#Manuel Riveiro

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 5 / 10

Título Original: El habitante

Año: 2017

Duración: 93 min

País: México

Dirección: Guillermo Amoedo

Guion: Guillermo Amoedo

Música: Manuel Riveiro

Fotografía: Erwin Jaquez

Reparto: Gabriela de la Garza, María Evoli, Pablo Guisa Koestinger, Fernando Becerril, Carla Adell, Vanesa Restrepo, Luis Eduardo Reyes, Flavio Medina, Arnoldo Picazzo, Liz Dieppa

Productora: Coproducción México-Chile; Bh5 Group, Sobras International Pictures

Género: Horror

TRAILER:

[oosteven-universe]

Belle in Thunder of Gods

Belle in Thunder of Gods Zenescope Entertainment 2021 Written by Dave Franchini Illustrated by Ismael Canales Riveiro Coloured by Juan Manuel Rodriguez Lettered by Kurt Hathaway A warrior is only as good as the weapon they master, unless that weapon is capable of destroying all in its path. The underbelly of Philadelphia is stirring, and the rumblings are whispering war. Belle is about to get pulled into something she doesn’t fully understand but something that could destroy all she holds dear is about to be unleashed. Don’t miss this epic clash as Belle takes on the thunder of gods! Over the last few years since she’s been introduced Belle has become my favourite character in the Zenescope Universe.  She hasn’t had time to truly relax and figure out how she needs to run her operation with just her and Mel but now isn’t the time for that.  Belle needs her own ongoing or at least ongoing series of arc after arcs.  She’s learning but she needs more time to put it all together to rebuild her mindset and figure out how she’s going to move forward.  I wouldn’t mind her hooking up with Peyton the way Robyn has done.  She could really benefit from expanding her network. I am loving the way that this is being told.  The opening grabs your attention as Dave goes through a bit of history concerning the gods and how they came to be is a nice recap that sets us up for the events that have happened to Belle and the ones that are going to happen.  The story & plot development that we see through how the sequence of events unfold as well as how the reader learns information is presented exceptionally well.  The character development is marvellous!  The chatting between Belle and Mel is priceless and it adds both levity and greater understanding of the two women and their relationship.  The pacing is perfect as it takes us through the pages revealing the story to us. I am a fan of the way that this is being structured and how we see the layers within the story coming from previous ones to really tie things together and foreshadow where it’s still on course too.  I love the way we see everything working together to create the story’s ebb & flow.  The way Dave is able to tell this story with the then and now format brings us to these crazy and great encounters and their results is stupendous. The interiors here are incredible!  The linework that we see with its varying weights and techniques are laid down so that the level and quality of the detail work is astounding.  That we see backgrounds utilised so prevalently makes me a very happy man.  Not only do they enhance the moments and fill us in on what’s happening they bring us this great depth perception, sense of scale and the overall sense of size and scope to the story.  The utilisation of the page layouts and how we see the angles and perspective in the panels show an extremely talented eye for storytelling.  The colour work is spectacular!  How we see the various hues and tones within the colours being utilised to create the shading, highlights and shadow work is simply divine.  Also that we see it utilised to create the added texture and musculature is impeccable to see. ​ This is why I love Belle, she’s as fearless as she is inquisitive.  She has smarts, she teaches kids after all, and she’s open to learning how to work with others even after the disastrous experiences of the past.  I want to see here development those investigative instincts and really become a modern day superheroine.  This makes you excited to be reading a book about a superhero who isn’t dark as dark can be and reminds us why we love the medium to begin with.  This is everything a comic book should be and then some.

[brokehorrorfan]

Blu-ray Review: The Green Inferno

Much like his mentor Quentin Tarantino, Eli Roth (Hostel, The House with a Clock in Its Walls) has never been one to shy away from wearing his influences on his sleeve. This is perhaps best exemplified by his 2013 effort, The Green Inferno; the unabashed love letter to cannibal films of the late ‘70s and early '80s notably draws inspiration from Cannibal Holocaust - the title The Green Inferno even comes from the film within the film - along with the likes of Cannibal Ferox and Last Cannibal World.

Like those cult films to which it pays tribute, The Green Inferno is a gruesome, exploitative exercise on the surface that also has a message at its core. In this case, Roth makes a thinly-veiled statement about so-called “social justice warriors,” a pejorative term for people who advocate for activism on social media. Roth’s social commentary is never preachy, nor are his criticisms entirely unfounded, but the characters in the film actually get involved in a cause, so at times Roth comes off like a curmudgeon yelling at kids to get off his lawn. That said, it serves as an effective setup for a cannibal film, and its themes are perhaps even more relevant in today's culture.

Roth may be a bit out of touch with today’s youth, as made further evident by the film’s unnatural dialogue, but his embracing of new media is commendable. The activists’ only weapons against an armed militia are their cell phones, which are utilized to shame the perpetrators by live-streaming the events. Impressively, the production predates Instagram Live, Facebook Live, and even Periscope. Roth goes so far as to feature the cast members’ Twitter handles in the end credits.

The film follows impressionable college freshman Justine (Lorenza Izzo, Knock Knock), as she joins a local activist group on a trip to the Peruvian Amazon in order to protest the bulldozing of the rain forest and the extermination of its indigenous tribe. After a close call with the militia, the protesters are involved in a harrowing plane crash reminiscent of the opening of Final Destination. The surviving members are captured by the very people that they sought out to save, who believe them to be the enemy responsible for destroying their habitat. They’re brought back to the village in a particularly chaotic scene, culminating with one of them being killed and eaten before their eyes.

The group doesn’t arrive in the Amazon until about 45 minutes into the 103-minute runtime, but the pace is so brisk you’d never know it. Once there, the action is virtually nonstop. The Green Inferno feels less gritty than its grindhouse brethren, but Roth and director of photography Antonio Quercia (Knock Knock) embrace a frenetic, cinéma vérité style of handheld camerawork with shallow focus for most scenes involving the cannibals. Its illustration of intensity - which, thankfully, is not overly shaky - offers a stark contrast to the rest of the film’s more traditional cinematography. The location - an actual Peruvian village which had never seen a movie before - provides immense production value.

This may be Roth’s goriest effort to date, which is saying a lot for the guy behind Hostel and Cabin Fever. Special effects makeup is expertly handled by legends Greg Nicotero and Howard Berger of KNB EFX Group (Kill Bill, Scream). There are several brutal death scenes, most notably the first dismemberment at the hands of the cannibals. Unlike the ominous locales of Hostel, however, The Green Inferno takes place in broad daylight. While the bright surroundings are a welcome change of scenery, it shines a bit too much light - quite literally - on the prosthetics, causing some effects to look fake. Further diluting the impact is the fact that several of the most intense scenes are undermined by moments of sophomoric humor that follow, from a diarrhea gag to stoner comedy.

Roth and Izzo were dating during the making of The Green Inferno - and they later wed, then divorced - but Izzo is far more than just the director’s girlfriend. Her character is vulnerable and on display, both literally and metaphorically, and Izzo is fearless through it all. Between The Green Inferno and Knock Knock, in which she was sinister and in control, Izzo shows impressive range. The standout cannibals, Bald Headhunter (Ramón Llao, Aftershock) and The Elder (Antonieta Pari), are appropriately intimidating, covered in striking body paint and ornate body jewelry. The rest of the tribe members are played by actual villagers.

Ariel Levy (Aftershock) is charming enough, but he ultimately lacks the charisma for which his role as the activist group's leader calls. A handful of other activists are given some dimension - including Daryl Sabara (Spy Kids) as the stereotypical stoner - but even more have virtually no personalities. Singer Sky Ferreira (Lords of Chaos) overacts and brings an awkward screen presence to her small role as Justine's roommate. Richard Burgi (Hostel: Part II) makes a brief but strong impression as Justine’s father.

The Green Inferno is the most modern title to join Scream Factory's esteemed line of Collector's Edition Blu-ray releases, having hit home video a mere three years ago. The film was shot digitally, so the picture quality is identical to the previous release, but fresh special features make it worth an upgrade. A new interview finds Roth discussing every major set piece and sharing anecdotes from the making of the film for 50 minutes. The production is fresh enough in his mind that the filmmaker is able to recall every detail, yet it's far enough in the past that he can reflect on the experience more objectively.

There's also a 35-minute featurette consisting of new interviews with actors Izzo, Sabara, and Kirby Bliss Blanton (Project X), who discuss how they got involved, their introductions to cannibal films, and the trials and tribulations of shooting in a secluded village. Nearly an hour of behind-the-scenes footage offers a fascinating, fly-on-the-wall perspective of the cast and crew working on location. A CD featuring Manuel Riveiro's never-before-released, tribal-inspired original motion picture soundtrack is included.

All of the previous special features are ported over as well: a lively audio commentary led by Roth, who is accompanied by Izzo, Blanton, Sabara, and fellow actor Aaron Burns; a 16-minute making-of featurette with Roth and several cast members; three minute-long promotional pieces largely comprised of footage from the aforementioned making-of; the trailer and TV spots; and five galleries: stills, behind-the-scenes, village construction storyboards and makeup tests, and publicity photos.

If you’re able to get past the baggage that comes with the film - which, to be honest, shouldn't be very difficult - you’re left with a badass, true-to-form cannibal flick, the likes of which hasn't been produced in decades. The Green Inferno is not the strongest effort in Roth's oeuvre, but it does feel like the most “Eli Roth” movie he’s made to date. Although unlikely to win over any new admirers, Scream Factory's Collector's Edition release allows fans to revel in its macabre spectacle.

The Green Inferno will be released on Collector’s Edition Blu-ray on June 25 via Scream Factory.

[moviesandmania]

The Green Inferno Collector's Edition Blu-ray announced

The Green Inferno will be released by Scream Factory as a two-disc Collector’s Edition Blu-ray on April 23rd, 2019. It will include a never-before-released CD of Manuel Riveiro’s original soundtrack score. The new cover art (above) was designed by Devon Whitehead (Valentine; Sleepwalkers) and, as per norm, the original artwork will be on the reverse.

Extras will be announced once they are…

[elarea]

¡¡Peñarol campeón Supercopa 2022!!

Peñarol conquistó la Supercopa Uruguaya tras vencer 1-0 a Plaza Colonia en el final del alargue, con un gol en contra del jugador ‘patablanca’ Jorge Ayala, en el Estadio Domingo Burgueño.

A continuación, los detalles del match:

Plaza 0-1 Peñarol Supercopa Uruguaya 2022

Estadio: Domingo Burgueño (Campus de Maldonado) Árbitros: Andrés Matonte, Andrés Nievas, Sebastián Schroeder y Jonathan Fuentes –cuarto árbitro–. Árbitros VAR: Leodán González y Diego Riveiro

Plaza (0): Nicolás Guirín, Federico Barrandeguy (116’ Ezequías Redín), Nicolás Ayala, Yvo Calleros, Agustín Heredia, Facundo Kidd (45’ Eddy Greising), Daniel Bahía, Álvaro Fernández (100’ Cristian Rodríguez), Agustín Pérez, Nicolás Dibble (100’ Leandro Suhr), Juan Cruz Mascia (100’ Vitao). Entrenador: Eduardo Espinel

Peñarol (1): Kevin Dawson, Matías Aguirregaray (95’ Agustín Álvarez Wallace), Ramón Arias, Edgar Elizalde, Juan Manuel Ramos, Rodrigo Saravia, Walter Gargano (101’ Bryan Olivera), Pablo Ceppelini, Ignacio Laquintana (95’ Máximo Alonso), Alejo Cruz (66’ Cristian Olivera), Agustín Álvarez Martínez. Entrenador: Mauricio Larriera

Gol: 120’ N. Ayala –en contra– (CAP).

[dewamovis2020-blog]

((Cosas de Hombres 2020)) en Chilena HD-1080p

Título original: Cosas de hombres aka Año: 2020 Duración: 101 min. País: Chile Chile Dirección: Gabriela Sobarzo Guion: Guillermo Amoedo Música: Manuel Riveiro Fotografía: Antonio Quercia Reparto: Boris Quercia, Paz Bascuñan, Marcial Tagle, Pablo Zuñiga, Carolina Paulsen, Felipe Braun, Mirella Granucci Productora: Bh5 Group Género: Comedia | Amistad. Homosexualidad.

.

Ver En HD : 

[https://bit.ly/2sunrtg]

.

Sinopsis Tres amigos inseparables llevan una larga y feliz vida juntos, hasta que Santiago decide a sus 50 años confesar que es gay. El cambio drástico que tendrá lugar en sus vidas, lleva a Raúl, el homofóbico macho alfa, a intentar por todos sus medios, convencer a su amigo de que es solo pasa por un momento de gran confusión sexual, que no puede ser gay. Eduardo será el conciliador del grupo que intentará convencer a Raúl de que deje sus prejuicios y decida acompañar a Santiago en su nueva vida gay. Juntos descubrirán que esta amistad funciona mejor de a tres. Versión chilena de 'Hazlo como hombre' (2017), película mexicana escrita y dirigida por Nicolás López.

Etiqueta: cosas de hombres pelicula cosas de hombres película chilena cosas de hombres pelicula online cosas de hombres chile expresion cosa de hombres en ingles cosas de hombres online latino ver cosa de hombres online español latino cosa de hombres pelicula online latino cosa de hombres 2002 online cosas de hombres pelicula online latino cosa de hombres repelis es cosa de hombres soberano cosas sobre hombres pelicula HD cosas saber hombres pelcula completa cosas solo de hombres pelicula en espanol latino cosa de hombres pelicula completa en español latino cosa de hombres pelicula completa en español cosa de hombres pelicula completa audio latino

[film-in-der-box]

Aftershock

Nach dem Erdbeben in Chile im Jahr 2010 entkommen zahlreiche Insassen eines Gefängnisses und nun sorgen in den Straßen für Angst und Schrecken. Eine Gruppe von US-Touristen befindet sich gerade in einem Club, als die Erde zittert. Eigentlich wollten Gringo und seine Freunde beim Tanzen nur ein paar Mädels kennenlernen. Doch was als spaßige Partynacht geplant war, entpuppt sich als der blanke Horror, denn die Menschen können um einiges furchteinflößender sein als eine Naturkatastrophen.

Der Film erschien im Jahre 2013 in den USA.

Der Regisseur ist Nicolás López, die Musik wurde komponiert von Manuel Riveiro.

Die Produzenten Eli Roth, Miguel Asensio und Brian Oliver unterstützen den Film.

Die Autoren die diesen Film geschrieben haben, waren Eli Roth und Nicolás López.

[jalonsoarevalo]

Metodología de la investigación, ¿para qué? La producción de los datos y los diseños Néstor Cohen . Gabiela Gómez Rojas. Manuel Riveiro. Marcela Grinszpun. Gonzalo Seid. Metodología de la investigación, ¿para qué? 

[saturdaynightmatinee]

CALIFICACIÓN PERSONAL: 7 / 10

Título Original: La sombra de la ley

Año: 2018

Duración: 126 min.

País: España

Director: Dani de la Torre

Guion: Patxi Amezcua

Música: Manuel Riveiro, Xavier Font

Fotografía: Josu Inchaustegui

Reparto: Luis Tosar, Michelle Jenner, Vicente Romero, Ernesto Alterio, Paco Tous,Manolo Solo, Jaime Lorente, Pep Tosar, Fernando Cayo, William Miller,Adriana Torrebejano, Xosé Barato, Ricardo de Barreiro, José Manuel Poga,Elías Pelayo, Paula del Río, Albert Pérez

Productora: Coproducción España-Francia; Vaca Films / Atresmedia Cine / Movistar+ / Televisión de Galicia (TVG)

Género: Thriller

https://www.imdb.com/title/tt7104984/

TRAILER: https://www.youtube.com/watch?v=wJ0FDFS0_PE

[thebutcher-5]

Desconocido - Resa dei conti

Desconocido – Resa dei conti

Benvenuti o bentornati sul nostro blog. L’articolo che ho scritto la scorsa volta è stato un’esperienza interessante. In quel caso avevo deciso di parlare di Paura e Desiderio, il primo film di Stanley Kubrick, una pellicola disprezzata dal suo stesso creatore, che lo considerava troppo pretenzioso e noioso. In realtà ci siamo trovati di fronte a un progetto affascinante. Un film di guerra con…

[unpensadoranonimo]

Opiniones de política española (20/1/2019)

A la espera del nuevo relato sobre Andalucía - Jorge Bezares

Agrupémonos todos... los que podamos - Elisa Beni

Andaluces todos - Antonio Avendaño

Asaltar los cielos para pelearse en el barro - Iker Armentia

Barcelona roja - Miquel Giménez

Carmena, las élites y la podredumbre de la política - Carlos Sánchez

¿De qué habla el Gobierno con los independentistas? - Álvaro Nieto

Diez claves sobre la ruptura entre Iglesias y Errejón - Ignacio Escolar

Dilemas estratégicos - Antonio Antón

Dos años y un día - Ángeles Caballero

El abrazo del oso cavernario - Mariano Guistaín

El búnker andaluz - Jorge Vilches

El cainismo de la izquierda y sus chuches envenenadas - Carlos Sánchez

El día que Pablo Iglesias se suicidó - José Apezarena

El errejonazo de San Antón - Mariano Guistaín

El fascismo que no cesa - Enric Sopena

El 'fenómeno' Carmena: de ser la propuesta estrella de Iglesias a capitanear la izquierda madrileña  - Beatriz Asuar Gallego

En mayo se juega todo - José Luis Villacañas

El PP de Casado se muestra amable con Rajoy y luego le empitona con Tabarnia - Iñigo Sáenz de Ugarte

El PP más 'centrado' emerge en el primer día de la convención ideológica: Rajoy y Feijóo marcan distancias con Vox - Iñigo Aduriz

El PP se lanza a recuperar el poder municipal: "Cuando Dios hizo la luz, los socialistas ya estaban con el recibo" - Jose Alejandro Vara

Errejón culmina en el quinto aniversario de Podemos un despegue del partido que se lleva fraguando desde su derrota en Vistalegre 2 - Andrés Gil

Escenarios tras la batalla de Madrid: Errejón confía en negociar, Iglesias busca candidato e IU debate qué hacer - Aitor Riveiro y Sofía Pérez Mendoza

España según San Pablo (Casado) - Ángeles Caballero

Historia del divorcio político y personal en Podemos: del G5 al "Íñigo no es Manuela" - Iván Gil

Iglesias-Errejón: radiografía de un cisma - Antonio Casado

Íñigo, Manuela y Hamlet - Isidoro Tapia

Íñigo no es Manuela y a ti te encontré en la calle - Iñigo Sáenz de Ugarte

Íñigo sí es Carmena o cómo Iglesias vuelve a equivocarse - J. A. Zarzalejos

Íñigo rompe con el padre y se va a vivir con la abuela - Jesús Cacho

Izquierda antidemócrata - Juan Ramón Rallo

Izquierda rota, derecha unida - José Luis Sastre

La bisagra de oro - Marta Nebot

La crisis de Podemos ahonda la depresión de un PSM que da por perdido el gobierno - Gabriel Sanz

La crisis de Podemos descoloca al PSOE: entre la preocupación por la caída de la izquierda y la oportunidad en el centro - Irene Castro y Sofía Pérez Mendoza

La década de una generación - Manuel Cruz

La escisión de Errejón fragmenta a Podemos y amenaza con hasta cuatro candidaturas - Iván Gil

La idea de exportar el pacto andaluz a municipales y autonómicas divide a Ciudadanos - Carmen Moraga

La 'izquierdas' y 'las' derecha - Raquel Martos

La primera línea de Podemos, cinco años después - Elena Herrera y Pablo J. Álvarez

La profecía autocumplida de Casado y Rajoy - Estefania Molina

"La refundación del PP" - Fernando Berlín

La tentación peronista de Susana Díaz - Ignacio Varela

La ultraderecha europea y su amor al patriarcado - Marisa Pérez Colina

Las cenizas de aquella guerra Soraya / Cospedal - Graciano Palomo

“Las disputas a lo ‘vida de Brian’ son nefastas para la izquierda” - Juan Carlos Escudier

Las mujeres de Vox - Imma Lucas

Lo llamaban Moreno Nocilla - Javier Caraballo

Logros, fracasos y retos de Podemos en su quinto aniversario - Iván Gil

Los acomplejados - Karina Sainz Borgo

Los machos no se afeitan - David Torres

Los pistachos iraníes dan para mucho - Graciano Palomo

Los tiempos oscuros del PSOE - Jorge Bezares

Los zapatos de Juanma Moreno - Álvaro Nieto

Más Madrid: las claves de una nueva formación que hace tambalear la unidad de Podemos - Carmen Macias

Moreno cierra la era socialista en Andalucía tras cinco presidentes y 37 años - Ángel Munárriz

Moreno Bonilla C’s Vox reconquista Andalucía - Mario Guistaín

Moreno Bonilla, investido presidente de Andalucía con la alianza de Ciudadanos y la extrema derecha de Vox - Daniel Cela

Objetivo Casado: A por los diez millones de votos para echar a Sánchez - Jose Alejandro Vara

Paisaje andaluz después de la batalla - Antonio Avendaño

Podemos camina hacia la nada - Carlos Elordi

Podemos: del amor fraterno a la daga - Graciano Palomo

Podemos, en la encrucijada: ¿cómo sumar sin difamar al PSOE? - Antonio Avendaño

Podemos escindido - Alejo Vidal-Quadras

Podemos, ese arma de autodestrucción masiva - Marta Nebot

Podemos llega en plena depresión a su quinto aniversario - Diego Molpeceres

Podemos no existe - José María Albert de Paco

Podemos teme la fuga de los afines de Errejón tras su ruptura con las siglas - Diego Molpeceres

PP: ¿Rearme ideológico? ¡Cultura del mérito! - Graciano Palomo

Rajoy regresa al PP durante apenas dos horas, sin mojarse por Casado y en un formato pactado - Iñigo Aduriz

Rajoy, Soraya, Cospedal, Cifuentes... lo que la convención de Sevilla se llevó en 9 meses - Paloma Esteban

Rajoy y Feijóo enarbolan los viejos éxitos del PP para despreciar a Vox - Jose Alejandro Vara

Sánchez, Díaz y la 'fruta madura' - Gabriel Sanz

Voxmemoria. De por qué el negacionismo triunfa en España - María Eugenia R. Palop

Ya era hora: Errejón firma el acta de defunción de Podemos - Esteban Hernández

[archiplusa]

Colour Week Architecture #4: Yellow _

#building #art #cover

The House of the Future by Arne Jacobsen and Flemming Lassen, 1929

#building

International Cultural Centre by Oscar Niemeyer

Avilés, Asturias, Spain (opened in spring 2011) 

via A+A Photo © Jose Manuel Iglesias Riveiro

School of Music Lisbon Polytechnic Institute by João Luís Carrilho da Graça

Lisbon, Portugal

"Hub Creatic" by Tetrarc, La Chantrerie

Nantes, France via architectural

Concept Store Konzepp by Geoof Tsui

Hong-Kong 

via Konzepp

#art

Inside the horizon, 2014 by Studio Olafur Eliasson Fondation Louis Vuitton, Paris, 2014

Photo: Iwan Baan

Georges Rousse, Chambord Chateau

Chambord, France via artshebsomedias

Sophie by Xavier Veilhan

Restaurant Germain restaurant design by India Mahdavi

Paris, France via designcontract

#cover

The House of the Future by Arne Jacobsen and Flemming Lassen, 1929

-

[brokehorrorfan]

Scream Factory has revealed the specs for its The Green Inferno Collector’s Edition Blu-ray, which streets on April 23. The two-disc set includes an exclusive CD of Manuel Riveiro’s original motion picture soundtrack.

The 2013 cannibal film is co-written by Roth and Guillermo Amoedo (Knock Knock). Lorenza Izzo, Ariel Levy, Daryl Sabara, Kirby Bliss Blanton, Sky Ferreira, and Magda Apanowicz star. Jason Blum (Halloween, Get Out) serves as executive producer.

Devon Whitehead designed the new cover; the original poster will be on the reverse side. Special features are listed below.

Special features:

Interview with director/co-writer/producer Eli Roth (new)

Uncivilized Behavior: Method Acting in The Green Inferno – Interviews with actors Lorenza Izzo, Daryl Sabara, and Kirby Bliss Blanton (new)

Behind-the-scenes footage – Nearly an hour of never-before-seen footage (new)

Audio commentary with director/co-writer/producer Eli Roth, producer Nicolás López, and cast members Lorenza Izzo, Aaron Burns, Kirby Bliss Blanton, and Daryl Sabara

Original publicity featurettes including The Making of The Green Inferno

Theatrical trailer

TV spots

Still galleries – storyboards and makeup tests, behind-the-scenes photos, village construction, and movie stills

Bonus CD featuring Manuel Riveiro’s original score with bonus tracks

Determined to protect the Amazon rainforest, a group of student activists fly to Peru only to crash-land deep in the jungle. Captured by a pack of bloodthirsty cannibals, the survivors suffer unspeakable acts of butchery at the hands of the very tribe they were trying to save.

[ao3feed-chaleigh]

Nanuk's Complete Collection of Fanart

read it on the AO3 at http://ift.tt/2qd6AYJ

by nanuk_dain

This is the place where all my artwork is gathered, sorted by fandom and pairing. Let's just say, it's a huge amount of fandoms and pairings, you'll probably find something you'll like ^^ Enjoy!

NOTE: This is a work in progress - I have over 220 images to upload, after all ^_^

Words: 324, Chapters: 96/?, Language: English

Fandoms: 3:10 to Yuma (2007), X-Men (Movieverse), Person of Interest (TV), Pocahontas (1995), Terminator Salvation, Terminator (Movies), Star Trek: The Original Series, Star Trek, The Rundown (2003), Rosencrantz & Guildenstern are Dead - Stoppard, Shogun, Supernatural, The Hunt for Red October (1990), Fantaghirò | The Cave of the Golden Rose (Movies), The Eagle | The Eagle of the Ninth (2011), The Chronicles of Riddick (2004), Botineras, Bourne (Movies), The Bourne Supremacy (2004), Eureka (TV), Ever After (1998), The Last Samurai (2003), Die Hard (Movies), Live Free or Die Hard, The Losers (2010), Once Upon a Time in Mexico, El Mariachi Trilogy (Movies), Pacific Rim (Movies), Hot Fuzz (2007)

Rating: Explicit

Warnings: No Archive Warnings Apply

Categories: M/M

Characters: Ben Wade, Dan Evans, Logan (X-Men), Scott Summers, Harold Finch, John Reese, Kocoum (Disney), John Smith (Disney), Kyle Reese, Marcus Wright, James T. Kirk, Leonard "Bones" McCoy, Beck (The Rundown), Travis Walker, Rosencrantz, Guildenstern, John Blackthorn, Fathern Martin Alvito, Dean Winchester, Sam Winchester, Gabriel (Supernatural), Castiel (Supernatural), Vasily Borodin, Marko Ramius, Tarabas (Fantaghirò), Romualdo (Fantaghirò), Marcus Flavius Aquila, Esca Mac Cunoval, Vaako (Riddick), Richard B. Riddick, Manuel Riveiro, Jason Bourne, Kirill (Bourne), Nathan Stark, Jack Carter (Eureka), Danielle de Barbarac, Katsumoto (Last Samurai), Nathan Algren, John McClane, Matt Farrell, Carlos "Cougar" Alvarez, Jake Jensen, Max (The Losers), Wade (The Losers), El Mariachi (El Mariachi), Sheldon Jeffrey Sands, Hercules Hansen, Stacker Pentecost, Chuck Hansen, Raleigh Becket, Nicholas Angel, Danny Butterman

Relationships: Dan Evans/Ben Wade, Logan (X-Men)/Scott Summers, Harold Finch/John Reese, Kocoum/John Smith (Disney), Kyle Reese/Marcus Wright, James T. Kirk/Leonard "Bones" McCoy, Beck/Travis Walker, Guildenstern/Rosencrantz, Pilot John Blackthorne/Father Martin Alvito, Gabriel/Sam Winchester, Castiel/Dean Winchester, Vasily Borodin/Marko Ramius, Romualdo/Tarabas (Fantaghirò), Richard B. Riddick/Vaako (Riddick), Jason Bourne/Kirill, Jack Carter/Nathan Stark, Nathan Algren/Katsumoto, Matt Farrell/John McClane, Carlos "Cougar" Alvarez/Jake Jensen, Max/Wade (The Losers), El Mariachi/Sheldon Jeffrey Sands, Raleigh Becket/Chuck Hansen, Hercules Hansen/Stacker Pentecost, Nicholas Angel/Danny Butterman

Additional Tags: Fanart, manips, Photoshop, Pencil, Drawing, Graphics

read it on the AO3 at http://ift.tt/2qd6AYJ

[lgaretio]

Metodología de la investigación, ¿para qué? La producción de los datos y los diseños

    Néstor Cohen . Gabiela Gómez Rojas. Manuel Riveiro. Marcela Grinszpun. Gonzalo Seid. Metodología de la investigación, ¿para qué? La producción de los datos y los diseños. Buenos Aires: Clacsco. Teseo.