#KMR Studios

[kmrstudios]

“Mighty Peach X Atom Eve”

Screw Captain Marvel and every overpowered female MCU hero that makes the male heroes look like sissies.

Artwork by Kyle R aka KR. Princess Peach is owned by Nintendo while Atom Eve & Invincible are owned by Robert Kirkman, Skybound Entertainment & Image Comics.

Copyright © 2024 KMR Studios. All rights reserved.

[happywebdesign]

Mesura

[allgenretrocade]

A LITTLE INTRODUCTION

Hello, everyone. My name is Kyle R. But those of you follow me might know me by my nickname KR. Yes, the same KR of KMR Studios, my own little studio brand. I am an artist with a passion for drawing cartoons, illustrations, and even comics. But what you might not know about me is that I am also a video game fan. I’ve been playing games since the day I was born and I’ll never get bored of it.

That said, about a year ago, I decided to start a little side project where I would record my playthrough of a video game each week while simultaneously doing a commentary and a few jokes in the process. I got the name for “All-Gen Retrocade” started back when I created a wooden cabinet resembling an ‘80s arcade to put a small monitor in, plug in a gaming console and play on said console with my monitor looking like an arcade machine, even though I couldn’t put the entire name on the cabinet. I chose the name for this series because I love video games from the past and present generation of gaming.

What kind of video games do I cover in each episode, you’re asking? Honestly, I pretty much pick whatever game catches my eye. If I want to do a Mega Man game, I’ll play that. If I want to do a fighting game, I’ll do that. If I want to do an often rare episode featuring a first person shooter game, you get the drill. I usually record my game footage and compile said footage to make one great episode. New episodes premiere each week on my Odysee video channel which you can check out by clicking on the link below.

https://odysee.com/@AllGen_Retrocade

Hope you enjoyed this little introduction and I hope you stop by the All-Gen Retrocade and watch me play video games!

[kimuraisnotdead]

Spirited Away, for a friend

[rupertneve]

‪"No matter what plug-ins you may have, this will effortlessly add some magic to your mix bus or channels, and with Rupert Neve on the front panel, a clone it is not."‬ ‪Thanks to @kmraudiogear for including the 551 Inductor EQ on their recent 500-Series Staff Picks list!‬ - #500series #rupertneve #inductoreq #equalizer #eq #analog #audio #gear #kmr #recording #studio #studiolife https://www.instagram.com/p/B9POSOeAvie/?igshid=1k4xbvk1x7zfj

[sanmyshuna]

Queen of the Castillo: Alannah’s full interview under the cut:

 By Darian DeFalco

I met Alannah in front of Torendi Towers, following an appointment with her manager, Massie McNamara - of KMR Management. I would be lying if I said that meeting her wouldn’t have fulfilled my childhood dream. I’ve watch every show, movie, and that one play she was in since I was 4 years old. Since her departure from being an actress, Alannah has been attempting to remodel herself as a edgy, no-nonsense badass - and she delivered. Wearing combat boots and a ripped up crop top, with a thin utility jacket over top, the old man in me was wondering if she was cold.

She smiles when she sees me and thanks me for meeting her here.

“To go back to Oasis Springs would be a bitch right now. And to be honest, when I get home all I want to do is sleep. I know there’s a little cafe uptown."

Alannah's home is in Del Sol but she's been living in Oasis Springs to  begin her career.

"Living in San Myshuno would be easier because it’s close to my manager but I literally need the warmth and sun to...be happy."

We arrive at a small cafe uptown, here no one recognizes Alannah, making it an instant favorite location of hers. I order an espresso and she orders hot chocolate.

"I hate coffee,” she says. “On set we’d have 14-hour days, I can’t even begin to calculate the amount of coffee I’ve been drinking since I was a teenager.”

If she was ever tired from filming, I never saw it. But that’s what this industry is about: the show must go on. Alannah was the most lucrative actresses in the past decade, her success allowed critics to predict Judith Ward-level accolades in her future. 

On a bulletin board we see an open call for children to audition for a film to be in production next year.

"Run away, kids," Alannah says when she sees it. "It's a trap."

I laughed, but she was serious. Our drinks are called and she finds us a table while I get the drinks.

-

Darian: You’re fulfilling my childhood dreams, right now.

Alannah: [laughs] Glad I can be of service.

D: I’ve watched you on TV since I was around 5 years old, and so were you at the time.

A: We’re both getting old.

D: What has the past 20-something years as an actress taught you about yourself?

A: [takes a sip of hot chocolate] Oh, still too hot. What I’ve learned...people will give you whatever you want because they know you have money and clout.

D: Is that a bad thing?

A: Not always, but I think that I’ve become extremely dependent on others to do everything for me. My assistant, Emily, does literally everything for me. Lately, I’ve been trying to be more dependent.

D: How’s that going?

A: It’s frustrating, I won’t lie, but I feel everyone around me getting very annoyed with me. And I’m also realizing how imposing I am like...all the time. But, like, I’m trying to do better, especially that I’m doing music now, so it’s an entirely different environment than acting.

D: You have recently released your first EP, Alannah, what process did you go through prior to releasing that work.

A: I actually had been writing and sitting on those songs for years. Float Away is actually a song that I wrote when I was filming Witches of Glimmerbrook Lane, so it was a long time coming. I know I didn’t want to be, like, an actress that sings. So I waited until I was done filming The Hunger Stance films to finally give up acting and start my music. I just wanted someone to go in [the studio] with me and produce these songs so I could release them and get them off my chest.

D: So it’s safe to say that we will be expecting more music from you?

A: Of fucking course, I’m having the time of my life in the studio. It’s much more work on my part to be in the studio than on set but I honestly never want to be in a show or movie ever again.

D: Was life on set that negative?

A: Not in such obvious ways. The people I worked with weren’t bad at all, but I didn’t really make any friends. But when you’re a kid actor, people refuse to see you as anything else. I got my tattoos a couple years ago and I saw a tabloid about me saying that I was “being defiant” and I was like “I’m fucking 24 years old” so that was annoying. I don’t think people will be satisfied until I’m wearing pink overalls and tennis shoes.

D: And that’s not your style anymore.

A: Nope! 

D: Describe your style, or elements you look for when you curate your wardrobe.

A: Mmm, I like edgy pieces - like rips, holes, and thicker materials. So like more masculine pieces. But then I also like to add one or two things that would make my look a little feminine. So like a tough-ish, all black jumpsuit with like a lace tank over it would be something I’d wear out. 

D: Now describe your upcoming album.

She almost confidently answers my question, but pauses when she realized what I asked.

A: You think you’re slick, Darian.

I let out an embarrassed laugh and asked if I was pushing too far with that question.

A: No, no, but I want to keep it a secret. But I can tell you that I’m super excited about it. The songs are darker, edgier, and show off a side of me that I wasn’t able to express when I was on TV.

D: Does this album have a name?

A: Yeah, it’s called [laughs] My Hot Chocolate Is Getting Cold and it’s coming to a cafe near you.

D: Thanks for talking to me today, Alannah.

A: Thanks for having me, Darian, I’m glad we could finally meet.

[littlewalken]

Aug 27

The big fat Hollywood story has found a beta reader and they are already liking the character based on the Jeff. 

Now comes the part where as a writer you have to wait for the reader to get to plot points and twists because you don’t want to spoil anything. 

But this beta reader might be able to connect me to someone who can help make this a real published something. Could include getting screwed over by a studio too. But that’s life. 

If I invest my money from it and I’m provided with a home and my needs are met then it’s a good trade. 

Think ahead to seeing all the fans. If it becomes a something what it’ll mean to all the people when they see who has been cast in some of the roles.

And while on one hand there’s a part that could be played by Scarlet Johansen and on the other there are plenty that can’t be white washed. In fact, I went through in one of the editing sessions and undescribed everyone possible. 

There are a couple of characters whose character depends upon them being white as a symbol of plot stuff. Some get eye color or a general face shape or curly hair or a body type if it’s necessary. 

The based on the Jeff character has black eyes so you know.

Dark, mysterious, hiding so many secrets eyes... 

And remember, if you figure out the Big Plot Point before the characters do please keep it to yourself so not to spoil it for other readers. Remember how A Single Pale Rose made you feel.

But there’s still missing stuff like a series of a Full Moon and Sam Rami love baby production company movies having blended together Jeffrey Combs and Bruce Campbell in to something they trusted Ted Rami not to sneeze in. And Stu Charno is the head writer. 

Sparkling mountain goat. 

Nelly kitten is hardly a month old but she likes her breakfast to be KMR first, a bit of playing, then baby cereal for seconds. 

She tried to run out from a hiding place and pounce me but fell over backwards. 

Any day now she’ll discover her zoomies.

[threedillusionmusic]

3d Edit Songs by ~ Yaar Punjabian ~ Hello Friends Welcome To My Channel This Channel is Convert Normal Surround Sound Song To 3d 360° Surround Sound Song And This Channel Is Hindi. if You Like This Song Don't Forget To Like, Comment & Share Click Here To Subscribe For New Songs : YOUTUBE :- https://www.youtube.com/channel/UCqto2KCM-x8T3M5Cl6Tnwjw SOUNDCLOUD :- https://ift.tt/2QPjBSm ~~~~~_#yaarpunjabian___~~~~~~~ ==================================== 🎧 Song Credits & Info's 🎧 Love and grandeur come alive with Ghar More Pardesiya from the movie Kalank starring Alia Bhatt, Varun Dhawan, Madhuri Dixit, Sanjay Dutt, Sonakshi Sinha and Aditya Roy Kapur. Music - Pritam Lyrics - Amitabh Bhattacharya Singer - Shreya Ghoshal with Vaishali Mhade DOP: Binod Pradhan Choreographer: Remo D'souza Production Designer: Amrita Mahal Nakai Costume Designers: Manish Malhotra, Maxima Basu Golani & Ajay Kmr Creative Consultant: Mayuri Upadhya Assistants to the Choreographer: Yusuf Khan Kruti Mahesh Rahul Shetty Jenny Surani Upasana Singh Piyush-Shazia Kajal Rawat Pavan Shetty Additional Production Designers: Anita Rajgopalan Lata, Donald Reagan, Aparna Raina Sound Design - DJ Phukan & Sunny M.R. Programmer - Prasad Sashte Arranger - Prakash Peters Mix & Master - Shadab Rayeen@Newedge Sitar - Niladri Kumar Sarod - Roopak Naigaonkar Ravanahatha - Chandan Singh Tabla - Akshay Jadhav Tabla Tarang - Sanjeev Kanitkar Mandolin & Varion Pluck Instruments - Tapas Roy Vocal Design - Suchismita Das & Tushar Joshi Tarana Design - Sudeep Jaipurwale Shootmix - Ashwin Kulkarni Recording Engineers - Ashwin Kulkarni, Aaroh Velankar, Himanshu Shirlekar, Aniruddh Anantha & Harjot Kaur Assistant to Shadab - Abhishek Sortey & Dhananjay Khapekar Engineer - Vijay Dayal (at Yashraj Studios) Engineer (Assistant) - Chinmay Mestry (at Yashraj Studios) Chorus - Ashwin, Aaroh, Anurag, Himanshu, Aniruddh, Akashdeep, Kaushik, Shloke, Shubham, Manoj, Animesh, Abhishek, Ritu and Ritvik Music Production Manager - Anurag Sharma Lyrics: Raghukul reet sada chali aayi Praan jaaye par vachan na jaayi Jai Raghuvanshi Ayodhyapati Ram chandra ki jai Siyaavar Ram chandra ki jai!!! X 2 Ta di ya na dheem.. de re ta na de re nom Ta di ya na dheem.. de re ta na de re nom Ta di ya na dheem... Raghuvar teri raah nihaare Raghuvar teri raah nihaare Saaton janam se siya... Ghar more pardesiya Aao padhaaro piya Ghar more pardesiya Aao padhaaro piya Dheem ta dheem tanana dere na Dheem ta dheem tanana dere na Dha ni sa ma, sa ga ma dha, ni dha ma ga pa ga ma pa sa sa, ga ma pa ni ni, ga ma pa ni dha pa ma ga re ga ma dha pa Re ma pa dha ma pa ni ni dha pa ma pa ga ma re sa ni sa re re ma ma pa pa dha dha ma ma ni ni ni re sa ni dha ni dha pa ma pa dha ni dha pa ma ga re ga re sa ni sa re re ga × 2 ================================= "Make 3d audio bollywood song 3d hollywood movies clip & song bollywood horrors sounds clips much more " 🎧🎧😊😊😊What is 3D panned audio? This is a 3d panned audio which gives illusions like you are listening to original "3d" audio but its not actuall "3D" . But you can feel the height , width & depth of the song like in original 3d audio. 🎧( Ps - its not original "3d" song but its gives Illusions like original 3d ) Panning - panned means the audio channel changes from left to right & viceversa .. Note When We Had Started This Channel We Don't adds Sound Effects Like We Add Now So Our Old Videos is Not That Effective! But The Future Videos Will Be Mind Blowing😊🎧🎧 🎧🎧 Please Select Video Quality 480p Or 720p And Please Plug Your Headphones Or Earphones And Close Your Eyes To Enjoy 3d Music This Music Inside Your Heads. This Song Is Original Dolby Atmos 3d 360° Surround Sound 🎧🎧 =================================== Song Lyrics ==================================== NOTE 3D SONG Create DAW SOFTWARE WITH 3D AUDIO BINAURAL PLUGS __ Disclaimer: I do not own all the material I am posting on My channel. If you are a copyright owner and want your work to be removed from My channel PLEASE contact at 3dillusionmusic@gmail.com or leave a comment or message me on social media i provided and I will remove your material right away. PLEASE do not opt for a youtube strike ___ Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use👌👌👌👌👌 ®#3dmusicconveter2019™ #gharmorepardesiyasong, #kalankmovieallsong, #gharmorepardesiya3dsong, by 3d music converter

[foxbarcode379]

Kenwood Kna-g510 Map Update Hack

The LED indicators show the status of the printer and have five operating conditions as follows: Indicator off; Indicator on; Flash 1 - slow blink - 1 long flash every 4 seconds; Flash 2 - blink - 1 flash per second; Flash 3 - rapid blink - 4 flashes per second. All four LED indicators come on momentarily when power is turned on. Okidata b4400. A printer driver is not selected. Right-click the OKI C532 icon on the Devices and Printers folder, and then select Set as Default Printer.-The output port of the printer driver is incorrect. Specify the output port for connecting a LAN cable or USB cable.

Kenwood Kna-g510 Map Update

Kenwood Kna-g510 Map Update Hack Download

Kenwood Kna-g510 Map Update Hack Free

Does anyone know the correct map update software I need?

I have a G510 I bought about 1.5 years ago and I would like to update the maps. I found the 'SD data card, City Navigator NT, North America Part Number: 010-10679-00' on the Garman website but it doesn't specifically say this item is for upgrading the map software on the G510. I also read in another place on the web that this software couldn't be used to update existing software.

Download civ 6 mac free. Does anyone know the correct map update software I need?

Thanks,

Antares Autotune Crack VST software is an advanced plugin for fixing a multitude of pitch-related problems. More, Antares Autotune EV6 Final Release analyzes the key and the pitch commonly associated with the given input and identifies the perfect pitch for that input. Download Antares autotune it for free from the official website. Yall have been asking the same Dann plugins over and over again for friggin months. Omnisphere, Waves, autotune etc etc, it's always this same things over and over again. And to the ones asking for FL studio 20.8 Crack, it doesnt exist people, friggin understand that. Antares autotune mac crack.

Stretch

Outdoor Map Update Cycling Map Update Golf Map Update Golf Course Locator. Garmin Technology Garmin Connect Connect IQ Basecamp Garmin Express Garmin Indoor Training Third-Party Music Provider Garmin Health Enterprise Solutions Blog. Automotive Map Update.

5.0 out of 5 stars KNA-G510 with Kenwood KVT-614 Reviewed in the United States on January 20, 2010 I was planning to upgrade my stereo in my Jeep Grand Cherokee along with installing some component speakers and ran into this nifty add-on to the Kenwood head unit I bought.

2020

KMR-M506DAB

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2019

KMR-M505DAB

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KMM-X503

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KDC-BT530U

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KDC-BT23

Map Updates Purchase New Maps In-Dash Maps. Automotive OEM Solutions Blog Careers Garmin Express RV OEM Solutions Shop all sales. Fl studio 20 all plugins bundle torrent. SAVE NOW ON RV 785 WITH BUILT-IN DASH CAM. SAVE $100 ON AN 8”. Welcome to Car Electronics Support Information of Kenwood Site. Firmware Updates. Navigation software updater on Garmin website; Manual. Description File name. Firmware Updates CD/USB receiver firmware updates Navigation/Multimedia receiver firmware updates Optional accessory.

2018

KMM-BT522HD

KDC-X702

KDC-BT772HD

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2017

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2016

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2015

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2014

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2013

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2012

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2011

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2010

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2007

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KDC-W7537UY

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2018

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2016

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2014

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Kenwood Kna-g510 Map Update

2011

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2009

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2008

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2007

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[kmrstudios]

Behold, my KMR Studios quilt!

Special thanks to my relative(s) who helped make the quilt.

Check out the video of this quilt in Rumble!

https://rumble.com/v3x5t4g-kmr-studios-quilt.html

Artwork by Kyle R (aka KR). All original characters/artwork/works are the property/properties of Kyle R (aka KR) & KMR Studios. Robocop, Mugman, Mai Shiranui, & Axl from Mega Man X are the properties of their rightful owners.

Copyright © 2023 KMR Studios. All rights reserved.

[happywebdesign]

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[gizedcom]

Long Road To Hollywood: Why Actors With Disabilities Have Yet To Be Recognized

A pedophilic circus performer. A comedic womanizer. A killer.

These were just a few of the roles that Danny Woodburn was offered when he began auditioning for film and TV roles in the early 1990s. Woodburn, a self-described little person, quickly found that nearly every character he portrayed was “miserable,” broken or evil.

“The go-to, I think, for little people is to make them creepy or animalistic,” the actor and producer told HuffPost.

Even after landing a recurring role on “Seinfeld” and scoring gigs on shows including “Watchmen,” “Jane the Virgin” and “CSI,” Woodburn said he still came across casting opportunities that recycled tiresome tropes invoking pathos for “the sad little man.” Just a couple of years ago, casting agents tried to pitch him on a role in a Christmas special by saying he’d get the chance to kiss a famous performer.

“The big selling point was that I’d be able to make out with this well-known actress,” Woodburn said of the project. “I was like, ’Who cares about that when you’ve created this horrible, stereotypical character and the idea is that I should be so lucky to have this opportunity as a little person to be in the arms of this well-known actress and making out with her on screen?’ They were looking down on little people in that sense.”

Woodburn turned down every role that he found to be demeaning toward people with disabilities, determined not to contribute to objectifying portrayals of disability.

“It’s cost me a lot of jobs, but at the same time it’s given my career longevity,” he said. 

Jerod Harris via Getty Images

Danny Woodburn attends a Television Academy and SAG-AFTRA event in North Hollywood on Sept. 11, 2018.

The entertainment industry has always struggled to provide authentic representation of people with disabilities. In 2016, only 2.7% of characters in the 100 highest-earning movies were disabled, according to a report from the University of Southern California’s Annenberg School for Communication and Journalism. And if people with disabilities are depicted at all in film, television or theater, they tend to be in polarizing narratives that portray them as objects of pity or inspiration. Stories approaching disabled characters through a holistic, neutral lens are few and far between.

It also takes creative people with disabilities significantly longer than their nondisabled peers to get their big break, if they do at all. 

Disabled people are often shut out of Hollywood because they “miss a rung on the ladder” early on in their careers, casting agent Gail Williamson of KMR Talent said last year at ReelAbilities, the largest festival of films for and about people with disabilities.

For some people, that means being shut out of a writers room. For many, it means dealing with unsupportive film schools or a casting director’s blunt preference for abled artists. And for others, a missed career opportunity can be attributed to nothing more than a damn broken elevator. 

Accessible, But Not Really

In January 2019, Fuchsia Carter signed up for an audition that specifically said performers with disabilities were welcome. Carter, a trained actor who uses a wheelchair, emailed the production company to ask whether the building was accessible. “Regrettably, the space we perform in is only accessible by stairs,” the company’s team wrote back, noting they were “delighted” she wanted to audition. 

Carter has had dozens of similar experiences over the course of nearly a decade. She has turned up for auditions only to discover the building doors weren’t wide enough, the elevator was out of order or there was no parking.

When she does finally make it to an audition, casting agents often assume her wheelchair is a prop. They’re floored that a wheelchair user could also be a professional actor.

“I often get asked if I can show able-bodied actors how to use a wheelchair convincingly,” said Carter, recalling one incident when casting agents for a crime show asked her if she could give lessons to another actor up for the same role. “I’m like, no, you can either hire me as the actor for the character or you can go jump.”

Even at the most basic training level, actors with disabilities are denied opportunities to hone their craft.

Actor Christine Bruno, who received degrees in acting and directing in 1998, said dance movement classes were typically a requirement for her programs — but that she didn’t have the opportunity to take them.

“They wouldn’t teach me because they didn’t know how to teach me,” said Bruno, a little person who has since been cast in “Law & Order” and, most recently, the CBS series “God Friended Me.” “They probably didn’t want to be responsible for whatever liability they thought that that would bring, so basically they refused to allow me to take their classes.”

When she asked the administration if there was another way she could fulfill the requirement, they told her not to worry about it.

“I was like, wait a minute,” she said. “I’m paying all this money for an education. I want to be afforded the same education everyone else is getting.”

I often get asked if I can show able-bodied actors how to use a wheelchair convincingly. Fuchsia Carter, actor

Other disabled professionals in the entertainment industry said they’ve faced similar roadblocks while studying the arts. 

Carey Cox, a theater actor with Ehlers-Danlos syndrome, said directors in her movement classes “would physically put their hands on my body and try to adjust [me] or get me to do things I was uncomfortable with.”

“If I fell or couldn’t hold my balance, it was brought up in my evaluations,” she said.

Dominick Evans, a filmmaker, said one of his theater instructors in 2009 only gave him monologues of characters with disabilities — including a deaf character and a blind character from “Oedipus,” even though Evans is a wheelchair user. He left the school the following year and didn’t finish his program.

He graduated from a different film school a few years later, calling the experience “hell” because of inaccessibility and the fact that he was told by one professor that other instructors didn’t want him in their vocal classes because they “didn’t know what to do with me because of my wheelchair.”

That same year, Evans began hosting a Twitter chat using the hashtag #FilmDis and met dozens of other people who were upset about the lack of disability representation on screen. He turned the discussion into an organization with the same name, which released a white paper in March that found that cisgender white men made up the majority of disabled characters on TV during the 2018-2019 TV season.

“In film school they taught us, ‘write what you know,’” Evans wrote during one #FilmDis Twitter chat. “And yet all these films that feature disability are not by us.”

A Steep Climb

When marginalized performing artists are absent from the creative process, both the art and the community suffer. And that’s especially true when nondisabled actors are cast to play characters with disabilities.

In “Me Before You,” a 2016 film based on a bestselling romance novel, a woman takes care of a quadriplegic man who has chosen to die by assisted suicide (played by Sam Claflin, who is nondisabled). The movie also plays out the trope that it would be better for everyone if people with disabilities were dead. 

“The Upside” received widespread criticism for casting actor Bryan Cranston as a wheelchair user and maintaining “a weakness for sentimentality, a reliance on clichés and caricatures,” as the Los Angeles Times wrote in 2019.

Most recently, “Come as You Are,” a movie about three disabled men taking a road trip with a nurse to a brothel for people with disabilities, faced significant backlash for casting all nondisabled actors as the main characters.

But there is some evidence that the tide is beginning to turn. In 2018, for example, about 20% of disabled characters on TV were portrayed by actors with the same disability — up from just 5% two years earlier, according to a study from the Ruderman Foundation, which promotes full inclusion of people with disabilities.

Lauren Ridloff, who plays a deaf character on “The Walking Dead,” is set to become Marvel’s first deaf superhero in 2021′s “The Eternals.” Zack Gottsagen, star of “The Peanut Butter Falcon,” became the first actor with Down syndrome to present an Oscar in February. Ryan Haddad portrays a student with cerebral palsy in “The Politician.” And last year, Ali Stroker became the first wheelchair user to win a Tony Award.

Frazer Harrison via Getty Images

Actors Kumail Nanjiani, Lauren Ridloff, Brian Tyree Henry and Barry Keoghan attend Go Behind the Scenes with Walt Disney Studios in Anaheim, California, on Aug. 24, 2019. Ridloff, part of the cast of “The Walking Dead,” is set to be a Marvel superhero in “The Eternals.”

Many actors, casting directors and other industry figures said they’re increasingly seeing disabled actors playing more dynamic characters — which has naturally led to more authentic, groundbreaking and complex storytelling.

In “Raising Dion,” a Netflix drama series about a kid superhero that premiered in October,  Esperanza (played by newcomer Sammi Haney) builds a friendship with Dion (Ja’Siah Young) and helps him save the world. She also happens to use a wheelchair, but that’s just one facet of her character’s story. In one episode, she tells Dion that his play tent isn’t accessible to wheelchairs in a way that shows how assertive, confident and witty she can be. In another, she gets upset when Dion assumes Esperanza wishes she could walk and teaches her friend that just because someone is disabled doesn’t mean they want to be cured. 

Becoming The Norm

The increased representation of disability on screen is a result of decades of advocacy work to recognize disability as part of the greater movement for diversity in entertainment — not a separate cause. 

In 2011, for example, Woodburn and several other members of the SAG-AFTRA Performers With Disabilities Committee teamed up with the Association of Motion Picture and Television Producers, a trade union representing workers in the entertainment industry. Together, they created a task force aimed at creating more opportunities for disabled performers, which has led to new relationships with studios and better industry practices on disability hiring.

Many advocates said it’s important for nondisabled people to be involved in pushing for change. Disabled people, after all, are all too cognizant of how underrepresented their community is.

Most recently, the movie “Come as You Are,” about three disabled men, faced backlash for casting all nondisabled actors for the main characters.

In late January, the Ruderman Foundation released an open letter to Hollywood executives and production companies, urging them to cast more people with disabilities. Dozens of people in the industry — including Marlee Matlin (who in 1987 became the first and only deaf actor to win an Oscar), Danny DeVito, Eva Longoria, Mark Ruffalo and Glenn Close — signed on, and the foundation has since partnered with the Academy of Motion Picture Arts and Sciences, the organization behind the Oscars, to recruit students with disabilities and from other underrepresented communities who are looking to break into Hollywood.

The Cincinnati chapter of ReelAbilities, the film festival for and about people with disabilities, relaunched in 2018 as the Over-the-Rhine International Film Festival. The name change came as part of an effort to make disability part of a larger dialogue around inclusive storytelling.

The festival drew in nearly eight times as many people as it had before the rebranding, Jack W. Geiger, the event’s managing director, told HuffPost. 

“It’s raised the level of consciousness across the board,” he said, adding that more than half of the films at the festival still feature disability-related storylines. “Since the rebranding, it’s allowed us to expand the awareness of disability to a much wider audience.”

The best part of my ‘General Hospital’ dream coming true is that the character is not written as disabled. She is because I am.” Maysoon Zayid, comedian and actor

Also in 2018, the Casting Society of America hosted its first open casting call for actors with disabilities. More than 50 casting directors participated and auditioned at least 900 disabled actors as part of the call, according to Variety — showing that the common misconception that there aren’t enough disabled actors to fill roles simply isn’t true.

“The industry has an extraordinary opportunity to do work that’s truthful,” said Lynn Meyers, a member of the Casting Society of America who has also worked on casting calls for Over-the-Rhine.

“I think that’s all of our responsibilities as producers, writers, directors and actors, knowing that there are people that want to work with them and not giving up,” said Meyers, who has cast movies including “The Killing of a Sacred Deer” and “The Shawshank Redemption.” “It’s easy to say that; much harder for somebody to break through that.”

But even as disability has become increasingly visible on screen and behind the scenes, disabled people of color — including women and LGBTQ folks of color — are often left out of the narratives.

“Anytime you do see disability, it’s a white boy,” said comedian and actor Maysoon Zayid, referencing Ryan O’Connell in “Special,” RJ Mitte in “Breaking Bad” and Micah Fowler in “Speechless.”  

Astrid Stawiarz via Getty Images for Together Live

“The best part of my ‘General Hospital’ dream coming true is that the character is not written as disabled. She is because I am,” said Maysoon Zaid, shown here at a New York City event last November.

“I love them and I support them, but maybe we could see some more women, huh?” she said. 

Even on “groundbreaking” shows, she said, directors and screenwriters need to ask themselves, “Who am I missing?”

Zayid spent the first year and a half of her career auditioning for movies and TV shows. When nobody wanted to cast her, a Palestinian Muslim woman with cerebral palsy, she started performing stand-up instead. Acting opportunities were sparse, and she landed only a few small roles. 

Last year, she got a recurring role as an attorney on “General Hospital.” It had taken her more than 17 years to get to that point. 

“The best part of my ‘General Hospital’ dream coming true is that the character is not written as disabled,” Zayid said. “She is because I am.”

Advocates hope that the industry will get to a point where disabled artists are taken seriously and given opportunities to play characters that have complex backstories, story arcs, personalities and lives that don’t solely revolve around their disabilities.

“I don’t want to be given a job because I’m disabled,” said Carter, the actor who was shut out of inaccessible auditions. “I want to be given the chance to show that I have talent.”

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The post Long Road To Hollywood: Why Actors With Disabilities Have Yet To Be Recognized appeared first on GIZED - Breaking News Worldwide.

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[luzinadya]

sawo pejaten barat ii

Jak sel

Lt ♥️ 1186 m2

Lb♥️ 800 m2

R.security

Backyard luas

Lt.3 bisa bikin studio apt

Master bedroom 1

Kamar tamu 4

Kamar anak 4

Kmr pmbnt 3

Harga 39 m

[ovuinhi]

Singer - Shreya Ghoshal

Director of Photography - Binod Pradhan

Choreographers - Saroj Khan and Remo D'Souza

Production Designer - Amrita Mahal Nakai

Costume Designers: Manish Malhotra, Maxima Basu Golani & Ajay Kmr

Assistants to the Saroj Khan -

Munni

Manish

Anu Kanwar

Assistants to Remo D'Souza -

Yusuf Khan

Kruti Mahesh

Rahul Shetty

Jenny Surani

Upasana Singh

Kajal Rawat

Pavan Shetty

Nikita Banawalikar

Sushant Pujari

Additional Production Designer - Aparna Raina

Sound Design & Music Production - DJ Phukan & Sunny M.R.

Music Programmer - Aditya Dev

Music Arranger - Prakash Peters

Rhythm Arranger - Nitin Shankar

Mix & Master - Shadab Rayeen @ New Edge

Bagpipes & Ney - Meira Segal

Qanun - Tamer Pinarbasi

Sitar - Aparna Doedhar, Umashankar Shukla & Zuber Sheikh

Glockenspiel - DJ Phukan & Aditya Dev

Bass – Raj Kumar Dewan

Tabla - Ishteyak Khan, Mushtak Khan, Sanjeev Sen, Iqbal Azad, Yusuf Mohammed, Mohammed Shadab Yusuf, Navin Sharma, Musharaf Khan, Madhav Pawar and Krishna Musale

Dholak - Ishteyak Khan, Mushtak Khan, Sanjeev Sen, Yusuf Mohammed and Navin Sharma

Pakhawaj - Madhav Pawar & Krishna Musale

Multi Percussions - Pratap Rath, Abhijeet Kholi, Vijay Jadhav (Sr.), Anup Shankar and Suresh Soni

Strings (Bangkok, Thailand) at Studio28

Violin 1 - Chalat Limpisiri, Thanaporn Sathienwaree, Pacharapol Techatanachai, Karn Watcharaprapapong, Bodin Pukang, Ittipat Pisalchaiyapol, Khajeepaan Jangjamras & Anapat Vuthithanthaveekij

Violin 2 - Pittaya Pruksacholavit, Pongsit Karnkriangkrai, Napat Nanasombat, Teesin Puriwatthanapong, Varissara Tanakom, Patcharapan Sombuntanon, Kittipith Kaivikai & Tassanai Punprasert

Viola - Suvijak Chotikool, Nawattasit Kanjanajai, Thachapol Namwong, Pongthep Jitduangprem, Surachon Lerdlop, Jitsamon Shattrakom, Nitivadee Kaosard & Yuwadee Kanchanasatit

Cello - Nichapa Nilkaew, Teerakiat Kerdlarp, Vannophat Kaploykeo, Saran Charoennit, Roypim Thavornsuwan & Vorapon Thannuekmeesinkul

ContraBass - Rutawat Sintutepparat & Prawwanisita Neesanant

Conducted By - Trisdee na Patalung

Padhant Design - Nitin Shankar

Padhant - Nitin Shankar, Akshay Jadhav & Omkar Salunkhe

Vocal Production - Tushar Joshi

Shootmix - Ashwin Kulkarni

Recording Engineers - Ashwin Kulkarni, Aaroh Velankar, Himanshu Velankar, Kaushik Das, Aniruddh Anantha & Harjot Kaur

Assistant to Shadab - Abhishek Sortey & Dhananjay Khapekar

Recording Engineer (at Yashraj Studios) - Vijay Dayal

Assistant to Vijay Dayal - Chinmay Mestry

Music Team - Ashish Pandit and Shloke Lal

Presentation Members - Rahul Tiwari and Ishteyak Khan

Chorus - Suzanne D’Mello, Harjot Kaur, Ana Rehman, Nikita Ahuja, Shreya Phukan, Nikhita Gandhi, Aashima Mahajan & Sana Aziz

Music Production Manager - Anurag Sharma

Saroj Khan and Remo D'Souza managed by Raj Surani (Octopus Entertainment Pvt. Ltd.)

[smartstudioakron]

Thank you Studio KMR Photography for your incredible ability to capture my happiness for doing what I do 🙌 #getsmART #Repost @studiokmrphotography ・・・ Always fun to see my 🦄 of a friend @smartstudioakron . Had blast working with @akroncraftsocialclub today (at Hazel Tree Interiors)

[prevajconsultants]

Karenderia Point of Sale (POS) (.NET)

Karenderia Point of Sale (POS) is merchant Point of Sale (POS) Windows application for Karenderia Multiple Restaurant System., it has complete features that all restaurant needs. Karenderia Point of Sale (POS) is designed with Winform UI, designed that has extreme user friendly interfacce that anyone can use without any difficulty. It has complete features that all restaurant needs

Point of Sale is addon for Karenderia Multiple Restaurant System which you can have your merchant Point of Sale application, in short is to make KMRS as POS System. Karenderia Point of Sale (POS) connects to KRMS via json api calls just simply upload the API files for the api and change the config file and your all done. Its comes with very easy steps by steps procedure on how to upload the api & change the configs and how to Build it.

Important: this is addon for Karenderia Multiple Restaurant System which uses the backend of KMRS merchant panel and connects using json API, it means you cannot run this as stand alone you need to purchase Karenderia Multiple Restaurant System in order for this application to work. Watch Point of Sale in action click here

Features

Merchant Info ( Restaurant Info )

Merchant Login

Manage Merchant Info/Food Category/Addon etc by KMRS Merchant Panel

Caller ID (need Ad101 Device)

CRM ( Add and manage Merchant Client with Callnumber )

Food different sizes

Food can have multiple sub item or addon

Mutiple food category

Autocomplete Address for Delivery Address (Powered by Google Maps)

Client History (eg. first Order etc)

Delivery Time - Distance – Driving Time (Powered by Google Maps)

Easy to translate to any language

and many more….

Software Requirements: Microsoft.NET Framework 4.5 or Higher, Visual Studio IDE

Please note: Don’t forget to rate (5 Stars) if you like this script! Thanks in Advance

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