I finally edited my post-finale, notes-app thoughts so that they're somewhat intelligible and I'm leaving them here in one rambling lump.
- ROSIE!! I would give this man all the screentime ever. The depiction of his mission and crash was executed so well! Nate did a stellar job with that and later at the concentration camp.
- Take the "true" out of the "we were the masters of the air" part! I hate it. Who put that in there? It sounds corny, and weird, and like they achieved some sort of divinely dictated status and it really pisses me off. The vibe is manifest destiny, American imperialism-type shiz and I hate it. Just "we were the masters of the air" with a different emphasis in Anthony's Crosby voice would have been great. Miss me with that "true" bullshit. Yes, this miniscule moment is what I will fight over.
- Ngl, I thought there was some sort of design/editing oopsie when a tumblr post last week zoomed in on the opening credits where it shows a collection of dudes standing beside a plane and one of the ones wearing a life vest had Rafe Law's face. But now I'm so happy that in the show Lemmons got to take flight and participate in such a cheerful mission.
- The roles and screen time for the Tuskegee men: It should have been better for sure but it was at least tasteful?? as weird as that sounds. In my (white) opinion, their initial introduction offered a very limited look at the unit as a whole but still felt a lot more intimate than for other characters we have seen more often. In episode 9, Macon, Jefferson, & Daniels didn't say much but they felt so integral to the scenes they were in and had quiet moments (like the nods when they arrived at the new camp or being right in the thick of the scramble during the liberation) that felt all the more powerful because of the lack of dialogue.
What I would have really liked is for their storylines to run through every episode as more of a parallel to those of the 100th, with equal attention dedicated to them/their missions, but at least they weren't simply tossed into the show in a way that felt careless or grudgingly forced.
- I'm not sure I like Solomon as the one lifting the guard during the march. Yes, the circumstances really did lead to some of them helping each other like that, even as wild as prisoners toting the guns might seem, but having it be a Jewish POW in the show felt very morally pedantic, like some sort of Sunday-school lesson on being the bigger person. I can only speak as a non-Jew, but it felt odd! Instead of being an effective way to underline the complexity of the relationships between prisoners & captors or Germans & Americans it felt like it was trying too hard to also connect to the Holocaust elements of the episode. I feel like the result was clumsy and strange in a way that I don't think it would have been if it had been a character other than Solomon taking those actions.
- And while I'm on the subject of the guards/prisoners angle...
That one guard yelling and bragging about how to handle the prisoners was awkwardly done. I can't remember it exactly, but if the show wanted to highlight that "not all Germans and not all the prison staff were Nazis but some definitely were and those ones were real bastards!" then they should have had the other guard looking conflicted or upset by it or something. There should have been some kind of nuance distinguishable to the audience. Most of the faces were just so blank it felt like one guy was giving the scene his all while everyone else spaced for that take.
- They managed to convey the "old men and kids" thing pretty well without hitting us over the head or putting it in the voiceover. There's a more effective way for it to have been done, I just know it, but I have no actual suggestions and therefore must be gracious. I'm just happy they tried to show a tiny bit of how staggeringly drained and unrecognizable the entire German nation was by the end of the war. MotA's ✨bombing morality discourse✨ often felt unsettled throughout the show, but I think the attempt at illustrating that the first country the Nazis invaded/attacked was their own ended up being more successful.
- I'm not sure exactly what they were doing with the moment where Buck and the horse stare into each other's souls but I love how it gives us the opportunity to have cracky, 'Cleven is a horse boy' jokes 🐎.
(Ok, but seriously, what was with the horse? Were they trying to increase tension wondering if it would reveal them? Was it to show how dire things had become in Germany compared to when earlier they had such technological might? Was it supposed to be one of the emaciated horses they often passed while on the march? Is it for white horse symbolic reasons? Just for the aesthetic? WHY?!?).
- I could have easily spent 40 minutes just watching the POWs trying to pack up for the march and I still wouldn't have had enough. I'm absolutely wild for the details and background stuff in Stalag III and I can't wait for all the gifsets and whatnot to be able to take a closer look at things ❤️
- They gave Crosby his locked supply shed moment!! I was really hoping for that, or when he intellectually destroys the 390th's navigator, to be included and it is so satisfying to see. I love having something else to focus on besides his voiceover and early episode struggles (both of which I do enjoy) or the weird af way they did the him+Sandra thing (which I quite despise). Add it to his Nietze quote and anxiety concerning their roles in the war and I feel like we got a decent characterization of him again.
- I guess I can accept not enough budget for a 10th episode but there wasn't even enough for Meatball in the finale? Man, I'd sure like to go back in time and crowdfund that shit.
- When Sammy yelled "they won!!" as the kiddos were playing after everyone leaves Thorpe Abbotts I got super annoyed.
The hero worship would be very real of course, but Hanks & Spielberg can't convince me that a British kid who has been living a huge chunk of his life in a country at war would not make that a "we won!". Not only was England a part of the victorious side but Sammy was basically a part of the Thorpe Abbotts/100thBG family and therefore would likely feel like a part of any of their successes too. It's kind of petty but, again, it felt a little too "USA! USA!! USA!!!" for my tastes.
- From the moment his casting was announced I expected Callum Turner to put his entire being into this role and he certainly has. They nabbed a 6'4 dude built like an old growth pine to play a man who was something like 5'6 and 120lbs soaking wet, but I could definitely see the vision. His dedication has been so clear in other episodes as well but there was just something about Episode 9 that went above and beyond. Maybe because there are scenes where Egan is alone more often (or at least separated somewhat from the others), just like when he first bailed, but Callum's facial work and body language was impeccable.
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My rock, my friend, we always said
We'd live this life until we made it to the end
So why aren't you right here, right next to me?
You took your life, like fuck, you left me bleeding
What took you so long, darling?
Nsfw version
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"Well, right now," she said, "I'm not dead. But when I am, it's like ... I don't know, I guess it's like being inside a book that nobody's reading."
"A book?" I said.
"An old one. It's up on a library shelf, so you're safe and everything, but the book hasn't been checked out for a long, long time. All you can do is wait. Just hope somebody'll pick it up and start reading."
- Tim O’Brien, “Lives of the Dead”
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