#MSR

[slayerbuffy]

The X-Files 8.14 | “This Is Not Happening”

[deep-sea-gigantinism]

they are about to drop the craziest shoegaze album you’ve ever heard

[actual-changeling]

gasping and fainting over her collarbones like a victorian virgin seeing a naked ankle for the first time

[soufflegirl]

Rob Bowman, The X-Files: Fight the Future (1999 DVD audio commentary) // The X-Files: Fight the Future (1998)

[mementomori047]

[singeart]

Bit of hurt/comfort after 731 ❤️

[cecilysass]

The Penultimate Partner Episode: Analyzing the Second-to-Last Episodes of Seasons 3-7

So I was thinking about the show’s tendency to do an episode that is explicitly about the Partnership—about the deep abiding bonds between Mulder and Scully—right before the season finale.

This doesn’t seem to happen in season 1 and 2 (the penultimate episodes are Roland and Our Town, respectively, which don’t seem to play the same role). And something different is happening in season 8 and 9, so I don't think they fit as well.

But during the show’s peak popularity, seasons 3-7, the second-to-last episode seems to be setting up baseline emotional stakes for whatever plotline is about to hit. These episodes are giving us the state of the partnership, reminding us how devoted they are to one another. They also tend to have to do with one or both partners having a distorted perception on reality that requires the other partner's intervention in some way. I’m calling them the Penultimate Partner episodes.

So can we look at the themes of each of these Partnership episodes and see development over time? I think yes. It’s gonna be long. I rewatched them all, so buckle up.

Season 3: Wetwired - partnership as trust Season 4: Demons - partnership as loyalty Season 5: Folie a Deux - partnership as shared madness Season 6: Field Trip - partnership as touchstones Season 7: Je Souhaite - partnership as happiness

Season 3: Wetwired  (right before Talitha Cumi)

This episode, like several in the Penultimate Partner episode category, involves a X-file that distorts perception. Because Scully can’t trust her own senses due to the mind control, she also can’t trust Mulder, calling into question the key tenet of their partnership. (And by season three, they have definitely established trust as the bedrock.)

Her gradual mistrust of Mulder in this episode is tense and painful; you can see on her face how much she argues with herself about it even as her mind is tricking her. Others who fall victim to this mind control phenomenon wind up murdering their romantic partner, but in the end of the episode, when they’re discussing what happened in the hospital, they both seem pretty unsurprised that Scully’s paranoia focused on Mulder. They both know, late season three, how crucial trust is between them. They understand that it’s Scully’s worst fear that Mulder would betray her. It’s not even news to them.

What Mulder’s worst fear might be is also hinted at, although it’s unsaid. He’s furious that her life is put at risk by the mysterious informant. When Mulder believes Scully may be dead and he’s going to identify her body, his reaction is chilling. He seems to completely shut down emotionally, not even showing any reaction to the Gunmen. Tellingly, when he is offered a choice between getting answers and going to ID Scully’s body, he doesn’t hesitate—he chooses Scully. (Sometimes people claim Mulder doesn’t show this kind of commitment to her until much later, even until Home Again in season 10, so it’s interesting to see it so unequivocal here.)   

I want to say that Scully’s anxiety about trusting Mulder in this episode is foreshadowing aspects of the cancer arc in the next season, but I don’t think that’s really what’s happening. This episode seems more like an entirely season 3 cap to the Anasazi / Blessing Way / Paperclip storyline, especially the murder of Melissa. Scully’s paranoia calls back Mulder’s in Anasazi, and Scully explicitly blames Mulder for her sister’s murder when she’s drawn a gun on him. Even just the fact that we're there with Maggie, who has a picture of Melissa displayed prominently, tells me that loss is supposed to be on both partners' minds. (Actually, the interaction between Mulder, Scully and Maggie is pretty amazing in this scene; they’re an emotionally complex trio who seem to be communicating on some other level. I love how when Mulder and Maggie are talking to freaked-out Scully they almost sound strangely unreal, almost like they really are speaking falsely. It allows us to imagine the scene as it looks from Scully’s point-of-view, as a massive betrayal.)

Wetwired is, technically, a mytharc episode, as this whole mind control thing seems to tie back into X and the Syndicate. Personally I think the episode’s ending, emphasizing the mytharc-related plot and X’s involvement and whatever tf was happening there, was a little misguided. For my tastes they would have done better to play up the more personal, character-based themes a little more. But I also think this episode was the first real Penultimate Partner episode, and it was setting some patterns that were going to be expanded on.

Season 4: Demons (before Gethsemane)

From the cold open, we can already tell this is already a more personal episode than Wetwired. Mulder is the one having perception problems now; he wakes from a disturbing dream, covered in blood, muddled memory. This is also technically a mytharc episode, but much more concerned with direct impact on character than Wetwired was. 

Scully instantly rushes to Mulder’s aid—walks right into his shower, for heaven’s sake—and absolutely never wavers in loyalty to him, even when he looks real, real guilty and a "rational" person would be suspicious. She is in fierce, must-protect-Mulder mode throughout this entire episode, from the moment she shows up palpating his head with her hands to her back-off behavior with the cops to her badass cold “I know what you do” comment to Dr. Goldstein. She also helps Mulder see through his distorted perception, telling him "this is not the way to the truth" as he holds a gun on her.

In this Penultimate Partner episode, we see something more than simple trust going on, although there’s trust, too. Maybe the word is loyalty or devotion. We see Mulder coming apart and Scully completely and utterly devoted to him. It’s actually very clear foreshadowing for the following week’s episode, Gethsemane. Mulder isn’t stable, and he needs Scully to keep him from “los[ing] his course,” as she says in Demons’ end narration. Gethsemane will follow up on the Mulder losing-his-course idea, and also will explore the idea that Scully’s bottomless support of Mulder isn’t always good for her. (This idea is voiced especially by Bill.) 

There are some ways in which this episode is a neat little bookend to Wetwired. In Wetwired, Scully flees to her mother’s house, desperate and paranoid; in Demons, Mulder, similarly unhinged, seeks out his mother at her house. In Wetwired, Scully sees things that aren’t there, and in Demons, it’s definitely implied that Mulder may be seeing things in his past that weren’t actually there. In Wetwired, Scully pulls a gun on Mulder, and in Demons, Mulder pulls one on Scully. 

I adore this episode, even though it’s definitely vulnerable to the critique that Mulder acts like a self-obsessed loon and Scully a hopeless enabler lol. Especially because it comes before the Gethsemane / Redux three parter, I wish the episode would have explicitly connected his behavior to the cancer arc, as I feel like that would have made his wild choices seem more understandable. If he felt like he needed to find answers faster because he knew Scully’s time was running out and he saw it all tied together with her fate, then we would get why he was acting so rashly. It would also tie more nicely into Gethsemane, which misleads the audience into thinking Mulder has killed himself, in part, because he believes she’s been given cancer to make him believe. But again, I love this episode. Scully showing up and putting that blanket around Mulder when he’s shaking. Her hugging him at the end when he’s desolate on the floor. This shows a partnership that’s been through Paper Hearts and Memento Mori—that’s moved beyond trust alone.

Season 5: Folie a Deux (before The End)

This is another episode about perception—about one partner seeing things the other can’t. Unlike in Wetwired or Demons, however, in this episode the altered perception actually represents the real truth, something everyone else fails to understand. The episode plays around with the tropes of earlier episodes like Wetwired, at first encouraging us to think that it's a delusion that Pincus is a monster, but then convincing us, through Mulder’s eyes, that the delusion is actually reality.  

As other people have observed, this episode ends up being a nice little metaphor for the whole show: Mulder knowing what no one else does, being ostracized and considered insane, asking Scully to find evidence to corroborate him and ultimately convincing her to believe him and see what he sees. Their partnership is, quite precisely, a madness shared by two. 

It’s a monster of the week, not a mytharc, so there’s no distraction of elaborate mytharc plot, just characters and monster. And this is a Vince Gilligan operation, so our focus is definitely on character. From the first scene with Mulder and Scully, we sense that we’re going to be talking about the partnership. Skinner gives them an assignment in Chicago that Mulder doesn’t think is worth it, and he complains in a particularly self-centered way to Scully, which she observes (“You’re saying I a lot.”) The episode is going to be very explicit that while Mulder might be monster boy, they are in this unhinged partnership situation together. Another important moment comes later, when Scully is calling the perp crazy for thinking he saw a monster, and Mulder says, “Well, I saw it, too.” Scully’s careful about-face after that, her delicate avoidance of implying she thinks Mulder is actually crazy, is part of the dance they’re doing at this late season five stage of their partnership. She doesn’t quite believe him, but she doesn’t knee-jerk not believe him either. 

And the foreshadowing of what’s to come in this one, whoo boy. Most obviously, we must acknowledge that 1013 knew exactly what they were doing when Mulder tells Scully “you’re my one in five billion.” A mere seven days from now, a mysterious beautiful ex who believes his theories is going to show up to immediately cast doubt on that claim. And this episode is also toying with the question of whether Scully actually does always back Mulder up when it’s important, when she has to accept she saw something illogical. At the end, does she tell Skinner she actually saw a giant bug in Mulder’s hospital room? We don’t know, but I think it’s implied she doesn’t. That’s all presaging what will happen in The Beginning coming off of Fight the Future. It’s Scully’s little way of resisting the madness, but it also hurts Mulder and damages the partnership, which will be a problem in season six. 

Season 6: Field Trip (before Biogenesis)

Full disclosure: this is my favorite episode. So I’m going to make some big claims about it. This is the ultimate Penultimate Partner episode—the one that best knits together what it wants to say about their partnership and what it wants to establish for the finale. It's a monster-of-the-week episode (another Vince Gilligan ep, with John Shiban) but refers to the mytharc often. It’s also one of the best episodes about their partnership, period. 

This is yet another episode about distorted perception. This time, however, under the influence of a giant mushroom, both partners are unable to perceive clearly, to determine what is real and what is a lie. And when they’re confused, they critically turn to one another to help them see what the truth is.

Coming off of season six, the partnership is rocky. Mulder is frustrated that after so many theories of his have borne out, he still can’t get the benefit of the doubt from Scully, something he explicitly says in the dialogue here. Scully has felt like she’s not been trusted or heard, like Mulder has turned to others (Diana Fowley, for example) rather than his partner.

This is an episode about how they absolutely need one another to be able to make sense of the world—that individually each of their points-of-view are not enough. In Mulder’s hallucination, Scully accepts his claims about alien life forms too completely, not applying enough skepticism, not pushing back against him. In Scully’s hallucination, a world without Mulder, everyone is unacceptably unquestioning of the status quo, refusing to dig deeper, lacking Mulder’s critical acumen and drive. Neither partner likes the feeling of being unopposed, and it makes both of them suspicious about the hallucination’s reality. They may think they want their own view to prevail, but they need one another to be a whole person.

The theme of what’s real and what’s not – and needing one another to discern the truth–is exactly what is picked up and developed further in the Biogenesis-Sixth Extinction-Amor Fati arc that follows this. Scully’s skepticism has to stretch to incorporate more of Mulder’s worldview to make sense of what she sees in the Ivory Coast, and of course, Mulder calls on Scully’s worldview to see through his misleading dream world in Amor Fati. In fact, you could argue Field Trip is really about the idea that Mulder and Scully are one another’s touchstones—the people they need to know what’s right and real. 

Incidentally, this episode also plays around with some of season 6’s other subtextual throughlines: Mulder and Scully’s anxieties about possibly entering a non-platonic relationship, their unease about what a normal, domestic life might even be for them. For the entire episode they’re directly compared and juxtaposed with the Schiffs, a young married couple who died on Brown Mountain. The Schiffs are a tall man and a redheaded woman. They even die hallucinating lying together on a hotel bed after she asked him to “hold her” (although I do seriously doubt 1013 was intentionally foreshadowing a full year ahead). The last shot is of Mulder reaching out to take Scully’s hand across the ambulance, suggesting a kind of partnership beyond just, you know, partnership. Which takes us to the next season.  

Season 7: Je Souhaite (before Requiem)

Truthfully, I don’t think this episode fits quite as well in the Penultimate Partner category. It doesn’t share some of the same traits as these other episodes—it’s not quite as notably about perception, for instance—and it’s not fundamentally about the partnership in the same way. But it does end up commenting on their partnership (even their relationship, really) as part of its theme, so I think we can include it—especially because its position right before Requiem ends up being important. 

Je Souhaite (btw, written and directed by Vince Gilligan) has a bit of an unsettled feeling to it because it was kind of treading water, waiting to see what happened with DD and the series. Nothing too monumental could happen with the partnership or the plot because it wasn’t clear to anyone what would happen next with the show: whether it would end or continue, whether DD would be involved or not.

So we have a story about Mulder and Scully making peace with not having a significant impact on the world—e.g. not bringing about world peace, not introducing invisible bodies to science. Instead, they are content to delightfully share a beer and comment that they have made one another “pretty happy” (as Scully says about Mulder). Through the jinni character, they seem to take the lesson that they can enjoy being with one another, accept the simple happiness that their relationship brings them. Rather than wish for success that comes too easily, they take joy in the little things with one another.

Comparing this episode to the Penultimate Partner episodes that come before, we can really see how Mulder and Scully’s dynamic has evolved by season seven. We have a Scully who is much more open to supernatural phenomena, for example, and whose skepticism seems more like a reflex or a defense mechanism now. Scully’s move towards belief is partially reflected in the plot of the episode: the X-file here really isn’t even science fiction. It is just straight up fantasy or magical realism. Aside from Scully's brief mention of a disease to explain what happened to the mouthless man in the cold open, no plausible scientific explanation for the jinni's long life or wishes is really even floated.

Scully is delighted by the discovery of the invisible body, and Mulder is visibly delighted by her delight. He’s also frustrated by her retreat into doubt when the body disappears, of course. But even the reversal into her old skepticism is half-hearted, as she soon after she's engaging in discussion with Mulder about what his final wish was. This is consistent with the overall blurring of the old hardline believer-skeptic dynamic we see in season 7. It’s also peeking ahead to Scully’s coming role as resident basement believer in season 8. 

The last scene, with the beers and Caddyshack, is meant to be a callback to djinni Jenn’s comment that she wishes she could “live my life moment by moment... enjoying it for what it is instead of... instead of worrying about what it isn't.” Mulder, we see, is taking a cue from her. (And good for him, as we almost never see these characters do this. Except on rare baseball-related occasions.)

However, this episode’s position right before Requiem—and right before the events of season 8—ends up giving this scene a real bittersweet bite. We know, after Requiem, that they were probably a romantic couple at this time. We know, after Requiem, that this time is going to be their last happy time together for a long while. Later in season 8, we learn that one lingering wish of Scully’s in season 7 is that she wanted to conceive a child with Mulder. And of course we know, after Requiem, that she gets her wish—but with a vicious catch, with a terrible side effect, much like what happens with the jinni’s wishes. 

So that’s my academic thesis on that. I know others have pointed out the existence of this type of episode before. What did I miss? Do you think I am wrong to leave out seasons 1, 2, 8, and 9? Why do we think these episodes focus so much on distorted perception? Interested to hear others’ thoughts (if they make it through this lol).

[aloysiavirgata]

How about some middle-aged reflections on the early days of their (romantic/sexual) relationship?

They’re spreading mulch around the trees, tucking flowerbeds in for winter. The air is crisp and dry, sharpened by the pungent smell of the mulch.

“Got the Stanford alumni newsletter yesterday,” Scully says. “Guess who their new entomology professor is.”

He frowns back, puzzled. Her tone indicates that the answer is one he should get. Does he know any entomologists?

Mulder starts to shake his head. “I have no-“

He sees her face, the smirk she’s trying hide, and then he remembers. “Nooooo,” he says, drawing the word out with a laugh. “Bambi?”

“Bambi,” she confirms, grinning now. “Did you sleep with her? I honestly can’t remember.”

“No!” He’s a bit shocked that she thought this. He’d kind of wanted to though, he recalls. Little khaki shorts.

Scully rolls her eyes. “Oh, sorry to impugn your virtue.”

Mulder offers her a petulant look. “You make it sound like I was Wilt Chamberlain-ing my way through every case.”

She leans against the big sycamore, scoffs. “You’re mighty defensive there, Marty.”

He grins back. “Judge away. You weren’t putting out yet. Not to me, anyway.”

Scully laughs. “We were so young.”

“We were so young.”

She rolls her palms around the rake handle, her beautiful slim fingers with oval nails like the inside of a seashell. She’d been pretty back then, he thinks. Lovely. But now she’s ethereal, refined to some radiant essence.

“I think….hmm. I think some part of me really felt that if you and I followed the rules then everyone else had to as well, you know?” Her expression is a little wistful. A little sad.

He does know. “I like to think it made it that much sweeter in the end.”

“It did. I loved you so…so….purely. I remember when you made it to that Congressional hearing. I think I was done then. The rest was just waiting to happen.” She laughs, a little shy even now.

“You were like Beatrice,” he says to her, adoringly, in the honeyed light. “Come to lead me into Paradise.”

Scully drops the rake, walks over to take his hands in hers. “Is this heaven?” she asks, gazing up.

Mulder smiles back, squeezes her cool little fingers. The wind chimes on the deck ripple like harp strings. The sun makes a halo on her tawny head.

[sentientsky]

pov: you’re a freshly recruited fbi agent and the objects of the office’s betting pool show up to a crime scene in the middle of the night dressed like this

[tennant-the-tigger]

Gazing

'I do not gaze at Scully' Mulder.

TXF Fanart ☆ MSR Fanart

[television-overload]

of our own making

(an X-Files fanfic)

Oh hey, look, it's that massive story I've been working on since January! I'm so thankful to everyone who has shown interest in the concept of this fic and the little snippets I've posted. You've been more help than you know. Without that support, I don't think this would have ever gotten finished.

A special thanks to @numinousmysteries who kindly beta read for me and did a fantastic job. I wanted to make sure I got this right, and she was a great help!

And now I can't wait to share this with you all! New chapters posted daily!

[Read on AO3]

Chapter 1/34 - ink and paper

How long has he been thinking about this, she wonders. What exactly is he thinking? Her mind races, trying to reconcile this Mulder whose deepest desires are spilled out here in ink on worn and crinkled brochures with the one she’s spent nearly every day with these past several months.

She'd never have guessed...

Find out if adoption is right for you! Visit us at 8080 Meadowlark Ln. Annapolis, MD “A Home for Every Child!”

Scully stares down at the brochure on the desk. One of many, which are half buried underneath a pile of paperwork from their current case. Certain words and phrases are circled in pen, underlined, annotated in the margins in the familiar scrawl she knows almost better than her own.

stability – less travel? change in division? discuss with Scully

loving home – ask Frohike for real estate agent #

The word “family” is circled three times.

She swallows with some difficulty, finding—to her dismay—that her hands are shaking. Mulder will be arriving any second, and here she is, frozen like a statue.

How long has he been thinking about this, she wonders. What exactly is he thinking? Her mind races, trying to reconcile this Mulder whose deepest desires are spilled out here in ink on worn and crinkled brochures with the one she’s spent nearly every day with these past several months.

She’d never have guessed…

“Morning, partner,” his voice calls out, and she jolts in surprise. She hears the door snick shut behind him, but she can’t bring herself to turn around. With deft fingers, she pushes the brochure back under the stack of papers where she found it, only the colorful corner of the page visible.

“Morning, Mulder,” she tries, clearing her throat. It comes out strained, but she hopes he doesn’t notice. She hides her trembling hands in her lap under the desk.

He looks down at her, half amused, half concerned. “You okay? You're not getting that stomach bug that's been going around, are you?”

“I'm fine,” she answers defensively, warning him to back off. She grabs a file off the desk in front of her with a little more force than necessary, plopping it open.

‘Okayyy,’ he mouths exaggeratedly, eyebrows raised. He sits down at his desk and leafs through some papers sitting on top, arranging them into neater stacks. When he uncovers the brochures, his eyes widen and he clears his throat, hurriedly covering them with other papers and trying to act natural.

Scully thinks about letting it go and pretending she doesn’t know what he’s hiding, but she knows she won’t be able to sleep until she finds out what’s been going on in that ridiculous head of his. 

She idly flips to the next page of the file in her hand, displaying a confidence she doesn’t feel in the firm set of her shoulders

“Doing some light reading, Mulder?” she asks, attempting to look disinterested.

His head shoots up, a look of alarm on his face. For a second he thinks she might be talking about something else, that she couldn’t possibly know, but one look at her throws that theory right out the window. He glances back and forth between her and the papers on the desk a few times before dropping his shoulders in defeat.

“I’m sorry, Scully, you weren’t supposed to see those,” he says, shuffling all the brochures into a pile while carefully avoiding eye contact. “I was working here late last night. I must have forgotten to put them away.” As he speaks, he opens the top drawer of his desk and shoves them inside, then takes a seat at his desk. His nose is buried in a file before she can even respond.

She watches him now. He is a curiosity, determinedly feigning concentration on a case she knows he finds disinteresting and a waste of time.

Typical.

“You're really not going to say anything?” she asks, arms crossed in front of her.

That rankles him. “What do you want me to say?” he asks, indignation boiling below the surface.

She looks at him incredulously, the file in front of her all but forgotten.

“You're thinking of adoption? When were you planning to share this with me?”

He sighs and shakes his head, pleading silently with her. “It's too soon, Scully. I didn't think you'd want to hear it yet.”

“But you're looking into it because…”

“It's just been on my mind, that's all.”

She stares at him, brows furrowed.

“Since when?”

Since when… Images flash of a life he didn’t recognize. His sister, alive and grown up. A quiet suburban neighborhood. Cancer Man living just down the street. A wife and kids, but not the right ones. It was wrong, all of it was wrong.

“A hallucinatory trip into an alternate universe tends to make you think,” he answers simply.

He’s looking at her now, deadly serious despite the joking tone. She doesn’t respond. Can’t respond.

“I'm sorry, I didn't want to bring all this up,” he continues. “I know it's a sore spot for you.”

It takes her a moment to conjure words from her mouth, her lips moving but no sound coming out. “I just wasn't expecting…”

“For all I know, this isn't even something you'd want.”

What does she say to that? Is she interested? 

“I– I'm not sure. I've never really considered it before.”

He waits, his eyes assessing her for some hidden meaning, some insight into her state of mind. He gets nothing. She’s totally blank.

“Well… what do you want?” He thought the question was innocuous enough, safer territory than straight up asking her if she wants to adopt, but apparently not.

She shuts her folder, abruptly standing and slinging her purse over her shoulder. “I'm going back to the crime scene,” she declares, changing the subject. “I want to see if there's anything we missed.”

“Scully…” he tries.

“Not now, Mulder.” Without even taking the time to put her coat on, she flees, leaving the door partially open in her rush to get away. Cursing under his breath, Mulder grabs his coat from its hook and hurries after her.

The elevator doors are almost all the way closed by the time he catches up, but in this case, he figures it’s worth the potential loss of a limb. He throws his hand between the closing gap in the metal doors, and it bounces back open to allow him entrance, to the extreme displeasure of one Dana Scully. He wisely stays silent in the elevator, stealing glances at her every few seconds out of the corner of his eye as they ascend. He can feel the frigid air coming off her in waves. It’s been a while since he’s seen her this annoyed with him, this eager to get away.

He won’t let her. Not this time. He’s learned from his mistakes.

In the parking garage, she's walking briskly, heels clicking on the concrete, and he has to pick up the pace to keep up with surprisingly agile little legs.

He didn’t want this confrontation. There was a reason he was keeping his research a secret. This is exactly what he was hoping to avoid, at least until the time was right to carefully drop some hints here and there. But now? There’s no carefully about it. No option to wait and let this blow over. There’s only one way out of this at this point, and unfortunately, that way is through.

He picks up the pace.

“You're the one who brought this up, Scully, I was perfectly happy throwing those brochures in my drawer and not saying a word.” 

His voice echoes in the concrete parking structure, sounding harsh even to his own ears. As frustrated as he is with her, that isn’t his intent. He only wants to know what he can do to help her, how he can help her fulfill her dreams. He lets out a breath, and with it, releases his selfish frustration. She’s still walking away at a breakneck pace, and he doesn’t know how he can get her to stop and face this. 

“If you want to talk about it, let's talk about it,” he says, pleading. “I can't help you if I don't know what you want. You want me to shut up, never mention the subject again?” he shouts, throwing his hands in the air, “Fine, just tell me. What do you want, Scully?”

“I just want to be a mom, okay?” she yells, whirling around to face him. Her words instantly silence him, and he watches stone-faced as tears spring in her eyes. “I see all these other moms out there and think… I could do that too. Why can’t I do that too?”

Well, mission accomplished. The truth is finally out there. Part of him feels bad for pushing her, but the other part knows that it was doing her no good to keep her feelings bottled up inside to deal with by herself. He reaches out a hand, intending to comfort her, his eyes softening in sympathy. 

“You could. Scully, you’d be the best mom.”

She flinches away, stepping out of his reach. “You don’t know that, Mulder. I can’t even—even my body is even telling me no. Over and over.” She resumes her brisk walk to her car, and he thinks he sees her brush angrily at her face, no doubt wiping away the evidence of the stubborn tears that have managed to escape.

He rushes to get in front of her, walking backwards so he can keep her in his sight. 

“When has that ever stopped you?” he asks. “You had cancer, and you kept fighting. You’re alive today because you refused to give up when your body quit on you. What about that?” He stops abruptly, forcing her to come to a halt before she crashes into him.

There’s no way out of this, is there? Her shoulders slump in defeat.

“You saved me, Mulder,” she admits quietly, shaking her head. “You’re the one who didn’t give up. Not me. It was only because you were with me that I survived.”

This time, when she goes to walk away, he stops her, placing a hand on her shoulder. The simple touch causes her to freeze, hardly breathing, and when he steps closer, she stays. His hands slide down her shoulders, holding her securely in place to ensure that his next words come through loud and clear.

“I’m gonna be with you here on this too, I promise.” His thumbs brush back and forth on the fabric of her sleeves, for his comfort or hers, she’s not sure. “You can still be a mother, Scully. I’ll help you.”

She shakes her head, her heart feeling like it has been ripped to shreds. “I can’t.”

“Yes, you can.” He gives her a little shake for emphasis. She still won’t look at him. “You’ve kept me alive all these years, how much harder could a baby be?”

That gets a breathy chuckle from her, and her head falls to her chest. Groaning with the agony of this burden on her heart, she stops fighting it and leans into him. Without hesitation, he wraps an arm around her shoulder, pulling her into his embrace.

Her hand comes up to find purchase on his suit jacket, relishing in the comfort only he can provide. She’s past caring if anyone sees them like this here. Let them talk. They already do, anyway.

“Well, at least when you wake me up in the middle of the night, you’re not crying,” she speaks into his chest.

She feels him shrug, and can almost see the goofy smile she knows she put on his lips.

“Usually.”

She looks up at him with her chin on his sternum before taking a deep breath and pulling away.

“It's raining,” he says softly, glancing down at her and brushing a strand of hair out of her face. “We can go back to the crime scene later.” She nods, unsure what else to say. She allows herself to be led, his ever-present hand brushing against her back as they start toward the basement.

“Adoption,” Scully mutters to herself, shaking her head in disbelief. “I don’t know, Mulder. This—this is different than IVF. With that, all I was asking for was your…” her eyes dart around, looking anywhere but at him, “genetic material. This is something entirely different.”

He’s pleased she’s at least considering it, but she doesn’t get it at all, if that’s what she thinks.

“How? ‘Cause from where I’m standing, the process of getting a baby is a little different, but in the long run, the result is the same.”

She pauses, looking at him in confusion. “What– what are you saying?”

He runs a hand awkwardly through his hair, suddenly taking a unique interest in his shoes and the floor of the parking structure.

“Yeah, we probably should have talked about this before…”

“Talked about what?”

He sighs and guides her into a stairwell. It’s stuffy and poorly-lit with a flickering lightbulb, but here, there’s less of a chance they’ll be overheard.

“Look, Scully, I don’t know what you had in mind for my involvement beyond contributing to half the baby’s DNA when you first asked me to help you get pregnant,” he starts, fighting hard to meet her eyes instead of shying away. “But, I– I had hoped it would be a little more than ‘Say hi to Uncle Mulder,’ every couple of months.”

She blinks back at him, speechless.

“I’m sorry if that’s overstepping, I don’t mean to make you uncomfortable with all this, I just—” He takes in a breath. “I guess I got to thinking of what it might be like to have a family again.” His bout of honesty is met with a blank stare, and his nervous smile drops. “I completely misread the situation, didn’t I?” he asks, self-loathing waiting on standby. “Got ahead of myself…”

She stops him by catching his coat sleeve. “No—uh. No, you didn’t.” She collects herself, willing herself to offer him some reassurance. Her fingers release the fabric of his coat, shifting her grasp instead to his hand. “I didn’t realize you felt that way.”

He glances down at where she holds tightly to him, and his lips curl into some semblance of a smile.

“I guess they might have had a point with all those communication seminars we’ve skipped, huh?”

She chuckles softly.

“I don’t think this is exactly what they had in mind…”

With a gentle tug, Mulder leads her down the stairs, committed to holding her hand as long as she’ll let him. The air is stagnant and silent, only the rhythmic echo of their shoes clicking on the concrete steps as they make their way to the bottom floor.

She’s thinking. What she knows now, it changes everything. 

She had asked him to leave. Hid her grief from him as much as possible after her initial lapse into weakness when she came home with the news. She had almost kissed him, then, unsure of what else she had to live for. She knew she was hurting him by folding inward on herself in the weeks that followed, but that didn’t stop her from doing it. She was in a dark place, hardly able to see what was right in front of her. What she couldn’t see was that his hurt wasn’t just for her, born of some misguided sense of guilt or pity. It was his own, too.

“Mulder, all those months, after it failed—” There’s something like fear in her voice as she utters these words, or maybe regret.

“I was just worried about you.”

She squeezes his hand, feeling tears well in her eyes once more. “No, you were grieving like I was, and I didn’t notice. I pushed you away…”

“Dana…” He turns, a couple steps ahead of her, so for once it’s him who has to look up to meet her eyes. Her lip wobbles as she looks down at him, and he brushes his thumb tenderly over her knuckles. “You had to deal with it on your own, I understood that. I don’t blame you for anything.”

Those eyes. So open and honest and sad. She wonders how anyone could hurt him, could bear to break this man’s heart. How could she? 

Choking back a sob, she falls into him, wrapping her arms around his neck and holding tight. His arms encircle her back, supporting her weight, and she feels herself being lifted as he goes up a step, closing the distance between them.

His hand climbs up to the back of her head, stroking her hair soothingly.

“I just wanted to be there for you,” he mumbles into her neck.

“You were, Mulder,” she gasps between bouts of tears, finding comfort in the feel of his soft hair between her fingers. “You’ve always been there.”

He pulls back, lifting his hands to cup her face and wiping away the tears he finds there with the pads of his thumbs. 

“You don’t have to give an answer now,” he says, reassuring, “This is… a big commitment, I know, and I don’t want you to say yes just because I suggested it. I just wanted you to know it’s an option, and if you want to have a baby, I’m in. However you want to go about it, I’ll be as involved as you want. Just– let me know, anytime. Okay?”

He’s looking at her now, head ducked so those sad, puppy-dog eyes can get his message across.

She nods, holding tight to the wrists that so tenderly cup her face.

“Okay.”

~~~

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@today-in-fic @ao3feed-msr @agent-troi @angegova @baronessblixen @bby-got-books @calimanc @captainsolocide @cutemothman @danasculls @deathsbestgirl @edierone @enigmaticxbee @figureofdismay @frogsmulder @hippocampouts @invidiosa @monaiargancoconutsoy @mulderscully @oofubad @p34chi @primrose19 @randomfoggytiger @skelavender @skylarksong @slippinmickeys @stephy-gold @teenie-xf @the-redhead-in-a-dress @vincentsleftear @whovianderson

[thursdayinspace]

fic: sanctuary

Fandom: The X-Files Word count: 718 Pairing: Mulder/Scully

Tagging @today-in-fic

Summary:

His face in sleep is one of her favorite things. He sighs and shifts the tiniest bit and his movements are so familiar to her, the sound of his breathing, the warmth of his body. She watches him sleep and considers everything he means to her.

Read here on AO3

[precedex-files]

A little fun with this meme I saw. Blocked out the boring generic people with the far superior Fox freakin’ Mulder

[actual-changeling]

any of the people who semi-regularly work with scully and mulder probably have an introductory x files speech ready to go for any newbies

"...and last but not least, take a look at the two agents over there"

"we're all waiting for the day they finally make out at a crime scene, but until then, if you want to keep your sanity, do NOT interact with both of them at once. you WILL be traumatized for life. any questions?"

"...are they. married?"

"fuck if i know, but talk to carl and you can join the betting pool."

[tommywambsgansceo]

Mom calling our home an asylum... okay mom

[slippinmickeys]

This is for @medicatedmaniac who asked for a Ficlet set in the Proof of Life Universe: “Proof of Life my beloved - maybe the leadup to the Pulitzer prize being awarded? Maybe the night of and their in their hotel room getting ready to go to the ceremony? Or they get a letter about being nominated in the mail and maybe have mixed feelings on the nomination?”

1. She gets caught as she stands on the threshold of the hotel room, déjà vu suddenly overlaying her vision like a slide into a projector. The window is in the same place. The desk. The carpet is the same, though cleaner. If she closed her eyes she would hear a spat of gunfire. She does not close her eyes.

“Scully?” says Mulder from behind her with a gentle hand on her upper back.

She has stayed in hotel rooms since being held hostage in Africa, but this one…this one has a layout so similar to the one in which she was held that her amygdala takes over her higher functions. For a moment. One moment. Then she swallows and forces herself to breathe again. Forces herself to calm.

“Jesus fucking Christ,” Mulder whispers. He has come up more closely behind her, is looking over her shoulder into the room.

He is the only other person in the world who would get it, and does.

In a moment, the bags he was holding hit the floor and he brushes past her, marches into the room with purpose, directly to the desk, where he picks up the telephone receiver.

“I’m getting us a different room,” he says.

Scully swallows thickly and finally does close her eyes, breathing deeply through her nose. She does not hear gunfire. They are an ocean away from that place.

“Wait,” she says, then moves into the room herself. Stands in the center and takes a slow turn. Mulder, still standing at the desk, still holding the phone receiver in his hand, watches her.

She turns to him calmly, and, she thinks, with dignity.

“Before you call,” she says, “take my picture.”

“Take your-”

“Take my picture,” she says. “In front of the window.”

Mulder slowly lowers the phone. Glances at her. Glances at the window. She doesn’t have to explain what she means. He understands immediately.

“A journey of a thousand days,” he husks.

Scully nods. “The light,” she goes on, “is perfect.”

2. Africa again, but far east of the jungle mountains and lowlands besieged by war, they are now in the shadows of Kilimanjaro, the savannah stretching before them as paper unfurls from a scroll.

Scully is here for six months, the resident doctor in a rural hospital built and supplied by a Canadian charity. She treats diseases long dead in the First World west, urges the women to collect water from the new well six miles away rather than the river that is only two.

She has a local guide and contact who works for the charity, a lanky Maasai man who goes by the Christian name of James. He wears ropes of delicate and colorful beads and a lion's tooth on a cord around his neck. Under his red tunic he wears a white Hanes wifebeater and sandals made of old tires. He is missing a tooth on the side of his smile, which he is also always wearing.

“Good morning, Doctor,” he says in his friendly accent when she emerges from the clinic door to see if there is anyone waiting for treatment.

“Jambo!” Scully says at a volume and enthusiasm which makes her uncomfortable. She would rather a quiet hello and nod, but the culture she is living in necessitates jovial greetings at all times.

James is leaning against a post just beyond clinic porch and holding a spear which means he was likely out in the bush.

“Have you seen Mulder?” she asks.

“Yes,” he says. “He got a call. He asked me to come and get you.”

At this, Scully raises her eyes. Cell phone reception is spotty here at best. She hasn’t bothered to carry her phone with her in weeks. Mulder always has his out in the field, but the clinic is in a dead zone and there’s really no point.

James pulls his own cell phone out of a pouch that’s looped around his waist. He presses a button and hands it to her.

“Scully?” says a tinny voice punctuated by static. She puts the phone to her ear.

“Mulder?”

“Scully,” Mulder says. “Call Benjamin and Savato, tell them we have to leave early.” He explains his statement in a rush and Scully is dumbfounded when she silently hands the phone back to James.

He nods at her and steps back respectfully. When she’s halfway through the door of the clinic, she comes back to herself and spins around.

“James!” She calls out. “How does your phone work here?”

James smiles widely, showing the gap in his mouth.

“Magic,” he says.

3. The day is sullen; gray and without cheer. Outside the window, the rain comes down in a defenestrating assault.

In the bright doorway of the bathroom — they have a top floor suite — Mulder stands, struggling with the knot of a bow tie.

“Monkey suit,” he says, a little whiny.

Scully smiles and walks up to him, the silk sheath dress she’s wearing whispering as she moves. She’s not wearing heels yet and has to tilt her head back to look up at him.

“It’s only for an evening,” she says, reaching up and taking over the knotting. “And if the big mucks at Columbia hear you complaining, they might take back your award.”

Mulder lifts his chin to give her more room to work. After a moment she feels his warm hands settle on her waist.

“There,” she says, straightening his bow tie. His hands stay where they are.

“Does it feel weird?” He asks her quietly. “To be here? For this?”

She pulls a stray hair — hers — from his white sleeve.

“A little,” she says.

4. “…for fairly obvious reasons, the areas of arts of scholarly arenas live close to my heart and lived experience. Over these two decades, so much has changed in our world. And we all know those changes have had huge impacts on journalism, the arts and scholarship. But three things have remained true. One, is that we value these roles of journalism, the arts and scholarship, and that has remained central to a good life. Personally, socially and politically. The second is that good and talented people continue to join these professions. And the third is that the Pulitzer Prizes annually provide the world with the occasion like tonight, to honor and celebrate these critically important areas of human endeavor, and the people who perform at the highest levels in them…”

The speaker continues to drone on. Scully pushes the remainder of her short rib around on her plate. Mulder has barely touched his fish.

The picture of Scully standing in the window of room 1055 at the Hilton has been projected on a giant screen behind the podium for the last several minutes, and Scully can feel the eyes of the gathered assemblage flitting to her on a near constant basis.

They’re probably thinking of her trauma, of her experience, and they have most certainly read the stories that were breathlessly published about her and Mulder. Most of them have seen up close and personal the ravages of war and upheaval. There are several journalists she knows here, acquaintances she left behind when she resigned from CNN. Most of them approached before the ceremony and politely inquired about her, her health, what she was up to now. Many with a sad, pitying look on their faces.

She sets down her fork and turns the wedding ring around in circles on her finger. She doesn’t feel pity when she looks at that picture. The look on that woman’s face displays nothing but courage, and the eye behind the camera nothing but love.

When Mulder heads up to the stage a moment later to be handed the certificate he won, the applause that spreads through the room is thunderous. His eyes never once leave hers.

5. The lobby of the auditorium is thick with people and humidity, joyous voices rising up over the static of tires sloshing over rainy streets just beyond the front doors. They’ve been back in the States for a week, but Scully still isn’t used to the crowds. The noise.

From behind her, Mulder touches the bare skin of her shoulder. He’s just returned from the coat check and holds up the red wool coat she’d had to buy at Nordstrom two days before. She puts her arms through the silken sleeves.

All around them winners and colleagues and friends are making plans to go out and celebrate their accomplishments. One man in a charcoal suit has a bottle of Veuve in his hand that he swiped off of one of the tables. Several people have invited them to join them.

Mulder tips his head to whisper in her ear.

“We can slip out right now when no one’s looking,” he says.

She doesn’t even wait to answer, using her small stature to slip in between several people and out into the cold damp.

They’ve been provided a town car and driver for the evening, but it’s too hard to find him in the chaos outside the auditorium, so they hail a cab instead. Once they’re on their way back to their hotel, Mulder pulls the certificate out from under his coat where it was sheltered from the rain and looks at it.

“I’m starving,” he says to the piece of paper.

“You barely ate,” Scully points out.

“I was nervous,” he explains.

Scully takes the certificate gently from his hands and looks at it. The gold foil. The calligraphy.

“If we call in a room service order now, it should be to our room by the time we get out of the shower,” she says.

“God I love you,” Mulder says reverently.

They gorge themsevles on cheeseburgers and truffle fries, and, on a whim, a bottle of champagne (Mumm’s rather than Veuve, as, Mulder points out, he isn’t about to spend his prize money on booze) as they sit around in fluffy white robes with HBO on mute on the big TV in the corner.

On the desktop, under their room key, sits the Pulitzer certificate.

“That’s as much yours as it is mine,” Mulder finally says to her, nodding towards it.

“Yes,” she agrees, and sets a half full glass of bubbles on the bedside table. She reaches for the terry cloth tie of his robe.

Later, it’s all soft sighs on soft sheets and Mulder fills her with himself until they become each other.