#Leon Cooke

[ruleof3bobby]

ANT-MAN AND THE WASP: QUANTUMANIA (2023) Grade: C+

I didn't think it was as bad some say. Kang the Conqueror was a good villain & Jonathan Majors was excellent.

The climax could've been improved. Maybe an overall shorter time length as well. Special effects were average.

[badmovieihave]

Bad movie I have Ant-Man, Wasp: Quantumania 2023

[milliondollarbaby87]

Ant-Man and the Wasp: Quantumania (2023) Review

Scott Lang and Hope Van Dyne team up with her parents Hank Pym and Janet Van Dyne as they explore the Quantum Realm. A place that Cassie Lang had been learning about and they are all then stuck inside it, another world with many different creatures. ⭐️⭐️ (more…) “”

[crumb-crumblet-s-crumbington]

detriot become human lethan au...

[nyctophorum]

This death animation is sooooo peak like the spurt of blood over leon’s face and the way krauser slowly draws the knife back out??? Come on

[captainfairygodmother]

You know what I really love that should be explored in even more Merlin fanfics?

Immortal Leon. Like, you've just got Merlin over there sulking about while he waits for Arthur to return. Then there's just Leon, living his best immortal life, doing the most randomest shit known to mankind

[hades-in-bloom]

Al Dente

Leon S. Kennedy x Reader

summary: he might be of Italian descent, but he still can’t nail cooking pasta.

warnings & contents: assumed older Leon, but could be of any period; assumed age gap, but could be none; reader could be of any gender; fluff with attitude and smth that could be considered a prelude with grabbing and kisses; mentions of drinking; no pasta recipes, really, just stupid banter; a little bit of manhandling

a/n: am not Italian, so please let me know if I’ve committed any blasphemy. Also, this is one silly piece of writing because I’m de-stressing and can’t write anything serious, but am also obsessed with Leon tapping into his Italian descent. As always, proceed with caution and at your own risk; minors DNI! Masterlist

***

‘Oh, I swear…’ Leon mumbled, taking a look into the deep cylindrical pot that was cooking on the stove; the water boiling merrily. Kennedy sighed; he got distracted for a few minutes while taking a call from D.S.O.—which seemed enough for a batch of pasta to turn into goo.

Again.

Leon huffed out a bad word, lifted the pot from the heat, and dropped it straight into the sink without any attempt to retrieve its doughy contents. The man cracked open another beer bottle and took a sip, visibly consumed with heavy thoughts; the number of beers had perfectly correlated with the number of unsuccessfully cooked batches of pasta. Although Leon has never encouraged food waste, this time the big and scary D.S.O. agent refused to give up, steadily losing his sobriety with each try.

You watched him suffer for quite a while, half through the bottle of wine yourself—because grabbing popcorn would be too obvious and undoubtedly rude, although the show was getting more entertaining by the minute; Leon’s frustration was evident.

‘How’s it going?’ you hummed from behind his back. You did your best to hide your smirk.

Leon groaned. He knew you were having a laugh; who wouldn't in that situation, anyway.

‘I’d rather shoot a horde of zombies,’ Kennedy mumbled. He took another sip of his beer and hummed, assessing the situation. ‘Also, I'm running out of pasta.’

You were convinced he deserved the roast; however, his genuinely concerned facial expression made you chuckle.

‘Should we take a break?’ you tilted your head slightly, watching his reaction.

‘We?’ Leon raised his eyebrow, giving you a side-eye. ‘I am getting tortured. What exactly are you doing?’

You thought about it briefly; took a sip from your wine glass.

‘I guess I should be qualified as moral support?’ you assumed.

Leon scoffed, then couldn’t hold back a chuckle. He turned around, facing you; his eyes trained on your features then.

‘I bet you don’t know how to cook a proper al dente either.’

‘You bet?’ wine was your liquid courage, so you might have been too venturesome at that moment. Neither of you complained, though. The man of the hour was intrigued. ‘What if I were to cook you the nicest al dente pasta you’ve ever eaten, Kennedy?’

Scott snorted in a friendly manner and folded his arms over his chest.

‘Ever eaten is a bold claim, sweetheart,’ he teased, his smile growing wider. ‘My family were immigrants from Italy, you know that, right?’

You shrugged his comment off light-heartedly.

‘If I lose, I lose, right? And you could claim your prize,’ you smirked. Oh, you had no doubts he was interested.

His gaze bore into yours for a second; then his features relaxed, although you still could see his shoulders tense—you let it slip.

‘Alright, go forth and forward,’ he smirked; his stare spoke volumes. ‘I will start thinking of what you owe me in return when you screw it up.’

You quickly cleaned up the kitchen countertop, allowing clean water to boil one more in the cooking pot while you measured two portions of store-bought pasta.

Leon watched your actions over your shoulder before you felt his large palms on your hips.

‘Nicely done,’ he murmured from under your earlobe.

You knew he wouldn't be able to play fair; he wasn't big on losing, whether major or minor—and you cooking pasta al dente better than him, taking into account his heritage, was a below-the-belt insult to him. Thus, he didn't mind deploying desperate measures.

‘That’s cheating, Kennedy,’ you muttered, putting the batch of pasta into the pot.

‘I don't remember me touching you being against whatever rules,’ he hummed, placing his lips on your neck. Your heartbeat fastened. ‘Fairly, I don't remember us discussing any rules.’

‘You’ll regret it when I win,’ you claimed. Leon glanced into your pot once again. ‘A couple of minutes more…’ You hummed.

‘How do you know the perfect timing?’ he moaned into your ear. You smirked.

‘Who knows, maybe it would be awful…’ you teased, and he shook his head.

‘No, it won’t,’ Leon concluded quickly and, by lifting you up, grabbed you onto his shoulder. You squealed, losing the ground from under your feet, and clung onto his t-shirt from the back in an attempt to keep your balance.

‘Oh, you fiend!’ you watched him turn off the stove before dragging you into the bedroom. ‘That was our dinner!’

‘I think you're right—we should take a break; maybe, we could order pizza…’ he hummed. You groaned in response, helplessly hanging from his height, his hand holding you tight right under your asscheeks.

Leon let you slide from his shoulder onto the mattress in the bedroom, hovering over you in the next second. His lips barely touched yours when he smirked and watched you blush then.

‘…after I finish with the appetizer.’

[sirenhub]

RATE THE NEW PHONE THEME! 💋

[melancholygirl111]

[leon-on-the-froggy-chair]

i doodled serennedy in crop tops for my mental health

[justkillingthyme]

It’s more than just the eyes

[robinzombiezz]

Day one of serrenedy week except I’m super lazy and in artblock rn XC

[ovaryacted]

NOW HOLD ON, HOLD ON, HOLD ON, YOURE ONTO SOMETHING WITH BRAT LEON

I know it sounds strange to think of Leon as a brat because he's a grown-ass man and it seems taboo. But when you're a heavy switch who is a brat when they're a sub and who's into femdom and brat taming (aka me) you'd be surprised how common it can be when the brattiness is subtle. But let me walk you through my thought process real quick.

Leon has always been put in the position of being dominant as a means of survival. He had to prove to other people that he can be taken seriously, that he isn't just a pretty face but also has a brain and skills that don't leave him out to be seen as a piece of meat. At least past RE2, he'd have to force himself to be macho especially when he's forced into military service despite being the complete opposite internally.

So, when he's able to have a safe space to explore those things, he'll be more comfortable being submissive. Just turning his brain off and letting someone else be in charge so it isn't him calling the shots for once. The thing is, there will be times when you'd have to fight him to be submissive because he's stubborn and he likes getting on your nerves.

It'll start off with talking back, with the constant sarcastic one-liners he'll say mid-conversation. Other times, he'll interrupt you, or question you more often just to see the way your jaw will tighten and your eye will twitch. He does it on purpose, because he knows what he's signing himself up for in the end. He wants the punishment and wants to see you dom him completely.

"You really want to talk to me like that?", you'd tell him as a warning, and he'd only smirk. "What? I can't talk to you now?", Leon would reply back, voice dripping in sarcasm, and you hate it.

If you command him to do something, he'll either do it slowly or in the way you didn't specify, which I think is the obvious answer.

"Did I say you could touch yourself?", you yanked his head from where he currently sucked at your pussy, seeing the sneaky hand jerking at his throbbing cock. "You didn't, but I wasn't in the mood to listen", Leon didn't stop pumping, hair a mess and eyes completely fucked out as he gave you a grin.

The way that I see it, Leon would have fun being a brat, it's a dynamic I can see being brought out if he doesn't want to be outright submissive. Again, this is all coming from my own perception of him that he's stubborn and doesn't take shit seriously, so it would reflect whenever he's in the mood to do something like this.

[oneroomjestershow]

Inspired by THISSSS post that made a lot of sense and made my brain shake so hard it melted, i wanted to try to assign my angel's favorites so i put them together!

thinking that Ren could make friends with pokemon... one can just dream.,.. they're a menace

[ceofcatgirls]

//suggestive

Going to finally make a post about this bc its been haunting my mind for a good month or two at this point--

This is a brief-ish post about guns being used as a metaphor for masculinity, power, and potential stand-in for phallus imagery in the dollars trilogy. I'll also be speaking about these things from a general stand point too, but I'll try to focus on how and where they interconnect.

I doubt most ppl will read all of this but I have brainworms so I need to put this out somewhere .

I think a lot of these points can be said about Westerns in general, btw. Not just Leone movies. However I'll focus on the dollar trilogy because this is already too long and needs to have a focus.

Now, I'm sure masculinity will need no defining, but I'll briefly show what definition of phallic imagery I use;

(Yes I'll eventually tie all this to the homoeroticism present in the movies, with a slight feminist bent to this analysis)

(I want you to keep in mind throughout this post that guns are metaphoric stand ins for dicks lol, just so i dont have to keep repeating that all the time)

I think this definition is quite good as it incorporates the concept of power into itself, which imo is a must-have when discussing masculinity in artwork.

As expected, there is an undeniable connection between phallic imagery and masculinity, which is also tied to power. A lot of masculinity throughout human history has relied upon genitals (even if not completely) to assert itself, which in turn, would affect the power relations men and women have, but also between men themselves. After all, the patriarchy is dependent on gender, with the male gender having the upper hand. This would mean, within a patriarchal society, men with more masculinity have more power, so we can see how sexuality is so tied to the patriarchy also, and how men will inevitably compete.

I'll start with perhaps one of the most obvious examples of this from the trilogy; which also conveniently has phallic imagery, or phallic metaphors.

Specifically, I'll start with the first proper interaction Colonel Mortimer and Manco have in For a Few Dollars More

(I'll link the clip just in case)

I'll state the obvious first; this is obviously a competition to define who would have the most power (and thus upper hand) in their relationship. That's why neither character backs down, and why there is a tense animosity between the two. Of course its also more complicated than that; Manco, the youngest of the two, is obviously taking this more seriously and is the more antagonistic. Mortimer seems to just be entertaining him at times, whilst also trying to show that his years of experience can give him the upper hand. Its a perfect scene presenting power, age, experience, who the characters are, and how their relationship will be forward from this.

And of course, as any western, guns are used for this.

Perhaps it's the perfect genre for what Sergio Leone wanted to present. Guns are the perfect metaphor for a phallus; they display power, they display masculinity, and they even have the shape! They can define life or death, much like how male sexuality, and therefore a phallus, can define a man's position in the patriarchy.

The shootout ends in a draw, as both Mortimer and Manco are skilled with their guns. Their stand-off for power and dominance led to a standstill and an equilibrium between the two. This will then define their relationship, as they form a equal partnership.

(And of course, perhaps Mortimer was being kind to Manco and held back a bit. He did the same in the end of the movie, by letting him take all the rewards. To Mortimer, there is more to gunslinging than an attempt to assert masculinity. And the fact that he holds back in his competition with Manco presents a level of respect he has for him, which adds on to the already existing homoeroticism of two men using guns to assert their dominance onto each other. I'd even argue that's what makes the homoeroticism purposeful, in this movie's case.)

There are other examples of guns bring used to impose masculinity throughout For a Few Dollars More. That is the crux of every final duel after all. But Mortimer and El Indio don't have significant homoerotic undertones so I won't get into it.

My other favourite example of this occurance in the dollars trilogy, is in The Good, The Bad and The Ugly.

It's a quick, small moment in a wider, longer scene. However I like how it gets across its message in a simple way.

It's the end of the scene where Angel Eyes forces a partnership onto Blondie.

I think it's important to mention how this is how Sergio Leone chose to end a scene where Angel Eyes and Blondie form a partnership. Its basically telling the viewer that Blondie consents to working with Angel Eyes. On a surface level, Blondie is sliding the gun to its holster to show that he's making peace with Angel Eyes. However, further introspection on the subtext also reveals other things.

For starters. The slow sliding in and the zoom in on the gun, with it becoming the centre point of the scene, easily becomes homoerotic (I don't think I need to explain how sexually suggestive it looks), but with it being seen as a sign of peace, it can also be seen as a sign of not only consent, but also submissiveness. Blondie here is admitting that he's under the thumb of Angel Eyes, and he can't do anything about it, not even with a gun. He can't challenge his power, nor his masculinity. The phallic imagery here only adds on to all of these points, for reasons mentioned previously.

Moving on from specific scenes, I'll mention something present throughout the movie that the definition I used above also mentions; cigars can also been stand-ins for phallic imagery, and masculinity.

Do I really have to mention how The Man With No Name is literally always having a cigar in his mouth ??? Its a very obvious oral fixation, one that Sergio Leone uses to his advantage.

Leone doesn't just use a cigar to make TMWNN look cool. The cigar, much like how a gun was used to represent Manco and Mortimer's, and Blondie's and Angel Eyes', relationships and partnerships, its also used to represent the relationship between Blondie and Tuco.

The scene where, imo, Blondie's and Tuco's relationship changes, is where Blondie offers Tuco a cigar after eavesdropping the conversation between Tuco and his brother.

And Tuco takes it, smokes it and grins!

Notably, Tuco's and Blondie's changing relationship is shown through a cigar rather than a gun, which is objectively significantly less violent, which sets them apart from the other relationships. There is also a closer contact between them, as in the other iterations of TMWNN never gave his gun to any ally of his, much less shared such a close contact as mouth-to-mouth.

The homoeroticism is rather obvious, and in this cade, it's present without power but still with phallic imagery.

(Another notable example was, if my memory serves correctly, in a Fistful of Dollars, Joe lights up a cigar for Ramone. But I won't mention that much since I could be confusing this for another movie, but if it did happen, it's also another scene packed with symbolism, and quite the opposite to Tuco's and Blondie's cigar scene).

Continuing to speak more generally, there are often focus and zoom ins on the guns in the movies. This peaks at the final Mexican standoff in GBU, where the guns are in their holsters and belts. Its natural that they'd be near their crotches too, but that only emphasises the masculinity, power and phallic imagery already present in the movie (as well as tension in the scene).

It comes with no surprise when Blondie chose Angel Eyes to shoot at. After all, Tuco and he had already made peace with each other. The only true masculine competition was between Angel Eyes and Blondie + Tuco.

There are also scenes where TMWNN shows off his skills with his gun; displaying his masculinity again through phallic imagery, so it's no wonder he went to become a figure of masculinity.

There is also the scene where Tuco acquires a new gun after being abandoned by Blondie. That represents what was mentioned previously; how men often fight for power. In this case Blondie takes away Tuco's power and masculinity by humiliating him in a desert. Tuco acquiring a new, polished and refined gun is his way of reclaiming his masculinity after Blondie emasculated him.

I won't speak much about A Fistful of Dollars, because the relationship between Joe and Ramone isn't as developed as the other relationships in the other movies. But it's also worth noting how a focal point in the final duel includes Joe's pistol and Ramone's supposedly stronger gun.

"When a man with a .45 meets a man with a rifle, you said the man with the pistol is a dead man. Let's see if that's true. Go ahead, load up and shoot."

In here, Joe reclaims his masculinity through a final duel. I wish the movie had been longer so I could connect potential homoeroticism to this scene like I did with the other examples, but I think it's a good scene, so I mentioned it nonetheless.

Sergio Leone movies are very much centred around men. That's generally how westerns work, too. But I think it's interesting, as it adds aligns with the analysis that men uphold the patriarchy between themselves, and this is even more true with Leone movies as they include little to no women (whereas many westerns have at least one or two), so most interactions are between men.

I'm not suggesting Sergio Leone intended all this. I do think the homoeroticism, phallic imagery and masculinity is purposeful. He was a Marxist, so perhaps the feminist angle to all this was also purposeful, but I don't think that's the case. Much like his contemporaries, Leone focused on class analysis when critiquing power structures (this mostly in his other movies), so the patriarchal angle was perhaps unintentional. I like to give the benefit of the doubt to artists when analysing their art, though, so I'm always happy to be proven wrong.

As I said. This is way too long and no one will probably read all of it. There are far more examples but I won't include every bc this is already a long asf post.

What the conclusion? I need to stop thinking about gay people!!!!!!!!!

A look into how my braincells look whenever I think about these homos a bit too much;

And this is how I felt writing this post:

And the thing is there's so much more I can say but I don't wanna make this too long esp since this is me ranting more than a proper analysis but jfc Leone always made sure to make his movies so damn gay it's actually insane

[prismportrait]

I did a Profile photo redraw based on the highest voted profile photo in a thread I made! This was super fun, I'll definitely do it again.

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