#Jyeshta Nakshatra

[marsprincess889]

JYESHTA

The battle, the loneliness and the cost of victory

Mercury ruled, Mars's sign.

A very lonely nakshatra indeed. Jyeshta means "the eldest" and it's also known as "the best". But what does that all mean?

To understand Jyeshta, we have to remember that it's fully in the sign of Scorpio. The previous nakshatra- Anuradha, also fully in Scorpio, is its yoni consort. Scorpio is the natural ruler of the 8th house of death, transformation and the occult. It's shrouded in secrecy, yet Jyeshta nakshatra still manages to be one of the most notorious lunar mansions.

Jyeshta's symbol is a round protective talisman or an umbrella. It's ruling deity is Indra- the lightning god and the king of the gods, who is covered in eyes and thus sees everything. The goddess associated with Jyeshta is Dhumavati- an old hag who's always hungry. Jyeshta natives are known for their success in the material realm, but little do most know that there's a lot more to it than that.

We begin the story of Jyeshta with a somewhat outcasted underdog. They're not that understood, they are independent by nature, and most importantly, they do not trust a soul. Why so defensive, some might ask, but that's the eyes from which Jyeshtas see the world. Despite humble begginings, they're usually not pitied or treated as a victim. Since they do not like asking for help, they rarely get it, and honestly, that's the way they like it.

The underdog enters the world stage, immideately attracting attention because they do not follow anyone else's rules, but rather- their own. They have their uniqueness that protects them. Combat by combat, they defeat each and every one of their opponents and soon are seen as a new threat. With that comes jealousy, with jealousy comes resentment and/or respect. With all that comes fear. Jyeshta's power is "to rise, conquer and gain courage in battle". The battle is life, but what does it mean to rise and conquer? How does one outsmart their opponents? The answer is you simply do not fight them.

When you view someone as an opponent you automatically set yourself up for losing. The opponents are equals but since you're an individual and since you know that you can't trust anyone but yourself, why would you play by their rules? Why would you equate yourself to them? Jyeshtas honor their own uniquness by protecting their energy (mercury rulership, very similar to Ashlesha) and learning their lesson from the previous mercury-ruled nakshatra- Ashlesha, they only engage in a fight with worthy opponents. Jyeshtas know they're only one worthy opponent for them and that's themselves. So, they just work on being better and better, not getting distracted by petty and unimportant squabbles, literally rising above the unnessecary conflict and thus conquering everything they rose above.

But is success all there is to life? Jyeshta is the survivor, always thinking about the next step and enjoying the independence despite being so widely disliked because of their difference, because of their uniqueness and success. Sure, they're content being themselves, but as natural loners they struggle with emotional intelligence, hence their reputation as insensitive jerks for masculine people or rude bitches for feminine people.

A Jyeshta story- The Queen's Gambit

I want to analyze a fictional Jyeshta story that has been brought to life on screen- The Queen's Gambit. The writer of the novel - Walter Tevis had Ketu in Jyeshta nakshatra. Ketu represents your stored primal creative energy, past lives, the past in general, the father's lineage and a person's daemon. A daemon is basically the opposite sex version of you who is the personification of your creative and sexual energy. Walter Tevis wrote about the archetype of a Jyeshta woman, making her the protagonist of his story. Considering that I haven't read the book, I'll analyze the Netflix series that it inspired.

Chess overall is a very Jyeshta game. It's a competitive sport but it requires concentration, intelligence, discipline, talent and skill. If you make one miscalculation, then you're lost.

SPOILERS AHEAD

Our protagonist, Beth Harmon, begins as an 8 year old girl who lost her mother and was taken to an orphanage. There she never looked at elders the same way that others did, having a critical mind and an independence and uniqueness to her that set her apart from others from an early age. She was exceptionally good at maths and unusually so, considering her age. One day, she goes into the basement and finds the custodian_ Mr. Shaibel playing chess with himself. She's immideately drawn to the game and doesn't leave him alone until he explains the rules. Since then, she's hooked.

She eventually leaves the orphanage, getting adopted by a childless couple at 15. She already thinks like an adult and treats her new mother's authority like it's nothing and she's not really challenged in that. Jyeshta is the stage where you're the authority, you're the only one who's responsible for yourself, you're the eldest, the wisest and that energy makes others want to depend on you in one way or another. It's where you find the strength in yourself to make everyone else submit. So, Beth started to earn money by playing chess. It's important to note that her new mother had a drinking problem and despite that, Beth didn't drink herself before she thought she deserved it. Only after achieving some success does she slowly start getting addicted to substances, her addiction increasing as her success grew bigger.

Being the best in the game was not exactly easy for Beth, as she struggled with her love life. Jyeshtas are often not concerned with the emotional aspect of life, despite having a certain sensuality to themselves. They're naturally closed off and because of that many people find them mysterious. They won't hesitate to to attack anyone though, but their every move is calculated and planned.

Beth was bullied at school and that's a common Jyeshta theme (see my The Princess Diaries post) but she never paid any attention to it and later we see the mean girl she was at school with living a completely different life than her- the one that she would not want. The scene perfectly captures the difference between the Jyeshta archetype and the masses. Jyeshta is focused on winning, defeating themselves and by that defeating their opponents so they have little time for anything else. In contrast, her high school classmate was married and with a child, living a typical suburban American life.

In another scene, we see her success and loneliness turn to arrogance and rudeness as she encounters and old opponent, friend and ex-lover who was living a simple life and showed his contentment with that. That shows a more negative and quite a sad side of the Jyeshta archetype.

She hits rock bottom, starts to lose her focus and at the last minute, when she has no money to fly to Moscow for the tournament, a helping hand comes in. We'll get into why she accepts that help.

Her helper was her childhood friend from the orphanage_ Jolene, who was snarky and honest to her from the start. It's very telling that she was Beth's first friend. Jyeshta is a full-circle moment, it's the growing into your own power after you've defeated your past self, after you've managed to move on from past pains. When Beth had had closure with Jolene and after attending Mr. Shaibel's funeral, she goes into the orphanage and enters the basement. She sees how he had all the newspaper pages about Beth taped to the wall. Beth breaks down and cries. After confronting the core part of herself, she accepts help from Jolene because she's already healed that part of herself, so she'll have no unwelcome ties with Jolene, only the one she chose. She's conquered herself from that time and now is free to rule it. The only thing that was left to do was to go out there and be herself, because after you defeat yourself, there's truly no one else to defeat.

She defeats the Soviet champion and and makes peace with all parts of herself. When she's about to leave Moscow Beth gets out of the car and takes a walk, truly enjoying life. With the war with herself behind, she remembered why she's so good at chess, because she truly loves it so much. She enjoyed the competition and the tension, she loved the battle. There was no reason not to, not when she was unafraid of being who she was. After all these combats, she realized that there was only one real enemy-herself, and defeating that enemy requires bravery, the strength to bear the hardship and skill, a lot of skill to survive and all of that based on cunning.

When you realize that, the world is your oyster. It's all a game, and it's your game, you're alone.

She sees a big group of old men playing chess with each other in a park. Beth stops by, and the men, recognizing her, invite her to play. Beth sits down, smiling, knowing they'll both enjoy the game she takes her gloves off and says...

If you liked this PLEASE like, comment or reblog, or even message me. If you have jyeshta or if you know them or if you like The Queen's Gambit, definitely let me know what you think. This was a bit stressful, considering my ketu is in jyeshta and it was not easy to dig into the deepest parts of myself. This series came out while i was going through a ketu antardasha that shook me to the core and it spoke to me so much. Anyways, thanks for reading, love you and take care 🤍.

[ngl1221]

Can vedic astro girlies help me?

So, I have quite recently started dabbling in vedic astrology so I don't know a lot about it but I had a question which I couldn't find answer to anywhere, even on google and reddit. I hope someone helps me with it.

So, I have Rohini sun in 8th house and my moon in Jyeshtha in the 2nd house. which are both very opposite. but I don't know how they work together or what these placements mean.

Could someone please help me understand this? Thanks in advanced

[greentee-1]

Need more info on jyeshta nak bc it’s my Ak ❤️🤪🤠& I hardly know anything about it

[venussaidso]

Mercury Dominant Themes — 𝐍𝐚𝐤𝐬𝐡𝐚𝐭𝐫𝐚 𝐎𝐛𝐬𝐞𝐫𝐯𝐚𝐭𝐢𝐨𝐧 𝐒𝐞𝐫𝐢𝐞𝐬 𝐩𝐚𝐫𝐭 𝟖

It seems to be a theme in Revati where all the wealth that has been accumulated from the Uttara Bhadrapada stage is easily accessed, but the native must be deemed worthy or in alignment with this sacred wealth and very often they are (but they gotta prove it usually). Profound, universal secrets are quietly recovered in Revati where elevating/ascension is easily achieved (whether through wealth status, spirituality, surpassing mental limitations etc).

The 12H activates so perfectly in Revati by draining everything away to remind us of those secrets so that we 'wake up' again.

I'm going to use monetary wealth and inheritance for my observation, not spiritual, so bare with me.

Revati reminds us of the duality of privilege and hardship, which is either emphasized in this nakshatra or tends to be taken for granted (how such 12H harsh lessons will come in).

We can see how Revati is the 'nepo baby' nakshatra, but there's more to it if we extend this theme a bit more.

Revati being extremely wealthy while also being a nakshatra about humanity & community further validates it being a universal sign (Pisces).

We can look at the story; The Prince & the Pauper written by Mark Twain who is Revati Moon.

The story is about two boys, the prince and the pauper, who switch places and briefly experience each other's lives. The prince experiences the struggle of a commoner's life, and the pauper gets a taste of the responsibilities of the royal life. This makes them have a deeper understanding and even empathy for each other and others alike. Revati emphasizes the shared humanity of all of us, and that's why this nakshatra tends to use their wealth to give back to communities; going into foreign lands to help others that cannot be helped. This proves them being worthy of their wealth, which is now something that can be maintained and even elevated.

Gaining inheritance but only through challenging conditions is something that I associate with Revati. This falls into them proving themselves worthy of the given wealth or learning to put their ego down to be properly nourished.

The film The Bachelor (1999) is about a man, who is fearful of commitment, is made aware that the only way to inherit his grandfather's wealth is by finding himself a bride. The guy is literally commitment-phobic, but he must change his ways. He is played by a Revati Moon.

It's very interesting that films regarding family monetary/asset inheritance have (Mercurial) nakshatras which trine Revati. For example, the film The Descendants (2011) has a plot where the main character is considering on selling a pristine piece of land that has been passed down throughout generations in his family. The director of this film is a Jyestha Moon.

Or the film Inheritance (2020) stars an Ashlesha Moon who plays a character whose father dies, unfairly leaving her with a small inheritance of $1m compared to her brother - played by a possible Ashlesha Moon - who received $20m.

Unfortunately, she also inherits a lifetime of deception and deadly truths that her father left her to deal with. So, we can see how this trope looks on the flipped side where inheritance can be a curse. Mercury nakshatras are the last to deal with the (family) baggage that tend to be passed on from their family, and they're usually the ones to put an end to curses or cycles. Mercury nakshatras, in the general, are the last stage where all matters from the Jupiter/Saturn nakshatras are dealt with & released. In the film, the deceased father is interestingly played by a Vishakha Sun, Purva Bhadrapada Moon.

Actually, circling back to the film The Bachelor (1999), the deceased grandfather who's willing to pass his wealth to his Revati Moon grandson is actually played by a Pushya Moon, Punarvasu Ascendant. I find that Saturn nakshatras can make things challenging for Mercurial nakshatras, not wanting to let them off too easy. Giving them challenging conditions regarding inheritance. Sometimes, Jupiter/Saturn nakshatras can play a role in which they take advantage of vulnerable, Mercury nakshatra natives.

This is seen in the film Rain Man, which was literally directed by Revati Sun AND Jyestha Moon, Barry Levinson.

The film is about two brothers who reunite after the death of their father. The greedy, selfish brother played by a Pushya/or Punarvasu Moon who realizes that his father left his entire estate to his autistic savant brother who is played by an Ashlesha Sun. The Pushya/or Punarvasu Moon brother kidnaps the Ashlesha in hopes to get him to share his inheritance with him.

Now, very interesting how Mercury nakshatras can be born into wealth but it can all be drained away from recklessness, arrogance, or for a lesson for the natives. Going bankrupt, being dethroned etc. can be Revati/12H themes that make us go boundless, by taking everything away which we held onto most of our lives. It makes sense why the 12H is said to be co-ruled by Ketu. Nakshatras trining Revati can also have these themes extended to them.

The film 'Material Girls' is about two heiresses to a multi-million-dollar company who approach life very recklessly and arrogantly. One day a scandal they get involved in causes the downfall of their family reputation and they shift into a life of being penniless and homeless.

The film stars Jyestha Moon, Hilary Duff, and her sister, Haylie Duff, who has her Mars&Venus in Revati. And the movie is literally directed by Revati Moon, Martha Coolidge.

Another movie to mention is the very first Thor (2011) movie, in which the main character - an arrogant, reckless royal prince - is stripped of his powers and banished from his home. He lands on Earth, powerless and ordinary, where he learns humility and what it truly means to be a hero before reclaiming his status. The main character is played by Ashlesha Sun Chris Hemsworth, and the movie is directed by Jyestha Sun Kenneth Branagh. LMAOOO I MISTAKENLY WROTE JYESTHA MOON IN THE PIC

Now, onto Disney Princesses.

What do these three movies have in common? There's a commonality in their respective storylines. Rapunzel, Princess Aurora, and Princess Anastasia all have a period in the plots where they are not aware of their royal lineage or rightful place on the throne. It becomes a central narrative to move the stories towards these characters finally remembering who they are. 12H themes are at work again here, as 12H will strip you of your identity and create even more confusion of the Self. The 12H is also about remembering who you are again, being reminded of where you belong. These characters are so incredibly Piscean/12th house in nature that of course they can only be voiced by Revati natives!

Tangled (2010) — Mandy Moore voicing Rapunzel

Sleeping Beauty (1959) — Mary Costa as Aurora

Anastasia (1997) — Meg Ryan as Anastasia

Live-action version of Princess Aurora has been played by Elle Fanning; very fittingly lmao.

There's a Barbie Rapunzel movie and Rapunzel was interestingly voiced by a dominant Revati stellium.

And Rapunzel in the Shrek version was voiced by someone with two Ashlesha placements (I know, not the best example but having two repeated nakshatras make them dominant imo).

As I've mentioned, nakshatras that have the same nakshatra lord can share the same themes because they trine as a result, so they're closely connected. But Revati is the face of this post, just btw.

From what I gathered, Revati teaches humility, empathy and compassion. Revati is a nakshatra that sees humanity in all, and this trope is well embodied in the Prince and the Pauper story. Revati teaches us how class and wealth creates illusions of separation, and so the 12H takes that thing you believe 'separates' you from others so that you are reminded of the truth. Reminded, is the key word, because the truth has already been realized Uttarabhadrapada, where self-liberation and abundance is achieved. In Revati, you forget the truth that freed you in Uttarabhadrapada. So, Ketu will remind you (Pisces/12H co-ruled by Ketu) and it will hurt (the process of remembering hurts, but the aftermath is so freeing). But things can go the Disney Princess way, where you have to find your way back to yourSELF. This is how we see Revati natives losing themselves, especially in love, just to forget to remember (which is the whole point of life/humanity... EXACTLY WHY REVATI IS A UNIVERSAL NAKSHATRA).

[youremyheaven]

The Astrology of Appearance

Every planet is associated with a certain feature in Vedic Astrology and I thought it would be interesting to analyse it!!

MERCURY (forehead)

these natives tend to have large, prominent foreheads

(L to R)

Sonakshi Sinha, Ashlesha Moon

Tyra Banks, Jyeshta Sun

Rihanna, Revati Moon

Angelina Jolie, Revati Moon

MARS (eyebrows)

these natives tend to have very little space between their eyes and eyebrows and their eyebrows itself tend to be long and straight, without any arch

(L to R)

Natalie Portman, Mrigashira Sun

Kim Kardashian, Chitra Sun

Cara Delevingne, Mrigashira Ketu

Adriana Lima, Mrigashira Sun & Chitra Moon

(L to R)

Sandra Bullock, Dhanishta Moon & Mrigashira stellium

Kate Upton, Mrigashira Sun & stellium, Chitra Moon

Brooke Shields, Mrigashira Moon

Audrey Hepburn, Dhanishta rising

JUPITER (nose)

These natives tend to have a long and tapered nose. Their midface is often kinda long.

(L to R)

Denise Richards, Vishaka Moon

Kali Uchis, Punarvasu Sun

Shakira, Punarvasu Moon

Sofia Vergara, Punarvasu Sun & Moon

(L to R)

Evan Rachel Wood, Purvabhadrapada Moon

Katrina Kaif, Punarvasu Sun

Laura Prepon- Vishaka Moon

Carmen Electra- Punarvasu Moon

VENUS (cheeks)

Venusian natives often have prominent cheekbones and really full cheek apples.

(L to R)

Keri Russell- Purvashada Moon

Christina Ricci- Purvashada Moon

Stella McCartney- Purvaphalguni Sun

Taylor Hill- Purvaphalguni Moon

Bipasha Basu- Bharani Moon

(L to R)

Iris Apatow- Purvashada Moon

Adele- Bharani Sun

Aishwarya Rai- Purvashada Moon

Uma Thurman- Bharani Sun

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Tumblr only allows 30 images per post so look out for pt 2 <333

[bambinambi]

The cost of betraying one's self

For the last three years, I've felt like I had to relearn who I was, relearn lessons that were imbued upon me from childhood (through self-reflection as an adult), I've had to relearn societal rules (through awkwardly fubbling through social interactions), and whether I even want to abide by these social rules or not. More and more, I start understanding my past self and accepting her after years of rejecting and being embarrassed of her, as I come back into myself. But I feel like I began navigating this rebirth in the wrong manner.

I approached it in a manner in which I believed there were objectively a right and wrong way of doing "life", in part due to having befriended certain people that thought that who I was, how I thought and how I sought to navigate the world were wrong because it did not make sense to them, but also by accepting and internalising their critiques instead of recognising them as very strong subjective opinions. While I could be very stubborn, I also had a porous mind. I feel like it is in my nature to be attracted to anyone who wants to bestow me with any new knowledge or different perspectives that I can mull over, being a mrigashira native. The only issue was that instead of giving me new perspectives, they belittled and ridiculed my thought processes. And I knew that they were opinions to begin with, but the more I recognised that the world around me agreed with them, the more I started to question whether how I perceived the world around me was "correct".

I watched a video by Claire Nakti that spoke about people copying you/stealing your destiny, and she gave an analogy that went along the lines of, "when you decide to take in information that someone else has discovered, instead of eating the fruits of knowledge that they consumed, you end up eating the excrement of the people who ate the fruit" (I said it in a far my crass manner but you get the gist of what I'm saying). Not only do you not take in the full knowledge or wisdom, but you will also often misinterpret what you are hearing and seeing, and subsequently impose these incorrectly understood lessons and ideas onto your life, and potentially others, because you have not made sense of these lessons from your own point of view, nor attained the wisdom, through experience, attached to these lessons. But not only that, you end up not living out your own destiny by attempting to steal another's. This is probably why incredibly wise people are usually portrayed as very old in media. Someone that has lived that long has had many many experiences but also the time to learn and wisen due to them.

I'm not going to speak on this too much because ultimately, you could always just go watch Claire's video for more information on Ketu and Rahu, and it's relation to making sense of the world with the knowledge you came into the world with, and also your own acquired wisdom that one gains as you navigate the world. Going back to my own personal story, I will not say whether my friends interpretations of the world were "correct" or "incorrect", or whether now that I'm in a different state of mind, I agree with them. What I will speak on is the danger of betraying oneself in the pursuit of really anything. For me, it was the pursuit of social acceptance and assimilation into spaces that may not have been for me and in spaces, that I myself may not have wanted to be in, if I were being honest with myself.

We all likely have friendships in which we have much in common with our friends, and also differ in many ways from. I've always wonder why I had friendship groups in which we differed in many ways, and this always fascinated me, and I could never make sense as to why our friendships worked. Maybe I enjoyed these friendships because they always had people with differing ideas to that of my own that made me really "think" and question my own view points, that's these friendships were stimulating, as I am a person that loves to question. My friendship with these two particular friends hinged on a shared love of similar music and interests as most friendships do but differed in how we perceived the world greatly. Instead of agreeing to disagree, my friends sought to change my perspective through belittling, triangulation, and bullying. I recognised that I wasn't happy in the friendship, but I stayed in that relationship, longer than I should have, due to fear of being alone. COVID came around, and I thought I would spend the year 2020 "fixing" myself, as many other people sought to do. I threw myself into a ton of psychology content so I could psycho-analyse myself and effectively learn where I needed to improve in myself and my approach to my interpersonal relationships. What made the whole process near impossible, is that I was dealing with a severe case of moral perfectionism, in which I thought that the times in my past in which I had caused harm to people, were like blemishes on my being that I could never get rid of, like they would haunt me for my entire life, and would never be able to separate myself from having been that person. You can't move on from past versions of yourself if you think you'll always be tethered to them. Also, trying to take in all this knowledge, that didn't resonate with me at the time, was also incredibly overwhelming, but also useless, and I could never incorporate what I learnt effectively into my life, because it did not come naturally to me. I honestly blame myself for having bought into the ideas surrounding cancel culture, because if you're not willing to forgive and allow someone to move on with their lives after having made past mistakes, how can you do that for yourself?

I also really got into astrology, so I could learn how to read my birth chart with the sole purpose of understanding what my flaws and shortcomings were in this lifetime so I could correct them. I had spent a great deal of my adolescence being bullied by age-mates and even past friends and I think these experiences also informed this idea that there had to be something fundamentally wrong with me to have experienced all of it, and that if I could dig into myself and expel it from my being, I could subsequently be treated better by the world.

Slight sedgeway from the video, but I want to say that once, I was speaking to my mom, and I asked her if I should change my approach on a specific situation I was experiencing, and she told me not to allow people to change who I am, meaning don't allow other people's behaviour towards you change who you are, and how you would react to a situation. By allowing someone to influence your behaviour, or "matching their energy", you're giving someone else power over yourself, and how you would actually react to a situation if you were being your authentic self, which could be a big price to pay for simply wanting to stroke your ego. Also, when you have to answer for your behaviour or words, you'd feel a lot more confident in your past actions by actually believing in what you've done and said, instead of it coming from a place of fear, in some cases, or ego.

So, getting back to trying "to fix" myself; in trying to do so, I think I experienced the actual death of my mind and soul. I should mention that I have always had a habit of ridding myself of the past to make way for who I want to be in the present (I'm not sure if this is due in part to my heavy pluto influence in my chart), example, I always liked getting rid of old art because I had discovered a different art style. And so my nature of always wanting to start completely anew or on a clean slate had ultimately bit me in the ass, because in my bid to "fix myself", I found that I had rid myself of everything about my being; my personality, my opinions, my temperaments, the things I cared about, the things that drive me.

I really didn't know who I was or what I believed in. I had no idea what kind of person I was even trying to work towards being because I sought to destroy the foundations, that I had taken years, leaving me with no real basis to start with but also leaving me an empty shell or husk.

I spent a year and a half in a state of derealisation and depersonalisation. I existed in a state of limbo. When you experience depersonalisation and derealisation, it's like being underwater. You can't process information as well. I honestly don't know how I got through my third year in that state. You're never really present, and even when you perceive things going on around you, you sense these things, but sometimes you don't really process them in your mind. It's like the saying, "going through one ear and out the other." I think it's relevant to mention that I had no hobbies and I found that I struggled listening to new music, in fact I found myself wanting to listen to music that my dad would play when we were children, almost as a form of comfort, but also (and this ties back to the whole premise of this post) as if I had regressed to being a child again. When I came out of that state, I found that I had to relearn a lot of things, that I most likely knew before but just couldn't remember, almost like I was starting over again, from the beginning.

And by the way, this is not a sob story. I knowingly betrayed myself by being in a relationship with people who I knew did not truly like or accept me for who I was but I unknowingly betrayed my soul by completely destroying the growth that I had made up until I would said my 19th year. And why I mentioned Claire Nakti's video earlier is because ultimately, what I would like you take away from this message, is that on the one side, there is a lot to learn from others, but in your pursuit of knowledge, make sure that even when you seek to learn from others, that their messages resonate with you, so as not to be led astray. Also, become comfortable with walking the path less travelled, especially when it resonates with you. I was so set on being accepted that I completely neglected the voice that told me that the ideas being imposed onto me didn't resonate with me, that I didn't actually like the people I desperately wanted to approve of me, that who they were was not who I wanted to be, nor wanted to be associated with anyway. Essentially, if you've ever been through what I've been through, my advice to all of us, actually really for anyone, is to worry less about whether you're getting it "right", and to worry more about whether it feels right to you.

Subsequently, making this discovery also made me wonder how I would raise my children, like would I act as a guide or assistant. Growing up, my parents furiously imposed their beliefs onto us as children, which I subsequently rejected, not only because it didn't make sense to me at the time, but also because I needed to gain my own understanding to really develop these beliefs for myself. And so the way I think I'll go about parenting my children, is to gently advice them, so they would be more accepting of the advice but also try to ensure that I'm giving them these lessons in a manner that they can understand and make sense of for themselves, and not be frustrated when they decide to make decisions that go against my advice because ultimately, people learn better from experience than being told what to do, especially children. Life isn't a test, it's an experience, you're allowed to fuck up, you're allowed to become a different person overnight, don't rush the process, because ultimately, the destination will be there when you finally get there.

It almost feels like I am having a similar experience to Bella Baxter from 'Poor Things', in the sense of discovering the world, one' s self, how the world reacts to me and how I subsequently react to the world, anew. The only difference being that I had a detailed understanding of my past self, that made my relearning of myself and the world staggered, as I desperately attempted to cling onto who I once was, once I realised that I had completely destroyed the version of myself that I loved and respected. In pursuit of social acceptance and really, self-acceptance, I had completely forgotten how much had gone into me being who I was and how hard I had worked to become that person. Bella Baxter had the advantage of not having any reference for who she was "meant" to be. The friends she met on the boat and in France liked her for her uniqueness. It makes me very cognisant of the saying, "When you attempt to be like someone else, you're robbing the world of yourself." It's very true. So, while I would never advocate for complete isolation, I would say, try to process things on your own, without outside opinions or potential influences.

[radiantlight9]

Jyeshtha, the eighteenth Nakshatra in Vedic astrology, embodies the energy of seniority and authority. Its shakti is the power to rise above conflicts and establish dominance. The parasol or umbrella is a status symbol, also signifying protection and sovereignty. Individuals born under Jyeshtha can be assertive leaders (at their best), capable of navigating complex situations with wisdom and decisiveness. They possess a natural gravitas that commands respect and often excel in positions of power or leadership roles. Jyeshtha encourages harnessing inner strength to overcome challenges and maintain control in all aspects of life.

[jyeshindra]

Astrology Testimonials (I)

Hey y'all! I'm doing a new series on my blog where I document my personal testimonials of how I have experienced my particular placements. This way, other people can gain insight on how astrology manifests for the individual and those who share similar placements may compare.

On being Jyeshta Moon

A big theme with Jyeshta is authority and power. Jyeshta often rises to some position of authority over the course of their lives (Naomi Campbell, Donald Trump) and if they don't this theme of power/authority will present itself somehow.

For me, I have always witnessed power being abused! Whether it was in my own home or in work environments, this has repeatedly come up in my life. My father controlled the emotional climate in my home but was cold and emotionally absent. He misused his authority as a parent to control and constrict his home and failed to fulfill the duties of his role (no shade, Dad! Love you!)

When he passed away, I learned about his secrets from my mother and through the events that took place after. Mismanagement of our finances, adultery, and other scandals emerged, which continued this theme in my life. More happenings of my father misusing, abusing his authority. My mother isn't entirely innocent either but I won't shade her here (lol).

I was hungry for money when I came of working age and came in and out of a lot of different fast food positions. I would rise to the position of manager quite easily (another Jyeshta theme) and constantly witness my bosses and fellow managers mishandle or abuse their power. (iykyk, ff industry can be very toxic and abusive)

Because my father passed away at 13 and I learned his secrets between that age and 15, I spent much of my teenage years having this deep awareness that power could be misused. I would see it in institutions, in my teachers, at school, among my peers. In the world...hell, everywhere! Also, as a black person, I am no stranger to systemic oppression--another abuse of power. This too has given me a lens to engage these Jyeshta themes.

Such experiences then manifested as a deep mistrust of authority and by extension, my own authority. I have a difficult time believing people in power and at times have an unhealthy amount of skepticism within my mind. I feel at times I have seen too much. It can make me hopeless and almost corrosive inside. Thankfully, my Pisces sidereal placements (Revati) balance out my cold pragmatism.

All that being said, I am changing. And I am making space for a different framing of power. I am reclaiming my own now as I enter young adulthood (I am 22 years old!). I will always have a bit of a thirst for power. I can't describe it. I just know I'm meant for it. It suits me. And I know that all these insights on how power has been abused has cultivated a deep belief that if power chooses me, I will try to wield it responsibly.

So, I do everything with intention. Everything. I lead with intention. I love with intention. I speak with intention. I pray with intention. I manifest with intention. I do my best to be mindful and aware.

Those who use their power over others do not understand themselves. There is something in their hearts that is wounded and something in their minds that distorts their cognition. Wielding your power to abuse, lie, cheat, manipulate, hide, extort, abandon, indulge, etc. is an indication that healing is necessary. Rehabilitation is necessary. A change is needed--more love, is needed. And if that change is not sought, karma will come. This, I believe.

-jyeshindra

[marsprincess889]

Vedic astro mini post

Jyeshta: The Great War

I've said multiple times that Jyeshta is related to war (power to "rise above and conquer", arohana shakti).

Today for some reason I'm once again overcome by its beauty. I know it's not known partcularly for its beauty, but it is beautiful. Probably because it's my Ketu nakshatra, and Ketu is exalted in Jyeshta.

Jyeshta is solar, in that it is a major point of individuation, partularly in the material world, as so is lonely and independent in nature, but it's in Scorpio(8th house), it knows the horrors of losing yourself in another.

It's the survivor, the underdog, the hero, even the b*tch with trust issues, the grumpy eldest sibling.

Anyways, I don't know what I'm saying. Jyeshta natives, or ppl with atmakaraka or Ketu in Jyeshta, pls interact, comment, tell me how you relate to this, tell me anything. Be a grumpy genius with trust issues 😭🤍

[lychee-angelica]

planets in the mercury ruled nakshatras 📃☁️

~ a summary of the planets placed within the mercury ruled nakshatras ~

✩°｡⋆⸜ ₊🎧

ashlesha (16.40 - 30 cancer), jyeshta (16.40 - 30 scorpio), revati (16.40 - 30 pisces)

ღ this is based off my personal observations and research, so if it doesn’t resonate please let it go ღ

vedic birth chart calculator

the nature of mercury bestows analytical, intellectual qualities. the mercurial nakshatras reside within water signs, creating very yin, sensitive and mystical natured people. mercurial qualities shine in ashlesha and jyeshta, however mercury is debilitated in pisces. i have noticed that mercury loses influence of analytical and intellectual qualities in revati, the nakshatra of spiritual liberation

note: one mere placement does not dictate everything about yourself and your destiny. this is a guide on the general outcomes of planetary placement through mercury nakshatras ~ so many other factors are in play 🐾

꒰ა ♡ ໒꒱

ashlesha (16.40 - 30 cancer) the underworld paradise, the embracer

ashlesha is symbolised by a coiled serpent, pertaining to the intense and mystical nature of this nakshatra. ashlesha is hypnotic, clinging, supernatural, cunning, sensual, intense, natural occultists and seductive. serpents may induce fear in common people however they will never harm a mystic

ascendant in ashlesha ~ these people have a mysterious, hypnotic and intense aura, they are attractive and seductive people, charismatic and intelligent, reserved and deceptive, sometimes can make one cruel or highly egotistical

moon in ashlesha ~ highly emotionally intelligent, insightful, charismatic, hypnotic and very attractive, intense emotional nature, may make some deeply insecure, can make one deceptive, manipulative or an emotionally clinging person, highly attuned to the supernatural and mystical forces of nature

sun in ashlesha ~ hypnotic, intelligent and calculative, someone who conceals their true intentions, powerful, intense and mesmerising people, may make someone hold tightly onto a self-created identity or image and places efforts into maintaining their image

mercury in ashlesha ~ highly intelligent and cunning people, someone who can absorb themselves in a topic making them fast learners, their intelligence is alluring and charming, inclined toward occult and magic research, engages and lures others with their thought and ideas, sharp and analytical minds

venus in ashlesha ~ very attractive and charismatic people, alluring, highly devoted and intense lovers, very high libido, sometimes can make one stay in toxic relationships for too long, these people can have others wrapped around their finger, can indicate one’s lover attractive, charismatic and sexual, these people can have a love for luxurious possessions

mars in ashlesha ~ very attractive and charismatic, very high libido, highly sexual, protective and territorial, sharp instincts and psychologically tactical when provoked, mars is debilitated in cancer, so mars can be insecure about not living up to one’s potential and desperately clings onto their goals, lessening the potential of mars to achieve

jupiter in ashlesha ~ highly wise and knowledgeable on occult, magic and universal law, great ability to tune into higher consciousness, highly absorbed into spiritual and religious teachings, jupiter does wonderfully here as it is exalted in cancer

saturn in ashlesha ~ supressed sensual pleasures in life, dispassionate, struggles in ones life are intense and immense, highly perseverant and enduring, tight grasp over one’s ambitions despite short comings 

꒰ა ♡ ໒꒱

jyeshta nakshtra (16.40 - 30 scorpio) the power wielder, the foremost 

jyeshta is symbolised by an umbrella and a talisman, eluding to themes of shelter, status and magic. jyeshta is ambitious, mentally sharp, power-hungry, defensive, intense, combative, honourable and inclined toward the occult. billionaires are never satisfied with how much wealth or power they accumulate, they need more as though they are starved

ascendant in jyeshta ~ mature disposition, intolerant of dishonour, receives and expects respect, prone to envious people, heightened senses, self-made and hard-working, courageous and strong character, seeks security through elevating one’s status

moon in jyeshta ~ very heightened senses, intuitive, inclined toward mysticism and occult, nervous, responsive, forceful and impulsive emotional nature, possesses an aura of capability and confidence, withdrawn and prefers seclusion, habit of emotional concealment, naturally competitive, defensive nature. moon is debilitated in scorpio making one insecure, overly stimulated and high strung, can also make one verbally aggressive and deliver emotionally cutting words

sun in jyeshta ~ highly self-reliant, self-made people, confident and authoritive, can be egotistical, highly assertive, ability to achieve high status, precise and orderly, justified and fair people making them highly respectable, ambitious, can become an expert

mercury in jyeshta ~ logical, strategical, analytical and intelligent, cunning and witty people, speech may be harsh and cutting, the mind is very precise and calculative, communicates in secret, utilises their words and intellect to defend and protect themselves, good at intellectualising occult information

venus in jyeshta ~ possessive and jealous, attracts people who are envious of their looks, partner, wealth or possessions, highly lustful and sexually potent people, attracts lustful desires from others, intense lovers, creates a clinging or overwhelming nature in love, love for mysticism and occult

mars in jyeshta ~ driven and courageous people, highly motivated to achieve, intolerant of dishonour, precise and harsh expression of their energy and actions, competitive and assertive, highly wilful, analytical, strategical and calculative, lustful and sexually potent, fond or intrigued by weapons and/or military/police forces

 jupiter in jyeshta ~ self-learned people, abundant knowledge of the occult, spiritual and mystical people, research oriented, strong-willed and assertive, may rely on their senses, impulses and prediction when faced with adversity, highly intuitive, authoritative and responsible people

saturn in jyeshta ~ great at risk assessment, structured, orderly and sharp minds, rises steadily to power and achievement, concentrated and analytical people, determined and ambitious, patient, strategical and authoritive people

꒰ა ♡ ໒꒱

revati nakshatra (16.40 - 30 pisces) the nourished, the abundant

revati is symbolised by a pair of fish and a drum, pertaining to the serine, companion-like and rhythmic nature of this nakshatra. revati is internally wealthy, prosperous, compassionate, spiritually elevated, moral, musically inclined and devoted. guiding light of maternal support to the less fortunate and innocent

ascendent in revati ~ these people are sweet and gentle, highly spiritual and internally enriched, transcendental and dreamy aura, artistic and creative types, generous and non-discriminative, moral, loving and supportive nature

moon in revati ~ motherly, empathetic and deeply compassionate, very spiritually inclined, sweet, friendly disposition, artistically and creatively talented, emotionally generous, sincere, imaginative, dreamy nature, although these people are sweet they are almost immune to other’s deceits, can make someone overly sensitive and soft

sun in revati ~ high moral compass, sweet and friendly, highly spiritual, artistically self expressive especially musically, highly creative, inspiring impact on others, highly supportive of others, insightful people, the egotistical nature of sun can make one feel as though they know better than others

mercury in revati ~ sweetly spoken, may have very pretty handwriting, creative, good at creative writing, highly imaginative, love for socialisation, may struggle with being analytical and logical as mercury is debilitated in pisces

venus in revati ~ enriched romantic nature, musically and artistically talented, very beautiful and attractive people, compassionate, sweet and empathetic, peaceful nature, divine and spiritually inclined, romantic and sensual, fond of wealth and possessions, venus is exalted in pisces so this is a wonderful placement 

mars in revati ~ also indicative of musical talent and creativity, one gently speaks with authority, good intention, may have an unfulfilled need of parental-like affection, suppresses mar’s sometimes harsh and competitive nature

jupiter in revati ~ highly spiritual, intuitive, plenty spiritual knowledge and wisdom, strong moral compass, well intentioned people, inspiring and acts as a guiding light in the eyes of others, dreamy people

saturn in revati ~ restrains and delays one’s path toward spiritual liberation and bliss, although through their patience and dedication one will reach their destination, devoted to spiritual or religious teachings and attaining prosperity, lack of nourishments in terms of parental-like affections are also seen 

unknown art source ૮ ◞ ﻌ ◟ ა

[luckshmi]

Happy Moon in Jyeshtha 💗

[thehiddenoctave]

Planets through Krittika Nakshatra & Atma-karaka

Read Venus in Krittika, Mars in Krittika, Jupiter in Krittika, Mercury in Krittika all in my patreon!

These descriptions are also valid for atma-karaka venus in krittika, atma-karaka mars in krittika, atma-karaka Jupiter in krittika and atma-karaka mercury in krittika

[moonastrogirl]

💘 Some important tips for each Nakshatra : Never to Do Tips 💘

DISCLAIMER The author name is at the end. I do not remember where I found it unfortunately (it was in my notes app for months fr 😭) tho I know I am supposed to share my knowledge as much as I can and not be a gatekeeper so here it is . I hope it will help you (if you know the author let me know too with the name down below) 💜

Ashwini : Never loose an opportunity to help people in your life, you will meet and learn some very important techniques from a reputed and respected person.

Bharani : Do not share your secrets with anyone. Self control is must.

Krittika : Stand by Truth. Do not entertain, liars, fakers or cheaters or not even try to possess those traits.

Rohini : Don't get too much attached with anything, attachment will cause havoc.

Mrigashira : Do not get disconnected with your parents or family.

Ardra : Learn to work under distractions and pressure. Stay calm in chaos.

Punarvasu : Never disobey Dharma (purpose), always stick to your commitments, you get divine support of universe.

Pushya : Do not ignore your family or your dear one needs while handling bigger responsibilities or social cause. Take out time for them.

Ashlesha : Never misuse your power & Never Curse anyone.

Magha : Never ignore your Pitris (your ancestors). Always do charity in their names.

Purva Phalguni : Avoid getting too much indulgent in pleasures, do your duty faithfully.

Uttara Phalguni : Never break your relationship & Be Kartavya Prayan (loyal).

Hasta : Never get carried away with failure, that's ladder of success for you.

Chitra : Never doubt your potential & don't act impulsive, else you will end up hurting with self.

Swati : Do not poke powerful authorities. Try to stay away from leg pulling.

Vishaka : Never leave the Marg of Bhakti (total faith and devotion) & Keep remembering Bhagwan (the Most High/God).

Anuradha: Never get distracted with too much darkness, sooner or later it's worth experiencing.

Jyeshta : Never misuse your authorities & power, one single mistake can ruin everything.

Mula : Don't get panic, when burdened with lots of negativity, that's the process of bringing clarity, like storm before calm.

Purva Ashadha : Not every war is to win, some are supposed to lift you up. In both victory or defeat you gonna be the same.

Uttara Ashadha : Following Dharma (career/purpose) is right but having a superiority complex can harm you in longer run.

Shravana : Tied up with lots of responsibilities & helplessness, we are born to live or die for a divine purpose, just give your best.

Dhanishta : Never boast or avoid beating the drum of success before its completion.

Shatabhisha : Never sell your soul for gains and profit. Things will turn negative for you.

Purva Bhadrapada : Never rush into conclusion cause what looks on the surface might not be real, try to see deep within. There lies solution.

Uttara Bhadrapada : Simplicity beautifies you, wear it and own it.

Revati : You are the Messenger of God & Bhakt (faith/worship/love). Showing path to directionless people is your real gem. Never sell superstition or blind faiths.

Author :

Mann ki Baat Trishna

Note from the author : Above points are just an observation with my best of understanding.

[rabiosantologia]

⸻ 𖤓 | VEDIC ASTROLOGY MASTERLIST (Vol. 1)

→ Volume 2 | Volume 3 |

NAKSHATRA ASSOCIATIONS

NAKSHATRAS AND ANIMAL SYMBOLISM

NAKSHATRAS AND THEIR PLANETARY RULERS

RULING PLANETS OF THE NAKSHATRAS AND DEITIES

A MINI EXPLORATION OF YANG ABUNDANCE

YOUR PUBLIC LIFE VS YOUR PRIVATE LIFE: THE 10H–4H AXIS

10H LORD IN KETU NAKSHATRAS (ASHWINI, MAGHA, MULA)

10H LORD IN SUN NAKSHATRAS (KRITTIKA, UTTARA PHALGUNI, UTTARA ASHADHA)

10H LORD IN RAHU NAKSHATRAS (ARDRA, SWATI, SHATABHISHA)

10H LORD IN VENUS NAKSHATRAS (BHARANI, PURVA PHALGUNI, PURVA ASHADHA)

10H LORD IN MARS NAKSHATRAS (MRIGASHIRA, CHITRA, DHANISHTA)

10H: THE HOUSE OF PROJECTIONS, JEALOUSY, AND SOCIAL MEDIA

INDICATORS OF SUCCESS IN HIGHER EDUCATION

☾ | ALL ABOUT THE MOON/CANCER | ♋︎

MOON DOMINANT MEN: “DEEP AND MYSTERIOUS”

SUN NAKSHATRA MEN || MOON NAKSHATRA MEN

SUN NAKSHATRA MEN vs. MOON NAKSHATRA: MEN EDITION

JUPITER X MOON DOMINANT PEOPLE AND IMAGE AWARENESS • Initial intro notes: PT 1 | PT 2

THE 1H AND INSECURITY

WHY DOES MOON IN THE 6H GIVE THE NATIVE A LOT OF ENEMIES?

12H PLACEMENTS: THE HIDDEN, FEARS, AND ETC

CONNECTING WITH YOUR ANCESTORS USING ASTROLOGY

ANCESTRAL HEALING AND THE 4H

— BODY ASTROLOGY: PT 1 • PT 2 •

ALL ABOUT THE 8H

MOM (4H) & DAD (9H)

THE MYTHOLOGY OF RAHU AND KETU

RAHU & KETU

FINE LINE BETWEEN COMFORT AND CHALLENGE: A SUBCONSCIOUS APPROACH TO RAHU-KETU

THE MANIFESTATION OF RAHU (THE NORTH NODE) AND SATURN

THE ASTROLOGICAL IMPLICATIONS OF "LOOKALIKES" AND NAKSHATRA CHARACTERISTICS - THE DUALISTIC NATURE OF RAHU AND SHANI

SATURN IN THE HOUSES: 1H - 3H | 4H - 6H | 7H - 9H | 10H - 12H

THE FEMININITY OF SHANI (WHAT WE CAN LEARN FROM PUSHYA)

THE ESOTERIC MEANING OF “DARK FEMININITY”

DARK FEMININE ENERGY (JYESTHA NAKSHATRA) + MERCURY RULED NAKSHATRAS

☸ THE BEAUTY OF: PUSHYA | UTTARA ASHADHA | UTTARA PHALGUNI | REVATI | ARDRA | MAGHA | UTTARA BHADRAPADA | HASTA | PUNARVASU | VISHAKHA / VISHAKHA: PART 2 | JYESHTA | SHATABHISHA

BEAUTY AND VEDIC ASTROLOGY

BEAUTY OF THE PLANETS

MOON NAKSHATRA WOMEN & STYLE

THE ASTROLOGICAL AND SPIRITUAL MEANING OF OUR HAIR

BEAUTY THROUGH ASTROLOGY: HAIR

⏳ | HOURGLASSES: VEDIC ASTROLOGY ANALYSIS

THE NAKSHATRAS OF THE MOST FAMOUS “DUMB” BLONDES/“BIMBOS”

MARS, EGO DEATH, AND “B*MBOFICATION”

» · BOMBSHELL: DHANISHTA NAKSHATRA

A BRIEF EXPLANATION OF A VANUS AND MARS CONJUNCTION IN THE NATAL (D1) CHART

YOUR LOVE STYLE: ANALYSIS OF YOUR VENUS NAKSHATRA

DOES THE NAVAMSA CHART AFFECT YOUR APPEARANCE? | THE SIGNIFICANCE OF YOUR D9 PLACEMENTS

MERCURY-DOMINANT WOMEN (ASHLESHA, JYESTHA, REVATI)

THE DIFFERENCE BETWEEN YOUR SURYA, CHANDRA, AND LAGNA - WHAT DETERMINES PLANETARY DOMINANCE THE MOST (A REVATI CASE STUDY)

SATURN NAKSHATRA WOMEN PLAYING CHARACTERS IN MASCULINE/MALE DOMINATED

SATURN NAKSHATRA WOMEN WITH RAHU/MOON NAKSHATRA MEN

KETU-DOMINANT WOMEN (ASHWINI, MAGHA, MULA) | PART 2

RAHU-DOMINANT WOMEN (ARDRA, SWATI, SHATABHISHA)

SUN-DOMINANT WOMEN (KRITTIKA, UTTARA PHALGUNI, UTTARA ASHADHA)

ASHWINI (0°00' - 13°20' ARIES) — SWATI (6°40' - 20°00' LIBRA) | ASHWINI NAKSHATRA

MERCURY NAKSHATRAS & MANIPULATION

PHYSICAL APPEARANCE ALTERATIONS DURING ASTROLOGY TRANSITS

— VEDIC ASTROLOGY OBSERVATION (BASED ON SHOWS/FILMS): PART · 1 || 2 || 3 || 4 ||

PREDICTING YOUR SPOUSE USING VEDIC ASTROLOGY

YOUR DK PLANET & YOUR FUTURE SPOUSE: KIMYE CASE STUDY

DARAKARAKA PLANETS + HOUSES

WHERE WILL YOU MEET YOUR FUTURE PARTNER/SPOUSE

PLACEMENTS THAT MAY INDICATE WEIGHT FLUCTUATIONS OR EMOTIONAL EATER

ⓘ ASTRO OBSERVATIONS: RANDOM THINGS I LEARNED WHILE STUDYING VEDIC ASTROLOGY

JUPITER & NOTORIETY: VEDIC ASTROLOGY ANALYSIS

JUPITER INFLUENCE AMONG KOREAN ACTORS

PISCES INFLUENCE ON K-POP

⚈ THE DARK SIDE OF JUPITER

THE CURSE OF LIMITLESS EXPANSION: JUPITER'S SHADOW

JUPITER'S BOUNDLESSNESS: THE UNION OF GOOD & EVIL

JUPITER DOMINANT WOMEN & DADDY ISSUES

THE ASTROLOGY OF DOPPELGANGERS

[youremyheaven]

The Astrology of Muses: A Vedic Exploration 🎨🖌👫💏

This is going to be a loooong post so hang in there besties<3

Claire Nakti observed that Ketu being the root or tail of the dragon is the source of our creativity. So whatever we channel during the process of art making is reflective of our Ketu, its placement etc. While I agree with this observation, I'd also like to add that Venus is also very important in determining the creativity, creative nature and career of an individual, as well as who or what they seek inspiration from.

Obviously Sun-Moon relationships and other aspects with luminaries can also determine how we connect to and draw inspiration from others.

First of all, let's understand what a muse is.

A muse is defined as a person (often, a woman but not always) who serves as a source of artistic inspiration creativity, and passion for the artist.

In mythology, the Muses were nine goddesses who symbolized the arts and sciences. 

There is a spiritual reason why women serve as the source of creativity for others. This is because of them being Yin, inwardly expansive and vessels that can be receptive to a variety of influences. Water is the most feminine element and the ability of water to take the shape of whatever's its poured into is very important in this context. Water is life giving but it can also be destructive and turbulent. All of these are very telling about feminine nature.

Anyways, let's look through some artist-muse relationships in history and pop culture.

F Scott Fitzgerald and Zelda Fitzgerald

Probably one of the most famous literary romances. Zelda was Scott's lover, wife and muse. They had a very tumultuous marriage; Zelda was diagnosed with schizophrenia and Scott was an alcoholic but they also enjoyed immense popularity and success early on in their marriage and career.

It is now known that Scott plagiarized much of his work from the diaries and letters of his wife, Zelda and was controlling & abusive towards her when she expressed interest in furthering her own literary career.

Both of them had Mars in Mrigashira as their atmakaraka

Scott had Ketu in Ashlesha & his muse, Zelda was Ashlesha Rising (and mercury which was her amatyakaraka)

2. Vita Sackville West and Virginia Woolf

They were both married to different men when they began their affair with each other. They significantly influenced each other's work; Vita wrote Seducers In Ecuador dedicated to Virginia, while Virginia's Orlando was about Vita. The relationship lasted until Virginia's death in 1941.

Vita was Uttara Ashada Rising, whereas Virginia had Venus in Uttara Ashada

Vita had Venus in Aswini and Virginia was Aswini Moon

3. Ingrid Bergman & Roberto Rossellini

They began an affair when she was still married to her husband whilst filming the movie Stromboli. She got pregnant and they later got married.

While the movies Bergman made with Rossellini were commercial failures, the films have garnered great appreciation and attention for their contribution to Italian Neo-realism.

Bergman was Magha Sun, Venus & Rising, whereas Rossellini was Magha Rising

He had Rahu in Ashlesha and she had Ketu in Ashlesha

4. Lillian Gish & D.W Griffith

Lillian Gish is called "The First Lady of American Cinema"; she was a muse to the first influential filmmaker in Hollywood, D.W. Griffith. She appeared in his ground breaking movies The Birth of a Nation (1915), Intolerance (1916), Broken Blossoms (1919) and Way Down East (1920).

D.W Griffith was Ashlesha Moon with Mars in Vishaka atmakaraka and Ketu in Chitra

Lillian Gish had Chitra Sun, Venus & Saturn (amatyakaraka) in Vishaka and Ketu in Ashlesha

5. Norma Shearer & Irving Thalberg

Norma Shearer would be dubbed the First Lady of MGM for not only being the contracted actress with the most box-office appeal but also the wife of studio head Irving Thalberg.

Thalberg, was a film executive who was called the  “boy wonder of Hollywood” who, as the production manager of MGM, was largely responsible for the studio’s prestigious reputation.

Shearer and Thalberg were married in 1927, after which Shearer had her pick of films, parts, costars, and directors, and she used this advantage to avoid being typecast. Thalberg largely directed her career until his death in 1936.

She played sexually liberated ingenues in the 1920s & 30s and is now considered a feminist icon.

She was Ashlesha Sun (atmakaraka), Venus & Mars in Ardra and Ketu in Rohini

He was Rohini Sun, Mars in Ashlesha (amatyakaraka) and Ketu in Ardra

5. Godard and Anna Karina

Karina served as a cinematic muse to Godard, appearing in eight of his films; during their five-year marriage and after. Karina liked being the muse, stating in 2016: "How could I not be honoured? Maybe it's too much, it sounds so pompous. But of course, I’m always very touched to hear people say that. Because Jean-Luc gave me a gift to play all of those parts. It was like Pygmalion, you know? I was Eliza Doolittle and he was the teacher."

Their contribution to the French New Wave and to cinema in general is widely acknowledged and well-regarded.

Karina was Ashlesha Venus (amatyakaraka), Punarvasu Rising with Ketu in Revati

Godard was Ashlesha Mars (amatyakaraka), Jupiter in Punarvasu (amatyakaraka) with Rahu in Revati

6. Monica Vitti & Michelangelo Antonioni

For 10 years, Monica Vitti was the muse and lover of Michelangelo Antonioni for almost a decade, starring in many of his most famous films, such as L’Avventura (1960), La Notte (1961), L’Eclisse (1962) & Red Desert (1964).

Vitti is Swati Sun with Ketu in Hasta

Antonioni has Hasta Sun, Mercury & Ketu along with his Venus in Swati

7. YSL & Paloma Picasso

Yves Saint Laurent had many muses but perhaps his most overlooked muse is Paloma Picasso

Paloma Picasso was the muse, who originally inspired Saint Laurent’s ‘Scandal’ collection of ‘71, and his career-defining turn away from the perfectionism of couture to a different kind of empowerment of something more wild, free and personal. 

YSL was Uttarashada moon (atmakaraka), Paloma had Uttarashada moon & jupiter (conjunct)

8. Hubert de Givenchy and Audrey Hepburn

Givenchy designed the iconic 'little black dress' worn by Hepburn in Breakfast at Tiffany's, which cemented the actress as one of the most stylish women of the 20th century.

"His are the only clothes in which I am myself. He is far more than a couturier, he is a creator of personality," said Hepburn. The Breakfast at Tiffany's dress also helped Givenchy gain worldwide recognition, and his intricate, feminine designs became the subject of adoration.

Givenchy is Shatabhisha Sun & Jupiter

Audrey is Shatabhisha Moon

9. Bob Mackie and Cher

Mackie is a costume designer. His work with Cher has a place in fashion history, from the sheer dress she wore to the 1974 Met Gala to the beaded see-through gown she wore to accept her Oscar in 1988 (let alone, designing hundreds of her costumes for The Sonny & Cher Show).

Mackie has Ketu in Bharani and Cher has Mercury in Bharani (amatyakaraka)

10.Jean Paul Gaultier and Madonna

The cone bra—one of Madonna's most famous and recognised stage outfits from her Blonde Ambition tour—was created by Jean Paul Gaultier in 1990. The piece soon launched Gaultier's career, and solidified his relationship with the iconic performer.

Gaultier went on to design stage outfits for many of Madonna's concert tours, and she even made an appearance as a model in his spring summer '95 collection. After almost 30 years of friendship, they attended the 2018 Met Gala together (Madonna wearing one of Gaultier's designs, of course).

Gauthier is Bharani Moon & Madonna is Purva phalguni Moon & Rising

This is an example of Venus attracting & partnering with Venus.

11. Pedro Almodovar and Penelope Cruz

They've done numerous movies together in the last 25 years. They are both Punarvasu Moon

Almodovar is a Purvaphalguni Mercury (amatyakaraka) and Ketu and Penelope is a Bharani Sun, so this is yet another Venusian creative partnership.

When it comes to artist-muse partnerships, sharing Ketu/Venus to Sun/Moon/Rising aspects seems to be very common. Its also common to see artists and their muses share the same luminaries. We are inspired by people who project our qualities in different ways. there is a reason we are drawn to certain people and its always because of how subconsciously they remind us of ourselves.

social muses, trendsetters & it girls

I'm not going to mention Audrey Hepburn, Marilyn Monroe or Princess Diana because I feel like enough has been said about them.

There are some people who seem to inspire not just one person specifically but the tastes and culture of a whole era. They are tastemakers who set trends and are widely imitated and their influence has far reaching impact. They are "muse" to everybody.

Jackie O

she is one of the most culturally influential people of the 20th century and defined her era (60s America) and is probably an early example of an "influencer", which is to say, people imitated her style, her manners etc

Jackie is Pushya Sun & Mercury, Aswini Moon, Ketu & Rising in Vishaka, Venus in Mrigashira atmakaraka.

2. Grace Kelly aka Princess Grace of Monaco

She is synonymous with elegance, flair and grace to this day and is widely regarded for her artistic success as well as her charitable endeavours. She is one of the most influential women in history.

She has Vishaka Sun (amatyakaraka) & Mars, Purvabhadrapada Moon, Swati Mercury, Ketu and Rising

3. Liz Taylor

Liz Taylor was known for her love of diamonds. She always dressed like a movie star, in very extravagant style with her plunging necklines, fur wraps, feather boas, and eye-catching headpieces. She was very glamorous

She was the first celebrity to have her own fragrance and thirty five years later, her perfume empire remains one of the most successful celebrity fragrance ventures of all time. White Diamonds is one the best selling celebrity fragrances in history. She paved the way for numerous others to follow in her foot steps, although not everyone has had her success.

She is Shatabhisha Sun & Mercury, Vishaka Moon, Jyeshta Rising along with Venus in Revati atmakaraka and Jupiter in Ashlesha amatyakaraka

4. Twiggy

She is the world's first supermodel. She is an important cultural icon and was the face of the Swinging Sixties in her babydoll dresses and mary janes.

She's Pushya Moon & Mars, and Punarvasu Rising

5. Diana Ross

Miss Ross rose to fame as the lead singer of the girl group the Supremes, which became Motown's most successful act in the 1960s, and one of the world's best-selling girl groups of all time. After leaving the group in 1970, she launched a successful solo career, with many huge hits across the next couple of decades. She is known for her extravagant style and is a true 80s diva who blurred the lines between costumes and everyday clothing.

She is UBP Sun, Bharani Moon, Vishaka Rising

Mercury in Revati amatyakaraka and Jupiter in Ashlesha atmakaraka

6. Beyonce

Beyonce is one of the most influential women of the 21st century. Her impact on culture is immense and undeniable.

She is Purvaphalguni Sun, Vishaka Moon (atmakaraka) & Chitra Rising

Bey & Jay have been each other's muses for a good while and have multiple albums inspired by each other. They are pop culture royalty.

Jay is Jyeshta Sun & Mercury (atmakaraka), Hasta Moon, Ketu & Rising in Purvaphalguni

7. Rihanna

RiRi is one of the most iconic women ever.

Her music, looks, products, personality- everything about her is influential af. She's multi talented and has excelled in several fields.

She is a Revati Stellium (moon, venus (amatyakaraka) & rising)

8. Paris Hilton

Probably the OG influencer. Paris defined her era (the 2000s) and has had a lasting impact on pop culture that needs to be studied. She was written out of her family will and built her own empire. She paved the way for all influencers.

Dhanishta Sun & Mercury, Pushya Moon & Jyeshta Rising

9.Kim & Kylie

I don't like them but to say they haven't had an impact on beauty/fashion/pop culture would be lying. I personally see it as a negative impact 😬 but its an impact nonetheless.

They normalized plastic surgery to such an extent that every other girl in the West and almost every famous woman at this point has fillers, botox, BBL or something done. They also paved the way for influencers entering the fashion world.

Kim is Chitra Sun, UBP Moon & Jyeshta Rising with Mercury in Vishaka amatyakaraka and Venus in Purva phalguni atmakaraka

Kylie is Ashlesha Sun, Swati Moon & Purva ashada Rising

She has Venus in Uttaraphalguni atmakaraka & Saturn in Revati amatyakaraka

10. Bella Hadid

cannot talk about it girls and not mention Bella.

she's had such a massive impact on pop culture in the late 2010s & now in the 2020s. she made y2k style as popular as it is today and is probably the only true supermodel of our era.

She's Hasta Sun (amatyakaraka), Purva phalguni Moon & Rising with Ketu in UBP, Mars in Ashlesha atmakaraka

she's inspired practically The Weeknd's entire discography. He has Ketu in Ashlesha

it's interesting to me how all the Hadid siblings have inspired a lot of pop music. (Gigi with Zayn, Anwar with Dua Lipa etc)

11. Selena Gomez

Selena's inspired way too many heartbreak songs to not be on this list.

She's Pushya Sun & Rising with Aswini Moon with Ashlesha Mercury (atmakaraka) & Venus

There has been a lot of Vishaka women and Jupiter natives in general, Pushya ladies, Ketuvian (esp Aswini), Venusian influence and a lot of people with Ashlesha atmakaraka/amatyakaraka. Pisces influence and Jyeshta influence is also seen. Why are these planets/naks/rashis recurring?

Talking about people who have a very wide impact, it makes sense as to why Jupiter natives would be here; its expansiveness reaches everyone. In fact if you look at the era defining cultural figures of any decade, you will see a common Jupiter influence. This is also why Pisces rashi (Pisces is ruled by Jupiter) is so common in the world of art & entertainment.

Venusian placements are what creates trendsetters imo. Its what makes others imitate you and want to be like you.

Ashlesha natives dominate the entertainment sphere because entertainment and all art tbh, is in the simplest terms, manipulating others.

Pushya women inspire others with their feminine charms. Ketu being the root or the tail means that its very easy for others to project on to them. They lack identity on their own; its a very shadowy realm. This is what celebrities are to most people; you don't know them or understand them, which makes it easier to project onto them and love them for that illusion.

Jyeshta represents lack and in the world of influence, more than abundance, its that space of lack that makes it easier for people to add/built on to the persona they see of someone.

I'll make a part 2 sometime but for now this is it. I hope it was insightful.