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#NFT Marketing Expert
seotahiaanjum · 11 months
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“Dead NFTs: The Evolving Landscape of the NFT Market” is a new report from dappGambl, a community of experts in finance and blockchain technology. Upon analysis of 73,257 NFT collections, the authors found that 69,795 have a market cap of zero Ether (ETH), the second most-popular cryptocurrency behind Bitcoin. In practical terms, that means 95 percent of NFTs wouldn’t fetch a penny today — a spectacular crash for assets that reached a trading volume of $17 billion amid a frenzied bull market in 2021. The study estimates that some 23 million investors own these tokens of no practical use or value.
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The “Dead NFTs” report observes that the nearly 200,000 NFT collections “with no apparent owners or market share” identified by the study caused carbon emissions equivalent to the annual output from 2,048 houses, or 3,531 cars.
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doubleddenden · 8 months
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The topic of Palworld is pretty charged, but often times I see people be shamed for liking it because the CEO tweeted stuff about NFTs and the company using AI art in a separate game. Acting as if that's the most damning thing ever for a gaming company in an industry filled with similar people.
Make no mistake, I dislike both AI art and nfts, but do you realize how many gaming companies have involvement with that?
To begin with, Pokémon used AI art in a promotional piece for Pokémon Go in September, and nobody gave a shit because uwu Pikachu. The Pokémon Company also put a job listing some months back seeking an expert in NFTs. That's not quite damning evidence, but if I were a betting man, no "NFT expert" will willingly say "yeah nfts suck are bad for the environment, man, I'll take my paycheck and fuck off now." There's also a strong argument to be made that Pokémon has stolen ideas from fakemon artists (Finizen and Palafin, Scovillain, Dipplin, etc) and other franchises (kaiju movies, Dragon Quest, Megaman, final fantasy, western cartoons and food mascots, etc), a dubious legal statement that claims they own all fan art from the remixes and fakemon made on youtube to the pikachu your kid drew at breakfast; they have yet to apologize for the state of Scarlet and Violet while charging full price to millions of paying customers for a clearly unfinished and barely functioning game (which i did enjoy, but you can't tell me it was finished baking when it struggles not to shit itself just to run), and a bunch of other things people shit on Palworld for, but A. It's Pokémon so people don't care and think it's fine, and B. That's not the point of this post.
You know who else does NFTs and AI art? (Yes I heard Muscle Man from Regular Show in my head just now, too, moving along)
Square Enix sold several of their IPs for NFTs and claims to have used AI art "a minimum amount" in Foam Stars, yet I see nobody yelling for boycotts of Final Fantasy 14, 16, Kingdom Hearts, Dragon Quest, Life is Strange, etc etc etc.
Sony has invested in both, they want to implement AI into gaming, and has a patent for nfts to be used in games and consoles, yet there's no movement to throw out your playstations.
Bandai Namco- you know, that company with a hand in pretty much most anime games on the market and popular games such as the Dark Souls games? They have a game called RYU that's essentially a virtual pet game that uses the blockchain, and its AI driven, among other projects. Yet there's no outcry to stop playing the many, MANY games they brand with. This also includes quite a few Nintendo games (btw they just partnered together to form a special studio quite recently) like Smash Wii U/3ds and New Pokémon Snap. Nobody gives a shit though.
Android, Microsoft, Google, Apple- I don't even need to explain those, they have whole teams dedicated to both. Even popular VPN companies accept crypto.
I'm just saying an awful lot of you guys that scream and shit bloody murder about Palworld's company being involved with that shit are either the biggest "It's okay when my favs do it" type of hypocrites, or you're sorely ignorant to just how evil and greedy most corporations are. You'll be hard pressed to find a game company with popular AND fun games that DOESN'T have some interest in either, let alone movie and show studios. That's the awful reality we live in.
You have 2 options
1. You basically stop doing anything involving most modern tech, including throwing out your pc and smart phone. You could probably live a comfortable life with tech circa 2010, but you have to be aware that any thing you buy may go towards a cause you don't like.
2. You accept that people can enjoy a product while not necessarily agreeing with the CEO of said product. Most CEOs tend to be jackasses anyway, that's kind of the shared trait they all have. You can also discourage companies from using them while understanding it is everywhere.
Palworld at the end of the day is just a toy, that's it. From the looks of it, it's not even actually hurting anyone, and it seems like the company at least treats their employees pretty decently- at least according to a few things I've seen here and there that seems rather progressive for a Japanese studio (with room for doubt obviously, it's a company after all and as we've established, they're all evil). At the least its not like when people supported Hogwarts Legacy and directly put money into JKR's wallet so she can openly hurt more Trans women. In fact, the only people seemingly hurt in all of this Palworld drama are obsessed Pokémon stans that can't accept a parody, or the Pokémon Company themselves, who rightly deserve some punching up tbh.
You can just say you dislike the game, that's fine, I totally get that. Even though I personally think The Pokémon Company deserves a few nut shots after the way they've treated fans these last few years with the state of their games (and you know, stealing ideas from fans without credit), I can see why someone would be turned away from a parody that's literally meant to be Pokémon with guns. I can totally understand all of that, personally I'd prefer if the game was MORE like Pokémon with turn based combat.
But if you're going to defend Pokémon because you think its perfectly innocent because of Wooloo or something like that, just be sure you're aware you're defending the World's Richest Franchise and their own attempts at AI and NFTs while calling out an indie company (a real one thats learning as they go, not the fake "We're totally indie" franchise that hasn't been indie since gen 3) for having a ceo that also seems interested in the same stuff. And remember, you don't become number 1 without hurting people somehow (we could dig up receipts about certain partners Pokémon has teamed up with, such as Tencent with Unite, but I'd rather not right now.)
Just saying. I don't think you're an irredeemable person for still liking Pikachu, cuz I do too believe it or not. I've been a life long fan and still have fun with the games despite the clear scummy business practices towards their paying customers. Just maybe extend that courtesy to the millions of players just trying to have fun in this awful, putrid, shithole planet that just keeps getting worse and worse with each passing day.
Plus... you know, think about it. Do you think Pokémon would ever get around to making a gunless Palworld? Probably not. Do you think Palworld would exist if The Pokémon Company and Nintendo were the slightest bit chill about Pokémon fan projects like SEGA is with Sonic? Also probably not. From what I've read, the devs just wanted to make a fun game that happens to mostly be ARK with Pokémon adjacent monsters. That's not really a bad thing, all things considered, and it seems like the worst they've done is reference official Pokémon when making their own models.
Palworld being successful is actually beneficial to Pokémon fans, as well. It'll never really truly compete, but it has outsold Legends Arceus in terms of units sold (not as much financially because Palworld was only $30 plus a sale recently, but still impressive), and it is enough that Game Freak is aware of its existence. Let Palworld light a fire under their ass, and maybe GF will actually finish their next game before releasing it for full price (and no, we're not bringing up the tired imaginary ball and chain game devs, game freak owns 1/3rd lf the franchise and can easily take methods to get more dev time, they just haven't because money). Just saying, at least the Paldevs were honest enough to sell it in early access for half the price.
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blazehedgehog · 8 months
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Do you agree with Gaming Journalists and what do you think of gaming journalism in general?
What does this even mean, dude.
"Do you agree with gaming journalists"? On what?
Do I agree with Shacknews that Super Mario Bros. Wonder is a 10/10, and with Digital Spy that it's also a 7/10? Do I agree with Let's Clear Up Those Halo Battle Royale Rumors?
Like, I've gotten some bait on this blog before, but this is 2/10 stuff, man. This is some hot 2014 garbage. Like no matter what I say, you're gonna go all
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"Very interesting. Then do you care to explain why..." No thanks.
My real answer: Something I learned during my time at TSSZ and being around a few people who were deeper into "the biz" than I is that everybody needs journalism more than they realize. Corporations are pushing for consumers to become their personal cheerleaders more than ever before, which makes criticism and the journalistic exposing of information seem villainous.
After all: Xbox is my friend now, so how dare you attack the Xbox. Behavior that used to be reserved for the most dedicated fanboys is now the expected room temperature. I've talked about "The Cult of Naughty Dog" before, and that's the same thing. If a corporation can get you to be parasocial with them, then they have won, and being parasocial with a corporation means shunning real investigative journalism that would otherwise undo them. Journalists and critics used to be marketing tools, but by undoing the press pipeline and talking directly to fans, journalists and critics are painted as untrustworthy for being wildcards that don't always toe the company line.
And there has been more than a decade of people with a "I choose to be stupid and ignorant on purpose" outlook, which just makes that more frustrating. We've all seen screencaps where some brainless rando tries to explain something to a person who is an expert in that field. The rando thinks they're flexing their brain, but in some cases they are arguing with the person who literally wrote the book on their topic of conversation. Some people don't want to know anything but still pretend like they know everything, when there are real people out there doing real work to uncover real truths.
Misinformation is the real problem. It should not surprise anyone that there are people out there deliberately eroding the foundation of journalistic integrity, because the less people trust journalism, the easier it is to get away with lying. The easier it is to lie, the easier it is to control the mainstream, the easier it is to scam people out of their money, so on and so forth.
And misinformation is more than just "this one news article is fake." There are long running campaigns to install people into news organizations themselves to publish false information for all manner of different goals, but it's all the same: nobody trusts anyone and it's making everyone dumber.
That's when we get crypto currency. And NFTs. And now people claiming that generative AI will save humanity. Grift after grift after grift where the people at the top of the snake oil food chain make off with billions of dollars while the rest of the world is left scratching their heads.
The law isn't going to catch them. If they do, it'll take years. Look at how long it took for Sam Bankman-Fried to get caught -- he operated for almost half an entire decade. The amount of damage somebody can get away with in five years is significant.
We need journalism. Real journalism. Good journalism. Watchdogs that keep an eye on things and blow the whistle when it goes bad. Somebody to enforce accountability that isn't a cop.
Where do you find that? That's the hardest question. I'm lucky enough that I know people I trust because they are long time friends, or friends of friends, and thus they've been properly vetted in my circle as The Real Deal. But there are a lot of outlets out there who claim to champion "truth" and "intelligence" in a way to prey upon insecurity. I mean, c'mon, Trump's social media platform is called "Truth Social" and is basically the furthest thing from the truth you will ever get from anyone, ever.
The more obsessively they try to convince you they're telling the truth, the less likely it is they actually are. Which in itself could be an attack meant to undo the foundations of trust in people who actually know what they're talking about. By casting doubt on the very concept of truth itself, they can lie with increasingly greater efficiency.
Any advice I give feels like it is incredibly circumstantial. Which is the point, and is why we're in the state we're in.
Here's a good pdf by The News Literacy Project that's probably a good place to start. The general gist is "you'll have to do a lot of fact checking for yourself" but that's unfortunately where we're at these days.
But by and large I would say life is a lot harder for real journalists right now than I think some of their critics have ever thought about. There are people out there trying to do actual good work and being a bubble-brained moron about it just makes everything harder for everyone.
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howtofightwrite · 2 years
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Do heist stories still work in the modern world, especially the developed world? More and more wealth these days seems to be intangible and electronic, and more and more of the physical stuff that's still valuable is marked and traceable so that even if you take, it's hard to spend or unload it anywhere. What are macguffins that a thief in today's world could still physically steal today and realistically hope to profit from (without the profiting getting him caught)?
Heists still happen in the modern world. Hell, the entire NFT “economy” crashed last year as a result of a multiple heists. The Axie Infinity hack last year saw over $600 million worth of crypto tokens stolen. There have been many, many, famous heists, and there is no sign of them slowing down anytime soon.
So, in the vague sense of, “is it realistic?” It happens today, in the real world.
What gets stolen? Anything of sufficient value is a potential target. Art is one of the classic examples, and it remains a tempting target. Any liquid asset is tempting, and no matter how good the tracking is, chances are, someone will find a way to defeat it. In theory, crypto tokens are impossible to scrub, as the entire history of that token will be publicly logged on the block chain... so, thieves were using places like Tornado Cash to launder their cryptocurrency. (Incidentally, the US Treasury has sanctioned Tornado Cash, as of August last year.)
How realistic is it to get away with a heist? There are a lot of unsolved heists. Both, of physical items, and also with a lot of crypto thefts in the last few years. Some of the latter are believed to have been the product of state actors (read: Hacker groups believed to be working for authoritarian states with few extradition treaties.)
Art theft is alive and well. Now, I'm not an expert on laundering stolen paintings, however, from the ones that have been found, a lot find their way into private collections. Art collectors, and brokers who aren't particularly bothered with the legality of a given piece will move stolen art. It's not going to command the prices it would on the open market. (If someone estimates a stolen painting as worth four million dollars, expect that the thieves will get considerably less than that when they fence it, and while the fence will make enough to justify their risk, they're probably not going to be raking in millions either. Once it's made its way to a new owner, it will likely go up on a wall in a private gallery, or get carefully stored in a vault, and never seen again by the outside world for decades (or longer.)
Of course art theft can also be sculptures, books, or really anything else.
When it comes to other things, any liquid asset is a potential target for a heist. Cash, precious metals, and gem stones, are probably the most obvious examples, though, certainly not the only options.
The heist is, generally, a fairly consistent (if modular) structure.
It starts with identifying a vulnerable asset. The reason for the vulnerability may be important for the story, but not for the genre itself. This may be as simple as, “the asset exists,” and the PoV character learns of it, or it could be a situation where an exploitable flaw in the electronic tracking for the item is identified.
Once that's happened, then the ringleader starts assembling a team of specialists (and, amusingly, it is almost always specialists), to fill necessary roles in the heist. Usually this is a mix of technical specialists, social specialists, and at least some muscle.
So, assembling the team is something very specific to the formula, and not reflected in reality. A lot of real world heists simply need bodies, and prefer to have as few people as possible involved. The reasons are twofold. First, the less people involved, the less ways the resulting cash has to be split. Second, the fewer people involved, the fewer people that can lose their nerve and screw up, or rat their partners out to the police.
Once the team has assembled and they have a plan (this is usually hammered out along with the recruitment phase of the story, though that doesn't make a lot of sense when you step back and think about it), then they identify the preceding steps that need to be completed before executing the heist. This involves prepwork, sometimes smaller thefts to obtain the resources they need, and other necessary activities. (Again, this is more of a formula consideration, than a strictly realistic one. Especially the perpetration of earlier crimes. Those crimes can easily result in errors that would lead law enforcement to identify the heist before it occurred, and also help with identifying the thieves. To be fair, this is sometimes handled intelligently while staying within the formula to build tension. As the police close in on the team before they've even gotten started.)
After this, the team goes to execute the heist. Expect several things to fail simultaneously, with members of the team scrambling to salvage the heist. So, I don't want to harp on this too much, but this is another one of those places where the formula structure is extremely unrealistic. When looking at real heists, these kinds of fumbles will usually either botch the heist on the spot or provide the police with the threads they need to find the perpetrators. From a narrative perspective, it makes sense, it help build tension moving into the climax. So, while it's not realistic, that's not the point.
Once the team has the item, then they need to extract with it. Sometimes you'll see this skimmed over, but, getting the thing you're stealing away from the people trying to arrest the thieves is a somewhat important consideration. Generally speaking, yeah, a loud extraction with gunfights and car chases is going to end with the police response scaling to the point where escape is impossible. Also, generally speaking, most writers have a difficult time keeping stealth sequences tense, especially when their instinct is to transition into action.
Once they're out, lot heist stories end. The thieves, “won,” and the climax has played out. From a writing perspective, this makes sense. They won, and everything from here is going to be downhill. The team will break up. The actual process of fencing the stolen goods are going to be fairly dry, and, alternately, the process of laundering any cash they may have stolen isn't going to be that interesting either. There might be some lingering character threads to resolve, but the story is over, at least until you start another.
The main purpose for dragging a story beyond the heist is if you're setting up a tragedy. Probably with the police hunting them down for whatever errors they made along the way. I know I've cited it before, but Michael Mann's Heat (1995) is an excellent example of how the heist structure can be turned into a tragedy. (It's also a rare case that reworks a lot of the formula into something more realistic.)
On the whole, I'd say the heist genre is as relevant today as it's ever been. The specific stumbling blocks your characters will encounter are different. That always changes, and your ability to tune your story to your setting is always important. From a strictly mechanical perspective, there's no difference from your character accidentally leaving his driver's license behind at the scene of the heist, and failing to identify a tracker concealed in the stolen object. Both of them create a direct line from the crime back to that character. In a very real sense, a lot of the particulars for how this plays out is simply flavor. If you want your heist to be a techno-thriller, then you can absolutely do that, though you will probably have to spend quite a bit of time studying modern security methods and technology, but you can do that.
-Starke
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edgyedgelord · 4 months
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With Instagram suddenly diving into the AI hay wagon head first full speed I feel like people need to be reminded about something.
ofc warnings for talk about AI and AGI but this is a hopecore post because i'm tired of the fearmongering
From my own personal look into the state of things, AI is starting to look more like a scarier version of NFTs so I choose to believe it's going to fall harder than they did after this high point. NFT's died out when the markets crashed due to courts coming in and commenting on the legality issues in their economy and cryptocurrency. Once they didn't make a good enough profit anymore and the get rich quick scheme died out so did they into obscurity.
I believe AGI and AI as a whole will soon have their theft of content and data exposed to courts or some sort of more powerful folk, like what happened to NFTs after the art theft with that one artist, and we'll see the models quickly fade out and return to just being chatbot partners for the losers who live in basements and swear their ape JPEG is still relevant and profitable.
And if I'm wrong they can't legally stop us from making art nor can they stop us from making counter programs that poison their models, lil reminder that those do exist and some programs are starting to put those into their stuff so you can easily poison your art in the program. It doesn't matter how advance their models get because since the renaissance an artist's main supporter were other artist's. As long as we continue to make and do what we love to do and support one another then that's all we really need.
So, I propose a form of counter attack.
Go to your local stores and look into making a business deal with them to sell your art or offer to produce advertisement flyers, signs, whatever they need. That way you get your art out there and you're supporting other folk struggling in this capitalistic hellscape.
Using the funds you get from that, go through commission pages and support your fellow artists. If you can, try and find the younger or beginner artists to support. We often look over them and they deserve as much support and encouragement as the experts.
And of course don't forget to share around commission ads as much as you can. The only form of advertisement we get is from us reblogging each other's stuff or recommending one another to other folk.
A large reason as to why artists aren't getting support against AGI right now is because of the public eye seeing us as nothing but a bunch of nerds who draw anime all day. We need to prove that we're people with a passion in this stuff and how we're useful. We also need to speak out how most of us are neurodivergent and careers in art are what fits for us best since it plays into our interests and our skills are best equipped for this.
In summary, don't lose hope. The moment you start talking about how advanced AI is and how nobody is supporting us you're basically saying you give up and that is not how you should ever think about anything. In the theme of pride, when everyone else is against you remember that there are others like you who will continue to support and protect you no matter how long it takes for things to get better. Those who led the queer revolution didn't quit when they were being threatened or detained, they kept on leading the parades and now we have openly queer characters and people in mainstream media. Change happens, sometimes for worse, but time and time again do I see that what is right will always come back on top.
I choose to live through this artistic struggle of an era with hope that in the end human produce media with love and passion and talent will come out on top and prove it's worth over artificially generated content. Even better, I keep hope that after this obstacle for us all it will only go to show our resolve and the public eye will finally look at us with awe at the strength and determination that we have.
Art by human hand has existed since we lived in groups in caves as our first form of communication and it still is such. Stories are told through art, messages are delivered through art, and that is something a robot can never recreate no matter how much techbros want you to believe it can. We are some of the most important and strongest people to be on this planet because we are a community of people who have struggled so much that our understanding of human emotion allows us to put that into images made with ink, pencil, pixels, words, sound, voice, whatever medium you may use. We are masters at what makes us human, communication and complex thought and emotion, and that can't be taken away from us.
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bpdnchill · 3 months
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AI is a tool designed to normalise false information and increase distrust in experts.
It was created by *checks notes* tech companies who profit from reduction in critical thinking skills.The same people who brought us;
Crypto, the worlds first truely independent currency! Belovd by scam artists and criminals the world over. Zero practical use outside those areas.
Metaverse, an independent free market virtual world where you can spend hundreds of thousands of dollars on a digital object that doesn't exist and has the graphical definition of a minecraft tree!
NFTS, a true revolution in art and art ownership where you can invest thousands in an ugly digital blob that has no real world value whatsoever, except you aren't actually paying for the picture you thought you just bought, you're paying for a data entry which may or may not direct to the picture you just thought you bought.
Dear gods, this is the worst timeline.
Here have some youtube links if you want more info.
Crypto scams
More crypto scams
Whatever the fuck is happening in the Metaverse
NFTS and why they probably aren't legal
A brief overview of the current tech fraud explosion.
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lonely-vault-boy · 2 years
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Harbinger Halloween headcanons bc I want to and you can’t stop me
Pierro-
He doesn’t dress up bc he’s old and boring. The other harbingers try to trick him into it, but he’s too clever. Dottore resorts to dumping a creation of his (bright pink hair dye) on his head. This year he decided to wear a polar bear fur cape and call it a day.
Dottore-
His clones dress up as various things, but sometimes they all dress as the other harbingers bc they find it funny. They sometimes resort to stealing clothes and shoes.
Signora did not find it funny.
They also leave fun ‘surprises’ around the palace. For legal reasons, they are fake and no one was harmed in the creation of the decorations.
Columbina-
Biblically accurate angel. She’s more interested in dressing up everyone else than wearing a costume, so she usually teams up with Sandrone and Pantalone to torment Tartaglia
Capitano-
Varka
Pulcinella-
Usually some sort of fantasy creature. He takes suggestions from Childe’s siblings when he brings them candy for Halloween. When Childe was younger, they used to both dress up so you couldn’t see their faces and Pulcinella would make Childe go trick-or-treating so he could “feel like a normal kid”
In more recent years, it’s been to entertain Childe’s siblings since he’s usually out of the country.
Scaramouche-
Refused to dress up until he saw Pierro‘s new hairstyle. He claimed he “refuse[d] to look like that pink fox bitch”
After that, he started dressing like people he didn’t like as a type of threat. Dottore has been the victim most years.
Sandrone-
She has a very cute gothic style. She enjoys dressing up, but is usually more interested in dressing up her puppets. She, along with Columbina and Pantalone, always tries to trick Tartaglia into whatever outfit they’ve planned.
Years of her trying to gauge his measurements has led Childe to believe that she hates him and is always glaring at him.
Signora-
She would always commission high fashion masks and jewelry. She claimed she didn’t care for Halloween, but she always wanted to be the spectacle.
She and Pantalone would compete for who had the most extravagant costumes.
Pantalone-
Like Signora, he always felt the need to go all out. He throws a ball every year for those of high stature across the seven nations.
Allegedly, a noble from Mondstadt was once banned from Snezhnaya after accidentally getting drunk and lighting Pantalone’s expensive cloak on fire with his vision.
He usually makes a dramatic show of flaunting his wealth and making sure rumors of his grandeur spread to Liyuen merchants. He claims it’s coincidental, but the invitation to a Halloween ball slid under the door of Yansheng Teahouse was not.
He works with Sandrone and Columbina on a ‘project’ every year around this time. What the project is is classified, but the “”NFTs”” he sells on the Snezhnayan black market are more than enough to fund his parties.
Arlecchino-
Columbina is responsible for getting her to dress up most of the time. If you asked Arlecchino was her outfit was, usually she wouldn’t be able to tell you.
Her costumes tend to be sexy-died versions of ancient beings, but that’s for only Columbina to know.
Tartaglia-
For years he claimed he only dressed up to amuse his siblings, but his first Halloween outside of Snezhnaya he was forced to admit that he just enjoyed doing it
Some part of him enjoys feeling like a kid again, since he lost his childhood so quickly, though he would never admit it.
His costume last year was a werewolf courtesy of Liyue’s number one ghost expert.
The past few years, he could’ve sworn Pantalone was following him around with a kamera, but he can’t prove it.
He also sometimes gets costume suggestions taped to the inside of his door, much to the chagrin of Pulcinella.
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shadowmaat · 1 year
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Artificial Incompetence
The conversations around "artificial intelligence" are getting a bit bonkers. Not that they're really conversations so much as screaming matches. And not that we're talking about true artificial intelligence so much as algorithm blending programs.
I don't like the recent fad of ABPs. It has a lot of the same earmarks and defenders as NFTs had, and boy howdy did that not work out well for folks. I don't think ABPs have been tied to the fake currency market, but their current implementation is still going to do more harm than good, in my opinion.
I'm not gonna say that writing or art should be "hard" or that people need to "struggle" in order to create things. I do, however, believe that they need to do the goddamn work themselves. Feeding prompts into a content generator doesn't make you a writer or artist. Well, scam artist, maybe. It's taking words/brush strokes from someone else and claiming credit for it. Even if you mention you used an ABP you still didn't create the art yourself, you just fed a program some prompts or the name of some artists you like and it spat out something you claimed as your own.
That's one of the big hangups I have with this fad: taking credit for someone else's work. Reaping all the perceived benefits (kudos, reblogs, etc) without actually doing anything to earn it.
If I give someone a prompt and they write a fic based on it, that story isn't mine. Sure, they might mention I gave them the prompt, but they were the one to write the actual story. Not me. My name doesn't go on the author line and I can't boast to others about the fic I wrote. Because I didn't.
I'm all for accessibility tools to help people complete tasks, and if ABPs were being widely used to help make creative efforts more accessible, I might have a different opinion. As it stands, however, the vast majority of people currently using ABPs aren't using them to help with their own creativity, they're using them as a substitute.
The arguments about data scraping and plagiarism are important, especially if we want to make sure that ABPs stop doing that, but from where I stand it still all boils down to people trying to loophole past responsibility and effort.
It gets worse when you switch gears from fic writing to essays and articles. At least in fiction stuff is supposed to be made up, so, all jokes aside, if some details are wrong it doesn't really matter.
When students start submitting essays to their teachers that they didn't write or sites try using an ABP to write articles, facts become a lot more important. And ABPs are infamous for making shit up whole cloth, even to the point of citing imaginary sources for their facts. That is, quite frankly, dangerous.
You think the past few years (decades, centuries) of misinformation have been bad? It can get a whole lot worse. These programs can seed in just enough "real" information to sell their bullshit as legitimate, and if even some experts have to double-check stuff to figure out what's false, where does that leave the rest of us? Especially all the ones who don't fact check at all before reblogging/believing something they read?
I think the future of artificial intelligence- real artificial intelligence- could be incredibly cool, and when the first AI submits a fic to AO3 I hope I'm around to read it. Right now, though, it's less about exploring potential and all about exploiting it.
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otrtbs · 10 months
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otrtbs revealed to be nft expert???
first of all, why? second of all please bestow your knowledge upon us lay people they still make no sense to me - are people still making them??
i wrote about nft's as an art medium for my master's dissertation this year!!!!! (so very sorry i could talk about this forever and ever)
i was super interested in contemporary artists using crypto technology as an art medium and exploring whether or not nfts had true disruptive potential in the current art world or if they were all fad and no substance (<- to ME nfts are evil. but i digress) i analyzed the disruptive potential of nfts from a feminist perspective applying a few feminist frameworks (that were closely related to or that heavily inspired major feminist art movements) to nft art practices to see how well the technology stood up against the art world status quo
N E WAYZ. yes!! people are still making nfts today!!! however, it is no where near the boom that happened in 2021. also cryptocurrency is experiencing a crash already which has caused a whole nft market crash and i could go on and on about the digital plundering of new technology and resources and how men capitalized off of this space marketed toward and for women and minority artists and made as much money from something that had true equalizing and decentralizing potential and stripped it bare of all the benefits in order to make a quick cash grab but i'll stop b4 i go too far.
if you want me to explain nfts and what they are (more from an art standpoint than a technological one) i can do my best to parse through the complex language and make it brief!! but it would probably have to be its own post bc it would still be pretty long i think just lmk!! <33
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harinicrypto · 3 months
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Shiba Inu Expert Warns Shiba Inu Community to Rising Scam Risks
Lucie, a marketing expert from the Shiba Inu developer team, issued a crucial warning about the prevalence of scams in the cryptocurrency space. She emphasized vigilance against fraudsters who exploit both seasoned traders and novices. Meanwhile, Ledger alerted the community about "address poisoning," a new scam impacting TRX, MATIC, and ETH wallets. This scam involves scammers sending small amounts to record their addresses in transaction histories, potentially misleading users into selecting fraudulent addresses.
Ledger advises verifying transaction addresses to prevent falling victim to such scams. Additionally, users should hide unknown coins or NFTs in their wallets to mitigate security risks. Despite these challenges, Shiba Inu (SHIB) shows resilience, priced at $0.000018 with a 24-hour trading volume of $245,676,458, reflecting a 3.04% increase. Experts predict SHIB could reach $0.0000290 by June 2024, with potential fluctuations between $0.0000180 and $0.0000400
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proispedia · 10 months
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Introducing the Ultimate Pixel Art NFT Collection Creation Service
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thebestfreelancers · 1 year
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🌟 Calling all NFT Creators and Freelancers on Fiverr! 🚀
Are you a digital artist, blockchain enthusiast, or someone looking to explore the exciting world of NFTs? Fiverr is the place to be!
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ruslanalfanov · 1 year
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🌟 Join @bitsCrunch and get rewarded for participating in incentive challenges! 🌟
Greetings, dear friends of the blockchain world! Today I am pleased to introduce you to the bitsCrunch project, a veritable treasure trove of NFT blockchain expertise and analytics dedicated to developing innovative solutions using Artificial Intelligence (AI) and Machine Learning (ML) to secure the NFT ecosystem.
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cryptokimee · 2 years
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Which cryptocurrency will be the best to investment in in 2023?
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Cryptocurrencies have come a long way since the inception of Bitcoin in 2009. The market has seen its ups and downs, with some cryptocurrencies seeing unprecedented growth and others facing a significant decline. As we move into 2023, there are several cryptocurrencies that look promising and have the potential to deliver high returns on investment. In this blog, we will take a look at some of the cryptocurrencies that may be the best to invest in 2023.
Bitcoin (BTC)
Bitcoin remains the most popular cryptocurrency in the market and has dominated the crypto space since its launch in 2009. Bitcoin is known for its decentralization, security, and anonymity, and it remains a favorite of investors due to its high liquidity and potential for long-term growth. While there have been several controversies surrounding Bitcoin, it remains the most popular cryptocurrency with the largest market capitalization. The growing acceptance of Bitcoin as a means of payment by major companies, banks, and governments across the world indicates its increasing adoption and long-term value. In addition, with Bitcoin halving scheduled in 2024, many experts predict that the price of Bitcoin may see a significant surge.
Ethereum (ETH)
Ethereum is the second-largest cryptocurrency in the market and has been growing in popularity since its launch in 2015. Ethereum is a blockchain-based platform that enables developers to create decentralized applications (dApps) and smart contracts. The platform has gained traction due to its ability to support other cryptocurrencies and its vast ecosystem. Ethereum has seen several upgrades, with the most recent being the London Hard Fork that introduced the EIP-1559 protocol, which aims to improve transaction speed and reduce fees. With the growing demand for dApps and smart contracts, Ethereum is likely to see significant growth in the future.
NavC Token(NavC)
NavC is an ERC-20 utility token designed to serve as the native cryptocurrency of the NavExM trading ecosystem. NavExM is a positive cashback centralized cryptocurrency exchange that provides trading and investing in crypto, NFT, and stablecoins.
The primary aim of the project is to reduce the transaction fee and offer positive cash back for every trade at the NavExM exchange. The project will launch in March 2023 as the world’s first revenue-giving exchange for crypto enthusiasts. The current price of NavC Token is $1 its price increased after the launch of NavExM.
Binance Coin (BNB)
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Solana (SOL)
Solana is a relatively new cryptocurrency that was launched in 2020. The platform aims to provide a more scalable and faster blockchain infrastructure that can process up to 65,000 transactions per second. Solana has gained traction due to its high-speed and low-cost transactions and has seen significant growth in the past year, with its market capitalization increasing by over 4,000%. The platform has also launched several partnerships, including with Serum, a decentralized exchange, and Chainlink, an oracle service. With the growing demand for fast and scalable blockchain infrastructure, Solana is likely to see significant growth in the future.
Conclusion
The cryptocurrency market is highly volatile and investing in cryptocurrencies can be risky. It’s essential to conduct thorough research and understand the market before investing in any cryptocurrency. However, the five cryptocurrencies mentioned above have shown promising growth and have the potential to deliver high returns on investment in 2023.
Bitcoin remains the most popular and dominant cryptocurrency in the market and is likely to see significant growth with its upcoming halving. Ethereum and Cardano have gained traction due to their ability to support dApps and smart contracts, and their growing ecosystems make them attractive investment options.
Investing in cryptocurrencies can be a profitable venture, but it’s important to remember that it can also be risky. It’s essential to conduct thorough research, understand the market, and invest only what you can afford to lose. As with any investment, it’s always best to consult with a financial advisor before making any investment decisions.
Looking for a highly rewarding crypto trading platform?
Look no further than NavExM! It is powered by the native utility token NavC, making it one of the most innovative and cutting-edge Crypto Exchange.
If you have any questions related to NavC or NavExM, join us on Telegram and ask away! Our team of experts is ready to answer any and all questions you may have.
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bullmes-invest · 1 year
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BULLMES. 45% per month on AI
BULLMES
IS A GROWING BRAND ON THE MARKET OF CRYPTOCURRENCIES AND FINANCIAL TECHNOLOGY.
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We created a business and arranged everything in such a way that our working system brings profit to absolutely everyone. Our company is the leading experts, traders, managers of high-yield investments in the cryptocurrency market.
Safe and reliable cryptocurrency products for investors, powered by an interaction of artificial intelligence and professional traders.
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NFTs Trade - ROI 28% in monthMin invest: $100 Max invest: $5000 Working time: 9 months
Crypto Arbitrage - ROI 30% in month Min invest: $200 Max invest: $10000 Working time: 5 months
Copy Trading - ROI 33% in monthMin invest: $300 Max invest: $15000 Working time: 6 months
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Futures Trade - ROI 40% in monthMin invest: $1000Max invest: $50000Working time: 8 months
Dex-Bot - ROI 45% in monthMin invest: $700Max invest: $70000Working time: 7 months
You can invest in USDT (TRC20) BUSD (BEP20) USDT (ETH)
About company BULLMES launches advanced crypto platform with access to cryptocurrency investment products. We offer a range of products to help you make the most of your investment. Use a reputable and experienced crypto company to invest in the cryptocurrency market. Our investment opportunities give you the chance to choose where you want to invest and make money while you relax.
The profit generated by traders, bots, distribution and use of money in cryptocurrency transactions is received by three parties in this process: investors, traders and our company. Insuring against investor risk is our priority. To eliminate the possibility of investment losses, we set aside excess profits in reserve funds. And our experts are on hand at all times to help you get the most out of your investment.
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