#Most underrated African cities

[themousefromfantasyland]

Journey Across the Disneyverse: Third Day

In honor of the 100th anniversary of the Walt Disney Animation Studios, I'm rewatching some of my favorite films from the studio.

This were the ones that I watched today.

1 - Aladdin (1992)

One of my father's favorite Disney films and one that I held a lot of kinship because of that.

It's a very heartfelt and sincere story, even with all the anachronistic jokes. In any other movie, a character like the Genie would be unbelievably annoying, but Robin Williams makes the character so likable and charismatic that in end you want to hear more and more of his celebrity and pop culture jokes.

Now, my favorite random trivia about this movie. In the Brazilian dub, the song Arabian Nights has one lyric that can be translated as "And too many orgies". To my knowledge, no one ever took issue with this lyric.

Right wing evangelical groups swear that the "Good teenager, take out your clothes" made into the Brazilian dub, but the first song literally has the word "orgies" in it, and no one batted an eye.

In Brazil, we have a Disney movie where the word orgy is said, and it's so obvious that the Disney+ subtitles try to cover up the fact by ridiculously trying to gaslight the audience into thinking the lyric is "And too many parties"

2 - Lion King (1994)

Disney's most epic movie.

Everything about this movie is epic, big, and thunderous.

People often compared this to Hamlet, but I think it's more complicated.

The film runs on a very ancient mythology archetype of son taking revenge on the uncle for killing the father. Heck, Osiris, Set, and Horus from Egyptian Mythology have the same story dynamics as Mufasa, Scar, and Simba. Hamlet itself is inspired by an older Scandinavian legend of a hero king named Anleth.

It's also worth pointing out how in the Shakespeare play, the ghost is a more malevolent presence, and the avenging the dead father is Hamlet's start of darkness, while in Lion King, Mufasa's presence is much more uplifting, and avenging the death father is treated like an rite of passage of sorts, granting Simba maturity.

3 - The Princess and the Frog (2009)

A very underrated film, overshadowed by both Frozen, and to a lesser extent, Tangled as well.

Although I agree with the criticism of the first African-American Disney Princess staying most of the film as a frog, the frog transformation is so crucial to the plot, than changing it would create a whole, completely different film.

There something very charming about setting a fairy tale so late in the US during the roaring twenties. I love how the film incorporates many fairy tale archetypes like the Good King, the fairy godmother, the wicked sorcerer with the residents of New Orleans. New Orleans looks beautiful and bigger than life on this film, and thanks to the fairy tale archetypes and magical elements, the city becomes an alternative, magical world.

Ray's death continues to be one of Disney's bravest creative choice in the last twenty years. They could bring him back with magic like they did so many times, but they manage to create a beautiful and bittersweet farewell to him.

@ariel-seagull-wings @thealmightyemprex @tamisdava2 @natache @the-gentile-folklorist @the-blue-fairie @thelittlehansy @mask131 @princesssarisa @angelixgutz

[itineraryblog]

Underrated Summer Travel Ideas: Discover Hidden Gems Around the World

When it comes to summer travel, popular destinations like Paris, Bali, or the Caribbean often come to mind. But what about those hidden gems that offer unique experiences without the crowds? This year, why not try something different? Here’s a list of underrated summer travel ideas that promise adventure, culture, and relaxation — all in off-the-beaten-path locations.

1. Georgia — The Jewel of the Caucasus

Tucked between Europe and Asia, Georgia is a country that offers a stunning mix of landscapes, from snow-capped mountains to rolling vineyards. During summer, the weather is perfect for hiking in the Caucasus Mountains, exploring ancient monasteries, or enjoying Tbilisi’s vibrant arts scene. Don’t miss the chance to taste Georgian wine — some of the world’s oldest!

2. Faroe Islands — Nature’s Best-Kept Secret

Located between Iceland and Norway, the Faroe Islands are an archipelago known for their dramatic cliffs, cascading waterfalls, and rugged coastlines. With fewer tourists compared to Iceland, the Faroe Islands offer a tranquil experience for nature lovers. Summer is the ideal time to hike, bird-watch, or simply soak in the serene beauty of the fjords.

3. Ljubljana, Slovenia — Europe’s Green Capital

Often overshadowed by its more famous neighbors, Slovenia’s capital, Ljubljana, is a charming, eco-friendly city with a rich history and vibrant culture. Stroll along the Ljubljanica River, explore the medieval Ljubljana Castle, or relax in Tivoli Park. With its lively outdoor cafes and summer festivals, Ljubljana is perfect for those who love a blend of culture and relaxation.

4. Salento, Italy — Beyond the Amalfi Coast

Italy is famous for its well-trodden tourist spots, but the region of Salento, in the southernmost part of Puglia, offers a more laid-back alternative. Think crystal-clear waters, white sandy beaches, and charming towns like Lecce, known as the “Florence of the South.” The region is also known for its delicious seafood and rustic countryside.

5. Svaneti, Georgia — A Hidden Mountain Paradise

For adventure seekers, Svaneti in Georgia is a hidden gem waiting to be explored. Nestled in the Caucasus Mountains, this remote region offers stunning hiking trails, medieval stone towers, and breathtaking scenery. The summer months are perfect for trekking, mountain biking, and exploring the traditional villages scattered across the region.

6. Isle of Skye, Scotland — Mystical Landscapes and Cozy Hideaways

Scotland’s Isle of Skye is renowned for its rugged landscapes, misty mountains, and dramatic cliffs. While Scotland might not be the first place you think of for a summer vacation, Skye’s mild summer weather is ideal for hiking the Quiraing, exploring the Fairy Pools, or visiting the iconic Eilean Donan Castle. The island’s cozy inns and local pubs add a warm touch to the adventure.

7. Kanazawa, Japan — The Lesser-Known Cultural Hub

While Kyoto and Tokyo steal most of the spotlight, Kanazawa is an underrated gem that offers a glimpse into traditional Japan without the crowds. Known for its well-preserved Edo-period districts, samurai houses, and beautiful Kenroku-en Garden, Kanazawa is perfect for a cultural summer trip. Don’t forget to try the local seafood, especially the fresh sushi at Omicho Market.

8. Gdansk, Poland — Baltic Beauty

Gdansk, located on Poland’s Baltic coast, is a city rich in history, culture, and architectural beauty. With its picturesque Old Town, maritime museums, and proximity to sandy beaches, Gdansk is an ideal summer destination. Enjoy a leisurely stroll along the Motlawa River, visit the historic Westerplatte, or relax at the nearby resort town of Sopot.

9. Cape Verde — Africa’s Tropical Oasis

For those looking for a tropical getaway, Cape Verde, an archipelago off the northwest coast of Africa, offers beautiful beaches, crystal-clear waters, and a unique blend of African and Portuguese cultures. Whether it’s hiking the volcanic landscapes of Fogo Island or lounging on the serene beaches of Boa Vista, Cape Verde provides a relaxing and exotic summer escape.

10. Kotor, Montenegro — Adriatic Beauty Without the Crowds

Kotor is a charming coastal town located in Montenegro, surrounded by stunning fjords and mountain scenery. Unlike the crowded cities of Dubrovnik or Split in neighboring Croatia, Kotor offers a more peaceful Adriatic experience. Explore the medieval Old Town, hike up to the Kotor Fortress, or take a boat trip to the Blue Cave.

11. Matera, Italy — The City of Caves

Matera, located in the Basilicata region of Italy, is one of the world’s oldest continuously inhabited cities. Known for its “sassi” (cave dwellings), Matera offers a unique and off-the-beaten-path experience. Wander through the ancient cave churches, enjoy the local cuisine, and take in the views from the Murgia National Park.

12. Valletta, Malta — Mediterranean Magic

Valletta, Malta’s capital, is a UNESCO World Heritage Site with a rich history, stunning architecture, and a vibrant cultural scene. The city offers beautiful views of the Mediterranean, bustling markets, and a variety of summer festivals. Enjoy a boat trip to the Blue Lagoon or explore the historic streets of this underrated summer gem.

13. Guatemala — Central America’s Hidden Treasure

While Costa Rica and Mexico attract much of the attention in Central America, Guatemala offers equally stunning natural beauty and rich cultural experiences. From exploring the ancient Mayan ruins of Tikal to relaxing on the shores of Lake Atitlán, Guatemala is perfect for a unique summer adventure.

14. Alentejo, Portugal — Tranquil Countryside Retreat

Portugal’s Alentejo region is a hidden gem known for its rolling vineyards, medieval towns, and serene beaches. Unlike the crowded Algarve, Alentejo offers a more relaxed pace with plenty of opportunities for wine tasting, exploring ancient castles, and enjoying the unspoiled beauty of the Atlantic coast.

15. Bhutan — The Land of the Thunder Dragon

For a truly unique and off-the-grid summer destination, consider Bhutan, a small Himalayan kingdom known for its stunning landscapes, Buddhist monasteries, and commitment to Gross National Happiness. Summer is a great time to explore Bhutan’s lush valleys, trek to the famous Tiger’s Nest Monastery, and immerse yourself in the country’s rich culture.

Conclusion

While popular summer destinations have their appeal, there’s something uniquely rewarding about exploring lesser-known places. These underrated travel ideas offer not only stunning landscapes and rich cultural experiences but also the joy of discovering hidden gems. So, this summer, dare to venture off the beaten path — you might just find your new favorite destination.

Best Regards

With Itinerary Plans

[floridafoundationpro]

Union county Florida foundation repair

Union county Florida 

Union County, Florida is an often overlooked haven of natural beauty, with its diverse ecosystems, unique wildlife, and ample outdoor recreation opportunities. Located in the North Central Florida, Union County is bordered by Bradford, Alachua and Columbia counties and the Santa Fe River, providing a beautiful and diverse landscape to explore. From the rolling hills, to the stunning springs, to the rivers and lakes that dot the landscape, Union County has something to offer everyone. Whether you are looking for a quiet getaway, an outdoor adventure, or a place to simply explore and observe the natural beauty of Florida, Union County is the perfect place to visit. With its friendly and welcoming people, Union County is one of Florida’s most underrated gems. In this blog post, we will explore the many elements that make Union County Florida a great destination for both locals and visitors alike.

Hurry! Fill this form to talk to a Florida foundation pro!

* indicates required First Name Last Name Email Address * Phone Number Describe briefly what the problem seems to be Address Address Line 2 City State/Province/Region Postal / Zip Code Country USA Aaland Islands Afghanistan Albania Algeria American Samoa Andorra Angola Anguilla Antigua And Barbuda Argentina Armenia Aruba Australia Austria Azerbaijan Bahamas Bahrain Bangladesh Barbados Belarus Belgium Belize Benin Bermuda Bhutan Bolivia Bonaire, Saint Eustatius and Saba Bosnia and Herzegovina Botswana Bouvet Island Brazil Brunei Darussalam Bulgaria Burkina Faso Burundi Cambodia Cameroon Canada Cape Verde Cayman Islands Central African Republic Chad Chile China Christmas Island Colombia Comoros Congo Cook Islands Costa Rica Cote D'Ivoire Croatia Cuba Curacao Cyprus Czech Republic Democratic Republic of the Congo Denmark Djibouti Dominica Dominican Republic Ecuador Egypt El Salvador Equatorial Guinea Eritrea Estonia Ethiopia Falkland Islands Faroe Islands Fiji Finland France French Guiana French Polynesia Gabon Gambia Georgia Germany Ghana Gibraltar Greece Greenland Grenada Guadeloupe Guam Guatemala Guernsey Guinea Guyana Haiti Honduras Hong Kong Hungary Iceland India Indonesia Iran Iraq Ireland Isle of Man Israel Italy Jamaica Japan Jersey (Channel Islands) Jordan Kazakhstan Kenya Kiribati Kuwait Kyrgyzstan Lao People's Democratic Republic Latvia Lebanon Lesotho Liberia Libya Liechtenstein Lithuania Luxembourg Macau Macedonia Madagascar Malawi Malaysia Maldives Mali Malta Marshall Islands Martinique Mauritania Mauritius Mayotte Mexico Moldova, Republic of Monaco Mongolia Montenegro Montserrat Morocco Mozambique Myanmar Namibia Nepal Netherlands Netherlands Antilles New Caledonia New Zealand Nicaragua Niger Nigeria Niue Norfolk Island North Korea Norway Oman Pakistan Palau Palestine Panama Papua New Guinea Paraguay Peru Philippines Pitcairn Poland Portugal Qatar Republic of Kosovo Reunion Romania Russia Rwanda Saint Kitts and Nevis Saint Lucia Saint Martin Saint Vincent and the Grenadines Samoa (Independent) San Marino Sao Tome and Principe Saudi Arabia Senegal Serbia Seychelles Sierra Leone Singapore Sint Maarten Slovakia Slovenia Solomon Islands Somalia South Africa South Georgia and the South Sandwich Islands South Korea South Sudan Spain Sri Lanka Sudan Suriname Svalbard and Jan Mayen Islands Swaziland Sweden Switzerland Syria Taiwan Tajikistan Tanzania Thailand Timor-Leste Togo Tonga Trinidad and Tobago Tunisia Turkey Turkmenistan Turks & Caicos Islands Uganda Ukraine United Arab Emirates United Kingdom Uruguay Uzbekistan Vanuatu Vatican City State (Holy See) Venezuela Vietnam Virgin Islands (British) Virgin Islands (U.S.) Western Sahara Yemen Zambia Zimbabwe Marketing Permissions Please select all the ways you would like to hear from Florida Foundation Pro: Email phone You can unsubscribe at any time by clicking the link in the footer of our emails. For information about our privacy practices, please visit our website. We use Mailchimp as our marketing platform. By clicking below to subscribe, you acknowledge that your information will be transferred to Mailchimp for processing. Learn more about Mailchimp's privacy practices here. Where is Union county in Florida and what is there to do?  Union County, located in the heart of North Central Florida, is an area of tremendous natural beauty and a great place to live, work, and play. The county is home to the City of Lake Butler, which is the county seat, as well as Worthington Springs, Providence, and Raiford. Union County is known for its many outdoor activities such as fishing, camping, biking, and bird watching. Tourists can explore the area’s many parks, lakes, rivers, and springs, as well as the historic sites such as the Town of Raiford and the Union County Historic Courthouse. The area hosts several annual events such as the Union County Fair, a Civil War re-enactment, and a Fourth of July parade. Union County’s rich history and culture make it a great place to visit and explore.

Should I buy a house in Union county, FL?  The decision to buy a house in Union County, FL should be carefully considered. It is important to assess if the area meets your needs in terms of lifestyle, job opportunities, and affordability. Homeownership can bring a sense of stability and pride, and Union County has a strong housing market with a mixture of new and established neighborhoods. The cost of living in the area is generally lower than the national average and the county has seen steady job and population growth in recent years. With its access to arts, culture, and recreation, Union County could be an ideal place to buy a home. However, it is always wise to invest in research and speak with local experts before making any major decisions. Ultimately, whether you decide to buy in Union County or elsewhere is a personal choice. What are the house foundation problems in Union county Florida and how can they be repaired?  House foundation problems in Union County, Florida can include issues such as shifting, cracking, settling, and bowing. These problems can be caused by a variety of factors, such as soil erosion, water saturation, or inadequate drainage. To properly repair house foundation problems, an experienced contractor should be consulted. The contractor will need to assess the severity of the issue and develop a solution tailored to the individual needs of the property. Repair options may include underpinning, releveling, or replacing foundation walls and footings. Utilizing the appropriate solutions can ensure that the foundation problem is repaired in a safe and effective manner. In conclusion, Union County, Florida is a great place to live and invest in real estate. There is plenty to do here and it is a wonderful place to raise a family. It is important to be aware of the potential house foundation problems in Union County and to take the necessary steps to ensure that these issues are addressed properly. With the right knowledge and guidance, Union County provides an excellent environment for anyone looking to purchase and enjoy their own home. Read the full article

[delusionalbubble]

Top 10 Most Underrated Cities in Africa

Top 10 Most Underrated Cities in Africa

Looking for the top 10 most underrated cities in Africa? Tourists and residents in stunning and well-known cities tend to have the opinion that the only locations worth living in or visiting are those with larger map dots. Instagram is flooded with images of tourists climbing Table Mountain in Cape Town, wandering through Chefchaouen, Morocco, or posing in front of the Giza Pyramids, but the…

[avani008]

Historical Make Me Choose! 2. Mughal or Maurya, 8. Religion or Art. Talk About: 3, 6, 9, 15

Make me choose between the Mughal and Maurya dynasties:

This is especially grueling, because--well, luck being on my side--I want to someday write origfic historical fantasy based on both of them. So, to start with, I will take the coward's way out and say both, because they're both entertaining in different ways.

The Mughal dynasty is well-documented, which is amazing for finding out hilarious anecdotes (Hamida Banu dissing Humayun! Akbar's cheetah obsession! Jahangir's hilariously honest autobiography) as well as--reading between the lines--some pretty amazing women. The Mauryas, in contrast, are so spottily documented, we can't even be entirely sure that the Buddhist and Greek/Macedonian sources are even talking about the same events/rulers, but assuming it is so--it's a wild ride, starting with a teenager overthrowing the dominant dynasty and his line conquering most of India within two generations. From a writing standpoint, having so much left empty is a gift, leaving so much available for the imagination. And yet, I wish we knew of more ladies from that history, because what little we do get is so fascinating (Durdhara's family connections and bizarre death! Dharma who sounds steely enough to be a second Kunti! Most of Ashoka's wives, who all seem super strong-minded in their own right.)

Make me choose between studying religion and art.

Oh, religion definitely. Not that art isn't great (it is!), but religion involves so much stories, and such insight into the psychology of any given culture. I had a college instructor who argued that religion and the afterlife told you more than anything about the general optimism/worldview of a culture (ie, Mesopatamia which had erratic floods and a harsh worldview had gods who really didn't care about them; whereas ancient Egypt, with regular floods and prosperity, had an afterlife that, assuming you could get in, was one big party.) Plus, religion affects passing references (how many casual Mahabharata and Ramayana references do you see in India media? Or just in conversation?) and swear words (such that an utterance as hilarious as the word "Zounds" could be an actual profanity. Amazing.)

A historical misconception that you hate.

AHHH there are so many--the inherent classism in deciding Shakespeare couldn't actually be a dude from Stratford, but a university-educated nobleman!--but at the moment, one of the most bemusing is the claim that Mughal princesses were forbidden from marrying. I keep on running into this as fact, and...don't actually see that it has any actual basis in fact, at least not during the reigns of the six major emperors. For evidence, I present the following deep dive:

(behind the cut due to length)

Most of the time I see this cited as "Akbar forbade princesses from marrying" so we'll start with him. Certainly Akbar's aunts and sisters were mostly married, so that's not an issue.

Of Akbar's daughters that I can find: Mahi Begum died young, so she doesn't count. Aram Banu Begum seems to have been --well, if we believe her brother Jahangir--kind of A Lot, despite being her father's favorite, so it seems likely marriage either wasn't her thing, or no one was agreeable to marry her. His other two daughters, Shakr-un-nissa and Khanum Sultan, were both recorded as having married, however, with their marriages arranged by Akbar himself.

But, hey, maybe he came to that decision later. So let's look at his granddaughters: Jahangir had plenty of daughters, and I can't find references to the marriages of all of them (or even how long they lived, for that matter)--at least one, Bahar Banu Begum was married to her cousin Tahmaras, and probably others too. Another of Akbar's granddaughters, Jahan Banu Begum (daughter of Murad) was also married to her cousin Parviz.

Of the generation following: let's put aside Shan Jahan's three daughters for now, since none of them married but i would argue they're a special case. Parviz, who I mentioned before, had one daughter Nadira Banu, who married her cousin Dara Shikoh; his brother Khusrau also had a single daughter Hoshmand, who married (you guessed it!) a cousin. The final granddaughter was Arzani begum, also granddaughter of the disgraced Nur Jahan, about whom I can't find a reputable death date, much less whether or not she was married. So--yes, for the most part, these women all ended up married cousins, but it's not strictly accurate to say they couldn't marry period.

A final note on Aurangazeb, who also gets accused of hte "prevented daughters from marrying" stance: yes, his most prominent daughter Zeb-un-nissa never married, but it certainly seems she had proposals aplenty and her father only vetoed the most prominent because he disapproved of the groom's father (who was his brother. the cousin thing, again.) Two of his other daughters did marry, with no objections recorded.

So honestly? It seems marriage wasn't forbidden by any means. And for those women who didn't--well, is it so impossible to believe that these princesses figured that a life in the imperial harem (which isn't the Orientalist boring fantasy most people imagine, but instead a city of women, with libraries! and schools! and markets! hunt! play chess and polo! From the harem, women could watch politics, or engage in trade, or create architecture, or participate in community service. By no means, it was great, but opportunities sucked all-around for anyone who wasn't a cis-male in that time, and this life must have seemed preferable....) with a loving father/brother was much better than being married to some rando. Plus, esp in the case of Shah Jahan's daughter, their mother died in childbirth, quite infamously--to me, it makes perfect psychological sense that they might all be leery of marriage/childbirth.

A historical figure you think is underrated.

Sadly, most figures from Indian history, but picking one at random: Razia Sultan! Not only awesome for being the first female Muslim ruler in Indian history, but also a really really good one--committed to public service, working for civil rights for the poor and those who didn't share her racial/religious/cultural background, and also open-minded/anti-racist enough to, at the very least, make a man of African descent her foremost advisor and friend. (I ship Razia/Yakut, and NOTP her relationship with Altunia pretty strongly, but even otherwise; she clearly respected Yakut as an equal, which says a lot about her. LOVE HER.

A historical myth/legend/rumour/story (flexible)

Oh, forget it, we're going to talk about Razia and Yakut, or at least the rumor they were romantically involved. A few words on Yakut: he was of Abyssinian ancestry, and actually came to her father's court as a slave, but was soon freed and allowed to rise up the ranks (this was very much a socially accepted Thing in the Mamluk court--more on this later--but he definitely had to face significant racism. Sure, there's no actual proof that he and Razia were involved, but--she made him her Master of the Horse (you know who else did? Elizabeth I for Robert Dudley. Just saying.); she never turned from him, even in the face of nasty rumors, and his loyalty to her meant he died in battle defending her throne; and fwiw, she didn't marry another as long as he lived. It's...questionable, too, how voluntary her marriage to Altunia was to me; certainly, being held hostage by the dude doesn't make for a great start. Now, again like Liz I/Robin Dudley, they could just have been BFFs/platonic soulmates, but if so I don't care--their dynamic is just A+ to me and I love it.

A historical headcanon that you have.

Akbar was dyslexic, and this was the reason behind his famous illiteracy.

[grigori77]

2020 in Movies - My Top 30 Fave Movies (Part 3)

10.  WOLFWALKERS – eleven years ago, Irish director Tomm Moore exploded onto the animated cinema scene with The Secret of Kells, a spellbinding feature debut which captivated audiences the world over and even garnered an Oscar nomination.  Admittedly I didn’t actually even know about it until I discovered his work through his astonishing follow-up, Song of the Sea (another Academy Award nominee), in 2015, so when I finally caught it I was already a fan of Moore’s work.  It’s been a similarly long wait for his third feature, but he’s genuinely pulled off a hat-trick, delivering a third flawless film in a row which OF COURSE means that his latest feature is, beyond a shadow of a doubt, my top animated feature of 2020.  I could even be tempted to say it’s his best work to date … this is an ASTONISHING film, a work of such breath-taking, spell-binding beauty that I spent its entire hour and three-quarters glued to the screen, simple mesmerised by the wonder and majesty of this latest iteration of the characteristically stylised “Cartoon Saloon” look.  It’s also liberally steeped in Moore’s trademark Celtic vibe and atmosphere, once again delving deep into his homeland’s rich and evocative cultural history and mythology while also bringing us something far more original and personal – this time the titular supernatural beings are magical near-human beings whose own subconscious can assume the form of very real wolves.  Set in a particularly dark time in Irish history – namely 1650, when Oliver Cromwell was Lord Protector – the story follows Robyn (Honor Kneafsey, probably best known for the Christmas Prince films), the impetuous and spirited young daughter of English hunter Bill Goodfellowe (Sean Bean), brought in by the Protectorate to rid the city of Kilkenny of the wolves plaguing the area.  One day fate intervenes and Robyn meets Mebh Og MacTire (The Girl at the End of the Garden‘s Eve Whittaker), a wild girl living in the woods, whose accidental bite gives her strange dreams in which she becomes a wolf – turns out Mebh is a wolfwalker, and now so is Robyn … every aspect of this film is an utter triumph for Moore and co, who have crafted a work of living, breathing cinematic art that’s easily the equal to (if not even better than) the best that Disney, Dreamworks or any of the other animation studios could create.  Then there’s the excellent voice cast – Bean brings fatherly warmth and compassion to the role that belies his character’s intimidating size, while Kneafsey and Whittaker make for a sweet and sassy pair as they bond in spite of powerful cultural differences, and the masterful Simon McBurney (Harry Potter, Mission: Impossible – Rogue Nation, Tinker Tailor Soldier Spy) brings cool, understated menace to the role of Cromwell himself.  This is a film with plenty of emotional heft to go with its marvels, and once again displays the welcome dark side which added particular spice to Moore’s previous films, but ultimately this is still a gentle and heartfelt work of wonder that makes for equally suitable viewing for children as for those who are still kids at heart – ultimately, then, this is another triumph for one of the most singularly original filmmakers working in animation today, and if Wolfwalkers doesn’t make it third time lucky come Oscars-time then there’s no justice in the world …

9.  WONDER WOMAN 1984 – probably the biggest change for 2020 compared to pretty much all of the past decade is how different the fortunes of superhero cinema turned out to be.  A year earlier the Marvel Cinematic Universe had dominated all, but the DC Extended Universe still got a good hit in with big surprise hit Shazam!  Fast-forward to now and things are VERY different – DC suddenly came out in the lead, but only because Marvel’s intended heavy-hitters (two MCU movies, the first Venom sequel and potential hot-shit new franchise starter Morbius: the Living Vampire) found themselves continuously pushed back thanks to (back then) unforeseen circumstances which continue to shit all over our theatre-going slate for the immediate future.  In the end DC’s only SERIOUS competition turned out to be NETFLIX … never mind, at least we got ONE big established superhero blockbuster into the cinemas before the end of the year that the whole family could enjoy, and who better to headline it than DC’s “newest” big screen megastar, Diana Prince? Back in 2017 Monster’s Ball director Patty Jenkins’ monumental DCEU standalone spectacularly realigned the trajectory of a cinematic franchise that was visibly flagging, redesigning the template for the series’ future which has since led to some (mostly) consistently impressive subsequent offerings.  Needless to say it was a damn tough act to follow, but Jenkins and co-writers Geoff Johns (Arrow and The Flash) and David Callaham (The Expendables, Zombieland: Double Tap, future MCU entry Shang-Chi & the Legend of the Ten Rings) have risen to the challenge in fine style, delivering something which pretty much equals that spectacular franchise debut … as has Gal Gadot, who’s now OFFICIALLY made the role her own thanks to yet another showstopping and definitive performance as the unstoppable Amazonian goddess living amongst us.  She’s older and wiser than in the first film, but still hasn’t lost that forthright honesty and wonderfully pure heart we’ve come to love ever since her introduction in Zack Snyder’s troublesome but ultimately underrated Batman V Superman: Dawn of Justice (yes, that’s right, I said it!), and Gadot’s clear, overwhelming commitment to the role continues to pay off magnificently as she once again proves that Diana is THE VERY BEST superhero in the DCEU cinematic pantheon.  Although it takes place several decades after its predecessor, WW84 is, obviously, still very much a period piece, Jenkins and co this time perfectly capturing the sheer opulent and over-the-top tastelessness of the 1980s in all its big-haired, bad-suited, oversized shoulder-padded glory while telling a story that encapsulates the greedy excessiveness of the Reagan era, perfectly embodied in the film’s nominal villain, Max Lord (The Mandalorian himself, Pedro Pascal), a wishy-washy wannabe oil tycoon conman who chances upon a supercharged wish-rock and unleashes a devastating supernatural “monkey’s paw” upon the world. To say any more would give away a whole raft of spectacular twists and turns that deserve to be enjoyed good and cold, although they did spoil one major surprise in the trailer when they teased the return of Diana’s first love, Steve Trevor (Chris Pine) … needless to say this is another big blockbuster bursting with big characters, big action and BIG IDEAS, just what we’ve come to expect after Wonder Woman’s first triumphant big screen adventure.  Interestingly, the film starts out feeling like it’s going to be a bubbly, light, frothy affair – after a particularly stunning all-action opening flashback to Diana’s childhood on Themyscira, the film proper kicks off with a bright and breezy atmosphere that feels a bit like the kind of Saturday morning cartoon action the consistently impressive set-pieces take such unfettered joy in parodying, but as the stakes are raised the tone grows darker and more emotionally potent, the storm clouds gathering for a spectacularly epic climax that, for once, doesn’t feel too overblown or weighed down by its visual effects, while the intelligent script has unfathomable hidden depths to it, making us think far more than these kinds of blockbusters usually do.  It’s really great to see Chris Pine return since he was one of the best things about the first movie, and his lovably childlike wide-eyed wonder at this brave new world perfectly echoes Diana’s own last time round; Kristen Wiig, meanwhile, is pretty phenomenal throughout as Dr Barbara Minerva, the initially geeky and timid nerd who discovers an impressive inner strength but ultimately turns into a superpowered apex predator as she becomes one of Wonder Woman’s most infamous foes, the Cheetah; Pascal, of course, is clearly having the time of his life hamming it up to the hilt as Lord, playing gloriously against his effortlessly cool, charismatic action hero image to deliver a compellingly troubling examination of the monstrous corrupting influence of absolute power.  Once again, though, the film truly belongs to Gadot – she looks amazing, acts her socks off magnificently, and totally rules the movie.  After this, a second sequel is a no-brainer, because Wonder Woman remains the one DC superhero who’s truly capable of bearing the weight of this particular cinematic franchise on her powerful shoulders – needless to say, it’s already been greenlit, and with both Jenkins and Gadot onboard, I’m happy to sign up for more too …

8.  LOVE & MONSTERS – with the cinemas continuing their frustrating habit of opening for a little while and then closing while the pandemic ebbed and flowed in the months after the summer season, it was starting to look like there might not have been ANY big budget blockbusters to enjoy before year’s end as heavyweights like Black Widow, No Time To Die and Dune pulled back to potentially more certain release slots into 2021 (with only WW84 remaining stubbornly in place for Christmas).  Then Paramount decided to throw us a bone, opting to release this post-apocalyptic horror comedy on-demand in October instead, thus giving me the perfect little present to tie me over during the darkening days of autumn. The end result was a stone-cold gem that came out of nowhere to completely blow critics away, a spectacular sleeper hit that ultimately proved one of the year’s biggest and most brilliant surprises.  Director Michael Matthews may only have had South African indie thriller Five Fingers for Marseilles under his belt prior to this, but he proves he’s definitely a solid talent to watch in the future, crafting a fun and effective thrill-ride that, like all the best horror comedies, is consistently as funny as it is scary, sharing much of the same DNA as this particular mash-up genre’s classics like Tremors and Zombieland and standing up impressively well to such comparisons.  The story, penned by rising star Brian Duffield (who has TWO other entries on this list, Underwater and Spontaneous) and Matthew Robinson (The Invention of Lying, Dora & the Lost City of Gold), is also pretty ingenious and surprisingly original – a meteorite strike has unleashed weird mutagenic pathogens that warp various creepy crawly critters into gigantic monstrosities that have slaughter most of the world’s human population, leaving only a beleaguered, dwindling few to eke out a precarious living in underground colonies. Living in one such makeshift community is Joel Dawson (The Maze Runner’s Dylan O’Brien), a smart and likeable geek who really isn’t very adventurous, is extremely awkward and uncoordinated, and has a problem with freezing if threatened … which makes it all the more inexplicable when he decides, entirely against the advice of everyone he knows, to venture onto the surface so he can make the incredibly dangerous week-long trek to the neighbouring colony where his girlfriend Aimee (Iron Fist’s Jessica Henwick) has ended up.  Joel is, without a doubt, the best role that O’Brien has EVER had, a total dork who’s completely unsuited to this kind of adventure and, in the real world, sure to be eaten alive in the first five minutes, but he’s also such a fantastically believable, fallible everyman that every one of us desperate, pathetic omega-males and females can instantly put ourselves in his place, making it elementarily easy to root for him.  He’s also hilariously funny, his winningly self-deprecating sass and pitch perfect talent for physical comedy making it all the more rewarding watching each gloriously anarchic life-and-death encounter mould him into the year’s most unlikely action hero.  Henwick, meanwhile, once again impresses in a well-written role where she’s able to make a big impression despite her decidedly short screen time, as do the legendary Michael Rooker and brilliant newcomer Ariana Greenblatt as Clyde and Minnow, the adorably jaded, seen-it-all-before pair of “professional survivors” Joel meets en-route, who teach him to survive on the surface.  The action is fast, frenetic and potently visceral, the impressively realistic digital creature effects bringing a motley crew of bloodthirsty beasties to suitably blood-curdling life for the film’s consistently terrifying set-pieces, while the world-building is intricately thought-out and skilfully executed.  Altogether, this was an absolute joy from start to finish, and a film I enthusiastically endorsed to everyone I knew was looking for something fun to enjoy during the frustrating lockdown nights-in.  One of the cinematic year’s best kept secrets then, and a compelling sign of things to come for its up-and-coming director.

7.  PARASITE – I’ve been a fan of master Korean filmmaker Bong Joon-ho ever since I stumbled across his deeply weird but also thoroughly brilliant breakthrough feature The Host, and it’s a love that’s deepened since thanks to truly magnificent sci-fi actioner Snowpiercer, so I was looking forward to his latest feature as much as any movie geek, but even I wasn’t prepared for just what a runaway juggernaut of a hit this one turned out to be, from the insane box office to all that award-season glory (especially that undeniable clean-sweep at the Oscars). I’ll just come out and say it, this film deserves it all.  It’s EASILY Bong’s best film to date (which is really saying something), a masterful social satire and jet black comedy that raises some genuinely intriguing questions before delivering deeply troubling answers.  Straddling the ever-widening gulf between a disaffected idle rich upper class and impoverished, struggling lower class in modern-day Seoul, it tells the story of the Kim family – father Ki-taek (Bong’s good luck charm, Song Kang-ho), mother Chung-sook (Jang Hye-jin), son Ki-woo (Train to Busan’s Choi Woo-shik) and daughter Ki-jung (The Silenced’s Park So-dam) – a poor family living in a run-down basement apartment who live hand-to-mouth in minimum wage jobs and can barely rub two pennies together, until they’re presented with an intriguing opportunity.  Through happy chance, Ki-woon is hired as an English tutor for Park Da-hye (Jung Ji-so), the daughter of a wealthy family, which offers him the chance to recommend Ki-jung as an art tutor to the Parks’ troubled young son, Da-song (Jung Hyeon-jun). Soon the rest of the Kims are getting in on the act, the kids contriving opportunities for their father to replace Mr Park’s chauffeur and their mother to oust the family’s long-serving housekeeper, Gook Moon-gwang (Lee Jung-eun), and before long their situation has improved dramatically.  But as they two families become more deeply entwined, cracks begin to show in their supposed blissful harmony as the natural prejudices of their respective classes start to take hold, and as events spiral out of control a terrible confrontation looms on the horizon.  This is social commentary at its most scathing, Bong drawing on personal experiences from his youth to inform the razor-sharp script (co-written by his production assistant Han Jin-won), while he weaves a palpable atmosphere of knife-edged tension throughout to add spice to the perfectly observed dark humour of the situation, all the while throwing intriguing twists and turns at us before suddenly dropping such a massive jaw-dropper of a gear-change that the film completely turns on its head to stunning effect.  The cast are all thoroughly astounding, Song once again dominating the film with a turn at once sloppy and dishevelled but also poignant and heartfelt, while there are particularly noteworthy turns from Lee Sun-kyun as the Parks’ self-absorbed patriarch Dong-ik and Choi Yeo-jeong (The Concubine) as his flighty, easily-led wife Choi Yeon-gyo, as well as a fantastically weird appearance in the latter half from Park Myung-hoon.  This is heady stuff, dangerously seductive even as it becomes increasingly uncomfortable viewing, so that even as the screws tighten and everything goes to hell it’s simply impossible to look away.  Bong Joon-ho really has surpassed himself this time, delivering an existential mind-scrambler that lingers long after the credits have rolled and might even have you questioning your place in society once you’ve thought about it some. It deserves every single award and every ounce of praise it’s been lavished with, and looks set to go down as one of the true cinematic greats of this new decade.  Trust me, if this was a purely critical best-of list it’d be RIGHT AT THE TOP …

6.  THE OLD GUARD – Netflix’ undisputable TOP OFFERING of the summer came damn close to bagging the whole season, and I can’t help thinking that even if some of the stiffer competition had still been present it may well have still finished this high. Gina Prince-Blythewood (Love & Basketball, the Secret Life of Bees) directs comics legend Greg Rucka’s adaptation of his own popular series with uncanny skill and laser-focused visual flair considering there’s nothing on her previous CV to suggest she’d be THIS good at mounting a stomping great ultraviolent action thriller, ushering in a thoroughly engrossing tale of four ancient, invulnerable immortal warriors – Andy AKA Andromache of Scythia (Charlize Theron), Booker AKA Sebastian de Livre (Matthias Schoenaerts), Joe AKA Yusuf Al-Kaysani (Wolf’s Marwan Kenzari) and Nicky AKA Niccolo di Ginova (Trust’s Luca Marinelli) – who’ve been around forever, hiring out their services as mercenaries for righteous causes while jealously guarding their identities for fear of horrific experimentation and exploitation should their true natures ever be discovered.  Their anonymity is threatened, however, when they’re uncovered by former CIA operative James Copley (Chiwetel Ejiofor), who’s working for the decidedly dodgy pharmaceutical conglomerate run by sociopathic billionaire Steven Merrick (Harry Melling, formerly Dudley in the Harry Potter movies), who want to capture these immortals so they can patent whatever it is that makes them keep on ticking … just as a fifth immortal, US Marine Nile Freeman (If Beale Street Could Talk’s KiKi Layne), awakens after being “killed” on deployment in Afghanistan.  The supporting players are excellent, particularly Ejiofor, smart and driven but ultimately principled and deeply conflicted about what he’s doing, even if he does have the best of intentions, and Melling, the kind of loathsome, reptilian scumbag you just love to hate, but the film REALLY DOES belong to the Old Guard themselves – Schoenaerts is a master brooder, spot-on casting as the group’s relative newcomer, only immortal since the Napoleonic Wars but clearly one seriously old soul who’s already VERY tired of the lifestyle, while Joe and Nicky (who met on opposing sides of the Crusades) are simply ADORABLE, an unapologetically matter-of-fact gay couple who are sweet, sassy and incredibly kind, the absolute emotional heart of the film; it’s the ladies, however, that are most memorable here.  Layne is exceptional, investing Nile with a steely intensity that puts her in good stead as her new existence threatens to overwhelm her and MORE THAN qualified to bust heads alongside her elders … but it’s ancient Greek warrior Andy who steals the film, Theron building on the astounding work she did in Atomic Blonde to prove, once and for all, that there’s no woman on Earth who looks better kicking arse than her (as Booker puts it, “that woman has forgotten more ways to kill than entire armies will ever learn”); in her hands, Andy truly is a goddess of death, tough as tungsten alloy and unflappable even in the face of hell itself, but underneath it all she hides a heart as big as any of her friends’.  They’re an impossibly lovable bunch and you feel you could follow them on another TEN adventures like this one, which is just as well, because Prince-Blythewood and Rucka certainly put them through their paces here – the drama is high (but frequently laced with a gentle, knowing sense of humour, particularly whenever Joe and Nicky are onscreen), as are the stakes, and the frequent action sequences are top-notch, executed with rare skill and bone-crunching zest, but also ALWAYS in service to the story.  Altogether this is an astounding film, a genuine victory for its makers and, it seems, for Netflix themselves – it’s become one of the platform’s biggest hits to date, earning well-deserved critical acclaim and great respect and genuine geek love from the fanbase at large.  After this, a sequel is not only inevitable, it’s ESSENTIAL …

5.  MANK – it’s always nice when David Fincher, one of my TOP FIVE ALL TIME FAVOURITE DIRECTORS, drops a new movie, because it can be GUARANTEED to place good and high in my rundown for that year.  The man is a frickin’ GENIUS, a true master of the craft, genuinely one of the auteur’s auteurs.  I’ve NEVER seen him deliver a bad film – even a misfiring Fincher (see The Curious Case of Benjamin Button or Alien 3) is still capable of creating GREAT CINEMA.  How? Why?  It’s because he genuinely LOVES the art form, it’s been his obsession all his life, and he’s spent every day of it becoming the best possible filmmaker he can be.  Who better to tell the story of the creation of one of the ULTIMATE cinematic masterpieces, then?  Benjamin Ross’ acclaimed biopic RKO 281 covered similar ground, presenting a compelling look into the making Citizen Kane, the timeless masterpiece of Hollywood’s ULTIMATE auteur, Orson Welles, but Fincher’s film is more interested in the original inspiration for the story, how it was written and, most importantly, the man who wrote it – Herman J. Mankiewicz, known to his friends as Mank. One of my favourite actors of all time, Gary Oldman, delivers yet another of his career best performances in the lead role, once a man of vision and incredible storytelling skill whose talents have largely been squandered through professional difficulties and personal vices, a burned out one-time great fallen on hard times whom Welles picks up out of the trash, dusts off and offers a chance to create something truly great again.  The only catch?  The subject of their film (albeit dressed up in the guise of fictional newspaper magnate Charles Foster Kane) is to be real-life publisher, politico and tycoon William Randolph Hurst (Charles Dance), once Mank’s friend and patron before they had a very public and messy falling out which partly led to his current circumstances.  As he toils away in seclusion on what is destined to become his true masterwork, flashbacks reveal to us the fascinating, moving and ultimately tragic tale of his rise and fall from grace in the movie business, set against the backdrop of one of the most tumultuous periods in American history.  Shooting a script that his own journalist and screenwriter father, Jack, crafted and then failed to bring to the screen himself before his death in 2003, Fincher has been working for almost a quarter century to make this film, and all that passion and drive is writ large on the screen – this is a glorious film ABOUT film, the art of it, the creation of it, and all the dirty little secrets of what the industry itself has always really been like, especially in that most glamorous and illusory of times.  The fact that Fincher shot in black and white and intentionally made it look like it was made in the early 1940s (the “golden age of the Silver Screen”, if you will) may seem like a gimmick, but instead it’s a very shrewd choice that expertly captures the gloss and moodiness of the age, almost looking like a contemporary companion piece to Kane itself, and it’s the perfect way to frame all the sharp-witted observation, subtly subversive character development and murky behind-the-scenes machinations that tell the story.  Oldman is in every way the star here, holding the screen with all the consummate skill and flair we’ve come to expect from him, but there’s no denying the uniformly excellent supporting cast are equal to the task here – Dance is at his regal, charismatic best as Hearst, while Amanda Seyfried is icily classy on the surface but mischievous and lovably grounded underneath as Hearst’s mistress, Marion Davies, who formed the basis for Kane’s most controversial character, Arliss Howard (Full Metal Jacket, The Lost World: Jurassic Park, Moneyball) brings nuance and complexity to the role of MGM founder Louis B. Mayer, Tom Pelphrey (Banshee, Ozark) is understated but compelling as Mank’s younger screenwriter brother Joseph, and Lily Collins and Tuppence Middleton exude class and long-suffering stubbornness as the two main women in Mank’s life (his secretary and platonic muse, Rita Alexander, and his wife, Sara), while The Musketeers’ Tom Burke’s periodic but potent appearances as Orson Welles help to drive the story in the “present”.  Another Netflix release which I was (thankfully) able to catch on the big screen during one of the brief lulls between British lockdowns, this was a decidedly meta cinematic experience that perfectly encapsulated not only what is truly required for the creation of a screen epic, but also the latest pinnacle in the career of one of the greatest filmmakers working in the business today, powerful, stirring, intriguing and surprising in equal measure. Certainly it’s one of the most important films ABOUT so far film this century, but is it as good as Citizen Kane?  Boy, that’s a tough one …

4.  ENOLA HOLMES – ultimately, my top film for the autumn/winter movie season was also the film which finally topped my Netflix Original features list, as well as beating all other streaming offerings for the entire year (which is saying something, as you should know by now).  Had things been different, this would have been one of Warner Bros’ BIGGEST releases for the year in the cinema, of that I have no doubt, a surprise sleeper hit which would have taken the world by storm – as it is it’s STILL become a sensation, albeit in a much more mid-pandemic, lockdown home-viewing kind of way.  Before you start crying oh God no, not another Sherlock Holmes adaptation, this is a very different beast from either the Guy Ritchie take or the modernized BBC show, instead side-lining the great literary sleuth in favour of a delicious new AU version, based on The Case of the Missing Marquess, the first novel in the Enola Holmes Mysteries literary series from American YA author Nancy Springer.  Positing that Sherlock Holmes (Henry Cavill) and his elder brother Mycroft (Sam Claflin) had an equally ingenious and precocious baby sister, the film introduces us to Enola (Stranger Things’ Millie Bobby Brown), who’s been raised at home by their strong-willed mother Eudoria (Helena Bonham Carter) to be just as intelligent, well-read and intellectually skilled as her far more advantageously masculine elder siblings.  Then, on the morning of her sixteenth birthday, Enola awakens to find her mother has vanished, putting her in a pretty pickle since this leaves her a ward of Mycroft, a self-absorbed social peacock who finds her to be wilfully free-spirited and completely ill equipped to face the world, concluding that the only solution is sending her to boarding school where she’ll learn to become a proper lady.  Needless to say she’s horrified by the prospect, deciding to run away and search for her mother instead … this is about as perfect a family adventure film as you could wish for, following a vital, capable and compelling teen detective-in-the-making as she embarks on her very first investigation, as well as winding up tangled in a second to boot involving a young runaway noble, Viscount Tewkesbury, the Marquess of Basilwether (Medici’s Louis Partridge), and the film is a breezy, swift-paced and rewardingly entertaining romp that feels like a welcome breath of fresh air for a literary property which, beloved as it may be, has been adapted to death over the years.  Enola Holmes a brilliant young hero who’s perfectly crafted to carry the franchise forward in fresh new directions, and Brown brings her to life with effervescent charm, boisterous energy and mischievous irreverence that are entirely irresistible; Cavill and Claflin, meanwhile, are perfectly cast as the two very different brothers – this Sherlock is much less louche and world-weary than most previous versions, still razor sharp and intellectually restless but with a comfortable ease and a youthful spring in his step that perfectly suits the actor, while Mycroft is as superior and arrogant as ever, a preening arse we derive huge enjoyment watching Enola consistently get the best of; Bonham Carter doesn’t get a lot of screen-time but as we’d expect she does a lot with what she has to make the practical, eccentric and unapologetically modern Eudoria thoroughly memorable, while Partridge is carefree and likeable as the naïve but irresistible Tewkesbury, and there are strong supporting turns from Frances de la Tour as his stately grandmother, the Dowager, Susie Wokoma (Crazyhead, Truth Seekers) as Emily, a feisty suffragette who runs a jujitsu studio, Burn Gorman as dastardly thug-for-hire Linthorn, and Four Lions’ Adeel Akhtar as a particularly scuzzy Inspector Lestrade.  Seasoned TV director Harry Bradbeer (Fleabag, Killing Eve) makes his feature debut with an impressive splash, unfolding the action at a brisk pace while keeping the narrative firmly focused on an intricate mystery plot that throws in plenty of ingenious twists and turns before a suitably atmospheric climax and pleasing denouement which nonetheless artfully sets up more to come in the future, while screenwriter Jack Thorne (His Dark Materials, The Scouting Book for Boys, Wonder) delivers strong character work and liberally peppers the dialogue with a veritable cavalcade of witty zingers.  Boisterous, compelling, amusing, affecting and exciting in equal measure, this is a spirited and appealing slice of cinematic escapism that flatters its viewers and never talks down to them, a perfect little period adventure for a cosy Sunday afternoon.  Obviously there’s plenty of potential for more, and with further books to adapt there’s more than enough material for a pile of sequels – Neflix would be barmy indeed to turn their nose up at this opportunity …

3.  1917 – it’s a rare thing for a film to leave me truly shell-shocked by its sheer awesomeness, for me to walk out of a cinema in a genuine daze, unable to talk or even really think about much of anything for a few hours because I’m simply marvelling at what I’ve just witnessed.  Needless to say, when I do find a film like that (Fight Club, Inception, Mad Max: Fury Road) it usually earns a place very close to my heart indeed.  The latest tour-de-force from Sam Mendes is one of those films – an epic World War I thriller that plays out ENTIRELY in one shot, which doesn’t simply feel like a glorified gimmick or stunt but instead is a genuine MASTERPIECE of film, a mesmerising journey of emotion and imagination in a shockingly real environment that’s impossible to tear your eyes away from.  Sure, Mendes has impressed us before – his first film, American Beauty, is a GREAT movie, one of the most impressive feature debuts of the 2000s, while Skyfall is, in my opinion, quite simply THE BEST BOND FILM EVER MADE – but this is in a whole other league.  It’s an astounding achievement, made all the more impressive when you realise that there’s very little trickery at play here, no clever digital magic (just some augmentation here and there), it’s all real locations and sets, filmed in long, elaborately choreographed takes blended together with clever edits to make it as seamless as possible – it’s not the first film to try to do this (remember Birdman? Bushwick?), but I’ve never seen it done better, or with greater skill. But it’s not just a clever cinematic exercise, there’s a genuine story here, told with guts and urgency, and populated by real flesh and blood characters – the heart of the film is True History of the Kelly Gang’s George MacKay and Dean Chapman (probably best known as Tommen Baratheon in Game of Thrones) as Lance Corporals Will Schofield and Tom Blake, the two young tommies sent out across enemy territory on a desperate mission to stop a British regiment from rushing headlong into a German trap (Tom himself has a personal stake in this because his brother is an officer in the attack).  They’re a likeable pair, very human and relatable throughout, brave and true but never so overtly heroic that they stretch credibility, so when tragedy strikes along the way it’s particularly devastating; both deliver exceptional performances that effortlessly carry us through the film, and they’re given sterling support from a selection of top-drawer British talent, from Sherlock stars Andrew Scott and Benedict Cumberbatch to Mark Strong and Colin Firth, each delivering magnificently in small but potent cameos.  That said, the cinematography and art department are the BIGGEST stars here, masterful veteran DOP Roger Deakins (The Shawshank Redemption, Blade Runner 2049 and pretty much the Coen Brothers’ entire back catalogue among MANY others) making every frame sing with beauty, horror, tension or tragedy as the need arises, and the environments are SO REAL it feels less like production design than that someone simply sent the cast and crew back in time to film in the real Northern France circa 1917 – from a nightmarish trek across No Man’s Land to a desperate chase through a ruined French village lit only by dancing flare-light in the darkness before dawn, every scene is utterly immersive and simply STUNNING.  I don’t think it’s possible for Mendes to make a film better than this, but I sure hope he gives it a go all the same.  Either way, this was the most incredible, exhausting, truly AWESOME experience I had at the cinema all year – it’s a film that DESERVES to be seen on the big screen, and I feel truly sorry for those who missed the chance …

2.  BIRDS OF PREY & THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN – the only reason 1917 isn’t at number two is because Warner Bros.’ cinematic DC Extended Universe project FINALLY got round to bringing my favourite DC Comics title to the big screen.  It was been the biggest pleasure of my cinematic year getting to see my top DC superheroines brought to life on the big screen, and it was done in high style, in my opinion THE BEST of the DCEU films to date (yup, I loved it EVEN MORE than the Wonder Woman movies).  It was also great seeing Harley Quinn return after her show-stealing turn in David Ayer’s clunky but ultimately still hugely enjoyable Suicide Squad, better still that they got her SPOT ON this time – this is the Harley I’ve always loved in the comics, unpredictable, irreverent and entirely without regard for what anyone else thinks of her, as well as one talented psychiatrist.  Margot Robbie once more excels in the role she was basically BORN to play, clearly relishing the chance to finally do Harley TRUE justice, and she’s a total riot from start to finish, infectiously lovable no matter what crazy, sometimes downright REPRIHENSIBLE antics she gets up to.  Needless to say she’s the nominal star here, her latest ill-advised adventure driving the story – finally done with the Joker and itching to make her emancipation official, Harley publicly announces their breakup by blowing up Ace Chemicals (their love spot, basically), inadvertently painting a target on her back in the process since she’s no longer under the assumed protection of Gotham’s feared Clown Prince of Crime – but that doesn’t mean she eclipses the other main players the movie’s REALLY supposed to be about.  Each member of the Birds of Prey is beautifully written and brought to vivid, arse-kicking life by what had to be 2020’s most exciting cast – Helena Bertinelli, the Huntress, is the perfect character for Mary Elizabeth Winstead to finally pay off on that action hero potential she showed in Scott Pilgrim Vs. the World, but this is a MUCH more enjoyable role outside of the fight choreography because while Helena may be a world-class dark avenger, socially she’s a total dork, which just makes her thoroughly adorable; Rosie Perez is similarly perfect casting as Renee Montoya, the uncompromising pint-sized Gotham PD detective who kicks against the corrupt system no matter what kind of trouble it gets her into, and just gets angrier all the time, paradoxically making us like her even more; and then there’s the film’s major controversy, at least as far as the fans are concerned, namely one Cassandra Cain.  Sure, this take is VERY different from the comics’ version (a nearly mute master assassin who went on to become the second woman to wear the mask of Batgirl before assuming her own crime-fighting mantle as Black Bat and now Orphan), but personally I like to think this is simply Cass at THE VERY START of her origin story, leaving plenty of time for her to discover her warrior origins when the DCEU finally gets around to introducing her mum, Lady Shiva (personally I want Michelle Yeoh to play her, but that’s just me) – anyways, here she’s a skilled child pickpocket whose latest theft inadvertently sets off the larger central plot, and newcomer Ella Jay Basco brings a fantastic pre-teen irreverence and spiky charm to the role, beautifully playing against Robbie’s mercurial energy.  My favourite here BY FAR, however, is Dinah Lance, aka the Black Canary (not only my favourite Bird of Prey but my very favourite DC superheroine PERIOD), the choice of up-and-comer Jurnee Smollet-Bell (Friday Night Lights, Underground) proving to be the film’s most inspired casting – a club singer with the metahuman ability to emit piercing supersonic screams, she’s also a ferocious martial artist (in the comics she’s one of the very best fighters IN THE WORLD), as well as a wonderfully pure soul you just can’t help loving, and it made me SO UNBELIEVABLY HAPPY that they got my Canary EXACTLY RIGHT.  Altogether they’re a fantastic bunch of badass ladies, basically my perfect superhero team, and the way they’re all brought together (along with Harley, of course) is beautifully thought out and perfectly executed … they’ve also got one hell of a threat to overcome, namely Gotham crime boss Roman Sionis, the Black Mask, one of the Joker’s chief rivals – Ewan McGregor brings his A-game in a frustratingly rare villainous turn (my number one bad guy for the movie year), a monstrously narcissistic, woman-hating control freak with a penchant for peeling off the faces of those who displease him, sharing some exquisitely creepy chemistry with Chris Messina (The Mindy Project) as Sionis’ nihilistic lieutenant Victor Zsasz.  This is about as good as superhero cinema gets, a perfect example of the sheer brilliance you get when you switch up the formula to create something new, an ultra-violent, unapologetically R-rated middle finger to the classic tropes, a fantastic black comedy thrill ride that’s got to be the most full-on feminist blockbuster ever made – it’s helmed by a woman (Dead Pigs director Cathy Yan), written by a woman (Bumblebee’s Christina Hodson), produced by more women and ABOUT a bunch of badass women magnificently triumphing over toxic masculinity in all its forms.  It’s also simply BRILLIANT – the cast are all clearly having a blast, the action sequences are first rate (the spectacular GCPD evidence room fight in which Harley gets to REALLY cut loose is the undisputable highlight), it has a gleefully anarchic sense of humour and is simply BURSTING with phenomenal homages, references and in-jokes for the fans (Bruce the hyena! Stuffed beaver! Roller derby!).  It’s also got a killer soundtrack, populated almost exclusively by numbers from female artists.  Altogether, then, this is the VERY BEST the DCEU has to offer to date, and VERY NEARLY my absolute FAVOURITE film of 2020.  Give it all the love you can, it sure as hell deserves it.

1.  TENET – granted, the streaming platforms (particularly Netflix and Amazon) certainly saved our cinematic summer, but I’m still IMMEASURABLY glad that my ultimate top-spot winner FOR THE WHOLE YEAR was one I got to experience on THE BIG SCREEN. You gotta hand it to Christopher Nolan, he sure hung in there, stubbornly determined that his latest cinematic masterpiece WOULD be released in cinemas in the summer (albeit ultimately landing JUST inside the line in the final week of August and ultimately taking the bite at the box office because of the still shaky atmosphere), and it was worth all the fuss because, for me, this was THE PERFECT MOVIE for me to get return to cinemas with.  I mean, okay, in the end it WASN’T the FIRST new movie I saw after the first reopening, that honour went to Unhinged, but THIS was my first real Saturday night-out big screen EXPERIENCE since March.  Needless to say, Nolan didn’t disappoint this time any more than he has on any of his consistently spectacular previous releases, delivering another twisted, mind-boggling headfuck of a full-blooded experiential sensory overload that comes perilously close to toppling his long-standing auteur-peak, Inception (itself second only by fractions to The Dark Knight as far as I’m concerned). To say much at all about the plot would give away major spoilers – personally I’d recommend just going in as cold as possible, indeed you really should just stop reading this right now and just GO SEE IT.  Still with us?  Okay … the VERY abridged version is that it’s about a secret war being waged between the present and the future by people capable of “inverting” time in substances, objects, people, whatever, into which the Protagonist (BlacKkKlansman’s John David Washington), an unnamed CIA agent, has been dispatched in order to prevent a potential coming apocalypse. Washington is once again on top form, crafting a robust and compelling morally complex heroic lead who’s just as comfortable negotiating the minefields of black market intrigue as he is breaking into places or dispatching heavies, Kenneth Branagh delivers one of his most interesting and memorable performances in years as brutal Russian oligarch Andrei Sator, a genuinely nasty piece of work who was ALMOST the year’s very best screen villain, Elizabeth Debicki (The Night Manager, Guardians of the Galaxy Vol. 2, Widows) brings strength, poise and wounded integrity to the role of Sator’s estranged wife, Kat, and Aaron Taylor-Johnson gets to use his own accent for once as tough-as-nails British Intelligence officer Ives, while there are brief but consistently notable supporting turns and cameos from Martin Donovan, Yesterday’s Himesh Patel, Dirk Gently’s Fiona Dourif and, of course, Nolan’s good luck charm, Michael Caine.  The cast’s biggest surprise, however, is Robert Pattinson, truly a revelation in what has to be, HANDS DOWN, his best role to date, Neil, the Protagonist’s mysterious handler – he’s by turns cheeky, slick, duplicitous and thoroughly badass, delivering an enjoyably multi-layered, chameleonic performance which proves what I’ve long maintained, that the former Twilight star is actually a fucking amazing actor, and on the basis of this, even if that amazing new teaser trailer wasn’t making the rounds, I think the debate about whether or not he’s the right choice for the new Batman is now academic.  As we’ve come to expect from Nolan, this is a TRUE tour-de-force experience, a visual triumph and an endlessly engrossing head-scratcher, Nolan’s screenplay bringing in seriously big ideas and throwing us some major narrative knots and loopholes, constantly wrong-footing the viewer while also setting up truly revelatory payoffs from seemingly low-key, unimportant beginnings – this is a film you need to be awake and attentive for or you could miss something pretty vital. The action sequences are, as ever, second to none, some of the year’s very best set-pieces coming thick and fast and executed with some of the most accomplished skill in the business, while Nolan-regular cinematographer Hoyte van Hoytema (Interstellar and Dunkirk, as well as the heady likes of Tinker Tailor Soldier Spy, SPECTRE and Ad Astra) once again shows he’s one of the best camera-wizards in the business today by delivering some absolutely mesmerising visuals.  Notably, Nolan’s other regular collaborator, composer Hans Zimmer, is absent here (although he had good reason, since he was working on his dream project at the time, the fast-approaching screen adaptation of Dune), but Ludwig Göransson (best known for his collaborations with Ryan Coogler Fruitvale Station, Creed and Black Panther, as well as career-best work on The Mandalorian) is a fine replacement, crafting an intriguingly internalised, post-modern musical landscape that thrums and pulses in time with the story and emotions of the characters rather than the action itself. Interestingly it’s on the subject of sound that some of the film’s rare detractions have been levelled, and I can see some of the points – the soundtrack mix is an all-encompassing thing, and there are times when the dialogue can be overwhelmed, but in Nolan’s defence this film is a heady, immersive experience, something you really need to concentrate on, so these potential flaws are easily forgiven.  As a work of filmmaking art, this is another flawless wonder from one of the true masters of the craft working in cinema today, but it’s art with palpable substance, a rewarding whole that proved truly unbeatable in 2020 …

[scarfacemarston]

Top 5 songs?

OMG I can't answer. I have so mannyyy. Just assume anything by Prince. Oof. (My Prince ones out side of the most famous: 1. Gett Off - that's the spelling. 2. Gigolo's get lonely too w. the time 3. Love u 2 the 9's. 4. Joy in Repetition. 5. Star Fish and Coffee but I have legit over 400 Prince songs on my phone.) I love R&B, Blues, etc. We have so much to thank the African American and African Communities for. Okay - not in order. 1. "Look for the Silver Lining" - Judy Garland. So beautiful. "How About You" and, "No Love - No Nothin". 2,. Hozier - Everything? Okay - Sunlight and Wasteland Baby and Would that I are underrated. FAVE: Angel of Small Death and the COdeine Scene and Sedated. His rendition of Parting Glass WILL make you cry. 3. Comfortably Numb - Pink Floyd. Yo, that guitar solo is hot. Very sexy. 4.High Hopes Scott Bradlee Post Modern Jukebox cover by Spence Day. I may or may not have swooned. 5.I have to cheat. Purple Rain. by Prince I want it played at my wedding / cermeony/etc. Right now, I'm listening to "Half in the City" by St. Paul and the Broken Bones. Bonus - I ALWAYS have a weakness for Hozier and Tim Curry. Yum.

[kevrocksicehouse]

Black Directors matter. The best films by some of our best American filmmakers.

Do the Right Thing. D: Spike Lee (1989). A pizza place, a block, a neighborhood, a city, America. More vibrant than its “state of the races” structure or its countdown to a riot might make you think. When Sal’s pizza and the racial détente it represented is gone, the crazy cross-talking argument of the film’s previous two hours (where even bigoted morons and pretentious militants can have their say) mark its destruction as inevitable and its loss a tragedy.

To Sleep With Anger. D: Charles Burnett (1990). A Los Angeles family opens their door to their old friend Harry (Danny Glover) in this cross between a biblical parable and one of Mark Twain’s darker tales. Burnett infuses the primal story with folklore; As Harry sows discord amongst the family’s most vulnerable men he suggests both an ominous spirit and the hoodoo man who might dispel him. It’s Glover’s best performance and an underrated director’s greatest work.

Selma. D: Ava Duvernay (2014). The complexity of strategy, political machination, chaos and pure courage behind one of the defining moments in the Civil Rights Movement’s and, by definition, America’s history. With David Oyelowo’s stirring portrayal of Martin Luther King and  a spectacular cast, the film is both a snapshot of a moment in time and how such moments’ fragility – we’re never unaware that the Selma March could have happened very differently – can coalesce into inevitability.

Moonlight. D: Barry Jenkins (2016). The childhood-to-adulthood passage of a young black gay man growing up in South Miami. With a trifecta of incandescent actors playing Little/Chiron/Black (the same character with a different name for each phase of his life) and a brilliant  supporting cast (Mahershala Ali, Naomie Harris) the film is a heartbreaking look at growing up hard: what you lose, what you try to hold onto, what you might get back. It’s a stone face crying blood tears.

Fruitvale Station. D: Ryan Coogler (2013). A young man lives what we know will be the last day of his life – he will be killed by police at the title subway stop. That it’s an ordinary unheroic life (In twitter racist parlance, he’s “no choirboy”) makes it even more terrible. We just see him with the people he loves and the place in the world that he’s trying to make for himself and then, when he’s gone, we feel the hole that’s left behind.

Get Out. D: Jordan Peele (2017). A horror satire that brings a chill. It doesn’t get less scary when you laugh at it. With an adept straight-man-to-the-world performance by Daniel Kaluuya, Bradley Whitford and Catherine Keener as sinister versions of the good liberals they usually play, this is why no white person will ever tell an African-American “ I would have voted for Obama for a third term…”

[pepsi-writes]

it’s underrated organization time

UN: United Nations (The entire world except Palestine and Vatican City) EU: European Union (I'm not naming them all) NATO: North Atlantic Treaty Organization (Still not naming them all) EFTA: European Free Trade Association (Norway, Iceland, Switzerland, Liechtenstein) V4: Visegrad Group (Hungary, Poland, Czech Republic, Slovakia) COE: Council of Europe (All of Europe) AU: African Union (Basically all of Africa except Morocco) they are all non-binary, they just prefer specific pronouns.

"D-dad?" V4 whimpered. "There's a monster under my bed. It's smelly and scary and huge and scary!"

He heard something shift under him. His heartbeat increased and he started to sweat, the liquid dripping down his face. "D-dad! I-i think I h-heard it m-move! H-HELP ME!"  he desperately screeched.

In the bottom of the bunk bed, EFTA sighed and covered her face with a mountain of blankets.

"Why do you hate me, brother?"

-----------------------------------

EFTA studied a grinning V4 with a quizzical expression on her face. "You look overly happy." she said, narrowing her eyes in suspicion. "Did something good happen, or-"

"Can't I smile whenever I feel like it?" V4 replied, still smiling. NATO walked by with a disconcerted look on his face. He leaned towards EFTA and pulled her away from V4. Slowly but softly, he whispered, "EU tripped in the parking lot."

--------

Of course, EFTA's phone just had to die at the best times; now she couldn't even look at the time. Writing a hundred-page treaty by hand proved to be quite a challenge for her, but at least she used to have her phone to entertain her. It was like when EFTA had some music playing in the background, it seemed like she got the most work done, twice as fast as she normally would. Now time seemed to fly fast wherever she even set her pen to paper.

She looked up from the kitchen table to see a squinting EU, dressed in nothing but a flimsy robe and slippers.

He narrowed his eyes even more than he had before. "Why are you awake?" he rasped. EFTA ignored his question; it was probably best that she didn't answer. "What time is it?"

EU, now wide awake, shrugged. "I dunno, hand me the trombone."

"Aight." Weird request, but okay. EFTA leaned back into her chair, searching for a certain cabinet. Once she found it, she gripped the handle and pulled it so a trombone came tumbling out. Skillfully (this was second nature to her), she caught the trombone by its bell, and threw it at EU, who caught it without looking.

He held the mouth piece to his mouth, inhaling deeply. The trombone bellowed, almost making the ground shake. Through all this, EFTA heard a rustling from upstairs. V4 stormed downstairs, fire in his eyes. "WHO"S PLAYING THE FUCKING TROMBONE AT TWO AM?"

EU, nodding, turned to EFTA. "It's two AM."

------

"Fun fact," NATO announced. "When you try to eat pineapple it tries to eat you." EU gasped yet again. He was already at a loss of words from V4 almost dying, and now this? "Whahahahhahwhwhaha?" "Fun fact: M&M stands for Mars and Murrie." NATO continued. He barreled out the facts, one by one, like a cannon blasting out cannonballs. "Fun fact: The first ever oranges weren't orange. They were green." "Fun Fact: Scotland has 421 words for snow." "😀," EU said, holding his hand up to shield himself from NATO.

-------

A younger country, must have been about Weimar's age, burst into the room, screaming his lungs out. A name tag adorned his chest, 'America' printed sloppily on it. He took AU by the shoulders, shaking him vigorously. "Your classmate is repeating everything you say!" Someone snickered from the back.

A nonchalant America continued. "ME! ME! ME! He's eATING ME!"

EFTA had to cover her mouth with her hands to muffle her laughs. All the while, AU was laughing hysterically, even though it kind of hurt to be shaken as hard as this. In the back of the class, EU leaned over the desks to reach COE and whispered, "Is he ok? Is he-" "Probably." "Oh, my bad."

------

EU raised his hand. "Yes?" UN asked. Their eye ever so slightly twitched. He pointed to the whiteboard. "If the mom has red hair and the dad has brown hair, then why does the kid have blond hair?" NATO immediately replied without missing a beat. "I don't know, the mailman." EU looked at NATO with confusion written across his face. Then he gasped. "Wait, wha-"

------

EU raised his hand once again. "I have a question." "Yes?" "What would happen if you ate a snail?" "W-what?" "What would happen if you eat a snail?" he repeated. "What would happen if I ate a snail- what?" UN paused. "I'm at a loss of words. How is this relevant to what we're talking about?" They chuckled to themselves.

------

EFTA sighed, observing the debate that was unfolding in front of her. "I should have never brought up the metal tacos."

"They just hurt the teeth," V4 argued. "That's the downside."

"Thanks. Visegrad." NATO said, almost sarcastically.

V4 ignored this and continued to discuss the metal tacos. "Yet wooden ones give splinters. Which hurts more."

"We would have splinters all over." AU pondered.

"Iron efficiency," EU cracked a small smile, chuckling at his own joke, and placed his hand on his head to make a point.

EFTA looked over at UN, who, as always, had that large grin stretched across their face. However, their left eye was beginning to twitch ever so slightly, more than had ever before.

"Um, guys-"

------

AU stared blankly at the clock, bored. Like, extremely bored. "5 minutes," she said, right when EU was about to speak. "No, my job," the other whispered, ice lacing his tone. "5 minutes :)," EU then announced to the room, a smug smile framing his face. AU groaned. "Well, I took your job." "No, my job is my job." ">: )," AU smiled. EU's face morphed into one of worsening distress. ":(," he replied.

[aion-rsa]

Best War Movies to Watch: A Complete Streaming Guide

https://ift.tt/32Bbpxh

Sadly, the human race has pretty much never not been at war. We remain an ever violent, combative crew. Hopefully one day that’ll change and we’ll enter an era of unprecedented peace. Until then though, we have the movies!

War might be hell, but war flicks can be pretty great at times! Armed combat and all the other various theaters and forms of battle makes for high-octane drama and gripping backdrops. And that’s pretty much exactly what we are looking for out of our drama films.

What follows is a (mostly) comprehensive list of all the war movies available with a streaming subscription on the major streaming services. If you’re interested in paying per movie, options like Amazon, Google Play and YouTube should help broaden the field. Otherwise, scroll below because the films here are all free with a log-in subscription to Netflix, Amazon Prime, Hulu, or HBO Max.

‘71

Available on: Hulu (US), Amazon Prime Video (UK)

An underrated British thriller from the last decade, ’71 turns “the Troubles” in Ireland into a pseudo-horror movie. At a mere 99 minutes, this is lean, economical filmmaking with a barebones premise about a British solider (Jack O’Connell) who gets separated from his unit during a Belfast riot in 1971—the height of British-Irish tension. His plight to survive the night is riveting filmmaking and a grim look back to still fresh nightmares.

The African Queen

Available on: Amazon Prime Video (purchase only in UK)

An unlikely war movie at first glance, The African Queen is very much the story of two middle-aged people caught up in the chaos of the First World War. It’s also a crackling adventure yarn about autumn romance between a drunken river boat captain (Humphrey Bogart) and a Christian missionary (Katharine Hepburn) who’s brother was just killed by Germans in colonial Africa. Both set out to get down the river, and away from the Germans’ reach, in this charming John Huston classic with still stunning location photography.

The Alamo

Available on: Hulu

As an ironically little remembered version of the Alamo siege from director John Lee Hancock, The Alamo (2004) is still the best film version of these events. With a refreshing eye for historical authenticity instead of Texan mythmaking, the movie unpacks the lives of David Crockett (Billy Bob Thornton), James Bowie (Jason Patric), and William Travis (Patrick Wilson) with a warts and all approach. It also relays the events of the battle in its actual context at night, and in grim chaos, and gives needed attention to the overlooked contributions of the Tejanos to Texan independence.

Read more

Culture

The Alamo (2004) Deserves to be Better Remembered

By David Crow

Movies

Best Horror Movies on Netflix: Scariest Films to Stream

By David Crow and 2 others

But most significantly, it has a bittersweet soul as expressed in Carter Burwell’s score, which is at its most beautiful when Crockett climbs a parapet to serenade both sides of the battlefield with his fiddle.

A Bridge Too Far

Available on: Netflix (US Only)

The last of its kind, A Bridge Too Far is one of those old-fashioned all-star war epics about World War II that came into vogue between the 1950s and ‘70s. But this nearly all-British production is not about one of the Allies’ greatest triumphs, but rather one of their most disappointing defeats: the failure of Operation Market Garden in the Netherlands.

Director Richard Attenborough and screenwriter William Goldman try to squeeze it all in, which will honestly be exhausting to some viewers. For others, seeing a historically accurate (if too lighthearted) rendering of this battle with the likes of Sean Connery, Michael Caine, Gene Hackman, Anthony Hopkins, Ryan O’Neal, Robert Redford, and more will be enough.

Casablanca

Available on: HBO Max

Another Bogie movie where the war is adjacent to the central conflict, Casablanca is the best wartime melodrama ever produced. Some even consider it the greatest American movie for that matter. Actually made during the Second World War, there is a great rush of patriotic idealism and anxious uncertainty about its vision of a seedy Moroccan city that is ostensibly under free French rule, but is not-so-secretly being occupied by the Nazis. There everyone goes to Rick’s, a café run by a disillusioned American (Bogart) who sticks his neck out for nobody.

Read more

Movies

Best Classic Movies on HBO Max

By David Crow

Movies

Key Largo, Lauren Bacall & The Definitive Post-War Film

By David Crow

But Rick must soon pick up the fight again after an old flame named Ilsa (Ingrid Bergman) walks into his gin joint, bringing with her a French husband, a freedom fighter who has the Nazis breathing down his neck. All three are going to make some tough choices, as will complicit French police officer Louis (a marvelous Claud Rains) as the forces of World War II finally start pulling.

Cold Mountain

Available on: HBO Max

An attempt at an old fashioned sweeping wartime epic, Cold Mountain still brings modern historical insight to the oft-mythologized Civil War. The film is about several people from North Carolina’s Appalachian region. Like many Confederate soldiers, particularly from NC, Inman (Jude Law) has no slaves and no real reason to fight for the Southern cause. So after hellish battle, he deserts and attempts to make a sprawling trek back home.

Elsewhere, however, his sweetheart Ada (Nicole Kidman) must make hard decisions of her own with the leering eye of the Home Guard peeking over her shoulder, especially as word of Inman’s desertion reaches the mountains. An odyssey of the Civil War from the vantage of the impoverished it rolled over, Cold Mountain is a refreshing melodrama.

Da 5 Bloods

Available on: Netflix

Spike Lee’s latest joint is also one that opened up wounds from the Vietnam War that never really healed. Set more in the 2010s than 1960s, Da 5 Bloods follows four Black veterans who’ve ostensibly returned to Vietnam to find the remains of their fallen brother (Chadwick Boseman in one of his final roles). But they’re also here to reclaim gold that was stolen back in ’69.

Something of a heist movie, Lee mixes genres yet never loses sight about the anguish of those who fought in a war, and the legacy it leaves even decades and generations later.

The Dirty Dozen

Available on: HBO Max

Even if you haven’t seen Robert Aldrich’s epic 1967 adventure, the term “dirty dozen” and the basic premise of the movie have found their way into popular culture over the decades and influenced recent movies like Suicide Squad.

A grizzled (as if there’s any other kind) Lee Marvin leads a team of prisoners–including Ernest Borgnine, Charles Bronson, Jim Brown, John Cassavetes, George Kennedy, Telly Savalas, Donald Sutherland and more–on a suicide mission during World War II, with full pardons as their reward if they survive. The results are explosive and, at the time of release, controversially violent. They also make for one of the great war movies of the era.

Enemy at the Gates

Available on: Netflix, Amazon (US Only)

Sniper versus sniper; eagle versus eagle. That is the basic appeal of Enemy at the Gates, the rare Hollywood World War II drama where America is not even present. Rather this is a film about the war of attrition between the German and Russian forces at the Battle of Stalingrad, the nightmarish conflict which began turning the tide against the Third Reich. The movie features an all-star cast, including Jude Law, Ed Harris, Rachel Weisz, and Bob Hoskins, but it’s the chilly environs of hell on earth which make this worthwhile.

Five Came Back

Available on: Netflix

A film told in three parts, Five Came Back tracks the singular, and now fairly astonishing, choices made by five A-list Hollywood directors: John Ford, Frank Capra, George Stevens, John Huston, and William Wyler. They all chose to leave Hollywood either at the peak of their careers, or at the beginning of it, to make films about the Second World War. Each ultimately served as an officer, and several were in the actual thick of combat to capture war footage (and propaganda) for the first time in history. It was a patriotic and revealing choice then and now, and it’s examined with insight by the likes of Mark Harris and Steven Spielberg here.

Flags of Our Fathers

Available on: HBO Max

Not as good as director Clint Eastwood’s companion film told from the Japanese perspective, Letters from Iwo Jima, Flags of Our Fathers is nonetheless a worthwhile film. A rather skeptical look at the lives of American marines who were turned into an inaccurate legend by the U.S. military when they were photographed raising the American flag above the sands of Iwo Jima, the picture tracks the home lives of soldiers who did their job only too well and were then asked to return home as glorified heroes… and then live an ordinary American life.

The Four Feathers

Available on: HBO Max

One of the great British adventure films of the pre-war era, The Four Feathers is director Zoltan Korda’s sweeping reimagining of the A.E.W. Mason novel. Set during Britain’s colonial wars in Egypt and Sudan during 1882, the film tracks an English officer who only took a commission in the military to honor his family’s ancient war record. However, when the call of war comes, he fears he would not do his duty in battle and resigns his service… so his three friends and even a fiancée give him four white feathers: white for cowardice.

Read more

TV

Best Horror TV Shows on Amazon Prime

By Alec Bojalad and 1 other

Movies

The Best Horror Movies to Stream

By Alec Bojalad and 1 other

To redeem himself, he travels to Sudan and helps the British cause while posing as a local. Filmed on actual African locations and in glorious Technicolor at a time when American movies were afraid to leave California, The Four Feathers is a classic (and politically incorrect) throwback.

Gallipoli

Available on: Amazon

Australian filmmaker Peter Weir has directed just 13 films, but probably 10 of them are classics, and this 1981 drama is one of them. A 25-year-old Mel Gibson stars as one of several young men who enlist in the Australian Army during the First World War. They eventually find themselves on the Gallipoli Peninsula in Turkey, site of a costly and lengthy battle that ended in defeat, but marked a turning point for Australia’s perception of itself and its place in the world and a seemingly disinterested British Empire. It’s a harrowing tale about the loss of innocence, national character, and the price of war for both.

Glory

Available on: Netflix (US Only)

Arguably the greatest film ever made about the American Civil War, Edward Zwick’s Glory continues to shine like one gallant rush. Based on the lives of the 54th Massachusetts Infantry regiment, the film tracks the hard fight for respect—and freedom—endured by the first African American regiment in U.S. history.

Read more

Movies

Glory and the Legacy of the Most Graceful Civil War Movie

By David Crow

Culture

The 12 Best Civil War Movies

By David Crow

With a still crackling ensemble that includes Morgan Freeman, Matthew Broderick, Andre Braugher, and Denzel Washington in his first Oscar winning role, the movie both mythologizes and humanizes the 54th’s struggle as the American struggle. It also soars with James Horner’s most transcendent and ethereal musical score.

The Great Dictator

Available on: HBO Max

The rare comedy on this list, The Great Dictator was a film of political courage by writer-director-producer-and-star Charlie Chaplin. Filmed in 1940 when much of the world was already at war, but the United States was not, this Hollywood film made a farce out of the hatred and fascism of the Third Reich, with Adolf Hitler being especially skewered.

Read more

Movies

Harry Potter Movie Streaming Guide: Where to Watch Online

By Kayti Burt

Movies

Inglourious Basterds and the Immortality of Revenge Cinema

By David Crow

In the film, Chaplin plays both a fictional barber and Hitler-like dictator who switch places in a Prince and the Pauper styled mix-up. Chaplin thus makes a still hilarious deconstruction of Hitler’s madness and insecurities at a time when most Hollywood studios chose to pretend there wasn’t a war going on. The film also concludes in one of the greatest anti-war speeches in cinema history.

Hacksaw Ridge

Available on: HBO Max, Amazon Prime Video UK

The rare film that is told in merely two acts, director Mel Gibson’s World War II drama is fairly underrated. The film follows the remarkable true story of Desmond Doss (Andrew Garfield), an unlikely U.S. Army corporal since he was also a conscientious objector who refused to hold a gun. Nearly court-martialed for his defiance of orders, as a medic Doss insisted he could serve his country well by saving lives on the battlefield. He got his chance at the Battle of Okinawa when he pulled 75 lives out of the carnage, which is captured in grisly detail by Gibson. Likely the bloodiest WWII movie since Saving Private Ryan, Hacksaw Ridge is also one of the best.

Hamburger Hill

Available on: Amazon Prime Video (US Only)

This 1987 film set during the Vietnam War recounts one specific mission: a 1969 assault by the U.S. Army’s 3rd Battalion, 187th Infantry, 101st Airborne Division, known as the “Screaming Eagles,” on a well-fortified North Vietnamese position near the Laotian border. Dylan McDermott, Don Cheadle, Courtney B. Vance, and Steven Weber all make early career appearances in the film as young soldiers thrust into a situation where victory almost seems more like defeat—as good a metaphor for the Vietnam conflict as any.

Hostiles

Available on: Netflix

Director Scott Cooper did the rare thing with Hostiles: He looked back at American history with nuance and sincere contemplation. This film is ostensibly about a U.S. Cavalry officer on his final mission, which is to escort a family of Native Americans across the last remnants of American frontier. But when that officer (Christian Bale) knows he’s escorting the dying Cheyenne war chief (Wes Studi) who led the doomed side of American Indians in previous conflicts—and alongside a woman (Rosamund Pike) who just lost her family to Indian attacks—the ghosts of America’s sins and recriminations walk with them.

The Hurt Locker

Available on: Hulu, Netflix UK

The film which won Kathryn Bigelow the Oscar for Best Director, The Hurt Locker is the first great movie about the War on Terror in the 21st century. Boiling down the madness of war to being like “a drug” for some soldiers, the film essays the high-stake tension—and adrenaline—of being an officer in the Army’s bomb squad who is responsible for disarming IEDs, bomb vests, and other hidden weapons of death.

It’s terrifying… and exhilarating as personified by Jeremy Renner’s addicted Staff Sgt. William James. Also with a career-making performance by Anthony Mackie and a pseudo-journalistic script by Mark Boal, The Hurt Locker gets under your skin.

Platoon

Available on: Netflix, Amazon Prime Video (US Only)

There were plenty of Vietnam War movies before Oliver Stone’s Platoon, but what shook audiences in 1986 is that this was the first time one was made by a Vietnam veteran. Not that Stone didn’t take liberties: He makes his soldier’s eye view of the generation-defining conflict a fever dream of America’s darkest moments in the shit.

Read more

Movies

Da 5 Bloods Opening History Montage Explained

By David Crow

Movies

James Bond Movies Streaming Guide: Where to Watch 007 Online

By Don Kaye

But his lament for the soldier also brought a renewed sense of sorrow and regret to how veterans were treated in the aftermath. With a heartbreaking supporting performance by Willem Dafoe, whose demise in the film has become iconic, there’s a reason for many this remains the only Vietnam War movie of consequence.

Red Tails

Available on: HBO Max

Here is executive producer George Lucas and director Anthony Hemingway’s well-meaning but so-so aerial war epic about the Tuskegee Airmen. The real-life Black pilots, mechanics, bombardiers, and more made up a segregated flank of African American airmen (as well as flyers from Haiti, Trinidad, and other Caribbean nations) in World War II. This film attempts to honor them with a cast that includes Terrence Howard, David Oyelowo, Nate Parker, and Cuba Gooding Jr.

War Machine

Available on: Netflix

David Michod (Animal Kingdom) wrote and directed this Netflix satire set during the ongoing war in Afghanistan, eight years after the 9/11 attacks. Brad Pitt stars as four-star general Glen McMahon (loosely based on real-life general Stanley McChrystal), whose bleak assessment of the situation on the ground puts him at odds with President Obama and others. Like other less-than-reverent films before it, War Machine is interested in the sheer insanity of war: doing the same thing over and over again while hoping for a different outcome.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

The post Best War Movies to Watch: A Complete Streaming Guide appeared first on Den of Geek.

from Den of Geek https://ift.tt/3kkkpwT

[whereconfusionisarhyme]

First Reactions To Logan’s Playlist

K first song let’s do this

White and Nerdy-Weird Al Yankovic

Wtf this song was definitely Joan’s idea I mean who else would think of ‘White and Nerdy’ for Logan

Is this like canon he listens to this stuff or like songs about him???

Not Perfect-Tim Minchin

TIM MINCHIN

Bo Burnham better be on Logan's playlist

#deep

Is this about the mindpalace/inside of Thomas’ head??? Cause like???? Ouch???? I think????

Lol nvm it’s not sad lmao

I take back my take back it is sad

So this could be literally “in his mind” or it could be figurative and it’s really messing with my funky flow

Streaks-ANIMA!

Cool instrumental

Love the voice sounds a little like MARINA and Regina Spektor

Oh no I’m two lines in and I can tell it’s gonna be sad

OH NO CONFORMITY RELATED ANGST AHHHHH

Wow Logan is just out here being relatable isn’t he smh 😔👊

"Cause you're a smart kid, but you're still a kid" LOGAN REALLY BE OUT HERE BEING RELATABLE ON MAIN

The Elements-Tom Lehrer

Sounds like what piano class would sound like if I took piano class

Something you would listen to in science class

Bop

Medicine-STRFCKR

A Fever You Can't Sweat Out vibes

Lmao nvm

Gonna go look up the lyrics rn brb

A sad bop

Philosophy cool

Human-Tank And The Bangas

Logan playing this to comfort himself because this singer is the only person who has ever told him this

WHO HURT LOGAN WITH THEIR WORDS

LOGAN THE HEART SKIPPING COMMENT ARE YOU OKAY IM GIVING YOU A HUG

GUYS LOGAN IS TRYING TO CONVINCE HIMSELF THAT HE MATTERS IM NOT OKAY

Last???? Relationship???

Okay I'm not a shipper BUT my theorist analysis obsessed brain is just SCREAMING about Roman and Patton

Observation: Logan is probably atheistic and this song covers God a lot. I don't have a conclusion or anything just pointing that out

This woman do be calming tho like yes I'm beautiful yes I'm special thank you

Okay so I already knew Logan wasn't okay but he 100% isn't okay

Fittet Happier-Radiohead

K two words in and I can tell this is gonna be sad here we go

Employees? Or maybe…other sides?

Minor key ok

SELF HARM ISNT OKAY

"WILL NOT CRY IN PUBLIC" NONONONO

So I heard of a good therapist just downtown-

The Watchtower-The Dø

I paused it cause I need a second after the last one

Guys as someone who dissosiates a lot I think Logan might be dissosiating

Dissosiating to protect himself from his emotions

Y'all just trust me in this one

Coming for the TØP brand I see

K ready to start again here we go

Fire beat I'm vibing with it

Is he trying to distance himself from his emotions to try and perform his tasks better like watching from a Watchtower???

This is the first character I've seen that might dissosiate which only means one thing

I'm gonna be projecting an unholy amount in my fanfiction

"No one in particular" hon who hurt you

City Lights=Emotions (which he considers distractions)??? Maybe??

I'm a William Finn fan come on this isn't my first rodeo

Art Is Dead-Bo Burnham

BO BURNHAM I WAS RIGHT

We all love some good Imposter Syndrome (tm)! :D

This gives Learning New Things About Ourselves' a whole new meaning

Ngl this is the first time I heard the degrading of the piano at the end and I'm here for it

In My Mind-Amanda Palmer

Oop we LOVE setting up impossible expectations for yourself to the point you have a cripplingly horrid self esteem! :D

Logan I've done this before and trust me it isn't worth it the mental breakdowns are too taxing

I'll do it when I'm older=I'm never gonna get around to it

I don't wanna be the person I wanna be either

Why do I perfectly understand every lyric am I ok

Live!!! While you!!!! Can!!!!

At least there's a happy ending

Okay so I've decided that once I'm done I'm gonna make a list of songs I think would fit in the playlist

Algorythym-Childish Gambino

K its spelled incorrectly get ready for some metaphors my dudes

Intro is cool definitely very very Logan WOAH OKAY CHAIN SMOKER

Gonna go look up lyrics I don't understand shit

The chorus sounds like Thanksgiving at my Aunt's house where like 100+ African American relatives blast house music and dance until their feet falls off

Nvm no it doesn't

GO OFF

ELPHABA BETTER WATCH OUT CHILDISH GAMBINO IS COMING FOR YOUR BELT

Adlibs are everything

Letter C-Zach Sherwin

This gives off the same vibes as that one pickle video by Charlie Puth

Roman vs Logan rap battle but it's this

I don't really see why this is related but sure

Time Adventure-The Marcus Hedgehog

Nostalgiaaaaaa

Okay Logan has too many songs talking about one (1) person who is it

I have a gut feeling that it's about Thomas and how Logan used to be enough "back then" but now he thinks he's not cause like let's be honest when was the last time someone gave Logan a strong sincere thank you for all that he does????Excluding DWIT (which doesn't really count in my opinion cause they said he was cool, not like an integral and arguably the most important and powerful side) nobody really appreciates Logan???? Hugs???

Anyway plz ignore this is just how my brain works

K next song

The Breach-clipping.

OKAY SLOW DOWN IM GONNA LOOK UP LYRICS

Is this Daveed Diggs???? I haven't listened to Hamilton in like forever is this Daveed Diggs???

LITERALLY PERFECY PARRALLEL TO LOGAN AND THE SIDES

Sound effects

Really just gonna fry my eardrums like that huh

What I Do For U-Ra Ra Riot

Okay scrap anything and everything I said about it being the sides Logan is 100% talking about Character!Thomas

Erase Me-Ben Folds Five

Ooh this intro reminds me of this one particular musical songs but I don't remember which one

Wait have I listened to this before????

I've listened to this before!

Okay I need to stop being distracted

NOOOOOO don't Erase Yourself!!!!

Logan really just do be having no Self Esteem don't he

Okay so theory: Logan didn't pop up in person in the last video because his eyes were too red from crying

I have 0 evidence so it's not a very good theory but…

Just throwing it out there

One More Time with Feeling-Regina Spektor

Oh no it's Regina Spektor

Oh no I'm gonna cry

Okay so Logan doesnt wanna block of all emotion, only permit some to show???? But most of the time block everything????

Did I get that???

Nobody!!!! Thanks!!!! Logan!!!!

Awww he just wants love and recognition

Tbh this sounds a lot like Roman they have so much in common despite their constant arguing

Galaxy Song-Monty Python

Ooh Monty Python

I haven't listened to Monty Python so I sadly don't know the context

Really just dissing all of the other sides aren't we

Can't really blame him tho

Very scientific

"Yeau~"

Sweet with dark undertones. Love it.

Equation-Hans Zimmer

Later I'm gonna check the equations if they're correct XD

Sunrise-In The Heights

!!!!!!

WHO???!!!!!

K to this is one of my favorite love songs ever it's just so sweet and as someone who's bilingual the concept is just amazingly wonderful so yeah I may be freaking out

Also because WHO??!!

Okay I said I wasn't a shipper but let's be honest this is probably about Roman not romantically but like

OR MAYBE JANUS???

IM SO CONFUSED

But Logan is definitely Nina in this situation it just fits so well with her character for the same reasons I really wanna play her (but never will cause I'm exactly 0% Latin American smh) yeah the pressures to be the smartest and then it backfiring horribly and oh God what if Inùtil is also in the playlist ahhhh

Okay moving on

Lifeboat-Heathers

WHAT

NO

NO

CONFORMITY RELATED ANGST LOGAN STOP BEING RELATABLE AHHHH

IS THIS CAPTAIN THOMAS??? THE OTHER SIDES AS A WHOLE??? AN ABSTRACT CONCEPT???

IM NOT OKAY

Bohemian Groove-Will Connolly

Okay I'm still not recovered from the last song but I need to continue or else I'm never gonna finish this playlist

Eeecccchhhhhoooo

Your friends haven't surpassed you Logan you belong with them okay????

Emptiness despite success??? Millennial who???

Vibing with it but also are you okay

Nvm I know the answer already

Hug All Ur Friends-Cavetown

Okay so Logan is a Cavetown gay noted

Self validation??? Who's she???

Lies. You care so much about what other people *sides* think about you

Maybe Logan listens to this song to remind himself to not care too much

But it doesn't work and it's getting to him more and more

Oh

That took a turn

Breathin'-Thomas Sanders

Good move

Don't really have much to say on this

The Bidding

Spoopy

Alchoholic!Logan

New idea for us fan writers

The pronunciation of beurgoise

Okay I'm like pretty certain at this point that all of the songs that mention a someone else is about Character!Thomas

A Better Version

OHMYGOD I LOVE THIS MUSICAL ITS SO UNDERRATED I HAVE LISTENED TO THE SOUNDTRACK AND UNGODLY AMOUNT OF TIMES YESSSSS

But also since I know the song in terrified cause the feels are gonna come in I just know it

Wait so is Jayce supposed to be Thomas???

I am suddenly feeling much more uncertain about my certainty

Okay let me unpause and just listen to it (even though I already know all of the lyrics)

Okay so I'm a dumbass and apparently this song isn't even part of the playlist

Okay so I'm an idiot and the last few songs have all been "related to playlist" and not in the actual playlist I'm big dumb.

Anyway here's my list of songs I think would fit. (BTW, I only went off of lyrics for these ones. I realize that there’s a general sound and vibe for the playlist, but I decided not to follow it.)

Oh No! ~ MARINA

Hug All Ur Friends ~ Cavetown

Bohemian Groove ~ Will Connolly

Guiltless ~ Dodie Clark

Lifeboat ~ Laurens O’Keefe

The Bidding ~ *idk who*

I Am Not A Robot ~ MARINA

Inútil - Lin Manuel Miranda

Through The Eyes Of A Child ~ AURORA

Community Gardens ~ The Scary Jokes

Let me know if I should do this with the other playlists as well! :)

[thirddoctor]

91, 96, 30 and 25 for the Doctor who questions? Unless you’ve already answered them of course

Historical event would you like to see in DW: Hmm, not sure about any particular event, but I’d love to see more historical stories set outside of Europe. As a South African, I’d especially like to see some set in Africa, exploring the culture of whatever region they were in (present day or future Africa would be fun too!). You’d need an African writer though or at least someone who was very knowledgeable about the region to avoid cringey stuff like the DW book that placed a Zambian city in South Africa and assumed South Africa suffers from ebola outbreaks (it does not), or the DW book that referred to a Xhosa character’s language as simply “her native African” as if “African” is a language (in South Africa alone there are eleven official languages).

Actor/actress you’d like to see play a companion: Unfortunately I don’t really know a lot of actors. Like, if I’m familiar with a British actor/actress, it’s probably because they’ve already been in DW. I think it’s more fun to get relatively unknown actors anyway and give them their chance to shine.

Who did you not used to like, but really like now: Six. For some reason I formed a strong dislike for him before I saw any of his episodes. I don’t even know why! I just took one look at him and was like, “Oh, I can’t stand this guy.” Then I actually watched his era and now he’s my third favourite Doctor.

Most underrated companion: I’ll restrict this to TV companions, because all the EU companions are kinda underrated by default. Gonna say... Vicki and Steven, maybe? Oh, and Mel.

[ask me a Doctor Who question]

[juvenilehousefinch]

Birds, Bonapartes, Biological Nomenclature

The more that I learn about the Bonaparte clan, the more I realize that the  family most famous for Napoleon I, the emperor and military genius, had connections to basically everything in the 1700s and 1800s. One shocking connection to me was that Tarrare (that hungry guy during the French Revolution who ate basically everything) worked under Alexandre de Beauharnais, who was married to a woman known as Rose Tascher de La Pagerie. After Alexandre de Beauharnais perished during the Reign of Terror, Rose remarried to a young general named Napoleon Bonaparte and adopted the name of Josephine.

Pictured above: the curl-crested aracari, photographed by Lonnie Huffman

Just as I never expected the Bonaparte clan to have a connection to the infamous hungry guy, I also never expected them to have a real impact on ornithology. It seems so out there, so disconnected from the politics and conquest that are usually associated with their name. While reading about birds in the past, I’ve frequently stumbled upon the name “Bonaparte” or “Beauharnais” (Josephine’s martial name by her first husband, and the last name of both of her children, who became instrumental in Napoleon’s securing of power throughout Europe)[1]. I always assumed that the names simply came from people wanting to honor monarchs that hailed from the Bonaparte-Beauharnais clan, as naming new species (well, new to western scientists) after monarchs was trendy during that time. One such example is the curl-crested aracari, whose scientific name is “pteroglossus beauharnaesii.” I mention this specific example because the curl-crested aracari is awesome and vastly underrated compared to better-known species in the Ramphastidae family, such as toco toucans.

I recently learned, however, that the Bonaparte family’s influence on ornithology is more than just symbolic! I decided to dig a little bit deeper into learning why the name “Bonaparte” appears so frequently in bird information, and I found out that Napoleon’s nephew and the son of his brother Lucien, Charles Lucien Bonaparte was a prominent ornithologist who was the authority on 165 genera, 203 species, and 262 subspecies. Learning about this was really cool for me because two of my primary passions in life are Napoleon and birding, and I find it really exciting that there’s this unexpected and kind of random intersection of the two.

According to the IOC World Bird List, among the species studied by Bonaparte are a subspecies of oriental turtle dove of Europe and Asia (Streptopelia orientalis erythrocephala), the blue-winged goose (Cyanochen cyanoptera) endemic to Ethiopia, and the Pel’s fishing owl (Scotopelia peli) endemic to Africa.

Pictured above: the blue-winged goose, photographed by Dick Daniels

Among Bonaparte’s notable contributions to ornithology is also his naming of the New World dove genus, Zenaida, after his wife. Bonaparte married Zénaïde Bonaparte, who was his cousin and the daughter of Joseph Bonaparte, older brother of Napoleon and Lucien Bonaparte. This was incestuous and nasty, but what can you really expect from European nobility? The Zenaida genus notably includes the Zenaida dove (the type species) and the mourning dove. Mourning doves are common where I live, and from now on, whenever I hear its iconic call of “hoo hoo hoo,” I’ll think of the Bonaparte family.

Pictured above: The mourning dove. “Dove by Almaden Lake” by Don Debold

Bonaparte also was an early supporter of John James Audubon, who was then relatively unknown as a naturalist. I would also like to note that Audubon grew up in France[2], and used a fake passport to flee to the United States so that he wouldn’t be conscripted into the Napoleonic Wars. (I can only imagine what Bonaparte must have said if/when Audubon told him, “Yeah, I came to this country as a draft dodger because I didn’t want to die in all those wars that your uncle keeps dragging us into.”) Bonaparte recommended him for the Academy of Natural Sciences of Philadelphia (now a part of Drexel University) while living in Philadelphia, where he and his wife moved after getting married so that they could be with Joseph Bonaparte, who lived in exile in the city. Unfortunately, Audubon’s bid for membership because George Ord, an ornithologist and member of the academy, disliked his style of painting. Well, George Ord isn’t the one amongst them who has become basically synonymous with ornithology and bird conservation in the United States, so evidently, Audubon got the last laugh.

On a slightly different note, a fascinating aspect of biological nomenclature that I had never considered before learning about Bonaparte was the frequency at which people named species after their own political leaders, like the afore mentioned curl-crested aracari. Now that royalty and monarchies aren’t nearly as relevant to most people’s lives as they were during the time of the Bonapartes, the trend has evolved so that people name species to honor celebrities and other pop culture icons. (Though, whereas before famous people had birds named after them, now discovery of a terrestrial vertebrate animal is uncommon enough that people only get bugs and worms unless they’re lucky.) Take, for example, Aleiodes shakirae, Aleiodes gaga, and Aleiodes colberti, wasps that are named after Shakira, Lady Gaga, and Stephen Colbert, respectively. There’s even a whole Wikipedia page dedicated to listing the creatures whose scientific names take after the Harry Potter series. (There’s a whole dinosaur named Dracorex hogwartsia, which translates to “dragon king of Hogwarts”! I’m jealous! … Also, read another book, smh.)

Anyway, anyone who complains that people are making everything political these days clearly hasn’t read their history. One of Bonaparte’s notable contributions to ornithological nomenclature was his naming of Wilson’s bird-of-paradise, whose colloquial name comes from Alexander Wilson, a prominent American ornithologist who laid the foundation for ornithology in the United States. The scientific name for Wilson’s bird-of-paradise is “cicinnurus respublica,” with respublica commonly being translated as “public affair” or “commonwealth.” Bonaparte wanted to deviate from the tradition of naming species after royalty and royalty-adjacent people, and instead honor the concept of the republic. In my opinion, this is disdain for royalty was entirely performative, given that Bonaparte was a descendant of an imperial dynasty, was a prince himself, and was afforded his privilege in life by the fact that his uncle seized power in France, installed himself as the country’s leader, and eventually crowned himself emperor.  

Pictured above: Wilson’s bird-of-paradise, photographed by Serhan Oksay

I’m always taken aback when I learn about just how connected the world was [for wealthy white men] before modern technology, and the influences that people from completely different geographical backgrounds could have on each other. It is important to acknowledge that so many of the naturalists from this time period were able to make such developments in their fields not because of their intrinsic talent as biologists and ornithologists, but also because of their immense connections and lucky circumstances that paved their way to success. Also, the “discovery” of many New World avian species wasn’t true “discovery” at all, because the indigenous people of the Americas had lived with those species for millennia. It was only “discovery” for westerners, who placed their mark of colonization on those species by naming them after rulers and other prominent western figures.

Although Bonaparte definitely had the passion to contribute so much to ornithology, he came from an incredibly powerful political dynasty that could bankroll his studies. He could travel wherever he wanted to and obtain any specimen that he wanted to obtain because of who his family was. Similarly, although Audubon certainly had a passion for birds and talent as an illustrator, he was only able to develop those skills through meeting the right people and having the generational wealth to do whatever he wanted in life. That’s not to say that every single ornithologist came from a position of wealth and power — the aforementioned Wilson, for example, was a weaver who lived in poverty in Scotland before emigrating to the United States and working as a schoolteacher. I don’t think that that makes the contributions of people like Bonaparte and Audubon less important or meaningful to the field (I’m also not an ornithologist so I don’t have that authority), but, as with most fields even today, it’s worth thinking about that the people who made these contributions reflect only the people with the access to the most resources.

NOTES: [1] Although Josephine is frequently referred to as “Josephine de Beauharnais,” she never actually went by that name during her lifetime. When she was married to Alexandre de Beauharnais, she went by Rose, and only adopted “Josephine” after having married Napoleon, because he liked the nickname. [2] Audubon was born in Haiti, where his father owned a plantation that he sold in 1789 when tensions began to rise between white slave-owning colonizers and enslaved people of African ancestry. The elder Audubon had a number of mixed-race children by a mistress who had ¼ African ancestry, but only the younger Audubon and his sister, who were both considered white, were moved to France alongside him.

[touchmycoat]

5, 6 (i already know this is some insane amount), 9, 10, 16, 23, 26 (house)

BAAABE :*

5. What is the perfect environment for you to write in?

my office cubicle apparently kdsjfnksd

no but genuinely anywhere i can zone out. i make faces & mutter to myself when i write tho so, anywhere where that wouldn’t draw weird glances lmfao

6. If you’re really concentrating, how many words can you write in a day?

bahahaha i think Farmer’s Almanac holds the record rn—10k, give or take.

9. Do you prefer to write AUs, canon divergence, or canon-compliant fic?

#selfintrospection, my pattern per fandom seems to be starting with canon divergence! I’m a side characters ho, y’all know this, so I always like to recenter the narrative & get a surer foothold in my own interpretations of character first. but after that.... no preference! I love (and have written) all three to great enjoyment heheheh just depends on where i wanna see ‘em fuck

10. Do you enjoy writing dialogue, exposition, or plot the most?

NFJDNFJDNFJD HOW CAN I CHOOSE

Exposition is sexy, and i get to be the most experimental & excessive & self-indulgent here w/ style choices.

Dialogue is sexy, ‘cause voices and humor and dirty talk and heartbreak and communication!!! I’m a movie ho so i’m all about that plot-driving script game ;;;;

Plot is sexy ‘cause that’s where you get to fuck around with all the canon themes, subvert & avert & redistribute them!!!!!!!! I’m a slut for that!!!!!!!!!

can’t choose won’t choose :’D

16. What is your most underrated fic?

LMFAO you know i’m gonna say Sword of the Yi Maiden ;) she’s basically like, our child ;;

23. If you had to remix one of your own fics, which would it be and how would you remix it?

well once i sort out the single dad!Song Lan universe, i’d loooooove to switch gears & swerve into single dad!Xiao Xingchen B) just for kicks. But where Song Lan is like, a high school lit teacher and A-Qing is our favorite local delinquent child. XXC gets called in for a parent-teacher conference, and he’s actually kind of dreading it at first because AQ honestly never had too many complaints about the English teacher, so if this Song Laoshi was suddenly going to betray his daughter’s trust and tattle on her XXC would def take AQ’s side.

But! Turns out SL’s calling him in to be like “hey, AQ never does homework but is fine with participating in class if i kind of trick her into arguing about it, so i figured she just really doesn’t like being told what to do. That’s fine! But that also means I don’t think she’ll respond well to me sitting her down to talk about her higher education options, so I figured I’d run it past the parent first to see if you have any thoughts about how we’re going to proceed.”

it’d be SO fucking funny... AQ stops skipping class or stops zoning out the moment she catches onto her dad’s little ~thing for Song Laoshi. She starts challenging him in class instead on every little thing (”yeah but don’t you think it’s inherently racist to require us to read conrad at all, if there are so many books out there written by actual African postcolonial authors”) but he’s just happy she’s engaging so they bond

they’re both super proud and near tears at graduation, and AQ is too but to hide her own embarrassingly feelings she’s like “don’t pretend y’all aren’t just crying ‘cause you can finally date each other now that it won’t be fucking WEIRD for me”

26. Which part of House was the hardest to write?

hmmmmm I think I had the most number of false starts w ch. 3!! i never save shit rip but at one point i straight up had like.... 13 pages all blacked out? Oh i remember, the scene where AQ first tests SL. I had that set in like, the breakfast stall, in a busy street, a quiet street, etc. etc. I was putting each of their conversations in different contexts too, just seeing how they would play out based on the surroundings??? i even thought about dropping AQ’s POV completely at one point but I’m very glad i didn’t. The current version is actually the very first opening for the chapter i ever wrote so, el oh el, i try not to think all that effort went to waste. It’s more like, I had some ideas, but i had to prove none of them would work before i could proceed with this one, y’know?

BUT TELL YOU WHAT I DID SAVE THO. The first draft of the Ch. 2 opening? After I wrote this i was like “yikes this is way too conventional a set-up for a flashback let’s just do it,” and wrote the current version on ao3 lmao. I kept the chapped knuckles thing~

Under the Cut:

((Behind the Scenes of Fic Writing Asks!))

Song Lan stood at the entrance of his room in the inn, fist clenched hard around Fuxue’s hilt as the rain came in. Night had been the herald, and now, the lantern at the top of the stairs to Song Lan’s left was flickering wildly, buffeted about by the stormy wind.

The inn’s owner, an older woman in her 50s, spoke a string of worried utterances as she hurried up the stairs to close the window. As her hands approached the latch though, Song Lan sensed bloodthirst. Fuxue went flying.

The woman screamed, but the harm was over; a mutated critter of a hungry ghost slumped against the window frame, pinned there by Fuxue’s cool blade. Instead of closing the window for her, Song Lan pressed two paper talismans on either side. He pulled out Fuxue and watched the hungry ghost dissipate.

“Daozhang, daozhang, gratitude,” the woman wept. “A few here and there is nothing, you know? But once they begin to stay, and bigger things start to come, and we have young ones in the house, oh, it terrifies me, what state this city has been falling into…”

Fuxue returned to its sheathe, and Song Lan still had his fly-whisk tucked in his arm. He gave the inn owner a polite bow.

“I will attempt an extermination tonight.”

“Daozhang is so reliable,” the woman said, tears instantly transforming into simpering gratitude. Her distress had been in part a show, meant to move Song Lan into action. Song Lan did not mind; this was his third night at the inn, after all, and the second time the inn owner’s requested a favor from him. It stood to reason that she would think he needs more affective convincing, even if she’s wrong.

“I may trouble you for tea upon my return,” he murmured. When the woman reached out to pat his elbow in a matronly gesture, Song Lan stepped back, disguising the gesture as a readjustment of his robes as he replaced the stack of talismans back in his sleeve.

“Of course,” she replied, hand waving in the air before lowering back down to her side. A spot of tension eased at the base of Song Lan’s neck. “The stove never stops burning in our kitchen, particularly when we have guests. Just give our door a knock if the evening chef isn’t around. We’ll take care of you.”

Song Lan was grateful. He’d need the hot drink when he returned from the rain—soaking in the deluge always left his skin feeling beaten and bloated. And the sensation, if untreated, never failed to transform itself into two long iron nails hammered deep into his skull and brain. The pain was best avoided if at all possible.

(Xiao XingChen knew this about him. Nothing’s ever eased the migraines faster than XingChen’s smile as he wordlessly pushed a cup of hot water or tea across the table. Nothing’s ever distracted Song Lan from the pain more effectively than wondering exactly what would happen, if XingChen’s fingers lingered and his own could touch, just lightly, those perpetually chapped knuckles.)

(Take better care of yourself, Song Lan had once chastised when blood came seeping up between cracked skin.

I forget to, XingChen had confessed, sheepish lines crinkling around his eyes.

Had Song Lan been anybody else, he would’ve said out loud what he wished he could’ve said out loud: I’ll do it then.

Had Song Lan been anybody else, he would’ve thumbed a layer of protective grease over Xiao XingChen’s dry hands himself, save them both the need for cheesy lines and impotent promises. Words often got him into trouble, he knew this; he much preferred the vows made in every shared action that was mutually fostered into consistency. But what did it say about him, that his hands flinched from touch and Xiao XingChen walked at a careful radius around him, that he couldn’t make a vow on any level that counted?)

The extermination was no reprieve from the discomfort, the dissatisfaction, the disassembly of it all. The sky was falling apart and so was his skin. Moderation was less a stranger to Song Lan than longing, but tonight, the berating of his body was not moderated at all.

A year of searching, over, just like that.

An opportunity to apologize, gone, just like that.

A promise.

A dream.

So do you like him then? You want to really build a family with him?

Gone. Just like that.

[nurkhamis-fcnu-blog]

The Met Gala: My favourite looks

Every year, on the first Monday of May, everyone’s eyes are on the Met Gala. What is it, you may wonder? (You probably know already) Well, it is a prestigious event which every person passionate about fashion dreams of going to, where you are able to express your style and be as creative and dramatic as you desire. Unfortunately, the guest list is very exclusive, chose by the host, the one and only Anna Wintour, editor-in-chief of Vogue Magazine. (You can buy a ticket for 30,000$ though)

Every year there is another theme, left to be recreated by the fashion designers creating the looks and the celebrities wearing them. This year’s theme was “Heavenly Bodies: Fashion and the Catholic Imagination”, and the exhibition can be visited at the Met Museum in New York City.

I really appreciate the celebrities that follow the theme, while also looking amazing. That is the most important part after all. I noticed most celebrities focused on the “Heavenly Bodies” or “Sunday Best” part, without really including the religious aspect of it all. Some did really good though. Here are the looks that slayed my life, in no particular order.

1. Rihanna

Honestly, I had very high expectations from Rihanna. She is basically the queen of the Met Gala, always following the theme and taking it to the extreme, but also making it her own style. She did not disappoint. Giving me Pope vibes in Maison Margiela by John Galliano. Look at that detail! So beautiful, so divine. She is everything. A goddess. 

2. Blake Lively

Blake Lively was my favourite. She stole my heart with this Versace gown. Looked so beautiful and elegant, while also respecting the theme. Again, the detail is incredible, and overall, she is divine. Makeup, hair, accessories, everything is on point. One of the queens of the Met Gala this year. 

3. Solange

Initially I didn’t know what to think about her look. I wasn’t immediately convinced, because I didn’t see the relevance to the theme, but after seeing her Vogue interview, I understood that her inspiration was Black Madonna and all of the African Saints, which really made sense. The halo was beautiful and it brought some colour to the all-black Iris van Herpen look, and I loved the durag.  

4. Kate Bosworth 

So angelic, so pure, so beautiful. Loved this Oscar de la Renta look, including the make-up and the veil. Subtle, simple, something you would associate with religion and the church.

5. Sarah Jessica Parker

SJP brought drama to the gala, and that's what I love. This event is there for creativeness and boldness. and she really did that, in Dolce and Gabbana.

6. Emilia Clarke

The Mother of Dragons was there and she was 🔥 (pun intended). Loved the blush, the crown, and of course, the Dolce and Gabbana gown. She is basically the statue of the Virgin Mary in Sicily, as she said in her Vogue interview.

7. Cardi B

Cardi B did not disappoint me and I am so glad. She took the theme and made it for herself. She looked gorgeous in Moschino, and she really was glowing. Her first time and still looked better then most people that have been attending for years.  

8. Zendaya

I gagged. Wow. Zendaya. As usual, perfection. Everything: hair, outfit, makeup. In a Versace dress slash armour, inspired by Joan of Arc. She pulled it off so effortlessly and I am in love.

9. Priyanka Chopra

Another queen of the Met Gala, Priyanka was so incredibly beautiful. No words to describe her, honestly. Loved how the lip matched the Ralph Lauren dress. The embroidered hood was perfection. Good job!

8. Jared Leto

Jared Leto gave me serious Jesus vibes in Gucci. He was already giving me Jesus vibes since he grew his hair and beard, so I love how he took advantage of that. It's well-known how big of a fan of Gucci he is, so no wonder that's what he wore. One of the best dressed man at the gala. 

9. Ariana Grande

So divine. Ariana Grande wore a Vera Wang gown inspired by the Sistine Chapel Ceiling. I love how the bow represented her usual high ponytail. Rocking her own signature look while still respecting the theme. That’s how you do it!

10. SZA

SZA looked like an angel. The baby pink Versace dress looked so beautiful on her, and the halo was so pretty. 

11. Taylor Hill

I feel like this look was so underrated. Nobody really talked about it. I don’t get why, though. She is literally wearing a cardinal’s robe. The Diane von Furstenberg dress looks amazing on her, the makeup is beautiful, the hair, and those shoes... I need. 

12. Lily Collins

Queen. Yes, yes, yes. Another dress inspired by a cardinal’s robe, very solemn, catholic. The makeup is one of my favourites, it’s dark but yet so edgy, and the silver glitter and the little red tear were so intricate. 

13. Chadwick Boseman

I died. The Black Panther, king T’challa, Chadwick Boseman, did THAT. The best dressed man at the Met Gala this year, 💯. Not only did he go with the theme, but he pulled off that suit effortlessly and looked so cool. Usually, men at the Met Gala play it safe, wearing simple tuxedos and suits, but Chadwick didn’t come to play. I am in love. Look at those gold glittery shoes!

14. Natalia Vodianova

I like how she wore pants instead of a dress, and introduced the religious element through the embellished cross on her top. The length and flared style of the Balmain pants looks great on her long legs. Don’t love the hair, would’ve liked it up, but overall, a really good look, I believe. 

15. Darren Criss

Last but not least, another well-dressed man. Darren Criss was so underrated, I could barely find his picture. Not many have talked about his look and I cannot understand why. Look at him, look at that jacket, the colour coordination, the crosses on his shoes. So handsome, and really taking into consideration the theme in quite a bold way, which I really admire. 

BONUS: Donald Glover

The only good picture I could find, but look at Donald Glover’s Gucci suit. The back is so so cool!

[bornitereads]

The Golden Rhinoceros - François-Xavier Fauvelle

Read: May 2019

So after I read The State of Africa, I was really interested in pre-colonial Africa. This was where the most interesting parts of African history lay for me. So when I say The Golden Rhinoceros on the shelf at the bookstore I hesitated only a second before buying it. And truly I was not disappointed. In my opinion Fauvelle did a great job and this book is a great jumping off point for those who wish to go deeper into the mysteries of pre-colonial African history. As Fauvelle notes, for the Middle ages (that is, between ancient times and European “discovery”) most of the sources are from the Sahel in northern Africa, just under the Sahara Desert. This is because this is the area most visited by Muslim traders, adventurers, and ulamas. But the pictures painted by what sources of information we have are very interesting. Like the Empire of Mali, or the Swahili city states in the east, old Ghana. The Golden Rhinoceros, like The State of Africa before has really just made me thirst for more knowledge about African history. Truly such an underrated part of world history. 

Info: Princeton University Press, 2018. Translated by Troy Tice. Original French edition: Alma éditeur, 2013.