#Multitude of worlds

[theclockistickingwrite]

Okay so yeah the world became a charcoal sketch at the mercy of her sword and she just slaughtered every generation of this man’s family or whatever but do you understand that she’s a MILF

[bluestation]

i found you in the future

[starrynightarchive]

it makes me want to tear my hair out when someone mentions that platonic relationships need to have sexual/romantic undertones to be interesting. friendships that blur the lines between romantic and platonic is great, friendships that have sexual relations are great, any kind of friendship is great. but these days im seeing this awful thought of "friendship needs to not be strictly platonic to be interesting and platonic" and people don't realise that this is just "friendships are less important than romantic/sexual relationship" in a different font. im very intense about my friends and each of my relationship with them is different than the other. one of my best friends is also almost like my partner. another one of my best friend is just my best friend. there is nothing romantic or sexual orientation whatever between us. i love both of them dearly and one relationship here is not more important than the other to me. i smile so wide my face hurts when i see her walking towards me. we used to live a few streets away and yet everytime i saw her i used to run to go embrace her. i have seen them in their lowest and they have seen me in mine. i do not want to kiss her on the lips or make her my girlfriend. the thought has never crossed my mind. but she has saved my life multiple times. she is a part of my soul. she is my friend. and if you say "yeah, that's what i mean, that emotion and its intensity is inherently romantic!" then that means you haven't experienced the height of love and care friendship can offer and im so sorry for your loss. also you are subscribing into the inherently harmful thought of "everything that is intense and meaningful is romantic". like my wonderful friend vik once said, "they're not my just anything. they're my friends."

[just-sp-in-inginthevoid]

I hate not-Painted Verso because he makes me too aware that you can't write on anything that isn't yours and have it be faithful. Writing from not-Painted Verso's pov is not only impossible because we can only know him with limits, but also because it'd echo back to the fact we write him how we interpreted him to be. That wouldn't make us any different than Aline and Renoir. That is not to say the creation we come up with won't be worth celebrating. It just means saying it's Verso feels weird and fake because we don't know him

[dailydccomics]

very important Kory moments from Titans: Beast World #6

[olibavee]

need to make a special congratulatory sash to drape over my shoulder every time i get home from the grocery store that says "i survived my trip to the grocery store"

[chasingfictions]

WELL I'VE LOVED YOU FROM THE START / AND I'VE LOVED YOU FROM THE START

LOTTIENAT X "AUGUST" - FLIPTURN

[starship21zedna9]

Me: So sad thinking about Spock and Chapel's break up.

Also me: Singing 'I'm Ready' to hype myself up.

[super-paper]

Like I feel like 90% of my problems with 423 (Izuku) could have easily been fixed if Hori had actually stayed true to Izuku's character as someone driven by his empathy for others. Naturally I would have still been extremely upset with Tenko's death, yeah, but I think I would have at least been able to gradually process it and eventually accept it if Hori had actually depicted Izuku as like... actually reacting to the fact that he's killing Tenko and actually attempting to grapple with the weight of taking his life. Any reaction that might come after this chapter is simply too late to undo the damage.

Blood+ is an excellent example of a well done "I had no choice but to kill you" villain death: In this series, The hero (Saya) is ultimately forced to fight and kill her villain (Diva), but the core of her character-- her kindness-- is never sacrificed. It's enhanced by the tragedy of it all, of her being forced to end a life when she sincerely didn't want to. Even though Diva did terrible and unforgivable things, the first thing Saya does when she sees her crumbling is to rush forward and comfort her despite her own injuries, and to express intense anguish over not being able to help her. This cements why Saya is the hero of this story. I haven't watched Blood+ in over ten years, but the final moment between these two is something that has stuck with me all this time-- this is how you write a powerful ending between your kind/empathetic MC and the villain they were ultimately forced to kill.

Comparatively, everything about Izuku and Tenko's resolution feels completely numb. Izuku's lackluster nonreaction to everything he learned about Tenko in the vestige world. His complete lack of distress when Tenko's abuser swallowed him up and took over his body again. Him not expressing any concern for Tenko's safety once AFO resurfaced. Him continuing to beat on Tenko's body as it crumbled without any internal conflict or hesitation.

All of it sacrifices the very foundation of Izuku's character-- him being moved to act out of EMPATHY for others, not out of a desire to simply "beat the villain". The climax of Izuku's long awaited "rising" chapter is ultimately about him punching someone rather than saving someone, which also betrays the core of his character (yes, it's also about how he inspires others by doing his best but can you honestly say him rushing forward to punch TomurAFO to death was "doing his best as a hero". What was supposed to be the cumulation of Izuku's arc ends up being completely surface level/lacking sincerity and instead reads like Hori is just going through the motions).

The boy from chapter 1 whose body moved on its own after seeing someone in pain was ultimately more heroic than the boy from chapter 423, and that's one of the many reasons why people should be upset with this chapter and what it's done to Izuku's character/arc.

[maybe-boys-do-love]

Anticipating the ending of The On1y One, I've been remembering an interview with director Celine Sciamma about Portrait of a Lady on Fire. She said,

"The ending of it is really climaxing. Because when we watch love stories, it’s harder, the frozen image of two people leaving in a car, you know, marriage, whatever. Like the romantic-comedy ending where they end up together, then that’s the end. Eternal possession as a promise of fulfillment. Or, it’s the tragic ending, where they will never [be together]. And I really tried to find another way... It’s a love story about emancipation. And that’s so much what we’re trying to tell: it’s not about whether you end up together, or you don’t. A good love story isn’t about that, it’s about: did it give you emancipation?"

Both Portrait of a Lady on Fire and The On1y One are about queer memory and history. While one is about recovering the distant past and the other is about the past of adolescence, they each lean firmly into the ambiguous spaces of what could and couldn't be articulated. How does a work simultaneously acknowledge the potential queer feelings and relationships from our pasts alongside the limits that impacted people's ability to come-to-terms and act on those queer feelings?

So many queer plot pieces of The On1y One are left unresolved in the last episode, and it's important that we look at that as intentional. It's a disservice to a show so deeply passionate about poetry to read its narrative from a straight forward perspective. It's filled with symbols, patterns, and gestures instead of a generic plot structure. @toastofthetrashfire wrote about what we might make about the symbols of circular and linear time regarding Jiang Tian and Sheng Wang, and I think consideration of those themes ought to be applied across all the plots that mount up into irresolution at the end. Jiang Tian's history of neglect and abuse at the hands of his closeted father, the disruption of queerness into the teachers' intense platonic friendship, and, of course, Sheng Wang's young gay panic: how do we incorporate these failed models of behavior into our queer timelines? How do we offer the potential of freedom and mercy to our recollections of them and our imperfect past decisions?

We have to believe in potentials and futures that didn't necessarily arrive for them. The last image we get in the series is that ellipsis of belief, moving us forward without truly moving. We return to the image of the glass pitcher filled with mint lemon water, whole again, at least for now, and we hear a promise from Sheng Wang to come back. It's ostensibly a promise to return to Class A for Jiang Tian, but it speaks to the desire to revisit the our past and to let it revisit us in new forms, the way you're meant to return to a poem or the best books, not to recall an end you forgot or to memorize it's every line but to be moved.

[novelconcepts]

Why, yes: I did love The Life of Chuck.

Why, yes: it was exactly the quiet life is all we have, and life is beautiful movie I need right now.

Why, yes: I did come out shipping Kate Siegel’s hippie English teacher with Sam Sloyan’s CLEARLY lesbian gym teacher.

I like to think all of the above was the point of a cinematic masterpiece.

[elendsessor]

the best rain world regions are the ones that are objectively vibrant and gorgeous i stg

[oftheriverseine]

Skip and Loafer <3

[the-copycat-hero]

wish that Monoma and Shoto had become friends in canon, because y'all KNOW that Endeavor would have never known a day of peace in his life ever again

[halfdeadwallfly]

not to rant on main but like does anyone else know people who go on and on about their own complexity and intelligence (particularly at the expense of others) but actually just fail to be interesting at all. im talking the girl who calls herself a neurodivergent baddie who only likes weird people but then gets shady when youre weird in the wrong way. or who says they hate small talk and wanna talk about theology and literature and philosophy but get weirded out when people actually start having discussions. like the person who talks themself up as kind and introspective but just ends up being a bully. this very very specific type of person and ive met multiple people like this and i cant help but get tired of it. the whole higher plane superiority act.

[kuruna]

AZ was unhealthily attached to Floette in the same way Xan was unhealthily attached to AZ 💔 it just happens to be easier to tell when you're on the receiving end of this behavior vs. when you're the one perpetrating it 😔