#Jeff Yonis

[bens-things]

Bloodfist V: Human Target (1994) dir. Jeff Yonis

[cheddar-baby]

New years chart 🥰 (titles under cut)

Jeff Rosenstock - HELLMODE Yoni Mayraz - Dybbuk Tse! TEKE::TEKE - Hagata Magdalena Bay - Mercurial World Sufjan Stevens - Javelin Dorian Electra - Fanfare Sampha - Lahai Magdalena Bay - mini mix vol. 3 Magdalena Bay - A Little Rhythm and a Wicked Feeling Tears for Fears - Songs from the Big Chair Yoni Mayraz - Rough Cuts Tears for Fears - The Hurting Kate Bush - Never for Ever (2018 Remaster) Magdalena Bay - mini mix vol. 2 CMAT - Crazymad, For Me Doja Cat - Scarlet JPEGMAFIA - SCARING THE HOES Rina Sawayama - SAWAYAMA Chloe x Halle - Ungodly Hour Comanavago - Heart Failure George Clanton - Ooh Rap I Ya Jacaszek - KWIATY Wilma Archer - A Western Circular Andy Shauf - Norm Feist - Multitudes Matthew Halsall - An Ever Changing View Billy Woods - Maps Chini.png - El día libre de Polux death's dynamic shroud - After Angel Dua Lipa - Future Nostalgia Jessie Ware - That! Feels Good! Klô Pelgag - Notre-Dame-des-Sept-Douleurs Le Cri du Caire - Le Cri du Caire Liv.e - Girl In The Half Pearl Madeline Kenney - Night Night At The First Landing SLAUSON MALONE 1 - EXCELSIOR Speakers Corner Quartet - Further Out Than The Edge yeule - softscars Allie X - Cape God Armand Hammer - We Buy Diabetic Test Strips

[taminoarticles]

— Tamino for British GQ Style, Issue 30 / Spring/Summer 2020 (x)

The Romanticist

Merging Arabic sounds with western sensibilities, and high-fashion kudos with thrift-store panache, Belgian singer Tamino is a pop star for our times

Photography Casper Kofi Styling Ben Schofield Text Owen Myers 12 July 2020

If there was a ranking of the pop and rock world’s most eccentric backstage rituals, Tamino’s live performance prep would be up there with the greats. Yup ranking alongside Keith Richards’ requisite pre- show shepherd’s pie, Leonard Cohen’s reverent Latin prayer and the tendency of Madonna, at the peak of her Ashtanga yoga years, to arch her back and let her yoni feel the breeze. Before he walks onstage, Tamino pays specific attention to one standout feature in a body full of them. Well, two, really – the big, bushy eyebrows which hover above his eyes like sentient exotic caterpillars. ‘I brush them!’ he says with a laugh. ‘Before a show I tend to do that, with a brush my friend bought for me.’ Like a toothbrush? ‘Yeah!’

On a grey December day, the artist born Tamino-Amir Moharam Fouad is sitting in the corner of a central London hotel bar which doubles as architectural selfie-bait. A vaguely east Asian interior garden has been constructed, with latticed trellis on the walls, dangling dreamcatchers and glass boxes filled with tufts of moss which bulge like an aerial view of a cartoon forest. The synthetic environment feels an odd match for the deeply felt, hypnotic music that the Belgian-Egyptian Tamino makes, a merging of Arabic music traditions and western baroque pop and indie which his quavering falsetto can elevate into moments of transcendence. At its majestic peak, Tamino’s singing voice flits between semitones seemingly effortlessly, taking cues from the classic vocal ornamentalists of the Middle East. Yet it also can recall the raw emotive heights of Jeff Buckley.

In Antwerp, where Tamino lives with his girlfriend of three years, his music is a cornerstone of pop radio. He was nominated for five awards at the country’s MIA Awards (the Belgian Grammys) for his rhapsodic debut album, Amir, which was released in 2018 and featured contributions from the Radiohead bassist Colin Greenwood. But whether he’s headlining a stadium in his home country or playing to a couple of hundred fans in Manchester, as he did earlier this week, Tamino’s fans are uniformly devoted. He’s got used to hearing their stories of loss, mourning and survival, a communion inspired by the imagistic poetry that his music creates out of life’s extreme joys and sorrows. ‘Maybe because I’m sharing a lot during the concert, they feel like they can share a lot when they speak to me,’ he says.

At a sold-out show at London’s Scala last night, one thoughtful fan presented Tamino with a play of the dialogues between Hades and Persephone, a reference to Tamino’s aching ballad Persephone. The song, an abstracted retelling of the Greek god of the underworld’s union with his abducted bride over a minimal guitar line and sumptuous strings, evokes the knotty intricacies of a modern destructive relationship. ‘You’ve come to love/What you always will fear,’ Tamino intones in moody low vocals, before flipping into falsetto runs that soar above textural vocal layers. A couple of weeks after releasing the song and video in August 2018, Tamino received a DM from another artist fluent in infusing her music with mythos: Lana Del Rey. ‘Your voice is beautiful,’ she wrote. ‘Also, my sister has a photo book called Persephone.’

‘I couldn’t believe it,’ Tamino says flatly. ‘I had to double check ten times. Is this her?’ Del Rey invited Tamino to support her at a special show at Dublin’s beautiful Malahide Castle last June, where he performed at golden hour as the sun cast a glow over an audience of 20,000. ‘She’s very down to earth and grounded,’ Tamino says. ‘She was friendly and warm to everyone in the backstage area. She was too kind, really.’ Tamino was barely out of nappies when he first sung into a microphone. At age three, he travelled with his family to Cairo to visit his grandfather, the famous Egyptian singer and actor Muharram Fouad. ‘It was just for fun!’ Tamino says of his debut on the mic. ‘But it was at his studio, so it was really interesting.’ Fouad died when Tamino was just five years old, but as a young music fan with an omnivorous appetite for sounds, he got to know his late relative through his many cassette recordings, listening to Fouad’s music alongside Nirvana, Tom Waits and The Beatles.

Tamino is a student of Middle Eastern music, and enthusiastically launches into a potted history of the golden age of Arab song, which produced stars like the singer and multi- instrumentalist Abdel Halim Hafez, and Umm Kulthum, who was known as ‘The Voice of Egypt’. ‘Umm Kulthum’s songs would be, like, an hour,’ Tamino says. ‘She would sing two or three songs, and that would be a full concert. [My grandfather Fouad] has beautiful music, but he was making a more popularised version of that, with songs of six minutes.’ Fouad’svocal modulations snuck into his grandson’s own singing style in a kind of cross- generational musical osmosis – the Arabic quarter- notes which Tamino sings today add subtle complexity to his more pop-leaning songs, and foreground the Middle Eastern themes of a song like his devotional ballad Habibi. When recording his debut album, Amir, Tamino recreated the Firka – the Arabic orchestra from the golden age – with the Brussels-based instrumental ensemble Nagham Zikrayat, an orchestra made up of Arabic refugees. Like a traditional Firka, the ensemble follows the pattern of Tamino’s voice to intuit what they will play, rather than rigidly sticking to the printed score in front of them.

The richness of Middle Eastern and Sufi musical traditions has been key to the development of western music. Jeff Buckley once said the devotional Islamic music of Pakistani legend Nusrat Fateh Ali Khan saved his life, and the music of the Armenian- American heavy metal band System Of A Down features Middle Eastern vocal lines and ouds, the 11-stringed Arabic instruments (Armenia is not in the Middle East, but shares many musical traditions with the region). The Lebanese-American surf-rock pioneer Dick Dale’s use of Middle Eastern music scales went on to inspire The Beach Boys. Dale’s propulsive reinterpretation of the Arabic folk song Misirlou, played with an electric guitar instead of the oud, gave rise to one of western cinema’s most iconic coalitions of music and sound when Quentin Tarantino used it in the opening of Pulp Fiction. Other Western artists have been less scrupulous. In the late Nineties, the canonical hip-hop producer Timbaland often relied on uncredited samples of popular Middle Eastern sounds to create his genre-expanding, futurist hip-hop and R&B. The opening strings on Aaliyah’s mega- hit More Than A Woman sample Alouli Ansa , a classic by the Syrian diva Mayada El Hennawy, and Timbaland’s iconic beat for Jay-Z, Big Pimpin’, lifted a beautiful melody by Abdel Halim Hafez. As the writer Hassan Ghanny notes in a Medium article, ‘It was the Middle East which underpinned all of these songs, and the labour of Levantine and Arab musicians of years past which helped line Timbaland’s pockets.’

Given Tamino’s ownership of his musical lineage against a background of Western erasure – he also often plays his grandfather’s Resonator guitar onstage – the singer has become a symbol of proud Arabic identity. ‘It is a blessing, because it’s not what I set out to be,’ he says. ‘I love Arabic music and I’m proud of my roots, so naturally they found their way into my music.’ Last year he played concerts in Morocco, Tunisia and Turkey, and he’s aiming to play in Lebanon this year; he tells me that I ‘have to’ visit Beirut, one of his favourite cities.

Even so, the western media’s focus on his identity has given Tamino pause. ‘I wonder whether it’s a good or a bad thing,’ he says, suddenly pensive. ‘Maybe it’s not that good if it becomes the only focus. It can be used in a different way, which is kind of as the antidote to all the bad news we’re hearing of [Arab] regions. And then using that as, “Look, this is some good news!” I don’t want that to be the only reason why I’m invited on certain platforms. I don’t want people to go, “I don’t really like his music, but it’s important’” – he grimaces – “it’s important to show it.’” There’s something patronising about the idea that he would be used as to fulfil a diversity quota. ‘It’s true,’ he says emphatically. ‘Absolutely.’

As he sits in the bar, sipping bottled water as blissy house music plays, Tamino’s hair falls in perfectly unkempt Timothée Chalamet waves. He wears a plain black T-shirt with high-waisted dark grey Ann Demeulemeester trousers, which seem to be made from some kind of treated wool. I ask to touch the fabric, and they may be the softest trousers I have ever felt: the Platonic ideal of sunday-afternoon dressing. ‘It’s really good fabric,’ he says. ‘I love the flowyness.’

Tamino’s relationship with Ann Demeulemeester started back in 2017, when he was starting to get booked for European festivals on the back of his enchanting early singles Habibi and Cigar .Tamino’s thrift-store togs had worked fine for his early performances on BBC Radio 1 and for talent contests in Belgium (he won radio station Studio Brussel’s 2017 talent competition), but he decided that they wouldn’t cut it on bigger stages. ‘I didn’t want to have the stress of like, “Ahhh, I don’t have anything to wear for this important concert,’” he says. ‘That’s when we approached them.’

A six-foot 19-year old with a jawline that could slice butter? Demeulemeester promptly kitted Tamino out in their autumn/winter line. Helping grease the wheels was the fact that Tamino’smum is friends with a few of the female designers at the label – and they’ve known the singer since he was a child. ‘The head designer, Sébastien [Meunier] is really good,’ Tamino says. ‘I think what they’re doing is so cool. Ann has left the company but I think they’re continuing her legacy in such a beautiful way.’

What does he like about Demeulemeester’s clothes? He pauses for a moment, furrowing those hedge-like eyebrows. ‘I can only say that when I wear the clothes I feel fully like myself,’ he says. ‘I find it really important just to go about my day really feeling at ease, and definitely when I’m on stage. I’ve felt it before when I’ve gone on stage and I wasn’t really feeling what I was wearing. I didn’t like it.’

The wider fashion world has been quick to follow. Tamino starred in the Missoni menswear SS19 campaign (Gisele was his womenswear counterpart) and spent his 21st birthday shooting in New York with photographer Harley Weir. ‘I don’t have ambitions in [modelling],’ he says. ‘But the things that have happened naturally in the fashion world, I do appreciate them. I love to go to fashion shows. I go to Ann, and Yohji Yamamoto as well. That’s also one of my favourites. It’s crazy – you’re wearing art.’

Yet Tamino’s most memorable look came from wearing hardly anything at all. In the video for his 2018 single Tummy, he appears as a nearly nude pharaoh swarmed by followers, wearing a chest plate and liquid eye make-up styled like the Eye of Horus, the Ancient Egyptian symbol of royalty and protection. Oh, and he’s covered in gold body paint which took 90 minutes to apply to every crease and crevice of his skin. He looks like a cross between Rameses II, a living-statue busker, and a Quality Street wrapper. ‘I find it a very funny image,’ he says. ‘When you talk about Egypt, it’s logical that people [think of] ancient images – the Pyramids, the pharaohs. Of course, that’s not what Egypt is today.’ The aim of the video was, in part, to poke fun at lazy stereotypes of Egyptian culture.

Amidst Tummy’s figurative lyrics of bugs, angels and ‘flying in the sky like cupid’, the song is also unapologetically about sex, which is appropriate given that, in the video, his bare flesh is smothered by anonymous hands in a kind of orgiastic ecstasy. ‘It’s referring to the return to the animalistic when you’re involved in a sexual act,’ he says, with a shy smile creeping onto his face. Sounds fun! ‘Yeah, it is,’ he says, before laughing. ‘You lose all your pride, all your dignity in a way, because you’re not really controlling human consciousness.’

Yet beyond bodily pleasures, the song taps into feelings of inadequacy that might be relatable for any listener who’s felt undeserving of their partner or like an imposter at work. ‘It’s like you must [...]/ Have a lust/For making something of me,’ he sings as orchestration swells. ‘Sometimes you feel like you’re not worth certain gifts you’ve been given,’ he says. ‘And that could be anything, you know?’ It’s a startlingly humble pronouncement from a star on the rise, an admission of self-doubt that is bred out of most musicians in media training and cautioned against by coddling publicists. How often does that feeling rear its head? ‘It’s not ever gone and it’s not always present,’ he says.

Tamino’s struggles are expressed even more plainly in the ominous ballad Indigo Night , where rippling strings evoke the turmoil of a mind that won’t quieten. In a music video inspired by the mind-bending surrealism of Egypt’s 1940s Art et Liberté movement, he sings with desperation: ‘Why can’t I sing along with some feeling, or some meaning?/It feels like I’ve always been blind.’ He wrote the song in a period of personal upheaval, when he moved from the quiet city of Antwerp to the relative bustle of Amsterdam, at the age of 17, to study at Amsterdam Royal Conservatory, one of Europe’s most prestigious musical colleges.

‘For me it’s a song about awakening,’ he says. ‘I had moved, and for me it was a big, big step. I was not at ease and feeling a bit apathetic. A bit indifferent to everything that was happening.’ He’s since learned coping mechanisms for low points. Meditation is helping him feel more at ease in his skin; he starts each day by listening to Waking Up , the mindfulness app from the neuroscientist and philosopher Sam Harris. And he often returns to his favourite book, the Lebanese- American philosopher Kahlil Gibran’s collection of prose-poems, The Prophet. ‘There’s one [passage] that’s been really important to me,’ he says. ‘It’s like that you show your love of life through work: “work is visible love”. I think that’s really beautiful.’

Before setting off on a US tour this spring, Tamino has a couple of months of downtime in Antwerp. He recently bought a house in a multicultural area of the city, where he lives with his girlfriend, and he’s continuing to study Arabic, with the help of the Duolingo app. ‘Every time I do something that brings me closer to this culture, I feel good,’ he says. ‘It feels like a reconnection.’ He’s also working on new music as well as continuing to learn the oud, which he’s been studying with the help of a Syrian teacher in Antwerp. ‘It’s actually the ancestor of the guitar,’ he notes of the oud. ‘It’s beautiful.’ It can feel today like international relationships between cultures are especially fractious, when politicians across the world run on campaigns to strengthen borders and put up walls. The cross-cultural conversation embedded in Tamino’s music may not solve the problems of an increasingly divided world, but it might offer a roadmap of how music can inspire honest and respectful cultural exchange. But that’s for Tamino’s audience and critics to decide. His own goals are rather more humble. ‘Fame is not an ambition of mine,’ he says. ‘But just to be able to do this, and play in venues all over the world, and meet people...’ he trails off, smiling. ‘I think it won’t get better than that.’

[selena-tyler-564]

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[socialwicked]

Social investment platform eToro to acquire fintech startup Gatsby for $50M – TechCrunch

Multi-asset social financial investment community and Robinhood competitor  eToro  has signed a definitive agreement to receive  Gatsby  — a fintech startup which also aimed to go head to head from Robinhood — for $50 million in a money and widespread inventory    offer   . 

  Israel-based mostly eToro told TechCrunch this week that it just received acceptance from FINRA, the   Financial Industry Regulatory Authority, to move ahead with the acquisition. The corporation to start with filed for regulatory approval in December of 2021. 

  Jeff Myers and Ryan Belanger-Saleh co-founded Gatsby, a fee-totally free solutions and inventory-trading application aimed at more youthful traders, in 2018. The pair had one particular prior prosperous exit in Dealtable.com, a social information area system.  

  TechCrunch claimed on the New York-centered startup’s    $10 million Collection A increase    in mid-March 2021. Backers include things like Techstars Ventures, Beta Bridge Cash, Barclays Lender, SWS Enterprise Funds, Rosecliff Ventures, a community of “super angels” put by ClearList and an oversubscribed SeedInvest campaign. 

  Gatsby’s focus on buyers are Gen Zers and millennials, and it advised me that it aimed to give people “a safe and sound and reasonable system to trade on devoid of buyers owning to stress about receiving in in excess of their heads or remaining shut out of names when volatility spikes.” Its application released into iOS and Android in early 2020. 

  The company’s full 20-man or woman workforce will be signing up for eToro. 

  Yoni Assia, eToro CEO and co-founder, explained to TechCrunch that the invest in   would allow for his corporation to broaden the assortment of its U.S. merchandise, which these days is focused on stocks and crypto. 

  “The integration of Gatsby will allow us to present U.S. buyers with a risk-free and easy way to trade solutions, and give them extra versatility to use new approaches,” Assia reported. “We consider that options can give retail investors prospects to crank out returns in today’s a lot more hard marketplace atmosphere. Scaling our U.S. organization is a essential purpose and we are excited to be partnering with the Gatsby workforce.” 

  The exit absolutely seems to be a excellent final result for Gatsby and its traders. 

  Gatsby co-founder Jeff Myers instructed TechCrunch that the startup was not “  preparing to finish the Gatsby story fairly but.” 

  “But the solution and vision in shape among Gatsby and eToro was simple,” he claimed. “We’ve very long admired Yoni and the crew he’s created and are very fired up to carry on our journey together with eToro.” 

  Ryan Belanger-Saleh, Gatsby Co-CEO, echoed Myers’ sentiments. 

  “They’ve genuinely been the pioneers of social investing and we have often considered of them as the neat more mature sibling we’d really like to dangle with,” he explained in a composed assertion. 

  E  Toro has grown impressively in the latest a long time. The business at this time has much more than 30 million registered consumers located in around 100 nations. That’s up from 10 million at the conclude of 2018, 12.3 million at the conclusion of 2019, 17.5 million at the close of 2020 and 26.9 million at the conclusion of 2021. Its selection of funded accounts stands at in excess of 2.7 million.  

  The firm generated overall commissions of $1.2 billion in 2021, growth of in excess of 400% in comparison to 2019, in accordance to Assia. 

  For its component, Gatsby claims it has found approximately 900% advancement in its average month in excess of month choices agreement volumes since the commencing of 2020. 

  The acquisition marks eToro’s fourth key just one because its 2007 inception. It previously obtained expense tracking application    Delta       Marq Hundreds of thousands Ltd.   , a U.K.-primarily based e-cash small business which assisted it develop and start    eToro Funds   , its e-cash account and    Firmo  ,  a sensible contracts/blockchain enterprise that turned eToro Labs, the fintech’s in-household blockchain innovation and R&D device. 

  In March of 2021, eToro declared    programs to go general public    by using a merger with SPAC FinTech Acquisition Corp. V in a huge $10.4 billion transaction. Whilst the transaction was meant to near in the third quarter of 2021, eToro declared in July that the agreement experienced been    terminated   .  

  “Due to the latest market place problems, we’re remaining private,” Assia explained to TechCrunch. “  We go on to see turning out to be a community enterprise as aspect of eToro’s long term and will wait for the suitable option to take this future move.” 

  M&As in the fintech entire world  have been on the decline, so the eToro/Gatsby deal is a vibrant spot in a calendar year full of ups and downs.

  Meanwhile, Robinhood’s inventory has taken a beating as of late and the business has    laid off    about 1,000 people since the start out of the year. At the time of publication, the business was buying and selling at around $10.90 after hrs, substantially reduce than its 52-7 days higher of $52.06.

https://socialwicked.com/social-investment-platform-etoro-to-acquire-fintech-startup-gatsby-for-50m-techcrunch/

[rhetthammersmithhorror]

Humanoids from the Deep | 1996

[moviesandmania]

HUMANOIDS FROM THE DEEP (1996) Reviews and overview

HUMANOIDS FROM THE DEEP (1996) Reviews and overview

‘Your deepest fears will surface’ Humanoids from the Deep is a 1996 American science fiction horror film about death-row inmates who have been mutated by military experiments – the intention being to make “amphibious soldiers” (!). Some mutants escape and thrive due to a growth hormone – “Synestin Rogeman” – which is being illegally dumped into the ocean by a local fish cannery. The movie is a…

[diyeipetea]

Romain Pilon: Falling Grace (Jazz&People, 2022) Por Juan F. Trillo [Grabación de jazz]

Romain Pilon: Falling Grace (Jazz&People, 2022) Por Juan F. Trillo [Grabación de jazz]

No hace mucho Tomajazz ofrecía un adelanto de este álbum del trío dirigido por Romain Pilon en la sección de minipodcast JazzX5, concretamente con el tema “Side Car”, que Miles Davis grabó en 1979. Es una buena ocasión para conocer la música de este guitarrista que ha decidido elaborar su séptimo álbum versionando temas firmados por nombres reconocibles (Davis, Hancock, Monk, Wheeler,…), si bien…

[artblooger19moon]

Nina the killer [ Nina Hopkins ]

Nina was once a normal fangirl of Jeff the Killer but turned into an insane and remorseless serial killer after one horrible day at school. Chris wouldn't mind the obsession and would look up to his sister, they both got along quite well with the occasional nickname Nina gave Chris like "Prince" for his appearance being oddly similar to the common fairy-tale.

Her and her brother Chris were attacked three times by a few bullies (the ring-leader being a slightly older girl by the name of Claudia, and her associates Malcolm and Yoni). The mention of Chis getting beaten up by the bullies is the ultimate trigger to break Nina's sanity. Nina killed Yoni with a iron rod and Malcolm & Claudia ran away.

They came home , Nina was looking for bleach when suddenly Jeff appears and pours Nina bleach and set her on fire. she wakes up with the bandages to reveal her face, the same face as Jeffs, she starts to sow her eyelids and carve a smile on her face. Her mom found her and then Nina killed her mom. She went to Chris’s room and asks if he wanted to join her, he said yes, that’s when Nina plunges the knife deep into Chris' chest, covering his mouth with her hand. Before her brother took his last breath, she whispered, "Go to sleep, my prince"

Nina catchphrase is “ Go To Sleep, my prince “

Nina the Killer [ Nina Hopkins ] belongs to Alegotic-twelve @alegotic-twelve

[tvandenneagram]

Dynasty (2017): Monica Colby - Type 6w5

Monica is loyal, supportive and blunt. She has an extremely close bond with her brother and wants her family to be happy.

At her best, Monica is committed and accepting of those around her (integrating to 9). She is a good friend to Fallon and is willing to hear her out and support her sometimes elaborate ideas and schemes. She is also willing to fight for the people she loves and we can see how far she will go to support Jeff.

At her worst, Monica can become angry and calculating. She is willing to help Jeff when he is trying to marry Fallon for his plan to bring down Blake. She is able to pretend to Fallon that they are still friends in an effort to enact the plan which shows her true feelings at the time-that she wants to destroy the Carringtons for what they did to her father and family.

Monica has a strained relationship with her mother as she abandoned their family and Monica resents her for leaving both her and Jeff. While Jeff is welcoming and happy about her return, Monica is much more skeptical and tries to keep Dominique at a distance from herself. Monica questions Dominique’s motives for coming back and believes that she only came back for herself and not to reconnect with her children. Compare this to how open she is when her father Cecil is released from prison, as she believes he is honest and trustworthy rather than merely using her children for her own gain.

Monica decides to open her own club and focus on building her business. She is ambitious and has an interest in music and managing a club. She is very hands on with the club and likes to be in control of all the finer details regarding the club. She is competent at her job and shows a good level of planning when establishing the club. She sees the club as something very important and special to her and she feels betrayed when Culhane uses her club for his work with Ada and ultimately ruins her event by forcing an evacuation.

Monica has a wing 5 as she is quite reserved and introverted. She seems more outwardly calm than a 6w7 may be.

Tri-type: 6w5 - 4w3 - 9w1

Some quotes to describe Monica’s motivation:

“Does this girl have some kind of hypnotic yoni or something?”

“Did you pack your mother of the year trophies? I'll shine them with my ass.”

“You, Blake, should never start a sentence with believe me.”

“And the fact that she almost burnt down Carrington Manor?”

Colby: “She committed fraud, and she knows it.” Monica: “And you didn't? You played the same game, you just can't admit that you lost.”

Monica: “I'll admit she's as flawed as they come but making her pay for her father's mistakes? That just means you and Blake are cut from the same cloth.” Jeff: “I am nothing like Blake Carrington.” Monica: “No. If you go through with this, you might be worse.”

[arsonforcharlie]

uck-fay ad-squay ecap-ray

this is absolutely delicious pumpkin monkey bread that my friend ruined by shoving a bowl of glaze into my hand and saying “want some ghost cum!” (the lemon bars are from me)

sergei: “extra jizz for dippin’!” saida: “mm, jizzy! i’m a jizzy bitch!”

“get the fuck out of my house, leave your jizz balls.”

“you didn’t investigate that office at all! i even demonstrated it wasn’t trapped or anything by sending sergei in first!” sergei: “that’s really clever! too bad we aren’t!”

sergei: “he wears mermaid cut wizard robes.” (on a discussion on how everyone knows tarand, the incredibly powerful elven wizard, has a bangin’ ass)

there was also a massive discussion about whether or not pudding cups exist in my universe. (they canonically exist in eurolia because the party did find one when they were stealing lunches out of people’s offices but haven’t made it over to voight yet.)

sergei: “five snakes! that’s the best number of snakes!” rhonia: “actually, it makes eight snakes.” sergei: “aw.”

the break into erris’s office. maddela steals her gems, the mayor chain, and a vial that once held bloodroot. she also steals a swatch of carpet and fucks up the rest, glues her drawers shut, sets up a scroll of color spray in erris’s secret gem box that’ll go off when she opens it.

sergei gets looking through the books and finds a copy of the book that saida hucked in the river, this one without the underlining. he also asks if he finds anything to do with horses and finds another book. “it’s like the equivalent of pony pals but in fake fantasy times. old. probably from her childhood.” sergei: “aw, that’s sweet. i’ll steal it.”

meanwhile, while keeping watch, yoni puts a huge shard of glass from the greenhouse in the bag of trading, gets a bag of sand, throws it on the street. “......why?” yoni: “cause chaos, wherever we go!” “yeah, stick it to the man, sand on the street, total anarchy!”

yoni: “i have an idea!” rhonia: “tell me your bad idea and we’ll workshop it.” yoni: “so we find a dead body....”

i try to keep a straight face while she just slams out with one of the possible ways i had written before the session they could get the murder evidence out into the public while not saying “hey it’s us we did a theft”

maddela: “can i look through the guild charter to see if they ever get audited?” “THIS IS A ROOTIN-TOOTIN ADVENTURE”

sergei makes a little free library with two poetry books, one of which is soggier than the other, and they combine it with geocaching.

they also have a long discussion about how there being a verse underlined in one copy could be a message before shooting it down because they’d just use page and line numbers, as though this was not a puzzle written by someone who knows the puzzles for toddlers get a bit intense sometimes

rhonia goes to jace the necromancer to get him on their side.

“just eating potato skins with your hands at 4 AM. like necromancers do.”

he confirms that planning to plant the evidence on a dead body is the best way to go

when they leave the sewers, the inn they were staying at is on fire. rhonia, about the inkeeper who absolutely had a name that was not mrs. doubtfire once upon a time: “did she.... doubt....... the fire?”

“hello, it’s me, criminal jim! jiminal is what they call me in prison!”

maddela: “we just need to huck jason into the fire!” saida: “just dj jazzy jeff him in there!

yoni: “we’ll just rub some charcoal on the skeleton!” saida: “it’s like distressing an antique credenza!”

they tell jason to pose with the mayoral chain in the fire, and then they go back to jon bovi and wake him up like GOOD MORNING JON BOVI IT’S TIME TO READ, YOU’RE A CRIMINAL. He looks over the book, confirms their suspicions that it’s some sort of signal to do with the death of the mayor, and agrees to try and find the tattoo artist that has them playing pranks

yoni: “you know how the crime life is, can’t make long-term plans.” sergei: “like dinner.”

[cheddar-baby]

Cheddar's AOTY 2023

Titles under the read more

1. HMLTD - The Worm 2. Sampha - Lahai 3. Kara Jackson - Why Does The Earth Give Us People To Love? 4. Kali Uchis - Red Moon in Venus 5. Dorian Electra - Fanfare 6. Sufjan Stevens - Javelin 7. Underscores - Wallsocket 8. Jessie Ware - That! Feels Good! 9. Dev Lemons - Delusional 10. EABS - In Search of a Better Tomorrow 11. George Clanton - Ooh Rap I Ya 12. Marina Herlop - Nekkuja 13. Ana Frango elétrico - Me Chama De Gato Que Eu Sou Sua 14. Yoni Mayraz - Dybbuk Tse! 15. Maruja - Knocknarea 16. O. - Slice 17. CMAT - Crazymad, For Me 18. Magdalena Bay - mini mix vol. 3 19. Oneohtrix Point Never - Again 20. JPEGMAFIA - scaring the hoes 21. Paramore - This Is Why 22. McKinley Dixon - Beloved! Paradise! Jazz!? 23. Billy Woods - Maps 24. SLAUSON MALONE 1 - EXCELSIOR 25. Fever Ray - Radical Romantics 26. Chini.png - El día libre de Polux 27. Shame - Food For Worms 28. feeble little horse - Girl With Fish 29. Geese - 3D Country 30. Lauren Auder - the infinite spine 31. urias - HER MIND 32. Yves Tumor - Praise A Lord Who Chews But Which Does Not Consume; (Or Simply, Hot Between Worlds) 33. Speakers Corner Quartet - Further Out Than The Edge 34. The Go! Team - Get Up Sequences Part Two 35. Jeff Rosenstock - HELLMODE 36. Rebecca Black - Let Her Burn 37. Doja Cat - Scarlet 38. SPARKLE DIVISION - FOXY 39. Ballaké Sissoko - Les Égarés (with Ballaké Sissoko, Vincent Segal, Emile Parisien & Vincent Peirani) 40. Genesis Owusu - STRUGGLER 41. 100 gecs - 10,000 gecs 42. grouptherapy. - I Was Mature For My Age, But I Was Still a Child 43. Ukandanz - Kemekem (ከመከም) 44. Meitei - Kofū III 45. Liv.e - Girl In The Half Pearl 46. Feist - Multitudes 47. Le Cri du Caire - Le Cri du Caire 48. katie dey - never falter hero girl 49. CHAI - CHAI 50. Yussef Dayes - Black Classical Music

[ib2se]

The B:sides-Playlist 2020-02-10 @ Radio Vättervåg 98,5 Mhz

This week: Elk Drive

starter: 'B:zväng' TextMix & reading af MrZ Komposition & Produktion af SkåneJokke Lütz [0:41]

💿 All Albums from Chant Records 💿 1. [5:49]

Eyal Talmudi Quintet – AYALON ZAFON Performed by Eyal Talmudi, Sefi Zisling, Uzi Feinrman, Gilad Abro, Aviv Cohen Composed by Eyal Talmudi Arranged by Eyal Talmudi Produced by Eyal Talmudi and MOMO sessions Engineered by Uri Barak – MOMO Recorded at Kicha Studios TLV PEACE

2. [2:57]

Felipe Hostins – É pra Sorrir Performed by Davi Vieira (percussion), Felipe Hostins (Accordion – Bass) Composed by Felipe Hostins Arranged by Felipe Hostins/Davi Vieira Produced by Felipe Hostins/Jake Owen Engineered by Jake Owen Recorded at Jake Owen’s Home Studio

3. [3:41]

Koby Israelite – Sultan Suleyman Performed by Koby Israelite Composed by Koby Israelite Arranged by Koby Israelite Produced by Koby Israelite Engineered by Koby Israelite Recorded at Bamba Studios, London

4. [3:15]

Koichi Makigami – Kurubushi Performed by Koichi Makigami vocal, cornet, Khomus-ukulele Composed by Koichi Makigami Arranged by Koichi Makigami Produced by Koichi Makigami Engineered by Koichi Makigami Recorded at 1714 studio in Atami Japan

5. [5:08]

Kretzmer/Ajemian/Shea – The Kiss Performed by Yoni Kretzmer – tenor sax, Jason Ajemian – double bass, Kevin Shea – drums Composed by Kretzmer/Ajemian/Shea Arranged by Kretzmer/Ajemian/Shea Produced by Yoni Kretzmer Engineered by Jim Clouse Recorded at Park West Studios

6. [4:18]

Laushaus (Kyle Sanna, Jonathan Goldberger, Todd Sickafoose, Mathias Künzli) – Elk Drive Performed by: Kyle Sanna – guitar Jonathan Goldberger – guitar Todd Sickafoose – bass Mathias Künzli – drums Composed by Laushaus Arranged by Laushaus Produced by Kyle Sanna, Mathias Kunzli Engineered by Jeff Hill Recorded at The Stable

7. [4:33]

Lemon Juice Quartet (Eyal Maoz, Avishai Cohen, Shanir Ezra Blumenkranz, Kevin Zubek) – Qua Performed by Eyal Maoz – guitar Avishai Cohen – trumpet Shanir Ezra Blumenkranz – bass Kevin Zubek – drums Composed by Eyal Maoz Arranged by Shanir Ezra Blumenkranz and Lemon Juice Quartet Produced by Shanir Ezra Blumenkranz Engineered by Martin Bisi Recorded at B.C. Studio from the album REPLUBLIC

8. [4:19]

Sharabi feat. Frank London & Deep Singh – Roma (Electric Hot Pot Mix) Performed by: Frank London – trumpet, flugelhorn Deep Singh – dhol, tabla, dholak & percussion Brian Drye – trombone Lynn Ligammari – sax Booker King – bass Tony Lewis – drums Jeremiah Lockwood – guitar Brian Marsella – keys Rob Curto – accordion Traditional, Arranged by Frank London & Deep Singh Produced by Frank London & Deep Singh Engineered by Jeremy Scott Recorded at The Civil Defense Published by Nuju Music, BMI & Deep Singh, ASCAP From the upcoming CD ‘SHARABI’ Mixed & Mastered by Deep Singh

9. [1:52]

Shimoni Street Children’s Orchestra – Embryons Desséchés Performed by Shimoni Street Children Orchestra Composed by Erik Satie Arranged by Shimoni Street Children Orchestra Produced by Shimoni Street Children Orchestra Engineered by Shimoni Street Children Orchestra

10. [4:46]

Tarana (Rick Parker & Ravish Momin) – Natrang Performed by Rick Parker- trombone/synths; Ravish Momin- drums, electronic programming, samples Composed by Ravish Momin Arranged by Ravish Momin/Alap Momin Produced by Alap Momin Engineered by Phil Weinrobe Recorded at Figure 8 Recording Mixed by Alap Momin @ Uptown Mixers, Harlem, NYC 2017

11. [12:59]

Shrine Umbrella (On Ka’a Davis) – ” Scene # 9 / I Am Near You “ Performed by: On Ka’a Davis (Conduction, Guitar) Valerie Kuene (cello) Will McIntyre (vibes) Daniel Jodocy (electronic turntables) Naomi Watanabe (percussion) Peter Barr (drum set) Cavassa Nickens (electric bass) Albey Bogosian (electric bass) Nonoko Yoshida (alto sax) Avram Fefer (alto sax) Jason Candler (tenor sax) Nick Gianni (tenor sax; flute) Welf Dorr (bass clarinet) Tom Chess (ney) Composed by On Ka’a Davis Arranged by On Ka’a Davis Produced by On Ka’a Davis Engineered by On Ka’a Davis Recorded Live at the Stone, NYC, October 22, 2012 On Mu Music (ASCAP)

1 jingle incl tune from Kmag #107 af Loopmasters Samples & 2 jingles from B:sides on Spotify

  Veckans BibelVers: “Come to me, all you who are weary and burdened, and I will give you rest. Take my yoke upon you and learn from me, for I am gentle and humble in heart, and you will find rest for your souls.” ~ Matthew 11:28-29 🎧

Drink Espresso - God bless U! /MrZ :)

www.ib2.se Soli Deo Gloria

All Photos: MrZ ~ Wättern.se

Join Generation XYZ @ gen.xyz 

GDPR Z

(via https://open.spotify.com/playlist/3hjzi7VthQQ6NZOcG9c1M7?si=mUEgLNj8RZC9SELlzdWBRA)

[nickmahar]

Last year I shot an incredible 22 minute oner with NO camera tricks, edits, or anything. Check out the full film my story or @theawfulkindmovie and if you want more info, check out the long write up on my website coming soon!!! Please share if you enjoyed it!! . . . . . Executive Producer: @Laurentelegdy Director: Justin Taite Story: Justin Taite & Nick Finch Line Producer: @gillianentin Production Manager: Emily Finch 1st AD: @theryanhaynie 2nd AD: @aliadomino Director of Photography: @nickmahar Movi OP: @steaditoby 1st AC: @johnny_sharpz 2nd AC: @sophieeuhh Gaffer: @jseiler09 BBE: Taylor Huddleson Key Grip: Luis Batres Sound Mixer: Hilary Stewart Wardrobe Stylist: Rebecca Houser Wardrobe Assistant: Robert Kent James Makeup Artist: @juliedahle_ Makeup Assistant: @NikkoAnthony Prop Master: Tyler Weschta, Jordan Snyder Horse Trainer: @equuspolo PAs: Jeff Shoemake, Nick Bauer, Wendy Taite POST PRODUCTION Post Production Supervisor: Briana Norman Editor: Yoni Reiss Colorist: Nicholas Hasson Sound Design: Sledge Hammer, AJ Shapiro, Philip Young, Tricia LInklater VFX Supervisor: Chris Fregoso Compositor: Demitre Garza 3D Artist: Joseph R. Poteet 3D Tracker: Alex Tirasongkran Original Score: Tangelene Bolton Original Song: @alanasweetwater And of course our INCREDIBLE cast @thenickfinch, @iamalejandrobravo, @andypagana, @alexlynnward, @keeeithhh, @vzion8, @chrisoffinch, @cm_schwartzy @chloecarabasi . . . . . #cinematography#screengrab #dop #cooke #doplife #cameraoperator #videoproduction #filmcrew #directorofphotography #shortfilm #red #oner #onetake (at Big Sky Movie Ranch) https://www.instagram.com/p/B3YOkhal2Ql/?igshid=fupoowtatfb8

[dieswaytoofast]

If you get a chance, check out the insanely good - and sustainable! - sushi (and other stuff!) at https://www.rosellanyc.com/. It's, quite possibly, one of the best dining in the city right now 😋.

Seriously! 🤯

The wizards - Jeff and Yoni on each side do wonders with the fish, and TJ in the middle curates (I know. That word 🙄. But it applies here!) a ridonculously awesome wine/sake list.