almost hitting the poor girl with his car and he recognized her from an old picture he found while he was wandering the Tardis and he brought it to the doctor to ask him about it and the Doctor got very sad and very quiet and walked very quickly away from the conversation and Rory figured that meant that he used to travel with her and there was a sad story in there somewhere and he was curious about the girl and how she'd inspire that kind of emotion from a man he'd rarely seen care about anything real.

Should I make this a fanfiction? I kind of want to make this an actual fic... Anyway.

Unpopular opinion: ...She is a very much not straight woman. I don't know if that's unpopular, but it isn't popular. Or at least, it isn't talked about.

A wish: That she comes back in S13 and we see a reunion. I am but a simple girl with simple pleasures and I have been WAITING WITH BATED BREATH FOR A ROSE COMEBACK FOR YEARS AND I AM O V E R D U E.

An OMG-Please-Don't-Ever-Happen: For a character that is no longer in the show there isn't much I can say. I'd be very disappointed if they brought Rose back and ruined it but that requires them to bring her back first.

5 words that best describe them: Kind, good, jealous, badass, loving

My nickname for them: I don't really have one

Give me more characters! I love this!

[undercoverwizardfanfiction]

Mud is Thicker Than Blood:

Sick Day

Summary: I said i’d put all the little shorts I have about the Mud Dogs and Donnie in one story, so here it is!

Gift for: @void-inked-pen birthday a while back. They are a amazing friend and a source of inspiration for me

Characters: Donatello, Loathsome Leonard, Mickey, Dastardly Danny, Myra, April O’Neil

Pairings: You’re in luck! all the pairings for this fic are just past this door [gestures to wall that has a badly painted door under it and the laundry basket above it that’s suppose to be some sort of trap]

“What is this supposed to be?”

Even though Len had been using as polite of a tone as possible, Danny still gives him a heated glare. He uses his spatula to scrape the blackened flat pastry off his frying pan and onto Len’s plate with the consistency of a dried brick. ”They’re called crespelle’s. My Dads used to make them for me and my siblings all the time.”

“Are they supposed to be…” Mickey pokes it with his flipper, “rocks?”

Danny lets out another angry huff. “I couldn’t remember the ingredients, alright??” he says, flipping another burnt disc onto a plate. Len uses his chopstick to poke at the burnt food. For someone who had known the sting of hunger many times and learned to not be picky, he finds himself wondering if he can sneak out back and compare the taste of the burnt disk to dirt.

The sounds of footsteps tells him the last member of their little family was coming down to join them. “Morning,” Danny calls. ”I got a nice big breakfast for my only grateful family member with taste!” Danny says as he starts stacking another plate.

Donnie is pulling on his hooded cardigan as he reaches the bottom step, eyeing the breakfast with a concerned eye. “Doooo I want to know?” he asks before looking to Len with a look that clearly says ‘remember how I never forget ‘best parents day’? you owe me’. It takes more than a little willpower to keep from laughing but manages to duck his head to hide his grin before turning to Danny.

“How about we spare my kid this time? He’ll never hit his height goals if he eats this.”

Danny unties his apron and stomps over and pours himself a cup of coffee all while grumbling about ‘uncultured swine.’ This time Len can't stop the snort that escapes him this time but when Donnie takes his spot at the table his smile falters as Donnie pours himself a cup of hot coffee. Leaning over the mug with a sigh, his normally dark jade complexion feels a shade lighter than usual and more than Len’s comfortable with. “You feeling ok?” he asks, moving his chair to Don’s side of the table. He puts an arm around Don's shoulders and without waiting for an answer he presses the back of his hand to Don’s cheek. The teen squirms at the contact but was unable to pull out of his grip.

“Dad, Dad, I'm fine I just didn’t sleep well. I had a bad dream again.”

“Why didn’t you come get me? You could have slept in my bed.”

“You got home late last night, I didn’t want to wake you,” Don says, still trying to twist his head away from Len’s hand.

“I’m the Dad here, Donnie. I’m supposed to worry about you, not the other way around.” But when he’s unable to find anything close to a fever he pulls away. He looks to Danny hoping he’d see something Len missed but the rat shrugs at him.

“Is it still ok to go tutor April today? Please? I’ve been cooped up here all winter.”

Len wants to say no, but sighs at the pleading look Donnie gives him. It had been a longer winter then usual, he didn’t blame his son for needing some space. He was no longer a five year old but he still had a hard time telling him no for no good reason. “Yeah, but if you start feeling sick you come home ok? Or ask Myra to help you home.”

“Yeah, yeah I know.” As Donnie downs his last bit of coffee he stands back up. Len had turned to poke at his breakfast again when he feels Don's arms wrap around his collar bone and rest his cheek on Len’s head. “I love you Dad. Thanks for being obnoxious and worried.”

“Aw. Love you too, silly gecko.” Len pats his arm in reciprocated affection. Donnie grabs his shoulder back and hurries out the front door. “Have fun!” Len calls after him. Only then did he look back to Danny. “He looked pale right?”

“Yeah but honestly it could have been the breakfast,” Mickey says, picking up a disc, “I even felt sick when I saw it.”

“First of all screw you,” Danny points at Mickey with his spatula, “Second of all, if he’s not feeling well he’ll come home. And third of all, next time you all can make your own crespelles.” Danny drops his last disk onto a plate when the shattering of ceramic fills the air. The three thieves blink at each other for a sec before Danny raises up the food slowly to show the plate underneath had been cracked in half from the sheer force of the crepe. With a defeated sigh, Danny drops his spatula. “Ok whose all for throwing these at trees and seeing if they shatter??”

Len and Mickey both raise their hands with a grin.

(#)(#)\/(#)(#)

“Donnie?”

Despite the softness of April’s voice Don jumps so hard his elbow hits the stack of April’s school books. It’s only by his reflexes that they don’t join the rest of April’s dirty clothes on the floor. It takes him a few moments to regather his scattered thoughts before looking to April. ”Did you say something?”

“Yeah, your name, like five times.” His oldest friend peers at him from over her glasses. “Are you sure you’re feeling ok?”

Donnie would have rolled his eyes if he wasn’t painfully aware of the migraine that would return if he did. Unfortunately, it had been haunting him ever since he woke up that morning. “For the last time yes. Uncle Danny made breakfast and it's just hurting my stomach. Now, the compound would be 23.6% more effective if you set the witch fire to exactly 129 degrees cinder.” He scribbles on the paper for a few moments before sliding it over to her. April casts him a suspicious look before looking over the paper again.

“If you ever convince your Dad to let you go to school, my Alchemy teacher would cry tears of joy. Again.” She pauses “They cry a lot.”

Don tries to smile but his aching head only allows him a half grin. As April starts adding his notes to hers he reaches for his yunomi of tea, not thirsty so much as needing the warmth for a subtle cold that clings to his skin.

There’s the sound of a door opening downstairs followed by the sound of a woman shrieking and dozens of items hitting the ground. ”A-April dear!!! I could use some help!” calls the unmistakable voice of the Mayor of witch town.

April was already out of her seat. “Coming Mom!” she calls hurrying for the door. “Don’t do my homework Dee!” she calls behind him.

“I would never!” Donnie says [even though he had already been reaching for her note book]. A few years ago he had the brilliant business idea, in lieu of being able to go to school himself, to do students' homework for them for a small [not so small] fee.

Of course before he could even launch his venture his Dad had found out and outright forbade it.

This time he’s unable to stop himself from rolling his eyes. The effect is instantaneous as the lights in the room become painfully saturated. He tries to cover his eyes but his world is already spinning.

It’s the last thing he feels before he blacks out

(#)#(#)

“I’m not angry, I’m just disappointed,” Len says in a tone that can only come from nine years of parenting experience. It does its job on Mickey who’s shoulders bunch up to the sides of his head, and even though Danny is trying to pull off ‘I don’t know how you think you can guilt trip me’ by leaning back in his seat. But it's hard to look innocent when the two of them are covered in mud.

“IT WAS DANNY’S FAULT!!” Mickey shrieks pointing at the rat. “After we knocked over a tree with one of his crepy things he told me that he knew alchemy that would make mud into chocolate and-and-“

Danny’s ‘calm bad boy’ dis option went out the window (which was also broken because of a wayward flying crepelle). “Who the hell raised you to be a snitch?!” the rat hisses.

“You did!! I learned it from watching you!”

The rat opens his mouth to argue before thinking. “Ok fine but I always taught you to get paid first.”

Len slaps a hand down his face. Normally he and Danny have reversed roles but he should have recognized that wild look in the rats eyes when Mickey was using one of the leftover crepelles as a tool sharpener. But Len, forgetting they were not in fact grown men but children pretending to be adults, had left them to their own devices.

There is a knocking on the door that makes Len sigh again. ”I have a fourteen year old and he has more common sense than you two.” He says in a way that is probably supposed to make them feel ashamed, but Mickey snorts loudly with his flippers over his mouth.

He opens the door to a flash of light that forces him to cover his eyes for a moment before his eyes adjust to the familiar form of the mayor of Witch Town. “Myrah?” He rubs at his eyes. “What’s going on?”

“I need you to come get Doniel, he has a fever and passed out while tutoring April.”

Len felt as though a cold chill had passed through his body, it was the only reason he hesitated. “Y-yeah just give me a sec.” He ducks back into the house, where Danny is already waiting.

”Len what’s-“

“Donnie passed out, I need you to come with me,” already the air of lighthearted teasing and jabs went out the window. Len is back down the stairs with a quilt from Donnie’s bed as Danny is grabbing his coat and tossing Len his. He almost feels bad for Mickey who can only watch on as the two exit. Myra waves her wand, the bright light from earlier returns, creating a portal in front of them. Len barely waits for the portal to form before stepping through. A moment later he is standing in the familiar oversized living room. He had been to the witch family house many times and each time was always surprised how disproportionate all the furniture was, (which made sense considering how tall Amaranth was).

The child in question was lying on the bright pink sofa under a thick blanket. There was a washcloth hovering over his head, every few seconds wiping at his brow. April looks at them when they enter with panic in her eyes. “I don’t know what happened Lenny, I went to help mom with groceries and-and when I came back-“

“Its ok April, it's not your fault.” Len takes her place by Donnie. His son's brow is furrowed underneath a layer of perspiration. Even though he already knows the answer, he presses the back of his hand on Don’s brow. His already racing heart is now beating so fast it almost hurts in his chest. He replaces the blanket Myra had given him with the one he had brought, wrapping him up in it before scooping him up into his arms.

“I’m sorry Len, if Amaranth had been here she could help but...” her fingers tap together anxiously as she watches the child in his arms. Len was always touched by how much Myra and Amaranth cared for Donnie. He never felt the need to have a partner (though he and Donnie both made enough ‘mom’ jokes about Danny to last a lifetime) it warmed his heart to know someone outside his family loved Donnie almost as much as he did.

“I know, thank you.” He moves past the mayor to where the portal was and in another flash he's back in front of his house where Danny is waiting. The rat reaches out and takes him around the shoulders and herds him inside. “He’s burning up Danny, I-I don’t know what happened, I felt his forehead his morning and he was fine, you saw me do it.”

“I know, I know.” Even though Danny claimed that he didn’t remember any of his medical training he’s already looking over Donnie. Trained eyes looking for anything that could tell him what was wrong. After a few moments Danny says to Len, “Get him into bed I’ll be there in a sec-“

“Ah-shouldn’t we put in him some ice?”

“No, the last time we tried that he almost went into shock before I stepped in. He’s a turtle, he can’t handle it.”

“I-I know.” Len unconsciously cradles Donnie closer to his chest protectively. He could still remember the terror of the time when Donnie got the Fall Flu and had a fever that burned his hand. They had gotten so desolate they had put him in a tub of ice to combat it. They had thought it was working until Don had fallen into a deathlike stillness. It was only then Danny had realized Donnie was going into shock and pulled him out so quickly they had knocked over their makeshift tub.

Now Len couldn’t tell if the shivers he was feeling were from Donnie’s sleeping form or from his own fear. Not until Danny put a hand on his shoulder and forced him to look into his eyes. “Can you get him to bed please? I’m going to mix together some medicine that Amaranth taught me and I’ll be right there, ok?”

Len nods “Ok, ok.” He lowers his cheek onto Don’s scalp as he carries him upstairs. It's only when the parent and child are out of sight does Danny let out a shaky sigh, running a hand over his scalp under his hat and forcing himself to calm down. He had never realized how much he depended on Len keeping a calm head. He hadn’t realized just how much he depended on that til they brought Donnie in. During missions Len had an eerie calm about him that he thrived off of. But it was moments when anything threatened the health or happiness of his child that threw Len in the deep end and forced Danny to step in.

“Mickey,” he says without looking behind him, knowing the poor eel was fluttering around not knowing what to do. “Will you please go upstairs and keep Len calm? Help him how you can til I get there.”

“Y-yeah ok.” The eel hurried to do as he was told. In that moment Danny allowed himself one more sigh before reaching under the cabinet and pulling up an old beaten box, filled with herbs and remedies he had swiped from houses over the years. He pulls out a notebook he had filled with some of Amaranth's recipients and pulls out a mortar bowl and pestle. Picking through a few jars of tiny shards and grinding them together before taking out an empty incense holder and pouring it inside. He made sure to secure the lid and take up the glass bottle under his arm before hurrying up the stairs.

A part of him had been scared that Len’s own fears would drive him to ignore his warning about the ice, but he entered Don's room just as Len was pulling a blanket over him. “Good job.” Danny moves past him to kneel by the bed, turning and handing the incense to Mickey. “Can you light this please? It’ll help clear the bacteria out of his lungs.” As he was twisting open the glass bottle he heard Mickey spark behind him before the smell of lavender filled the air (he ignored Mickey gagging behind him). He tips the tip of the bottle to test how much liquid was inside. Luckily, they still had enough for Donnie (he’d have to steal more later). He dabs his thumb with the light pink liquid before running it across Don’s burning forehead. ”There.”

“Is he ok?”

Danny had to commend Len on not asking him a million questions. He reaches back and pats his old friend on the knee. “The Willow Extract should help take his fever down, but if It doesn’t help in a few hours we’ll go to witch town.” He doesn’t get a response, but when he turns to look at him, he sees Len staring at his son. His dark eyes full of concern and fear that only a father could have. Danny stands up and steps back. “Len why don’t you sit with him for a bit, and I’ll make you some tea.” He makes eye contact with Mickey and jerks his head towards the door. After taking a moment to pat Len on the shoulder he follows him out the door.

Len finally lets his face drop into his hands with a shaky breath before the sound of a weak cough reaches him. When he looks up again he was filled with relief to be looking into Donnie’s feverish dark pink eyes. “Hey,” says a weak voice.

“Hey baby boy,” Len sits up on the edge of his bed. “How are you feeling?”

“Like someone tried to kill me with one of Uncle Danny’s devil pancakes.” He barely has enough wind to finish his sentence before he has to gasp for air. “Will you sit with me please?”

Len can't help but smile, holding the side of Don’s face with his hand for a moment before climbing over him and laying on his other side. Don turns his head and tucks his head underneath Lens chin. “I’m s’rry,” Don mumbles, “I-I didn’t know I was sick.”

“I know you didn’t, you’re not a good liar remember?” Len lowers his cheek onto his scalp. “You get that from your Uncle Mickey.”

“And you?”

“Nah, I’m a great liar,” he smirks down at Donnie, “I’m not going to teach you how to lie though until you turn eighteen,” he pauses, “Hundred.”

Donnie lets out a laugh that sounds more like a raspy balloon, but Len can tell he’s trying not to fall asleep again. He rubs Don’s arm over his blanket. “Get some sleep, I’ll be here when you wake up.” The teen gives a nod of acknowledgement before rolling towards him. A few moments later he's fast asleep again, breathing easier than he had been a few minutes ago.

[popculturebuffet]

The Legend of the Three Caballeros: Dope-A-Cabana Review (Commissioned by WeirdKev27)

Salduos Amigos! Since i’m covering a full series, i’d like to welcome any newcomers to the first part of the epic final stretch of THE RIDE OF THE THREE CABLLEROS! For those of you just joining us, a few months back WeirdKev27, easily my biggest supporter as the only one who comissions any reviews from me, asked if I could do a big project for him: a comission of EVERY major american apperance of those three happy chappies in matching serapes. Give i’ve ALWAYS loved the boys ever since house of mouse and had been sitting on Legend of the Three Cablleros for far too long, more on that in a minute obviously, I happily agreed. Plus the rather nice influx of cash from the comissions was very welcome. If your intrested in comissioning your own, hit me up via my direct messages. It’s 5 dolalrs an episode, though I do do discounts on orders of 3 or more, and 10 for a movie, with again discounts for orders of more than one. And yes that plug was very shamless, but again I have no other job than this.  Back to the point these reviews have taken me on a wonderful journey: I got to rewatch the movie and revel in the fun songs, acid trips and super horny Donald Duck, got to both revisit one of Don Rosa’s best story and read another all time classic from the man I hadn’t before, took a trip back to the house of mouse to hear some great songs and see some great cartoons.. and some not so great ones, took a small detour to Mickey and The Roadster Racers to be baffled and annoyed though I am proud to say it was my first review back after I came down with Cornovirus and lost a week of work time. And finally I covered the town where everyone was nice, and got to see the boys have a joyous reunion with Donald and be lushly animated while.. Dewey jackassed around in a B-Plot and Webby resisted the urge to throat chop him. It’s been a long ride and you can find all of it is so far RIGHT HERE IN THIS CONVIENT LINK ! CLICK IT NOW IF YOUR CURIOUS. Point is while this was well paid for.. it’s easily one of the projects i’ve been most proud of and while i’m sad to see it winding down, i’m proud of what i’ve done so far, and I just wanted to heartily thank Kevin for the ride and for being so generious as to fund the whole damn thing. Your a good dude man. 

Which brings us here, to the grand finale. The Legend of the Three Caballeros! As the boys first starring roll as a group since the movie, there was really no other way this retrospective could end, and since I have a terrible problem with procastination and really hated this series version of daisy I just kept pushing back watching the series until now. I’m not proud of it but I am happy to correct it and hope you’ll all come along with me.  Before we get started I could not find much background on the show. It was directred by Matt Danner who was the character designer for the utter classic Xiaoilin Showdown and currently works on the Muppet Babies reboot, so i’m happy he’s still getting work. Otherwise I couldn’t find much. The most I could was on tv tropes, claming the series was orignally meant for Netflix.. and while I have no proof and this could easily be conjecture.. i’m inclined to belivie it. The series was apparently done long before the Ducktales reboot, to the point Frank Angrones was only vaguely aware of it and it didn’t even remotely impact the series, with Panchito and Jose only debuting in Season 2 because the original idea for bringing them in was scrapped. So while I don’t have proof.. I’m inclined to belivie it since it makes sense: Disney DID have a healthy relationship with Netflix once, setting up the MCU shows and likely being happy there.. but eventually they wanted their own corner of the sky, and likely didn’t want one of their shows bolted to the network like all their marvel shows were.  The problem this created though is Disney was CLEARLY left with a show they no longer had a place for. But even with that the show was still done, they COULD have put it on the Disney Now app or just aired it on the Disney Channel. See if there was any fan intrest in season 2 or throw one into production to at least beef up the episode count. I mean the Cabs have a built in fanbase, kids would likely love it... it’s the logical choice. But this is Disney. They’ve had to be drug kicking and screaming into representation, to the point they had to be fought for the gay romance subplot in owl house to happen, try to hide that the Sparkshort “Out” is about a gay man struggling with coming out despite having you know reams of content on the service with either gay subtext or out and out gay characters, and their attempts at doing representatoin to score points in other little ways.. have been pathetic, easily missable bits in movies that could , and have been, edited out in more homophobic countries. My point is yeah i’m still sore about how they and a LOT of the animation industry have to be dragged into doing the right thing over profit, and they often make very stupid decisions for seemingly no reason. They are a good company a good chunk of the time.. but Disney has done fucked up quite a bit. This is one of those times.  Instead they dumped the show on the Disney Life app in the phillipines and slowly some other countries, basically the Disney Now equilvent over there, and then just sort of forgot about it until Disney Plus launched. And given how many shows they HAVEN’T put on the streamer for again, seemingly no reason, it is a nice suprise the show finally got a release on there in the US. But before that, and proving what a massive mistake just abandoing the show was, the show did gather a massive fanbase via people uploading the episodes online. So yeah the show was treated REALLY shittily for stupid reasons, but thankfully it still has a fanbase to this day and said shabby treatment, as it always does, just encouraged fans to support it harder. So naturally i’m more than happy to give the series some spotlight as fanbase or no, it badly needs it and Disney sure as hell dosen’t want to do it. So if somebody’s gotta do it, might as well be me. This is the Legend of the Three Cablleros.  We open on some narration from Xandra, Goddess of Adventure. Granted she hasn’t been identified yet, and won’t be till next episode.. buuuut it’s easier on me to not have to dance around her name so your learning it now. But Xandra narrates that long ago there were epic battles against the good and the evil and all that by epic heroes, and it’s all cumilated in the Legend of the Three Cablleros. Post title drop we’re treated to the boys, in cool looking armor and with neat weapons, fighting a purple monster man as you do in an really beautiful and epic sequence As this scene illustrates the animation for this show is GORGEOUS, a lavish update of the standard disney style with nice use of shadows. It feels almost film quality in it’s work, and it’s an utter treat to watch and opening at the end was a good call: it both ratchets up excitement and allows the first ep to have some action since this one, as part of a two part premiere, is mostly setup. It’s eyecatching, exciting and makes you want to know what the hell is going on. And since Xandra realizes MAYBE starting the story at the climax was a bad idea, she takes us back a bit.

Okay maybe not that far. No we open properly at Donald’s house, where it’s his birthday! And like the movie, it’s Friday the 13th, an excellent call back. Donald’s making his breakfast, boliling some tea and.. talking with the weird foced warped refelection in the kettle who can apparently only say “right back at you handsome, wink”. Seriously I have so many questoins and all of them are about what this guy is, why is Donald so calm about all of this, and is he still alive after Donald destroys his tea kettle later.  Donaldo gets a call from Daisy, whose visting to spend the day with him and is waiting patiently int he bad part of town. I didn’t know Duckburg had a bad part of town but given Glomgold has to get his sharks and bombs somewhere, i’m not surprised. Unless he special orders them, but even then what if he needs a shark or a bomb in a hurry? He’s gotta get them somewhere and now we know where. So there’s that. So all’s going well until Donald’s asshole boss calls and forces him to come in despite Donald having the fucking day off and it presumably being on the schedule. So Donald rushes to work, and we do get some great gags but as you’d expect for Donald it goes poorly and he botches a kid’s haircut despite the mother being very rude.. and also a female version of pete. LIke.. did he remarry after the divorce from peg or is that his sister? Does that mean PJ and PIstol have a cousin I never knew about? I want answers dammit.. and picutures of spider-man. Not for any slander job I just really like spider-man. 

Eh it’ll do.As i’m doing a full series this time i’m stopping to talk about the main cast as we go soooo.... Tony Anselmo is naturally Donald, even pitching in to consult the crew on Donald’s characterization here, as really what better expert is there? He’s voiced Donald since the original Ducktales and has stuck with the roll since, only taking a break for Mickey and the Roadster racers and that’s likely because between finishing up this series and the Mickey Mouse shorts, and moving on to Ducktales 2017, he likely simply didn’t have the time for it. Granted given how little he was used in the first season of the show, he probably still could’ve done it but regardless, he’s a legend.  Daisy is voiced by Tress Macneile, who not only has voiced the character since House of Mouse and is easily the best voice for her, but is also one of the most storied and legendary va’s in the buisness, having been at this since the 80′s with zero signs of stopping. Just to name a few of her more notable roles, in chronological order; Gadget Hackenwrench, Babs Bunny, Agnes Skinner, Charlotte Pickles, Dot Warner (Which as of last year she’s picked up again and will do the same for Babs, just in case you thought i was exagerating on the “zero signs of stopping” thing), Pookie from Hey Arnold, Mom, Hoodsey Bishop, and Queen Oona among MANY, MANY smaller rolls. I didn’t even realize Charlotte or Hodsey were here, she’s that talented and deserves all the praise.. and way better rolls as Daisy than this one but we’ll both get to that and thankfully much like with Tony, the reboot’s giving her character some depth to work with so she gets to reallys tretch her chops. The woman turns 70 here, will likely keep going until she dies, and is wonderful and deserves more respect. 

 So because this is Donald, life wont’ stop punching him in the face and it turns out his house burned down, the fire people are destroying everything because their assholes, seriously they destroy both a family heirloom and a picture of his parents despite not being on fire. I’d be genuinely suprised if their general strategy wasn’t scremaing “fire, fire fire” and then going “rock rock rock” while they throw rocks on it. Super brucey bonus prize for the first person who gets that refrence and comments on it. I’ll get back to this in a second but SOMEHOW, beisdes loosing his home, all his possesions and his job... it gets even WORSE and Daisy calls, refuses to listen to him despite him having VERY valid excuses and breaks up with him. Oh and then the fire fighters gladly talk about going home to their in tact houses  and partners. 

So yeah let’s talk about this. This first 6 or 7 minutes.. is why I didn’t return to the show for a while. My brain has a bad habit of glomming onto certain parts of things, so it remembered the rough to sit through and not very funny first act.. and not the rest of the episode which is very good and likely more indiciative about how good the series is. Thankfully it does get better but this first act .. frames things like it’s DONALD’S fault somehow. I mean yes he did burn his house down.. but even that really isn’t his fault. He was called away suddenly, wasn’t thinking and made a mistake. Hell he proabably woudl’ve had more left if the fire department hadn’t gone crazy with the axes. His being called into work? He took the day off, and his boss was just a dick. His screwing up at the job? he was genuinely trying his best and doing his best and the client was just wholly unresonable. Donald did nothing wrong but the episode WANTS to frame him like some sort of screwup.. which he is, it’s Donald.. but not in this case. It was just a string of uncomfortable to watch bad luck that cumilates in him having nothing left. It’s not funny, it’s jsust really sad and it’s REALLY hard to tell the tone their going for as they seem to awkwardly bounce from jokes to Donald being utterly devistated and alone. 

And the worst of this.. is Daisy. Daisy is EASILY the most infamous part of the show, as their portryal.. is pretty bad and apparently gets worse. We’ll see as we go but yeah.. her screaming at and breaking up with her boyfriend without listneing to his side and giving the claim we only have HER word on that he’s always screwing up, ON HIS BIRTHDAY no less, when he’s done nothing wrong, does not make a good first impression nor the fact the show seems to AGREE WITH HER. And look Donald is a trainwreck, this is true.. but the show dosen’t remotely portray him as one until AFTER this scene. As I said nothing that happened was his fault. Donald isn’t irresponsible or a screwup or dating a high schooler or anything. He isn’t Scott Pilgrim. He just has really bad luck. Again, we do see some foibles in the scenes to come.. but we don’t see any that would justify her claims, especially since she seemed perfectly happy earlier with him. Now if she’d say brought up some screwups in the first scene, and gently at that, then this would’ve worked.. but as it stands she just comes off as MASSIVELY unsymapthetic.. especially since Donald later calls her nieces over for help, which is objectively weird not gonna lie.. so she now KNOWS he had to move to a new house and his likely burned down.. yet still apparently has nothing good to say about him. 

It didn’t help this rubbed me the wrong way in a very special way. As i’ve made plain before I don’t like THIS version of Daisy, the nagging, selfish, vindictive asshole who will gladly try and cheat on donald, dump him at a moments notice and you know PUNCH HIM IN THE FACE. Which just in case you think i’m exagerating...

She fucking upercutted him..and like here for something that isn’t his fault. I mean this Daisy isn’t physically beating Donald.. but that’s a VERY low bar to clear. And emotional abuse is just as bad, so there. My point is too often in the comics when written poorly, Daisy is a pretty terrible person and I REALLY didn’t want a screen adaptation of this form of Daisy. It took a WHILE to recover from not liking daisy over this version, with help from remembering house of mouse, some good barks story with her and the AMAZING Ducktales version and the suprisingly good Quack Pack version.. I did. But yeah.. this is not a good sign of things to come for the character in this show. 

So yeah Donald’s heart is in the basement and his week is at an all time low when a post man shows up and gives him a letter.. well puts it in the box for a good gag but semantics. But the letter turns around as his ancestor Clinton Coot left him an inhertance for his 3Xth birthday: a house of some kind in the swanky neighboring town of New Quackmore. And i’ll also say.. it’s REALLY nice that for once, we focus on the Duck side of Donald’s legacy, or rather the coot but semantics, instead of the McDuck part. Don’t get me wrong, I fucking love the clanmcduck, always will and I love Ducktales exploration of it.. but it’s still nice to acknowledge Donald comes from two sides and while one of those may be humble farmers, they still accomplished a lot, including founding Duckburg in most continuities including presumably this one. It’s also a good way to seperate thigns from other properties including the reboot: focusing on a part of Donald’s lineage that isn’t usually touched on and making THEM just as badass as the other side. 

So we get a quick montage as Donald takes a cab there and takes in the rich and fancy sights. It’s also a brilliant way to set up New Quackmore and it’s attached instutite as a fancy, upperclass place.. and thus perfectly clash it with Donald. Donald ends up getting dropped off at a big mansion.. which is not his , but belongs to the insittutes head, Baron Von Sheldgoose, played by WAYNE KNIGHT. 

Hell. Yes. I freaking love Wayne Knight. In case you don’t know who the man above is, or at least don’t recognize his face, Wayne Knight is a very funny and talented actor and voice actor with a lengthy career primarily in side rolls, with the rolls that he broke out with being loveable asshole and Jerry’s enternal nemisis Newman on Seinfeld and Dennis Nedry, aka “that guy who got sprayed acid in his face by those horrifying frilled dinosaurs that will never not haunt my nightmares”. Seriously that scene fucked me up as a kid and I could not watch that part of the movie. For the most part he’s been a side character man but he has done a LOT of voice work, most notable Zurg in Buzz Lightyear of Star Command, Dojo for the aformentioned and excellent Xiaolin Showdown, and Mr. Blik for Catscratch and I wish he’d do more. He also recently voiced the penguin in Harley Quin so when I get to that you better belivie i’m looking forward to it. Point is while he may not always get the glory, and had to settle for starring in a mediocre tv land sitcom to get a steady paycheck once, the man is VERY talented, very funny and perfectly cast here. 

So Donald makes himself home, finds out it’s not HIS home and gets thrown out by the snooty rich asshole’s bodyguards. As you’d expect. Donald does find HIS home, a run down cabana next door to the mansion with caution tape all over. Still Donald takes it best he can as it’s better than no home at all> What he doesn’t take well is finding out from the executor of the will that he’s not the only one inheriting the house... which is  absolutley fair. The guy just had the worst day of his life, and this lady didn’t bother to put in the letter to any of them that they were sharing the house. The Sheldgoose thing was just an average Donald screw up. This is just this lady going...

But yes we meet our boys.. and the introductions are naturally given this series is about them the best we’ve gotten so far: Jose is thrown off a bus, having ran out of fair, and having wooed all the ladies on board, and quickly charms the executor and is perfectly cordial to Donald, while Panchito parachutes out of a plane and marvels at how he went from nothing to having two new best friends, a run down shack and a sleezy lawyer! In short the two make a great first impression, helped by wonderful casting.  Jose is voiced by Eric Bauza, a talented voice actor whose had WAY too many roles to list here, but two of the most notable are being the current voice of Bugs and Daffy, and his most notable role outside that recently has been playing Splinter in Rise of the Teenage Mutant Ninja Turtles. But the guy is endlessly talented, seems really nice, and is easily one of my faviorite Jose’s so far after just one episode. He just.. gets the character perfectly and is thankfully NOT another white guy stepping into the role, so that’s nice. He easily oozes the charm and layabout nature Jose and was a natural in the role and i hope he gets to take it up again at some point.  Speaking of naturals we have Jamie Camil as Panchito, who easily steps into the guys boundless energy and the sterotpical bits are swapped out for making him a cloud cuckoolander instead, which I genuinely love and fits the character perfectly. He’s best known for CW Soap Jane the Virgin, where his charcter Rodrigo just sounds like a delight, but has recently picked up a pretty good voice acting career, vocing Don Karnage in the Ducktales reboot, Globgor in Star vs the Forces of Evil and Todd’s Stepdad George in Bojack Horseman. I only hope he gets more voice work as he’s really damn great at it and it’s wonderful to get to see him in a role that’s not limited to a few episodes at best for a change. 

So Donald’s less than happy about this, again it’s hard to really be that mad at him when he’s had a really, REALLY bad day and wasn’t told about this, but it’s kept to just the light level of grumpy as to not make him unlikeable. Granted after that intro it’d take a LOT to make him unsympathetic, but after their version of Daisy I really dont’ want to test this series.  Our boys also find out they have a groundskeeper, ari, aka THE ARCUAN BIRD! He’s just a delight any time he pops up, doing his usual “ya ta ta ta” bit, and being adorable and hilarioius as always.. and also hilariously failing to fix the boys door. So Donald ends up just accepting he has roomates now, nothing he can do, and the three explore the house finding all sorts of cool old artifacts, feeling they’ve stumbled onto something specail. And you know what that means: YARD SALE! Seriously it feels like a bit out of Wet Hot American Summer or Stella, a  series from the same creators you really should check out and that is high praise, trust me. 

I wish this series was streaming somewhere.. I mean we finally got Clone HIgh streaming Viacom, get on that. Anyways, it’s just.. fucking hilarious, and a LOT of this episode is once we walk back from the writers kicking donald in the junk and acting like it was his fault. Once Donald gets his inhertiance, the episode picks up immensley and we see the shows real charm and hilarirty fly, with jokes coming at a rapid and wonderful pace. The show really did impress me with the second half and made me utterly excited for tommrow.. or I guess today’s, look at the follow up.  But we’re still in this episode and being a rich asshole, Sheldgoose isn’t happy about a yard sale, though given this series standards, we not only get some great deliveres from Knight of an outraged “A YARD SALE?!”... but a wonderful gag where Sheldgoose out to white guy it up and yell at them over this..accidently takes a wrong turn in his massive house, and turns around, not loosing how upset he is once.  Meanwhile, we meet.. April, May and June. Yeah apparnetly Della isn’t dead or lost in this continuity, so the boys are MIA, and are instead replaced by Daisy’s Nieces, who I hope show up in the reboot before it ends. Especially since the show makes them WAY more tolerable than classic huey dewey and louie and instead enjoyable like Ducktales HDL. While not as indvidual as those three, the three are still idendtical outside of outfits, their voice actress Jessica DiCicco uses her consderiable talents and experince to give each one a unique voice, so while they all share a voice actress, none of them sound alike. And to round out our main cast for now, as our last members will be joining us fully next time, let’s talke about Jessica DiCicco. Jessica is a very talented and increasingly prolific voice actor and if you haven’t heard of her, and you probably have, you’ve defintely heard her voice. Starting out with Disney, hence why the probably called on her for this, she did the voices of Maggie for the Buzz on Maggie and Melina for Emperor’s New School before breaking out as Flame Princess on Adventure Time, whose both one of my faviorite characters from the show and one we’ll be digging into starting next month. And not one to rest easily she picked up a second set of iconic rolls vocing Lynn and Lucy Loud on The Loud HOuse, and funnily enough using those voices for two of the girls here. And along with Loud House she’s also currently starring in it’s Pony and is int he main cast of Close Enough as Candace. My point is she’s exceedingly talented.. as is this whole cast, as it’s a DAMN excellent cast and just further sells that this series deserves better.  We’ll get into the girls more next time as they don’t do much here other than get called in by Donald for help, with what I saw of episode 2 fleshing them out more. Point is Sheldgoose offers a million dollars for the cabana and all it’s stuff and the boys are glad to sell.. they just have to find something Sheldgoose desperately wants, a mysterious golden atlas encrusted with Jewels.  Our heroes head in to find it with Panchito finding it, and being very specific about it. We also get a nice call back to Ari destroying the door as Jose cleverly calls on him to destroy the lock. So our heroes open the book... and a goddess pops out and threatens to kill them all. 

Final Thoughts: Dope-A-Cabana is a decent intro the series, but as i’ve said it’s heavily hampered by a weak and mean spirited first act. But once it gets going it REALLY gets going and as part 1 one of a two part pilot, it does it’s job well once it does get going: introducing our three boys and one of our antagonists well and setting up the side cast and preparing for our last to major additions Next Time: The Boys go on their first adventure, Sheldgoose finds a boss and the girls find their voice. Thanks for Reading, Goodbye, Goodbye, Goodbye. 

[livinginsunnyhell]

Ask game for fanfic writers! ⌨️🖊📓📝

1. What fandoms do you write for?

2. What pairings do you write for?

3. What is your most popular fanfic?

4. Do you write original stories as well?

5. What fanfic of yours should everyone have read?

6. What is a fandom you will never write for?

7. What is a ship you will never write for?

8. Archive of Our Own, FanFiction.net, Wattpad, Tumblr, etc. which platform do you prefer?

9. What are your favorite fanfics?

10. How do you stay motivated to finish what you’ve started?

11. What’s your longest fanfic?

12. Do you want to break your readers‘ heart or make them laugh?

13. What is your planning process?

14. What have others criticized about your fanfic?

15. OCs or no OCs?

16. Do you use sentence starters, writing prompts and/or fandom headcanons for your fanfics?

17. Do you use/follow advice from writing blogs/posts?

18. What is your favorite writing prompt?

19. Dead or overused tropes?

20. Can we get a list of all of your current available fanfics?

21. What’s your shortest fanfic?

22. Do you listen to music during your writing process? What music do you listen to while you’re writing?

23. Long chapters or short chapters?

24. How many WIPs (work-in-progress) do you’ve got?

25. How many WIPs will you finish?

26. First-person-narrative or third-person-narrative?

27. Do you take requests?

28. I will name you three things (drunk Ian — shared bachelor party — Gallavich): write a paragraph or two!

29. What’s more difficult? Fanfics or original work?

30. What writing software do you use?

31. Do you use beta/sensitivity readers?

32. Past or present tense?

33. Do friends and family know that you write fanfics?

34. How did you find the magical world of fanfics?

35. What is your favorite review?

36. Did you ever delete a work of yours?

37. Did your work ever get plagiarized?

38. Do you partake in any fanfic/writing events? (Big bangs, zines, NaNoWriMo, etc?)

39. Collaborations or working solo?

40. Do you have any rituals before uploading a fic?

41. What is something you don’t like about your writing?

42. Rudest review?

43. Guilty pleasure tropes and scenarios?

44. Does fanart of your fanfic exist?

45. Do fanfics of your fanfic exist?

46. Few long essay reviews or many short reviews?

47. What fanfic of yours is truly underrated?

48. What is your favorite sentence that you’ve used in a fanfic?

49. Where do you draw inspiration from?

50. Can we get a teaser for an upcoming chapter?

(Don't feel obligated to answer. Thought if you're into these kinda things, that'd be a nice ask. ;))

Oh this is so nice!! Thanks for sending this @annansmith

I chose a few of them to do. 

1. What fandoms do you write for?

Currently, I’m writing for Shameless (Gallavich) but I’ve written for:

Veronica Mars (LoVe), Veep (Amy/Dan), Arrow (Oliver/Felicity), Once Upon A Time (Hook/Emma), The Old Guard (Joe/Nicky), That 70′s show (Hyde/Jackie), Sons of Anarchy (Tara/Jax), Vampire Diaries (Klaroline), Hart of Dixie (Zoe/Wade), Gilmore Girls (Rory/Jess), X-men (Rogue/Pyro), One Tree Hill (Haley/Nathan), and a few others.

2. What pairings do you write for?

Now I write Gallavich. 

But I’d say my top ones I love writing for now (my fanfiction writing has spanned about 14 years) are Dan/Amy, Veronica/Logan, Klaus/Caroline, Mickey/Ian.

3. What is your most popular fanfic?

My most popular fic on Ao3 is The Course of True Love (Arrow) and on FF Of Bloodshed, Babies, and Epic LoVe (Veronica Mars)

4. Do you write original stories as well?

Yes, I do. I’m working on a book, well, two books. But it’s going very slowly. The first is a memoir of my travels from around the world and the second is a vampire urban fantasy one. We’ll see how it goes, but I’d like to finish them by next year and see if I can get them published, but it’s hard so who knows. 

10. How do you stay motivated to finish what you’ve started?

Well, recently I’ve really been trying to finish everything I write. I have a lot of WIPs from years and years ago and even within the the last year, so this answer is pretty new. Basically, I focus on one fic at a time and write a little every day to stay motivated. Now, I try to update once a week on a certain day. I think comments/reviews and kudos and people being genuinely encouraging helps though. It’s also what’s gotten me considering finishing my older fics.

11. What’s your longest fanfic?

Of Bloodshed, Babies, and Epic Love (over 165k)

13. What is your planning process?

Now, it’s different. I have a doc of ideas and I wait to see which one I can’t seem to shake. Then I plan out each chapter with a few sentences and I have a list of things I want to focus on in the story. Usually, each story now has a kind of theme to it and a main focus. I sometimes will just want to write a certain situation/scene/focus and the story is born from there. But what really helps is writing down chapter 1, 2, etc. and having a sentence or two for what I want to happen. It doesn’t always go according to plan, but I never get writers block or forget what happened in previous chapters now.

16. Do you use sentence starters, writing prompts and/or fandom headcanons for your fanfics?

Probably a mixture of fandom (or my personal) headcanons. I don’t start with prompts unless it’s a challenge or sentence starters. Usually, I have a scene I already want to write in my head and then I sit down and write it.

17. Do you use/follow advice from writing blogs/posts?

Yes, I’ve read several books on writing. My undergrad was creative writing too, so I learned a lot there. I also follow writing instagram accounts which are helpful. I take everything I learn with a grain of salt and I see what is best for me. The best advice I heard recently was short sentences and so now I’m experimenting with that.

20. Can we get a list of all of your current available fanfics?

There’s a lot from many different fandoms. I used to be on FF.net as Psyc0gurl0 and now I’m ProstheticLoVe on a03. I like writing on ao3 better cause it’s easier and I love the tagging process. Plus the gallavich fandom on there is unreal. So to think about going back to ff.net to finish my WIPs seems like such a process now. 

Currently though, I’m writing an Ian’s POV 5 chapter fic called Chocolate. It’s not out yet, but it’ll focus on Ian from 1x06 to 1x09 or so and how his feelings for Mickey change and evolve. It’s the second part to a series called Chocolate and Cigarettes. Mickey’s POV was Cigarettes.

22. Do you listen to music during your writing process? What music do you listen to while you’re writing?

Yes, I listen while writing but I need silence while editing. I have a Love (lol) playlist. It’s basically all the love songs that remind me of couples I ship. So for example, The Acid is in there a lot because their music is great, but also Basic Instinct is so haunting. Overall, I like all music except country, so sometimes I’ll listen to my larger playlists while writing. 

23. Long chapters or short chapters?

So this has changed over the years. Initially, I wrote short chapters, then when I got back into fanfiction while writing klaroline they got a lot longer and now it’s just basically where the chapter has a natural ending. So the chapters are between 4 - 10k words depending. I try to get over 4k though. Right now, once I’m done with my current fic, I really want to write something over 100k.

24. How many WIPs (work-in-progress) do you’ve got?

A lot...none in Shameless though. Well, I guess my current one, but I haven’t posted that yet. I’d say I probs have about 10 WIPs spanning different fandoms. I know. But my goal for 2021 is to pick two and finish them. 

25. How many WIPs will you finish?

Not all of them. Some of them are from years and years ago. But I’d like to finish the ones that I still get reviews on. So there’s a SOAs fic I want to finish cause that fandom is so lovely. I also want to finish a klaroline one cause that was fun to write. And my Amy/Dan ones I’d like to finish. I would like to finish my Veronica Mars ones (I have two) but they need a lot more attention, so when people message me about them I tell them the planned ending.

28. I will name you three things (drunk Ian — shared bachelor party — Gallavich): write a paragraph or two!

“Fuck, Mickey, I probably shouldn’t have had the third Hot Toddy,” Ian grimaced as the world around him spun. 

Mickey laughed at him and wrapped an arm around his shoulders. Ian wanted to think his future husband just wanted to pull him closer, but he had a feeling it was to steady him.

“Probably should’ve cut you off earlier,” Mickey said tugging Ian closer. 

Ian wobbled and plopped down on the back steps of the porch. Mickey followed suit a moment letter and they both looked out toward the backyard where the Gallaghers, Balls, and a few of the Milkovich cousins were alternatively huddling around a fire, drinking, and dancing.

“I blame Lip for making us have this stupid shared bachelor party in the first place,” Ian grumbled.

Mickey kissed him on the forehead as Ian lay his head on his shoulder. “It’s Sandy’s fault too.”

Ian hmmed in response and Mickey knew he was going to fall asleep any moment. He ran his hand up and down Ian’s arm and watched as Debbie bounced over to them.

“Jesus, you aren’t even married yet and you two are like an old married couple. Are you going to come dance or what?” she whined.

Mickey looked down at Ian, whose eyes were already closed, and then back up to Debbie. She was watching them with knowing eyes.

“We’ll dance at the wedding. Go grab Lip, I need his help to get Sleeping Beauty upstairs.”

Debbie turned to go get her eldest brother and Mickey looked back down at Ian. In his sleep, he nuzzled Mickey’s shoulder, breathed deeply, and a gentle smile appeared there. 

3 more days and they’d officially be husbands. 

34. How did you find the magical world of fanfics?

I was about 10 and my cousin used to write a buffy the vampire slayer zine. There was a link to a site called buffyworld.com or something like that. And I found fanfic that way. There was a link on the site to ff.net and that’s how I stumbled across that. I stayed there for many many years until my second time in the veronica mars fandom around 2014 when I was lead to a03 and then I’ve been there ever since. On and off, my writing has fluctuated through the years based on my personal life.

49. Where do you draw inspiration from?

Everywhere! omg. It’s insane. Gallavich I love writing for. There’s so many different facets to them, but truly everywhere I find inspiration. I have a whole doc of gallavich ideas that have stemmed from other fanfics, headcanons from me and other people, rewatching episodes, what’s going to happen in s11, cute moments i’d like to see happen, holidays, and just general life. I saw a pic of WW2 vets who were in a long term relationship and i was like mickey and ian! another idea is born.  

[kelkat9]

Hi hello how are you!

I saw you posted an “ask the author” list and would like to ask about 17, 18, and 19.

Really love your ideas and work with the Doctor and Rose Tyler, particularly your dark!doctor series!

Thank you!

17. Describe a fic that is still in the ‘ideas’ stage. 

There are a few:

Nine/Rose Human Nature AU - The Family is after them and he’s fobbed. Mmid 1980sRiding a motorcycle they move from town to town, him acting as a medical doctor for those in need. Rose is his assistant until the settle in Arkansas and they go with the assumption they’re married.  They run a clinic for migrant workers but will soon need to move along.  Rose is ever mindful of the Family and wishes Jack had been with them.  Set post PotW where Nine didn’t regenerate and they didn’t leave Jack behind.

Nine/Rose AU sequel to The Blessing  - The Guild Wars.  Trouble is brewing in the form of a power play.  Lines are drawn including between Rose, The Doctor and their friends.  Once the first blush of being together is gone, they need to work out how they fit with each other, the Guilds and the world.

TenII/Rose - On The Road to Bergen - sequel to another TenII/Rose.  Relationships like the trip to Bergen take work.  The Doctor has to learn who Rose is now, who he is and that there is much to discover in this parallel Earth that is wildly different from Earth prime.  Sometimes the lesson is painful.

Ten/Rose AU - Santa Baby verse - smut on a train

TenII/Rose - Terror of the Mererid - this is mostly planned out.  I’m still working through Dark TenII to aspect

18  Do you have a fic reading/writing routine?

I get all my fic to read off the tumblr AO3 feeds.  If the summary is good, it’s tagged well to judge what it is, it gets a reading chance.  So I read based on what’s out there and if anything I’m subscribed to updates.

Writing - I try and write something everyday.  Right now I have Book 2 of my original series to be edited.  Editing for original is grueling.  It’s not just grammar edit.  It’s a lot more because modern readers who buy books have certain expectations that fic readers do not.  It can be very restrictive so I often will write some fic to help get past a block. 

Or I just get bit by a plot bunny.  The one thing I have learned is if you get bit by the bunny, write it.  Drop everything an do it.  Doesn’t matter if you’re in another story.  Start, write, finish and then move on.

19, What’s your favorite character headcanon? 

I have several :)

TenII is the Doctor.  That includes the ability to speak mulitple languages, think on the fly, be a bit of a nerd, oblivious at times, loves Rose but with a bit more ability to admit it, and holds a lot of guilt and suffers from ptsd from the past.

TenII/Rose - yes they would be together but not in a typical way.  It would be very them.  Also, they will love longer than a standard human life but not immortal. 

Rose - is a survivor.  She’s grown up a lot since she lost him and didn’t shatter or fall a part.  She loves Jackie but isn’t dependent on her.  She is a leader, independent and determined.  She makes up her mind and it takes a lot to stop her.  She doesn’t give up or have melt downs - not any more.  She did after the good bye at BWB and that was it.  As they say where I’m from, she pulled on big girl panties and went to work deciding what her life would be. She definitely tops TenII LOL

Nine - Tough on the outside but can be so soft and tender on the inside.  Rose literally saved him from a self destructive path of darkness.  He had no intention of taking a companion but how she adapted, poked at  his ego, asked questions and took care of Mickey and her mum struck a chord in him.  He wasn’t ready let her go and the longer they were together, the more he found peace with her, watching her grow and be a friend to him.  By the time Dalek hit, friendship turned to love and that socked him in the gut. 

Ten - oh god poor Ten.  He was a mess LOL.  He wanted to love her but the ever present guilt manifested and he was the most emotional Doctor in a long while.  his life could be such a tragedy.  I think if he hadn’t lost Rose or found her, his life would have happened differently.

Donna - deserved 100% better than she got.  I think she and Martha and Rose would have been besties. There would have been companion cocktails and Ten would have moped LOL.  I ship Donna with Lee because I do think that she wanted to explore the feelings from the virtual reality to see if they were real and she obviously had feelings for him.  Her hubs shawn was just out of no where for me so I have no firm feelings on that relationship.

Martha has a rocking future.  She put up with so much crap!!!  And wow did she grow from it.  Martha was a lot more mature than post her travels.  I dig her and Mickey together.  I think that relationship came out of mutual trauma and need to talk and bond and in a way, there were some things they had in common that I could see were a solid foundation for a relationship.  I want Mickey and Martha Big Finish!

Thirteen - wow she got heavy fast.  I still think Thirteen is better off than Ten thus far.  I adore the Timeless Child twist!!!!!  Yes, I ship Thirteen with Rose.  And I would dig me some Dark Thirteen.  I can see that happening if things go badly with the Fam.

Thanks so much for asking.  This was fun!

Fanfic Meme here.

Come ask me :)

[aion-rsa]

Shameless Season 11 Episode 9 Review: Survivors

https://ift.tt/eA8V8J

This Shameless review contains spoilers.

Shameless Season 11 Episode 9

“The only thing that’s permanent is impermanence. Change is the only constant…”

Change is not an easy thing. This entire farewell season of Shameless has functioned as an examination of change from many different angles, but the characters have reached a point where they have to stop running and confront these developments now that there are only three episodes left in the series. 

“Survivors” is a busy episode that puts every character outside of their comfort zone and in the middle of transformations of various severities. 

Kevin taking over parenting duties for an afternoon or Carl’s transfer to another police department are hardly as drastic as Vee’s mother moving from Chicago or the ultimate fate of the Gallagher home, but they all light a fire under everyone in the same way. The Gallaghers are a resilient family of lovable cockroaches, but “Survivors” pushes the message that if you don’t move with the changes then the changes will definitely move you.

The past few episodes of Shameless have largely been preoccupied with the sad decline of Terry Milkovich, which has also functioned as a strong counterpoint to the Gallaghers’ own situation with Frank’s health. Terry is now gone, but his spirit heavily lingers in “Survivors” and it drives forward some of the episode’s most rewarding material. Mickey casually echoed the sentiment, “family is family,” a few episodes back  and Terry’s death has prompted Mickey to truly stand by these words. It leads to some growth that surprises Mickey more than anyone and he’s constantly at odds with the confusing and raw feelings that bombard him all episode.

Mickey is typically one of Shameless’ broader characters and this season has thrown him into several caricature-like situations that take advantage of his no filter attitude. Sincerity is not typically the character’s strong suit, yet Mickey’s free floating grief over his dad is actually compelling, new territory for him. He and Ian involve themselves with an earnest and sweet story that does manage to humanize Terry in a way and almost act as an “origin story” for his despicable racism. 

Some of Noel Fisher’s best work from the entire series is in this episode as he wistfully reminisces over horrendous moments from his childhood. It becomes a little repetitive, but Ian’s deadpan reactions to Mickey’s “precious moments” all land and it’s a refreshing change of pace to have Ian act as this grounded foil. Mickey’s turn as the sympathetic one in this adventure is also the right approach. Mickey and Ian’s characterization was a little questionable at the start of this season, but it’s comforting to see these past few episodes really hit the sweet spot of their relationship.

Frank launches into an important chapter from his past just as Ian and Mickey get to learn more about Terry’s younger years. Frank’s plan is considerably more maudlin than Terry’s elegy over unrequited love. The idea that Lip is selling the house stays in Frank’s head long enough that he launches a scheme to get the necessary money to just purchase the house himself. Frank has been involved with lots of ridiculous shenanigans over the course of Shameless, but none have been as deluded as a plan to rob the Art Institute of Chicago. This would be a near impossible task for even an accomplished thief, so a severely impaired Frank doesn’t seem like he has the best odds of turning this scheme into a reality.

“Survivors” has some fun as Frank tries to get the (literally) old gang back together, but this wild pipe dream transforms into a morbid reality check for Frank. He’s surrounded with signs of decay and he’s unexpectedly forced to come to terms with how he’s also at the end of his rope. Frank gets caught up on if he’ll still have an effective wheelman for his art heist when he should appreciate that he somehow still has people in his corner that care about him. Frank’s family is infinitely more valuable than some treasure.

Some of the most interesting moments from this season of Shameless involve Frank’s frailty and how everyone treats him after they become aware of his diagnosis. It gives each of his interactions a little extra impact and pathos. “Survivors” chips away at the idea of Frank’s legacy in yet another interesting fashion, yet in the end it seems like he was somehow able to pull off this art heist entirely by himself?

Speaking of crime, Lip was fully at odds with Brad in the previous episode and ready to take things into seriously dark territory, but now they’re pulled together more tightly than ever before. Their volatile situation becomes even more combustible after they learn that their former employer has deep ties with the mafia because it seems like 90% of Chicago is corrupt according to this season of Shameless. The awkward Godfather-esque music cue that’s used when Lip and Brad meet the crime family also doesn’t improve upon the scenario in the way that the episode thinks that it does. It’s a very unusual way to seemingly resolve the heavy danger that’s followed Lip for a quarter of the season.

On the other side of the law, Carl’s reckless act of altruism with the vice squad reunites him with his former partner on the eviction squad. It’s nice to have Joshua Malina back in this nebbish role and it seemed strange to just have him pop in for a single episode before. His new zen attitude about destiny raises some superfluous questions for Carl, but the character doesn’t feel that different from before and this material fails to amount to much. Carl’s work for the police has made for rewarding character development, but his constant rotation throughout Chicago’s police departments is beginning to feel repetitive and aimless. 

Between Carl’s work on the eviction unit and the prospect of the Gallagher house going up for sale there’s a lot of focus on whether the lack of a home means the lack of a family. Vee finds herself in a situation that oddly parallels the Gallaghers’ current instability when her mom moves away from Chicago and tries to establish new roots in Louisville. Vee is mostly critical that her mother’s actions are impulsive and that they won’t last. She worries about losing a connection with her mother and it becomes another situation where everyone is so caught up on what they might lose that they lose stock of what they already have. Veronica’s maturity with her mother gets juxtaposed with Kevin’s complete regression and failure to parent for less than 24 hours. It does not go well and it’s slightly misguided that this parental disaster ends as a punchline and not a cautionary tale. 

Vee’s mom has a fancy new house in Louisville, but Liam is still left worrying if he’ll have any home at all if the Gallagher residence goes on the market. In perfect Liam fashion he attempts to resolve his paranoia over the future in a manner that’s more professional than every other Gallagher. There’s an inherent comedic nature during Liam’s attempts to get put into a foster home or become adopted so that he’ll have a place to live after his house gets sold. 

They’re exaggerated moments, but Liam’s concern is very real and it remains impressive to see how self-sufficient he’s become. He continually thinks rationally about the future while his siblings ward off the mob and pray that they don’t have any sexually-transmitted diseases. Honestly, put Liam in charge of the family and they’ll be thriving within six months.

All of the chaos in “Survivors” begins and ends because of Lip’s stubborn attitude over selling the house. Lip’s insistence to force his family to move just because his life is imploding is still super problematic, but thankfully everyone finally just talks to each other and gets their fears and doubts out in the open. The final moments of “Survivors” are genuinely nice and it’s long overdue that Lip actually communicates and listens to the people that he cares about. 

It’s really sweet that Lip promises Liam that he’ll be a part of his home and that the family’s sense of community isn’t going to change, even if their living arrangements do. However, this is also something that should have happened at the same time as Lip’s initial proposal to sell the house rather than the renegade sledgehammer that went through the wall. It’s led to a few episodes of unnecessary drama, but the Gallaghers are at least on a collective front now as the series heads into its final three episodes. 

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“Survivors” is a confident step forward for Shameless. It figures out how to balance the series’ more tender sensibilities with the wackier antics that were more prominent during the show’s earliest seasons. Characters operate as functional units and finally listen to each other before they’re left with fractured relationships that no longer feel like a family. There’s still a lot of growing up to do, but not that everyone’s on the same page and working towards a common goal it actually feels like Shameless might end in hugs rather than heartbreak.

The post Shameless Season 11 Episode 9 Review: Survivors appeared first on Den of Geek.

from Den of Geek https://ift.tt/3c7WTT3

[nadziejastar]

Imo Kingdom Hearts could have been a lot different if Disney was never involved or if it was it's entire own francise with no crossover with FF or Disney, imo that would have been great. Since KH1, the Disney-worlds had barely to no connection or revelance to the main-plot anymore, Sora just travels to the worlds because he can, in KH1 there was more at stake in those worlds too, now they just feel like filler, as much as SE has tried up untill KH3.

Well, “Quadratum” means “Square”. It’s possible that Nomura wants to move away from Disney worlds and focus more on Square worlds. Although I like the Disney worlds, and think they help give the series a unique identity, I can understand that Disney is a is large, powerful, greedy corporation. And Nomura’s relationship with them has changed over time.

It’s telling that instead of coming up with a new plot that gives us a good reason to travel to the Disney worlds again (the real ones, not data worlds, memory worlds, dream worlds, etc.) he’s sending Sora and Riku off to a new alternate dimension based on Versus XIII—a Square property. It may indicate that he’s tired of Disney worlds and they will be getting less focus from now on.

KH1

As the series has gone on, the implementation of the Disney worlds has become worse and worse as Nomura has struggled to come up with reasons to travel to them. I think you’re right that KH1 did the best with incorporating the worlds into the plot. Sora was trying to seal all the Keyholes, giving him a good reason to be in each one. He was looking for Riku and Kairi, which was a more personal goal. And then you had the seven princesses and the villain alliance. And each world contributed to the overall theme of the story.

KH CoM

Pinocchio: Gee, Riku, don’t you have a Jiminy like I do? He’s my conscience. He’s taught me all kinds of important stuff. Maybe you just need somebody to show you what’s right and wrong.

Jiminy: Sure. You can’t shoulder all your problems alone, ya know. You must have somebody–a friend you can talk to?

In CoM, the Disney worlds were pure filler. Only existed for gameplay. On Sora’s side, the story within them was almost the exact same as it was in KH1. Even on Riku’s side, the Disney worlds were pointless. For instance, the whole Monstro level in KH3D could have happened in Re:CoM, since it’s basically reliving Riku’s memories from KH1, but having him make a different choice that time.

KH2

Iago: I wanna be a good friend, like Genie, but I can't do anything to help you. What kind of a friend is that?

Sora: Oh, no---it's not like that, Iago. Friends don't have to "do" stuff. As long as you have fun hanging out together, that's all that matters.

In KH2, the worlds are a mix of new and old. But they’re not really important to the plot. Sora’s just looking for Riku and the King, they’re not there, you participate in the movie’s plot, then move onto the next one. All the actual story happens in Twilight Town, Hollow Bastion, or TWTNW. Each world usually has a theme and a moral lesson, but it doesn’t always relate to Sora that much, so they feel filler-ish. In the second half, the organization appears in the worlds, which makes them a little more relevant to the story. But not much. They were still fun levels, though.

358/2 Days

Roxas had a good reason to go to the worlds, to collect hearts for the organization. I don’t mind if the Disney worlds aren’t directly plot-related, as long as there’s character development in them. I like that they took certain worlds from KH2 that felt like filler and expanded on the main theme of them, contributing to character development, particularly for Axel. For instance, in KH2′s Agrabah, the moral lesson was: best friends don’t have to be “useful”. This idea doesn’t have much to do with Sora, though, so it felt kinda pointless to his quest.

If you didn’t need me, then I no longer held meaning. However, reality is different. It wasn’t about whether I was needed or not. If I could just connect to others’ hearts, that would be enough.

But it was implied that this idea was very relevant to Axel’s memories of his past and his best friend. 

“Because they copied my powers, the Keyblade’s power, and then they didn’t need me anymore— is that it?” Roxas spat. 

He couldn’t bring himself to confirm it. 

“I guess you felt the same way, huh, Axel?” 

At those words, something wrenched in his chest, and he could hardly breathe. No, not me. I wasn’t thinking like that. I would never. “That’s not true. You—you’re my best friend.” The words spilled out of him.

The story of Days was all about how Roxas and Xion help Axel remember his past and what it felt like to have a best friend (an idea that connects to CoM). And the Disney worlds at least contributed to that idea in a meaningful way.

“Set in a circus and playing off the story of Pinocchio, a puppet with a heart, and the Nobodies who possess no heart, we planned for a sad episode with Roxas and Xion looking for hope for themselves”.

I would have preferred Prankster’s Paradise as a world, though, instead of, say, Halloween Town. It sounds like Roxas and Xion would have developed more in that world and it would have been more relevant to the story. Plus, it would have been new. But I think Days did a decent enough job with the Disney worlds. At least Roxas learned something new when he went to them, spurring on interesting discussions with Axel about friendship, love, the heart, etc.

KHBBS

Bagheera: It was bound to happen. Mowgli is where he belongs now.

Three new characters. In each world, the character learned something new and developed slightly. The worlds were mostly new, too. I don’t have a problem with BBS’s Disney worlds. I do wish they would have kept the Jungle Book worlds in, though.

“Riku… Do you think Nobodies have a home? Somewhere we belong?” Naminé wondered.

Having a home, somewhere to belong, was one of the main themes of the Xehanort Saga.

Master Xehanort: Darkness that you channeled.

Terra: No, I succumbed to it. Just like when I stole Princess Aurora’s heart of light. I can never return home now. I’m a failure.

Terra felt like a failure, and that he could never return home. And Aqua was tasked with bringing Ven home. This world could have been really good in BBS.

Coded

Mickey: Yen Sid… I think we’re finally close to figuring out where Ven’s heart is.

Here’s where things start going off the rails. In Coded, Disney worlds are yet again retreads of KH1, only this time they’re data instead of memories. The whole purpose of the plot was to explain why Mickey sent Sora, Riku, and Kairi that letter at the end of KH2. But you didn’t really need a whole game of travelling through virtual Disney worlds for that, especially involving convoluted ideas like data Namine implanting bug blocks in the journal or Jiminy’s Journal embodying itself as Riku (WTF?). You could have just added a scene into KH2FM+ like the above one from the manga. When Mickey saw the photo of Roxas, he recognized him as Ventus. Then he tells Master Yen Sid about it later, leading to Coded’s ending and him writing the letter. 

KHUX

Ephemer: The worlds we visit—the worlds of fairy tales—are nothing more than holograms. You know, projections. The light we collect there is actually this world’s light. To put it simply: There are lots of worlds, right? And they’re all connected by land. But it’s impossible to go around all of them. That’s why there’s a mechanism that projects those worlds here and allows us to collect Lux from faraway lands. I’m gathering information, trying to figure out how the whole thing works. My hunch is that the Book of Prophecies held by the Foretellers is what’s creating these holograms.

The Disney worlds were extremely boring to play through. More than any other KH game, they have scenes that are just copy/pasted straight from the movies. Your main character, since they are mute, has little involvement. They do not grow, change, or develop, after any of these worlds. They have nothing interesting to say and they can barely interact with anyone (Chirithy does it for you). 

And all, except for Wreck-It-Ralph, are just retreads of plots that we already experienced in other games. The worlds are digital holograms of the future generated from the Book of Prophecies. It’s all a VERY convoluted excuse to have you play through the same old plots from the Disney worlds. AGAIN. Only with a FAR less interesting main character. Since this was supposed to be just a F2P gacha with little story, it could have been excused. But since KHUX has become so important to the main story, it is inexcusable how poor of a game it is.

KH3D

Sora: I get it now. After this, Pinocchio and Jiminy’s world gets dragged into darkness, and they end up cast into the sea between worlds, along with Monstro. And then…they end up in Traverse Town, and the belly of the whale. That’s when we meet for real. It’s like Master Yen Sid said–I’m in the dream Pinocchio’s world is dreaming. And that world will never be right again until it wakes from sleep.

I don’t have any real issue with a game focusing on the mark of mastery exam, where Sora and Riku travel through Disney worlds. Riku develops along the way in a satisfying way. It’s the first time you actually go to new worlds as him. The test was for Sora and Riku to acquire the power of waking, so they had to go to dream worlds. Fantasia was perfect for this idea.

But the concept of Sleeping Worlds is convoluted and confusing. They’re dream versions of the worlds? Who is dreaming them? The Dandelions? They’re stuck in a time loop of the past? But visiting the Sleeping Worlds doesn’t rewrite the present. So, are they connected to the datascape? Again, it’s so convoluted, because there really is no reason that Sora and Riku would have to go on another adventure in the REAL world. Again, I would have preferred Prankster’s Paradise in Days. Pinocchio would be a human, it’d be set in the present timeline so no awkward dialogue, and Honest John and Gideon would be involved, giving it more of a plot.

KH3

The game’s worlds could have been okay if Sora wasn’t just wandering about aimlessly. And if they had developed the power of waking better. The power of waking is essentially the power to wake a sleeping heart by connecting with it. It’s the power of love, basically. Most of the Disney worlds are about love. And also, a member of the organization appears in each one.

Dark Road

In BBS, it’s revealed that Xehanort wants to open KH to create a new world. But in KH3, he wants to reset the world. How is this different?

Nomura: The most essential part is that he thinks the current world is a failure, and wants to remake it.

I’m interested to know why Xehanort came to think that way (that the world should be remade).

Nomura: Initially, I wanted to dive deeper into the naive, untainted Xehanort who we see playing chess in the next installment (before KH3 was made), but if I did that, the dark seeker arc wouldn’t have ended (lol), so I decided to shelve it for now.

Wonderland is the only Disney world that has had a plot so far. But this was still the most interesting usage of Wonderland in the series, IMO.

Envy (Latin, invidia): Invi Gluttony (Latin, gula): Gula Lust (Latin, luxuria): Luxu. Anger, or Wrath (Latin, ira): Ira Greed, or Avarice (Latin, avaritia): Ava Sloth, or Laziness (Latin, acedia): Aced

The Foretellers are named after the seven deadly sins.

Nomura: As I was writing the scenario for Kingdom Hearts Back Cover, I was careful so as to make each character look neither like a hero nor a villain, however in the end it seems that only Ava was received as a good girl (laughs). At any rate, if you think of the story progression as a gun, where Ava is the only one with the capacity to pull that gun’s trigger, I’m not so sure about how devoid of sin she really is…

I think there were a lot of parallels between the age of fairytales and the Book of Genesis.

Pride (Latin: superbia) is considered, on almost every list, the original and most serious of the seven deadly sins. Out of the seven, it is the most angelical, or demonic. It is also thought to be the source of the other capital sins.

The MoM is probably really Darkness, the original sin, Superbia. And Xehanort has his Keyblade, becoming his successor. Pride was his deadly sin. He could never admit that he lost to Eraqus at chess because of his pride. In the Bible, the source of sin was the tree of knowledge of good and evil in the Garden of Eden. After acquiring knowledge of good and evil, he developed a god complex. Pride is the ultimate sin, where all the other sins originate from.

I need only play the role of a fool desirous of the Keyblade’s power.

Luxu is lust and Braig lusted for Xehanort’s power (as Luxu probably did with the MoM). The story in Dark Road is actually interesting. Xehanort is a FAR more interesting protagonist that the Avatar in Union X. As a wielder in training, he actually has a good reason to travel the worlds, and develops as a character along the way. I think Dark Road deserved to be its own real KH game, released on the Vita or 3DS a long time ago. It’s a shame it’s only a mobile game.

Anger is manifested in the individual who spurns love and opts instead for fury. It is also known as Wrath.

Pride is excessive belief in one’s own abilities, that interferes with the individual’s recognition of the grace of God. It has been called the sin from which all others arise. Pride is also known as Vanity.

Envy is the desire for others’ traits, status, abilities, or situation.

Gluttony is an inordinate desire to consume more than that which one requires.

Lust is an inordinate craving for the pleasures of the body.

Greed is the desire for material wealth or gain, ignoring the realm of the spiritual. It is also called Avarice or Covetousness.

Sloth is the avoidance of physical or spiritual work.

The story of Dark Road will likely be Xehanort encountering the seven deadly sins as manifested in Disney villains and coming to the conclusion that the world is too corrupt and needs to be reset. That is actually a decent enough plot and good justification for travelling through the Disney worlds. It’d be cool if they added new worlds. Maybe like Pocahontas, and Governor Radcliffe could be Greed, etc.

[matildainmotion]

Making Waves by Sophie Lovett

Mothers Who Make’s is hosting a series of guest bloggers, to celebrate and give space for the diverse views and voices within our movement. I am delighted to introduce our first of these: please read on for the Question of the Month, as posed by home-educating mother of two, writer and activist, and MWM Hub co-ordinator for Exeter, Sophie Lovett.

Before you read this post I feel that I should apologise: in case you disagree with me, in case what I’ve written is too much, in case it offends you. But this is Mothers Who Make, and we don’t apologise here for showing up as our whole selves, so instead I will take a deep breath and begin.

This has been a tough year. A tough year after a tough decade. One which, on a personal level, has been filled with many moments of joy – but where the weight of the world has pressed ever harder on my shoulders.

We’ve never lived through a pandemic before.

It’s brought out the best in us, and the worst. It’s brought us closer together, and deepened the divisions in values and circumstance that are tearing our society apart. And it has made the priorities of our government - to put profits above people – very, very clear.

This neoliberal agenda has its roots way back in the 20th century, and over the years we have pretty much come to take it for granted. Notions of unrestrained economic growth, wealth which is available to everyone if they just work hard enough, and the promise of freedom which is earnt by playing by the rules of society - alongside a reality of gaping gaps between rich and poor both on a domestic and international level. In many ways the Coronavirus pandemic has provided precisely the kind of crisis that the neoliberal elite love: an overwhelming distraction that they can use to impose more unpopular policies, accusing people of being unpatriotic or even undemocratic if they oppose them.

Yet it has also sowed the seeds of something new. Off the back of years of campaigning from environmental and social justice organisations, many more people are beginning to realise that the future could perhaps look very different. That the planet cannot handle this unfettered capitalism for much longer – and neither, given the explosion in mental health issues even before the challenges inflicted by 2020, can we. That there might be different ways of living that could be more fulfilling for us and our children, whilst at the same time starting to reverse the destruction we have wreaked on the global ecosystem.

And this – this imagining of a different world – is making some people very uncomfortable.

In England, the government released guidance last week which told teachers not to use resources from any organisation which has advocated abolishing capitalism – even if the materials themselves did not express such a view – as it would imply support for an “extreme political stance” on a par with racism and opposition to freedom of speech. Aside from the obvious hypocrisy of a statement which alienates many anti-racism campaigners and seeks to silence the voices of those who might want to legitimately challenge the status quo, this is a sign to me that they know their power is waning. The neoliberal story is coming apart at the seams, and a new narrative is taking shape which could take things in a very different direction.

As actors in that narrative we have a choice to make about the future that we want to see. And as mothers – and especially as mother makers – we hold in our hands a huge amount of power to shape the world our children will grow up into.

It might not always feel that way.

One of the most effective strategies of neoliberal capitalism is to convince us that we are not enough. That we are deficient in a myriad of different ways, and powerless to take control. It makes us the perfect consumers – hungry for the things we can buy to improve ourselves and make life better for us and our families. And if we can’t buy them – if we are part of the huge swathe of the population struggling to even afford the basics we need to live – we are taught that it is our fault, that we’re just not trying hard enough.

In motherhood especially this can lead to a real sense of disempowerment – a lack of trust in ourselves and our ability to provide for our children. There is so much that is marketed to that desire to give our children the very best start in life: elaborate toys, sleep training programmes, gorgeous clothes, endless baby classes. It plays into the competitiveness which fuels the capitalist fire, the fear of being left behind. It sells us baby walkers (and mini trainers) to get those little people up on their feet as soon as we can, electronic learning games for toddlers in the hope that they’ll know their ABCs before they start preschool, tutors to help seven year olds pass their SATs with flying colours. It rushes us back into the workplace before we’re really ready, no matter that our salary barely pays the childcare fees. It tells us that teachers know our children better than we do, that school is the only place they can get an education, and that compliance with authority is the most important lesson they can learn.

None of this is bad in and of itself – if it works for you then that’s awesome. But if it doesn’t, if the treadmill is making you tired and you’re fed up of searching for the next best thing then stop. Breathe. And work out what it is you truly need.

Our role as mothers may be woefully undervalued by the capitalist system, but we do have the power to choose where we focus our energies, to withdraw our consent from expectations that we disagree with, to challenge the assumptions around the status of mothers (and children) in wider society.

We can choose to raise our children with principles we believe in, to communicate messages to them that deviate from those which dominate the mainstream, to be their allies and their advocates instead of colluding in their oppression.  

And, little by little, we can build a kinder, more inclusive world – one where everyone has value.

If as mothers we hold the future of the planet in each act of care we carry out for our children, as mother makers we are doubly powerful in our ability to reach beyond our inner circle and inspire through the particular capacity of art of all kinds to reshape the narrative and reimagine what is possible.

Creatives are uniquely placed to lead the revolution – and this is I believe a significant reason why the UK government shows such disdain and disregard for the arts and creative industries.  

Just as Media Studies is decried as a ‘mickey mouse’ subject because it directly exposes the techniques the government and their allies use to manipulate the opinions of the population, the Arts in schools are sidelined because they nurture exactly the kind of creativity and independent thought that can be used to challenge the status quo.

It starts in the Early Years, when days that should be dedicated to open ended play are instead filled up with increasingly formal literacy and numeracy, and can be seen right through the education system: ten year olds spending whole terms doing nothing but exam preparation, teenagers being told they can’t study the creative subjects they’d prefer because they don’t fill the right assessment bucket. And it continues in the world outside, as the government response to the impact of Covid has shown so starkly.

Our art is important. Our making is important. It holds a mirror up to the present and shows how life could be, it inspires, it sustains – and it can be an escape route from the treadmill our leaders would rather keep us tethered to.

From the stories we tell to the songs we sing to the materials we choose to the business models we adopt to share our work: we are creating the fabric of the future.

And so this month, wherever you are in your mothering and your making, I would invite you to consider these questions: What are the changes you would like to see in the world? How are you making waves in your mothering? And in your making? What changes (small or large) could you make in either to help create the future you dream of for yourself and for your children?

To read more from Sophie go to: www.raisingrevolutionaries.co.uk and https://www.instagram.com/raising_revolutionaries/

[signor-signor]

Trending 27th - January 2020

What have been your efforts in the campaign for SaveWOY and what are your upcoming plans to save WOY? Now this is a question worth answering!

In the past, I made a little list of the things I did to support SaveWOY and bring awareness to Wander Over Yonder’s existence and its third season plans. Since then, I’ve done a whole lot more from hand-drawn art to more intricate art. Some of them are almost as special as that signed poster @peepsqueak got from the WOY crew as a token of their gratitude.

Here’s an updated list of everything I did for SaveWOY so far:

Attended the SaveWOY picnic at Griffith Park, where I got to sign a banner.

Pointed out various higher-ups involved in the business of Disney television.

Sent several letters to the higher-ups, some of which had envelopes with an image of the downed space pod taped to them.

Started a weekly Twitter post series, SaveWOY Thought of the Week.

Made Lite-Brite art of Wander and Lord Hater, which Craig McCracken and Francisco Angones liked.

Attended D23 2017 with an Operation: FORCE drawing of Hater, a colored page of Wander and Sylvia and a few facts about WOY, and an orange pen with a green hat (I got the hat from the aforementioned picnic) - there, I signed a bench with Wander and the phrase, “Never hurts to help.”

Signed my name, drew Wander (and my own character, Jacken DeBox), and wrote, “Happiest place in outer space!” on the highest beam for Star Wars: Galaxy’s Edge.

Wrote a letter (and drew Wander) for the victims of the Las Vegas tragedy with the message, “The darkest times call for the sunniest smiles!”

Got Craig to reveal the name of the ship (said to play a BIG part in S3, made a cameo in Future-Worm) when I commented that we’d have to figure out the name - his response: “The ship is called The Star Nomad.”

Wrote a couple of cards to two Disney higher-ups with the message, “A little nice makes naughty think twice!”

Drew Dominator in a situation that might take place several seconds after she passes the downed space pod, just in time for Noël Wells’s B-day.

Made the Star Nomad with LEGO Digital Designer.

Made three images in the style of the original Star Wars trilogy VHS set.

Posted 50 WOYS3PredictionPolls on Twitter.

Made an image of “The First 5 Years” with over 140 individuals (including the question marks for 3 new mains and 2 new regulars - I still want to know what they look like!) and one cleverly made Hidden Mickey.

Shared WOY-related images from my 1st 5 Years fan art on Twitter acknowledging the B-days of most of the voice actors (Charlie Adler, Kevin Michael Richardson, Ken Marino, Josh Sussman, H. Michael Croner, James Adomian, Jason Ritter, and Piotr Michael clearly noticed).

Typed a summary of how I think the S3 premiere would go.

Typed lyrics to “Let’s Go Soarin’ and Explorin’,” a song from my aforementioned S3 premiere summary. Wouldn’t it be great if Andy Bean used it?

Made a microgame with WarioWare: D.I.Y. where the player has to spin the fan to make the Star Nomad fly. Part of a chorus from “Let’s Go Soarin’ and Explorin’” included.

Started FanCharacterFriday on Twitter - more Tumblr users seem to like Dr. Otmar Vunderbar.

Made a short comic page of Lord Hater trying to break out of the DTVA vault plus a sly reminder that Disney owns the rights to WOY.

Shared a list of potential episode titles for S3.

Made an actual LEGO Star Nomad based on the model made with LDD. Hopefully, those who worked on WOY have noticed. In case you missed it, here’s a picture...

Now, the ideas I have in mind for further boosting support for the campaign. I may not be able to do most of them myself, but they are certainly for everyone’s consideration.

Provide updated information of higher-ups (if any).

As soon as we find out what Kid Cosmic looks like, expect fan art of him saying, “Watch my show and tell your friends so we’ll make that Mousey Company pay for what they did to my half-brother!”

Another SaveWOY picnic - if there’s one in my general area, you can count me in.

LP album artwork of My Fair Hatey.

A mural identical to that of Super Smash Bros. Ultimate consisting of not just characters from WOY, but also characters who were said to debut in S3 and characters who’d fit in perfectly, namely some of my OCs.

Pumpkin stencils of the main characters for Halloween.

Drawings of various WOY characters stuck on the ex-secret planet explaining why they need to leave said planet. Maybe I could also show how the galaxy’s villains would react if they learn that Lord Dominator’s been bested by Lord Hater.

Drawings consisting of SaveWOY-related messages spoken by the main characters from Disney shows that got at least three seasons (e.g. DuckTales, Fish Hooks), tons of love from the viewers and the executives (e.g. Gravity Falls), or both (e.g. SvtFoE, Mickey Mouse ‘13).

Example with Phineas and Ferb:

Phineas: “We may be creative and famous, but we’re not the ones who came up with the Star Nomad. It’s the ship powered by orbbles! Orbbles! I’d LOVE to see it take flight, wouldn’t you? If you let Mr. McCracken end the show his way, and not the executive way, which, truth be told, is the absolute worst, Wander will surely be elated!”

Ferb: “The Orbble Transporter was invented by conjoined twin brothers, voiced by the performers of the theme song.”

Irving (peeking in from the side): “Speaking of voices, the titular main character sounds JUST LIKE ME! How could you possibly resist?! And look, just because I’m the biggest fan of these guys (gesturing to P&F) doesn’t mean I have no interest in what’s planned for the furry orange fella!”

Since I’m a full-time Disneyland cast member, I should be able to make contacts with anyone who might have more clues about what S3 would entail. It might be a long shot, but if I’m able to convince Disney that WOY’s influence on my life boosted my chance at gaining employment at the company, they should understand.

A weekly Jeopardy-type pop quiz on Twitter - here’s the catch: you must refrain from finding information online when you read the answer (I bet you that the most hardcore fans of the most popular shows will get most of the questions wrong).

Example: This arachnomorph got his name from a dog tag he swallowed when he infiltrated a fish-shaped ship. He later became Lord Hater’s beloved pet.

-Who is Captain Tim?

Summaries of S3 episodes I made up myself a while back.

More fan-made characters - my most recent is an elected official of Cluckon, Mayor Spye C. Drumstick.

Conjuring a logo that best fits the status of S3/TV movie - Wander Over Yonder: The New Galaxy (the center would have the silhouette of the Star Nomad with Wander and Sylvia on it).

Brainstorming possible ideas for the three new main characters.

If all else fails, I suggest we make a web comic based on the hints we accumulated back in 2016 and what we learned from the cameo in Future-Worm’s finale. Team Sea3on has been taking that approach for SatAM Sonic the Hedgehog S3, though they are also making an animated version.

That’s about all I’ve got so far. In closing, I have several questions to ask as the new decade kicks off.

Disney executives: Are you even listening to us WOY fans? What more do you want? I’ve done so much for the campaign that I feel I’m entitled to know everything that was planned for WOY’s third and final season, especially now that I’m working full-time for your company. If you tell us what your demands are, we’d be happy to oblige.

@crackmccraigen: Are you aware of how hard the fans and I have been trying to talk Disney into giving you the chance for true closure? We’ll make sure we watch KC when it comes out on Netflix. If we’re lucky, we might see WOY get added to Disney+, where it should get that closure, assuming you’ll have finished KC your way before then.

@suspendersofdisbelief: I know you’re super busy with DuckTales and you love the plans for WOY S3 so much that you can’t bear to reveal it all in one post, but it’s been waaaay too long since we got any hints from you. Are there any other WOY S3-related facts you could describe in much greater detail? The campaign could do with more motivation.

Non-WOY fans: Are you convinced? Need I remind you what’s in the end tag of the “last” episode of WOY? You know there’s much more to life than tales from the land of Ooo, a blue middle school cat boy in a world of unusual individuals, adolescent twins in an Oregon town filled with oddities, a half-gem half-human protagonist, a coming-of-age princess of Mewni, a trio of ursine trend-followers in San Francisco, and all that jazz. If you’re not one bit interested in Hater’s origin story and all that was planned for S3, it’s your loss.

Pessimists: Will you please dispense with this unnerving “Wander is dead” talk? As a certain Popeye would say, “That’s all I can stands, I can’t stands no more!” You’re not trying to let the Disney bosses win, are you? You probably used to think previously canceled shows like Hey Arnold!, Samurai Jack, and Young Justice could never be brought back. The point is, all is not lost.

@peepsqueak and WOY fans/SaveWOY supporters: Have I been of assistance? Almost every remark I’ve ever made shows wit and perception. I mean, just think. Wander is still stuck in that vault where his goal of reforming Lord Hater remains incomplete, and he has no idea of what threat awaits him. He says, “Glorn, help us.” It’ll take something big and extraordinary to convince every Disney fan (and perhaps every Netflix fan) to talk some sense into the higher-ups. Not to mention the replacement/back-up voice actors we’ll have to find if Disney takes even longer (we already lost one - René Auberjonois). We shan’t rest until we get the answers!

@disneyanimation

[undercoverwizardfanfiction]

ROTTMNT FANTASY AU

Mud is Thicker the Blood (1)

Sick Day

Summary:Compilation of Donnie growing up being raised by his adopted family the Mud Dogs

He had been feeling fine that morning, but thankfully he has a family to take care of him

Gift for: @void-inked-pen birthday

Characters: Donnie, Loathsome Leonard, Malicious Mickey, Dastardly Danny, April O’Neil, Myrah

Pairings: You’re in luck! all the pairings for this fic are just past this door *gestures to wall that has a badly painted door under it and the laundry basket above it that’s suppose to be some sort of trap*

yes this is the same story twice. but this one shows up in the tags so it stays

“What is this supposed to be?”

Even though Len had been using as polite of a tone as possible, Danny still gives him a heated glare. He uses his spatula to scrape the blackened flat pastry off his frying pan and onto Len’s plate with the consistency of a dried brick. ”They’re called crespelle’s. My Dads used to make them for me and my siblings all the time.”

“Are they supposed to be…” Mickey pokes it with his flipper, “rocks?”

Danny lets out another angry huff. “I couldn’t remember the ingredients, alright??” he says, flipping another burnt disc onto a plate. Len uses his chopstick to poke at the burnt food. For someone who had known the sting of hunger many times and learned to not be picky, he finds himself wondering if he can sneak out back and compare the taste of the burnt disk to dirt.

The sounds of footsteps tells him the last member of their little family was coming down to join them. “Morning,” Danny calls. ”I got a nice big breakfast for my only grateful family member with taste!” Danny says as he starts stacking another plate.

Donnie is pulling on his hooded cardigan as he reaches the bottom step, eyeing the breakfast with a concerned eye. “Doooo I want to know?” he asks before looking to Len with a look that clearly says ‘remember how I never forget ‘best parents day’? you owe me’. It takes more than a little willpower to keep from laughing but manages to duck his head to hide his grin before turning to Danny.

“How about we spare my kid this time? He’ll never hit his height goals if he eats this.”

Danny unties his apron and stomps over and pours himself a cup of coffee all while grumbling about ‘uncultured swine.’ This time Len can't stop the snort that escapes him this time but when Donnie takes his spot at the table his smile falters as Donnie pours himself a cup of hot coffee. Leaning over the mug with a sigh, his normally dark jade complexion feels a shade lighter than usual and more than Len’s comfortable with. “You feeling ok?” he asks, moving his chair to Don’s side of the table. He puts an arm around Don's shoulders and without waiting for an answer he presses the back of his hand to Don’s cheek. The teen squirms at the contact but was unable to pull out of his grip.

“Dad, Dad, I'm fine I just didn’t sleep well. I had a bad dream again.”

“Why didn’t you come get me? You could have slept in my bed.”

“You got home late last night, I didn’t want to wake you,” Don says, still trying to twist his head away from Len’s hand.

“I’m the Dad here, Donnie. I’m supposed to worry about you, not the other way around.” But when he’s unable to find anything close to a fever he pulls away. He looks to Danny hoping he’d see something Len missed but the rat shrugs at him.

“Is it still ok to go tutor April today? Please? I’ve been cooped up here all winter.”

Len wants to say no, but sighs at the pleading look Donnie gives him. It had been a longer winter then usual, he didn’t blame his son for needing some space. He was no longer a five year old but he still had a hard time telling him no for no good reason. “Yeah, but if you start feeling sick you come home ok? Or ask Myra to help you home.”

“Yeah, yeah I know.” As Donnie downs his last bit of coffee he stands back up. Len had turned to poke at his breakfast again when he feels Don's arms wrap around his collar bone and rest his cheek on Len’s head. “I love you Dad. Thanks for being obnoxious and worried.”

“Aw. Love you too, silly gecko.” Len pats his arm in reciprocated affection. Donnie grabs his shoulder back and hurries out the front door. “Have fun!” Len calls after him. Only then did he look back to Danny. “He looked pale right?”

“Yeah but honestly it could have been the breakfast,” Mickey says, picking up a disc, “I even felt sick when I saw it.”

“First of all screw you,” Danny points at Mickey with his spatula, “Second of all, if he’s not feeling well he’ll come home. And third of all, next time you all can make your own crespelles.” Danny drops his last disk onto a plate when the shattering of ceramic fills the air. The three thieves blink at each other for a sec before Danny raises up the food slowly to show the plate underneath had been cracked in half from the sheer force of the crepe. With a defeated sigh, Danny drops his spatula. “Ok whose all for throwing these at trees and seeing if they shatter??”

Len and Mickey both raise their hands with a grin.

(#)(#)\/(#)(#)

“Donnie?”

Despite the softness of April’s voice Don jumps so hard his elbow hits the stack of April’s school books. It’s only by his reflexes that they don’t join the rest of April’s dirty clothes on the floor. It takes him a few moments to regather his scattered thoughts before looking to April. ”Did you say something?”

“Yeah, your name, like five times.” His oldest friend peers at him from over her glasses. “Are you sure you’re feeling ok?”

Donnie would have rolled his eyes if he wasn’t painfully aware of the migraine that would return if he did. Unfortunately, it had been haunting him ever since he woke up that morning. “For the last time yes. Uncle Danny made breakfast and it's just hurting my stomach. Now, the compound would be 23.6% more effective if you set the witch fire to exactly 129 degrees cinder.” He scribbles on the paper for a few moments before sliding it over to her. April casts him a suspicious look before looking over the paper again.

“If you ever convince your Dad to let you go to school, my Alchemy teacher would cry tears of joy. Again.” She pauses “They cry a lot.”

Don tries to smile but his aching head only allows him a half grin. As April starts adding his notes to hers he reaches for his yunomi of tea, not thirsty so much as needing the warmth for a subtle cold that clings to his skin.

There’s the sound of a door opening downstairs followed by the sound of a woman shrieking and dozens of items hitting the ground. ”A-April dear!!! I could use some help!” calls the unmistakable voice of the Mayor of witch town.

April was already out of her seat. “Coming Mom!” she calls hurrying for the door. “Don’t do my homework Dee!” she calls behind him.

“I would never!” Donnie says [even though he had already been reaching for her note book]. A few years ago he had the brilliant business idea, in lieu of being able to go to school himself, to do students' homework for them for a small [not so small] fee.

Of course before he could even launch his venture his Dad had found out and outright forbade it.

This time he’s unable to stop himself from rolling his eyes. The effect is instantaneous as the lights in the room become painfully saturated. He tries to cover his eyes but his world is already spinning.

It’s the last thing he feels before he blacks out

(#)#(#)

“I’m not angry, I’m just disappointed,” Len says in a tone that can only come from nine years of parenting experience. It does its job on Mickey who’s shoulders bunch up to the sides of his head, and even though Danny is trying to pull off ‘I don’t know how you think you can guilt trip me’ by leaning back in his seat. But it's hard to look innocent when the two of them are covered in mud.

“IT WAS DANNY’S FAULT!!” Mickey shrieks pointing at the rat. “After we knocked over a tree with one of his crepy things he told me that he knew alchemy that would make mud into chocolate and-and-“

Danny’s ‘calm bad boy’ dis option went out the window (which was also broken because of a wayward flying crepelle). “Who the hell raised you to be a snitch?!” the rat hisses.

“You did!! I learned it from watching you!”

The rat opens his mouth to argue before thinking. “Ok fine but I always taught you to get paid first.”

Len slaps a hand down his face. Normally he and Danny have reversed roles but he should have recognized that wild look in the rats eyes when Mickey was using one of the leftover crepelles as a tool sharpener. But Len, forgetting they were not in fact grown men but children pretending to be adults, had left them to their own devices.

There is a knocking on the door that makes Len sigh again. ”I have a fourteen year old and he has more common sense than you two.” He says in a way that is probably supposed to make them feel ashamed, but Mickey snorts loudly with his flippers over his mouth.

He opens the door to a flash of light that forces him to cover his eyes for a moment before his eyes adjust to the familiar form of the mayor of Witch Town. “Myrah?” He rubs at his eyes. “What’s going on?”

“I need you to come get Doniel, he has a fever and passed out while tutoring April.”

Len felt as though a cold chill had passed through his body, it was the only reason he hesitated. “Y-yeah just give me a sec.” He ducks back into the house, where Danny is already waiting.

”Len what’s-“

“Donnie passed out, I need you to come with me,” already the air of lighthearted teasing and jabs went out the window. Len is back down the stairs with a quilt from Donnie’s bed as Danny is grabbing his coat and tossing Len his. He almost feels bad for Mickey who can only watch on as the two exit. Myra waves her wand, the bright light from earlier returns, creating a portal in front of them. Len barely waits for the portal to form before stepping through. A moment later he is standing in the familiar oversized living room. He had been to the witch family house many times and each time was always surprised how disproportionate all the furniture was, (which made sense considering how tall Amaranth was).

The child in question was lying on the bright pink sofa under a thick blanket. There was a washcloth hovering over his head, every few seconds wiping at his brow. April looks at them when they enter with panic in her eyes. “I don’t know what happened Lenny, I went to help mom with groceries and-and when I came back-“

“Its ok April, it's not your fault.” Len takes her place by Donnie. His son's brow is furrowed underneath a layer of perspiration. Even though he already knows the answer, he presses the back of his hand on Don’s brow. His already racing heart is now beating so fast it almost hurts in his chest. He replaces the blanket Myra had given him with the one he had brought, wrapping him up in it before scooping him up into his arms.

“I’m sorry Len, if Amaranth had been here she could help but...” her fingers tap together anxiously as she watches the child in his arms. Len was always touched by how much Myra and Amaranth cared for Donnie. He never felt the need to have a partner (though he and Donnie both made enough ‘mom’ jokes about Danny to last a lifetime) it warmed his heart to know someone outside his family loved Donnie almost as much as he did.

“I know, thank you.” He moves past the mayor to where the portal was and in another flash he's back in front of his house where Danny is waiting. The rat reaches out and takes him around the shoulders and herds him inside. “He’s burning up Danny, I-I don’t know what happened, I felt his forehead his morning and he was fine, you saw me do it.”

“I know, I know.” Even though Danny claimed that he didn’t remember any of his medical training he’s already looking over Donnie. Trained eyes looking for anything that could tell him what was wrong. After a few moments Danny says to Len, “Get him into bed I’ll be there in a sec-“

“Ah-shouldn’t we put in him some ice?”

“No, the last time we tried that he almost went into shock before I stepped in. He’s a turtle, he can’t handle it.”

“I-I know.” Len unconsciously cradles Donnie closer to his chest protectively. He could still remember the terror of the time when Donnie got the Fall Flu and had a fever that burned his hand. They had gotten so desolate they had put him in a tub of ice to combat it. They had thought it was working until Don had fallen into a deathlike stillness. It was only then Danny had realized Donnie was going into shock and pulled him out so quickly they had knocked over their makeshift tub.

Now Len couldn’t tell if the shivers he was feeling were from Donnie’s sleeping form or from his own fear. Not until Danny put a hand on his shoulder and forced him to look into his eyes. “Can you get him to bed please? I’m going to mix together some medicine that Amaranth taught me and I’ll be right there, ok?”

Len nods “Ok, ok.” He lowers his cheek onto Don’s scalp as he carries him upstairs. It's only when the parent and child are out of sight does Danny let out a shaky sigh, running a hand over his scalp under his hat and forcing himself to calm down. He had never realized how much he depended on Len keeping a calm head. He hadn’t realized just how much he depended on that til they brought Donnie in. During missions Len had an eerie calm about him that he thrived off of. But it was moments when anything threatened the health or happiness of his child that threw Len in the deep end and forced Danny to step in.

“Mickey,” he says without looking behind him, knowing the poor eel was fluttering around not knowing what to do. “Will you please go upstairs and keep Len calm? Help him how you can til I get there.”

“Y-yeah ok.” The eel hurried to do as he was told. In that moment Danny allowed himself one more sigh before reaching under the cabinet and pulling up an old beaten box, filled with herbs and remedies he had swiped from houses over the years. He pulls out a notebook he had filled with some of Amaranth's recipients and pulls out a mortar bowl and pestle. Picking through a few jars of tiny shards and grinding them together before taking out an empty incense holder and pouring it inside. He made sure to secure the lid and take up the glass bottle under his arm before hurrying up the stairs.

A part of him had been scared that Len’s own fears would drive him to ignore his warning about the ice, but he entered Don's room just as Len was pulling a blanket over him. “Good job.” Danny moves past him to kneel by the bed, turning and handing the incense to Mickey. “Can you light this please? It’ll help clear the bacteria out of his lungs.” As he was twisting open the glass bottle he heard Mickey spark behind him before the smell of lavender filled the air (he ignored Mickey gagging behind him). He tips the tip of the bottle to test how much liquid was inside. Luckily, they still had enough for Donnie (he’d have to steal more later). He dabs his thumb with the light pink liquid before running it across Don’s burning forehead. ”There.”

“Is he ok?”

Danny had to commend Len on not asking him a million questions. He reaches back and pats his old friend on the knee. “The Willow Extract should help take his fever down, but if It doesn’t help in a few hours we’ll go to witch town.” He doesn’t get a response, but when he turns to look at him, he sees Len staring at his son. His dark eyes full of concern and fear that only a father could have. Danny stands up and steps back. “Len why don’t you sit with him for a bit, and I’ll make you some tea.” He makes eye contact with Mickey and jerks his head towards the door. After taking a moment to pat Len on the shoulder he follows him out the door.

Len finally lets his face drop into his hands with a shaky breath before the sound of a weak cough reaches him. When he looks up again he was filled with relief to be looking into Donnie’s feverish dark pink eyes. “Hey,” says a weak voice.

“Hey baby boy,” Len sits up on the edge of his bed. “How are you feeling?”

“Like someone tried to kill me with one of Uncle Danny’s devil pancakes.” He barely has enough wind to finish his sentence before he has to gasp for air. “Will you sit with me please?”

Len can't help but smile, holding the side of Don’s face with his hand for a moment before climbing over him and laying on his other side. Don turns his head and tucks his head underneath Lens chin. “I’m s’rry,” Don mumbles, “I-I didn’t know I was sick.”

“I know you didn’t, you’re not a good liar remember?” Len lowers his cheek onto his scalp. “You get that from your Uncle Mickey.”

“And you?”

“Nah, I’m a great liar,” he smirks down at Donnie, “I’m not going to teach you how to lie though until you turn eighteen,” he pauses, “Hundred.”

Donnie lets out a laugh that sounds more like a raspy balloon, but Len can tell he’s trying not to fall asleep again. He rubs Don’s arm over his blanket. “Get some sleep, I’ll be here when you wake up.” The teen gives a nod of acknowledgement before rolling towards him. A few moments later he's fast asleep again, breathing easier than he had been a few minutes ago.

[kessielrg]

[DA+KH] CODEX: Letters to First-Enchanter Mickey

Summary: I love unconventional story telling. It's one of the reasons why I love the Dragon Age series so much with its codex entries; it's also why Carrie is one of my favorite books. With @chibi-mushroom concluding the Broken Circle quest in their Dragon Age AU for Kingdom Hearts, I had a severe compulsion to make a pre-DA2 codex for Anora and Ephemer. I'd do more for other characters if they ask me, if they wanted to. Again, I love this kind of story telling. :D

Rating: K+

Word count: 1,598 words

-

Letters to First-Enchanter Mickey

(found in various places during Act 1)

. . .

I wanted to thank you for this opportunity, First-Enchanter Mickey. The world outside is a lot larger than I ever could have imagined. The Free Marches are beautiful, but I believe I am Ferelden through and through. I enjoyed the sights on the way over more than I did actually being placed here.

At first, there was a bit of a scuffle on where I belonged. The teachers and doctors at the rehabilitation retreat refused to believe that I was to remain by Ephemer's side. Had it not been for the letter you had Knight-Commander Cid sign, my adventure would have been over before it began.

Ephemer still refuses to see me than anything other than another demon. But he doesn't want me to leave either. As we were being accustomed to here, I think he's starting to realize that he is no longer dreaming. Or, more accurately, being forced to relive a nightmare by a demon. He hasn't asked me, but I've heard him ask the staff, “Is she really there? Is that pink-haired mage truly alive? Am I being haunted by her spirit?”

To curb some of my worry, I've started singing to him when there's a lull in activity. It's at those times when I could leave and let him rest, but I don't want to. Apparently, I can't hit any high notes; when I try Ephemer quite visibly flinches. But then he smiles. A reminder that he's still living, maybe? Who's ever heard of a demon that could sing? And if they could, why would they purposely be bad at it?

I'd make a terrible desire demon.

-

He choked me.

He didn't mean to, honest. It was all my fault. I reminded him of the Circle. I don't know how, I just know that I did in some way.

Ephemer has taught me to never, ever doubt the strength of the Templars, First-Enchanter. The first time I learned this, it was during one of our first secret meetings. He simply picked me up as if I were a feather and… Well, you can imagine the rest, ser. But as he held my throat in such a tight grip at that moment, and I couldn't breathe, I feared I was going to die right then and there. I had to use my magic to get out of his grip. I almost wasn't able to do it. Ephemer came to his senses not long after.

His eyes… I've never seen a man's eyes go from pure hatred to regret so quickly. He apologized, a lot, but I couldn't answer. I hope he knows. I don't blame him.

But if you will, First-Enchanter, I would like if you sent some more elfroot. There is a short supply here in the Free Marches since the Blight started.

-

The knight-commander from Kirkwall came to visit us today. Sephiroth, I believe his name was. Apparently, he had heard about Ephemer's blight and wanted to see him for himself. The two talked for a long time. They discussed many matters; mostly those in regards to Templar duties and a possible (very immediate) position for Ephemer among the Kirkwall Templars.

I was present during the entire talk, but was ignored. Or, at the very least, the knight-commander ignored me. Ephemer made quite a bit of emphasis on my role in his recovery. He over glamourized it a bit, but I wasn't unwelcome to the gesture. You should have heard him, First-Enchanter; “I've been blessed by Andraste herself. This mage in an invaluable caretaker, and I shall have no one else.” I hope I didn't blush too much- honey can occasionally drip off Ephemer's tongue when he truly wants it to.

He refused to tell the knight-commander what exactly happened at the Circle, though. Not that he or I needed the reminder. The knight-commander was quite insistent on knowing and asking- but I'm fairly sure the bare minimum anyone needed to know would be common knowledge by now. I think the knight-commander knows that I also came from the Ferelden Circle and wanted one of us to admit something more damning.

The only 'damning' thing I'll admit to during my time at the Circle was the one day I hid Ephemer's scarf from him. It made a fabulous belt. I'm sure he would concur.

-

“Hey Anora.”

It's our code phrase. Ephemer makes an incredible point to say it in front of the knight-commander whenever I'm in the vicinity. I wonder if he's caught on to it yet. Knight-Commander Sephiroth is one of the more stoic types; it is very difficult to tell just what he's thinking or how much he knows. However, that makes our secret phrase all the more meaningful. At first glance, you would only see it as a greeting. But there are layers to this phrase.

When you peel back the first, you'll find respect. Respect that no other Templar would give a mage, even if one happened to save their life. Peel back another layer and there's fear. Fear of loss, fear that reality is still a nightmare. But it's that last layer, the core layer, where everything is revealed. That layer, First-Enchanter, is love.

Love can not solve everything, but it's a beautiful stepping stone.

-

Knight-Commander Sephiroth decided to make an example out of me recently.

I had arrived early to pick Ephemer up from Templar training and, as per usual, he uttered our code phrase without a second thought. Ephemer -who had been sparing with another Templar- neatly gained the upper hand on his opponent despite the interruption. He impressed the other Templars. He impressed me. But he did not impress the knight-commander.

No, the look of cold, calculated hatred on the knight-commander's face said that somehow, in some way, I had caused a fatal error. I was out of the way, so far as training was concerned, but Knight-Commander Sephiroth called me forward and forced me into the training area. He proceeded to go into a very long, very winded speech about how he had lost his family to an abomination- a mage that also happened to be close to him.

Without any warning, he told one of the Templar recruits to attack me. Then another, and then another. I'd find that you'd be proud of me, First-Enchanter, I didn't harm a single one of them. I used a lot of my magic to redirect or disorient them. At some point, one Templar almost swiped me with his blade- I only happened to cast barrier at the right time before sending the weapon flying through the air. It was at that point Knight-Commander Sephiroth called off the attack.

Ephemer was mortified, but the message had been sent. I wait out of earshot for Ephemer after his trainings now. When we meet again, he apologizes profusely as he were the cause of the knight-commander's bitterness. I hate feeling how silently worried Ephemer is as much as I hate tasting the lyrium on his breath. Something is going to give, First-Enchanter, but I have yet to know if it is solely between us, or with Kirkwall itself.

-

I met a trader from Val Royeaux today. He was very… charming. He even had a little pet with him, with a little hat that looked just like his. He, the merchant, said his name was Brain. What an odd sort of name, really, but he had been so nice that I didn't question it. The thing is, Brain had shown me more kindness in ten minutes than I have received in the past few weeks.

It was no small wonder that I was in a state of shock.

I wonder if he would have treated me differently if he knew I was a mage. I had the oddest feeling that he already knew. Do certain people have a knack for scoping out such things? I will admit to being a bit curious about this merchant; there is something about him that seems so… familiar. I feel as if I'm remembering a person of similar personality from somewhere in my past. Perhaps I'll talk to him again soon.

-

Ephemer and I are no longer together.

I think it has something to do with the knight-commander. He told Ephemer something. Something that got under his skin. He still isn't… right. He takes lyrium to fight lyrium. Sometimes he wakes up from a nightmare and comes into my room just to make sure that I'm there. To make sure that I'm real. The lyrium on his breath becomes stronger by the day. Maybe I'm imagining it, but it reminds me of the Circle; just days before the maleficar rose and sent our little Circle into a disoriented spiral.

Of course, to rub salt in the wound, the knight-commander is not helping in this matter in the slightest. I know Knight-Commander Sephiroth says things about me behind my back. Ephemer will not tell me what exactly; however, I've come to suspect that it has something to do with my frequent talks with Brain. I've told Ephemer nearly everything I disclose with Brain. Everything. But I believe Knight-Commander Sephiroth is making him see it differently. I do not wish ill on the knight-commander, First-Enchanter, but you won't see me weeping if he mysteriously falls down a large flight of steps and breaks a leg.

I also want to make it perfectly clear, First-Enchanter; I did not ask to be removed from Kirkwall. Kirkwall removed me.

[jcmorrigan]

I have attempted to keep my contempt for Kingdom Hearts III to a minimum. However, it has come to my attention that there are several jokes being passed around about how mean and ineffectual Yen Sid is as a teacher. I’m not demanding everyone change their tune right now and like Yen Sid. He’s not for everyone. But I went through a journey over the course of this series going from disliking him to flat-out loving him, and it really dismays me that I can pinpoint why everyone thought he was so bad in III and it, to use a phrase that has almost lost meaning, “doesn’t exist in a vacuum.”

Historically, Yen Sid has been a punching bag for this fandom. I know. I was there. Doing some of the punching. The problem was we were given Organization XIII and weren’t really sure what to do with them. For one, if you didn’t play CoM in between 1 and II (and not having SEEN Marluxia trying to chess-game everyone to their deaths), which was my story, you got Naminé saying “Good or bad, I cannot say” followed almost immediately by Yen Sid saying that though the Organization would pretend to have emotions , it was a ruse. I can’t pinpoint exactly why the Organization XIII fandom happened (I’m not sure it was so simple as “They’re hot”), but if it was anything like my case, I think it stems deep down from seeing these cool character designs and quirks on a bunch of VILLAINS and feeling the pull of the good/bad binary that suggests you can’t enjoy them as villains and must make them redeemable enough to make fan content of. This is starting to veer into a whole other essay, so I’ll cut it off here - I’ll just say if you know me, you know I figured out that “fun team for fan content” and “moral role models” are not necessarily symbiotic. ANYWAY. ABOUT YEN SID. The other thing I think we have to remember is that at the time, the only people who understood how Nobodies felt were the Nobodies. Ansem the Wise also thought they were emotionless evil. We found out in DDD, whether or not that was planned in advance, that Xemnas basically conditioned them to think of themselves that way. 358/2 Days is so poignant in its depiction of the Sea Salt Trio because you see how the rest have been groomed to be divided and not care about friendship or emotions. So in a way, the Organization defense squad was right, and I think that ended up being kind of the point - Yen Sid was telling us all we knew about this “mysterious entity” that didn’t interact with humanity, and that arc was concluded through Ansem realizing he should’ve treated Roxas like a human person. So that clears away KHII Yen Sid.

BBS Yen Sid was where I really grew to love him as a character. He understands that Terra and Ven need to follow their hearts, and in their individual visits, he basically tells them “Eraqus would not like this, but I know it’s important to you and I trust you, so I’m going to look the other way.” When Aqua visits him, you see a completely new side of him. It always hurts me so much when he has to tell Aqua that Xehanort and Terra have murdered Eraqus. Because he pauses a bit before saying Xehanort’s name. That man was his friend, and all this time, he was hoping there was redeemability in him. (Perhaps contributing to him being later jaded toward Xemnas’ associates, hmm?) But he pauses even longer before saying Terra’s name, and I sincerely believe this is because he recognizes the pain he feels at knowing Xehanort isn’t the person he thought he was...and even more than not wanting to feel it, he doesn’t want Aqua to feel that way about Terra. Yet he knows in the end she deserves the truth. Also, BBS kind of acts “fix fic” toward Fantasia itself, of all things. When I took my stance on KHII Yen Sid, this made me retroactively look at Fantasia and go “What a jerk in how he treats Mickey.” Which really isn’t the case at all - he’s tough but fair, and Mickey kinda BROUGHT THE WATERY APOCALYPSE DOWN UPON HIS LABORATORY. But the end credits scene of Yen Sid and Mickey deliberately subverts Fantasia. The Sorcerer’s Apprentice has Yen Sid strip Mickey of the hat, which Mickey doesn’t want to give up. BBS ends on the note of Mickey feeling that, since he couldn’t save his friends, he didn’t deserve the Keyblade (which is the same pattern as Yen Sid’s hat) anymore, and he tried to give it up. Yen Sid instead hands it BACK to him encouragingly, and this is likely where he awarded Mickey mastery. It takes a scene where we’re used to him punishing the naughty trickster and flips it on its head - when Mickey himself thinks he’s finally gone too far and nothing but a failure, Yen Sid wants him to keep dreaming, keep growing, keep learning.

DDD! Yen Sid tests Riku and Sora for Mastery, and ultimately encourages Riku to self-actualize! He assures Riku it’s okay to mix Light and Dark, which is almost UNHEARD of in this universe! He reaches out to Kairi, he allows Lea a second chance - he’s on top of it all!

So let’s get into KHIII. People have said Yen Sid berates Sora too much. And I’m not saying that’s not true. People have said it’s stupid that Yen Sid doesn’t actually act like a “teacher” or introduce a lot of the mechanics from BBS he would’ve known about, like armor or skimmers. And it kind of is. But I think it’s the old KHII sourness that’s bleeding into this interpretation, because honestly...this is not a Yen Sid problem.

This problem affects the characterization of pretty much every main cast member in KHIII.

Sora is now more focused on his own failings than trying to help others (please compare his reaction to Rapunzel to his reaction to Quasimodo back in DDD to see how selfish he’s become). Riku has almost nothing to say or do. Kairi has been watered down - no sense of humor or sass or initiative, to say nothing of the great offensive death scene. Aqua’s time in the Realm of Darkness seems to have had no noticeable effect on her until Re:Mind retroactively patched it in, and her solitude wasn’t explored. Ventus gets barely anything to do or say beyond being a yes-man. The conflict between the Wayfinder Trio? Swept under the rug. Same with Sea Salt, though at least Axel, Roxas, and Xion all feel like themselves, at least. Vexen, whose primary character trait was “grump who hates everyone,” decides midgame that he is no longer grumpy and does not hate everyone. Ansem, Seeker of Darkness? Don’t even get me started; there is no similarity between this ominous harbinger of Master Xehanort’s will and the mad scientist nihilist from KH1. Master Xehanort himself? Has magically gone from “I must explore the Darkness to see what answers of the universe will be revealed when Kingdom Hearts comes, despite the Light acting as a policing force I find unfair” (BBS) to “I hate that everyone acts like a good person but it’s so fake. I want to remake the world and rule over it to make it better” (KHIII). Meanwhile, Eraqus, whose arc centered around fanaticism taken to an extreme that led him to attack his own adoptive child, is now the voice of forgiveness, acting as forgiveness for Xehanort when it was Eraqus’ lack of forgiveness for any slight that kicked off the problem in the first place. I personally love Ienzo as he is, probably because he’s more sincerely happy now and the seeds were planted in DDD for this characterization, but if you add it up, he’s very jarringly different than the Zexion we were used to.

Yen Sid is a victim of the same character assassination that hit pretty much EVERYONE else in this game. Why is he a bad teacher? Because the guy in charge of writing his dialogue didn’t bother to line it up with BBS or DDD for consistency. Why didn’t he show the characters how to do anything worth anything? Because, again, the designers of III decided to switch the BBS mechanics for Attraction Flows and Formchanges without taking lore and continuity into consideration (and for the record, I love Attraction Flows and Formchanges, but we couldn’t have everything, and we need to be aware of the fact that game design dictates a lot of the story; the reason Sora is missing so much power in the first place is because we need to justify starting the game at level 1). At the very least, they allowed Yen Sid to actually travel to the Keyblade Graveyard to rescue his charges when everyone had a betting pool on him “Sitting in his chair doing nothing” during the end times. And that probably involved a lot of haggling over licensing of Fantasia. They at least wanted to show him caring about the others to that degree.

Like I said, Yen Sid isn’t for everyone. If you don’t like him because you just don’t like him, fine. I didn’t come here to try and change everyone’s mind. But I just think it’s a little bit unfair to harp on how much of a “bad teacher” he is in III when this lines up with none of his prior characterization, but lines up perfectly with how much the rest of the cast is bad everything-else.

[brokenmusicboxwolfe]

Day 6 without sculpting...

In a way it’s weird I miss sculpting so much. This near daily sculpting is actually a relatively recent thing for me.

Actually, for about the first 20 years of my life I can count every time I sculpted on my fingers.

My father inspired my first sculpting. Before I was born he’d dug some clay out of the river bank and sculpted a little baseball sized head with marbles for eyes. It facinated me, so at about four I dug some clay out of a ditch and tried to sculpt two full figures. I let them dry on a plank in the summer sun....and they crumbled. Amazingly, one of the heads survives to this day.

In kindergarten we had a cool teacher with his own kiln. Technically he had us making little pots. I used the scrap and made a little alien head with big almost Mickey Mouse ears that he glazed for me and a little alien with loops for arms that I colored with crayons. He left at the end of the year, takng his kiln with him. 

In second grade the new teacher had us make dough art angels. This was an “everyone copy the teacher” deal, so no real self expression. Let me tell you, dough art does not last in this climate. That angel no longer existed within a year. 

My parents gave me some plasticine type clay for my 10th birthday. Unfortunately that sort of clay never can be made hard, and I really wanted something that would “stay”. I barely used it.

When I was in 9th grade the art class had a paper mache project. Or at least they called it that. Really it was a structure out of wire, newspaper and masking tape covered with plaster bandages. I made a dragon, Lockheed from the X-Men in fact, but that was that. No way could I get the plaster bandages myself, and I didn’t care for the rough surfaces.

And that was that for growing up.

The weird thing is, I actually was always drawn to sculpting, but it never occured to me I should sculpt. I loved physical objects that depicted living things and always noticed when stories included sculpting. Heck, I even started writing a fantasy story involving a sculptor and magical sculptures. But actual sculpting wasn’t even a daydream.

And then one day my hands got bored. It was an unusual day, a day off while Pop was away. Free time meant I could do what I wanted. In this case it was to watch a movie (The Brothers Karamazov), read a book (don’t remember what), read a magazine (dunno) and listen to music (forget what)....all at the same time...

Yeah, I’m like that. Always wanting to do several things at once.

 There I was, sitting on the floor, all these things around me, and I noticed my hands were bored. Because hands do get bored. Mine do anyway. Just ask them! Pop had some boxes of clay he’d bought for a project but ended up with some left over. On a whim I decided to try sculpting with this “proper” clay.

I made a little bust, a woman with a flower in her hair and a beastie lying round her shoulders. If you look up pics of it (all my sculpting that exists is on my blog) you will see how crude it is, but at the time I was pleased. I’d expected sculpting to be hard, but this was easy!

But we didn’t have a kiln. Well, Pop had one somewhere out in the shop, but he didn’t know where, didn’t have time to look, and wasn’t keen on me pawing around when it was probably behind some unmovable things.

So that was that all over again, the old problem of wanting to sculpt something that would stay.

And then I discovered sculpey!

Now you would think this would kick off constant sculpting, but it was more fitful at first. The trouble was, I did not want to be watched sculpting. I just wanted to goof around with it, stress free. So what I did was sculpt every time I was guaranteed a solid hour to myself. I’d usually go stand on the ramp outside, sculpey in one hand and an old dull pairing knife in the other and sculpt.  

This is probably why I sculpt so quickly even now. Back then I just wanted to do it unseen, baking as soon as there was anything at all I liked about it. Now fast sculpting is just secnd nature.

After a bit I branched out, making ornaments and getting roped into making a dollhouse doll for a cousin. I also made several dolls that scale for fun and gifts for my family. I also pleased the four year old me by making a Sleestak from memory. I experimented with gluing a face on one of the boxes I’d painted. (Painting boxes was a thing for me for years)  I started running out if space for the busts so I started making magnets and lining all the metal bookcases in my bedroom with faces. 

But during all that I could go weeks, even months, without sculpting. I’d paint boxes. I’d write. But all these things shared a little space of free time. 

We were busy. The fiberglassing business took a heck of a lot of work. There were all sorts of organizations, causes, meetings I tagged along to, obligations to my family. Making takes time, even if it’s just an hour, and back then I never had insomnia so working after everyone went to bed wasn’t an option.

Still, I made things right along until the weirdness happened. For a several years I had a creative block. 

Totally. 

Completely.

 I didn’t sculpt. Didn’t paint boxes. Didn’t write stories. I didn’t even dream at night.

It was hellish. 

I can’t tell you why it happened. I can’t even tell you why it ended. All I can tell you is was if my imagination started to reawaken in 2012, a year that at that time I thought was one of the worst in my life. It started with a painted box here and there. Slowly.

Then 2013 happened, the terrible year of Pop’s illness that made the bad things of 2012 seem pale in comparison. Suddenly I was dreaming, dreaming in overdrive in fact. The dreams  I was churning out boxes as fast as I could paint them to “exorcise” those dreams. The dreams occupied my mind constantly. At night they were like serialized stories night after night, during the day I was like an obsessed fangirl disecting and rerunning her favorite show that just happened to be created by my subconscious.

This frantic box painting lasted until the last stages of Pop’s illness, when it stopped. I haven’t painted a box since. 

In mid to late 2014, the year Pop died, the cousin I made the Beast doll for sent me a letter. Actually, now that I think about it, it was the last time I heard from her. She said she’s shown the doll to someone she knew that had a dollhouse collector store and they said I had talent, that in fact it was as good as many professional dolls. The cousin suggested, now that our fiberglassing business was gone I should take up doll making.

It sounded reasonable, though I completely doubted that “talent” part. But there were problems with this plan. I hadn’t sculpted in several years and didn’t know if I still could. I wanted to make fully jointed dolls, but making them by hand out of sculpey would be tricky to master. Everything I made (and make) is one of a kind and feels like a part of me, so parting with them would be painful. I needed to figure out how make it easier on myself.

I mean, there is a reason I jokingly call my sculpting “making friends”.

And so I got to work. I decided to use my werewolf box as inspiration, figuring that with these wolf people I could make them enough alike it would be easier to part with them, but enough different I wouldn’t get bored. I could learn to make mold from them, and then selling wouldn’t hurt.

This is when I think my sculpting addiction really began. Instead of sculpting occasionally I was sculpting most nights, and would stay up late when making the bodies.

This period of experimentation lasted for a few months, long enough for me to suffer the disapointment of being an outsider exhibiting at an art show with my odd fantasy dolls. I actually WAS making progress. I liked a few of the dolls snd thought in a few more months I’d be ready to go to the next stage, I even bought molding and casting materials to learn to use...

And the floor collapse happened. This started an ever increasing cascade of disasters that continues to this day.

At first I thought the interuption was temporary. By the end of 2015 I’d be back at learning to make dolls...

Obviously this didn’t happen. For months I kept making heads for future doll experiments, complete with metal loops for stringing them on. I even built a storage box to keep them all in. Eventually the room with the box started to go, so I “temporarily” moved it to the other house. It’s there still.

By then I had a sculpting habit. I needed to sculpt. My fingers would twitch around sculpey. Mom would laugh at how on nights where I didn’t sculpt my eyes would dart to the sculpey every few seconds. She would tease me about it calling to me, but it’s sort of right. In 2015 sculpting had become something that I constantly felt I should be doing. 

To be honest, the addiction aspect has only gotten worse with time. 

When Mom was here there were more nights I didn’t sculpt, and if I started sculpting as she went to bed she’d remind me not to stay up late. Since her stroke and her going to stay with my brother I’ve been alone. Alone to watch movies and sculpt, with no socializing to distract me and no one to tell me to stop. 

Now the nights I don’t sculpt are rare (see last November when I sculpted more faces than there even were days in that month because I sculpted more than one a couple nights). The faces stick with me less though, to the point that when I post pics a month later I have actually forgotten many of them already.

I don’t do anything with these faces. I sculpt them quickly, photograph them, wrap them in tissues and throw them into one of the storage boxes I have for them. Those boxes have literally hundreds of faces by this point.

I shouldn’t NEED to sculpt.

 I have spent more days of my life not sculpting than sculpting. I have sculpted more faces in the last year than most people do in a life time. Ignoring the fluke of the one face I sold, I don’t profit by it in any way.

The sculpting is a compulsion, an impulse I can’t resist. I feel a weird guilt and unease when I don’t sculpt. It hasn’t even been a full week without sculpting and it’s driving me nuts. Believe me, I know it’s ridiculous!