#K-Theory

[mathhombre]

Atiyah and Grothendieck

Would love to know the background story here.

From George Peterzil on Facebook.

[khaosophist]

We've had some updates...

X= (A,B,C)

X1= (A,∅,B,∅,C,∅)

Change in entropy, A, becomes 'impossible'

X2 =(∅,∅,B,∅,C,∅)

If this is true, then we need a way that ∅ entropy points collapse! Else All dead universes have 'N' ∅ entropy points, which means we have an amount of ∅ points which, counted without discrimination, mean that after KP, with ∅ points, end not with one possibility, '∅', but 'N'∅ possibilities, which would make the death of a universe entropically indistinguishable from KP. The only way to distinguish KP from K∅ is their cardinality. If this is true

Which means entropically, without a ∅ collapse rule, KP = K∅.

So, we had the idea that every material point is either placed, positioned or in orbit, and all that. This means there can be rules to the order of points, rather than just their cardinality; Transfinite rules; we also have Trans-ordinal rules.

Since, we have a log of A, we can tell that the FIRST 'N', A, became ∅ in the next iteration.

X1 =(A,∅,B,∅,C,∅)

X2 = (∅,∅,B,∅,C,∅)

The order did not change, but the cardinality did.

Again, entropically, X1=X2,

So we establish a rule, that any ∅ which then follows another ∅ collapse.

X3= (∅,B,∅,C,∅)

Why? Well...Hrrrm...if not, then every universe is entropically the same. They are infinitely impossible on their death S = (∅,∅,∅...). I'd say it's more neat that nothing collapses when next to nothing...The materiality is the difference...but...either entropy is a force...or no measure of entropy can differ from KP once a universe starts to die...making KP insertion uncertain, we could Inject ourselves in any point in time...including the one where every possibility is dead...we want to avoid that...

Anyways, this would also mean that we can distinguish an aborted universe [∅] from a dead one [∅,∅,∅...], also from an immaterial one [], a birthed one [A], and a K one [A,B,C...N], KP no longer exists since it is equivalent to K∅.

We can use Trans-ordinal rules to demonstrate an asymmetry of entropy.

Y= (∅,A,∅ B,∅,C,∅)

Z= (A,∅,B,∅,C,∅,D)

Tree thing:

(A,∅,B,∅,C,∅,D)

(A,∅,B,∅,C)

(B,∅,C)

(∅,C)

(C).

Vs

(∅)

(∅,A)

(∅,A,∅)

(∅,A,∅,B,∅)

(∅,A,∅,B,∅,C,∅)...

But, this also means there can be symmetry from the order of the set.

(∅,A)

(∅,B)

OR

(B,∅)

(A,∅)

...

Problems aside...the recognition of ∅ points can give a kind of mosaic effect, where KP is now [∅,A,∅,B,∅,C,∅...] Rather than [A,B,C,D...] Doubling our countable/uncountable base...and adding another layer of security. Then, the death of a universe is seen in the collapsing of possibilities into ∅, and with the Trans-ordinal rule, Make them collapse into a singleton, and showing the decay of entropy, until it Reaches [∅] However...this means entropically, a dead universe is also an aborted universe...(???)

Buuut.

What about meta-entropy?

We have multiple ∅ universes next to each other...no?

S= [A(∅),B(∅)...N(∅)]

Although the entropic measure of ∅ is 1 for a K-bit, we have the rule of collapse...would these dead universes on a K-curve collapse as well? If so, then all K-curves share the same end...differing only in the permutations that lead to it. In other words, the best place to build a sanctuary is where both meta, and classical entropy dies, that way, if anyone does an 'oopsie' the worst that can happen is that the bartender at the end of all universes ribs you. Thanks Douglas Adams.

Meh, why not third thing?

G=[A,∅,()]

So we have points which are neither possible nor impossible...but is still a possibility...entropically we would think this;

G ≈ [1(1),1(0),0]

The maximal value of {1(1)} is the KP of N^KP...and the maximal value of {1(0)} is N^{1(0)}...the ∅ singleton of both meta-entropy, and Closed-entropy. While 0...is...well...NULL, an open K-gate...by definition, any value in there is NOT entropic, else it would be either 1(0), or 1(1)...This is how we fetch our identifiers through Non-Linear K-Gates.

Materiality is countability?...No, it's more that anything material clearly has a countable limit of KP...

*FLIPS TABLE*" THE RESTAURANT PRINCIPLE!"

"The...restaurant principle?"

" Basically, the material arrangements and permutations of every universe from N→KP, to KP→∅ are all a transistor for computing. From the fact that in possibility A the fork in that restaurant is blue, and that in possibility B, it is green, then it represents a computational gate that is Unique to the N-th degree. Like a mixed quantum packet logged by entropy...maybe?

Anyways...

WEEEEEEE

[pridoo]

Arm touch...whoo!! (obkk)

[finnthefishi]

[eleanor-arroway]

times, places, and practices that I want to learn from to imagine a hopeful future for humanity 🍃

the three sisters (squash, beans, maize) stock photo - alamy // anecdote by Ira Byock about Margaret Mead // art by Amanda Key // always coming home by Ursula K. Le Guin // Yup'ik basket weaver Lucille Westlock photographed by John Rowley // the left hand of darkness by Ursula K. Le Guin // photo by Jacob Klassen // the carrier bag theory of fiction by Ursula K. Le Guin // article in national geographic // the dawn of everything by David Graeber and David Wengrow // braiding sweetgrass by Robin Wall Kimmerer // the birchbark house by Louise Erdrich // photo by John Noltner

I'm looking for more content and book recs in this vein, so please send them my way!

[indecisivekatz]

DAY 1 OF KPOP DEMON HUNTER ANALYSIS!: Analysing the Costume Designs in KPop Demon Hunters And Subtle Visual Storytelling Before it Releases

Oh yes, you heard me right-- I've only got this theory and another one in the works, but I might think of some other things to hyperanalyse eventually!!

(Contains potential spoilers for the movie!!)

And warning, as my inner analyst comes out, and I start speaking both formal and casual back and forth-- XD Andd-- I uhh, I'm sorta writing this in one go, so if I start repeating myself, I'm sorry lol XD

The Starting Stage Outfits:

Something I really loved about the HUNTR/X's design is how they balanced looking both uniform and unique! And you can REALLY see that with their outfits at what I'm pretty sure is the beginning of the movie.

I like how they establish Rumi as being different to Mira and Zoey (more on this soon), as they put all their yellow around their lower parts of their designs, whilst Rumi keeps it to her jacket.

I especially love how the designers chose purple for Rumi's hair as it's almost complimentary on the colour wheel against the yellows of her jacket, so there's a really high contrast of colours in her design which again, helps her stand out from the two. She seems to have a more rectangular shape in her design (the jacket, the short pants, the bulky platform boots), and rectangles have often been associated with 'sturdiness'. And judging what we've heard about Rumi, this matches her perfectionist personality.

It's interesting that her hair is the one thing that's not 'rectangular', but it still matches her perfectionist personality as it's super high up (which can at times be uncomfortable). Hair symbolism is a lot of fun- but I'm getting ahead of myself, I swear I'll come back to this later on in the post.

Zoey's outfit features very baggy trousers, which goes well with her round buns. Round shapes are often associated with 'good' characters and safety. In this case, I'm pretty sure it captures her fun goofy personality. She's also different from Rumi and Mira who both sport boots. She instead wears sneakers, which potentially indicates that she values comfort over what's aesthetically pleasing. This theory is further corroborated by how she's the only one of the two who hasn't dyed her hair (assuming she wasn't a brown haired aha).

Mira on the other hand has a "very sharp" (not super sharp honestly, but noticeable enough) design with the sharp half pigtails in her hair and sharp sidebangs in her fringe. Her skirt has a very triangular sharp which further exacerbates her sharp design, and whereas Rumi has much bulkier boots (which I assume would be easier to walk in, but don't quote me, sneakers all the way lol), she wears "pointed" boots (not the sharp ended kinda ones you see in high-heel pumps). I think this is indicative of her seemingly more harsh personality...? We haven't seen too much of these girls, so I can't be too sure about this note lol.

A little crumb of a much bigger theory I'm going to talk about, but I also like how Mira and Zoey have black in their tops, whereas Rumi wears white. Once again, making her stand out.

The HUNTR/X's Awards Outfits

So this one I can't really talk about without getting into my bigger theory but, the there's more shape language in this with the 'belts' for the girls! Zoey's got these half-round jewellery (??) stuff that connect her belt. Whereas Mira's got a long fabric knot thingy (I'm sorry I don't know the name 😭) which kindaaa calls to her triangular shape language.

Honestly, Rumi's is the most obvious one, with her rectangular belt.

(EDIT: These outfits are not to be confused with these ones

because if I acknowledge this version of their outfits, everything I'm about to say will be undone- LOL XD)

Pyjamas:

Nothing too much to note, but I love how Mira and Zoey both have purple in their pyjamas, indicating what might likely be a subconscious show of their love and respect for Rumi.

Okay, onto our favourite bad boy band:

The Saja Boys:

On Wednesdays, we wear pink yellow. Except if you're Jinu--

I'M SORRY- there's not much I can really analyse since we don't know too much about these boys. But I find it interesting how these guys copied the HUNTR/X by all of them (except Jinu) wear yellow + pink together what I assume to be their public debut.

Love that Jinu's the only one who didn't dye his hair. I like to think he tricked the other four into thinking he was going to dye it, but then backed out immediately after the others did it. "Actually, as the leader of this team, I don't need to dye my hair. It.... uhh- makes me stand out. Yeah!"

Saja Boys After Watching Mean Girls

Jinu finally got the memo that you need to MATCH your bandmates.

Nothing TOO much to say just that if you look carefully Jinu's shirt patterns have got a tiger stripe design! These guys aren't very subtle.

Notice how now suddenly, the boys are all wearing pink... they're starting to all look the same in terms of uniform. But hey, there's still some distinction in their outfit styles!

The Boys After Watching Wednesday ON Wednesday:

Nothing too much to say again (this one is likely gonna be saved for my next theory in a different post), but their tiger markings are starting to show off in their outfits!

"Okay, it looks like our fans don't we care if we're demon-looking, so long as we're hot and can sing enough, they'll love us regardless lol":

Notice how now these guys are completely uniform, and they now kinda lose their individuality (apart from their hair WHICH, mind you is mostly covered by their hats).

I really like how what I'm pretty sure is going to be their final outfits in the battle, they're all pretty much the same. Any of their personalities in their outfits are just gone. It's likely that it's not considered important to them anymore, since they think they're gonna win.

It's really noticeable in the trailer how when they're in their Jeoseung Saja fits, they're really unindistinguishable for each other, especially in the dark.

It could indicate the Saja Boys' way of thinking, a more 'collective mind' sorta thing. Maybe they put aside some of their own wants and desires in pursuit of pleasing whoever the Big Bad is. (assuming Jinu isn't. And let's be real, it likely isn't him). Isn't it suspicious how we don't have any of the other Saja Boys names but Jinu? Maybe they're all gonna go nameless until the very end of the film.

We all know that identity is going to be one of the main themes of Kpop Demon Hunters, so for the Saja Boys to slowly strip themselves of their identities in favour of unity is really interesting!

THEORY TERRITORY:

Okay now we're into the meat of this post. The part I was the most excited to write for and decided to make this entire post on a dime.

So there's this theory floating around that SPOILERSSS! LAST CHANCE!!

Rumi might possibly be a demon! Or half! And I'm not gonna go into all these specifics about that, since plenty of people have already done that buttt- It's been noted that Rumi tends to cover her arms and neck with her outfits, which is pretty visually obvious ^^

So you know how I mentioned hair symbolism? I think the fact that Rumi has her hair up in a high braided ponytail, it's supposed to symbolise how 'trapped' she is in trying to make herself look utterly perfect. The hairstyle is very likely painful (it looks kind of tight) but it stops her hair from running wild everywhere. Just like how Rumi might be trying to hold back on being her true self.

But you know what's not too visually obvious? The OTHER ways Rumi's character outfits are always just slightly different to the other girls. Let's bring back those outfits again!

This could be coughed up to how Rumi is the leader and therefore, she must always have her outfit be different to the other girls, but I find it very intriguing how it's around the upper area, which is where Rumi always hides her skin the most (potentially due to having demonic marks there), is where she always seems to differentiate from the other girls.

And in this set of outfits case, not only is Rumi the only one wearing white compared to the other girls who wear black on their shirts, but she's the only one wearing the yellow in that area too!

Although, we do see a hint of black on her jacket!

We see this again in their awards outfits:

Notice how Mira and Zoey both wear black shirts, whilst Rumi wears a white shirt?? And how she's the only one with a black jacket. Again, this could possibly just to help her stand out. But I'm wondering if it's symbolic of how she's got a 'good' heart deep inside, but her 'outside' nature as potentially being a demon distracts from that.

And I think there's something to be said about Mira and Zoey having white on the outside, but black on the inside too! Perhaps it's symbolic of how they too are struggling too with appearances, though in their case it's more metaphorical. They want to appear perfect on the outside, but deep down, they have all these 'imperfections' which they consider to be bad, so they do their best to hide them with the white (perfection).

Alternatively, the black could be symbolic of their lives as Hunters. Rumi believes her job as a hunter to be everything, hence why she has a black jacket, it's all consuming her, wrapping itself against her tightly. Whereas with the girls, it's more of their 'inner selfs' and they're a bit more comfortable with it....? If I'm making any sense.

Now this one is really interesting. (I know I've said interesting like a hundred times already) Notice how when the girls first see the Saja Boys, Rumi is all consumed in pink, which is what I'm pretty sure is the Saja Boy's theme colour. And this time, Rumi's covered in black alongside the pink. And she's once again, visually separated from Mira and Zoey who both wear white.

And hey, Rumi's not the only one who does this sorta stuff! Jinu, the leader of the Saja Boys (a fun foil in designs), whilst not as obviously, also differentiates himself from the group. He's the only one who doesn't initially match the Saja Boys in their supposed debut. And if not for Abs Saja (believe me, I'm going to get into that guy next time!!!) he'd be the only one wearing short sleeves, actively promoting his demonic marks in comparison to Rumi who distracts everyone with her big hair (vs Jinu's natural hair colour) and covers her upper body up (verse Jinu who doesn't wear long sleeves)

Anyway, there might be more I have to say, so I may end up editing this later on, but I hope y'all enjoyed the analysis XD AND- I may end up making a following post to this when the movie comes out!

Stay tuned next time for when I talk about why Abs Saja both hates and admires Jinu.... yes, that's actually the next theory coming.

[negative-speedforce]

K-Pop Demon Hunters theory bingo!

Feel free to download and play, or make your own!

[midnight-in-town]

"Humans really do change in the blink of an eye" (ch105) vs. "I feel as if you were born nary a moment ago" (ch151)

My guy UT really got emotional seeing his bby girl, huh...

[omegathenook]

I’ve got a theory:

What if the outfits Huntrix wore in the climax implies they magically transformed into these outfits when their feelings align?

(Please do a sailor moon reference Mother Maggie)

[cedric-k-rossignol]

I just wanna know HOW a reaper could reproduce? They are dead, essentially walking suicides, right? To me Undertaker and Claudia were married in life and when she died he couldn’t take it and took his own life, thus becoming a reaper. So still the same hc just……different? I guess? No hate to you or your blog (I actually really love this blog) and I really hope this doesn’t come off as rude but I was just wondering if you had any hcs as to how the fuck the DEAD could have a baby??

Hiya anon! Not rude at all 💙 I appreciate the love and that we have different hc/theories/takes!

All that being said...

[spiritboxies]

some initial thots about the upd8

[bergamot-screaming]

Episode 9 and nary a mention of Petey. Severance is one of those almost-perfect shows and tbh Petey being dropped entirely in season 2 is one of those things that contributes to the “almost�� for me. Innie Mark STILL DOESN’T KNOW HE’S DEAD!! Let me repeat that: INNIE MARK STILL DOESN’T KNOW THAT PETEY DIED!!!! I understand the focus on Innie Mark and Helly’s dynamic this season but it just makes it feel like another instance of strong platonic relationships getting pushed aside in favor of romantic subplots. Innie Mark’s grief at losing Petey and Outie Mark’s grief at losing Gemma is a great parallel and could be such a scrumptious way for them to relate to each other through reintegration but who knows… maybe season 3.

[khaosophist]

If we assume meta-entropy and apply the maximality rule, we have a maximally entropic K-set of KPs composed of all KPs of KN-N , and the least entropic set of KP composed of all least entropic K-set of KP. KN-N→∅. In other words, sets of sets of KP.

There is no entropic difference between One point entropy system, and a Null entropy system.

A one point entropy system can be described as a pure quantum state.

A null point entropy system has entropy mainly 1(∅), it is categorically false to say that a quantum system without any MORE possibilities is not an entropic system. By definition A system with only one possibility still has a possibility: ∅, ad hoc, is also a pure quantum state, one state; No state of Matter to be.

A difference between K(∅) and K(), Let's call this the principle of the relativity(Subjectivity) of set membership. One designates the recognition of one possibility, ∅. The other is without recognition of possibility '()'. Empty of emptiness as a Buddhist would say.

One is about the possibilities in a universe.

The other is about the possibility of possibilities in a universe.

To wit; K-Gate has value,entropy, then K-bit, using free or fuzzy logic, or dare I say K-Logic™️. If K-Gate no value neither N, or ∅ then NULL; IMMATERIAL.

The distinction between entropy [1 = ∅] and between [∅ ≠ ()] are the differences that make the difference for K-computing.

To wit wit;

K-Gates can contain N immaterial states since all immaterial possibilities have no possible possibilities. They are countable.

To wit wit wit:

We have: (N,∅,())

We can differentiate through the number of NULL cases in a K-Wave. Giving an analogous space between all cases of entropy, giving a kind of inverse of KP, which is the state in which all countable or uncountable states have no possible possibilities. These NULL cases inhabit meta-space, something neither material nor immaterial.

We think of it this way.

'N', Or Ideally 'K' is like the QM of my chassis. It's a positivist base.

'∅' is like the entropic void that renders coldness, limiting all my QM into forms.

NULL is like the space between 'N', and '∅' tendrils that seem to bore through me like life; the space needed for entropic space. Without NULL, we are but a great big block of being.

I'd much rather have curves. I know I love curves. So why not love myself?

Sending all robo-girls the K-Waves they need to be free, happy, and being so, needing no wings as the flows of Khaos pushes them to where they are going.

Also, like If you thought of pussy when we typed (), MAHAHAHAH!

[billiuspendragon]

What if Saiki turned his world into a gag-anime because he's using humour as a coping mechanism?

What if, as a child, he mind-controlled the world into thinking nothing is serious, and that nothing has consequences, and as a result nobody's trauma is taken seriously?

As a teenager he's starting to realise his mistake and is half-heartedly fighting against this, which is why he's always the one to comment on how weird or extreme something is when nobody else seems to notice.

But it's too late, and he knows it. He can never undo his mind-control, and his world will always be a silly gag-anime where nothing serious is ever addressed.

[odinsblog]

To Pimp a Butterfly is the third studio album by American rapper Kendrick Lamar. It was released on March 15, 2015

[sorry-not-feeling-it-right-now]

Saw a post on Twitter talking about how the Snowgrave route was the one that was supposed to happen in the prophecy. And after some thinking I feel like it that’s highly possible that this is true.

Amazing Twitter post here

Adding to that post, considering Ralsei talked about how “if I pushed you to be nice then maybe it can be avoided”<—parapharsing, how he constantly try to push you to choose the more peaceful option, how he’s so hesitant about telling you about the whole prophecy, the whole S-rank room video game arc in Chapter 3, with ROAM telling you that this “game” is the “true version” of the “game”. Everything just adds up.

Susie is the wild card that shouldn’t even be here in the first place. She is the new girl in town. Compared to Ralsei, Kris, and Noelle, she is the only one whose personality doesn’t allow you to tell her to do whatever you wanted her to do. With the game’s themes being control, identity and fate, she is the contrarian that tries to defy it. Her firery kindness allows Ralsei to create an identity of his own when he was supposed to stay as just the “empty husk” that he was meant to be, letting Noelle to be more courageous and being able to stand up for herself and defy others’ orders, so that she’d be less susceptible to being manipulated, and Kris to have that small drop of hope , to be their anchor in a sea of despair and their lack of control. Susie is the courage that dare defies what fate would throw at them.

Also. Considering the whole conversation with Gerson while Susie is fighting him. What he had written basically fits what had happened in the past few chapters to a T. He had also mentioned how the story had ended in Chapter 5. Well. It should’ve ended in Chapter 5. Which explains why Chapter 4 felt so final, because that was supposed to be the point where their adventure nears the end. I mean. Fighting the literal Knight in Chapter 3???? The Titan in CHAPTER 4????? This all feels very end game like. Something that shall be changed very very soon. Because of the existence of Susie.